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Dancing Queen - Glenn Rivera ReStructure Mix - Kryptonite
Kryptonite is a disco project from Canadian producer Joe La Greca
(Hydro, Kat Mandu, MTL Express and Diva) and arranged by Denis
LePage (Lime). “Dancing Queen” is their single from 1982 which makes
a deep bass and drum groove come to life for the dance floors using
the formula which moved the early 80’s into what would become high
energy dance music. This one has several nice hooks which rotate in
and out of the lead vocal informing us of the moves that make the
‘queen’ in the club. It is infectious in many ways with the horns
blaring into the chorus and the heavy drums pumping out the disco
groove.
I have taken the 12” vocal and instrumental of
“Dancing Queen” and revamped the energy again for this ReStructure
Mix. The intro uses a more forceful beat to bring us into the shot
and then I have utilized the drum and conga breaks for breaks and a
fade.
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Always Lookin' - Glenn
Rivera ReStructure Mix - Lipps Inc.
Lipps Inc. is one of the disco bands who marked the era with dance
music which brought the end of the 70’s to a peak and the 80’s with
more possibilities. Their 1980 project “Pucker Up” is their follow
up to the “Funkytown” album titled “Mouth To Mouth” and utilizes the
talents of vocalist Cynthia Johnson and again the creative
arrangements and concepts of producer Steve Greenberg. “Always
Lookin’” is a track from the project which has the power of
Cynthia’s vocals belting out how old nightclubbing habits die hard.
It has a nice energy that is lifted with several riffs and a form
fitting vocal performance.
I have taken the album version of
“Always Lookin’” and re-administered the song a new outline for this
ReStructure Mix. A pulsating bass beat and new drum track guide it
along this time and the essence is stated over again with a drop
out.
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I Don't Want To Be A Freak (But I Can't Help Myself) - Glenn
Rivera ReStructure Mix - Dynasty
Dynasty is a disco/funk/soul ensemble featuring Kevin Spencer, Leon
Sylvers, Linda Carriere, Nidra Beard, Wardell Potts and William
Shelby. Co-produced by Solar Records president, Dick Griffey. “I
Don't Want To Be A Freak (But I Can't Help Myself)” is from their
1979 project titled “Your Piece Of the Rock” and is a tasty
disco/funk track which places the sweetness of disco music among the
groove of funk. The infectious chorus makes it difficult to believe
that this period would be the last of the disco themed songs. There
is a smooth transition from their soulful sound to the disco chorus
moments which make this an outline for an anthem.
I have
taken the 12” version of “I Don't Want To Be A Freak (But I Can't
Help Myself)” and re-funked the pieces with more of a disco edge for
this ReStructure Mix. There is more use of that percussion and the
groove that makes a body move … and can’t help itself.
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Menergy - Glenn Rivera ReStructure Mix - Mother F
Mother F is a high-energy project from Joe La Greca and Denis
LePage. Originally released as a double album of instrumentals from
hits by Carol Jiani, Chris Mills and Lime, this project was a must
and desire for DJs spinning in clubs which gave rotation to the
original hits. The following project featured their covers of
underground disco classics – “Welcome Aboard” by The Love Unlimited
Orchestra and “Menergy” by Patrick Cowley. The cover of Cowley’s
“Menergy” was released in 1981 and laid the track out in a layer of
reproduced in a thinner layer of sequencers remapping the original
in a tribute. The arrangement is credited to Kat Dyson which also
gives another pat on the back to the genius of Patrick’s imagination
and execution of musical thoughts.
I have taken the 12”
versions of Mother F and her cover of “Menergy” and reimagined this
with a hardcore beat ReStructure Mix. The arrangement is rewired for
a new psychedelic journey back into that world of ‘Menergy”.
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Lucky Star - Glenn Rivera ReStructure Mix - Madonna
Madonna is an artist/singer/actress whose career began as a back-up
dancer for disco artist, Patrick Hernandez (“Born To Be Alive”).
Madonna’s first album was one of the exciting moments in 80’s music
history as we were able to see her dedication and complexity to
dance music. Her long run as a celebrity and the never ending shift
in her reinvention of sound and essence of her stance have always
given us a new way of looking up to her. “Lucky Star” is a single
from the first self-titled album and was produced by Reggie Lucas.
This love song is in a nursery rhyme feel with a few new injections
of the electronic dance scene which was taking part in the early
80’s. The vocal from our diva is along the lines of being childlike
to flow with the aim of the tracks adoring desire.
I have
taken the 12” version and instrumental of “Lucky Star” to reignite
this celestial glow for this ReStructure Mix. A few new hollow beats
are added for an endless environment for this wonderful piece.
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Diana - Glenn Rivera ReStructure Mix - Julius Brown
Julius Brown is a vocalist who was produced by Jacques Morali
(Village People, The Ritchie Family) in the early 80’s for two of
the periods powerful high-energy tracks – his first single “Party”
from 1983 was an immediate hit in clubs and “Diana” the second is an
anthem dedicated to the Motown Diva herself, Ms. Diana Ross. The
production is a full on electronic arrangement with pulsating bass
sequencers generating the energy. Along with Julius’ soulful vocals
and approach to each track there is a winning sound all together.
“Diana” has a beautiful and powerful chorus in which Brown makes use
with his ad-libs using titles from Motown classic from the lady. A
nice piece of high energy dance and a plus again for Morali who made
a successful transition into the 80’s as a high energy producer.
I have taken the 12” vocal and instrumental of “Diana” and
recreated the anthem with a few additions for this ReStructure Mix.
The samples of Ross’ classics are layered along with new layered
patterns of the rolling bass and keyboards to present the tribute
with a bit more power.
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Rackety Ride - Glenn Rivera ReStructure Mix - Candy Belle
Candy Belle is a high-energy project from German producer Christoph
Leis-Bendorff and features vocals from Karin Damen. “Rackety Ride”
is the single released in 1987 and is a pumping track with synthetic
horns and bass throughout the arrangement. The story here is plain
and simple where a weekend is quickly approaching and represents an
out of control experience. The energy here is at a mid-pace even
though it seems to strike more intense with the deep bass drums.
This one is the lead from the mid-80’s energy to a newly amended
Euro-energy which focuses more on the layering of the arrangement.
Candy Belle makes the end of the 80’s seem well worth dancing
through.
I have taken the 12” version of “Rackety Ride” and
reworked the piece for this new ReStructure Mix. A new percussion
driven drum track is placed as the foundation for a new direction
where more of the song is a new breakdown throughout the remix.
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The Dominatrix Sleeps Tonight - Glenn Rivera ReStructure Mix - Dominatrix
Dominatrix is Dominique Davalos and Stuart Argabright – an 80’s
group who released “The Dominatrix Sleeps Tonight” in 1984 –
produced by Kenneth Lockie. This track became an underground hit
immediately due to its alternative sound and theme. A full
electronic production with riffs which emphasize an unruly night for
some except for the mistress herself. The keyboards have a raw edge
which follows the new-wave movement yet with a definite New York
underground sound. One piece which resurfaces every once in a while
in circles where the cult music and dark edge are subscribed.
I have taken the 12” versions of “The Dominatrix Sleeps Tonight”
and re-emerged the party once again for this ReStructure Mix. More
of the focus here are on the riffs which made this song an interest.
The new breaks and arrangement are used to give it a new life.
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Love Love Love - Glenn Rivera ReStructure Mix - Sinitta
Sinitta is a high energy singer who is actually the daughter of
Miquel Brown (“So Many Men, So Little Time”) and followed in her
mother’s footsteps in the dance music world by recording some of the
best energetic tracks. “Love Love Love” comes from her 1989 project
titled “Wicked” and produced by Ralf Rene Maue. This super track has
a melody that flows like a disco classic and builds as such. It is
force of music that pulls Sinitta out to honor a contender to give
up the love that can become more than just a fling. Some wonderful
keyboards and a roaring bass sequencer make this one hard not to
understand.
I have taken the album version of “Love Love
Love” and replayed the piece in a new edit for this ReStructure Mix.
A new drum track is laid out to introduce the energy little at a
time and a few new edit breaks are added.
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Never Coming Back - Glenn Rivera ReStructure Mix - Shiver
Santa Esmeralda is one of the European disco groups which began a
movement in the sound of dance music in the late 70’s. “Seville
Nights” is an instrumental piece released on the soundtrack to
“Thank God It’s Friday” in 1978 in a double vinyl package. The track
was also featured in the film and was produced by Jean-Manuel de
Scarano and Nicolas Skorsky. The flamenco instrumental is an outline
of the Spanish themes which the band always projected in an
orchestral layout. Many of their tracks are disco classics in not
only the originality of their execution, but in the full
arrangements which Santa Esmeralda was known for.
I have
taken the 12” version of “Seville Nights” and replayed the track for
this ReStructure Mix which is a tribute to Santa Esmeralda. The
Spanish guitars are given more space here and there are a few new
breaks and dub moments throughout the new mix.
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Seville Nights - Glenn Rivera ReStructure Mix - Santa Esmeralda
Santa Esmeralda is one of the European disco groups which began a
movement in the sound of dance music in the late 70’s. “Seville
Nights” is an instrumental piece released on the soundtrack to
“Thank God It’s Friday” in 1978 in a double vinyl package. The track
was also featured in the film and was produced by Jean-Manuel de
Scarano and Nicolas Skorsky. The flamenco instrumental is an outline
of the Spanish themes which the band always projected in an
orchestral layout. Many of their tracks are disco classics in not
only the originality of their execution, but in the full
arrangements which Santa Esmeralda was known for.
I have
taken the 12” version of “Seville Nights” and replayed the track for
this ReStructure Mix which is a tribute to Santa Esmeralda. The
Spanish guitars are given more space here and there are a few new
breaks and dub moments throughout the new mix.
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Lazer Dance - Glenn Rivera ReStructure Mix - Laserdance
Laserdance is Erik van Vlie and Michiel Van Der Kuy – a Dutch
electronic duo who created a hard-edged dance sound using industrial
drums and keyboards along with the galactic themes. “Lazer Dance” is
their first single from 1984 and is a rotating synthesized piece
which has some clever riffs working over the sequencer bass
foundation. Much in the Italo-disco influence with a touch of their
own imagination which include a robotic-sounding lead taking us into
each adventure.
I have taken the 12” space version of “Lazer
Dance” and reimagined the outer space with a touch of Kraftwerk for
this ReStructure Mix. The galaxy instrumental is lifted by new
rhythms and “boings” from the techno gods.
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Cha Cha Cha - Glenn Rivera ReStructure Mix - Finzy Kontini
Finzy Kontini is Bruno Rosellini, Claudia Colombi and Fabrizio
Baldoni – an Italian disco project from the late 80s. “Cha Cha Cha”
is their 1987 release which helped to keep the flow of disco music
filtering throughout the clubs with this magical sound. The piece
does exactly what the title says – it “cha cha cha’s”. The clever
use of striking keyboards and Latin percussion make this one a hard
one to keep still with. It has a sweet and lyrical lead vocal which
makes the 80’s a complete overhaul for high energy music.
I
have taken the 12” original version of “Cha Cha Cha” and revised the
track for this ReStructure Mix. This new layout is more fluent and
adds more of the “cha cha” that we are promised.
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Finally - Glenn Rivera ReStructure Mix - Ce Ce Peniston
Ce Ce Peniston is soul/house/disco vocalist who took clubs hostage
in 1991 with her hit “Finally” – produced by David Morales. This
powerhouse track made the post-Top-10 Disco during its release and
made Peniston a welcomed standard to playlists and dance floors
everywhere. The staple became even more solid as it became one of
the current pieces played in several films following its release.
The outline is new found love and the excitement can be felt from
start to finish thanks to Ce Ce killer vocal delivery where she
makes and breaks her own “breaks”. A classic and now gold classic
since I am sure many followers are still igniting each time they
hear it played.
I have taken the original 2 vinyl 12” set and
used each one by David Morales to recreate “Finally” again for this
ReStructure Mix. A new rhythm track is laid out to catch the lite
pieces that sift through the original rhythm track and some new
placement is created.
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If You Love Somebody - Glenn Rivera ReStructure Mix - Barbara
Doust
Barbara Doust is a high-energy artist from Canada who is well-known
as the voice behind the track “My Forbidden Lover” by Tapps. Her
solo career from the late 80’s and into the late 90’s gave the dance
floor several memorable moments in the high-energy genre – including
“If You Love Somebody” from 1987 – produced by Vincent Degiorgio.
This piece began as an anthem and finishes that way. It begins with
a wall of heavy synths paving the way for a subtle and irresistible
delivery from Barbara who shares with us the wonders of ‘loving
somebody’. This one did quite well during a period of non-stop
releases in this genre and stands out with her fabulous sound
echoing throughout the mechanical rhythms.
I have taken the
12” vocal and instrumental of “If You Love Somebody” and focused on
the “anthem” edge to recreate this ReStructure Mix. More of the
original sequencers are edited and placed in a new secession as well
as a few more moments for the lovely vocals from Barbara to give us
more insight.
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• Secret Land- Glenn Rivera ReStructure Mix -Sandra
Sandra (Sandra Ann Lauer) is a German pop-singer who took the edge
of the 80’s with her and her producer husband Michael Cretu (Cretu
And Thiers and Enigma) with a powerful electronic dance sound with
her subtle and soft delivery. “Secret Land” is a single from 1988
and is a dreamy dance track with rolling bass to bring it the top
layer of rhythm. It is one of her most memorable pieces with its
haunting and eerie keyboards creeping below the surface. This one is
from her project titled “Into A Secret Land” and has the full
elements of which sound Sandra made her own during the end of the
80’s.
I have taken the 12” vocal, dub and instrumental of
“Secret Land” and reignited a new version for this ReStructure Mix.
Adding a few new percussion tracks in areas to give it a new feel
and also bring alive the magic that Sandra brought to dance floors.
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• Take It To The Top - Glenn Rivera ReStructure Mix - Merge
Merge is C.J. "Blood" Johnson, Debbie A., Marc Reaux, Marlon Mathis,
Randy Alexander, Reg Morris and Walter Thigpen. The funk band from
Chicago released their project titled “Merge” in 1982 and featured
the single “Take It To The Top” produced by Carl Davis. The track
was a big hit on radio stations that featured the new releases of
80’s funk and their top chart dance hits. The energy here is a
non-stop barrage of vocoder chants which bring the energy up to
boiling at times. The vocals are a soulful and sassy demonstration
and help make this piece irresistible. This one would be one of the
underground dance pieces which made it on its own merit.
I
have taken the 12” version of “Take It To The Top” and re-funked the
groove again for this ReStructure Mix. The outline uses more
breakdowns created from the existing vocoders and rhythm tracks to
give the new arrangement more space for the groove itself.
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• Everybody's Got To Learn Sometime
- Glenn Rivera ReStructure Mix - Brian Davis
Brian Davis is a singer who released a single titled “Everybody’s
Got To Learn Sometime” in 1991 – produced by Jean-Yves Galmiche and
F. Ferry. The track was produced in France and has a Euro-house feel
with the resonance of a Stock Aitken and Waterman project. A simple
groove that uses more of the breakdowns in percussion and keyboards
to build on the energy. The focus of the song relays the lessons
learned in a relationship which has gone astray. The single was
released as the lone release from Brian Davis and did well for the
club play in the proper programming.
I have taken the 12”
version of “Everybody’s Got To Learn Sometime” and created a new
ReStructure Mix to give this mid-tempo piece a new stage. The added
percussion is intended to spice up the rhythm and give the message a
bit more recognition. The Four Tops make a cameo here also.
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Looking For A New Love - Glenn Rivera ReStructure Mix - Jody
Watley
Jody Watley began a recording career in a group titled Shalamar in
the late 70’s. Her talent, dedication and hard work gave her a solo
career in the mid-80s. Her 1987 self-titled project gave her a new
opportunity to take the music industry again with five releases from
the album becoming club hits. “Looking For A New Love” is the first
release and became a staple among many clubs and also pop-radio.
Produced by André Cymone and David B. Rivkin this piece made
electronic funk lives again on dance floors and airplay. A great
down beat and several riffs bring this number home with Jody right
alongside. One of that year’s big surprise hits and an opportunity
to give Jody the spotlight she deserved.
I have taken the 12”
vocal, instrumental, bonus beats and A cappella to rework “Looking
For A New Love” in this ReStructure Mix. The new percussion outline
brings a more underground feel to the new outline and several edits
using vocals and bonus beats create new breaks.
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You're Not So Hot - Glenn Rivera ReStructure Mix - Carol Douglas
Carol Douglas is a disco diva who has given the disco era many
tracks to move on dance floors with including “Doctor’s Orders”,
“Night Fever” and “Midnight Love Affair”. Her 1983 project titled
“Love Zone” produced by Andy Barret, Eddie O'Loughlin, Ray Rock and
Richard Sher features her single “You’re Not So Hot” which is
definitive in its own right. This track gives us a Carol fed up with
a relationship that is currently challenging and now somewhat done.
This statement as the titled says, “You’re Not So Hot” is the end of
the romance which seems to bring only lies and pain. It is an early
80s dance floor hit that gives a new sound and a Carol who has moved
on both into the 80’s and in songs message.
I have taken the
12” vocal and instrumental mix of “You’re Not So Hot” and revisited
this sassy piece again for this ReStructure Mix. There is a down
beat and percussion added to give a stomping edge to the rhythm and
a few new breakdowns to make this one shine again – or ‘burn” out!
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• Sat-is-fac-tion - Glenn Rivera ReStructure Mix - Laura Lee
Laura Lee is a soul/gospel vocalist who began her recording career
in the late 60’s and reached the disco era where she recorded the
single “Sat-is-fac-tion” – produced by Don Davis and arranged by Mr.
Patrick Adams. The sensual disco number is a breathy and sexy
outline of just how a lover can leave someone when everything is
right. The saxophone segments are a deep in the sex appeal realm as
much as Laura’s very tender and sensual approach at this dance
tracks. It has many riffs that are memorable and make this 70’s diva
a stance up on her career into the late 70’s.
I have taken
the 12” version of “Sat-is-fac-tion” and realigned the original mix
along with a new bas beat for this ReStructure Mix. The sensual and
airy feel is accentuated by a sequencer almost yearning for a touch
itself.
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• Capricorn - Glenn Rivera ReStructure Mix - Capricorn
Capricorn is an Italian disco group led by producer Claudio
Simonetti – who also is a part of the band Goblin along with
Giancarlo Meo. This project was an early influence in Italian dance
music with an electronic dance sound fused with synthetic strings.
“Capricorn” is a beat-funky track which brings inhabitants from
‘Capricorn’ to find themselves an earth woman to return to their
galaxy where there are none. The keyboard riffs are which stand out
here much like a well-crafted 70’s funk song. Pulsating sounds and
plucking bass guitars unite with a raw-edged vocal which falls into
a soft chorus in a very effective manner. This release from 1980 is
definitely one for those who prefer funk and adventure in their
dance music.
I have taken the 12” vocal and instrumental of
“Capricorn” and applied a bongo driven beat track to the ReStructure
Mix. The keyboard riffs are segmented in a new intro and the breaks
begin the song and play out over this memorable classic.
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• Proud Mary - Glenn Rivera ReStructure Mix - Chi Chi Liah
Chi Chi Liah is a Dutch disco project from Albert Boekholt and Chris
Pilgram. This is a cover of John Fogerty's "Proud Mary" - made a
rock staple from the recording by Ike and Tina Turner. The street
sound of the early 80's was heavily inspired by the DJs who would
utilize the turntables as instruments in early rap music. The
manipulation of each beat was accomplished by double beats infused
and layer below simple keyboard riffs. One of the innovated and
creative styles which impacted many tracks that were breakout hits
such as "Buffalo Gals" by Malcolm McLaren and "Rain Forest" by Paul
Hardcatle. A similar approach to Kraftwerk’s use of electric sounds
and pulses.
"Proud Mary" is given a full-on electronic beat
over haul and driven down a new river. The energy and use of Chi
Chi's vocals are a laid back yet stimulating experience as the two
are mended together. Released 1983 this was a nice addition to high
energy set bringing a union of beats and the rolling bass of the
80's.
I have taken the vocal and bonus beats version of Chi
Chi Liah's "Proud Mary" and worked to make a shift in the original
towering remix for this ReStructure Mix. Focusing more on the flow
of energy with less of the drop beats and ticking percussion. The
movements of keyboards and bass are pieced closer for a more
continuous and street/funk sound.
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• Exotically - Glenn Rivera ReStructure Mix - Peter Jacques Band
Peter Jacques Band is a disco group formed in the late 70’s by
producer Jacques Fred Petrus and arranged by Mauro Malavasi. The
sound of this studio band began as a fast driving disco beat
accented by synthetic percussion and effects that would outline a
fireworks display. Their first album titled “Fire Night Dance”
became an instant hit with the four track release and made the late
70s begin to take note of what would become high energy music in the
early 80’s. “Welcome Back” is their 1980 release where the influence
on New York Disco began to shift a few gears in the project. Petrus
has branched out and produced a studio group called Change
(featuring vocals from Jocelyn Brown and Luther Vandross) and became
a disco art form of electronic pulses and disco strings. The sound
is much of what is heard on the track “Exotically” which features
again an ensemble of vocals outlining the perfection of a
relationship/romance. It has the magic that Malavasi adds many of
the production from Petrus and is obvious that the two were working
closely to formulate this sound.
I have taken the album
version of “Exotically” and rewired the piece for a new ReStructure
Mix. The arrangement is a separation of the musical bridges giving
more of the identity along with some new breaks created from new and
existing pieces of drums, music and chorus riffs.
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• Don Quichotte - Glenn Rivera ReStructure Mix - Magazine 60
Magazine 60 is a French disco project from producers Jean-Luc Drion
and Dominique Regiacorte. Their projects began as Stars On 45 medley
productions in the early 80s and later became a full-group ensemble
featuring Marc Delval, Pierre Mastro, Veronique Oliver and Yves
Delval. “Don Quichotte” is from their 1985 project titled “Costa Del
Sol” and was one of the club favorites of that year. The track has
several keyboard riffs which outline the theme in a somewhat
humorous yet direct mix-down where choruses and sampled sounds and
voices play out in the track. It is one of Magazine 60 and their
style from start to finish.
I have taken the album version of
“Don Quichotte” along with the instrumental dub and recreated a new
ReStructure Mix for this novelty dance floor hit. It uses more of
the instrumental as a foundation for the new outline and several
edits to serve as breaks and a fade out.
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• Mighty High - Glenn Rivera ReStructure Mix - Mighty Clouds Of Joy
The Human League is the 80’s electronic band which created a new
lure to the dance floor in a simplistic yet well defined. Their big
hit “Don’t You Want Me Baby” from 1981 is the landmark of their
success yet the project which brings the complete sound of this band
is “Dare”. From this album comes the track “The Things That Dreams
Are Made Of” which once again strips down the electronic keyboards
and lays out a robotic-rhythm which gives the lead vocals of Philip
Oakey a syncopated finish. This combination is one of the 80’s
perfect moments.
I have taken the album version of “The
Things That Dreams Are Made Of” along with the instrumental from
their The League Unlimited Orchestra release and created a new
ReStructure Mix with more of a dance palace feel. More of the
keyboards are edited and chopped into pieces where a new pounding
drum track can accent them. A tribute here is to The Human League
and their talents in making the 80 are a memorable place.
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The Things That Dreams Are Made Of - Glenn Rivera ReStructure Mix -
The Human League
The Human League is the 80’s electronic band which created a new
lure to the dance floor in a simplistic yet well defined. Their big
hit “Don’t You Want Me Baby” from 1981 is the landmark of their
success yet the project which brings the complete sound of this band
is “Dare”. From this album comes the track “The Things That Dreams
Are Made Of” which once again strips down the electronic keyboards
and lays out a robotic-rhythm which gives the lead vocals of Philip
Oakey a syncopated finish. This combination is one of the 80’s
perfect moments.
I have taken the album version of “The
Things That Dreams Are Made Of” along with the instrumental from
their The League Unlimited Orchestra release and created a new
ReStructure Mix with more of a dance palace feel. More of the
keyboards are edited and chopped into pieces where a new pounding
drum track can accent them. A tribute here is to The Human League
and their talents in making the 80 are a memorable place.
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Magic Carpet Ride - Glenn Rivera ReStructure Mix - Bardeux
Bardeux are a high-energy dance project from Jon St. James – who
gave us Stacy Q (“Two Of Hearts”). The vocals here are provided by
Acacia and Jaz – two harmonic voices who bring a charm to the sound
of Bardeux. “Magic Carpet Ride” is from their first project “Bold As
Love” from 1988. The track is a winding piece of rolling energy
which feeds into diversions of fantasy and love. One of the big
radio pieces in dance music at the time of its release. One of my
favorites when it comes to a lyrical phrase and the voices which can
carry it out.
I have taken the 12” remix vocal and
instrumental of “Magic Carpet Ride” and we plotted the journey for
this ReStructure Mix. More of the emphasis on the fantasy realm
where a dub like arrangement creates a more psychedelic feel.
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• Don't Panic! - Glenn Rivera ReStructure Mix - Liquid Gold
Liquid Gold is a disco band from U.K. and was produced by Adrian
Baker. Their big disco hit “My Baby’s Baby” from 1979 was one of the
exciting releases to experience in a discotheque environment as it
contained all of the energy that disco had become. “Don’t Panic” is
a single released in 1980 which follows along the same lines as the
formula which made their sound work. This one is a fast paced song
of bewilderment and confusion as our lead vocalist, Ellie Hope goes
through a romance on the breaks. It has a dramatic string section
which always outlined the pop-disco tracks of the time and a fast
moving rhythm section which doesn’t seem to phase or heroine here
what so ever.
I have taken 12” vocal and instrumental of
“Don’t Panic” and realigned the segments for a new ReStructure Mix.
A few added percussion track open and end the new remix and some of
the bridges are removed to give a non-stop energy to the flow.
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• Just Like You - Glenn Rivera ReStructure Mix - Heat
Heat is a soul/disco ensemble produced by David Wolfert and Tom
Saviano – featuring vocals from Ed Whiting, Jean Marie Arnold and
Tom Saviano. “Just Like You” is the single from their self-titled
1980 project and echoes the disco-funk sound of the late 70’s with a
jazz fusion. This powerful track has some great vocal as well as
rhythm guitars that administer the groove in more places than one.
The album displays the mellow grooves which follow more of a
contemporary jazz feel and gives off a nice and laid back yet
instinctive edge.
I have taken the album version of “Just
Like You” and moved the jazz feel into a more dance floor
ReStructure Mix. More of the bass and rhythm guitars given a stage
as well as more of the chorus which make the song work well.
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• Looking For Love - Glenn Rivera ReStructure Mix - The Three
Degrees
The Three Degrees are the magic created by The Philly Sound of the
mid-70s and along with their big hits “When Will I See You Again”
and “TSOP” a landmark group was set. In 1978 a monumental session
was created when the girls were produced by disco producer/artist
Giorgio Moroder. The first release is “New Dimension” which
contained the second half of the side one medley, “Looking For Love”
– where this set begins as “Givin’ Up, Givin’ In” ends an unstable
relationship and “Looking For Love” sets forth the search for the
cure for a broken heart. This project contained The Three Degrees in
a motion which literally set them back on the map on dance floors
and for another spotlight on stages around the world.
I have
taken the album version of “Looking For Love” and created a new
ReStructure Mix for homage to the pairing of Moroder and The Three
Degrees. A new beat layer is added to give it a new rhythmic section
and the girls are divided up in a new way to offer energy new to the
track.
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• Baila - Glenn Rivera ReStructure Mix - Afro-Cuban Band
Afro-Cuban Band (originally Love Childs Afro Cuban Blues Band) is a
disco project from producer Michael Zager (Michael Zager Band) and
delivered three projects from 1975 – 1978. “Baila” comes from the
album titled “Rhythm Of Life” and features the Latin flair with a
disco ensemble backing it. The track was released as a single and
did very well in clubs where jocks were adding the rhythms of
Spanish sounds which were the essence of disco music. This was the
last album from the project and is still one of the great pieces of
work from Zager.
I have taken the album and 12” versions of
“Baila” and rewound the piece into a new ReStructure Mix. I have
focused on the piano segments and those fantastic horn sections. The
breakdowns added are to provide the necessary rest stops from that
infectious percussion.
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• Whenever You Need Somebody - Glenn Rivera ReStructure Mix - Ochi
Brown
Ochi Brown is a disco/funk singer who released her third project
titled “Ochi” in 1986. The production is by Daize Washbourn, Stock,
Aitken & Waterman and Willi Morrison (THP Orchestra). “Whenever You
Need Somebody” is a track which was the big single and brought dance
floors a new love song with a groove that was unforgettable for the
time. The song was also covered by Rick Astley and is one of those
80’s pieces which bring to mind the dedication to dance floors as
well as a fond heart.
I have taken the 12” club mix and “pull
it off” mixes of “Whenever You Need Somebody” and fired up another
ReStructure Mix using the existing beats and percussion. The
breakdown between both of the versions is placed in several new
arrangements throughout this mix.
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• Over The Rainbow - Glenn Rivera ReStructure Mix - Viola Wills
Viola Wills is a disco singer who made many marks during several
periods of dance music and its reign. Her big dance palace hit “Over
The Rainbow” from 1986 is from her project titled “Dare To Dream” –
produced by Billy Osborne IV, Mel Simpson and Paul Phillips. This
cover of Judy Garland’s classic from “The Wizard of Oz” is cleverly
disco-fied with a bass rhythm guitar plucking out a bass pattern
that is infectious and a touch of the 80’s dance floor headed into a
deeper and celestial arena. Viola again carries this cover in a way
that a seasoned disco-diva can. It is both a funky and soaring
experience.
I have taken the 12” version of Viola Wills’
“Over The Rainbow” and realigned a new ReStructure Mix for those
hardcore dance-attics and enthusiasts. More of the drum beats are
accentuated by additional percussion and the song is rearranged for
some new drama.
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• I Can't Wait - Glenn Rivera ReStructure Mix - Giorgio and Chris
Giorgio Moroder and Chris Bennett perform together on the project
“Love’s In You, Love’s In Me” from 1978 – featuring Munich Machine.
The side one title medley was always one of the delicate disco love
duets at a time where the sound of Moroder’s keyboards and
sequencers were in an experimental stage. This ballad like medley is
simple in execution and holds close the talent of Moroder and the
gentle vocals of Bennett and their place among disco music. I have
taken the segment “I Can’t Wait” and gave it a spotlight of its own
here as I always waited for each piece to come along for each one to
shine.
I have given the ReStructure Mix of “I Can’t Wait” a
few new elements to bring it a new face in a subtle way. A new
extended play of the track was attempted with hope of not breaking
the flow of its loveliness.
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The Power Of Love - Glenn Rivera ReStructure Mix - Deee-Lite
Deee-Lite is a house group with Ani Schempf, Kierin Kirby, Super DJ
Dmitry and Towa Tei. Their breakout in 1990 created a retro-dance
ignition which was homage to disco and funk music. “The Power Of
Love” is a single from their first project titled “World Clique” and
was another tale on the psychedelic trip meshed into the funky dance
scene of the 70’s. The track gave another chance for lead vocalist
Kierin Magenta Kirby to express her soulful dedication with the
bands assistance. It was one of the last tracks which truly outlined
the bands flavor and success.
I have taken the 12” vocal
house and dub mixes of “The Power Of Love” to work into the 90’s
dance scene in this ReStructure Mix. Using portions of the versions
which were fluent and stood out within their own “power”.
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• I Feel Love - Glenn Rivera ReStructure Mix - Devastation
Devastation is a techno/rave project from Dennis Pino and Joe Reina.
Their cover of Donna Summer/Giorgio Moroder’s “I Feel Love” from
1991 is a wiry and eclectic take on the disco classic. Arranged
using segments from the Patrick Cowley remix and a vocal by Laurie
Caban and utilizing the feel of the original as close as possible.
There are some new rave, acid house and techno elements pumping up
the energy. The release came when rave music was working its way
through the circuit so it is no wonder that the Moroder masterpiece
was thrown onto dance floors again with a then harsher edge. It is a
nice homage to the classic and along with Caban’s vocals it will
bring you right back to 1977.
I have taken the 12” vocal and
acapella of Devastation’s “I Feel Love” and moved in on a new angle
with this ReStructure Mix. The mix has become a love song for Donna
and a guest spot from Ms. Peggy Lee. The flow breaks into segments
as the original, however a few turns into a mysterious ending make
this remix “feel” more than love.
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• Bring On The Love - Glenn Rivera ReStructure Mix - Gloria Jones
Gloria Jones is a soul-vocalist who is best known for her 1964
recording of “Tainted Love” which was later recorded by Soft Cell.
Her 1978 project titled “Windstorm” – produced by Richard Jones
contained her single “Bring On The Love”. This beautiful piece was
released as a 12” disco single and made playlists for clubs
utilizing the softer edge of dance/disco music. The theme of this
number reunites estranged lovers who are ready to start over again –
this time, as friends. It is quite an emotional track and Gloria
creates a lovely narrative for the message.
I have taken the
12” vocal and instrumental of “Bring On The Love” and realigned the
arrangement for this ReStructure Mix. A longer intro with new beats
and percussion guide us into the love and also a few breaks where a
breath is needed.
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• You and Me - Glenn Rivera ReStructure Mix - Spargo
Spargo is a Dutch disco group formed in 1975 and features Ellert
Driessen, Jeff Nassenstein, Leander Lammertink, Lilian Day Jackson,
René van Collem and Ruud Mulder. Their 1980 project titled “Good
Time Spirit” contained their single “You and Me” which became a
recognizable sound during its release – produced by Steve Yelick
'Mr. Meter' and Dicky Lafour. The bubbly and lyrically simple piece
had the essence of the disco experience including the syn-drums
exploding throughout the arrangement of rolling bass and funky
rhythm guitars. During the early 80’s where dance music arrangements
became more electronic and less layered this song is one of the
examples of the period.
I have taken the 12” version of “You
and Me” and worked at remodeling a new ReStructure Mix for Spargo’s
gem. New drums are added as well as a few new layered effects to
accentuate this tribute to the 80’s dance scene and Spargo.
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• Conga - Glenn Rivera ReStructure Mix - Miami Sound Machine
Miami Sound Machine is a Latin American band founded by band leader,
Emilio Estefan, Jr. in 1977 –the band went on to continue and soon
acquired lead vocalist Gloria Fajardo, later becoming Gloria Estefan
and branching off to a solo career. “Conga” is one of the first
major singles from 1985 their project titled “Primitive Love”. The
track became very popular in the club circuits and revived a Latin
dance edge that was missing in the pop realm. It is one of the
celebratory pieces which evolved in its own sound and is still one
of the staples of the dance era of the 80s.
I have taken the
12” vocal and dib versions of “Conga” and re-invigorated the piece
for this ReStructure Mix. A bit more of the piano sections are given
the stage here along with more of Gloria’s captivating vocals.
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• I Don't Wanna Lose You - Glenn Rivera ReStructure Mix - Radiorama
Radiorama is a Eurobeat from the mid-80’s founded by Aldo Martinelli
– with vocals from Mauro and Clara Moroni. “I Don’t Wanna Lose You”
is from their 1988 project titled “The Legend” and is produced by
Marco Bresciani and Paolo Gemma. This single was one of the low-bpm
pieces which became a staple in my club for its heavy drums and
pop-lyrical chorus. It has many of the elements which made Radiorama
a group which stood out during the transition from the European
disco sound becoming more evident in releases for club play.
I have taken the 12” version of “I Don’t Wanna Lose You” and
recreated a new ReStructure Mix to outline this sound and Radiorama
itself. The drum beats remain intact with the help of a new back
beat to give it a deep feel.
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• Touch Me - Glenn Rivera ReStructure Mix - New Baccara
New Baccara is a disco project from producers Luis Rodriguez and
Reinhardt Frantz – the group was originally known as “Baccara” and
added the prefix during the 90’s. Vocals in this single titled
“Touch Me” are from María Mendiola and Marissa Perez and are
exorcized in a way here which is more majestic. The theme of this
high energy piece is a sensual display of a desire to be freed by
one touch. One of the Euro-dance tracks with a few riffs which make
it memorable.
I have taken the 12” vocal and instrumental of
“Touch Me” and reapplied this hot desire to a new ReStructure Mix.
Adding some new percussion and beats to make this remix more
pounding and top-sided. It is another 80’s dance moment that marks
the high energy era at its best.
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• Harmony - Glenn Rivera ReStructure Mix - Suzy Q
Suzy Q is a Canadian disco project from producer Jerry Cucuzzella.
The studio work consisted of three separate lead vocalist
representing time periods and releases. The 1985 cover of Suzi
Lane’s “Harmony” (originally produced by Giorgio Moroder) is one of
the best disco reworks since the vocals come into a diva-like realm
and explode throughout this new arrangement. The lead vocal from
Angie Vileno are stamp in this production and make the track new all
over again. A great 80’s remake and also another example of high
energy taking the initiative to keep dance music alive.
I
have taken the 12” vocal and instrumental of Suzy Q’s “Harmony” and
re-managed the great keyboard work into a whole new ReStructure Mix.
A play with the vocals in areas and also adding a few new breaks
along the way.
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• Up Where We Belong - Glenn Rivera ReStructure Mix - Deevotion
Deevotion is a Euro-house project from Germany – produced by Jens
Lissat and Ramon Zenker. Their 1992 single “Up Where We Belong” is a
cover of the Jennifer Warnes/Joe Cocker ballad from the film “An
Officer and A Gentleman” from 1982. This slick version and take on a
ballad is one of the big moments in Euro-house music as this
arrangement plays close to the feel of the original emotion and adds
yet a house groove without any regrets. One of the best of
conversions from ballad to dance floor stomper since many of the
anthem tracks that dominated during the late 80’s.
I have
taken the 12” club mix and also “mountains” dub and remerged the two
as a new ReStructure Mix. Being one of my favorite pieces of dance
music I focused on an ethereal blend to keep the momentum energy of
house music moving and the heart felt sounds of the lyrics and
ballad.
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• Chinese Eyes - Glenn Rivera ReStructure Mix - Fancy
Fancy is Manfred Alois Segieth – a German producer who formulated
many dance projects that became the sound of the 80’s high energy
scene. “Chinese Eyes” is a single released in 1984 and is one of the
memorable pieces from Fancy as it hits hard with many heavy bass and
keyboard riffs. The 80’s dance scene was ready for this edge of
pulsating electronic beats and synthesizers and the formula became a
standard. The vocals are a mainstay of Fancy’s singles and give the
songs a momentous approach at building to a crescendo. A very
popular piece and one which I would have to program over and over
during the time it became a staple.
I have taken the 12”
vocal and instrumental of “Chinese Eyes” and have reimagined the
piece again for this ReStructure Mix. I have added a few new drums
on the intro and closing and then worked a few new breaks into the
excitement.
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• The Desert Place - Glenn Rivera ReStructure Mix - The Twins
The Twins are Ronny Schreinzer and Sven Dohrow – a German
dance/synth-pop band who captured the early 80’s dance sound with a
mixture of magnetic keyboard riffs and a new-wave edge on vocals and
sound. “The Desert Place” from 1981 is their first big single from
the project titled “Passion Factory” – produced by The Twins. This
piece is heartbreak of yearning to where a past love takes us to a
lonely place when it is over. The sound of this one is ominous and
always makes the emotions stir along with the roof shaking. One of
the great electronic dance pieces of its time and a start for this
band that always seemed to get it right.
I have taken the 12”
version of “The Desert Place” and reworked a patch work of the
original for this ReStructure Mix. Many elements from the original
are reedited and realigned to create a whole new experience.
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• The M.B.O. Theme - Glenn Rivera ReStructure Mix - Klein and M.B.O.
Klein and M.B.O. is Mario Boncaldo and Tony Carrasco – creating a
sound for the dance floors in the early 80’s which centers between
the street beat sound of New York combined with the Italo-disco
synth-edge. Their first release in 1982 was titled “Dirty Talk” and
played out with several electronic riffs which made their sound
recognizable. Their album followed soon after the success of the
single and featured more tracks in this laid back groove with a
percolating layer of percussion riffs. “The M.B.O. Theme” is a
keyboard piece opening up the project and uses the familiar guitar
riffs and keyboards to playout an overture for their tracks.
I have taken the 12” version of “The M.B.O. Theme” and worked on a
new ReStructure Mix to pay homage to Italo-disco and its courage
create for dance floors and also to Boncaldo and Carrasco for their
many contributions. This new remix offers the original segments with
some new down-beats and drum effects to give it a new jolt.
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• Instant Love - Glenn Rivera ReStructure Mix - Sylvia Love
Sylvia Love (Chantal Pierre) is a singer who after 2 singles from
1979 became an underground sensation. Her sensual vocals floated
above her songs, “Instant Love” and “Extraterrestrial Lover” –
produced by Trevor Vallis and arranged by Craig Pruess. These
singles were a big part of the after-hours dance clubs which would
offer dancing until the sun came up with variations of songs that
would be dream-like states of dance conciseness. It was the area
which I was drawn to immediately since more of these styles and
productions were imaginative and heavily layered. The big track
“Instant Love” is an introduction to disco-cosmic recordings since
it practically takes off on its own with a galactic like edge.
II have taken the 12” vocal and instrumental of “Instant Love”
and lost myself to finding a new way of presenting this beauty in
this ReStructure Mix. The rhythm guitar pieces and a few keyboard
riffs are spotlighted on their own as new breaks and segments to
remember this fabulous piece by.
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• Rhythm Of the Night - Glenn Rivera ReStructure Mix - DeBarge
Digital Emotion is an electronic disco project from The Netherlands
– produced by Adams & Fleisner. The group is Cickie De Beer, Jean
François Colombo and Myrna Balrak. Their music from the mid-80’s and
onto the millennium brought a sound that was fully electronic yet
powerful and infectious. “Humanity” is a single from their 1984
self-titled project and is another example of the outline you can
find in this explosion of synths and roaring sci-fi effects. One of
the high energy periods that the 80’s made a classic stamp with the
energy projects as these brought to the dance floors.
I have
taken the 12” version of “Humanity” and re-ignited the power over
again in this ReStructure Mix in a new arrangement. More of the
layering of keyboard grooves and the rolling sequencers take part in
this new mix and it allows us again to take off from this planet to
another.
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• Humanity - Glenn Rivera ReStructure Mix - Digital Emotion
Digital Emotion is an electronic disco project from The Netherlands
– produced by Adams & Fleisner. The group is Cickie De Beer, Jean
François Colombo and Myrna Balrak. Their music from the mid-80’s and
onto the millennium brought a sound that was fully electronic yet
powerful and infectious. “Humanity” is a single from their 1984
self-titled project and is another example of the outline you can
find in this explosion of synths and roaring sci-fi effects. One of
the high energy periods that the 80’s made a classic stamp with the
energy projects as these brought to the dance floors.
I have
taken the 12” version of “Humanity” and re-ignited the power over
again in this ReStructure Mix in a new arrangement. More of the
layering of keyboard grooves and the rolling sequencers take part in
this new mix and it allows us again to take off from this planet to
another.
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• Tonights The Night (Good Time) - Glenn Rivera ReStructure Mix -
Kleeer
Kleeer is a disco/funk band featuring Eric Rohrbaugh, Isabelle
Coles, Melanie Moore, Norman Durham, Paul Crutchfield, Richard Lee,
Terry Dolphin, Woody Cunningham and Yvette Flowers. Their big disco
hit “Keeep Your Body Workin'” from 1978 gave this ensemble a step
into the success of a single which crossed over between disco and
funk. The project titled “I Love To Dance” released in 1979
contained the track “Tonight's The Night (Good Time)” which
resonates with the grooves which were aimed with a nightlife anthem
in mind.
I have taken the album version of “Tonight's The
Night (Good Time)” and reworked the track for this new ReStructure
Mix. I have added a new beat track and also a new percussion riff to
make this groove work all over again.
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• Last Call - Glenn Rivera ReStructure Mix - Jolo
Jolo is Jo-Carol and Lauren Carter – previously The Patrick Cowley
Singers and a duo who delivered high-energy work throughout the
mid-80s. “Last Call” is their 1984 single produced by Barry Beam and
John Hedges on the Megatone Records label. This piece is an
extraordinary work of beautiful riffs and the longing desires of the
night world and playing the scene where the closing of the night
only begins after hours. One of the singles from that year which
plays out smoothly yet full of energy to pulsate over the dance
floor. The production is a keyboard and drum fantasy and work up to
a crescendo for the divas to build their notes to.
I have
taken the 12” vocal of “Last Call” and reworked a new ReStructure
Mix to pay homage to Jolo and the high energy scene of the 80s. Some
of the most lyrical pieces are used to bring this one another chance
to bring that hour in with some more desire.
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• Go Get It - Glenn Rivera ReStructure Mix - Metropolis
Metropolis is a 1978 disco project produced by Thor Baldursson and
Tom Moulton. It features the trio of Barbara Ingram, Carla Benson
and Evette Benton known as The Sweethearts Of Sigma – and also for
adoring man of disco music’s hits from the mid-to-late 70’s. “Go Get
It” is a funky disco track that uses the rhythm guitars as its main
groove and then builds with a horn section which takes over from
there. The piece is a track from their “The Greatest Show On Earth”
project and reflects the early sounds of disco maturing into a new
period of dance music.
I have taken the album version of “Go
Get It” and used the guitars and main groove to play this
ReStructure Mix into a new version. It has a new percussion layer
below the surface to give way to that Euro-disco edge that made the
disco floors go mad.
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• Potential New Boyfriend - Glenn Rivera ReStructure Mix - Dolly
Parton
The Art Of Noise is a British experimental pop group featuring Anne
Dudley, Gary Langan, Paul Morley and Trevor Horn. Their music was an
excursion into the sampled street style of music taking on its own.
Their initial release titled “Who's Afraid Of The Art Of Noise” from
1984 contained their abstract title “Close (To The Edit)” which
became an instant underground hit. The arrangement consists of
pieces of recorded sounds (samples) being laid out a rhythmic parts
and segments of melodies. The track like their many aims to work
this new genre is infectious and leaves to mind an unfinished yet
satisfying experience. Their work is somewhat of a masterful touch
of engineering for the mixdown process.
I have taken the 12”
version of “Close (To The Edit)” and reworked their pieces of
ingenuity into a new ReStructure Mix. The new version which I have
laid out focuses more of the piano riffs and adding a new sample to
bring this one deeper into the “edit”.
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• Close (To The Edit) - Glenn Rivera ReStructure Mix - Art Of
Noise
The Art Of Noise is a British experimental pop group featuring Anne
Dudley, Gary Langan, Paul Morley and Trevor Horn. Their music was an
excursion into the sampled street style of music taking on its own.
Their initial release titled “Who's Afraid Of The Art Of Noise” from
1984 contained their abstract title “Close (To The Edit)” which
became an instant underground hit. The arrangement consists of
pieces of recorded sounds (samples) being laid out a rhythmic parts
and segments of melodies. The track like their many aims to work
this new genre is infectious and leaves to mind an unfinished yet
satisfying experience. Their work is somewhat of a masterful touch
of engineering for the mixdown process.
I have taken the 12”
version of “Close (To The Edit)” and reworked their pieces of
ingenuity into a new ReStructure Mix. The new version which I have
laid out focuses more of the piano riffs and adding a new sample to
bring this one deeper into the “edit”.
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• I Love Men - Glenn Rivera ReStructure Mix - Cinema
Cinema is a high energy dance project from producer, Warren Schatz
who wrote, arranged and produced this disc. The 80’s high energy
scene was always giving the touch of disco a lingering sound on
dance floors. “I Love Men” is another take on the hedonism of the
male figure and taking it to heart with a love sonnet placed on a
fast dance track. This one plays out as a deep fantasy or desire for
thought that takes up much of her time. The production from Schatz
gives us plenty of the dramatic strings that sweeten this track and
also a very nice harpsichord sound for the majestic feel of the
dance theme.
I have taken the 12” vocal and instrumental of
“I Love Men” and re-wired the song into a new ReStructure Mix. The
intro gives off the full energy from the original version and
introduces this idea with an initial blast.
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When Will I See You Again - Glenn Rivera ReStructure Mix - Magda
Layna
Madga Layna is an artist who was a part of the resurgence of disco
music in the early 80’s via San Francisco producer, Bill Motley –
who also produced Boys Town Gang, Lisa and Margaret Reynolds. His
dedication to the sound of disco productions is a period where his
music created the lush strings of soaring dance tracks along with
the funky guitars and heavy percussion. Magda Layna’s cover of The
Three Degrees hit, “When Will I See You Again” is another feat where
Motley scored with a more downbeat version in 1983. The sweet
essence of the song remains intact along with the added synthesizers
and drum breaks to give it that dance floor feel. One of the San
Francisco disco classics from the classic Megatone Record label.
I have taken the 12” vocal version of Magda Layna’s “When Will I
See You Again” and re-defined the track in this ReStructure Mix. The
pieces from the original chorus now become breaks and the percussion
breaks bridges to the beautiful verses. It is a new dub-end feel for
this 80’s dance classic.
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Star - Glenn Rivera ReStructure Mix - Claudio Mingardi
Claudio Mingardi is an Italian singer who released his single “Star”
in 1983 – produced by Roberto Zanetti. The track is one if the
adventurous pieces with the energy which makes the 80’s reflect as
the high energy dance era. This track is more mid-tempo however the
rolling bass sequence accents the level of power it creates. The
theme is more of an imaginary hero who brings the sweetness in the
chorus to life. The single was always an early evening warm up for
me in my sets to bring on the energy as the evening progressed. A
very nice and melodic feel give this one a nice purpose to keep the
energy alive.
I have taken the 12” of “Star” and reenergized
the feeling with more of a regal opening for this ReStructure Mix.
The dramatic keyboard elements are the segments which I brought out
and the new break make for a whole new edge for this classic.
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Duri Duri (Baila Baila) - Glenn Rivera ReStructure Mix - click
click! is an 80’s synth-pop ensemble featuring Adriana Camacho,
Claudia Given and Rocio Sobrado – and produced by Alan Coelho
(Tapps) and Hernani Raposo. The theme of their music featured Latin
compositions to a synthesized dance pop beat. “Duri Duri (Baila
Baila)” is their 1987 single from their project “Con Amor Para Ti”.
A piece following the high energy sound of the mid and late 80’s
with the senoritas serenading us throughout the number. An
infectious vocal is the lead in of the song and brings to mind a
celebration from then on. One of the big hits in my club and a very
popular T-Dance song.
I have taken the 12” long version of
“Duri Duri (Baila Baila)” and replanted the energy into a new
mixture for this ReStructure Mix. There are a few familiar
percussion riffs added from the disco classic band Sana Esmeralda
and more music per castanet clack!
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I Won't Let Go - Glenn Rivera ReStructure Mix - The System
The System is David Frank and Mic Murphy – an 80’s duo who brought
to life the sexy and heartfelt edge of electro-funk. Their 1983
track “I Won’t Let Go” from their project “Sweat” is one of the
love songs which resonates a groove and vibe that pluck the
heartstrings. Like their big hit “You Are In My System” from the
same project which was covered again by Robert Palmer. This
pulse of love is one of favorites of the early 80s and contains many
riffs both instrumentally and vocally that make the heart
content.
I have taken the 12” long and the album long
versions to contain both for this ReStructure Mix of “I Won’t
Let Go”. I have added a few new drum tracks to piece the roof again
and extended those sweet lyrics into a new beat box love theme.
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• Fly Like An Eagle - Glenn Rivera ReStructure Mix - Habit
Habit is Nick Amour, Andy Carroll and Mick Martin. This trio created
a deep house sound which became the staple of many cover-songs
during the late 80’s. “Fly Like An Eagle” is their bass-driven
effort on the Steve Miller Band rock classic from 1976. This
production moves below the surface with a deep bass synth rolling
over the houses drums kicking away. It is an effective transition to
the dance floor of the early 90’s and brings back that fantasy edge
this song always produced.
I have taken the 12” vocal and
dub versions of “Fly Like An Eagle” and placed it in a new soaring
ReStructure Mix. The energy moves along as booming as it did during
the release and a few new stops have been added along the way.
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• Angel You - Glenn Rivera ReStructure Mix - Primadonna
Primadonna is Giorgio Dolce, Miyuki Irie and Stefania Dal Pino – an
Italo-disco group from the mid-80s. The tempting sound of
Italo-disco made the 80s more of a lyrical place on dance floors.
“Angel You” is their 1986 single – produced by Giorgio Dolce and
living up to the soft and melodic delivery which brought dance
floors a sway and gentle release with this concoction of sound.
“Angel You” has several hooks that work the beauty into a nice
variation of love song meets a mystery. It has that vibrato lead
vocal which teases from the first note. This one was always of
favorite of mine and my dance floor.
I have taken the 12”
club version of “Angel You” and remapped this track for a
ReStructure Mix to extend the good feeling. A few pieces of the
original via hooks are ornate throughout the mix to bring the groove
up to a fluent energy.
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• I Can't Wait - Glenn Rivera ReStructure Mix - Nu Shooz
Nu Shooz is Danny Schauffler, John Smith, Rick Waritz and Valerie
Day – an 80’s dance group whose big 1985 hit “I Can’t Wait” is one
of the most distinguishable songs from the time period. Thanks to
the sample riffs which are layered in this impatient theme of lovers
giving way to the excitement of love. The track produced by The
Drone Bros. is a slick r&b feel number that captures the groove from
the start. It is one of the classics which remain a memory of good
times and once again the delivery of dance music which only purpose
is to move your feet.
I have taken the 12” version of “I
Can’t Wait” and reworked the elements to reignite a new ReStructure
Mix. The foreground is a new drum pattern to give this song a whole
new moment on the dance floor.
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• Camino Al Destino (Wishbone) - Glenn Rivera ReStructure Mix -
Tantra
Tantra is an Italian disco project from producer Quelli Del Castello
and Celso Valli arranging. This innovative studio project was
heavily influenced by the Euro-disco sound of the late 70’s and gave
Tantra the freedom to give their music hypnotic and morphing
arrangements. A year after their first project the 2 side long
tracks were released on a 12” and recorded in Spanish. These covers
of both “Hills Of Kat Mandu” and “Wishbone” were more of a
collector’s gift and the presence only signifies the creative
freedom Valli and producers unleashed. “Camino Al Destino
(Wishbone)” is the version of a song which resembles knowledge from
ones past soul and is placed with a mysterious sitar and Flamenco
rolling guitars. One of the intriguing pieces of this one where the
lyrics delve into a journey of a life here and after.
I have
taken the 12” version of “Camino Al Destino (Wishbone)” and
reinvigorated myself to lay out a new edge for this ReStructure Mix.
Some heavily Indian styled drums are added and more of the mystery
is fazed.
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• Breakout - Glenn Rivera ReStructure Mix - Swing Out Sister
Swing Out Sister is Andy Connell and Corinne Drewery – an 80’s group
whom transferred the magic of beautiful jazz lounge into a dance
pill. Their big single “Breakout” from 1986 is one of the most
memorable and paints a picture of the ominous end-of-the-week
sensation that comes over us and delivers it in a lovely message.
Vocals are the main layer here with a resonance of Sade’s
introduction to pop and how they changed the map for music. This one
is a nice them song for that night out where you can refrain
yourself while letting go.
I have taken the 3 versions of
“Breakout” from the US 12” and utilize pieces of each to recreate a
new scenario for this ReStructure Mix. I have portrayed this remix
as an abstract musical canvas where the motion changes from verses
to chorus.
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• Burn In His Hands - Glenn Rivera ReStructure Mix - P.Lion
P.Lion (Pietro Paolo Pelandi) is an Italo-disco artist whose career
began at the start of early Italo-disco sound. The early sounds of
his work were the portrayal of the uplifting and imaginative sound
of the early 80’s scene from Italy and gave him the chisel of the
electronic disco sound. In the 1991 Italo-house/techno piece “Burn
In His Hands” this artist releases a whole new energy onto the dance
floor in a new concept and placement. Using supposed vocal segments
from Mahalia Jackson’s “He’s Got The Whole World In His Hands”
(“burn in his hands”) he creates a fierce “carnival style piece that
builds and builds with only a few segments of sampled vocals. It is
one of my favorites and a lump of samples I could never get out of
my head after hearing for the first time.
I have taken all 4
12” versions of the original version of “Burn In His Hands” and
reedited the pieces of each for this ReStructure Mix. A hard hitting
percussion/bongo piece layered over some drum beats from Lobo and
the new version is ignited.
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• I Want A Man - Glenn Rivera ReStructure Mix - Bonnie Forman
Bonnie Forman is a high energy vocalist from the 80’s whose initial
success came with her productions with producer, Bobby Orlando (The
Flirts, Waterfront Home, Hotline, WOW, Oh! Romeo). Her 1984 release
“”I Want A Man” is one the most memorable of her HI-NRG tracks since
it is the perfect edge for her voice. Given the directness of her
desires we are commanded by this fast moving electronic dance piece.
It has all of the keyboard staples which Orlando created
specifically his brand and this one makes the floor move on its own.
I have taken the 12” version of “I Want A Man” and used the
existing keyboards and synthetic percussion to re-capture this one
for a ReStructure Mix. There are a few new segments which are
intended to assist in the breakdown and also give us more of what
Bonnie needs.
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• Gimme, Gimme, Gimme - Glenn Rivera ReStructure Mix - The
Three Degrees
The Three Degrees and Stock, Aitken and Waterman in 1985 – “Gimme,
Gimme, Gimme”. The efforts of the trio of hit masters and the lovely
voice of this ensemble were a close return to the disco edge of “The
Runner” and their high-energy sassy delivery. The 80’s took the
piece into a more into the pop-synth arena yet the energy thanks to
the vocals gives off that magnificent disco era feel. The song is a
teasing promise of love with the delivery of the goods and has the
drive of a classic sexy disco classic.
I have taken the 12”
version of “Gimme, Gimme, Gimme” and re-energized the song for this
new ReStructure Mix. A new drum pattern moves the energy along and a
few new segues are created to give the song more energy.
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• Miss Me Blind - Glenn Rivera ReStructure Mix - Culture Club
Culture Club is an iconic 80’s band and their music gave the scene
and the generation an identity. “Miss Me Blind” from their 1983
project titled “Colour By Numbers” – produced by Steve Levine. The
track is another one of lead singer, Boy George and his vocal
mysticism of the time. His gentle yet directed emotion always gave
these tracks a fullness that was more like a love anthem. The band
also includes Jon Moss, Michael Craig and Roy Hay – who along with
the outline of a new direction for music and the “culture”
formulated the 80’s into a memorable place that was uplifting and
yet provoking.
I have taken the 12” vocal and the
instrumental of “Miss Me Blind” and revamped the song for this
ReStructure Mix. This time around more drums are added for a more
club-underworld type feel and segments of the instrumental give some
of the flowing beauty more of a stage.
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• The Age Of Love - Glenn Rivera ReStructure Mix - Age Of Love
Age Of Love is Bruno Sanchioni and Giuseppe Chierchia – an Italian
based techno project which their first single “The Age Of Love” from
1990 brought the attention to the techno and new trance movement.
The piece is eclectic in its formulation where many sounds and
vibrations play part in the rhythm. As experimental as Kraftwerk was
in the mid-70s. The track has mystic feel to its somewhat
claustrophobic groove yet plays out with a hypnotic effect – which
in turn became the sound of trance music throughout the 90’s.
I have taken the 12” versions of “The Age Of Love” and focused
on the real pieces that make this one click in this ReStructure Mix.
I have added a touch of beats and percussion to lift the energy a
step higher.
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• Dirty Looks - Glenn Rivera ReStructure Mix - Diana Ross
Diana Ross made Motown a classic sound for girl groups along with
The Supremes in the 60’s and throughout the 70s she found her new
title “The Boss” in disco music. In the 80’s her venture made a new
place for her move on 80’s pop-dance tracks. “Dirty Looks” is from
the project “Red Hot Rhythm and Blues” from 1987 and is produced by
Tom Dowd. This track plays with the sexy innuendo and gives our lady
a chance to use her vocals with a lure and sexy edge. It has the
heavy percussion which makes the dance floor the perfect landing and
as this number continues on it takes off with Diana’s sexy overture.
I have taken the 12” vocal, instrumental and bonus beats of
“Dirty Looks” and revamped it for this ReStructure Mix. There are
extended bridges throughout this new take and also a couple of new
breaks to give it a new lift for the soul.
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• Dolce Vita - Glenn Rivera ReStructure Mix - Ryan Paris
Ryan Paris is an Italian singer whose and one of the early voices of
early 80’s Italo-disco which gave the style an identity. His music
along with producer Pierluigi Giombini helped to set the stage for
the sound of dance music which would take a new place in dance
history. “Dolce Vita” is a single from 1983 and perhaps one of his
most haunting. This piece is a level of celebratory remembrance and
emotion which transforms itself into a majestic piano concerto at
times. It contains the 80’s dance feel and logic of the stamp that
Italo-disco would be proud and influence many new artists to take
the opportunity to be as creative.
I have taken the 12” vocal
and instrumental of “Dolce Vita” and realigned the track for this
ReStructure Mix. Adding a light touch of new beats and bongos to
accentuate areas of the song and also maintain the fabulous
instrumental pieces which make this song a wonderful as it is.
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• It All Comes Down To Love - Glenn Rivera ReStructure Mix -
Stainless Steal
Stainless Steal is a disco project from producer Pete Bellotte
(Donna Summer, Trax) and arranger Geoff Bastow (K.I.D.) and features
a full-on orchestrated disco ensemble. The project is centered on a
disco version of “Can-Can” and in many ways a following of the disco
themed projects. More of the studio work here is layers and layers
of strings, horns along with the heavy disco beat and funky rhythm
guitars. “It All Comes Down To Love” is a segment of grooves with a
disco chorus enlightening a message that resonates throughout the
piece. The flowing strings make this one almost a symphonic
experience. It is another one of those dance numbers that pulls the
groove out and stretched it beyond its label.
I have taken
the album version of “It All Comes Down To Love” and reworked the
rhythmic piece into a new ReStructure Mix. I have added some new
percussion pieces to outline the arrangement and also created a few
new breaks along the way.
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• Love Thang - Glenn Rivera ReStructure Mix - First Choice
First Choice is a trio featuring Annette Guest, Debbie Martin and
Rochelle Fleming. Their 1978 album “Hold Your Horses” is one the
disco banquets of the time period. Produced by Tom Moulton, Norman
Harris and McKinley Jackson this project was a shining example of
who delivered during the peak of the disco music explosion. “Love
Thang” is the funky piece which plays out appropriately for the
ladies and their soulful pipes. It is a touch of the disco sound
bringing the elements that have been polished from the early 70’s.
I have taken the album version of “Love Thang” and made a
new ReStructure Mix by rewiring the elements. A new percussion piece
levels in the new intro and throughout the mix there are extended
bites of delicious disco.
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• Let Go - Glenn Rivera ReStructure Mix - France Joli
France Joli became of the disco music’s gem and the start of her
career became the flame that burned on in discotheques from the
release of her classic “Come To Me” in 1979. This powerhouse project
was produced by Tony Green and featured some of the best performers
of disco music from the near past, The Sweethearts of Sigma and
future bloomers including Denis LePage (Lime). “Let Go” is the
second cut from the project and is the girl-talk ad-libs of a bad
relationship and feeling early remorse over ending it. This one is
as outlined as disco music allows and gives of the power of the bass
and strings in the disco music genre. France also delivers a
wonderful vocal which gives of the pain that the theme is intended
to outline.
I have taken the album version of “Let Go” and
made way to use the original elements to recreate a new experience
for this ReStructure Mix. The breaks and percussion riffs and
realigned for the energy once again.
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• Melting Pot - Glenn Rivera ReStructure Mix - Soundblast
Soundblast is a Canadian studio disco band who covers Booker T & The
MG's 1971 soul/psychedelic instrumental “Melting Pot”. The remake
released on Uniwave Records in 1980 is a groove with more downbeats
and a vocoder added for the technology advance effect. This one has
a true allegiance with more determination on the climbing bridge
which almost feels gospel backed with the keyboards blaring out
their refrain. It is a nice taste of the past roots of soul and
where the groove began to educate those involved with a more
underground dance experience.
I have taken the 12” cover of
“Melting Pot” and used more of the rhythmic elements to create this
ReStructure Mix. The bongos and rhythm parts are given a faraway
into the excitement of this laid back, yet funky-ass track.
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• Into The Groove - Glenn Rivera ReStructure Mix - Madonna
Madonna released the single “Into The Groove” in 1985 and was
featuring in the soundtrack “Desperately Seeking Susan” – a film she
also starred in. The single was produced by Madonna and Steve Bray.
It is one of my favorite tracks from that year as it has an
infectious groove and also lifts the spirits with its positive
message. The song became one of the top dance chart entries and also
helped to give Madonna a new iconic track to her fans. This one has
the simple keyboard ruffs that echo the 80’s sound yet the
dedication that Madonna gives to her tracks makes it even more of a
dance floor move.
I have taken the 12” vocal and the
instrumental versions of “Into The Groove” and stripped down the
essence of the song for this ReStructure Mix. I have layered pieces
of the lyrics and vocals for an opportunity to create some new
breaks and rhythm loops.
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• I Need Love - Glenn Rivera ReStructure Mix - Novencento
Gazuzu is a production from Cat Music (Adams & Fleisner) a Dutch
electronic dance team. Their music is always in the realm of
lighthearted fantasy and play – and always with a heavy drum beat.
It is the lighter side to disco Calypso with an ensemble assisting
in the chorus and ad-libs. “Go Go Gorilla” is their 1984 track from
their self-titled album. The theme here is a zoo-keeper who returns
late at night to find the inhabitants partying on down in a funky
way. An escape in a way that disco music created in the late70’s
with a theme and concept. This one is only sheer fun with some kick
ass beats and claps programmed for dancing.
I have taken the
12” vocal, instrumental and bonus beats versions to recreate that
partying for “Go Go Gorilla” in this ReStructure Mix. More of the
melodic pieces are used to give the track a more sweeping sound.
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• Go Go Gorilla - Glenn Rivera ReStructure Mix - Gazuzu
Gazuzu is a production from Cat Music (Adams & Fleisner) a Dutch
electronic dance team. Their music is always in the realm of
lighthearted fantasy and play – and always with a heavy drum beat.
It is the lighter side to disco Calypso with an ensemble assisting
in the chorus and ad-libs. “Go Go Gorilla” is their 1984 track from
their self-titled album. The theme here is a zoo-keeper who returns
late at night to find the inhabitants partying on down in a funky
way. An escape in a way that disco music created in the late70’s
with a theme and concept. This one is only sheer fun with some kick
ass beats and claps programmed for dancing.
I have taken the
12” vocal, instrumental and bonus beats versions to recreate that
partying for “Go Go Gorilla” in this ReStructure Mix. More of the
melodic pieces are used to give the track a more sweeping sound.
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• D.J. I Wanna Be Your Record - Glenn Rivera ReStructure Mix -
Moulin Rouge
Moulin Rouge is a Slovenian group whose sound follows the
Italo-disco fare of the early and mid-80’s. Their 1988 release “D.J.
I Wanna Be Your Record” is one of that years which so few were
successful high energy which were memorable. This uplifting track
has the rolling bass with a few breakdowns which work well in the
flow of Italo-disco and makes a mark of course with the titled
“D.J.” included. It does have several riffs that mark a memorable
dance experience for that peak set. Produced by Fabio Sparago, Kosi
Matiage and Riccardo Persi – the full-on electronic arrangement is
broken into parts with samples and catchy verse interactions.
I have taken the 12” version of “D.J. I Wanna Be Your Record”
and reworked the flowing pieces into am continuous energy force for
this ReStructure Mix. There are new breaks created with vocal pieces
and the cha-cha keyboard parts for the energy breaks.
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• Love Hangover - Glenn Rivera ReStructure Mix - The Players
Association
The Players Association is a disco/funk ensemble lead by producer,
Danny Weiss. One of the early signs of soul and funk emulating a new
sound that was fully dedicated to the dance floors of the time.
Similar to The Salsoul Orchestra with more of that jamming essence
in arrangements and production. “Love Hangover” is their
instrumental cover of Diana Ross’ big soul classic from 1976 a year
following its success. This recording is a full on instrumental as a
live band would project its sensual allure. The layout is identical
yet minus Ross’ sex appeal. It is from their first self-titled
release. The disco history is all contained in bands like The
Players Association and the lure of many who were curious of what
disco music was or was becoming is a big part of this sound.
I have taken the 12” version of The Players Association’s “Love
Hangover” and laid down some new beats and heavy percussion to
recreate this ReStructure Mix. Some of Diana Ross’ original acapella
is added to remind us of just how sexy and infectious this track is
and was.
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• It's Inevitable - Glenn Rivera ReStructure Mix - Charlie
Charlie is rock band from London, England formed in 1971 and
released their seventh, self-titled album in 1983 – produced by
Kevin Beamish and Terry Thomas. “It’s Inevitable” is a single from
the project which was also released as a 12” dance single. With an
electronic path leading the rocked guitars into a dance arena this
track depends widely on the lead vocal which gives way to that 80’s
edge called DOR. It pulsates a vibration from the start and makes a
nice fusion for 80’s dance and rock combined. The powerful 12”
version makes for most the songs long and alluring qualities here
for the dance floor. A great crossover and fusion for the 80’s.
I have taken the12” version of “It’s Inevitable” and remapped
the track with new beats and segment arrangments for this
ReStructure Mix. More of the keyboard riffs are placed with new
energy to spike this one back for a rock-out moment on the dance
floor.
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• Hungry For Love - Glenn Rivera ReStructure Mix - Bad Boys
Blue
Bad Boys Blue is Andrew Thomas, Trevor Taylor and John McInerney – a
trio who started their fame in Europe in 1985. “Hungry For Love” is
a single released in 1988 – produced by Tony Hendrik & Karin
Hartmann. This love song is a yearning for a feel and emotion with a
touch of that club anthem energy. The orchestral strikes are the
introduction which makes this one feel like it is climbing the peaks
of the mirror balls above. It has always been a favorite of mine and
received allot of response from my dance floors during its release.
I have taken the 12” vocal and instrumental of “Hungry For Love”
and recapped the song again for this ReStructure Mix. It is guided
by some new percussion and beats added to the foundation of this new
journey.
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• Envy - Glenn Rivera ReStructure Mix - Rinder and Lewis
W. Michael Lewis and Laurin Rinder are pioneers of the disco sound
and may have been one of the deciding factors on relying on disc
jockeys and dance floors to help shape the sound of genre itself.
“Seven Deadly Sins” is their 1977 release which outlines exactly
what the title says in a disco fluent style that plays out in their
discotheque lounge style. “Envy” is the focus of this ReStructure
Mix and is replayed with an edit of the second part of this piece
titled “Animal Fire”. The flow of the instrumental parts remains the
sound that Lewis and Rinder were known for and became their unique
gift to disco history.
I have taken the track “Envy (Animal
Fire)” from the album and removed the vocal segments to create a new
ReStructure Mix for this classic. A new foundation is laid out from
another innovative source in the electronic dance movement of the
70’s, Kraftwerk. The tease here is the ongoing keyboard pieces
bringing this “sin” into a lighter place: the dance floor.
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• Love Waves - Glenn Rivera ReStructure Mix - Patty Heart
Patty Heart is a German dance project from producers Andy Free and
Jozef Smits. This hard ponding piece has some nice electronic dance
qualities including the defiant lead vocal which at times reminded
me of an 80’s rock anthem on an imaginary theme. “Love Waves” is a
yearning for that last minute love opportunity as the night grows
older and the meaning become disturbing. This piece is laid out into
segments with pull on a keyboard riff and a male chorus shouts out
that echoes into the night. It is one of my favorite underground
early-morning songs and has a nice mystique about itself.
I
have taken the 12” dance mix and “bass waves” version of “Love
Waves” and worked to create a deeper messaging using the weary
keyboard pieces. This ReStructure Mix also adds a heavy techno
thumping beat to bring the ideal to light.
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• Love Oasis - Glenn Rivera ReStructure Mix - Patris
Patris is an electronic dance project from producers Craig Peyton
and Nelson Cruz – and released on the New York dance label,
Emergency Records in 1985. The vocals by Patris here are soft and
subtle yet the beats pound out the ominous search for that “love
oasis” at the end of the day. One of the nice synth-pop pieces with
a direct hardcore club feel. This one compares to a Latin-free style
with more emphasis on the drop beats. Nice segments into a
rock-styled guitar break which bring the essence of a nice fusion on
board.
I have taken the 12” vocal and instrumental of “Love
Oasis” and laid out the beats and the heavy bass sequencer in a new
way for this ReStructure Mix. A bit of play with phrases add a new
break and some new percussion above those80’s beats work a track
again.
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• Fancy Dancer - Glenn Rivera ReStructure Mix - Gregg
Diamond's Star Cruiser
Star Cruiser is a studio project from producer Gregg Diamond (Andrea
True Connection, Bionic Boogie, Hardware) from 1978 and released on
Henry Stone’s Marlin Records label. The project highlights not only
Diamond’s studio magic in creating a slick sound for disco but also
features in this vocal ensemble, Diva Gray, Gordon Grody, Jocelyn
Brown and Zach Sanders. “Fancy Dancer” is the low groove which
Diamond created with his early production of “More, More, More” by
Andrea True Connection – a sound called “boogie music” and
eventually “disco”. Diva Gray is the lead on this one and gives off
the early injection of disco funk crossover in the chic-est sense.
It is not hard to understand how Gray was transformed into many
studio projects including Lemon, Oyster and he solo career.
I
have taken the album version of “Fancy Dancer” and reinjected a
heavy drop beat below intro segments and percussion in this
ReStructure Mix. The rearrangement is provided to relay the power in
each portion of this disco-funk number.
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• All Right Now - Glenn Rivera ReStructure Mix - Witch Queen
Two Minds Crack are David Hewson, Kevin Jones, Mark Davies and Pete
Martin – an 80’s synth-pop band who released their album titled “The
Victory Parade” in 1986. The project included a single “Cry Cry Cry”
which was a post killer 80’s dance track with many elements that
mark it as an unforgettable piece. The guitar and drum effects are
the slamming side of this dance track and the vocals are a subtle
New-Romantic edge leading the song into that soaring mode. The song
did quite well in clubs who favored the high energy sound and made
the band unforgettable even though there was never a follow-up
album.
I have taken the 12” “club version” of “Cry Cry Cry”
and rewired the synth-pop number into a new ReStructure Mix. The
opening of this new version focuses on the keyboard riffs that use
the song as a stage for their sound.
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• Cry Cry Cry - Glenn Rivera ReStructure Mix - Two Minds Crack
Two Minds Crack are David Hewson, Kevin Jones, Mark Davies and Pete
Martin – an 80’s synth-pop band who released their album titled “The
Victory Parade” in 1986. The project included a single “Cry Cry Cry”
which was a post killer 80’s dance track with many elements that
mark it as an unforgettable piece. The guitar and drum effects are
the slamming side of this dance track and the vocals are a subtle
New-Romantic edge leading the song into that soaring mode. The song
did quite well in clubs who favored the high energy sound and made
the band unforgettable even though there was never a follow-up
album.
I have taken the 12” “club version” of “Cry Cry Cry”
and rewired the synth-pop number into a new ReStructure Mix. The
opening of this new version focuses on the keyboard riffs that use
the song as a stage for their sound.
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• If You Love Somebody Set Them Free - Glenn Rivera ReStructure Mix -
Sting
Sting is Gordon Matthew Thomas Sumner is a musician, songwriter and
singer who is also known at the start of his career with the band,
The Police. His solo ventures in the mid-and late 80’s includes his
single “If You Love Somebody Set Them Free” from 1985. Produced by
Pete Smith and Sting this track resonates as one of Sting’s profound
pieces with a dire message of love and life. This one made dance
floors take note with the 12” versions which brought the track an
immediate success. This one plays out just as a heartfelt message
which brings solace to the mind and feet.
I have taken the
12” remix and William Orbit piece and have given “If You Love
Somebody Set Them Free” a new pounding edge for this ReStructure
Mix. A booming downbeat now takes the stage as the track is broken
down into new segments for this 80’s classic.
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• What's In It For Me - Glenn Rivera ReStructure Mix - Zalmac
featuring Zulema
Zalmac is Al MacDowell along with Zulema Cusseaux (”Change”)
released in 1982 and defining a new period for dance music in the
early 80s in a New York soul depiction. Having soul-diva Zulema on
board is a big lift for the sound itself as she represented an
untapped soulful edge during her solo-career. “What’s In It For Me”
is a single from the project titled “Whatcha Gonna Do” and is one
piece that gives several surprises – the theme of a distant lover
assisting in survenlance to a secret love whose interest is
detained. Zulema performs this one with all of her power and mite
and helps bring this street-sound to a new level. It is one of my
favorite underground hits and always made my dance floor go “boom”
early in those evenings.
I have taken the 12” vocal and
instrumental of “What’s In It For Me” and reworked the track as if
it were an old friend in this ReStructure Mix. The percussion riffs
that stand out are brought the core of the mix and an extended
chorus is added.
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•
Action Tonight - Glenn Rivera ReStructure Mix - V.I.S.A.
V.I.S.A. is an Italian disco project from producers Angelo
Piccarreta & Felix Music Production – with arranger Celso Valli
bringing his style to the project. This one is very reminiscent of
the 1979 session titled, Nuggets. Lots of disco orchestrations that
blare like a Village People number from the late 70’s. The album
titled “San Francisco” is one the complete Italian disco pieces
which encompass that celebratory edge which disco music thrived on.
“Action Tonight” is a cut from this album which has the feel of a
love song transformed into a Main Street parade. It gives way to the
wonderful chorus which is very reminiscent of Peter Jacques Band.
Disco gem this one shines as the memory and influence of disco
continues.
I have taken the album version of “Action Tonight”
and rebuilt this number for a new ReStructure Mix outline. Using
pieces of the rhythm guitars and horn sections to create more
momentum with a heavy bass beat also.
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• That's When (We'll Be Free) - Glenn Rivera ReStructure Mix - State
Of Grace
State Of Grace is an 80’s synth-pop band consisting of Adrian
Thomas, David Inglesfield and Pat Thomas. Their 1982 single “That’s
When (We’ll Be Free)” is one of their memorable pieces which
utilizes a heavy bass beat and light spotty keyboard layers to
execute the rhythm. It was produced by Lawrence Burrage and the band
itself. This one gives way to a promise of freedom as the night
progresses and every in store is positive and momentum. A nice
crossover number for either early evening or early morning.
I
have taken the 12” vocal and instrumental of “That’s When (We’ll Be
Free)” and have given it a new ReStructure Mix using more of those
pounding drum beats as a foundation. The energy is given a lift some
new added percussion and accenting of those drums.
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• Hold Me, Squeeze Me - Glenn Rivera ReStructure Mix - Michele
Michele is a studio project from producer, Pierre Jaubert –
featuring vocals by Chantal Sitruk (Chantal Curtis). The album
“Magic Love” is one of the early disco solutions to make the clubs
excited to worship that dance floor nightly. “Hold Me, Squeeze Me”
is a single from the project which caught my attention with the sexy
chorus riff that seemed to be all that disco music was an
interpretation for. The backup vocals are performed by The
Sweethearts of Sigma and are the staple of the 70’s not only as they
were heard on many studio sessions – but they were also so darn
perfect for the disco fling. This track was a single from the album
and I am sure had allot to do with the success of early disco music.
I have taken the album version of “Hold Me, Squeeze Me” and
interpreted it in an EDM style with a new heavy bass beat
accompanying the sensual directions in this ReStructure Mix. I have
given this remix a slim down of the bridges and segments and keep
the rhythm tracks and verses more on top.
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•
Bahia - Glenn Rivera ReStructure Mix - El Coco
El Coco is W. Michael Lewis and Lauren Rinder - duo who began
working with disco music in 1975 with their first album titled
“Brazil”. A dance ode to the lounge sound of the 50’s with a
rhythmic beat enticing the sweet melodies and heavy percussion.
“Bahia” is a track from their first album and is a masterpiece of
wonderful “mall music” in its own formation. The tropical theme
explodes here with the flowing of keyboards and the drifting
percussion. It is a masterful take on the early disco sound where an
orchestra is being led on the dance floor once again in a new way.
One of my personal favorites from El Coco and one of the geniuses of
theirs from the start.
I have taken the album version of
“Bahia” and realigned the lounge edge with some new heavy duty
elements to make it pop for this ReStructure Mix. It has a lengthier
intro and nice fade where you can almost hear someone asking for the
tanning lotion.
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Watch Your Step - Glenn Rivera ReStructure Mix - Anita Baker
Anita Baker is a blues/soul vocalist who brought a gift to the end
of the 80’s with her album “Rapture” – produced by Michael J.
Powell. The track “Watch Your Step” was always one of interest to
those club jocks who were enamored by this voice which became the
new artists that immediate demanded attention. The track is a
soulful r&b number that resonates thanks to Anita’s incredible vocal
style. It is one which brings to mind the crossover necessary for
artist to create a track for clubs at this time.
I have taken
the album version of “Watch Your Step” and have given it a new
presence for this ReStructure Mix. I have added additional
percussion and broke the song into new segments to give it a new
meaning for the dance floor.
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• Sister Power - Glenn Rivera ReStructure Mix - Sister Power
Sister Power is a disco project from producer Paul Sabu (Debbie
Jacobs, Sabu, Ann Margret) who takes the best of disco and brings it
to another level. The group is headed by vocalist Gwen Jonae who
also brings to mind the Sabu outline where a powerful female voice
works his music. The project from 1979 is one of the fabulous
concept groups for the play of disco all around. “Sister Power” is a
track that introduces the ensemble as they describe their direction
and funky means – it is a track that has layers of Sabu’s rock-edged
keyboards and guitar riffs that echo his style. This one has always
been a favorite with the strings leading my ears and heart and along
with Gwen’s vocals it is priceless.
I have taken the album
version of “Sister Power” and re-played this disco overture for this
ReStructure Mix. Use of the existing drums and keyboard pieces are
used to re-piece the energy all over again.
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• Seduction - Glenn Rivera ReStructure Mix - Val Young
Val Young (Valaria Marie Young) is an artist who worked with George
Clinton (Funkadelic), Roy Ayers and The Gap Band. Her solo career
began in 1985 with her project “Seduction” – produced by Rick James.
This electro-funk exercise is a laid out groove and offers the
enticing sound of Val’s breathy vocal. The keyboards are the sound
that Rick James uses in a push-and-pull style and is adapted well in
the 80’s funk piece. There is a cameo from Mr. James which plays out
to bring this song to the next level.
I have taken the 12”
vocal and instrumental of “Seduction” and remapped the sensual
yearning into a phase for this ReStructure Mix. Using the keyboards
as an outline for a new break and intro for this desirous track.
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The Dream - Glenn Rivera ReStructure Mix - Irene Cara
Irene Cara is a singer and actress who brought some big hits to
dance floors at the end of the 70’s ( ”Fame”) and the start of the
80’s (“Flashdance…What A Feelin’”). Her music along with disco
producer Giorgio Moroder is another shot at capturing that disco
anthem track as in “The Dream” from 1983. Along the lines of a
struggle to make one’s dreams come true with the soaring chorus and
the big lead-ins. This one was also featured in the film, “D.C. Cab”
from the same year. The Moroder/Cara blend is one that brings to
mind the 80’s in the spotlight sense.
I have taken the 12”
version of “The Dream” and relit the track for this ReStructure Mix.
Giving it a lift using the existing syndrums to pound out the
dedication to dancing in this positive/winning piece.
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• In The Sky - Glenn Rivera ReStructure Mix - Loose End
Loose End is a project from Eddie Amoo and Chris Amoo – a single
with a fusion of funk/soul and a touch of modern jazz. “In The Sky”
released in 1982 is an uplifting love song with a beautiful vocal
which flows as if it were lifted by a summer breeze. One of the
pieces which display a use of a jazz influence with funk rhythms. A
great after-hours number which surges the dance floor into a fantasy
world. Lead vocals are provided by Jane Eugene who made her star
shine in the projects with Loose Ends (with the ‘s’).
I have
taken the 12” single version of “In The Sky” and reapplied these
wonderful elements into a new recipe for this ReStructure Mix. The
delivery for a new dance experience is painted another shade with
added Afro-Cuban percussion accenting the groove.
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• Drives Me Crazy - Glenn Rivera ReStructure Mix - Peter Jacques
Band
Peter Jacques Band are a piece of disco history that has a beginning
and an end. Their first release from 1978 is a project which helped
to shape disco music and prepare it for the electronic Fusion coming
at the end of the 70s .”Drives Me Crazy” is from their 1985 album
title “Dancing In The Streets” produced by Jacques Fred Petrus . The
production feels more of a mid-tempo energy but still have the hooks
that the Peter Jacques Band has been known for. It was a favorite of
mine during its release and a resurgence for the group to keep their
name in disco music alive .
I have taken the 12-inch version
of “Drives Me Crazy” and re-wired the track to create a whole new
sound for the song in this ReStructure Mix . I have used the wobbly
keyboards and “boppy” bass rhythm with new edits for this outline.
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• Livin' It Up (Friday Night) - Glenn Rivera ReStructure Mix - Bell and James
Leroy M. Bell and Casey James are a duo who released three projects.
Their debut album featured a single which became a dance floor hit
the instant it was laid down – “Livin’ It Up (Friday Night)” from
1978 is one of the iconic songs of the disco era. The production is
the stripped down funky arrangements which made the pop-edge of
disco music irresistible. This one has the vocals that also resonate
of the 70s male figure in disco and funk. The two also are credited
for writing the disco hit “This Time Baby” recorded by Jackie Moore
in 1979.
I have taken the 12” version of “Livin’ It Up
(Friday Night)” and gave it some new petroleum to pump it into an
anthem like ReStructure Mix. Using the grooves and fantastic
keyboard riffs I have realigned the song for a whole new area of the
dance floor.
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• The One - Glenn Rivera ReStructure Mix - Lipps Inc.
Lipps Inc. is producer Steve Greenberg and vocalist Cynthia
saved the 80s from a complete sanity. The feel of their music always
contained the dose of freeing the serious brain into a disco
insanity. “The One” comes from their third project from 1981 titled
“Designer Music” and is one of the hidden gems from this ensemble. A
killer thump bass riff makes this track hit the mark as soon as the
plucking begins. Cynthia Johnson takes the disco edge to a new side
of funk with endless energy. This one was always a favorite and
still makes me listen sometimes more than dance.
I have taken
the album version of “The One” and reworked this troubled love song
into a new ReStructure Mix. There are some new heavy percussion
pieces to pound the beats out some of the riffs become more of this
version.
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• Sea Hunt - Glenn Rivera ReStructure Mix - Patrick Cowley
Patrick Cowley is pioneer of mastering the layer of electronic
sounds over dance rhythms. It may have been Giorgio Moroder’ s
creation of “I Feel Love” which evoked Cowley’s journey to find the
center of the disco beat through swirling effects. In 1981 his
project, “Megatron Man” was a turning point for electronic dance
music and disco music in general. Included in this package is a
cover of the theme from the1958 television show “Sea Hunt”. The
composition by David Rose is disco-fied and given several new levels
of mystique as Cowley brings on Carol McMackin, Jo-Carol Block and
Lauren Carter (Jo-Lo) to create a haunting vocal that emulates the
wailing of the goddess of the sea. The disco version also integrates
an electronic castanet sound giving it a rather interesting fusion.
I have taken the album version of Patrick Cowley’s “Sea Hunt”
and reworked the percussion and basslines for this new ReStructure
Mix. A new arrangement in segments is created and a cameo from Mr.
Lloyd Bridges added.
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Tonight - Glenn Rivera ReStructure Mix - Suzy Q
Suzy Q is Michelle Mills in 1981 project titled “With Your Love” and
is produced by Jerry Cucuzzella (Nightlife Unlimited). “Tonight” is
one of the singles which helps to set this set on fire as it
contains many of the hooks that make the electronic 80’s futuristic
and rhythmic as it can get. The piece gives Suzy Q an opportunity to
pour her heart to a lover who she is excited to reunite with on the
nightlife frontier. This one has the entire keyboard riffs move it
from one end of the dance floor to another. One of the hidden gems
of this project and now an outline for that 80’s electro-sound.
I have taken the 12” vocal and instrumental of “Tonight” and
relit the energy for this ReStructure Mix. There is a deep bass beat
added to give off a nuance of rhythm to its existing form and some
back-beat effects to ignite this message all over again.
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• Open Your Heart - Glenn Rivera ReStructure Mix - Madonna
Madonna’s 1986 project titled “True Blue” was perhaps her most
adorable in the synth-pop arena. “Open Your Heart” is an
irresistible track that has the yearning and appealing love call as
any of her recordings. The song is one of my favorites during the
Madonna 80’s rein and gives me to this time how her timing in music
has always been “on time” and “to the point”.
I have taken
the 12” vocal and dub of “Open Your Heart” and rewired the energy
for a more deep electronic synth experience. This ReStructure Mix
uses more of the sequencers to create a foundation that gives the
vocals a whirling place to exist.
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• Playing For Time - Glenn Rivera ReStructure Mix - Madleen Kane
Madleen Kane is the beauty behind many big disco hits. Her music has
always surprised as her talent and dedication to become involved in
creative process. “Playing For Time” is from Madleen’s 1981 project
produced by disco-pioneer and innovator, Giorgio Moroder. The early
80’s were a challenging time for disco artists heading their music
in a new direction. Madleen is one of the artists who seem to
overcome this hurdle and much of her 80’s productions were
successful in her iconic past and moved her following along with
her. The Moroder production on the project “Don’t Wanna Lose You”
gives Madleen the synth-pop edge which emanated success and proof
that the 80’s had not shifted dance floors far from home.
I
have taken the 12” remix of Madleen’s “Playing For Time” and have
given the ReStructure Mix not only a tribute to her talent, but also
a salute to Moroder and his 80’s appeal. A riff from Moroder’ s
genius is thrown in for an echo of his music and Madleen is enough
in her adaption to her own style in a new arena of music.
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• To My Heart - Glenn Rivera ReStructure Mix -
Mark Farina
Mark Farina (Mauro Farina) is an Italian producer/artist whose
recording career gave a new resurgence to the Italo-disco period of
the mid-80s. “To My Heart” is his single from 1988 and is one of the
most beautiful dance pieces to fade onto dance floors. The
production hits hard with the beats and percussion and there is more
layered in this one to bring it out above the rest. The lovely
guitar accompaniments add a nice feel which gives it a lasting
attraction. One of my favorites of that period and a fast
floor-packer for me.
I have taken the 12” versions of “To My
Heart” and re-expressed this love song in a new way for this
ReStructure Mix. Only original elements have been used here to give
this beauty a new pump.
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• You Can Win If You Want - Glenn Rivera ReStructure Mix -
Modern Talking
Modern Talking are Dieter Bohlen and Thomas Anders. Their music is
perhaps one of the golden moments in dance music. Their sound
utilizes heavy beat soften by a bass accompaniment which became the
80’s dance formula and magic. The sweetness of their songs is
another lure to their talents and even though the themes may be
quite simple they are delivered with a romantic edge on vocals. “You
Can Win If You Want” comes from their 1985 project titled, “The 1st
Album” – this one has their signature riff which is a chorus riff
and a nice supportive tale of a love who ventures off to discover
ones future. And even though the divide will be difficult there are
the positive words for success.
I have taken the 12” vocal
and instrumental of “You Can Win Of You Want” and made use of the
beautiful synth-pop track for this ReStructure Mix. Adding just a
touch of new percussion and re-igniting pieces with a new
arrangement.
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• You Make My Heart Beat Faster (And That's All That Matters) - Glenn Rivera ReStructure Mix -
Kim Carnes
Kim Carnes’ is a singer who took a turn to dance floors following
her big pop-single “Bette Davis Eyes” from 1981. Her voice is
recognizable in her music and gives off a unique feel and genuine
edge. “You Make My Heart Beat Faster (And That’s All That Matters)”
comes from her 1983 album titled “Café Racers” – produced by Keith
Olsen. This fast paced synth-pop number is unforgettable with its
many hooks and the main console which is Kim’s vocal. It climbs with
the bass pumping out the energy and dedication to the romance here.
The 80’s has this sound plastered over the dance floors and this
track brings the best of it alive.
I have taken the 12” vocal
and instrumental of “You Make My Heart Beat Faster (And That’s All
That Matters)” and rewired the energy again for this ReStructure
Mix. More of the bass is pumped out and some of the vocals are
accented for breaks and fades.
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• I Will Find You - Glenn Rivera ReStructure Mix - Mohikana
Mohikana is a trance version of Clannad’s “I Will Find You” from
1992 and displays the power of 90’s electronic dance music. The
reiterating verses echo in a smooth and translucent feel throughout
this production. The vocal by Mohikana is a spiritual experience in
itself and with the pounding drums among this track is moving. A
nice transition for a ballad and adding enough energy to give the
new mode a satisfying effect.
I have taken the 12” vocal,
acapella and dub into this new ReStructure Mix of “I Will Find You”
for another hypnotic experience. The intro stretches far beyond the
original and more of the dub-drums are displayed for this new mix.
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• Somebody Tonight - Glenn Rivera ReStructure Mix - Alexis
Alexis is an Italian disco project from producer Giacomo Maiolini
and his 1991 single “Somebody Tonight” features vocals from Emanuela
'Taleesa' Gubinelli. This piece is a fast moving dance floor piece
which for its time created the continuum for the high energy or then
labeled Euro-dance stay alive. The outline on the hooks on this
track resembles Pet Shop Boys’ “Always On My Mind” with its crashing
symphonic pieces. The outline of this one is a night out on the town
knowing that somewhere – someone will be waiting to take the blues
from this heroine.
I have taken the 12” version of “Somebody
Tonight” and re-hashed the original into a new ReStructure Mix with
more drops and breaks to make it new again. There is a cameo from
The Eagles and one of their rock hits giving the other side of what
is to come.
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I Don't Want To Be With Nobody Else - Glenn Rivera ReStructure Mix -
Alton McClain and Destiny
Alton McClain and Destiny are D'Marie Warren, Robyrda Stiger and of
course, Alton. This trio brought a nice blend of soulful vocals to a
polished disco and r&b sound. Their second album titled “More Of
You” from 1979 is another supreme display of their beautiful
harmonies as well as Alton’s incredible play with phrases. It had
been since The Emotions burst onto the soul music scene that the
excitement was met. “I Don’t Want To Be With Somebody Else” is
another cut with gives the ladies another opportunity to work the
groove. It is a slick love song with a few of the best vocal
arrangements of these talented ladies.
I have taken the album
version of “I Don’t Want To Be With Somebody Else” and revisited it
for the ReStructure Mix piecing the original in a new way. Some new
percussion is placed to give moments a new shine and new breaks
added to break the song into a dance floor experience.
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Like An Old Time Melody - Glenn Rivera ReStructure Mix - Teresa
Teresa is a vocalist who is featured here along with producer, Sandy
Linzer (Cory Daye, Odyssey, Dr. Buzzard's Original "Savannah" Band)
and also Paul Shaffer arranging. The project titled “Class Reunion”
is a big-band retro feel project much like the “Savannah Band”
outline. “Like An Old Time Melody” is a dreamy torch number with a
flowing with saxophones and clarinets and along with the sultry
vocal it makes its mark. A beautiful touch with the layered backing
vocals which bring to life the smooth edge.
I have taken the
album version of “Like An Old Time Melody” and reworked the retro
feel with only a new beat foundation added for this ReStructure Mix.
There are a few new segments blended to create a new arrangement for
the dance hall horns to resonate even more.
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• State Of Independence - Glenn Rivera ReStructure Mix - Donna
Summer
Donna Summer made the 70’s the disco era and also took the 80’s with
a new sound which she displays as natural as her ability to vocalize
her music. Along with Quincy Jones her 1982 album self-titled album
featured a more rhythm and blues pop sound on many tracks and a few
surprises – “State Of Independence” is a track written by Jon
Anderson and Vangelis. This world beat/new age song is rebuilt by
Donna and delivers the voice and energy in this percolating anthem.
The track has the touches which Quincy Jones is known for and also
gives Donna the opportunity to make this piece her own in many ways.
I have taken the album version of “State Of Independence” and
re-invigorated the foundation with a new world beat and also
bringing out more of the beautiful segments of the song. This
ReStructure Mix also makes way for a fade during the most lyrical
and hypnotic part of the song itself.
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• Really Sayin' Somethin' - Glenn Rivera ReStructure Mix -
Bananarama
Bananarama is Keren Woodward, Sarah Dallin and Siobhan Fahey – a
trio from the 80’s dance scene whose lasting aura exists even today.
The girl group with the 80’s appeal brought many dance floor hits in
the mid and late 80’s. “Really Sayin’ Somethin’” is their 1982
release produced by Dave Jordan and Fun Boy Three (who also
accompany the ladies on this single). This cover of The Velvelettes
1964 hit single is laid over a heavy tribal drum fare which makes
this piece a nice piece of 80’s dance. The vocals are light and
sweet and use each drum break as freshener.
I have taken the
12” version of “Really Sayin’ Somethin’” and placed the drums in new
layering to begin this new ReStructure Mix. More of the verses are
placed among this new arrangement and a minor use of the original
for the fade.
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• Blue Monday - Glenn Rivera ReStructure Mix - New Order
New Order is Bernard Sumner, Peter Hook, Stephen Morris and Gillian
Gilbert – a band from UK whose big dance hit “Blue Monday” from 1983
brought an innovative hard-edged groove to life in an underground
display of warped keyboards and thumping beats. The piece became an
instant hit and gave the band the notoriety and label as the
new-metal sound of dance music. The band created a new edge to dance
music with their sound as Depeche Mode and Yaz had pronounced.
I have taken the original 12” versions of “Blue Monday” and
reassembled some of the well-known riffs as well as some of the
rhythmic pieces for this ReStructure Mix. More of a play on the
heartbreak is drawn out with the raw sound of the band bringing on
the purpose.
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• Love Me In The Moonlight (Lay Your Body Down) - Glenn Rivera ReStructure Mix - Valentine French
Valentine French is a disco project from Eugene Moule and John
Mealing – and features vocalist Patricia Snaric on sexually-fused
disco vocal. One of the disco pieces from the late 70’s which uses a
hook to play out a sexy urge to make love. It is the Euro-disco
formula which was formulated by tracks like “Love In ‘C’ Minor” and
“I Feel Love” and presented in a new raw form with percussion
pounding out the disco orgasm. The build on this one is quite
dramatic and gives of the ideal that “moonlight” is the place to be
for that moment in the night.
I have taken the Disconet
version of “Love Me In The Moonlight (Lay Your Body Down)” from
Volume 3 Program 2 ?and reworked those familiar bongos into a new
ReStructure Mix. More of the sexy feel is extended across this mix
and delivered with some extended segments with a bit more of the
sultry verses to lure one into the den.
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• Just How Sweet Is Your Love - Glenn Rivera ReStructure Mix - Rhyze
Rhyze is a disco/soul group from New Jersey from the early 80’s
produced by Paul Kyser. The ensemble included "Jojo" McKnight,
Charles Holmes, Ellsworth Anderson, Kenneth Hicks, Kevin Barbee,
Richard Menter, Roscoe Taylor and Vince Jackson. “Just How Sweet Is
Your Love” is their single from 1980 which became one of the
underground club hits almost immediately as the shift from disco to
New York funk hit. This piece makes a simple statement and the real
sound is the vocal edge of this arrangement. The soulful feel gives
their music more of a standing especially when more and more of the
New York disco began to slowly become less and less produced. This
piece remains a club classic to those who understand the music or
experienced it themselves.
I have taken the 12” version of
“Just How Sweet Is Your Love” and rolled up this piece with some
latter elements for this ReStructure Mix. A realignment of the
original production are the new properties as well as pieces from a
cover of this song using the chorus melody – “Baby, I Need Your
Love” by Lee Marrow featuring Ce Ce Houston from 1993. A clever
drift for Marrow to bring back these club classics in his own way.
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• No Regrets - Glenn Rivera ReStructure Mix - Amanda Lear
Amanda Lear is a disco magnificent icon. Her music has always been
directed appropriately with the elegance and chic attitude which
disco music represented during its inception. The haunting allure of
her vocals has always been the focus of her sound and also the mood
in which she continues to create with each number. “No Regrets”
comes from her 1983 project titled “Tam Tam” – produced by Roberto
Cacciapaglia and features Amanda’s shift into the 80’s electronic
dance forum. This piece is a memorial to her near past which Amanda
gives us to apologies for any outrageous or questionable degree. It
is a mini-anthem and plays out with a musical outline as haunting as
her vocal.
I have taken the 12” vocal and instrumental of “No
Regrets” and used the keyboard elements and the rolling bass
sequencer to rework for this ReStructure Mix. More of the
instrumental in injected to give the stage appeal for a show which
once again pleads, “no regrets”.
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• Crazy Over You - Glenn Rivera ReStructure Mix - Desire
Desire is an electronic high-energy project from producer Sabby
Rayas and Steve Galindo. Their 1986 release “Crazy Over You” is one
of the underground pieces which brings back the sound which makes
the 80’s exciting. The pumping bass and lyrical keyboards give off a
spark which made dance floors move with dedication to the beat/
Vocals are provided by Rae Flores and deliver the riff which make
this one so memorable. It is again one of the releases that make it
easy to understand high energy music and how it works.
I have
taken the 12” vocal and beats version of “Crazy Over You” and
reignited the powerhouse track for this ReStructure Mix. The play
with pieces of the vocal and the keyboard riffs are new to make this
one fly again.
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• Hypnotic Tango - Glenn Rivera ReStructure Mix - My Mine
My Mine is Carlo Malatesta, Danilo Rosati, Darren Hatch and Stefano
Micheli – an early mark in Italo-disco during 1983. “Hypnotic Tango”
is the breath behind the dance genre which became the move into
electronic pulses and arrangements along with the melodic sweetness
of disco music aura. Italo-disco became a new edge from innovative
productions as this. The mild percolating sequencers guide the
chorus which makes another alley for 80’s dance music. This classic
does stand out in the execution which brings home the foundation for
the Italian disco machine of the time.
I have taken the 12”
vocal and instrumental of “Hypnotic Tango” and made a new set of
steps for this ReStructure “Tango” Mix. A standard tango classic is
matched and serves as the driving force behind this new remix.
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It's My Turn - Glenn Rivera ReStructure Mix - Venus Dodson
Venus Dodson is a vocalist whose talent appeared in many disco
classics as they were in the making – including Herbie Mann’s
“Superman” and the project Phreek from 1978. Her first project
titled “Night Rider” is one of the disco transition pieces vocally
even though the sound of Patrick Adam’s resonates throughout each
song. Venus takes her voice into a more relaxed delivery and makes
each line a calming and assured verse. “Night Rider” is one of my
top 10 picks of all-time. It is one of the perfect moments in pure
disco music. “It’s My Turn” is from the same album and gives a
mature breakup some words for closure. It has some wonderful riffs
and also that calm and bluesy-like delivery which Venus makes her
own.
I have taken the album version of “It’s My Turn” and
realigned the pieces which make the track groove in this ReStructure
Mix. New drums are used to bring the rhythm some new energy and
Venus again is saluted as she deserves.
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Moody - Glenn Rivera ReStructure Mix - ESG
ESG is Marie Scroggins, Renee Scroggins and Valerie Scroggins – a
trio from South Bronx whose first album “Come Away With ESG”
released in 1983. More of an experimental recording with several
dance genres taking over their raw instrumental which present the
underground dance feel of its time. “Moody” is one of the more
recognizable pieces and is simply a drum groove with an early bass
line of the house sound. The faint and distant vocal has been used
in several house mixes and became one of the moments where a hall
full of dancers was place in a hypnotic trance on the floor. This
one truly has its own power and makes the point which the band
intended.
I have taken the album version of “Moody” and
reworked the message to a new ReStructure Mix. Adding some classic
percussion from the Chicago/New York underground house movement
which would soon follow. A guest vocal from the “King Of Soul” is
also hosted in this new mix.
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• Love Is On The Way - Glenn Rivera ReStructure Mix - The Duncan
Sisters
Helen and Phyllis Duncan are The Duncan Sisters - an unforgettable
duo making the last days of disco memorable and hard to leave
behind. The production from Three Hat Productions (THP Orchestra)
recorded a rousing backdrop for these magic ladies powerful vocals.
They can also be heard of the “THP 2” and Sticky Fingers projects.
“Love Is On The Way” is a above the clouds number that not only
exclaims the joy but explains it with the ladies quite eloquent
performances – much that reminds us of the powerful of those groups
like The Three Degrees. The horn section here is a striking
celebration of a 20’s big band pounding out the energy. This one may
be a filler piece from the project but still unforgettable.
I
have taken the album version of “Love Is On The Way” and played with
the commencing celebration in a new feel for this ReStructure Mix.
New beats and the original bongo fills are used to dress up the
piece for a few more surprises.
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• Beat Of Love - Glenn Rivera ReStructure Mix - Chris Thompson
Chris Thompson is vocalist from New Zealand whose past work includes
Manfred Mann’s Earth Band and Alan Parsons Project. His single “Beat
Of Love” from 1991is one of the highlights of the early morning set
pieces. It was produced by Harold Faltermeyer of Munich disco
sessions and plays out in a whirlpool of love and admiration to a
relationship. The rock-edged vocal over the rolling bass sequencers
and haunting breaks made this one a part of my program for after
hours or simply a life-dance tape. It has Chris wailing a beautiful
masculine outline and brings up to an early sunrise on any dance
floor.
I have taken the 12” version of “Beat Of Love” and
re-kindled the mood for this ReStructure Mix. More of the
instrumental is placed in this mix to give way to the mystery and
haunting unrest which is heard over and over.
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• All Of Me For All Of You - Glenn Rivera ReStructure Mix - 9.9
9.9 are Leslie Jones, Margo Thunder and Wanda Perry – an r&b trio
produced by Richard 'Dimples' Fields in the mid-80s. Their big
pop-dance hit “All Of Me For All Of You” from 1985 is a memorable
piece with the synthetic funk edge which slams vigorously along with
the vocals from these gals. It is a love song full of emotions and
also a few moments where the uplifting serenade takes on its own.
This one was always a nice number during a funk set or early evening
when the floor needed to be ignited.
I have taken the 12”
vocal and dub of “All Of Me For All Of You” and re-funked the groove
for this ReStructure Mix. There is a longer intro using the groove
formulated by the bass guitars and some play with the beats to place
this one back on the floor with more evidence of the winning sound
it created during its time.
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• Funky Celebration - Glenn Rivera ReStructure Mix - Queen Samantha
Queen Samantha is producer Harry Chalkitis and vocalist Gloria
Brooks. The concept band began in 1978 with their first project
titled “The Letter” which included a cover of Box Tops 1967
rock-classic by the same name. The sound of Queen Samantha consisted
of the falsetto lead painting a mood over Euro-disco and electronic
arrangements. “Funky Celebration” is from the 1979 project “The
Queen Samantha” and is the eclectic sound of disco in its finale 70s
form. This one uses horns and a heavy percussion layer to move from
rhythmic sessions to the verses and acapella verses. One of the
iconic sounds for this fabulous group and another reason they will
always be remembered.
I have taken the album version of
“Funky Celebration” and realigned the wonderful horns and vocals for
this ReStructure Mix. I have extended the vocalese pieces of the
song and made use of a new exit where the energy attempts to slowly
due down.
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• Goddess Of Love - Glenn Rivera ReStructure Mix - Soif de la Vie
Soif de la Vie is Christian Krusch, Helmut Wittler, Leo Walter, and
Oliver Hardt – a German high energy project from 1984. Their single
“Goddess Of Love” became the staple for high energy dance music of
the period. The rolling syntheses and heavy jungle drum beats are
the pinnacle master of disco music. The theme is sung by vocalist
Rosary in a wicked delivery where she gives out the message from her
thrown. This one is a fast moving and rhythmic adventure and is no
wonder why it was such a favorite in the wee-hours of those big
dance palaces.
I have taken the original 12” vocal and
instrumental of “Goddess of Love” and re-tamed the track with a new
intro for this ReStructure Mix. There are more breakdowns at the
fade and again the vocals that rage among the dance floor.
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• Space - Glenn Rivera ReStructure Mix - Viola Wills
Viola Wills is a disco legend who made dance floors not only
recognize a fitting voice for the dance floor but also the number of
times she struck more than a chord. Her hits include many cover
versions with a dance arrangement including her big 1980 classic of
Gordon Lightfoot’s “If You Could Read My Mind”. Viola took many
different turns throughout her recording career but always remained
faithful to the dance floor. “Space” is a track from her 1983
project by the same name – it was produced by Viola and her husband
Robert Ashmun. The question here is how much we know of the
relationships we work at and a rule of law where time apart creates
growth also. The arrangement is much like a Broadway number which
reaches several heights and gives off a chorus of bold believers.
I have taken the 12” versions of “Space” and laid out the song
for a new ReStructure Mix. The intro is a longer fade in with some
added percussion and more of the dub-like feel for this fast moving
80’s dance number.
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• Dancing Machine - Glenn Rivera ReStructure Mix - Jackson Five
Jackson Five are Jackie, Jermaine, Marlon, Michael, Randy and Tito
Jackson. Their career has spanned from the early 70’s throughout the
late 80’s first as family band and then as a force in pop music.
“Dancing Machine” is a track from their 1974 album by the same name
and was produced by Hal Davis and arranged by Arthur Wright. The
single is one of the group’s iconic pieces in that it introduced the
soulful sound of their music along with early signs of themed disco
song. The energy behind this piece is the riffs which drop in and
out as horn sections and bring the song to a higher level.
I
have taken the album version of “Dancing Machine” and the
instrumental version to bring a new ReStructure Mix to salute this
classic. The new down beat brings this one a new edge of hardcore
floor action. Pieces of the song are drawn more focus for this
arrangement to secure a new listening experience.
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• Mamy Blue - Glenn Rivera ReStructure Mix - Claire Chevalier
Claire Chevalier is a memorable talent from the late 60’s to the
late 70’s whose music always gave way to her vocal performances.
There is a meek yet sensual approach to her lyrics and the true
essence of a stage magnet. “Mamy Blue” she recorded in in a
production by Gay Vaquer. Claire approaches this now classic piece
with no fear or holding back. The tale of an estranged mother and
child is delivered with the emotion the song was meant to deliver.
I have taken the original 7” version of Claire’s “Mamy Blue” and
revisited the track with more production using beats and key effects
throughout the new ReStructure Mix. The mood is dug a few deeper
with the hard beats and mystical pieces of a Laura Branigan classic.
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• Infatuation - Glenn Rivera ReStructure Mix - Midnight Passion
Midnight Passion is an Italian dance project from producer Shany
with arrangements by Romano Trevisani. “Infatuation” is their 1986
release with takes a basic street sample and blends it into a fierce
horn break and plenty of electronic riffs which flow together in a
challenge-like fashion. It is one of the crossover pieces which feel
like high energy yet leaves behind the energy which Italo-disco
presented a few years earlier. This is their second single and gives
out the same energy but with more of a stage for the instrumental.
I have taken the 12” version of “Infatuation” and remapped the
energy into a new ReStructure Mix. This time around the pieces of
this number are given more time to play a foundation for this new
arrangement.
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• In The Name Of Love - Glenn Rivera ReStructure Mix - Thompson
Twins
Thompson Twins are Tom Bailey, Alannah Currie and Chris Bell – one
of the many memorable groups from the 80’s. Their first dance floor
hit “in The Name Of Love” from 1982 was produced by Dennis Bovell,
Mike Howlett and Steve Lillywhite. This was a powerhouse single who
gave the band their identity with its nu-wave edged vocals, heavy
percussion and drums. It was the synth-pop sound of the early 80’s
exploding with a new direction. “In The Name Of Love” has several
riffs which keep the energ moving at a steady pace along with the
somewhat distorted groove.
I have taken the 12” original mix,
the 1988 dub and house versions of “In The Name Of Love” to rework
the classic into a new ReStructure Mix. More of the rhythm is pulled
out to give it a spotlight and the flow continues along the same
lines where a crescendo brings on more energy.
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• Temptation - Glenn Rivera ReStructure Mix - Corina
Corina (Corina Katt Ayala) is a freestyle artist who released her
1991 single “Temptation” to dance floors waiting for the next big
thang. This track immediately took off and became the top on club
playlists. Produced by Chris Paul and fed more beats than one song
can handle. This backbeat/freestyle dance release has been said to
have saved freestyle music at the time. These hard edged beats will
take the dance floor and pound out a new surface with its razor
sharp sound and ominous energy. One of the top picks from my club at
the time and gave the dance floor no empty spaces.
I have
taken the 12” version of “temptation” and re-pounded the awesome
beats for this ReStructure Mix. A new foundation of key pieces are
injected and given they spot to rewire this 90’s classic.
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• Don't Go Breaking My Heart - Glenn Rivera ReStructure Mix - Ciao
Ciao
Ciao Ciao is an Italian-disco project from producer Mauro Farina
(Alan Barry, Coo Coo) who worked in the transformation of
Italo-disco from the early 80’s to the high energy/girl twirl sound
of the mid and late 80’s. This duo consisted of Cristina Cucchi &
Rachel Fellini on vocals. “Don’t Go Breaking My Heart” is their
first single from 1988 – and on the classic Italian dance label,
Asia Records. This is one of the fluffy dance numbers that plays out
using the formula of rolling bass and soft pounding beats. The
essence of mid-80s Italian dance is all here and the melody even
flows closely to a Bananarama style (“Love In The First Degree”). It
is one of the memorable tracks from catalogue of Italo-dance with
the foundation which always works.
I have taken the 12”
version of “Don’t Go Breaking My Heart” – both the vocal and bonus
beats and revisited this song with a ReStructure Mix. There is more
emphasis on the bass beats and sequencers creating more of dub-like
environment for the light and celebratory feel.
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• Somebody Save The Night - Glenn Rivera ReStructure Mix - Sharon
Redd
Sharon Redd defines an introduction to the New York funk/disco sound
emerging during the early 80s. Her dance floor hits “Beat The
Street”, “In The Name Of Love” and “Love How You Feel” were the
structure of this artist’s powerful delivery of funk-charged numbers
and anthems. Her legacy continues as many dance enthusiasts new and
old discover her unique sound and presence. “Somebody Save The
Night” is from her 1983 project “Love How You Feel” – produced by
Eric Matthew (Gary’s Gang). This number is an outline of the
Redd-experience where she takes a groove and lays out her song in a
streetwise yet sophisticated approach. This one is a promise of
being captured on a lonely rather than returning for the same for
longing over and over.
I have taken the album version of
“Somebody Save The Night” and re-funked the track into a new
ReStructure Mix. Using the existing percussion and rhythm tracks to
remold them into a new experience. And allowing Sharon’s pleading
chorus to maintain its place.
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• Age Of Reason - Glenn Rivera ReStructure Mix - John Farnham
John Farnham is an Australian singer whose recording career began in
1968 and became a best-selling single in 1960. His career continued
through 2001 - including duets with Olivia Newton-John. In 1988 his
project titled “Age Of Reason” brought an anthem-like dance track
which became an underground classic in many clubs. This piece is one
of the powerful crossover recordings for the dance floor and stays
powerful from start to finish. The yearning for a movement of
understanding for humanity and a time where peace and serenity is
necessary are one that ring true throughout time and even more so
that this lesson gives us a challenge to use of minds along with our
hearts. The production id from Ross Frazer and plays out in a
several moving crescendos and a wonderful cool down into the rhythm
tracks.
I have taken the 12” version of “Age Of Reason” and
played tribute to the dance hall classic in this ReStructure Mix.
New intro and several inserts to remind us of the power behind this
song are expressed with love and the need to remind us of the reason
for this need.
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• Down Down Romeo - Glenn Rivera ReStructure Mix - Meccano
Lime is one of the lasting flavors of disco/dance history. Denis
Lepage and Denyse Lepage brought to the dance floor a more
simplistic edge with plenty of percussion and colorful riffs to make
their style memorable and lasting. “Take My Heart Away” is from
their 1991 project titled “Caroline” and gives off a sensible energy
that Lime is known for – but also displays the longevity of Denis
Lepage genius with a full on electronic arrangement as he always
applied in his work.
I have taken the album version of “Take
My Heart Away” and given homage to the Lime sound in this
ReStructure Mix. A new bass beat is added to pound out the energy
and a riff from a Lime classic added to bring us back home again.
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• Take My Heart Away - Glenn Rivera ReStructure Mix - Lime
Lime is one of the lasting flavors of disco/dance history. Denis
Lepage and Denyse Lepage brought to the dance floor a more
simplistic edge with plenty of percussion and colorful riffs to make
their style memorable and lasting. “Take My Heart Away” is from
their 1991 project titled “Caroline” and gives off a sensible energy
that Lime is known for – but also displays the longevity of Denis
Lepage genius with a full on electronic arrangement as he always
applied in his work.
I have taken the album version of “Take
My Heart Away” and given homage to the Lime sound in this
ReStructure Mix. A new bass beat is added to pound out the energy
and a riff from a Lime classic added to bring us back home again.
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• Peeping Tom - Glenn Rivera ReStructure Mix -Rockwell
Rockwell (Kennedy William Gordy) released his second album titled
“Captured...By An Evil Mind” in 1985 – following the success of his
first single “Somebody’s Watching Me” from the prior year. “Peeping
Tom” was the single from the second project and caught my attention
immediately with the sheer string bridge which brings to mind the
disco effect. The theme of the track is clever once again as
Rockwell provides a story of eyes lured by an unknown force and
making this synth-pop number stand out with his vocal and touch.
Although the release was not as noticed as his first hit, it still
remains a hidden treasure from am 80’s artist who left an indelible
mark in dance music.
I have taken the album and 12” version
of “Peeping Tom” and refocused the ReStructure Mix on a strip down
of its elements and power. I have made use of the keyboards and
thumping bass lines to recreate this number in a new phase.
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• Body Heat - Glenn Rivera ReStructure Mix - Partners
Kano began as an Italian-disco project featuring Luciano Ninzatti,
Stefano Pulga and Matteo Bonsanto. The edge of this dance music
centered on a powerful mystic influence from another universe
perhaps where the groove is the thing. Their big hit “I’m Ready”
from 1980 featured a B-side titled “Holly Dolly” which was not
included in their album release. The track was another futuristic
styled theme with a voice bringing the light on a female figure who
rules all during the night. It is one of the provoking pieces as
much as “I’m Ready” with familiar elements however; it flies on its
own.
I have taken the 12” version of “Holly Dolly” and
scrambled the message into a new ReStructure Mix for a new
temperature of dance. I have utilized the cowbells and clap drops in
a new way to bring this “doll” back to the dance floor.
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• Holly Dolly - Glenn Rivera ReStructure Mix - Kano
Kano began as an Italian-disco project featuring Luciano Ninzatti,
Stefano Pulga and Matteo Bonsanto. The edge of this dance music
centered on a powerful mystic influence from another universe
perhaps where the groove is the thing. Their big hit “I’m Ready”
from 1980 featured a B-side titled “Holly Dolly” which was not
included in their album release. The track was another futuristic
styled theme with a voice bringing the light on a female figure who
rules all during the night. It is one of the provoking pieces as
much as “I’m Ready” with familiar elements however; it flies on its
own.
I have taken the 12” version of “Holly Dolly” and
scrambled the message into a new ReStructure Mix for a new
temperature of dance. I have utilized the cowbells and clap drops in
a new way to bring this “doll” back to the dance floor.
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• Gonna Lose My Heart - Glenn Rivera ReStructure Mix - Thu Thuy
Thu Thuy (also known as Sher’e) is an 80’s dance music artist who
released a single in 1987 titled “Gonna Lose My Heart” – produced by
Skip Saylor. The single was one of the electronic dance productions
which were being labeled as Asian Nu-wave. This piece is a rolling
bass synth-pop outline with a nice catchy verse and execution with
Thu Thuy’s engaging vocal. It is a bittersweet remedy for those who
followed the Italo-disco fad of the early 80’s onto the late part of
the dance era.
I have taken the 12” version of “Gonna Lose My
Heart” and rewired the bass and beats for this ReStructure Mix.
Taking the pieces of the dance number and re-stabilizing it with
some hard street beats.
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Get It Up For Love - Glenn Rivera ReStructure Mix - Tata Vega
Tata Vega is one of the talents of the 70s whose voice remains one
of the unique sounds in soul and R&B. Her career includes a
contribution to the disco era of 1978 with her classic song “I Just
Keep Thinking About You Baby” from her project “Try My Love”. The
flip side of this 12” disco single is “Get It Up For Love” which is
another delivery that is unforgettable and gives Tata another
opportunity to create a stage for her style and energy. The
production by Winston Monseque is disco/funk arrangement which
brings out the best of the beats.
I have taken the 12”
version of “Get It Up For Love” and recreated a new play for this
ReStructure Mix. A more layered intro for the arrival of Tata to
bring the message to us again with some familiar 80’s syn-drums.
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• Everyman - Glenn Rivera ReStructure Mix - Double Exposure
Double Exposure is one of Salsoul Records early marks in dance
history. The group included Charles Whittington, Jimmy Williams, Joe
Harris, and Leonard Davis – and backing the ensemble were members of
the Salsoul Orchestra sessions. This brought the soulful edge of
vocals and gospel energy to disco music. As the strings wind into
each verse and chorus the funky basslines provide that bumpin’
rhythm base that later became house music in the 80s. “Everyman” is
from their 1976 project titled “Ten Percent” and gives a new shine
to disco music of the time. One of the great pieces and outlines on
the Salsoul label and now a classic.
I have taken the 12” of
“Everyman” – both the vocal and instrumental and transformed the
piece into a new ReStructure Mix. Pounding out the bass line with
new beats to give it more power and several new breaks to make this
one a welcome once again.
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• Fall In Love - Glenn Rivera ReStructure Mix - Ryan Paris
Ryan Paris (Fabio Roscioli) is an Italian singer whose first single
from 1983, “Dolce Vita” became a huge dance floor hit. Produced by
Pierluigi Giombini and John Bini this arrangement and sound became
an outline for Italo-disco produced in the early 80’s. It was a soft
and majestic edge that brought sophistication along with the disco
beats and claps. “Fall In Love” was his 1984 single which is another
beautiful love song with Ryan’s romantic delivery and the building
crescendos of lilting music. This one has always been a favorite of
mine and always brings to heart the soul of Italian disco music.
I have taken the 12” vocal and instrumental and replayed a new
version for this ReStructure Mix using the pianos and the moody
breaks as the new pieces of this version. It still contains the
wonderful bridges and breaks in a new arrangement to keep this piece
alive.
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• Feel Your Way Around - Glenn Rivera ReStructure Mix - Ann Joy
Ann Joy (Anna Gioia) is a disco artist produced by Peter Dimilo from
1980 – the project titled “Love Dance”, as he achieved in his Erotic
Drum Band releases Mr. Dimilo brings a barrage of percussion which
outlines a sexy flavor in his music. The percussion makes love the
beat while Ms. Joy here gives us the sensual layering of soft
intimate vocals. This was one of my favorite singles of the dance
80’s period and makes the dance floor continue to move in and out as
the bongos do.
I have taken the 12” of “Feel Your Way Around”
and made a new outline for this ReStructure Mix. Taking those bongos
into new breaks and making the bassline work overtime.
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It's Up To You - Glenn Rivera ReStructure Mix - Lian Ross
Lian Ross (Josephine Hiebel) is a German vocalist who became one of
the welcomed artists of the mid-80s on dance floors. Her big hit,
“Fantasy” from 1985 is one of the high energy releases which I
savored during the time period – it not only featured a great and
majestic electronic dance edge but also Lian’s beautiful vocals.
“It’s Up To You” is another single released in 1986 – produced by
Luis Rodríguez-Salazar. This lovely track is an uplifting and
haunting sound that resonates the beauty that high energy music can
sound right on the dance floor. There are angelic effects that make
the wind blow right on the dance floor.
I have taken the 12”
version along with the “Love Call Version” and morphed a new
ReStructure Mix for Lian’s track. There is more emphasis on the
fading of elements and a new fade that works the original intro.
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Superman - Glenn Rivera ReStructure MiX - C.K.B.
C.K.B. is a disco project from Luigi Ojival – who also gave us Diva
Gray and Oyster from 1979. “Superman” is their single from the “New
York City Women” project released in 1978. Another disco tribute to
the “Man of Steel” and even today maintains his spot in
entertainment. This fast moving dance track features some great
rhythm guitars and imaginative lyrics/vocals. An adoring chorus of
“Superman” fans gives the super-hero a life in a few statements and
makes the chorus uplifting and fun.
I have taken the 12”
vocal and instrumental version of “Superman” and reignited the
energy for this ReStructure Mix. Giving the foundation a new base
beat for stability and reworking those guitars for a new adventure.
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You Blow Me Away - Glenn Rivera ReStructure Mix - Paul Lekakis
Paul Lekakis is an 80’s singer who brought an anthem to clubs in
1986 titled “Boom Boom (Let's Go Back To My Room)” – produced by
Miki Chieregato. The risqué track became an instant hit in many
clubs and gave Lekakis his head start in dance music. “You Blow Me
Away” is a single released in 1989 and produced by Shep Pettibone.
This piece gives way to a high energy love song with the classic
Pettibone sample tracks. This one was a popular pick on weekend
packed dance floors and gave another anthem riff to Paul’s
reputation.
I have taken the 12” vocal, dub and bonus beats
versions of “You Blow Me Away” and moved them into the ReStructure
Mix feel. There is more of that ripple bass line that makes the skin
jump and more of the edits using the vocal sequencer effects.
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• Ain't No Mountain High Enough - Glenn Rivera ReStructure Mix -
Inner Life
Inner Life is a disco project from producers Patrick Adams and Greg
Carmichael and features Jocelyn Brown on vocals. Their big dance
floor hit “I'm Caught Up (In A One Night Love Affair)” from 1979
made an impact as an anthem for the end of the 70s disco era. Their
1981 project “Inner Life” features their fabulous cover of the
Motown classic “Ain't No Mountain High Enough”. One of the Garage
classics beautifully remixed by Larry Levan himself and along with
the incredible vocal from Jocelyn this one will live forever. One of
the great early revival pieces of the early 80s when the underground
scene again to prove that the dance floor was not yet closed.
I have taken the 12” Garage Version of Inner Life’s “Ain't No
Mountain High Enough” and displayed this one in the ReStructure Mix
mode. The arrangement is recapped in a new way and several new drum
and percussion tracks added.
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• Express - Glenn Rivera ReStructure Mix - B.T. Express
B.T. Express is funk band from Brooklyn, New York and is well known
for their sexy 1974 hit, “Do It (‘Til Your Satisfied)”. Produced by
Jeff Lane and features early member, Billy Nichols (“Give Your Body
Up To The Music”). “Express” is a memorable track since there were a
few dance releases featuring the train theme as energy on the dance
floor. This one delivers the brass and horn section which makes the
early 70s funk scene jump start the disco era. The arrangement is a
smooth groove along with a breakdown of instrumentals along with the
popular chorus line. A piece of the funk and dance scene which makes
the 70s groovy.
I have taken the album version of “Express”
and stamped the ReStructure Mix seal on it with a downbeat to level
the groove into a new energy. The bass and horns are given another
opportunity to give those sweat glands a chance to work overtime.
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• Party Light - Glenn Rivera ReStructure Mix - Munich Machine
Munich Machine is a staple disco project from producers, Giorgio
Moroder and Pete Bellotte. The fusion of Euro-disco and electronic
elements from Moroder’s early masterwork. Their big dance floor
track “Get On The Funk Train” has always given the disco elegance to
the nightlife and are an important part of the path of dance music.
“Party Light” is from the 1979 project titled “Body Shine” and gives
this session an anthem for the time period. It has several movements
pieced into a slick mover that takes the project into a new phase.
I have taken the album version of “Party Light” and make a new
effort to bring the track alive again in this ReStructure Mix. The
beats and bass lines are reedited and placed into a new step by step
celebration for the dance floor.
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Burn Me Up (With Your Love) - Glenn Rivera ReStructure Mix - Frisky
Frisky is a studio group from producers Moses Dillard and Jesse
Boyce – and features Joy Cannon and Lorraine Johnson on vocals. The
project simply titled “Frisky” is more of the New York disco/funk
which Boyce and Dillard made their own. On projects by Saturday
Night Band, Constellation Orchestra to the solo album from Lorraine
Johnson there is a groove which captures disco music in its most
influential time. “Burn Me Up (With Your Love)” is a hot single from
the project which gives off a subtle sleaze edge with lots of funk
guiding the way. A nice sassy vocal gives this piece its own remedy.
I have taken the album version of “Burn Me Up (With Your Love)”
and stripped down pieces of the chorus and groove for this
ReStructure Mix. This time around it is more emphasize on a dub-like
delivery with more breaks and ominous fade.
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• Makin' Music - Glenn Rivera ReStructure Mix - Gary's Gang
Gary’s Gang is Joe Tucci (Eric Matthew) and Gary Turnier – who also
marked a vital period in disco history with their 1978 dance floor
hit, “Keep On Dancing”. A lightly woven sound which encompassed a
soft disco edge with percussion and a few harmonies. Their 1983
release “Makin’ Music” is a return to that soft-disco feel with more
of the energy which dance music acquired from the late 70s and
became high energy in the 80s. This one is the same formula with a
touch more of that sweetness which makes Gary’s Gang a favorite in
the disco realm.
I have taken the 12” vocal and instrumental
of “Makin’ Music” and reworked the arrangement with a new
ReStructure Mix outline. More of the sequencer riffs are outlined
and shaped into new breaks and drops.
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• Faith In You - Glenn Rivera ReStructure Mix - Kiss Like This
Kiss Like This is Richard Hennassey – a synth-pop project produced
by Robin Goodfellow. “Faith In You” is a 1990 love song which has
the anthem energy of the time and also brings to mind the Stock,
Aitken and Waterman period of the late 80s with the swirling chorus
and beautiful breaks. The winding feel of this magic has always been
one of my favorites and made the top of my playlists during a set
which demanded a touch of magic.
I have taken the 12” version
of “Kiss Like This” and reworked the arrangement in a new direction
for this ReStructure Mix. More of the orchestral edge is my focus
here and that fabulous guitar bridge.
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• You're All The Booge I Need - Glenn Rivera ReStructure Mix -
Teena Marie
Teena Marie created a style of her own as many 80’s artists had the
freedom to rewrite for a whole new dance floor and sound. Her
funk-edged sound gave her the ability to send messages in a new way
for female artists; “You’re All The Boogie I Need” is from her
second album from 1980 titled “Lady T” – produced by Richard
Rudolph. This percolating piece is a great piece for Teena’s
exuberant delivery and sweetness combined. It plays out with energy
and also brings a nice funkiness to its own groove.
I have
taken the album version of “You’re All The Boogie I Need” and
reworked the keys into a new ReStructure Mix. I used pieces of the
backing vocal and lead to place new breaks and a feel to the track.
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• You Can't Steal My Love - Glenn Rivera ReStructure Mix - Azure
Azure is hi-NRG producer Steven Schani and Mark Ligget (Shannon)
along with Jennifer Matthews on vocals. Their music from the late
80’s through the mid-90s was one of the welcomed high-energy sets on
the dance floor. The energy is pumping though their first three
releases and makes a sweeping sound on their catchy keyboard riffs
and Ms. Matthews' fantastic vocals. “Can’t Steal My Love” is their
first release from 1989 and was also released on San Francisco’s
Megatone Label. A fast moving statement from a worn-out relationship
where our divas asserts her final warning. One of the high energy
gems of the late 80s.
I have taken the 12” versions of “Can’t
Steal My Love” and reworked the magic in this new ReStructure Mix.
There is some play with the originals sequencer tracks and a bit of
playful looping for some new breaks.
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• Proud Mary - Glenn Rivera ReStructure Mix - Nuggets
Nuggets are disco project from Italian producer, Celso Valli who
also gave us Tantra, Passengers, Lama, Azoto and Future State. This
release from 1979 was a promise of many good things to come as he
ignites the early sound of disco building into a solid energy for
dancers. “Proud Mary” is his cover of the classic made most famous
by Ike and Tina Turner. This rendition is a Broadway spectacle with
fanfare and long drawn out breaks. It is his arrangements on horns
which make this one most noticeable. The power builds immediately
and continues throughout.
I have taken the album version of
Nugget’s cover of “Proud Mary” and leveled out the energy with
longer segues for this ReStructure Mix. Lots of play with phase
looping and also utilizing a new hard core beat to pound out more of
the energy.
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• Glori, Gloria - Glenn Rivera ReStructure Mix - Sheila
Sheila
(Annie Chancel) is a French singer who took on the huge 1982 dance
hit “Gloria” from Laura Branigan. This version sung in French is
quite enticing with the smooth delivery. Arrangement from Mathias
Camison is mirrored from the original with a new layer of excitement
from Sheila. A nice ripe alternative to the original. It always
worked for my dance floor in many ways on those nights where a
classic was desired in a new way.
I have taken Sheila’s 12”
version of “Glori, Gloria” and reworked it for this ReStructure Mix.
There are a few dub inserts to give this relay a new edge and also
more of the edited horns for new fun.
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• Beat My Drum - Glenn Rivera ReStructure Mix - Claudja Barry
Claudja Barry is the “muse of disco music” – throughout her
recording career she has continued todeliver one hit after another
without losing her stance or dedication to the dance floor. Always a
delicacy for me her voice is an operatic diva serenading the floor
with her energy. “Beat My Drum” comes from her 1983 EP titled “No La
De Da Part 2” – produced by Jürgen S. Korduletsch. This dive into
the lounge music of the 50’s transforms the dance floor into a
nightclub complete with Ricky Ricardo on the congas. A nice theme
and driving rhythm that gives Claudja a home for her fabulous
vocals.
I have taken the album version of “Beat My Drum” and
pounded out the beats for this ReStructure Mix. A new rhumba beat is
added to give it a new foundation is segments and some loop-effects
to drive the message home…or to the clubs!
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Castro Boy - Glenn Rivera ReStructure Mix - Danny Boy and The
Serious Party Gods
Danny Boy and The Serious Party Gods are John Hedges, Lester
Temple and Barry Beam. One of the delicious camp records of the
early 80s as there were so few in dance music at this extreme.
Taking the grossly-silliness of Moon Zappa’s “Valley Girl” and
flipping it on the hardcore San Francisco Castro scene. This one
takes the ridiculous nature of Moon Zappa’s strange song and
converts it into some kind of sense. The music is a nightmarish take
of Frank Zappa’s play and works like an early morning “stand and
pose” piece.
I have taken the 12” vocal, and dubs to recreate
a new “Castro Boy” for this ReStructure Mix. I have added the bass
guitar line from “Valley Girl” and a classic old school beat track
to really take things somewhere else.
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• Stop! In The Name Of Love - Glenn Rivera ReStructure Mix -
Quantize
Quantize is Chris Lucas and Damien Paule – a high-energy dance
session that was released on Passion Records (UK). Their 1990 cover
of Diana Ross and the Supremes, “Stop! In The Name Of Love” is one
of their streamline electronic disco productions with the hip-hop
swap beat used to bring it into the 90s. One of the more intriguing
of the groups since the sweetness of the original is fully intact. A
nice keyboard rendition and hard hitting street beats make this one
an instant feel good track.
I have taken the 12” version of
Quantize’s “Stop! in The Name Of Love” and rewound the Motown
classic for this ReStructure Mix. There is a new drop beat to bring
the power into a more slammin’ feel and more of the wonderful
keyboard inserts.
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• If You Feel It - Glenn Rivera ReStructure Mix - Taffy
Taffy (Katherine Quaye) is one of the Italian groups from the
80d best known for her big hit from 1985, “I Love My Radio (Midnight
Radio)”. Her popularity on the dance floor gave way to many tracks
following in a celebratory feel – including “If You Feel It” from
1988 – produced by Steve Taylor. This one falls into the
Miami-freestyle category of beats and rhythms. An infectious chorus
and more of Taffy’s irresistible vocals are the portions that make
this song a lasting one.
I have taken the 12” version of “If
You Feel It” and re-stamped a deep beat with some new percussion for
this ReStructure Mix. The layout is designed to create more energy
and revive this wonderful dance number.
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• Je T' aime - Glenn Rivera ReStructure Mix - Saint Tropez
Saint Tropez is a session band from W. Michael Lewis and Laurin
Rinder (El Coco, Le Pamplemousse, Tuxedo Junction) which became an
icon for the erotic approach at recording disco music and displaying
it as well. The first project from 1977 contained a disco-fied cover
of Serge Gainsbourg's “Je T’aime” with the orchestral swirling
strings and lustful adlibs. This version is one of the sensual
moments of disco where the art is the timing of the bass lines and
the striking of violins. A wonderful time for this during disco
music formulation and a successful time on the dance floor.
I
have taken the album version of Saint Tropez’s “Je T’aime” and added
a little fire to this ReStructure Mix. The strings are used to
create new segments for some added breaks and a looped opportunity
for the sensual moans for energy and mystique.
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• Loving You, Losing You - Glenn Rivera ReStructure Mix - Phyllis
Hyman
Phyllis Hyman is a talent from the 70’s whose voice helped to
stamp soul and jazz over pop music. Her music has always told a
story in many ways as the master story teller always captures the
listener – and indeed Phyllis did just that. “Loving You, Losing
You” is from her first self-titled project from 1977 – produced by
Jerry Peters (Brainstorm) and features The Sweethearts of Sigma on
backing vocals. The track is a never ending crescendo of doubts and
a question of the time spent being useful. It is a heart break dance
number that is told in several acts and Phyllis leads this
orchestral dance movement like a mother guiding a child. There is a
lot of experience in Phyllis’ voice which is why she resurfaced in
the 80’s with a focus on standards, ballads and blues.
I have
taken the 12” version of “Loving You, Losing You” and reintroduced
the dramatic flair in a whole new way. A more fade in intro and exit
are used to bring us to the point of being just as confused as Ms.
Hyman in her testy relationship. New drums tracks pound out each
crescendo and percussion leads the rhythm.
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• Takin' A Chance On You - Glenn Rivera ReStructure Mix - Sticky
Fingers
Sticky Fingers is a production from Three Hats Productions (THP)
– Willi Morrison and Ian Guenther. The vocals of Phyllis and Helen
Duncan (the second THP Orchestra album, Duncan Sisters) are the main
attraction here as they recreate the dreamy and disco-soul feel of
an orchestrated love song. This one dwells into the possibilities of
a love experience into a future of lasting moments. A wonderful and
soaring piece that is reminiscent of the “THP #2” project which is a
disco masterpiece.
I have taken the album version of “Takin’
A Chance On You” and realigned the heart felt signals for this
ReStructure Mix. There is a percussion riff from a classic high
energy 80s piece which also begs, “take a chance” and a new
alignment for the gal’s dreamy sound.
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• Midnight Music - Glenn Rivera ReStructure Mix - Martin Stevens
Martin Stevens is a singer from Quebec whose 1979 project
“Midnight Music” brought us the magic of his title cut which brings
to light the music of the 70s in a nice midrange crescendo dance
piece. Produced by Michel Daigle and the righty amount of electronic
disco fantasy to make this one come alive over and over again as it
plays out into the night.
I have taken the 12’ version of
“Midnight Music” and rewired this beauty into a new ReStructure Mix.
There is a familiar funk element from an old school classic by
Lakeside added to secure the base of this piece to the dance floor.
This ReStructure Mix is dedicated to Carla Monsalve who once
again reminds me of a goddess from Xanadu and never lets us forget
where the real music is coming from.
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• Warm As Mamas Oven - Glenn Rivera ReStructure Mix - Teena Marie
Teena Marie is a funk-master who transformed the female agenda
on soul and dance music in the late 70s and early 80s. “Warm As
Momma’s Oven” is from her 1994 project “Passion Play” and displays
again her move into the 90’s with a swing/hip-hop feel and Teena’s
illustrious vocal ability. This one is a great sound and tribute to
her own style and talent.
I have taken the album version
“Warm As Momma’s Oven” and reapplied the groove with some new beat
and kick elements. This is a request from an old school expert, Mr.
Ray Duran, Jr. – thank you Ray for always bringing the heat up where
it needs some fire.
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• Little Bit Of Soap - Glenn Rivera ReStructure Mix - Nigel Olsson
Nigel Olsson is a drummer from England who played for Elton John
and Uriah Heep in the 70’s. His solo career gave him the opportunity
to explore his star-side and vocal abilities. “Little Bit Of Soap”
is Olsson’s cover of the 1961 song by The Jarmels and done in a
pop-disco edge which follows closely of The Doobie Brothers’ “What A
Fool Believes”. Nigel takes hold of this classic is his own style
vocally and works it in an effective manner.
I have taken
the 12” version of Nigel’s “Little Bit Of Soap” and washed out some
of the more pop essence and dipped it into a more house feel in this
ReStructure Mix. Some new keyboard riffs and percussion are added to
bring the groove to the surface again.
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• Let Go - Glenn Rivera ReStructure Mix - Sharon Bryant
Sharon Bryant is a vocalist who I know best as the voice behind
the Atlantic Starr track “Circles” from 1982. Her solo project
titled “Here I Am” from 1989 contained the funky-street beat track
“Let Go” – produced by Denzil Foster. This slamming number is one of
the funk regimes of the late 80’s and displayed all which was
brought forth from years earlier. A great vocal and a tickled hard
hitting beat that strikes the right chords for this divas fabulous
performance.
I have taken the 12” versions from “Let Go” and
rewired the funk and beats for this ReStructure Mix. More drop beats
are added and also splicing the drum patterns into new breaks and
segues.
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• Village People - Glenn Rivera ReStructure Mix - Village People
Village People are Alexander Briley, David Hodo, Felipe Rose,
Glenn Hughes, Randy Jones and Victor Willis. Produced by Jacques
Morali and brought to the stage where liberation was excitement. The
70’s were brought to a whole new light with this group and their
music. “Village People” is from their first self-titled project from
1977 – it is a touch of an anthem for their introduction and some of
their energy and courage to make change in the music industry.
I have taken the album version of “Village People” and moved it
into a ReStructure Mix forum by request of Steven Farias of
Facebook. The layers of chanting are realigned with the bass
patterns which make this track its own sound all together.
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• Go Home - Glenn Rivera ReStructure Mix - Stevie Wonder
Stevie Wonder brought the earliest disco rhythms to soul music with his 1976
project “Songs In The Key Of Life”. His continuance throughout the 70s and into
the 80s was also a successful venture for his talent. “Go Home” is from his 1985
project titled “In Circle Square” and again displayed his use of current musical
elements to combine with his endless soulful reign of music. This one is an
irresistible recording that plays out with his energy and staple sound of pure
soul and funk.
I have taken the 12” vocal and instrumental of “Go Home”
and re-played the motion here into a new ReStructure Mix. Using a touch of
percussion to build an extra layer throughout the new remix.
This one is
for Roddy! Thank you, Roddy!
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• Girls Cost Money - Glenn Rivera ReStructure Mix - Passengers
Passengers are Chuck Rolande, Elwanda Contreas, Gesualdo Arena and Kathleen
Flynn – and this project produced by Celso Valli. “Girls Cost Money” is another
one of the fantastic dance tracks from Passengers which embodies the nightlife
and troubles financing it. The light and somewhat whimsical piece has that Valli
touch which makes the disco edge fun and phasing into an original sound. A great
dance number and some memorable riffs.
I have taken the album version of
“Girls Cost Money” and reworked the debt into a new ReStructure Mix for this
visit back to nightlife disco-world. A slight adjustment on the arrangement and
some new twists to start a new dance floor.
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• Hello Superduper Star - Glenn Rivera ReStructure Mix - Sylvia Mason
Sylvia Mason is a voice which helped the 70’s to lure dancers into the disco
lullaby sound. The sweet and powerful essence of pure disco is a woman igniting
the energy with strength and vibrancy. Her performances in Voyage’s “Souvenirs”
and “Let’s Fly Away” are the pinnacle of disco’s mold. “Hello Superduper Star”
is from Sylvia’s 1979 solo-project and with the help of Voyage members Slim
Pezin, Marc Chantereau and Pierre-Alain Dahan. The track exudes the power that
disco music has always strived to create and makes high energy begin its
embryonic stage in the early 80s.
I have taken the album version of
“Hello Superduper Star” and used the existing elements to bring this ReStructure
Mix a tribute to Voyage and Ms. Mason. There are a few new breaks along the way
to make those who know the track a bit more imaginative in the movement of their
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• Whenever You Go - Glenn Rivera ReStructure Mix - Danuta
Danuta (Danuta Lato) is a disco vocalist from Szufranowa, Poland who became
well known following her dance hit, “Touch My Heart” from 1987. The following
year a second single titled, “Whenever You Go” – produced by Gerd Rochelle
became another memorable dance track. This time around the rhythm and execution
of this piece was sweet and broken down by a thumping double beat and smooth
keyboards. He vocal is light and airy as the sexy disco divas in the 70s
promoted the club sound and goes well with the simple love message relayed here.
I have taken the 12” vocal of “Whenever You Go” and rewound the original
beats with more pronunciation with some new percussion. This new ReStructure Mix
also gives though lovely interludes the spotlight where they belong.
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• 1,000 Ways - Glenn Rivera ReStructure Mix - Martin King
Martin King is a British singer who released the track “1,000 Ways” in 1987
produced by Werner Pensaert and Martin King. The track was a retro high energy
piece for its time and respreads the magic that electronic music created in the
early and mid-80. One of the beautiful flowing male vocal pieces of the time and
also the keyboard structure which brings on the symphonic feel of disco music. A
favorite of mine and a mover – even today!
I have taken the 12” vocal and
instrumental of “1,000 Ways” and re-created a flowing ReStructure Mix with more
of the wonderful instrumental segments. There are more of the percolating bongo
fills and a step deeper into breaking the track into a new dance segment.
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• Send Your Love - Glenn Rivera ReStructure Mix - Sharon Redd
Sharon Redd took dance floors prisoner from the start of her career on dance
floors – her performance with Front Page on the track; “Love Insurance” is a
masterpiece. Her solo career began with open arms and her music became a sound
which moved dance floors into a new era of dance music. “Send Your Love” is from
Sharon’s project from 1982 produced by Eric Matthew and Daryl Payne. A love
letter in this song plays out in a plea for a love connection and works with
that New York funk sound of the 80’s.
I have taken the album version of
“Send Your Love” and rewired the song for this ReStructure Mix. New bongos and a
few samples from a disco classic are sprinkled on the remix.
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• Autumn Love - Glenn Rivera ReStructure Mix - Electra
Electra is a late 80’s project from producer, John Rocca (Freeze, Secession)
and Paul Oakenfold. This endeavor is a mild take on the sound created by Soul To
Soul and Enigma with heavy drop-beats and a light swing. “Autumn Love” is their
single from 1989 and uses segments of Donna Summer’s “Love To Love You Baby” to
bring the sensual jazz-like overtone to life. It is one of the sounds that was
picked up by the New Beat community and later hailed as “Balearic beat” among
followers and disc jockeys.
I have taken the 12” version of “Autumn Love”
and refined the Summer influence in this ReStructure Mix. A few more of Donna’s
memorable hits are added to the flavor of this mix and a nice kick back Latin
rhythm added.
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• Fantastic - Glenn Rivera ReStructure Mix - Meccano
Meccano is an Italian disco project from Walter Bassani and Andrea Bassani.
This powerhouse duo has brought to the mid-80s a group of exciting dance tracks
that echo throughout the end of this period. “Fantastic” is a single released in
1988 and is one of the uplifting pieces of the love sings brought to the beat.
This one has that rockin’ feel thanks to Andrea’s moving vocal style and
delivery. This one has always been one of my favorite moods and ear candy of the
80s.
I have taken the 12” version of “Fantastic” and made a new pact to
bring more energy out of this blockbuster. There is a new rolling intro which
explodes into the chorus which always seems to bring me out of any shell that I
may be in.
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Help! Help! - Glenn Rivera ReStructure Mix - Gilla
Gilla (Gisela Wuchinger) is an Australian singer whose recording career
began in the mid-70s and through 1980. Her 1976 dance track “Help! Help!” is a
hard hitting rocked edged piece produced by Frank Farian. This one uses a
filtered percussion track which makes the mind bend along with it wavering
sounds. The vocal by Ms. Gilla is a nice hard hitting and defiant piece for this
disco number and makes the track more memorable.
I have taken the 12”
version of “Help! Help!” and resurfaced those filtered bongos for a new
ReStructure Mix. There is a lot of power in the original and the new swing funk
drums pound out more of it energy.
This ReStructure Mix is dedicated to
Carle Monsalve from FB
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Something Ya Got Makes Me Hot - Glenn Rivera ReStructure Mix - El Coco
El Coco is the disco trench dug by W. Michael Lewis and Lauren Rinder during
the mid and late 70’s. Their productions brought to mind old-school disco with a
new flair with a funky edge and refined groove. It was the raw sound of disco in
a new approach. “Something Ya Got Makes Me Hot” is from the 1980 project titled
“Revolution” and plays out in the formula to the ‘t” during a period of change
in dance music. El Coco has always maintained their sound with the pumping bass
and rhythm guitars making their way to the hilt. One of their most guiding
moments in disco and a true sign of genius all the way around.
I have
taken the album version of “Something Ya Got Makes Me Hot” and rewired the
energy for another trip around the disco clock. This ReStructure Mix focuses on
the drop beats and those rhythm guitars that never seem to get a rest.
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First Time Ever - Glenn Rivera ReStructure Mix - Joanna Law
Joanna Law is a singer/songwriter from UK who took on the unbelievable task
of taking Roberta Flacks 1972 soul/ballad “The First Time Ever I Saw Your Face”
and adding rhythm to the beautiful piece. Joanna sticks in an alternative lounge
arena with her vocal which works incredible well with the production from Simon
Law where the beats are hard hitting and laid back with a jazz-esque touch. A
very nice and successful attempt at the classic song and another reason why the
early 90’s took some hard lessons from the 80’s and turned it around and into
gold.
I have taken the 12” versions of “First Time Ever” by Joanna Law
and retraced the bass line and those drum roll beats into a new ReStructure Mix.
There is a longer and more defined intro and an exit that questions this curtain
as it closes slowly.
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Crystal World - Glenn Rivera ReStructure Mix - Crystal Grass
Crystal Grass is an early dance project lead by producer, Lee Hallyday. The
first album from 1974 is a definite beginning of disco to come with the sound of
funky rhythms, a downbeat and accompanying strings. “Crystal World” is a single
from the project which lasted throughout the time period and became an iconic
sound used in 1988 by S’Express and their single, “Theme from S-Express”. The
horn section became one of those recognizable pieces in disco history.
I
have taken the album version of “Crystal World” and remapped this track into a
new ReStructure Mix. Adding a light beat and kick track to pull more of the
rhythm onto the new foundation. Some surprise elements are added to boost the
realm of this disco classic and the horns used again as the lead.
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Music Makes My Night - Glenn Rivera ReStructure Mix - Madleen Kane
Madleen Kane is the disco chanteuse who made dreams come true on the dance
in a lovely way. Her music has always been a Euro-flavor with a powerful impact
thanks to her stature and talent. “Music Makes My Night” is from Madleen’s 1980
project titled “Sounds Of Love” – produced by Jean-Claude Friederich. This is
the closing number on the B-side and was always one that I admired as it is a
curtain call for Madleen as a dance number. This one has a rolling energy and
makes it point across in her sweet and passionate manner. A great Friday opener
also and now that is what it is directed at.
I have taken the album
version of “Music Makes My Night” and realigned the track into new ReStructure
Mix using elements of a new drum track throughout. I have also made use of the
horn sections which give out a unity beyond the crowd – the theme that this
lyrics relay.
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• High Above The Clouds - Glenn Rivera ReStructure Mix - Narada Michael Walden
Narada Michael Waden is one of music’s rare talents – as an artist,
songwriter, musician and producer. His 1985 project titled “The Nature Of
Things” was another surprise with the single “High Above The Clouds” taking
dance floors on another journey. This one is just what it says – it is celestial
and flows into streams of fantasy and emotion. One of the mid-80’s memorable
moments on the dance floor where the high energy outline of the period was
matched with a unique touch that only Walden could bring.
I have taken
the 12” vocal version of “High Above The Clouds” and worked on extending our
flight with more of the rolling bass edge and the sweetness of each chorus. A
new drum beat pounds us out into the heavens and the closing is a fade from the
peak of the song.
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• Jour de Neige - Glenn Rivera ReStructure Mix - Elsa
Elsa (Elsa Lunghini) is a French singer and released her self-titled project
in 1988 produced by Vincent-Marie Bouvot. “Jour de Neige” – meaning “snowy day”
is one of the deep house movers that helped my dance floor to understand the
power of a French vocalist. The track carries throughout a deep thumping rhythm
with an soft concerto rock feel. It is one of those dance pieces that is both
haunting and refreshing.
I have taken the 12” vocal and instrumental of
“Jour de Neige” and have given it the ReStructure Mix outline. More of the moody
intro is kicked into a new groove with some drums and use of the wavering
effects and orchestral strikes.
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• I Like It - Glenn Rivera ReStructure Mix - D:Ream
D:Ream is Pete Cunnah and Al McKenzie – a house/dance duo who began their
journey onto dance floors in 1991. “I Like It” is from their 1993 project titled
“D:Ream On Vol. 1” and is one of the cuts which drew my attention thanks to the
extensive diva (Linda Dugan) working her way through this track. A retro disco
bassline winding up and down this piece and lots of nice breaks with our lady of
the dance floor taking us on a trip of full ecstasy.
I have taken the 12”
version from their EP “4 Things 2 Come” and worked the hot stuff with a new
stomping beat and some percussion to bring out the rhythm. This one plays out
with more of the sweet key-strings sweeping over the jam.
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• American Soviets - Glenn Rivera ReStructure Mix - C.C.C.P.
C.C.C.P. is Rasputin Stoy and Frank Schendler – a synth-pop band from the
late 80’s who struck an appropriate chord with their dance track, “American
Soviets”. A middle-eastern feel throughout the song gives the funk-edged beat
and clap tracks a nice flowing edge as the vocals reminiscent of that 80’s
poker-face style delivery makes a nice layer. This one was always a secret
weapon to make the dance floor come alive during a lull and always made the
turntable take note of its extended play.
I have taken the 12” vocal and
instrumental mix of “American Soviets” and rewired the territory for a few new
surprises. There are extended loops on the riffs that make this clever piece an
80’s classic for this ReStructure Mix.
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• Dirty Cash - Glenn Rivera ReStructure Mix - The Adventures of Stevie V.
“Dirty Cash” is one of the deep-house / hip hop tracks of the early 90’s
which rings over and over the social messages with groups like Snap! ventured in
to. Stevie V. is like a mini series of dance segments all bringing forth the
supposed answer to all happiness. This one has memorable hooks and a dive into
the deep bass house edge with a tribal foundation. “Dirty Cash” brought into the
90’s all of the promise of 80’s from the dance floor and help to keep it
hardcore. Produced by Stevie V. and featured vocal by Kevin Dozier.
I
have taken the 12” vocal, sax and instrumental of “Dirty Cash” and made this
reality show a new ReStructure Mix. All of the original elements are used in
loops and overdubs to create the same energy with a new need for that “green”.
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• Motion - Glenn Rivera ReStructure Mix - Deodato
Eumir Deodato is best heard with his productions of Kool and The Gang
(“Ladies Night”, “Celebration”) and his own work as, “Knights Of Fantasy”. His
work also includes his early work with jazz and film scores. “Motion” is from
his 1984 project by the same title where he finds himself outlining the
celebration of the movement which creates human satisfaction. This hard hitting
piece contains vocoders and key strikes that empathize more than you can use on
one dance floor. It is a celebration of sound and dance and so close to the edge
that you may have to hold on.
I have taken the album version of “Motion”
and re-vitalized the rhythm tracks into a new “motion” with some help from Boris
Midney. There are some new drum fills to make the floor shake even more with
this one is planted.
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• You Are My Desire - Glenn Rivera ReStructure Mix - Shy Rose
Shy Rose is an Italo-dance project from producer, Antonio d’Addezio and is
one of the sweetest dance sounds from a female artist. Valeria is her real name
and the delivery she brings to this high-energy and lovely dance notations are
lilting and resonant. “You Are My Desire” is her 1989 release and plays out with
a piano crescendo and percussion driven foundation where a romantic feel is
startlingly wonderful. Her first release titled “I Cry For You” from 1987 is the
start of this wonderful artists high energy love songs and this track is quite a
finish.
I have taken the 12” version of “You Are My Desire” and relit the
candles of a romantic dinner for lovers in this ReStructure Mix. An intro with
the piano concerto brings us into a bongo fritz to move to with my new infusion.
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I Feel Love - Glenn Rivera ReStructure Mix - Fax Yourself
Fax Yourself is a Belgium New Beat project from producers, Fabian Van
Messen, Jack Mauer and Marc Meuttiens. Their single from 1989 contained two
covers – Donna Summer’s “I Feel Love” and Rocker’s Revenge’s “Walking On
Sunshine”. The focus of this ReStructure Mix is “I Feel Love” which is presented
here is a thumping bass beat format close to the New Beat solution that took
over in the mid and late-80s. Vocals are provided by Carrie Ann and play out in
a sensual nature once again minus Donna’s range and power. It works closely with
the scaled down production and is satisfying for another “twerk” of this disco
classic.
I have taken the 12” cover of “I Feel Love” by Fax Yourself and
went free-range on the beats and sampled effects. The new arrangement contains a
lengthy and more continual vocal segment and still breaks along the way to make
this classic remain just what it is.
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I'll Be All You Ever Need - Glenn Rivera ReStructure Mix - Trinere
Trinere (Trinere Veronica Farrington) is one of the early Miami freestyle
tracks to slam the dance floor with beats in 1986. “I’ll Be All You Ever Need”
is a love song with a street edge and the resonance of innovative projects from
the past like Kraftwerk and early rap-music beat box. Produced by Pretty Tony
for the Jam Packed Record label this one pounds into our feet what Trinere is
allowing her lover to know. Hard hitting and makes the floor move on its own. A
new dance arena for the sound of Miami’s new iconic sound.
I have taken
the 12” club mix and instrumental of “I’ll Be All You Ever Need” and added a new
intro which starts with a few mild hints and then slams you into the wall. The
beats have always made this one worthwhile and everlasting and now it is time to
prove it.
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Magic - Glenn Rivera ReStructure Mix - Brian Soares
Brian Soares is one of the San Francisco artists whom helped to make the
80’s a continual dance celebration. His work included endeavors with David
Diebold and also the big dance floor hit, “Dancing In My Sleep” by Secret Ties.
“Magic” is one of his memorable dance tracks where he takes the love song from
the film, “Xanadu” (originally performed by Olivia Newton-John) and transforms
it wonderfully into a male lead dance anthem. An exciting moment for its release
in 1985 as it did not seem possible for this to be done by a male artist. Dance
floors worked their bones to this one as the excitement was also bound to the
fast moving high energy groove.
I have taken the 12” vocal and
instrumental of Brian Soares’ “Magic” and waved a ReStructure Mix wand over this
magnificent cover. There is a longer into with play on the keyboards and
sequencers and a lasting fade for the magic to dissipate.
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• High Energy/Reach Out, I'll Be There - Glenn Rivera ReStructure Mix - Sandy
Linton
Sandy Linton is a disco project from the mid-80s produced by Ronald Thorpe.
This medley takes Evelyn Thomas’ big dance floor hit “High Energy” and combines
it with Four Tops’ soul classic “Reach Out, I’ll Be There”. The electronic
arrangement spikes a whole new feel for the blend of the two tracks and gives
new energy to the iconic “high energy” anthem also.
I have taken the 12”
vocal and instrumental into a new ReStructure Mix and blended the pieces of both
to maintain a new level of energy. There is a new drum track to pace out the
excitement and a longer segues for both songs.
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• It's You - Glenn Rivera ReStructure Mix - Lime
Stephanie Mills is a r&b/soul vocalist from Brooklyn, New York and made her
big introduction in the Broadway production of “The Wiz”. Her debut in the disco
arena was a welcomed one and several big dance hits ensued including “Put Body
In It” and “You Can Get Over” in 1979. Her 1982 project titled, “Tantalizing
Hot” made another mark with her dance floor hit titled “You Can’t Run From My
Love” – produced by James Mtume and Reggie Lucas. This statement is one of the
tracks again from Stephanie which allow us to hear her voice as intended –
strong and certain. A big dance floor hit for my club and one which helped to
ignite more fire for her later in the 80’s.
I have taken the 12” remix of
“You Can’t Run From My Love” and worked another ReStructure Mix out of it. There
is a slight percussion accompaniment and also more of what this piece delivered
originally – funk and movement.
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• Sweet Drums - Glenn Rivera ReStructure Mix - Cerrone
Stephanie Mills is a r&b/soul vocalist from Brooklyn, New York and made her
big introduction in the Broadway production of “The Wiz”. Her debut in the disco
arena was a welcomed one and several big dance hits ensued including “Put Body
In It” and “You Can Get Over” in 1979. Her 1982 project titled, “Tantalizing
Hot” made another mark with her dance floor hit titled “You Can’t Run From My
Love” – produced by James Mtume and Reggie Lucas. This statement is one of the
tracks again from Stephanie which allow us to hear her voice as intended –
strong and certain. A big dance floor hit for my club and one which helped to
ignite more fire for her later in the 80’s.
I have taken the 12” remix of
“You Can’t Run From My Love” and worked another ReStructure Mix out of it. There
is a slight percussion accompaniment and also more of what this piece delivered
originally – funk and movement.
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• You Can't Run From My Love - Glenn Rivera ReStructure Mix - Stephanie Mills
Stephanie Mills is a r&b/soul vocalist from Brooklyn, New York and made her
big introduction in the Broadway production of “The Wiz”. Her debut in the disco
arena was a welcomed one and several big dance hits ensued including “Put Body
In It” and “You Can Get Over” in 1979. Her 1982 project titled, “Tantalizing
Hot” made another mark with her dance floor hit titled “You Can’t Run From My
Love” – produced by James Mtume and Reggie Lucas. This statement is one of the
tracks again from Stephanie which allow us to hear her voice as intended –
strong and certain. A big dance floor hit for my club and one which helped to
ignite more fire for her later in the 80’s.
I have taken the 12” remix of
“You Can’t Run From My Love” and worked another ReStructure Mix out of it. There
is a slight percussion accompaniment and also more of what this piece delivered
originally – funk and movement.
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• Get The Look - Glenn Rivera ReStructure Mix - New Paradise
New Paradise is a French disco project from producer, Leo Carrier and
features an ensemble of driving vocals guiding the energy of their dance
numbers. “Get The Look” is a 1981 single from their self-titled album and is one
of the fast moving electronic tracks with several great hooks. The sequencers
are loaded for play from the start to finish. The girls are shouting about a
fashion statement that obviously is being made on dance floors and making them
excitement with every minute. This one was always a favorite of my clubs with
its wild guitar cha-cha break and then the chorus exploding over and over.
I have taken the album version of “Get The Look” and redirected this energy
into a new ReStructure Mix. The movement is still quick and the pace if fast
with some new drum tracks and percussion to make the trip an whole new
experience.
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• She's A Star - Glenn Rivera ReStructure Mix - Kano
Kano began as one of the innovative groups of the early 80’s with their big
dance floor classic “I’m Ready” from 1980. The project is Luciano Ninzatti,
Matteo Bonsanto and Stefano Pulga – who were joined on the second album, “New
York Cake” with vocalist, Glen White. “She’s A Star” is a single from this 1981
project and is a lighter play of Kano’s initial hardcore/underground approach.
The piece is still exciting and has some nice keyboard elements and lure on this
mystery lady who makes the night stand still when she is a part of it.
I
have taken the album version of “She’ A Star” and translated the energy in a new
way to this ReStructure Mix. The new percussion and drum tracks give the song
more of a disco pulsating sound and make the energy more evident.
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• Cecilia - Glenn Rivera ReStructure Mix - Mike Mareen
Mike Mareen (Uwe-Michael Wischhof) is a high energy project which helped to
shape high energy music from the roots of electronic disco. His big hit “Dancing
In The Dark” from 1984 is very much an influence from the synthesizers and
approach of Giorgio Moroder from the mid and late 70’s. Mareen used a light edge
of wizardry and also a proclaimed “Power Play” which defined his high energy
sound. “Cecilia” is Mike Mareen’s cover of the Simon & Garfunkel 1970 pop-hit in
a hardcore electronic package. The flow of the song is sweeping and uses
Mareen’s edits and drops to entertain the dance floor. It is a sweet remake
since the original song is infectious and quite moving.
I have taken the
12” version of Mike Mareen’s “Cecilia” and reedited the segments of rolling bass
and sequencers into a new ReStructure Mix. This one plays out with more segues
and breaks so that one can feel the energy that was released on dance floors
with this style of dance music.
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• Don't
Leave Me This Way - Glenn Rivera ReStructure Mix - Slip
Slip is a Euro-disco project from producer, Manfred-Alois Segith – who also
gave us Fancy and many Euro-disco/dance projects by various artists. Slip is one
of early 80’s sessions which began with a cover of the Harold Melvin and The
Blue Notes/Thelma Houston disco classic, “Don’t Leave Me This Way”. This
electronic piece is a production which takes the vocals into a dreamy and sexy
wonderland with a Marilyn Monroe feel. The chorus builds unlike the original
soulful versions are campy and sweet – the underground disco way. A nice take on
a disco classic and a new twist on the heartbreak in the femme fetale arena.
I have taken the 12” version of Fancy’s “Don’t Leave Me This Way” and played
out this sexy drama in a new way. This ReStructure Mix utilizes the syn-drum
breaks in parts of the track where e definite energy is new and surprising.
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• Dr. Doo-Dah - Glenn Rivera ReStructure Mix - Kongas
Tantra is one of the most intense disco tracks in all of dance music
history. The “journey” in fact the genius of arranger/producer Celso Valli who
worked with producer La Drogueria Di Drugolo. “Las Colinas De Katmandu” is a
released version of the huge club hit “Hills Of Katmandu” from 1979 and is one
of the forerunners of Italian produced disco music. The track has always been
hailed as an innovative production and used over and over in many programs to
give that high energy, yet mystic feel of music. A great history and also still
a great song – in English or Spanish.
I have taken the 12” version of
“Las Colinas De Katmandu” and decided to enter and approach this experience in a
new way. The ReStructure Mix follows many of the tools that I utilize in my play
and often you may find that you are lost if you expect the original order.
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• Las Colinas De Katmandu - Glenn Rivera ReStructure Mix - Tantra
Tantra is one of the most intense disco tracks in all of dance music
history. The “journey” in fact the genius of arranger/producer Celso Valli who
worked with producer La Drogueria Di Drugolo. “Las Colinas De Katmandu” is a
released version of the huge club hit “Hills Of Katmandu” from 1979 and is one
of the forerunners of Italian produced disco music. The track has always been
hailed as an innovative production and used over and over in many programs to
give that high energy, yet mystic feel of music. A great history and also still
a great song – in English or Spanish.
I have taken the 12” version of
“Las Colinas De Katmandu” and decided to enter and approach this experience in a
new way. The ReStructure Mix follows many of the tools that I utilize in my play
and often you may find that you are lost if you expect the original order.
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• Jumpin (Get Hot, Hit The Spot) - Glenn Rivera ReStructure Mix - Vera
Vera is a Canadian disco project created by Louis Toteda and features one of
the loveliest vocals on dance music, Ms. Patti Masi. This project caught my
attention immediately in 1981 as it was one of the projects to bring a new
energy to dance floors. The edge which is laid out here is the beauty of disco
music with the sweetest messenger and also a band backing which plays out with
the grooviest intention. “Jumpin' (Get Hot, Hit The Spot)” is the single which
became the B-side to Vera’s huge club hit, “Take Me To The Bridge” and gives an
early sign of this lilting voice building a party all on her own. A nice pumping
sound enlightened with Patti Masi’s sweet delivery – yet giving the dance floor
the reason to be there.
I have taken the album version of “Jumpin' (Get
Hot, Hit The Spot)” and redecorated the ReStructure Mix using Vera’s big dance
track. “Baby, Won’t You Dance With Me” as the starting point. The energy is
brought to life again with a new arrangement and pulling out some of those great
hooks.
Dedicated to Ms. Patti Masi and Mr. Louis Toteda
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• San Salvador - Glenn Rivera ReStructure Mix - Azoto
Azoto is an Italian disco project from Celso Valli – formerly titled
Lucrethia and The Azoto 14,008. One of the early signs of disco music maturing
all around. The electronics and strings working together along with beautiful
arrangements on bass, synths and keyboards. The project titled “Disco Fizz” was
released in 1979 and brought the promise of future projects from Valli like
Tantra, Lama, Pete Richards, V.I.S.A. and many more arrangements in various
sessions. “San Salvador” uses the high falsetto sound which is reminiscent of
the Bee Gees in the disco world. This number is a celebration all around and
from start to finish proves just that.
I have taken the album version of
“San Salvador” and relit another chance to party in the streets. It is enhanced
by its own percussion in new places and layered into a new feel in this
ReStructure Mix.
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• Over You - Glenn Rivera ReStructure Mix - Wendy
Wendy is a Hi-NRG project from producer Andrew Reynolds. The track “Over
You” from 1988 follows the independent label sound of high energy music as it
was transformed into an electronic production with pulsating bass synths and a
power anthem-like theme. This song about a heartache falls into a self-alerted
message from our heroine whom has come to recognize that her heart has finally
let go of an abusive relationship. There are elements here that are standard
80’s feel yet the full picture delivers a message in a unique way.
I have
taken the 12” single vocal and instrumental of “Over You” and replayed this
drama using a slight shift in arrangement and also some new percussion tracks.
It is one of the pieces that my dance floor would remain on the floor for its
entirety and now it would make more sense as the drama continues.
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• Enchanted Garden - Glenn Rivera ReStructure Mix - Giovanni Fenati / Madeline
Bell
Giovanni Fenati is an Italian pianist, composer and orchestra director. His
project with vocalist, Madeline Bell from 1980 – an unreleased project produced
by Giorgio Moroder and Pete Bellotte. This piece of disco in a full-on European
delivery is a lovely take on an imaginary place where love is of abundance and
life begins over again. The vocals are from Madeline Bell who enjoyed a solo
career 1967 – 2014 and also is known for her lead vocals in projects by Space
(“Prison”, “My Love Is Music”, “Save Your Love For Me”). The original version of
“Enchanted Garden” is an extended disco play which gives way to several
orchestra and band movements that are truly in the disco arena at its finest.
I have taken the original version and have worked on this ReStructure Mix to
give it a new buff and shine. Adding drum and percussion to pull out more of the
dance stamp in this new version. It was requested by Carla Monsalve from
Facebook – so all of the beautiful feel is for this wonderful lady.
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• Let's Get It Together - Glenn Rivera ReStructure Mix - El Coco
El Coco is W. Michael Lewis and Lauren Rinder – a musical duo who brought
the real deal to disco music – long before disco was “disco music”. Their edge
was a lounge-esque feel with a funky groove. Taking the Barry White approach
substituting the orchestral section with a 50’s lounge take. Their music is
soothing with an infectious bass and lead guitar taking us on to the dance floor
with no regrets. “Let’s Get It Together” is from their 1976 project and label
AVI Records. This lovely piece of music may have been inspired by pieces like
“Quiet Village” by Les Baxter – with a 70’s take. A great part of disco history
and a reminder of what a fusion is all about.
I have taken the 12”
version of “Let’s Get It Together” and attempted a fusion of percussion and new
breaks to make this great number come to life again. The loops and new
segmentation of the chorus are of the ReStructure Mix family and hopefully make
the feet and hips move once again . . . smoothly!
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• Escapade - Glenn Rivera ReStructure Mix - Janet Jackson
Janet Jackson made the world a “rhythm nation” in 1989 with her project
produced by Jimmy Jam and Terry Lewis. “Escapade” is the single which brought a
celebration with a smile from Janet with her moves which made us move to emulate
the unity. This track is one that made my club go wild as it takes Friday and
makes it forever. One of the big ones for me from Janet as even today makes the
punch seem new and real.
I have taken the album version vocal and
instrumental of “Escapade” and remade the energy into bits and pieces of energy.
The most memorable moments are chopped and a realigned for a whole new
experience. Let’s go!
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Tower Of Love - Glenn Rivera ReStructure Mix - Romance
Romance is one of producers, Simon Soussan deep disco projects from 1978.
The sound he created with disco music has always been the innovation between the
mature formula with heavy beats and percussion. It was his lead that helped to
pave the end of the 70’s to a full-on disco production with all of the elements
that worked the floor. His groups French Kiss, Arpeggio, Charisma and his Pattie
Brooks masterpiece album, “Our Miss Brooks” were the staying power of not a
pop-edge, but more of the true underground disco feel. “Tower Of Love” is from
the project “Dance My Way To Your Heart” and has always been a favorite of mine
from the outline and still sounds mystifying. The lyrics reveal a love built
throughout the years in jeopardy and undying allegiance to keep it alive.
I have taken the album version of “Tower Of Love” and placed it in that
ReStructure Mix realm for Mr. Simon Soussan. This is the movement that made me
believe in disco music and it is my time to give my homage to this talented man.
Thank you, Mr. Soussan.
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Wind Beneath My Wings - Glenn Rivera ReStructure Mix - Menage
Menage is a disco ensemble from pioneer disco producer, Warren Schatz (Vicki
Sue Robinson, New York Community Choir, The Brothers) and vocalist, Ellen
Bernfeld. Their three 80’s releases began with a big dance floor cover of
“Memory” – the theme from the Broadway show, “Cats”. The re-introduction to
disco music’s intention to make the dance floor a stage. “Wind Beneath My Wings”
is their third single and a wonderful cover of the theme from the motion
picture, “Beaches”. The strings and fusion of keyboards make a mark once again
on a dance version of a song that celebrates just as disco music always has.
I have taken the vocal and instrumental of Ménage’s “Wind Beneath My Wings”
and added a new edit to this ReStructure Mix. Taking the drama onto a whole new
purpose for this great dance cover.
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A Good Man (Is Hard To Find) - Glenn Rivera ReStructure Mix - Boys Town Gang
Boys Town Gang is a studio recording group whose first big hit, “Ain’t No
Mountain High Enough” from 1981 featured Cynthia Manley on lead vocals. The
project eventually led to a gamut of dance floor hits from their first hit
through 1985. “A Good Man Is Hard To Find” is from their last album titled, “A
Cast Of Thousands” which features Jessica Williams, Debbie Jacobs, Martha Wash,
Izora Rhodes, Sylvester and Margaret Reynolds. It is producer, Bill Motley’s
tribute to disco music and its lasting presence. Featured vocals on “A Good
Man…” are JoLo – Jo-Carol Block and Lauren Carter. A big surprise from the group
since the track was the last to surface from the many cuts that were classic
Boys Town Gang merits.
I have taken the album version of “A Good Man Is
Hard To Find” and reworked it for a new time for this one to play out. More
heavy beats and a challenge from Cass Daley and the Cerrone ensemble to
remember.
This ReStructure Mix is dedicated to Martin KJ Kellerman –
thanks, Martin for the kind words and for requesting this one!
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• Give It To Me Baby - Glenn Rivera ReStructure Mix - Cheri
Cheri is Amy Roslyn and Rosalind Hunt who are best known for their dance
floor hit, “Murphy’s Law” from 1982. Their self- titled album was produced by
Freddie James (“Get Up And Boogie”), Geraldine Hunt (“Can’t Fake The Feeling”)
and Peter Dowse – and features Alma Faye on back-up vocals. “Give It To Me Baby”
is the single that merged the funk into the disco realm with its intense
directive and hard hitting rhythm. The piece was a big hit for me in my club and
created quite a stir among those who were catching its groove from afar.
I have taken the 12” version of “Give It To Me Baby” and re-pumped the funkiness
of the track over again for this ReStructure Mix. It has been leveled out with a
few new breaks and a new arrangement using the duos’ enticing sensual lure.
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• I Want A New Drug - Glenn Rivera ReStructure Mix - Huey Lewis and The News
Huey Lewis and The News brought the pop sound of rock ‘n roll alive along
with the synth-pop edge. Their 1983 album “Sports” contained several radio hits
and few aimed at the dance floor including “I Want A New Drug”. One of the
tracks that challenged the hearty emotions of a romance with the undying need to
be high on love alternatively. A great twist one of the unforgettable dance
pieces of that year.
I have taken the 12” vocal and instrumental of “I
Want A New Drug” and shot into this ReStructure Mix pieces of Ram Jam’s “Black
Betty” as a side note for rhythm. This one takes the percolating sequencers into
many new purposes – but mainly to shake those hips.
This ReStructure Mix
is dedicated to my good friend, Bonnie Shoultz – who still insists that Huey as
“got a new truck”!
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• Doctor's Orders - Glenn Rivera ReStructure Mix - Sunny
Sunny Leslie (Heather Wheatman) is a singer who began her recording career
in the 60’s and throughout the 70’s. Better known in the disco arena as a part
of the trio, The Midnight Ladies – who were the backing vocals on the first
Munich Machine project (“Get On The Funk Train”) produced by Giorgio Moroder.
Sunny also appears on backing vocals for Donna Summer (“Four Seasons Of Love”),
Love and Kisses (“I Found Love”), Roberta Kelly (“Zodiac Lady”) and Sumeria
(“Golden Tears”). There is a definite star quality to this singer when it comes
to the disco circuit. “Doctor’s Orders” is a track she recorded in 1974 for her
first solo album produced by Roger Greenaway – the song was made a disco
standard by Carol Douglas who recorded it a year later in 1975. Sunny’s version
has that 60’s pop edge with the new transitional sound of “boogie” music as it
began during the period.
I have taken the album version and pieces of
Sunny’s Spanish recording of “Doctor’s Orders” and moved it into a hardcore
ReStructure Mix. Adding some new percussion and beats to ground this fabulous
lead into this classic. This was requested by Carla Monsalve of Facebook who
makes disco music shine with resilience from her dedication and inspiration –
which is where this remix is aimed to. Thank you, Carla.
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• De Musique En Musique - Glenn Rivera ReStructure Mix - Caprice
Caprice is a Euro-disco project from producer Jacques Fred Petrus from 1980
– and one of the true final albums of its kind. The orchestrations and
arrangements are by none other than, Celso Valli – who always created magic with
his own talents with Tantra, Passengers, Azoto, and Nuggets. This outline
defines the power of producer Petrus who seemed to wave a wand and create the
dance sound he was envisioning – hiring the right talent for each session. He
proved this over and over with his groups Macho, Peter Jacques Band, Revanche,
Change and Midnight Gang. Caprice is a venture into the heart of Euro-disco with
the completeness of all encompassed. “De Musique En Musique” is a segment of
sexy chorus gals serenading an orchestra-la disco in a sparkling display. This
one always stood out to me from the project and I am happy to give it the stage
it so deserves, again!
I have taken the album version of “De Musique En
Musique” and dropped a new deep seeded beat below the rustic Italian disco feel.
There is play with those sexy voices in the ensemble and more to peak into dance
frenzy with such a beautiful arrangement.
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• Take It Up - Glenn Rivera ReStructure Mix - Lime
Lime is that color-wheel spinning on the old metallic holiday trees –
igniting colors over a celebration. Their music has given dance floors a new
found energy in the early 80’s and throughout 2002. “Take It Up” is from their
1984 project titled “Sensual Sensations” and is producer/musician/vocalist,
Denis LePage in a new spectrum of high energy music. The heavy bass beats remain
intact along with the light and romantic themes – yet there is a new side to
Lime in this period. High energy music was growing quickly and LePage was the
Godfather of it all. Many projects from various countries and artists emulated
his style and execution. This track is a touch of Denis’ rock ‘n disco edge with
a vocal that brings energy and the vitality which kept Lime in DJs grips always.
I have taken the album version of Lime’s “Take It Up” and resurfaced a new
outline using the synthesizer in pieces and rewiring the energy once again.
There is some play with the beats and heavy bass and the traction should keep
the feet satisfactory to the dance floor itself.
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Running Up That Hill - Glenn Rivera ReStructure Mix - Kate Bush
Kate Bush began her recording career in 1978 and became one of the unique
rock creators of our time. The project “Hounds Of Love” – her fifth album from
1985 contained one of her most intriguing tracks titled, “Running Up That Hill”.
This piece is mystifying and engulfing with her haunting performance and moody
edge. One which I immediately placed in an early morning environment for
splashing a crowd with something to dance worship to. This song makes the soul
feel lonely and engulfed with emotions. One powerful track produced and
performed by Ms. Bush.
I have taken the 12” vocal and instrumental to
rework “Running Up That Hill” with more of a ReStructure Mix outline. An intro
which gives it a flowing celestial start and ending the same. Of favorite of
mine and thought of long before touching this masterpiece.
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• Give Me You Love - Glenn Rivera ReStructure Mix - Soccer
Soccer is a disco project from producer, Tony Valor (Tony Valor Sounds
Orchestra, The Hustle Factory, Touch and Carol Williams). The lead vocals are
supplied by Angelo Venuto and play out in this disco realm as an exact outline
for underground disco in the late 70’s. The heavy percussion breaks, the funky
guitars along with the sexy and romantic aura of themes applied as, “Give Me
Your Love” from 1979. This one is from the self-titled album which also contains
their first classic, “Come On And Get It On” – this is genuine Hustle music and
down the beat it plays out as disco satisfaction.
I have taken the 12”
version of “Give Me Your Love” and used a breakdown of the bouncing bass tracks
and swaying feel to this new ReStructure Mix. A few new segues back and forth
from verses to chorus are the new outline here and give Soccer and Tony Valor
the attention once again to make the dance floor what it was and continues to
be.
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• Heaven - Glenn Rivera ReStructure Mix - Gibson Brothers
Gibson Brothers are Alex Francfort, Christian Francfort and Patrick
Francfort – a trio from Martinique, West Indies who have ignited dance floors in
the mid and late-seventies with hits “Que Sera Mi Vida (I You Should Go)” and
“Ooh, What A Life”. Their distinctive vocal sound is one of the refreshing
sounds of the disco movement with a powerful male force behind it. “Heaven” is a
single from their 1978 album by the same name and was produced by Daniel
Vangarde (Ottawan, Who’s Who). A driving love song with a powerful need to let
the heart go to extremes.
I have taken the 12” version of “Heaven” and
re-wired the track with more Latin percussion to give it center stage once
again. The outline is brought out with more breaks and long rhythm interludes
and this ReStructure Mix makes it more electric.
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• Love Rescue - Glenn Rivera ReStructure Mix - Project
Project is an ensemble from producers André Perreault (The Zebras) and Ralph
Esposito (Boogie People, Tamara Lorincz) and features a laid back rhythm which
builds into a disco lullaby feel. Also gives a spot on backup vocals to Mr.
Benny Diggs in this fantasy love song. The essence of nightlife works throughout
this number as our heroine finds love in the cloudy atmosphere of the
discotheque. The guitars and horns work like electricity throughout this
almost-jazz-like flair.
I have taken the 12” version of “Love Rescue” and
did the de-piecing of the rhythim and chorus to recreate this new ReStructure
Mix. Using the drums and percussion break throughout make the new energy hard to
ignore.
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Can't You Feel It - Glenn Rivera ReStructure Mix - Time
Time is an Italo-disco formulation from producer, Piero Fidelfatti – with
lead vocals from Glenn White, who soon after became the voice of Kano. “Can’t
You Feel It” is their first single from 1982 and is one of the heavy beat and
synth creations in the early stages of Italian dance music. It helped to define
a spot on the dance floor for many more artists and producers. This funky and
uplifting piece features an interesting chorus which sounds like Lilliputians
serenading the club and then Glenn White delivering a rap that is "rad" and
infectious. One of my favorites from the period of Italo-disco where you never
knew what to expect next.
I have taken the 12” vocal and instrumental of
“Can’t You Feel It” and focused more on bring the pieces with most of the
electronic riffs and chorus to life. Re-arranging segments to “feel it” all over
again!
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Shine Up - Glenn Rivera ReStructure Mix - Doris and The Pins
Doris and The Pins is a synth-pop ensemble featuring Debbie Jenner, Dona
Baron, Ingrid de Goede, Irene van der Hoeven and Yvonne van Splunteren – a group
which later became Risqué minus Debbie Jenner (Doris). Produced by Piet Souer a
Dutch guitarist, producer, arranger and songwriter. “Shine Up” is from their
debut project from 1981 which takes dance music into the early 80’s with a
driving heavy layer of rolling synthesizers and funky guitar licks. An early
presence of Bisque’s “The Girls Are Back in Town” a year later in 1982. “Shine
Up” has the uplifting vocoder break which gives the robotic edge which
electronic music was always attuned to on dance floors.
I have taken the
track and reworked it again as an after-hours mystical experience where the gals
lure us into a love song movement. It uses the keyboard segments as separate
intros to the homage the girls pay to this dream man who lifts their spirits.
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• Suspicious Minds - Glenn Rivera ReStructure Mix - Thelma Houston
Thelma Houston has taken on the Elvis Presley 1969 #1 track, “Suspicious
Minds” – a song that was originally recorded in 1968 by the writer, Mark James.
Thelma gives a new disco/soul presence in this masterpiece of an insecure story.
It has always enveloped the opposite side of a defense in a relationship where
the movement of our protagonist is constantly challenged. The vocal from Ms.
Houston is as lovely and soulful as usual and the rolling disco production gives
it a luster that the mirror ball has always projected. It is from her 1980
project “Breakwater Cat” – produced by James Gadson and Michael Stewart.
This is a request from the fabulous Nick Bunning from Facebook and is executed
with a new instrumental added to give this ReStructure Mix a new flair. The
extension moves in and out of both the original and some new breaks and beats to
guide it along.
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That's What Keeps 'Em Dancin' - Glenn Rivera ReStructure Mix - Persia
Persia is disco project produced by 70’s pop-singer/songwriter Kenny Nolan
(“I Like Dreamin'”) and features Zell Black (“I Been Had By The Devil”) along
with Munich engineer Jurgen Koppers. Their self-titled project from 1979 was
known to many discophiles thanks to their first single from the album titled
“Inch By Inch”. The group was obviously formulated to be a disco band and
unfortunately was a closing of the disco era of timing. “That’s What Keeps ‘Em
Dancin’” is another track from the project which always reminded me of the
pop-essence of disco music and the influence it created. The piece has a touch
of a light-rock feel and may have been that energy which brought the disco era
to the success it became.
I have taken the album version of “That’s What
Keeps ‘Em Danciin'’” and relit this flame for a new ReStructure Mix. I have
added a techno-edge to the new outline and pieced together the disco-rockin’
sound to bring a tribute to Kenny Nolan, Jurgen Koppers and vocalist, Ms. Zell
Black..
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If You Wanna Get Back Yor Lady - Glenn Rivera ReStructure Mix - Pointer Sisters
Pointer Sisters began their reign of dance floors during the early 80’s.
Each project from this period on was building a path to success in the mid-80’s.
“If You Wanna Get Back Your Lady” is from their 1982 project “So Excited” –
produced by Richard Perry. This one always moved like a wave of funk-energy for
the ladies to work their wonderful harmonies with. Many of their tracks have
memorable riffs and this one of no exception. This one is an outline for the
“sisters” to make their way too many hits to follow.
I have taken the 12”
version of “If You Wanna Get Back Your Lady” and realigned the groove for this
ReStrcuture Mix. A heavy force beat is added to transcend the foundation and
more of the sequencers and play-breaks are used also.
This ReStructure
Mix is dedicated to Ray Duran Jr. – thanks for requesting this powerhouse piece
and for always being so kind.
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Dealin' With The Boogie - Glenn Rivera ReStructure Mix - Westside Strutters
Westside Strutters is a disco project originally from producers Phil Hurtt
and Ritchie Rome with the single “Dealin’ With The Boogie” released in 1978. The
desire to make the disco format one which contained all of the riffs and
elements of disco music to this period were alive. This production makes use of
the rhythm guitars and funky-disco breakdowns along with the chorus girl
ensemble serenading the dance floor to do what they came for. The track lead to
an album release in 1979 and featured disco version of songs written by George
and Ira Gershwin.
I have taken the 12” vocal and instrumental of “Dealin’
With The Boogie” and placed the dramatic arrangement in this ReStructure Mix in
a new way. A new heavy drum beat pounds out with the melody and lead guitars
riffs to plaint a new dance identity.
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Boys - Glenn Rivera ReStructure Mix - Mary Jane Girls
Mary Jane Girls are a group who began as back-up singers for his touring and
eventually became one of his protégé with a few dance floor hits on their hands.
Members included Candice Ghant, Cheri Wells, Joanne McDuffie, Kim Wuletich, Lisa
Sarna, Tabby Johnson, Val Young and Yvette Marine. Their 1983 hit “Candy Man”
gave the female ensemble the break they needed although much of the funky
innuendos and grooves were solid as Rick himself polished. “Boys” is from their
first album simply titled “Mary Jane Girls” and is one of the tracks that
playout in the flavor these gals exude. A sexy and funky play with the way
“boys” affects their wellbeing and the street smarts to handle these toys.
I have taken the 12” vocal and instrumental of “Boys” and re-funked a new
version for this ReStructure Mix. A new bass rocky beat is added to take hold of
the funk and shake it up some more. There is also more of the bridge that flows
like the sexiness this gal group is well known for.
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I Just Died In Your Arms - Glenn Rivera ReStructure Mix - Savage
Savage is Roberto Zanetti – an early Italo-disco project which was known for
his emotion moody dance tracks like “Only You” and “Don’t Cry Tonight”. In 1989
his cover of Cutting Crew’s “I Just Died In Your Arms” made his standing on the
high energy/Euro-disco playlists more visible and also added to his sound of a
full electronic arrangement and adding as much emotion to the genre. This
version plays out as the original with more of a bass sequencer foundation to
pump the dance floor initiative. I know that it worked for me on many nights on
closing a high energy set for the night or building up to one.
I have
taken the 12” version of Savage’s “I Just Died In Your Arms” and reedited a new
ReStructure Mix for homage to this artist. I added a few elements of the
original by Cutting Crew and added some new drum patterns and percussion effects
to give it move of the energy it deserves.
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Full-Tilt Boogie - Glenn Rivera ReStructure Mix - Uncle Louie
Uncle Louie is Eugene Pistilli and disco producer, Walter Murphy (“A Fifth
Of Beethoven”) in a session band which was released 1979 during the disco wave.
The recording also features backing vocals by Alex Brown, Stephanie Spruill and
Angela Winbush – a definite trio for these tracks and heard throughout the
songs. “Full-Tilt Boogie” is the first single from the project and one of the
driving pieces which define this combination of talent. It plays out with plenty
of groovy riffs and blaring horns and defines the 70’s funk era in a nutshell.
Perhaps one of the TK Records 12” singles which I would reach for as an
alternative piece in this genre.
I have taken the 12” version of
“Full-Tilt Boogie” (remixed by Michael Arato and Steve Thompson) and revised the
funkiest pieces of this track for a new ReStructure Mix. Moving of few pieces of
the original layout into re-edited grooves make this play out in a new junky
way.
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I Don't Wanna Be Lonely - Glenn Rivera ReStructure Mix - Joan Orleans
Joan Orleans (Joan Schmitt-Parks) is a vocalist from the late 80’s. Her 1989
project titled “With You Or Never” was produced by Nigel Wright – who also gave
us many Passion Records high energy classics from Astaire, Dolmann, and Charade.
He also produced for the British dance/jazz group Shakatak. His touch on Joan’s
single “I Don’t Wanna Be Lonely” are a sharp, energetic and claims the Passion
Records high energy formula that he created with a touch more. This one was
always a favorite as the vocals from Joan play out like a Chanteuse freeing her
emotions for her lover and are heard by all. It is also a beautiful piece with
many wonderful moments where the yearning and emotions are heart felt.
I
have taken the 12” version of “I Don’t Wanna Be Lonely” and reaffirmed the parts
of this wonderful song for a new ReStructure Mix. Some of the parts are
reinserted at new timing for a new flow and a fade out is used to give it a
classic stage feel.
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Lip Service (Rumor Control) - Glenn Rivera ReStructure Mix - Jessica Williams
Jessica Williams is a vocalist known for her energy and unique power in her
vocals. Her recording career includes work with disco bands Arpeggio, French
Kiss, and also a long list of her own dance floor hits. “Lip Service (Rumor
Control)” is Jessica’s 1987 release produced by Man Parrish and Paul Parker.
This track is a fast moving dance number with plenty of bongos taking the energy
into layers of movement. The outline regarding the gossip of her beau and her
reckoning with it by sticking by him no matter what. Jessica performs this one
in her calm and assuring delivery with the right amount of power needed for
pounding drums and percussion.
I have taken the 12” vocal and
instrumental of “Lip Service (Rumor Control)” and reignited this one for a
ReStructure Mix. A few new percussion effects are layered into the mix for a new
foundation and Jessica’s verses played out in a new arrangement.
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Danger - Glenn Rivera ReStructure Mix - The Flirts
The Flirts are a session group created by producer Bobby Orlando. The
success of the trio is due to the changing sound of dance music in the early
80’s to a full electronic sound and also a touch of nu-wave fusion. Their big
80’s dance floor hit “Passion” was one of the pinnacle moments for Orlando where
his sound became a reality for dance floors to clamor for. “Danger” comes from
their 1983 project titled “Born To Flirt”. It is one of the master outlines for
the gals who seem to capture the essence of sensual high energy in more than one
way.
I have taken the 12” vocal and instrumental; of “Danger” and
re-signaled a new ReStructure Mix for this high energy classic. There are a few
drop outs for the new intro to give way to the pulsating energy that is on its
way.
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It's Passion - Glenn Rivera ReStructure Mix - The System
The System is David Frank and Mic Murphy. An electro-soul band who gave
dance floors the tracks “You Are in My System” and “Don’t Disturb This Groove”.
Their music began as a fusion of computerized effects and sounds blending in to
yearning love songs. A nice phase of sounds for the early 80’s and with their
soul injection into the music more was promised for these two. “It’s Passion”
comes from first project titled “Sweat” released in 1983. It begins as a sharp
edge with enough jabs to make a computer move. One of the pieces that crossed
over into my club and created quite a shake on the dance floor.
I have
taken the 12” vocal and instrumental dub of “It’s Passion” and rewired this
electro-funked piece for a ReStructure Mix. I have stripped the riffs into a new
arrangement focusing more on those creamy segments where a reality seems
endless.
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Spring, Summer, Autumn, Winter - Glenn Rivera ReStructure Mix - Moonstone
Moonstone is a disco project from Ian Levine and Fiachra Trench. The
recordings featured quite a list of talent in the disco/high energy genre
including Liza Strike, Helen Chappelle, Kay Garner, Katie Kissoon, Tessa Niles,
Nicci Gable, Lance Ellington, Joycelyn Phillips, Tracy Ackerman, Jackie Rawe and
Vivieen Ray. “Spring, Summer, Autumn, Winter” is a single released in 1988 and
is a wonderful love song with that Broadway-orchestral feel that Levine and
Trench left embedded in our minds and feet many times. It is one of the B-sides
that I was aware of from their big cover of ABBA’s “The Visitors” from 1989.
This one has many nice qualities and stands out with a unique flavor.
I
have taken the 12” version of “Spring, Summer, Autumn, Winter” and placed in in
the ReStructure Mix realm. I have taken several of the beautiful musical
movements and made them more a part of the mix and of course the keyboards and
percussion are used in a new way.
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The One - Glenn Rivera ReStructure Mix - Crocodile Mark
Crocodile Mark is a pseudo name for the Italian dance project from
Giuseppe Troccoli, Paolo Cocchini and Pino Di Pietro – and their 1992 cover of
Elton John’s anthem from the same year are a bass thumping Italo-house piece.
The original as beautiful as it lies still remains here as the trio creates only
new rhythm foundation with a house bass track and drums guiding this Taupin and
John song into a new heaven. This one was a big peak hour track in my club and
thanks to the simple but masterful new arrangement the song was kept alive in a
whole new way.
I have taken the 12” vocal, instrumental and dub of “The
One” and transformed it into a new ReStructure Mix. Giving it more percussion
along the path of the build and also more of the nice melodic riffs in its own
way.
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Under Fire - Glenn Rivera ReStructure Mix - Jackie
Jackie is a disco artist who released her 1979 track “Under Fire” and gave a
transition piece a nice touch into the electronic disco period. This number is
one that has many hooks that are infectious and worthy of an anthem along the
edge of rock where the energy is transformed. It was produced by Terry Britten
and is an instant disco classic thanks to the arrangement and of course Jackie’s
mild yet hard hitting vocal. One of the nice tracks that was also covered in
1980 by Debra Dejean.
I have taken the 12” version of “Under Fire” and
reloaded the pieces of this great dance number for this ReStructure Mix. It is
more of a laid out synth-pattern play with the rolling bass playing out for the
feet.
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Maneater - Glenn Rivera ReStructure Mix - Daryl Hall and John Oates
Hall and Oates are one of the lasting duos from 1967 to current where they
continue to record live and new material as the band. “Maneater” comes at their
second career recharge in the early 80’s – it is a warning regarding a figure in
the clubs who works her beauty to take from unsuspecting men who believe she is
theirs. Sounds a bit complicated, but with the tables turned on the sexes this
track sizzles brightly as a sort of anthem. The guitar work of course from John
Hall is another outline for their return in the 80’s and Daryl Hall brings his
blue eyes soul feel to this pop-dance piece The bassline always reminded us of
the Motown classic “You Can’t Hurry Love” but even with the echoes this Hall and
Oates number still works on its own.
I have taken the album and
instrumental versions of “Maneater” and re-tracked the bass beats and some new
drums for this ReStructure Mix. There is more of the moody and mystical night
music for a lasting effect and added a few breaks along the path.
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Break My Stride - Glenn Rivera ReStructure Mix - Matthew Wilder
Matthew Wilder is a songwriter, musician and producer who’s 1983 single
“Break My Stride” was more glue for the 80’s dance period. Not only were the
80’s alive with a bold edge on persona and style it also invigorated a fusion of
uplifting music for dancing. This pumping pop-dance track is given a steel drum
for a light Calypso feel yet moves in a Congo-line fashion. Perhaps one of the
least of the remembered but one of the light hearted and fractured heartbreak
numbers of its kind.
I have taken the 12” vocal and instrumental of
“Break My Stride” and gave it a new send off for this ReStructure Mix. More play
with the keyboard riffs and a few new drop outs. This is a tribute to the 80’s
and its dance floor joy in full swing here.
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Up The Ladder to The Roof - Glenn Rivera ReStructure Mix - John Kydd
John Kydd assists divas Scherrie Payne, Jayne Edwards, Cindy Birdsong and
Lynda Lawrence in this Rick Gianatos production of The Supremes 1970 classic “Up
The Ladder To The Roof”. This release from 1987 is vocal ear candy featuring
some of the ladies from the second wave of The Supremes. Rick Gianatos takes a
Motown classic and makes it work with a complete 80’s electronic arrangement and
with his touch on mastering vocals this one raises again in the realm of disco
heaven. Keyboards at one point play out where a mystic edge on this cover makes
it pure magic.
I have taken the 12” vocal and house version of John
Kydd’s “Up The Ladder To The Roof” and rewired a new ReStructure Mix. Using the
keyboards and vocals in a new way to create a new path for this wonderful
remake.
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Body Music - Glenn Rivera ReStructure Mix - Chris Rainbow
Chris Rainbow (Christopher James Harley) is a musician whose career includes
sessions with Alan Parsons Group in the 70’s. His 1981 single “Body Music” is a
wonderful dance/jazz fusion piece with a nice flow and vocal. It is the outline
of the night life scene and the focus is on a femme dealer who supplies the
players with their substances to make the evening complete. It is a pop-oriented
dance number that was also featured on the DJ subscription service, Disconet.
Many jocks including myself found it a nice number to program during early
evening sets or after-hours wind-downs. The irresistible arrangement is a bit
haunting gives off a nice resonance that plays out well in the night club scene,
I have taken the 12” version of “Body Music” and realigned a new ReStructure
Mix to give this dance track another story to play out. A new heavy drum is
added to lay down the bass with more power and a couple of new breaks included.
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Boogie Nights - Glenn Rivera ReStructure Mix - Heatwave
Heatwave is a band featuring Byron Byrd, Calvin Duke, Derek Bramble, Eric
Johns, Ernest Berger, J.D. Nicholas, Johnnie Wilder Jr., Keith Harrison, Keith
Wilder, Mario Mantese, Peter Allatt, Rod Temperton, Roy Carter and William
Jones. One of the early signs of the dance era on the horizon with their big hit
“Boogie Nights” from 1976. – produced by Barry Blue. The sound of this polished
ensemble gave the mid-70’s an opportunity to hear what was to come on dance
floors. “Boogie Nights” is one of the iconic disco tracks that fits in the soul
and funk category and still makes waves with its sharp production and moving
vocals.
I have taken the album version and instrumental of “Boogie
Nights” and rewired a new ReStructure Mix. Taking elements and rearranging them
to give the funky piece a new opportunity to pay homage to one of the greats.
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Love Is Like An Itching In My Heart - Glenn Rivera ReStructure Mix - Lisa
Lisa is a disco artist whose career began with a big club hit titled “Jump
Shout” in 1982 and helped to start a movement in San Francisco to bring
disco-oriented tracks back to the dance floor. Her influence was uplifting and
positive from the inception of her music and its energy. Her 1985 release was a
cover of Diana Ross and The Supremes classic “Love Is Like An Itching In My
Heart” – produced by Ian Anthony Stephens and Paul Parker (“Right On Target”).
This dance twist works very well with Lisa’s unique vocal delivery and in places
leaves an indelible mark. A nice electronic production works like a well-oiled
machine here.
I have taken Lisa’s 12” vocal and instrumental of “Love Is
Like An Itching In My Heart” and re-vamped the song for this ReStructure Mix. I
have used the bass keyboards as a new guide for the arrangement and added some
new drum tracks to bring it alive again.
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Cuba - Glenn Rivera ReStructure Mix - Man 2 Man
Man 2 Man is Miki Zone and Paolo Cilione along with musician and producer
Man Parrish. This HI-NRG is one of the 80’s groups with some exciting results as
in their 1986 energy piece, “Male Stripper”, one of the devoted projects to the
high energy scene and its growth. “Cuba” is their 1988 cover of The Gibson
Brothers disco classic – produced by Man Parrish and Paul Zone. The original is
transformed into a stomping electronic dance piece that is hard to resist. It
plays out well as a remake and as another release from the duo it surely gives
us another sound that they are known for which is energy and excitement.
I have taken the 12” version of Man 2 Man’s “Cuba” and re-worked the piece with
some new Cuban percussion and effects. It is displayed here in parts where the
break takes up some breathing space for that non-stop energy.
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Angel Eyes - Glenn Rivera ReStructure Mix - Lime
Lime has brought to the 80’s an excitement that soon took over the ready
feet and hearts on dance floors everywhere. Denis Le Page took his sound and
made it an icon which would become high-energy dance music in the mid-80’s.
“Angel Eyes” comes from their third album titled “Lime 3” and is another example
of the imaginative fold in which Lime creates in every dance track. It is as if
the formula were created and programmed into place all along – only this time
around a unique vocal approach aided their success also. “Angel Eyes” is a love
song that pulsates with son many keyboard riffs and syndrum fills that it also
jumps right out at the dance floor. It is one of Lime’s truly outstanding pieces
and remains one of my favorites.
I have taken the album version, 12 remix
and a special sub version of “Angel Eyes” and rewired the energy for this
ReStructure Mix. There is more moving of verses and chorus pieces to give a new
outline and also a play with those drums.
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• Please Don't Go - Glenn Rivera ReStructure Mix - Digital Game
Digital Game is an Italian disco project lead by Italian producer Alessandro
Novaga. Their delivery was three releases from 1983 – 1985 and all three were
covers of disco classics. “Please Don’t Go” is their electronic production of
K.C. and The Sunshine Band’s 1979 release from their album “Do You Wanna Go
Party”. This placemat in Italo-disco gave the track more of notoriety and with
the yearning melody it was revived on dance floors again. Novaga’s electronic
piece is close to the original and contains a proper male vocal to pull this
heartbreak treat into a nice finished piece.
I have taken the `12” vocal
and the instrumental of Digital Game’s “Please Don’t Go” and reworked a new
ReStructure Mix. The edit is more of an instrumental focal mix and uses layers
of the original mix to give it a new face.
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Who's Your Boyfriend - Glenn Rivera ReStructure Mix - Eric
Eric is a Bobby Orlando project from 1984 using his high energy format from
the period which was winding up from the early 80’s onto the mid with a
passionate high-energy storm. The heavy percussion and ricochet syn-drums are
placed in rotation here that is powerful and overwhelming. “Who’s Your
Boyfriend” is the scorned lover wanting to feed his own jealousy by igniting a
revealing question. All in good fun and some camp on top of it. This is the
Bobby Orlando progression at its peak.
I have taken the 12” vocal and
instrumental of “Who’s Your Boyfriend” and reloaded the drums and percussion up
for this ReStructure Mix. The layout is more sparing for those rolling bass
sequencers and the drums still pound out the question.
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Stand By Me - Glenn Rivera ReStructure Mix - Jam Tronik
Jam Tronik is a German Euro-dance group with vocalist Anja Lukaseder and
producer Ulrich Fischer. Their cover of the pop-classic “Stand By Me” from 1992
is a wonderful shine in the essence of the many covers of this song. This time
around heavy drum beats accompany a swirling keyboard arrangement and deep house
feel. The vocal is a nice twist and is a bit like Kim Carnes and in her raw
fashion. This one was a closing favorite of my club at the time and remains a
bit infectious with it use of an uplifting edge for this already fantastic piece
of music. It stands with some of the best covers in the Euro-house tradition and
makes it easy to understand how the 90’s became a path for the sound of a heavy
synthesized disco feel.
I have taken the 12” version of Jam Tronik’s
“Stand By Me” and worked in many of the drop outs for this ReStructure Mix. The
extended intro and more lyrical feel of the musical pieces are accentuated with
a new drum beat.
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French Kiss - Glenn Rivera ReStructure Mix - Lil' Louis
Lil’ Louis (Marvin Louis Burns) is a DJ and producer who took the concept of
house music and placed several of his innovative twists into the mix during the
end of the 80’s. “French Kiss” is his big 1989 techno/acid house track that took
dance floors by storm and also influenced many in the New Beat genre to enhance
their own creative minds in a new direction. This sensual pulsating track has
the vocals of Shawn Christopher (“Don’t Lose The Magic”, “Another Sleepless
Night”) making it surge with a feeling of sheer ecstasy on the dance floor. This
one has been recreated by many instrumental bands with the original flair
intact. One of the big house thumpers and a start for Lil’ Louis to stake his
claim during the house music era.
I have taken the 12” version and
instrumental of “French Kiss” and re-ad mistered a new edge for this ReStructure
Mix. A Latin percussion track guides the sexy feeling into a new arrangement and
re-edit. This piece is a salute to the electronic genre and of course the house
mix.
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Band Of Gold - Glenn Rivera ReStructure Mix - Sylvester
Sylvester is an artist and vocalist who began a recording career breaking
away all of informalities of the recording industry, His persona as a disco
artist is one of the iconic moments in music history. His 1983 project titled
“Call Me” contained a cover of the Freda Payne soul classic “Band Of Gold” and
once again gave us a unique version of this track in an 80’s dance genre.
Produced by Sylvester and given a nice mid-tempo energy to guide this story of
heartbreak into another generation. This one is perhaps one of the pieces where
you may recognize the melody yet there is something fresh and new about this
version. That of course, is the magic of Sylvester.
I have taken the 12”
vocal and instrumental of Sylvester’s “Band Of Gold” and reworked the
arrangement to introduce it in a new ReStructure Mix. The energy is built from
the start and takes us into the original fading out as dramatically as it
started.
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On The Upside - Glenn Rivera ReStructure Mix - Xena
Xena is Paula West – a vocalist who stepped into the sound created by
producers Chris Barbosa and Mark Liggett – the duo responsible for Shannon’s big
hit “Let The Music Play” from 1983. This electro-street beat edge took over
dance floors and made a place for the heavy beats and percolating sequencers.
“On The Upside” is another outline with the basics of Shannon’s track with more
of the sounds injected as a rhythmic foundation. Very similar yet the sound
brings back the period of dance where street beat was alive and making dance
floors move in a whole new way.
I have taken the 12” vocal and dub of “On
The Upside” and remapped the beats into a new ReStructure Mix. More of the
downbeat is used to pull the song into a pattern which guides those thumping
beats into a new direction.
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No Life Without Love - Glenn Rivera ReStructure Mix - Jeanne Dee
Janne Dee is a house/disco project from producers Aron Friedman and Damon
Rochefort. This 1993 release gave another breath of that swirling disco sound
which paints the perfect funky groove moving the dance floor. A touch of heavy
bass in the house genre makes this one a retro-dance track in its own sense. A
beautiful vocal from Jeanne Downs who takes the chorus into a celestial aura.
This one is one of my favs from the 90’s and deserves another chance to remind
us of what the disco fantasy is all about.
I have taken the 12” disco
vocal and instrumental of “No Life Without Love and recreated the mirror ball
effect again in this ReStructure Mix. A new drum track is provided to piece
through those funky guitars once again and a new arrangement makes way for this
monster.
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• I Can't Get Enough - Glenn Rivera ReStructure Mix - Chyp-Notic
Chyp-Notic is Vlad Mint, Jan Eric and Walter Bee – a German Euro-dance group
who sound became the answer to smooth pop-male dance energy. “I Can’t Get
Enough” is their 1991 single from the project by the same name. It was produced
by Don Chereyne and Tom Jamski who execute a wonderful melodic track that in
some ways resembles Londonbeat’s single “I’ve Been Thinking About You” from a
year earlier. And although those rhythm guitars resemble this piece it remains
its own in many other ways. “I Can’t Get Enough” pumps out a love song that has
a certain touch where the yearning is felt through and through and gives off a
haunting feel. This one was always a favorite of mine and worked for an early
evening jam set or peak hour. The magic of this song is the lasting feel and
more and more I hear it I continue to want to share its essence.
I have
taken the 12” vocal and instrumental of “I Can’t Get Enough” and reworked some
of the nice rhythm tracks and keyboards for this ReStructure Mix. A new drum
track and bongos are added to give you “enough”.
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• The Pleasure of The Music - Glenn Rivera ReStructure Mix - Ester B.
Ester B. is an Italo-house track from Severo Lombardoni. The house music
takeover of the mid-80s is one of the most definitive as it was concocted by
disc jockey themselves using the raw elements of a heavy bass beat and keyboards
punching against the beat to kick up any rhythm not awaken. The formula is
expressed here in this 1989 release “The Pleasure of The Music” which uses the
piano and heavy bass riffs but on its own terms. This production by studio group
Esther B. has one of the sexiest vocals which resemble Eartha Kitt in her Cat
Woman garb playing with her prey. The vocals are the outline of the track and
always reminded me of a clever take on the Lady Kier of Deelite in a new way.
The song explores more of sliding rhythms than a direction and parts of it are
glued together like a kick drum on a set.
I have taken the 12” vocal and
instrumental of “The Pleasure of The Music” and moved the pieces of the original
groove into new segments. The vocal remains intact with a few extras thrown here
and there for effect.
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Haven't Stopped Dancing Yet - Glenn Rivera ReStructure Mix - Faces
Faces is an electronic high energy project from Jean Claude Alves, Marvin
Howell-Kashff and Tony Atkins. It is one of the 1977 disco breaks through songs
thanks to an extended and additional production remix from the master himself,
Mr. John Luongo. This 80’s electronic cover does quite well in taking the song
into a new era of dance music. The sexy vocals are taken further as a female
vocalist joins in on the promise. One of the best stripped down productions of a
disco classic.
I have taken the 12’ of Faces’ “Haven’t Stopped Dancing
Yet” and rewired the energy for a new ReStructure Mix. There are some areas
where the vocals are extended for good measure and few new breakdowns to take
advantage of the energy.
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Another Sleepless Night - Glenn Rivera ReStructure Mix - Shawn Christopher
Shawn Christopher is best known for her erotic vocal on the 1989
Lil’ Louis track “French Kiss”. Her solo project in the house genre
of the late 80’s been a success and gave new light to former
vocalist from My Life With The Thrill Kill Cult. “Another Sleepless
Night” is one of the big dance floor movers of 1990 – produced by
Mike 'Hitman' Wilson. This one is ignited by many riffs and of
course Shawn’s lovely and soulful vocals. It is the last time this
girl will wait up for her man as you will learn. It is one of the
powerful moments in house music where the ‘play is the thing’.
I have taken the 12” versions of “Another Sleepless Night” and
reentered this phase and expose of direct house tags for this
ReStructure Mix. There is a longer intro to give the drama more of a
stage and a fade using pieces of a disco classic from the 70’s to
tie it all together in a new way.
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Certain Things Are Likely - Glenn Rivera ReStructure Mix - KTP
KTP (Kissing The Pink) is a band from England and one of the synth-pop bands
whose ignition centered from the nu-wave edge of the early 80’s. “Certain Things
Are Likely” comes from their project by the same name and also one of their
biggest dance floor numbers from 1986. The track is a rolling piece of positive
energy and a chorus that is unforgettable in many ways with its roaring sound.
The track was remixed by Phil Harding and given new life with that bass
sequencer which made up many Stock Aitken and Waterman hits of the time period.
There is however many riffs from the song to take notice and always plays out
with an anthem-like quality.
I have taken the 12” versions including the
Phil Harding master dance mix and recreated a new play-out for this ReStructure
Mix. New percussion and drums are beat into the mix and a fading exit for a
lasting resonance.
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Daddy - Glenn Rivera ReStructure Mix - (212)
(212) is a disco project from 1979 produced by Joe Castellon and Stan
Bronstein and brings several big band tracks to life and another classic piece
titled “Gaz-O-Lean”. “Daddy” is a swing classic written by Bobby Troup (yes, the
Bobby Troup from the 70’s show “Emergency”.). The song was recorded by Sammy
Kaye and released in 1941 and is another femme de shark story of a woman of the
night club scene with dollar signs bigger than her heart. The song is all in
good fun and lays out this way as this disco-fied version which takes on the
disco chorus girls working their gifts long before Madonna had a chance in the
80’s. The production is a definite 70’s throwback with the cowbell ringing out
the energy but there is nice big band flare which plays with any dance floors
imagination.
I have taken the 12” and album version of (212)’s “Daddy”
and gave it a twirl for homage to the independent label Friends and Co. in this
ReStructure Mix. A downbeat pounds out the bands passages and use of that old
cowbell are used again.
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Requiem - Glenn Rivera ReStructure Mix - London Boys
London Boys are a Dennis Fuller and Edem Ephraim – a German band started by
producer Ralf René Maué in 1988. Their album “The Twelve Commandments of Dance”
contained their big single “Requiem” which was set perfectly amongst a time
period where haunting chorus brought light into this rolling love song. The
production is based upon many of the street beat elements with sampled keywords
and direct strikes make out the rhythm. It has always been one of my favorites
from this duo and remains on that continues to haunt my musical heart.
I
have taken the 12” version of “Requiem” and revamped a new version with an
extended intro and a fading of the haunting chorus in this ReStructure Mix. A
new percussion track is added to pieces of the crescendo here and some scattered
pieces of the original synth bass are used throughout to add new break parts.
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Rock Me Tonight - Glenn Rivera ReStructure Mix - Chip Chip
Chip Chip is an Italo-disco project from Mauro Farina – and was previously
known as Two Girls (“Another Boy In Town”). “Rock Me Tonight” is their 1987
release which follows a formula for a high energy dance experience and most
likely influenced of course by Fun Fun. The clean execution of this electronic
arrangement and much like the initial release, “Never Say Goodbye” from 1986.
The energy in this single is definitely the target for both a transition for
Italo-disco to their “girl twirl” period of the late 80’s.
I have taken
the 12” version of “Rock Me Tonight” –using the vocal and instrumental for a
revisit on this ReStructure Mix. The wonderful instrumental version lured me
into breaking the verse and chorus into segments and more of the build in the
energy is extended
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• Daydream - Glenn Rivera ReStructure Mix -
Buckbeats
Buckbests are Andreas Drewling, Christian Wilckens, and Holger Kopp –a trio
who also recorded under the name Beagle Music Ltd. Their 1986 song “Daydream” is
remixed and re-released in 1988 by Giuliano Crivellente, Laurent Newfield and
Mauro Farina. The excitement created in this work is much like a Stock, Aitken
and Waterman touch where the keyboards and bass jump out of the speakers. The
vocals are fremescent of a 60’s pop band and build mildly throughout the song.
It is one of the nice gifts from the 80’s to have as a love song with a “dreamy”
chorus.
I have taken the PWL 12” remix of “Daydream” and reimaged the
song with more of a downbeat for this ReStructure Mix. The song is extended with
more verses added and that magical chorus line fading us out.
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• Darling Forever - Glenn Rivera ReStructure Mix - Baiser
Giorgio Moroder made his mark in the 70’s with his innovative work with
electronic music and style and this eventually led him into scoring a motion
picture soundtrack for the 1978 film, “Midnight Express”. The movement titled
“Chase” became focus for a dance version which became a big hit on dance floors.
My experience with Moroder’s soundtracks brought to mind the organ music behind
the silent movie; out lineg the drama as it unfolds. In 1985 Moroder released a
compilation of his work up to date titled, “From Here To Eternity..And Back”
which also featured a new recording of “Chase” for the 1985 sound. This new
version was kicked with new beats and stripped down the basics of the
composition. It displays a raw feel and a bit less of what the original created
yet it is still one of Moroder’s must feel as his music continues to influence
artists and minds.
I have taken the album version of “Chase 1985” and
reapplied some effects and phasing for this ReStructure Mix. The keyboards play
out in several segments for a new effect and new percussion gives it a slight
lift.
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Chase 1985 - Glenn Rivera ReStructure Mix - Giorgio
Giorgio Moroder made his mark in the 70’s with his innovative work with
electronic music and style and this eventually led him into scoring a motion
picture soundtrack for the 1978 film, “Midnight Express”. The movement titled
“Chase” became focus for a dance version which became a big hit on dance floors.
My experience with Moroder’s soundtracks brought to mind the organ music behind
the silent movie; out lineg the drama as it unfolds. In 1985 Moroder released a
compilation of his work up to date titled, “From Here To Eternity..And Back”
which also featured a new recording of “Chase” for the 1985 sound. This new
version was kicked with new beats and stripped down the basics of the
composition. It displays a raw feel and a bit less of what the original created
yet it is still one of Moroder’s must feel as his music continues to influence
artists and minds.
I have taken the album version of “Chase 1985” and
reapplied some effects and phasing for this ReStructure Mix. The keyboards play
out in several segments for a new effect and new percussion gives it a slight
lift.
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The Louder - Glenn Rivera ReStructure Mix - Peter Jacques Band
Peter Jacques Band is a studio ensemble placed by Jacques Fred Petrus whose
work with Italian arranger, Mauro Malavasi stood more than the test of time
during the disco era – it created a variable of sounds for it. With many groups
to their credit including Macho, Revanche, Change, B.B. & Q Band, Caprice, Rudy
and Midnight Gang their music matured in various grooves. The pulsating energy
of Macho and Peter Jacques Band was morphed into their funky disco arrangement
by Change and B.B. & Band. The success of this sound brought them to a wider
market and dance floor response. “The Louder” comes from their 1980 album titled
“Welcome Back” and is an electronic-funk piece that may have been well to being
a new sound for the studio bands original disco energy. It is a funk fest and
another opportunity to hear the talent in arranger Mauro Malavasi’s magic.
I have taken the album version of “The Louder” and worked on bringing the
groove back into another place in this ReStructure Mix. A new set of bongos are
added to bring that low groove into a new place and several new breaks are
added.
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My Love - Glenn Rivera ReStructure Mix - Lime
Lime is the disco group who ignited the high-energy phase of dance music.
Their 1980 release “Your Love” is one of the big releases with the full
execution of non-stop energy and an electronic arrangement with quite a force.
Following their initial release the group never ceased to make another impact on
dance floors everywhere with each project. Denis Le Page is the mastermind
behind the compositions and much of his work in the late 70’s is more early
successes. These projects include releases by France Joli, Freddie James and Kat
Mandu. “My Love” comes from their 1984 project titled “Sensual Sensations” and
plays out beautifully with another arrangement that pulsates from bass to a
melodic keyboard crescendo and is topped with Lime’s unique vocal duo: Denis and
Denyse Le Page.
I have taken the album version of “My Love” and aimed at
giving these one another spin with more breaks and a different build for this
ReStructure Mix. It has always been one of my favs from Lime so keeping it
spinning was never a problem. A new drum tracks and percussion are placed to
give this version a new feel.
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The Roof Is On Fire - Glenn Rivera ReStructure Mix - Westbam
George Benson is a talented guitarist, composer and vocalist in modern jazz
music. His work always relayed a dedication to his work and the sound he built
project after project. His 1980 album titled “Give Me The Night” was produced by
Mr. Quincy Jones and together they create a fusion of soul and jazz which takes
on the 80’s for a challenge. “Love X Love” is a track which gives both an
opportunity to give their best and combine the sound in a soulful manner. The
song has the Jones production and arrangement from start to end yet George still
stands in front with his vocal and finger play. Perhaps one of the best cuts
from the project and one which makes one want to turn down the lights and grab a
bottle of wine with that special someone.
I have taken the album version
of “Love X Love” and added a few new rhythm elements to give a new foundation
for this ReStructure Mix. A new drum track plays out over this love song and the
Afro-Cuban percussion adds a new form to it.
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Love X Love - Glenn Rivera ReStructure Mix - George Benson
George Benson is a talented guitarist, composer and vocalist in modern jazz
music. His work always relayed a dedication to his work and the sound he built
project after project. His 1980 album titled “Give Me The Night” was produced by
Mr. Quincy Jones and together they create a fusion of soul and jazz which takes
on the 80’s for a challenge. “Love X Love” is a track which gives both an
opportunity to give their best and combine the sound in a soulful manner. The
song has the Jones production and arrangement from start to end yet George still
stands in front with his vocal and finger play. Perhaps one of the best cuts
from the project and one which makes one want to turn down the lights and grab a
bottle of wine with that special someone.
I have taken the album version
of “Love X Love” and added a few new rhythm elements to give a new foundation
for this ReStructure Mix. A new drum track plays out over this love song and the
Afro-Cuban percussion adds a new form to it.
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Nightlife - Glenn Rivera ReStructure Mix - Donna Summer
Donna Summer is one of the icons of music. Her career was one of the most
exciting in the music industry that her talent was always underestimated. Her
first project, “Love To Love You Baby” was a sexy innuendo and gave her the
title “The First Lady of Love” – one that she would have to live with and one
she refused to fade away with when the disco era began to change. Her initial
vocals in the sexy track “Love To Love You Baby” many regarded less as talent
and more of a voice which was not promising – except for those growing fans who
listened closely and could her range and power in even the simplest tracks.
“Nightlife” is from Donna’s 1980 album titled “The Wanderer” where she claimed
her “Disco Queen” prize and wanted to continue her career as an artist wherever
change was in her and necessary. The entire project was aimed at stripping away
the disco production and giving her a rawer environment to work her magic. This
one has the feel of the disco scene as it is titled yet we do have the
opportunity to her that powerful gift in a whole new way.
I have taken
the album version of “Nightlife” was worked into a new ReStructure Mix with the
intent of extending as well as spotlighting. New drum tracks beat the energy
into a new purpose and several new breaks give it that disco remix feel.
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• Lost In A Dream - Glenn Rivera ReStructure Mix - Nick John
Nick John is 80’s artist/producer whose career began on the legendary San
Francisco record label Megatone Records – founded by Patrick Cowley and Marty
Blechman. “Lost In A Dream” is Nick John’s 1987 high energy release which also
features JoLo (Jo-Carol and Lauren Carter of The Patrick Cowley Singers) on
backing vocals. This one is an inspired mood created from heartbreak and a
distanced ex-love. The play on the fantasy seems to bring out the lure of dance
in this one. Nick plays his keyboards here with many sequenced elements and
breaks. It is one of the songs that always sound best echoing through a dance
palace,
I have taken the 12” vocal and instrumental of “Lost In a Dream”
and reworked the track into a new ReStructure Mix as homage to Nick John and the
80’s high energy sound. The keyboards are reedited for a new feel and
arrangement.
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Don't Stop - Glenn Rivera ReStructure Mix - Digital Emotion
Digital Emotion is a Dutch electronic disco group with Cickie De Beer, Jean
François Colombo and Myrna Balrak – and produced by Adams & Fleisner. The early
80’s began to utilize the elements left from disco music of the 70’s in many
hardcore areas of those who had not yet received their fill of dancing. Digital
Emotion is a take on that energy and groups like this re-wired dance floors for
“high energy” music throughout the rest of the 80’s. “Don’t Stop” is their 1983
release and is a segmentation of effects and rolling synthesizers that build the
power behind this style. The vocals are only the chants and mantras of the theme
in each piece. Even the title of the band or project emphasizes the complete
digitalized world of electronic music.
I have taken the 12” version of
“Don’t Stop” and have given it a whole stripped down identity in this
ReStructure Mix. The chorus become the alter and the sequencer help to layer in
the breaks and guest appearance from another disco classic.
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Someday (I'm Coming Back) - Glenn Rivera ReStructure Mix - Lisa Stansfield
Lisa Stansfield is a vocalist who cannot be mistaken for. From the start of
her career she brought a soulful edge to her pop-dance music and was always a
promising bet for something better to come. Her single “Someday (I’m Coming
Back)” from 1992 – produced by Andy Morris and written by Dave Crawford (Candi
Staton). It was also a part of the soundtrack to the film “The Bodyguard” with
Whitney Houston. The track is another loving piece from Lisa and although a
problem in the past her vocals are always sincere and bring a promise to love.
I have taken the 12” of “Someday (I’m Coming Back)” and have given the two
mixes a unifying connection in this ReStructure Mix. There is more of the
wonderful jazz feel as well as some new surprises from this very talented lady.
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Under The Lights Of Montreal - Glenn Rivera ReStructure Mix - Montreal
Montreal is a disco project from producer Joe Le Greca and features an
introduction to the fabulous voice of Carol Jiani (labeled as Uchenna Ikejiani.
This disco production is one of the Canadian sounds which echoes the rhythms and
power of sessions from Kat Mandu, Hydro, Nightlife Unlimited and the heavy
percussion and bass grooves making dance floors move. “Under The Lights of
Montreal” is a nice instrumental number from the project which uses the
percussion and heavy bongos as a guide to the beautiful interludes of music. It
has always reminded me of a concept from Erotic Drum Band and their powerful
contributions to dance music history.
I have taken the album version of
“Under the Lights of Montreal” and remarked the mood in this ReStructure Mix for
another disco night on the town. A few 50’s lounge numbers are placed in the
break areas to give this night out an interesting twist.
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Crisis - Glenn Rivera ReStructure Mix - Rhetta Hughes
Rhetta Hughes is funk/soul singer who began a recording career in 1965 and
brought this talented lady into the dance arena of the early 80’s. Two big
singles were to her credit and a nice staying power it was – “Angel Man (G.A.)”
and “Crisis” – both produced by Kenny Lehman (Lemon). Both tracks pulled in some
wonderful riffs and dance elements and help to bring the soul diva onto the
dance floors of 1983. “Crisis” is just that – a woman fighting to keep her
troubled relationship from breaking to the last piece of love and care. It can
all be heard in Rhetta’s vocals once again where she makes the point several
times and then brings it home.
I have taken the 12” vocal and dub of
“Crisis” together for this ReStructure Mix and worked a new angle for this one.
A new focus on intro and also the breaks where all of the wind down is a waste
of time.
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• Love Queen Boogie - Glenn Rivera ReStructure Mix - Nonchalance
Nonchallance is a disco project from producer Tony Richard and lead by
Patricia Snaric. Released in 1978 the single “Love Queen Boogie” is pure disco
camp and more of what the magic realm of sexy disco music was for. The simple
melodies are delivered in a light weight fashion along with our chanteuse giving
her private fantasies reality. The track is a hidden gem for many of the
hardcore French disco lovers and gives us another peak at the world that was
formulated so many beautiful disco divas pouring out their hearts.
I have
taken the 12” version of “Love Queen Boogie” and rewound the song into a new
delivery using an iconic classic as an outline for this ReStructure Mix. There
is a winding path now for the sensual yearning that is delivered and now as a
pumping that cannot be midnight.
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You'll Never Find (Another Love Like Mine) - Glenn Rivera ReStructure Mix - Bill
Fredericks
Bill Fredricks is a soul vocalist from an ensemble titled The Drifters and
his career eventually lead him through the 70’s and 80’s dance movement where he
recorded a cover of the Lou Rawls Philly classic of “You'll Never Find Another
Love Like Mine”. This dance cover was produced by Jerry McCabe (Viola Wills) and
Nick Straker. More of an homage to the track in a simple of sincerity of
delivering this beauty back to the dance floor in the 80’s manner. Bill leads
into a nice warm vocal and leaves one wanting more of his own style in the
timely cover.
I have taken the 12” version of Bill Fredricks' cover of
“You'll Never Find Another Love Like Mine” and rewired the track for a new
ReStructure Mix. There are parts of the original instrumental placed to bring
back the feeling in some segments and more of Bill’s wonderful simplistic take
on this classic.
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Love In 'C Minor - Glenn Rivera ReStructure Mix - Sphinx
Sphinx is an Italian disco project with Luciano Ninzatti, Matteo Bonsanto,
and Stefano Pulga. The trio also brought us Kano and Jimmy Ross. The electronic
production is one of the albums which made the transition to the 80’s a slick
move to hold on to many of the dance elements left from disco rein in the 70’s.
Cerrone’s “Love In C Minor” is covered here and displays a wonderfully arranged
instrumental with all of the bass and key segments intact. This venture gives
the trio a nice credit to their musical abilities and also concludes how close
their minds were attentive to the disco era of the 70’s. A close resemblance is
the title of their group being “Sphinx” and the original song being written by
Alec R. Costandinos who also has a disco group titled “Sphinx”.
I have
taken the album version of Sphinx’s “Love In C Minor” and realigned the
production into a new ReStructure Mix. Using the major pieces of the song to
make this new version homage to the original in another new way.
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Baby Gets High - Glenn Rivera ReStructure Mix - Peter Brown
Peter Brown has made a mark in dance music history as one of the
multi-talented musicians and writers in the industry. His work speaks for itself
and lends to an achievement where each new release captures a new essence of his
sound. The 1983 project titled “Back To The Front” is again one of his surprises
where he takes pieces of his dance experience and ignites a new torch to carry.
“Baby Gets High” is one of the releases from the project which is still one of
the tracks which many has not received the club play but is a gem among jocks
and collectors. This number is a night life stimulant with it light fuzzy sound
and of course, Peter’s recognizable and mildly exciting vocal.
I have
taken the 12” version of “Baby Gets High” and stripped as much of the rhythms
that come into play for this ReStructure Mix. Added are a couple of new breaks
and a bongo riff to dress up the new version.
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Silent Morning - Glenn Rivera ReStructure Mix - Noel
Noel Pagan is a Cuban-American vocalist who took hold of a freestyle groove
in his track “Silent Morning” from 1987 and made dance floors move. This
street-beat pounding rhythm of freestyle has been used early in the 80’s taking
a new approach at breaking down the beat from the disco formula and adding a
Latin feel with percussion and light keyboard riffs. It was a whole new sound
that dance floors from New York, Miami and across the West Coast began to make a
new stage for. Noel’s “Silent Morning” is one of the tracks produced by Paul
Robb and features David Cole from C&C Music Factory on keyboards which emphasize
the true maturity of this sound.
I have taken the 12” vocal, dub and
instrumental of “Silent Morning” and re-patterned the beats and style of the
track for this ReStructure Mix. A downbeat is placed in segments of the track to
introduce the Miami street beat in a whole new way.
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Stop - Glenn Rivera ReStructure Mix - valery Allington
Valery Allington is An Italo-disco project from Maurizio Sangineto (aka
Sangy) – whose song titled “Stop” released in 1982 was a gift for those admired
the electronic disco feats that had creased during the late 70’s. Italian disco
has reformatted the whole arrangement with a simple structure of keyboards and
sequencers along with vocalists relaying the message. As Vallery Allington
informs her lover here that time is running out on their relationship when he
constantly leaves her alone. This one was an instant hit in many of the
progressive clubs who jocks could weave in this percolating energy into a
program. It also gave was to Ms. Allington as a new act from a producer whose
career took off into many direction in the 80’s. An Italo-disco gem!
I
have taken the 12” vocal and dub mix to re-blend a new energy into this
ReStructure Mix. Taking using of those filters sound to make the song once again
relive its exciting elements.
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Love Will Find A Way - Glenn Rivera ReStructure Mix - Pablo Cruise
Pablo Cruise is a 70’s soft-rock band whom started recording in 1975 and
created an elegance of fans throughout the early 80’s. Their project from 1978
titled “Worlds Away” contained their big single “Love Will find A Way” –
produced by Bill Schnee. Even though the song was a top radio hit in the rock
arena it emphasized the rolling bass lines which made up the disco formula and
although it is a soft rock styled ballad the sweetness, build and uplifting edge
always gave me the pop-disco feel. The song’s vibrancy lives on with the many
wonderful elements including the lead vocal by David Jenkins.
I have
taken the album version of “Love Will Find A Way” and redefined the song in this
ReStructure Mix. A more rhythm defined outline is created by using elements of
the original song. Also, a segment from a classic Mike Oldfield project is
injected to bring to mind the fusion in rock music during the early and late
80’s.
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L'amour Toujours L'amour - Glenn Rivera ReStructure Mix - Leonore O'Malley
Leonore O’Malley is a pseudo-artist produced by Michaele, Lana & Paul
Sebastian – the trio that also gave us Madleen Kane, Theo Vaness, and Pacific
Blue. Leonore released two projects and the first in 1979 titled “First..Be A
Woman” which gives us the title track which gained some popularity and play and
also “L'amour Toujours L'amour” which is homage to the heart and soul of love.
The lead vocals are performed by Catherine Russell – and as many disco projects
were to relay an image or so did this outline.
I have taken the album
version of “L'amour Toujours L'amour” and realigned the funky drops and rolling
energy into a new ReStructure Mix. The essence of the song is delivered in a new
way and more of the full-on power is outlined.
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Exotic and Erotic - Glenn Rivera ReStructure Mix - Sandy Marton
Sandy Marton is a singer from Zagreb, Croatia who began his recording career
in the early 80’s and his arena followed the synth-pop sound with the Italian
disco flare. “Exotic and Erotic” is a big single from his 1986 project “Modern
Lover” and produced by Italian producer, Claudio Cecchetto (Bizzy and Co.,
Taffy). The track is one of the pieces which stand out with a chorus which
builds from a story of an encounter with a woman who is eye catching and
hypnotic. This was one of Sandy’s big numbers as became a club favorite for
those who could not stop moving to that uplifting and energetic Italian disco.
I have taken the 12” versions of “Exotic and Erotic” and revamped the energy
in this ReStructure Mix. I have added some new bongos to help the story along
and also more of the bass driving this song into a frantic pace as it builds.
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Planet of Love - Glenn Rivera ReStructure Mix - Le Pamplemousse
Le Pamplemousse is W. Michael Lewis and Laurin Rinder – the duo who brought
the underground to the surface with their funky and laid back dance tracks.
Formerly El Coco and Discognosis these talented musicians are responsible for
setting the 70’s disco movement into a new realm of rhythmic songs and
compositions that extend into a light orchestral flare. “Planet of Love” is from
the 1979 project by the same title and is one of the funkiest numbers created by
Rinder and Lewis. It engages in an erotic motion of this play land where a
groove makes it all seem real. Lead vocals by Carmen Twillie are an extra added
sense of fantasy here. It is another hit for Le Pamplemousse and gives way to a
new disco funk that in the hands of this group was created on the dance floor –
for the dance floor.
I have taken the album version of “Plant of Love”
and reworked a new takeoff for this ReStructure Mix. Some down beats are added
to give the flimsy percussion a run for its money.
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• Just A Gigolo - Glenn Rivera ReStructure Mix - Village People
Village People are the essence of the disco era. The fantasy, the escape,
the groove. Created and produced by Jacques Morali who brings to the period a
whole new feel of artistry and stage appeal. The second album by Village People
is perhaps the most memorable for the underground cult following as its title
presents “Macho Man” – one of their greatest stamps to their own commodity.
Included in this package is also a cover of Louis Prima’s “Just A Gigolo” which
is fitting once again for the outline of the group and also another opportunity
to discover Victor Willis’ fabulous lead vocal which are soulful and spastically
disco!
I have taken the album version of “Just A Gigolo” and recreated a
fantasy ReStructure Mix bringing home Louis Prima’s version to warm up spots of
this new version. Also beats pump up the already movin'’ energy to a new place
for a new break and fade.
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• Put A Little Love In Your Lovin' - Glenn Rivera ReStructure Mix - Gene
Page
Gene Page is a musician whose first project from 1972 was the soundtrack to
“Blacula” – a black exploitation film. His work during the early 70’s including
many talents from the jazz arena. His final solo project from 1980 titled “Love
Starts After Dark” is one of the pieces from that disco-funk arena which brings
some great tracks to life. “Put A Little Love In Your Lovin’” is an anthem
within itself. It has a positive and uplifting message and many powerful moments
when it is told by guest vocalist, Alex Brown. The track was one that I would
enjoy breaking into a peak set and watching the rhythm and energy take over the
floor. It was a nice hidden gem to break out every once in a while.
I
have taken the album version of “Put A Little Love In Your Lovin’” and worked
into the deeper edge of this ReStructure Mix. Giving way to the powerful vocals
from Ms. Brown and the funk infused energy of the song. A new message is given
in a whole new way.
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Unexpected Lovers - Glenn Rivera ReStructure Mix - Pseudonym
Pseudonym is a high energy dance project from British producer, Nigel Stock
– who also brought us Astaire, Charade and Mirage. This focus is on the 1985
Lime song “Unexpected Lovers” and a mild cover of the classic written by Denis
and Denyse Le Page. The track is presented in the Passion Records flavor with
heavy rolling bass and a dedicated arrangement to the original with only a
switch on lead where it becomes “her” story rather than “his”. The beauty of the
composition where two strangers suddenly find themselves falling in love
overnight is a hard one to resist for a club record.
I have taken the 12”
version of Pseudonym’s “Unexpected Lovers” and recreated a new arena for this
ReStructure Mix. Some reminders of the power of the 80’s group Lime are
sprinkled throughout the remix and the bass loops are used again to outline the
new direction.
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Band On The Run - Glenn Rivera ReStructure Mix - Paul McCartney and Wings
Wings are a band from the early 70’s featuring Paul McCartney one of the
disbanded members of The Beatles. They recorded throughout the 70’s and produced
several pop-hits including “Goodnight Tonight”, “Live and Let Die” and “Band On
The Run” which is spotlighted here as a new variation of dance fusion with its
pop-rock edge. The track builds to a paced energy where the title outlines an
escape of some sorts which most likely has a social attachment. It is one of the
memorable moments from the early 70s in rock history and gives way to another
sound and edge created by Mr. McCartney.
I have taken the album version
of “Band On The Run” along with a previously released instrumental version to
rework a new ReStructure Mix for this rock classic. It is driven by new beats
and some percussion and yet still gives it the homage for pop-rock that it marks
in history.
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• Free - Glenn Rivera ReStructure Mix - Kate B
Kate B is an 80’s new beat/house project from Frank De Wulf and J.P. Ruelle
and features Caty Teirlynck and vocals. This hypnotic piece is one of the
finales of the Belgium Beat era during the late 80’s. Heavy beats and bass are
taken from the house movement and placed over more scarce arrangements as done
with this somewhat airy piece of love song where Kate B implores an acquaintance
of her availability for going the round. The keyboards here are simple yet
effective. They play out in a segment in parts of the track that add to the
eerie feel of the song.
I have taken the 12” versions from “Free” and
added a more beat conscience base to this ReStructure Mix. It gives the
after-hours sound to this already deep grinding recording. The vocals play out
again as the sensual overtones and are kept along with the original feel from
the keyboards and bass.
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More, More More - Glenn Rivera ReStructure Mix - Dayl
Dayl is an Italian disco project from producers Danny Fisher and Tommy Evans. If
you are familiar with this duo as a production team then you are aware of the
disco magic they performed on many of their project during the late 80’s under
their own title: Evans and Fisher. This cover of Gregg Diamond’s production of
Andrea True’s More, More, More” from 1976 is a Las Vegas crescendo explosion
with a synthesized symphony accompanying Dayl’s sweet and light vocal. It is a
showgirl extravaganza and plays out quite beautifully and in a new way. As this
being one of the first disco tracks to catch my attention as a teenager this one
is a must to preserve and no one other than Evans and Fisher make it work in a
new way.
I have taken the 12’ vocal and instrumental of “More, More,
More” and reunited the groove with more of a segmented approach on tis
ReStructure Mix. I added some new drums and carried some of the existing
percussion along for an extra punch.
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Take Away The Rain - Glenn Rivera ReStructure Mix - Sidewalk
Sidewalk is high energy/electronic project from producers Ian Levine and Steven
Wagner. Following their work on high energy dance music throughout the late 70’s
and early to mid-80’s a perfected outline and arrangements. High energy music, a
continuum of disco music had reached the peak of its own sound during the
mid-80s. “Take Away The Rain” is one of the dance tracks which play out with
perfection in arena for which it was created. The swirling sounds of electronic
strings are the disco compass of time. The vocals have a touch of the 80’s free
form and work well over the smooth arrangement which both Ian Levine and Steven
Wagner created many times before and once again with this release.
I have
taken the 12” vocal and instrumental of “Take Away The Rain” and recreated a
dance storm for this ReStructure Mix. More of the bass sequencer patterns are
used in several areas to give this new version a whole new direction.
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Disco Darling - Glenn Rivera ReStructure Mix - Top Secret
Top Secret is disco project from Canadian producers, George Lagios and Pat
Deserio – both responsible for Bombers and Bob-A-Rela. This 1979 project is an
electronic dance layout with the sensual vocals lending to the hypnotic beat of
each track. One of the more popular tracks is a cover of the 1975 Walker’s song,
“Dance On (Disco Darling)” which plays out as another “Dancing Queen” with the
identity similar and the spotlight ion the same direction. This version from Top
Secret is close to perfection as the female vocal winds in and out of the track
with just the right amount of sex appeal and excitement. It is one of those sexy
disco pieces that outlines the disco era in its space.
I have taken the
album version of “Disco Darling” and recreated a new device for this ReStructure
Mix. A new rhythm and clap track are used to bring the song into a more ecstatic
arena and the ooh’s and ahh’s are once again used in new ways.
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Where's Your Love Gone - Glenn Rivera ReStructure Mix - Julie Stapleton
Julie Stapleton is an artist from the early 90’s who recorded the deep house
track titled, “Where’s Your Love Gone” produced by Alexandre Kalunszynski, Chris
Forbes and Nick Austin (better known as V4 Visons). This eerie piece has a
whispery delivery from Julie when she states to her lover that is amicably over.
The distance from the deep house edge and her somewhat carefree vocals work well
in the mixture. Although this one may resemble one you may have heard during
this extensive fusion period of house music it has many great qualities to
remain in a memorable piece.
I have taken the 12” inch version of
“Where’s Your Love Gone” and worked the deep bass mix into a new ReStructure Mix
to pay homage to this period of house music. There is a new rhythm track to
bring out the mellow edge of the song and a new fade out that calls for more
closure.
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Keep It Up - Glenn Rivera ReStructure Mix - L.U.P.O.
L.U.P.O. is Lutz Ludwig – a DJ of a Munich nightclub who took his mixing craft
into recording his conceptual house music on the Low Spirit Recordings label in
1990. “Keep It Up” is his first single and one of the underground tracks which
caught the attention of the hardcore club jocks. The emphasis on the groove is
the power behind this one and the light spoken rap is an antidote for any party
on the floor. This one is perhaps one of the cutting edges of new beat and house
music where the groove is hard core art form and the layers working above are
the fascination of an offbeat subject.
I have taken the 12” vocal, dub
and afterhours mix of “Keep It Up” and moved this party into another space for
this ReStructure Mix. Not only do we have a dialogue by “Cathy” here but also a
cameo from another party starter from the 70’s, Ms. Gloria Gaynor.
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Midnight Rhythm - Glenn Rivera ReStructure Mix - Midnight Rhythm
Midnight Rhythm is a disco session project from producers Joe Long and Robby
Adcock. This album released in 1978 is one of the monumental sounds of the shit
and popularity of disco music. A full orchestra with layers of strings and horns
along with the soon to be high energy feel which the end of the 70’s disco era
demanded. The first single from the project “Workin’ and Slavin’ (I Need Love)”
is one of the uplifting songs of that year and one of the big hits on dance
floors. “Midnight Rhythm” is a single from the project which encompasses the
nightlife as it moves and becomes a fantasy playground. This one is the sound of
disco as it moved onto its final stages and uses the excitement that this period
will always be known for.
I have taken the album version of “Midnight
Rhythm” and rewired a new play for this ReStructure Mix. I have added some new
drums and used the existing pieces that give the song its magic in a new edit.
Special thanks to Mr. Ramon Sandoval from Facebook who worked in this
production bringing us the power of disco music forever.
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Work Hard - Glenn Rivera ReStructure Mix - Depeche Mode
Depeche Mode is an English electronic band who became one of the innovators of
the 80’s dance sound. Their rein began quickly and lasted to this day and their
sound continues to resonate with their original edge intact. The band consists
of Alan Wilder, Andrew Fletcher, Dave Gahan, Martin L. Gore and Vincent John
Martin. “Work Hard” is a single recorded in 1983 as a B-side to their hit
“Everything Counts”. This is one of the moody and somewhat diabolical sounding
tracks with their haunting vocals expressing the reality of life. It is one of
my favorites as during its release it also created a new style of 80’s mixes
where a sudden still may occur at any time in the song no matter what the energy
level or typical flow may have allowed.
I have taken the 12” “East End
Mix” and reworked the track for this ReStructure Mix giving more attention the
into and of course a few new breakdowns. There are some great keyboards riffs
which I have extended and recreated a new path for this new version.
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Get Ready To Go - Glenn Rivera ReStructure Mix - Tantra
Tantra is an Italian disco project from La Drogueria Di Drugolo, Quelli Del
Castello and arranger, Celso Valli. Their project titled “Hills Of Kat Mandu”
from 1979 is one of the wonders of dance music with its haunting yet
enlightening sound. The session plays out like a mystic journey through each
song as it gives an explanation of what is now and to come. It truly is one of
the masterpieces of recordings. “Get Ready To Go” is a track from this project
that also gives off a deep sense of understanding and mind full thinking with
the tambura breaks giving off the powers of a meditative soul. The production is
also one of the key factors where each track although somewhat similar give off
its own energy. A trait with arranger Celso Valli many do not even realize the
power of his work.
I have taken the album version of “Get Ready To Go”
and took a deep dive into the piece as the outline for “Hills Of Kat Mandu”
achieved. This ReStructure Mix gives a introduction to the answer and then plays
out the lesson these verse from the chours bring to the light.
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I Can't Live Without You - Glenn Rivera ReStructure Mix - Sean Taylor
Sean Taylor is a disco artist produced by disco pioneer, Jacques Morali (Village
People, The Ritchie Family, Phylicia Allen) in 1983 and released on West End
Records. This jittery electronic love song has some nice qualities which welcome
Morali into the early 80’s dance arena where all of his big orchestrations are
covered by heavy synthesizers and keyboards. This single was another of his new
ventures as was his stint with the Earth Kitt disco tracks of the early 80’s.
I have taken the 12” version of “I Can’t Live Without You” and reimaged
the track with a more melodic mix as the song intends. Breaking up the
percussion breaks along with verse and the roaring chorus into a new ReStructure
Mix.
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Zero - Glenn Rivera ReStructure Mix - Gepy and Gepy
Gepy and Gepy are a disco group headed by Italian singer, Giampiero Scalamogna.
Their 1979 project titled “Body To Body” is one of the early sings of disco
music still holding its court in the early 80’s. Geoff Bastow who also gave us
the 80’s gem “Don’t Stop” by K.I.D. arranged the tracks and does a beautiful job
with “Zero”. This one always reminded me of an Engelbert Humperdinck love song
cast to the disco beat. There is desperation of love here and a plea that
creates a wonderful resonance for this love song. It is one of the pieces that
fit into many of my high energy sets although the melody gives off a swirling
orchestral like edge.
I have taken the 12’ version of “Zero” and
redirected the love again for this ReStructure Mix. A new hardline beat and
percussion are added to stir up the feet as well as more emotions.
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Barry White Medley - Glenn Rivera ReStructure Mix - Band of Gold
Band of Gold is an ensemble pieced into a session group by Dutch producer Jaap
Eggermont – the man who made the “Let’s Do It” Medley into “Stars on 45” during
the early 80’s. This 1984 project features a medley of hits by Barry White and
done quite beautifully with the arrangements and these session vocalist
reinterpreting the soul and disco hits again. This one was more of an impact
with the top line production and gives each one of the cover versions a new
appeal. From the early 70’s when Barry White was bringing his new orchestral
fusion to soul music and bringing disco into the light – is captured here with
the motion and heart.
I have taken the 12” version of Band of Gold’s
“Barry White Medley:” and focused on the beautiful strings and swirling
crescendos in disco form for this ReStructure Mix. Much of the content is
rephrased and used only in pieces along with some new percussion and extended
melodic parts of the dub version.
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Dance To That - Glenn Rivera ReStructure Mix - Sylvester
Sylvester is alive again with this track titled, “I’ll Dance To That” – from his
1980 album titled “Sell My Soul”. Produced by Harvey Fuqua and Sylvester this
track gives us a nights celebration where life is good and promising so that the
dance floor is “thanks”. A big chorus makes this one irresistible and uplifting.
One of the great tracks from Sylvester which missed it opportunity as a big
dance floor mover if released as a 12” remix – however Fantasy Records may have
been grooming him for a big change as we find a year later in his jazz-fused
“Too Hot To Sleep” project. It was the music that 1982 brought with Megatone
Records which is what Sylvester was made to create.
I have taken the
album version of “I’ll Dance To That” and rewired the energy for this
ReStructure Mix to fill in lost time with this very talented man. Sylvester’s
message gets relayed again with a more extensive move into the dance realm. It
is what we know of Sylvester and will never forget.
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• I'm Your Boogie Man - Glenn Rivera ReStructure Mix - Digital Game
Digital Game is an Italian disco project with Alessandro Novaga leading the
project. They released three singles in the early and mid-80’s which were covers
of K.C. and The Sunshine Band – with the electronic twist. “I’m Your Boogie Man”
is their 1983 initial release which gives the bouncy rendition from the disco
horns of the original version. Vocoders dictate the verses and chorus in an
obviously robotic flare to give off a camp-like feature. The sequencers here are
the sticks that make this Italian disco piece play out as a sort of mystery. It
is clever and hard to resist for anyone who can remember doing “the bump” to the
original.
I have taken the 12” vocal and dub mix of Digital Game’s “I’m
Your Boogie Man” and recreated a new kind of mischief for this ReStructure Mix.
There are more flash edits to make the notes jump out into the crowd and a
breakdown for the close.
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Burnin' Hot - Glenn Rivera ReStructure Mix - Jermaine Jackson
Jermaine Jackson is the oldest of The Jackson family and is also one of the
successful solo artists of the 80’s. His work from a solo artist beginning in
1972 always displayed another talented man from the Jackson family. His 1980
project titled “Let’s Get Serious” contained another sensational dance track
titled “Burnin’ Hot” which plays out just as it sounds. Another winding track
with a funky baseline which builds into a rolling break full of energy. Produced
by Jermaine and has some wonderful riffs which hold up the works where his
success in the latter part of the 80’s gets real.
I have taken the album
version of “Burnin’ Up” and rewired a new ReStructure Mix taking complete
control over the breaks and flow of the new remix. There are several new segues
into drop breaks and a winding fade out.
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Freak Your Boom Boom - Glenn Rivera ReStructure Mix - Hank Ballard And The
Midnighters
Hank Ballard and The Midnighters is a vocal ensemble
whose recording career began in 1958. The group went through several member
changes – Hank Ballard, Henry Booth, Charles Sutton and Sonny Woods are the
members who recorded their 1979 disco single, “Freak Your Boom Boom” – which was
produced by Hank Ballard (also writer) and Luther Dixon. This track takes the
soulful road with vocals that express that deep groove which plays out with a
bass guitar and a lite drum beat. One of the great pieces which was lost in the
many releases of that year. “Freak Your Boom Boom” is the outline that disco
music was built on where the dance floor follows along and works out to the
record. A nice return to the retro disco sound of the era.
I have taken
the 12” version of “Freak Your Boom Boom” and resurfaced the song for this
ReStructure Mix. There is a new heavy drum beat added along with some percussion
to bring this one back to the floor for more.
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Premintal - Glenn Rivera ReStructure Mix - D.A.N.
D.A.N. is an
Italo-disco project from 1982 and produced by Romano Trevisani. This
instrumental track uses heavy bass rhythm guitars to work a groove. It is one of
the early Italo-disco pieces which once again took musicians utilizing their
present skills to take part in the formulation of what this music from Italy was
all about. It was the reshaping of the disco sound in a whole new way.
“Premintal” is one of those pieces which may have been used for a transition
mix, but the recording itself still plays out as a forerunner in a new style of
music which would last throughout the 80’s.
I have taken the 12” version
of “Premintal” and focused in a whole new direction for this ReStructure Mix.
The new version plays out with excerpts from the 1976 version of “A Star Is
Born” and features pieces of the soundtrack as a placement for this exercise.
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Catch Me (I'm Falling In Love) - Glenn Rivera ReStructure Mix - Marsha Raven
Marsha Raven is a high energy vocalist from the U.K. whose first single titled
“Catch Me (I’m Falling In Love)” began a whole new era of dance music called
‘high energy’. Produced by Ian Anthony Stephens in 1983 this powerhouse
spectacle brings together the electronic age of disco arrangements with drums
and soaring strings. The track itself has a built that takes on several
movements and with Marsha Raven at the helm of vocals this one makes the return
of the “disco dolly” inevitable for the 80’s. The song is one of the big moments
dance floors again shifted into a “high” gear literally and also made dance
labels aware that people were not quite finished with disco yet, again.
I
have taken the 12” version of “Catch Me (I’m Falling In Love)” and rewired the
energy into a ReStructure Mix which extends once again the energy and
excitement. There is a cameo from Fontella Bass to clear the air and more
breakdowns than ever thought possible for this classic.
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Love and Desire - Glenn Rivera ReStructure Mix - Gina Desire
Gina
Desire is an electronic disco project from Bobby Orlando. One of the big moments
again for Orlando as he gained his momentum with projects and releases – where
this single “Love and Desire” paints a similar edge to his past work yet plays
out fresh. This single is a simple statement however the rolling bass
synthesizers are the magic once again. It is as hypnotic as his earlier work at
the start of the 80’s yet this one gives us the camp-side of high energy
disco/dance music in a form that works. The vocals are provided by a studio
vocalist in a sexy and vigorous performance.
I have taken the 12” version
of “love and Desire” and re-lit the fire for this burning love song in this
ReStructure Mix. The new power comes in loops and edits which outline the
percussion and some of those heavy bass drops.
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The Promise - Glenn Rivera ReStructure Mix - When In Rome
When in
Rome are Andrew Mann, Clive Farrington, Michael Floreale and Rob Juarez. This
English ensemble created one of the unforgettable dance tracks from 1987 titled
“The Promise”. Produced by Ben Rogan this immediate hit was all over dance
floors with its pleading vocals leading the chorus into many feet and minds. The
track was a radio hit also where the band gained some notoriety and released a
follow up CD in 2006. A heart fond of the love and dedication to their music
makes this piece an old-school classic.
I have taken the 12” vocal. Dun
and instrumental and reworked “The Promise” for this ReStructure Mix and in a
new way. I focused on an underground and more after-hours feel for this version
and have added the keyboard riffs for an airy and moody effect.
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Romance - Glenn Rivera ReStructure Mix - Billy Newton Davis
Billy
Newton Davis is a soul, gospel and jazz singer/songwriter who released a singer
titled “Romance” in 1981 – produced by Boh Tanasijczuk. This track is one of
those pieces which have the elements of a classic underground number. It has a
nice rhythm guitar and bass lead and rolls over and over into a fulfilling
destination. It was one of the secret weapons that I would use to either win
down a high energy night set or beef up an after-hours program. The production
is dance floor intended and along with Billy’s vocals this track works like
magic. Appears to be a simple execution but there is more under this great dance
song as you let yourself go with it.
I have taken the 12” version of
“Romance” and reworked a new ReStructure Mix to homage to both Billy as the
leader of this recording and also the songs underground feel. I have
reintroduced it with a new downbeat intro and a couple more added breaks.
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Rush Rush - Glenn Rivera ReStructure Mix - Debbie Harry
Debbie Harry
is an icon of the 70’s. Her career beginning with Blondie, a nu-wave band made
her move onto a solo career a lasting presence throughout the 80’s. “Rush Rush”
is a single she released in 1983 – produced by Giorgio Moroder and is featured
on the soundtrack to the motion picture, “Scarface”. This electronic pulsating
piece has Moroder’s 80’s sound at the start of the transition. A wind-pipe
sounding effect gives the song a nice rhythmic sound which echoes a touch of
nu-wave-ish feel with the off notes and pattern. Debbie does another wonderful
sexy delivery here that gives the song more mystery and movement for its play.
I have taken the 12” vocal and instrumental of “Rush Rush” and re-ignited a
new force for this ReStructure Mix. There is a new strip down on the bass and
some new pounding beats added atop the already frantic mix.
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• Pump Up The Volume - Glenn Rivera ReStructure Mix - M|A|R|R|S
M|A|R|R|S is Alex Ayuli, CJ Mackintosh, Dave Dorrell, Martyn Young, Rudy
Tambala, Russell Smith and Steven Young. This innovative dance project was aimed
at the house music sound which was becoming the outline for remixes and a new
genre of music in the late 80’s. “Pump Up The Volume” is one of the big dance
tracks of 1987 and plays out with emphasis on the scratch DJ and the rolling
bass line. This one uses samples from pretty much all arenas and gives initial
exposure to vocalist Ofra Haza. A medley of sorts yet it contains more of an art
form of pieces and parts all united in one song.
I have taken the 12”
club, instrumental and dub version of “Pump Up The Volume” and resliced the
track in a new ReStructure Mix. My concept here is a step back to the disco rule
and a few of the big riffs which made the dance floors move. There is more of a
medley feel here and also a breakdown of some of those segments.
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• We Must Believe In Magic - Glenn Rivera ReStructure Mix - Gregg Diamond
Bionic Boogie
Gregg Diamond Bionic Boogie is one of the forerunners
of the early disco generation to create the outline of the music of its time and
what was to come. His arrangements and productions were a touch of musicians
playing out the groove along with the orchestral strings and rhythmic percussion
of the dance floor fantasy. “We Must Believe In Magic” is from the first project
from 1977 and features on vocals Gwen Guthrie, Yolanda Mc Colclough and Zach
Sanders. The track is one of the uplifting anthem-like pieces from Diamond and
plays out with a great deal of heart and soul. Like most of Diamond’s work there
is an alternating message in the track that works within its own. A great piece
from a classic album and the master mind of Gregg Diamond.
I have taken
the album version of “We Must Believe In Magic” and refocused on extending this
wonderful message. The intro has more of a whirling sensation applied and a
closing with a fade out is provided for a reoccurring chance.
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• Everybody Wants To Rule The World - Glenn Rivera ReStructure Mix - Tears For
Fears
Tears For Fears is Curt Smith and, Roland Orzabal. Their
recording career began in 1983 and leads them onto releasing an 80’s anthem
which outlines the sound of the synth-pop era. “Everybody Wants To Rule The
World” is a rolling dance track which creates a hypnotic and realistic thought
of where we are now. The chorus is perhaps one which holds on through time and
falls well into the lyrics and power of the songs dynamic. Tears For Fears makes
the 80’s seem more real than many songs of the time.
I have taken the 12”
version and instrumental of “Everybody Wants To Rule The World” and reimagined
the song as an early morning dirge to the suns rising. This ReStructure Mix
takes pieces of the song and reworks the arrangement and adds a few new
breakdowns and breaks to give it a lasting feel.
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• Love On The Rocks - Glenn Rivera ReStructure Mix - Lama
Lama is an electronic dance project from La Drogueria Di Drugolo and Quelli Del
Castello also known as Katmandu Productions. Best known for their work on the
Tantra/”Hills Of Kat Mandu” project along with conductor and arranger, Celso
Valli (Passengers, V.I.S.A., Nuggets, Tantra) the magic is once again achieved
in this cover of Lucio Battisti's song "Il Veliero" from 1976. The arrangement
here transforms the original acoustic feel into a whirling pattern of sequencers
and echoes of piano overtures. “Love Is On The Rocks” is a moody piece which
works well with the genre that Katmandu Productions is best known for in the
Italian disco genre. The vocals are as haunting as the silent yet crashing
effects that seem to portray a relationship heading for disaster.
I have
taken the 12” vocal and instrumental of Lama’s “Love Is On The Rocks” and
reweaved a ReStructure Mix for another trip down this road. It features a new
drum track and some percussion added to give the haunting effect of the song
more of a push of energy.
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Drums On Fire - Glenn Rivera ReStructure Mix - Gazuzu
Gazuzu is a
group from The Netherlands led by Adams & Fleisner – a production team also
known for tracks by Digital Emotion, Dr. Groove and Tempo Rubato. The full
electronic assemblage was the sound of the mi-80’s with a touch of the street
beats to give it flair. “Drums On Fire” is their 1982 single and plays out as it
states – a drum beak with lots of ad-libs and fun along the way. A jungle disco
in the works is more of a description. The group consists of Annelies Graave and
René Portegies and is one of the pieces that made my dance floor party even more
when the drums were placed on the dance floor.
I have taken the 12” long
and instrumental versions of “Drums On Fire” and relit a new ReStructure Mix.
This time around more of the crazy pieces of the feedback from the clan are
extended and presented with new edits
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Pilot Error - Glenn Rivera ReStructure Mix - Stephanie Mills
Stephanie Mills is a diva among discophiles. Her music has been an effect on the
dance floor from start which creates a powerful and lasting dance experience.
“Pilot Error” is her 1983 release from the album “Merciless” – produced by David
Wolfert and Gary Klein. This funk-disco track is an outline of a relationship
whose problems arise from the lack of experience in dealing with issues – as the
song portrays a serious moment gone awry. The production is one that plays out
well with the beats and bass as the song catapults into an emotional disaster –
but the dance aura works in the opposite direction.
I have taken the 12”
version of “Pilot Error” and remapped the track into a new trip for this
ReStructure Mix. Pieces of the percussion are used in new ways and there are
some trigger loops to make up some new breaks.
This ReStructure Mix is
dedicated to Steven Greer – for his everlasting love for this great diva.
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Music Box - Glenn Rivera ReStructure Mix - Evelyn "Champagne" King
Evelyn “Champagne” King is a voice that will not soon be forgotten. The impact
her talent made on the music industry is one that begins a soulful experience in
disco music. Her single “Shame” from 1977 bridged the sound of soul and emotions
to the disco arena. The effect was instant and gratifying giving this wonderful
voice a stage for her music and energy. “Music Box” comes from her follow-up
project from 1979 by the same title. Produced by Sam Peake and Theodore Life –
along with Instant Funk and Luther Vandross as musicians and backing. This
single is another example of Ms. King’s powerful vocal which play out with a
rendition which gives the soul a moving experience. The piece is just as
effective as her initial hit with a build and breakdown which makes the dance
floor once again pay close attention.
I have taken the 12” version of
“Music Box” and rewired a new ReStructure Mix to give this one another place.
There are a few new breaks and looping edits to give it a new shine with the
original soul intact.
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• C'mon And Get My Love - Glenn Rivera ReStructure Mix - D Mob introducing
Cathy Dennis
D Mob is a British house music producer named Danny Poku
– his venture with vocalist Cathy Dennis in 1989 is a Euro-house track that
brought her to the forefront. Cathy Dennis became one of the club artists who
seemed to pump out hit after hit during the early 90’s. “C’mon And Get My Love”
is a fantastic track and gives Cathy an opportunity to exude her sensual and
hypnotic vocal appeal. It would be her mainline to a new audience and a dance
floor awaiting her next move.
I have taken the 12” vocal, dub and piano
mixes of “C’mon And Get My Love” and rehoused the song with some new breaks and
elements for this ReStructure Mix. Cathy’s sweet vocals are broken into segments
for the beats and house bass to play a whole new game.
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• Love Comes Easy - Glenn Rivera ReStructure Mix - Vera
Vera is one pf those dance projects which mark for me a period of new discovery
and excitement. Following the fading of the disco era for myself there were a
shortage of dance tracks that were beautiful, melodic and built of a pulsating
beat. Vera is a project which was began by producer and musician Louis Toteda
along with Patti Masi at the vocals – which created an instant club classic
titled “Take Me To The Bridge” released in 1980. The production was a new found
energy for dance and although it encompassed the disco edge the sound created a
new need for this concept in the early 80’s. It was magic for me to hear a
beautiful voice over sweeping music once again. “Love Comes Easy” is a single
from Vera released in 1984 and was produced by Louis Toteda and Joe La Greca. It
is another fine example of the new energy being created in the 80’s for dance
music.
I have taken the 12” vocal and dub version to recreate a new
ReStructure Mix for those homage to the talented individuals involved. There are
some new percussion riffs added and a cameo from The Commodores as fitting with
the lush but tame energy here.
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• In The Heat Of The Night - Glenn Rivera ReStructure Mix - Tapps
Tapps are a high-energy/dance project from Allan Coelho and Tony DaCosta and
features vocalists Barbara Doust and Candy Berthiaume. Their music from 1983 to
present has always been a welcomed feat to dance floors. Many of their singles
are club classics that are now featured and rediscovered by many dance music
enthusiasts. “In The Heat Of The Night” is their 1985 single – produced by
Carolynne Saxton and John Forbes. This track is a departure from their fast
moving energy pieces and takes on more of an 80’s rock-anthem in the after-hours
form. A bit moody and emotional yet the essence of the single is the Tapps
recipe which always brings together the group as a standing project for the
dance floor.
I have taken the 12” vocal and instrumental version of “In
The Heat Of The Night” and reworked them for this new ReStructure Mix. There is
more of the vocal and verse laid out for the power of this heartache in the
night track. New drums are also added to give it a new shine.
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• Prison - Glenn Rivera ReStructure Mix - Space
Space is a French disco project from Jean-Philippe Iliesco, producer and
Ecama, and Roland Romanelli, arrangers. This band was a forerunner in the
synth-electro sound where innovation was taking their sound into a realm in a
futuristic arena. Their 1977 project titled “Deliverance” is one of their most
incredible contributions in this genre of disco music. As Cerrone and Alec R.
Costandinos set precedence for Euro-disco in the mid-70s – so did Space for this
futuristic sound and delivery. “Prison” is the initial track from the album and
features a powerful vocal from Ms. Madeline Bell – a vocalist who always has a
recognizable and extreme edge to her tones. This track paints the story of an
outside influence on an individual trapped in a torturous relationship and a
plea to flee to arms that can release them. It is always the most incredible
emotions in music Space and on the side of the spectrum their instrumental
always relay a force beyond our own planet.
I have taken the album
version of “Prison” and relaunched it in to new sound for this ReStructure Mix.
There is a new intro to ready us for the drama ready to begin and more of the
drums and percussion added to give this rhythm a new place.
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• Want Ads - Glenn Rivera ReStructure Mix - Ullanda
Ullanda McCullough is a voice that you have heard in dance tracks by Michael
Zager Band, Thelma Houston, Joel Diamond, Quincy Jones and Rice and Beans
Orchestra. Her debut solo album released in 1979 titled “Love Zone” gave this
lady an opportunity to work her talented voice throughout several big disco
numbers. The project was produced by Bernard Drayton, George McMahon and Leon
Pendarvis. This package included a cover of the soul classic “Want Ads” from
Honey Cone originally released in 1971.This polish disco version is a drama in a
new way with the full arrangement bringing this song to life again. It is
Ullanda’s step out into the spotlight and it was an exciting moment to hear this
talent grow.
I have taken the 12” version of Ullanda’s “Want Ads” and
redelivered it in a new package for this ReStructure Mix. Snippets of the
original are placed for memorable moments and more of the track in reworked into
a new play.
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• Valley Of The Dolls - Glenn Rivera ReStructure Mix - Giorgio
Giorgio Moroder is the master player whom brought electronic music to the
surface in the mid-70’s and on to becoming a motion picture composer using his
own skills. His early disco projects are not only classics in the disco arena –
they are also a plateau for many current artists and music followers. His
trademark has always been the phasing of electronic keyboards and sequencers –
the sound he brought to life with Donna Summer’s “I Feel Love”: in 1977. “Valley
Of The Dolls” is another piece created for the motion picture “Foxes” release in
1980 – where he also produced several dance tracks on the double album. This
movement of music contains points of the film where the drama plays out in
extreme circumstances and relays the emotion and danger the film displays.
Although it is most known to his hardcore followers it has the elements of
Moroder and his best.
I have taken the album version of “Valley Of The
Dolls” and rein spired a ReStructure Mix that aims right to the heart of the
score itself for the dance floor. The fantastic rolling bassline is used over
and over to give this new version a face that is indelible.
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On Hold - Glenn Rivera ReStructure Mix - Jolo
Jolo is Jo-Carol and Lauren Carter – two ladies who are better known as The
Patrick Cowley Singers (along with Paul Parker). Performing on Cowley’s first
two albums gave these ladies exposure and an audience. “On Hold” is their 1983
single – produced by Maurice Tani, Arthur Adcock and Jolo. This piece has a
pop-edge to the sound and feel – it may have been an influence to mold to the
rock-dance sound. Their harmonies are a bit more directed at a more Go-Go’s type
of sound. This was a Megatone 12” single which marks the history of dance music
from the masters who helped to take over the 80s – following the disco era of
the 70’s.
I have taken the 12” version of “On Hold” and have given it a
complete re-wiring for this ReStructure Mix. Adding some new downbeats and using
the existing drum fills to give it more of a bold club feel. There is an edit on
the arrangement and strip down closing to a drop out.
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Beat Of The Night - Glenn Rivera ReStructure Mix - Maggie
Maggie is a Canadian disco project from the one and only Mr. Robert Ouimet –
the man who is one of the talented individuals who have dedicated his life to
making dance/disco music his cause and reputation. His production here with
“Beat Of The Night” from 1984 is one of the pieces I always considered
“spectacle” disco where the heart and soul is set on celebrating the aura of the
club scene. The mood sets a fantasy of a night filled with excitement and always
something to lift the spirit. It is the true essence of what I always believed
disco music was about also. Maggie does a wonderful time here with her
convincing lure of promise where the song makes the temptation hard to resists.
I have taken the 12” club and instrumental version of “Beat Of The Night”
and reworked the “beats” to focus a new direction in this ReStructure Mix. I
have pulled the fabulous drum beats into several new areas where the display of
the “beats” makes way for a new experience.
This ReStructure Mix is
dedicated to Mr. Robert Ouimet – thank you for life’s work in making the mirror
ball shine on-and-on!
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High Energy - Glenn Rivera ReStructure Mix -Timbuli
Timbuli is a Euro-house/techno cover of Evelyn Thomas; 80’s classic, “High
Energy” – produced in Germany by Rachid Nouri, Amir Saraf, Mehmet Sönmez and
Ulli Brenner. This cover is aimed at the techno dance floor where the beats
reave up faster and faster to keep pace with a hopping dance floor. It is quite
mild and flowing along with the new vocal from Timbuli which is somewhat buried
in the back but adds a new mystique in the new experience. The pulsating beats
make this as exciting as the context of the track where the new energy is
definitely “high”.
I have taken the 12” vocal and dub of Timbuli’s “High
Energy” and reignited it for this ReStructure Mix. There are pieces of the
original version produced by Ian Levine and Fiachra Trench to punch up moments
of the new remix and pieces of the new version that are extended and re-flashed.
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Under The Boardwalk - Glenn Rivera ReStructure Mix - Tom Tom Club
Tom Tom Club is a spin off from Talking Heads led by Tina Weymouth and Chris
Frantz. Their big club hit “Genius Of Love” from 1981 gave them a led in an
alternative synth-pop dance arena. Always a sense of creativity and innovation
in their sound and approach to dance music. “Under The Boardwalk” is a cover of
The Drifters 1964 pop/soul hit. This again another creative approach at a remake
where a reggae stylized rhythm is applied and the cartoonish-like vocals fit
perfectly and snug in their place. This was a big hit for my club and also for
many nights where a wind-down was required and this one always worked magically.
I have taken the 12” version of “Under The Boardwalk” and reapplied the
rhythms here to a new ReStructure Mix. The original plays a part in this version
and also gives way to a longer and more laid back arrangement.
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Warlord Part 2 - Glenn Rivera ReStructure Mix - The Immortals
The Immortals are an electronic disco project from Ian Guenther and Willi
Morrison – the duo who brought us some of the most phenomenal dance projects
including. THP Orchestra, The Grand Tour, The Duncan Sisters, Sticky Fingers and
Skatt Brothers. This venture from the disco productions of the 70’s to the
synth-pop of the 80’s was a curve ball for their game. “Warlord Part 2” is the
B-side to their 1979 release is a sense of power in the direction to where dance
music was headed. This fantasy tale of a “game of thrones” feel of players is an
all most make shift for a theme for action as it plays out with a reality. It is
one of their turns into a new area and genre of dance music and is successful as
many underground disco fans are aware of this club record.
I have taken
the 12” version of “Warlord Part 2” and have taken the fantasy into a new
ReStructure Mix. The beats have been electrified and pulsed up for a new groove
for this almost theatric sound and imaginative feel.
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Tie U Up - Glenn Rivera ReStructure Mix - The Three Degrees
The Three Degrees are one of the golden voices of soul and disco music. Many
of their hits are made thanks to their beautiful harmony and delivery. “Tie U
Up” is from their 1989 project titled “..And Holding” – produced by Buzz Amato
and John Abbey. A departure from their high energy disco numbers of the late
70’s and early 80’s and onto a funk-driving bass and kick drums. A touch of the
Jimmy Jam – Terry Lewis feel from Janet Jackson’s “Control” project. This one
gives the ladies a bit of defiant love and dedication to a heart. The chorus is
self-explanatory and gives this piece a touch of sleaze but still elegant thanks
to these three ladies.
I have taken the 12” vocal and instrumental
versions of “Tie Me Up” and re-secured it for this ReStructure Mix. There are
some new beats and percussion added to guide the funk of the groove into a
hardcore dance track.
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Together Forever - Glenn Rivera ReStructure Mix - Rick Astley
Rick Astley (Richard Paul Astley) is a singer from the U.K. whose voice
ignited the mid-80’s with beautiful and soulful results. His first project
produced by Stock Aitken and Waterman is one of the most memorable of the time.
Rick has a fantastic voice which has the effect that Barry White had in the
early 80’s. It was a romantic feel and the dance tracks which SAW created were
perfection for this celebrated new star. “Together Forever” is from his 1987
album “Where Ever You Need Somebody” and is the outline of the powerhouse
productions that the three producers were well at creating and along with Rick’s
vocals the music is still intriguing and uplifting.
I have taken the 12”
version of “Together Forever” along with a short instrumental the new
“reimagined” ballad piece and reworked a new ReStructure Mix for this classic.
The bass synths are realigned and re-patterned and a break in the energy is put
to a halt for a slow climb back to the energy.
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Rock City - Glenn Rivera ReStructure Mix - Roderick Falconer
Roderick Falconer is a glam rock artist from the mid-70's. His second album
titled “Victory In Rock City” from 1977 featured the track “Rock City” – which
is a tribute to the rock genre and mentioned artist, The Beatles and their
contribution at creating rock and roll history. Falconer’s single became a part
of the disco single phenomena thanks to it 60’s edge groove and upbeat rhythm.
It is one of the pieces that are a crossover during a time when rock and disco
could share their identities calmly. This one works for those who love alternate
tracks that move like a club anthem.
I have taken the 12” vocal and
instrumental of “Rock City” and have re-wired the song for this ReStructure Mix.
The fantasy that exists within Falconer’s lyrics playout as The Beatles make
their cameo several moments within this mix.
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You Can't Help (Sentimental Sunday) - Glenn Rivera ReStructure Mix - Flesh
Flesh is Coral Gordon, Janice Hoyte, Stephen Lironi and Douglas Macintyre –
an ensemble produced by Steve Harvey from 1985. “You Can't Help (Sentimental
Sunday)” is one of my favorite club records of that year. A big hit for my dance
floor and one that was infectious drawing more and more to the floor as the
track played on. There is so much in this track that it feels complete and
secure within its own sound. I always pictured this as an underground hit for
The Pointer Sisters at the time – however Flesh is one with two great female
vocalists who make the songs lesson – where meeting a new love interest on
Saturday makes Sunday feel “sentimental”. It has everything from great keyboard
breaks to vocal riffs.
I have taken the 12” vocal and instrumental
versions of “You Can't Help (Sentimental Sunday)” and rewired the energy into
this ReStructure Mix. I have extended the intro and placed more of those
gospel-hard hitting organ breaks into play in this mix.
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Donna Rouge - Glenn Rivera ReStructure Mix - Fake
Fake is a Swedish band whose big hit “Donna Rouge” from 1982 is an
Italo-disco gem. A touch of the 80’s synth-pop edge on the reminiscent vocals
and has always brought to mind the “new romantic” sound of the 80’s, This slick
piece of dance material flows like a wonderful melody in the Italian disco
flair. It is perhaps one of the most influential for those who were hearing this
sound for the first time. Produced by Fabio Sbaragli – this one bears all of the
innovation that Italian disco music had successfully utilized brining the 80’s a
new catalogue and artists and songs such as Fake’s “Donna Rouge”.
I have
taken the 12” version of “Donna Rouge” and the 7” instrumental to rework its
magic into a new ReStructure Mix. A heavy downbeat brings this version into more
of house feel and some elements that are used to push the limits a bit more are
a part here.
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• Ending Up On A High - Glenn Rivera ReStructure Mix - Seventh Avenue
Seventh Avenue is a high-energy project from “the masters”, Ian Levine and
Fiachra Trench. This is a concept group which began in 1979 with their album
“Midnight In Manhattan” and then revised in 1984 with the release of the single
“I Hear Thunder” which brought their upbeat Broadway celebration feel disco
arrangements into a new dance period with a full electronic arrangement. A new
line up of men were assembled for the group and a make-over created a whole new,
yet reminiscent view of the concept group. “Ending On A High” is another bright
and swirling love song with the two discovering a new found affection when close
to a break up. The track did quite well in the dance palaces which featured
anthem dance tracks as a norm and club that clamored for high energy.
I
have taken the 12” vocal and instrumental of “Ending Up On A High” and as being
a favorite of my own, I reignited the piece for this ReStructure Mix. The
accapella intro has become the movement of the remix and some new arrangements
on verses and choruses are newly placed.
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Stop In The Name Of Love - Glenn Rivera ReStructure Mix - Gloria Gaynor
Gloria Gaynor is disco music’s muse. Her voice has been the soulful sound of
disco music since the inception of her recording career in 1975. “Stop In The
Name Of Love” is her cover of the Motown classic from Diana Ross and The
Supremes. It is from her project “Gloria Gaynor” released in 1982 and produced
by Amir Bayyan. This is one of the most in-depth approaches at a cover of a
classic where it is completely edged with a new sound as Gloria’s vocals
transform the pop track into a soulful rendition. A nice rhythm and blues
arrangement and sound make it shine as if it were bringing the song to light for
the first time.
I have taken the 12” version of Gloria’s “Stop in The
Name Of Love” and revised it again for this ReStructure Mix. There is a longer
intro and a take on the original arrangement for a new approach.
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• Money Runner - Glenn Rivera ReStructure Mix - Scotch
Scotch is an Italian disco ensemble created in the early 80’s and features
Fabio Margutti, Franz Felleti, Franz Rome, Manlio Cangelli and Vince
Lancini. Their single “Money Runner” from 1985 is one of the pieces which helped
to move Italo-disco into a new sound utilized the power beats and keyboards with
a touch more of the house-sample touches along the way. It is one of their
strongest dance tracks and a story that is up to whatever you feel within the
chants and verses. It is produced by Zambelli Bros and has a lasting crescendo
that will bring back that brightly lit dance floor igniting from the motion and
energy of the music.
I have taken the 12” vocal and instrumental of
“Money Runner” and retouched the song for this ReStructure Mix. The rap segments
are removed and more emphases are placed on delivering that breaks and chorus
pieces.
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• What Have I Done To Deserve This? - Glenn Rivera ReStructure Mix - Pet
Shop Boys / Dusty Springfield
Pet Shop Boys are the magic of the 80’s. Their contribution to the 80’s is
priceless when you look closely at the music and their main focus which has
always been to deliver a dance track celebrating that entire disco created in
the 70’s. Their clever wits and phrases helped to make their new sound as
alternative as possible while feeding beats and rhythm into the dance floors.
“What Have I Done To Deserve This” is a fine example of a feeling of walking
into the middle of a conversation and still understanding its presence. It is
from their 1987 album titled “Actually” and shines along with a guest vocal from
Dusty Springfield – making this more confusing and even more of a gem.
I
have taken the 12” and dub version of “What Have I Done To Deserve This” and
descrambled their message in this ReStructure Mix. It is displayed as a montage
pf the song itself and reworked to give itself a whole new identity.
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Too Hot To Stop The Rock - Glenn Rivera ReStructure Mix - Keith Zorros
Keith Zorros is a rock artist from the late 70’s who recorded one of the big
energy dance tracks of 1980 – “Too Hot To Stop The Rock”. This single was a big
hit for many clubs that were breaking the rock edge with their disco program as
this piece is a cross between pop-rock and disco. The vocal plays out with a
nice rockin’ feel and also breaks down in parts of the track with some nice
harmonies. This one is recognizable piece and gives off the disco era when many
artists were still friendly and attempting to delve onto the dance floors to
give the disco edge their own flavor.
I have taken the 12” version of
“Too Hot To Stop The Rock” and broke it down to recreate this ReStructure Mix.
There are more of the bongo fills and some breaks that appear from chorus lines
and that rolling bass line.
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Nasty Girl - Glenn Rivera ReStructure Mix - Vanity 6
Vanity 6 is Vanity (Denise Katrina Matthews), Brenda Bennett and Susan
Moonsey. This trio is one of project brought together by Prince who was moving
in many directions at the time with his music and talent. “Nasty Girl” is there
single from 1982 and has a rolling funk beat pattern which is a strip down of
the groove itself. It is a sleaze number that always raised quite a few feet and
eyebrows. Now an 80’s old school/.funk classic this one plays out as always in
the deepest of eroticism.
I have taken the album version and instrumental
of “Nasty Girl” and rewired the segments into a fast moving ReStructure Mix. The
rhythm is pumped with more drum tracks and the vocal are spared with a more
censored application.
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• Mind Over Matter - Glenn Rivera ReStructure Mix - E.G. Daily
E.G. Daily is an 80’s artist whose recording career began in 1985 and a big club
hit produced by Harold Faltermeyer titled “Love In The Shadows” – which became
an instant dance floor anthem. Her singe “Mind Over Matter” was released in 1987
and was a Stock Aitken and Waterman powerhouse dance track. It was the sound
that made the 80’s worth dancing to and along with E.G.’s driving vocal this one
is always remembered. One of the big peak songs for my club and always a
welcomed piece for those tea dances.
I have taken the 12” versions of
“Mind Over Matter” and have given it a new ReStructure Mix for a tribute to a
great combination of artists and producers. The main ingredients are still
intact where I have only added a new dropout break and a few new percussion
pieces.
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• Runaway - Glenn Rivera ReStructure Mix - One-Two-Three
One-Two-Three is a dance project from producer Bobby Orlando in 1983 – and
features Bobby Orlando, Debby Gaynor and Tony Caso on vocals. The electronic
dance project opened with the single “Runaway” which is another tale of a man
distraught over the grattude for assisting a lover through hard times – very
much a continuum of Human League’s “Don’t You Want Me”. The eerie feel of this
track gives you more of the ominous heartbreak and disposal of ones necessity in
a shattered relationship. This one is another one of Orlando’s brain-child
projects of the time and gives us another outline of what his talent can create.
I have taken the 12” vocal and instrumental of “Runaway” and reworked a
new ReStructure Mix feeding off of the moody sound of the original. I have
placed a few pieces of soundtrack from Ennio Morricone into the mix for a sound
that plays out just as mysteriously as the song itself.
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Love Is Calling - Glenn Rivera ReStructure Mix - Ella Toy
Ella Toy is an Italo-house project from Walter Cremonini and Mario Albanese
released in 1991. Following the success of the 1990 Italian group Black Box it
was the open gates for the Italian house movement to create their own style of
bass driven dance music. More of the sample feels as in the M.A.R.R.S. track
“Pump Up The Volume” and a unique edge where recorded vocals could be used in
the same manner. “Love Is Calling” is an infectious piece in this genre that
makes it all worthwhile. The intricate weaving of the big band horns are the
energy that makes the song work like magic. This was always a favorite of mine
and one that lit many nights a fire on dance floor.
I have taken the 12”
club and dub versions of “Love Is Calling” and rewired the pieces into a new
ReStructure Mix. I have spaced apart the vocal and added a new drum beat along
with a fierce kick to guide the song in its new form.
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It's A Way - Glenn Rivera ReStructure Mix - Lucrethia & The Azoto 14,008
Lucrethia & The Azoto 14,008 is an Italo-disco project from producer and
arranger Celso Valli from 1978. This is one of the Italian disco projects which
headed the end of the 70’s onto a whole new sound for disco music. The
electronic sequencers and keyboards became a standard outline for the energy as
it evolved. “It’s A Way” is the initial track from the project and it one of the
happiest tracks with an uplifting feel. It outlines the chorus of carnival in
celebration. This may have been one of the influences of productions like Peter
Jacques Band during the mid-70’s. Celso Valli leads this project again and you
feel and hear his influence over the magical arrangements where even mandolins
are used to accentuate the rhythms. It is one of the great disco albums with
more of what was to come later in disco history,
I have taken the album
version of “It’s The Way” and reworked the synthesizers and joyous keyboards for
this ReStructure Mix. There are more breaks along the road here and a fade out
for the excitement to slowly subside.
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• Standing In The Shadows of Love - Glenn Rivera ReStructure Mix - Cerrone
Fever is a group featuring Dennis Wadlington, Joseph "Joe" Bomback and Dale
Reed. Their self-titled first project from 1979 is disco classic and was
produced by Dale Reed, Marty Blechman (Megatone Records) and Johnny Hedges. The
2 sided double medley contains some of the most exciting dance tracks from the
period. The production is an early sign of the disco sound and production
maturing into a synth-pop vehicle for the 80’s and eventually become high
energy. Fever has always delivered the dance tracks that made an innovative
statement. “Over The Edge” is the finale track from the side two medley and is
the focus of this ReStructure Mix. I have used the slamming piano tracks and
percussion to recreate a closing of the powerful statement that this group has
made in the closing of the disco era.
I have taken the album version of
“Over The Edge” and placed it in a montage of the Fever project for this
ReStructure Mix. It moves along with some new drum tracks to beat the power up a
few and also some new breaks.
This ReStructure Mix is dedicated to Mr.
Dennis Wadington and his work with Fever and his contributions to disco history.
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• Over The Edge - Glenn Rivera ReStructure Mix - Fever
Fever is a group featuring Dennis Wadlington, Joseph "Joe" Bomback and Dale
Reed. Their self-titled first project from 1979 is disco classic and was
produced by Dale Reed, Marty Blechman (Megatone Records) and Johnny Hedges. The
2 sided double medley contains some of the most exciting dance tracks from the
period. The production is an early sign of the disco sound and production
maturing into a synth-pop vehicle for the 80’s and eventually become high
energy. Fever has always delivered the dance tracks that made an innovative
statement. “Over The Edge” is the finale track from the side two medley and is
the focus of this ReStructure Mix. I have used the slamming piano tracks and
percussion to recreate a closing of the powerful statement that this group has
made in the closing of the disco era.
I have taken the album version of
“Over The Edge” and placed it in a montage of the Fever project for this
ReStructure Mix. It moves along with some new drum tracks to beat the power up a
few and also some new breaks.
This ReStructure Mix is dedicated to Mr.
Dennis Wadington and his work with Fever and his contributions to disco history.
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• Walk Like A Man - Glenn Rivera ReStructure Mix - Divine
Divine is one of disco performers who landed in the right direction during the
early 80’s. His early career as John Waters’ cult movie icon was a definite
twist for a 6’2” transvestite to find his way to the disco stage. His early
recording with disco producer, Bobby Orlando captures the camp and energy that
his stature presented as a performer. In 1985 Divine released a cover of the
1963 Frankie Valli & The Four Seasons hit “Walk Like A Man” – this time around
done in a more camp-esque fashion. The single was produced by Barry Evangeli and
gives a full electronic production for this diva to play in. Lots of sequencers
mimicking the Moroder “I Feel Love” outline and of course just enough percussion
to give it that Dead Or Alive feel.
I have taken the 12” vocal and
instrumental to the cutting board for this ReStructure Mix and worked this one
with more of arrangement based on the vocals. There is a new drop bear added and
some jaw harp accepts to fulfill the western edge of the song.
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• New York - Glenn Rivera ReStructure Mix - Flower
Flower is a singer who is known in the late 70’s as a sexy playmate turned disco
singer. Her first project was produced and arranged by Ritchie Rome (The Ritchie
Family) and gave her the underground classic “How” in 1979. Her career moved
throughout the 1983 where her sensual voice still echoes the sound of the disco
era. “New York” is her single from her 1982 project produced by David Chackler –
a song which emphasizes a distraught lover whose love is taken away by the glitz
and glamour of New York City’s nightlife. This one fits into the early high
energy genre for not only the fast moving chorus but also the pumping rhythm
section. It was a welcome track on my dance floor for the time and gave the peak
hour a nice workout.
I have taken the 12” of “New York” and rewired the
song for this ReStructure Mix. I have used one of the keyboard riffs as the
outline for a new dub-like mix. More breaks are dragged into the scene here and
Flower again is given her stage.
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• Time Bomb - Glenn Rivera ReStructure Mix - Angie Gold
Angie Gold (Angelina Fiorina Kyte) is one of the high energy vocalists whom
helped to bring the era to excitement. Her big dance floor hit “Eat You Up” from
1985 was a track that made dancers move to the threats of a disheartened romance
in a new outline. The Passion label is the force behind the productions by Les
Hunt and the piercing vocals by Ms. Gold. The same year she released “Time Bomb”
which is another track that made dance floors go “boom”! It was the delicate
approach that Angie takes to her delivery and those in a chorus can add the
energy to the crescendo. She is always known for this style and is one of the
most celebrated of it.
I have taken the 12’ vocal and instrumental of
“Time Bomb” and reignited a ReStructure Mix using more of the instrumental to
add to the fuse. There is build every so often to remind us of the power of
Angie Gold.
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• Satisfied - Glenn Rivera ReStructure Mix - Madeleine Uzho
Madeleine Uzho is a vocalist whose 1983 project “Satisfied” was released on
Galaxy Records – produced by Tommy Ekman and Christer Sandelin from Sweden. The
single “Satisfied” was included on Disconet Records (Volume 5 Program 12) and
received her much deserved exposure to discotheques whose jocks were giving a
taste of lower bpm electronic funk. This one plays out in a sexy manner as
Madeleine tempts her lover into the realm of being complete and the effect
lingers on. This is one of those import singles for the US which was discovered
only by those DJs who knew what to place and where.
I have taken the 12”
vocal and instrumental of “Satisfied” and re-erected a new ReStructure Mix
moving a new intro and some new elements to the mix. This is more room for
Madeleine to take her stance and some drop outs to take the rhythm seriously.
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• Don't Let Me Down Again - Glenn Rivera ReStructure Mix - M.B.O. 99
M.B.O. 99 is an Italodance project from Mario Boncaldo and Angelo Valsiglio. The
theme of the band is an obvious continuum of their 1982 project Klein and M.B.O.
and the sharp electronic riffs and girlish vocal by Naimy Hackett. “Don’t Let Me
Down Again” is a slick moving high energy piece with the hand claps which make
the foundation of the song rock and the down beat synthesizers to move the
floor. This one will capture the attention of anyone who is a lover of
Italo-disco. It has a wonderful arrangement and a few riffs that may hold on to
your senses.
I have taken the 12” vocal and instrumental of “Don’t Let Me
Down Again” and refocused on using the pieces that make this magic for a
ReStructure Mix. Some pieces of the song are used in a new way and the vocal is
once again yearning for understanding.
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• Against All Odds - Glenn Rivera ReStructure Mix - Willie & Co.
Willie & Co. is an Italo-disco project from the Disco Magic Record Company.
Their 1993 release of “Against All Odds” is an Italodance piece that is a cover
of the Phil Collins song from the same film title. This execution is similar to
the style of Double You and their cover of “Please Don’t Go” a year earlier in
1992. The house beats are the formation of the rhythm and pump on and on as most
house music of the end of the 80’s and early 90’s create. This one has a
familiar vocal also which directs the source from that era of dance music. It is
done quite well with the melody placed into the dance beats and also is
successful in creating emotion for the dance floor.
I have taken the 12”
versions of Willi & Co. and their cover of “Against All Odds” and reworked the
arrangement for this ReStructure Mix. A longer intro and some new drum beats are
added to give the song more of a stage appeal
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• Together - Glenn Rivera ReStructure Mix - Lime
Lime is Denis Le Page and Denyse Le Page and this duo changed the direction of
dance music in the early 80’s. Their sound became iconic on dance floors from
the inception of their first single in 1980 titled “Your Love”. The heavy
percussive framework, igniting keyboard riffs and their unique vocals made the
80's the right place and time. “Together” is from their 1983 project titled
“Line 3” and again is the genius of Denis Le Page and his dedication to creating
an electric symphony of sound for his love songs and unusual themes. This piece
is the groups sound rolled into one offering. It has Denis leading the vocals
into a mesmerizing love song which pours out heart with a sweet and simple
melody. It is the energy which made the 80’s a great place to dance.
I
have taken the album version of “Together” and reworked the track again for this
ReStructure Mix. Adding new drum beats and some percussion to help emphasize the
love and excitement and also rearranging the choruses to give it a new flair.
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• Fire - Glenn Rivera ReStructure Mix - Radiorama
Radiorama is a Euro-synth band from Italy with a hardcore edge for any lover of
Italo-disco. Their music created by Mauro Farina and Giuliano Crivellente is
always a bit mystical in execution. “Fire” is from their 1988 project titled
“The Legend” and has a powerful punch with several riffs which create a fantasy
and play with the obvious ‘fire’ brought on by desire. It has always been one of
my favorite of the genre and still presents that glorious celebratory feel with
its imaginative arrangement.
I have taken the 12” vocal and instrumental
and rewired this track for this ReStructure Mix. Blending more of the
instrumental into this remix are the guidelines to give way to more of the
playful theme and energy of the song.
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• Calling All Boys - Glenn Rivera ReStructure Mix - The Flirts
The Flirts are a female trio created by producer Bobby Orlando. Their first
album titled “Dime A Dance” was an 80’s sensation as it introduced the trio with
an electro-new wave sound and also a synth-pop dance arena. Not only did the
alternative dance floors favor their tracks, so did the dance floors whom were
wondering into a new era of dance music from 70’s disco. “Calling All Boys” is
one of the pieces that 1982 welcomed with the percussion driven and heavy
synthesized arrangements that Bobby Orlando was bringing to dance floors. The
piece is a campy rip into women adoring the hot shots on the horizon and letting
them know. It is pure fun and has always been a favorite of fans of The Flirts.
I have taken the 12’ version of “Calling All Boys” and rewired the track for
this ReStructure Mix. A new neutron beat is laid over the original and the
pieces of the song that emphasize the most are given a new stage.
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• Always On My Mind - Glenn Rivera ReStructure Mix - Pet Shop Boys
Pet Shop Boys are the 80’s super group in the direction of keeping dance music
alive in the electronic age of synth-pop. Neil Tennant and Chris Lowe were
creating a new edge of music which encompassed a moody feel in many new areas
and themes. In 1987 their production of a dance version of Willie Nelson’s 1982
ballad “Always On My Mind”. Quite a feat for the raised energy and sound of the
new Pet Shop Boys venture with a symphonic edge layering the rolling sequencers.
This one was an instant hit for the duo and for me kudos to them for taking one
of the beautiful ballads and placing it on the dance floor in a whole new way.
I have taken the 12” vocal and instrumental of Pet Shop Boys’ “Always On My
Mind” and rewound the recording for this ReStructure Mix. I have used more of
the bass beats as a foundation for the new layout and also added a few new beats
and percussion for the finishing touch.
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• High - Glenn Rivera ReStructure Mix - Skyy
Skyy is a New York City funk/disco group produced by Randy Mueller (formerly of
Brass Construction). The band included Anibal Sierra, Bonny Dunning, Delores
Dunning Milligan and Denise Dunning Crawford with a sound that became the New
York funk explosion and later fused the early 80’s with the Prelude label funk
era. “High” is from their 1980 album “Skyway” and is a love anthem with many
wonderful riffs which explain how this band and Randy Mueller were able to make
them an icon and now classic band. The track is one of their signature numbers
that not only lays out their ability to create a groove but also bring back the
disco-funk era in full.
I have taken the album version of “High” and
reworked the track for this ReStructure Mix and homage to the Skyy-sound. The
beats are given some new tread with some percussion and the arrangement is
separated for a lengthier message.
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• Disco Squeeze - Glenn Rivera ReStructure Mix - Extensive Care
Extensive Care is a disco ensemble from producer Peter Di Milo – the master who
brought us early underground club disco from Erotic Drum Band and also pieces
from Ann Joy and The Pussycats. Extensive Care is one of his early 80’s releases
and makes disco music as exciting as it was during the mid-70’s. The fast
rolling energy of this piece titled, “Disco Squeeze” is a workout for the feet
and again gives Di Milo his creative freedom to give the disco chorus more than
a place for fantasy. This one is from start to finish the high energy sound
which became the crescendo of the disco era.
I have taken the album
version of “Disco Squeeze” and rerouted the energy into this ReStructure Mix.
The percussion riffs are broken down throughout the new arrangement and more
placement of the excitement is created.
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• Jealous Love - Glenn Rivera ReStructure Mix - Hazell Dean
Hazell Dean is another voice in the early 80’s who brought high energy music to
the board. Her 1983 dance floor hit “Searchin’ (I Gotta Find A Man)” was a
contribution to that period of dance music and helped make the transition a
welcomed moment. Hazell had been recording since 1975 and made her move onto
dance floors seem somewhat effortless – but there is plenty of talent behind
this woman. “Jealous Love” is her single from 1983 produced by Willi Morrison
and Ian Guenther – who were responsible for THP Orchestra, The Grand Tour, The
Duncan Sisters, Southern Comfort and Sticky Fingers. This was also their moment
to transition from their big band disco productions of the 70’s into the
electronic high energy sound of the 80’s. “Jealous Love” is a last-chance for
romance for a lover who makes every opportunity for drama. The sequencers and
percolating keyboard effects make this one a flowing number with enough of the
diva to make us connect to its force.
I have taken the 12” version of
“Jealous Love” and reworked the track with more of a dub-feel for this
ReStructure Mix. There is a new under beat to kick up the drama and of course
the sequencers working again, overtime!
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The Rain - Glenn Rivera ReStructure Mix - Oran "Juice" Jones
Oran “Juice” Jones is a vocalist who helped bring the end of the 80’s to a
full-funk closing with his 1986 track “The Rain” – produced by Russell Simmons
and Vincent F. Bell. Also on the early Def Jam Recordings label with a hard
beats foundation which was being used as dub-mixes from popular tracks being
stripped down. This story of double sorrows occurring simultaneously with a
romance. The song was quite the answer to the soulful and funk necessities of
its time and remains one of the memorable moments on dance floors at the time.
I have taken the 12” vocal and dub beats versions of “The Rain” and brought
them into a new ReStructure Mix and a few pieces of new grooves. The Spinners
and Grace Jones make unusual cameos and help to make this groove one with more
than just heartbreak taking place.
This ReStructure Mix is dedicated to
John Manning – with thanks for requesting it as a project along with the
Spinners classic and also for being just an all-around good guy.
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Mind Warp - Glenn Rivera ReStructure Mix - Patrick Cowley
Patrick Cowley is one of the early musicians who could fuse the sounds of
melting sound waves onto a dance floor and create energy. Following the steps of
pioneers like Giorgio Moroder, he moved the 80’s into whole new realm of music
with his talent and devotion to dance music. “Mind Warp” is from the album of
the same name and is a continuum of his “Menergy” phase where a weaving of
sequencer and keyboards play out like a rolling wave. This one is hos simplest
of programming yet contains all of the pieces which create his art in the basic
form. Cowley made the 80’s a psychedelic disco arena and many dancers followed.
I have taken the album version of “Mind Warp” and recreated a new trip for
this ReStructure Mix with Cowley’s purpose in focus. I have added a few accepts
from Dr. Timothy Leary to bring some knowledge to the mind willing to use it.
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• Now That We Found Love - Glenn Rivera ReStructure Mix - Third World
Third World is a Jamaican reggae band who fused soul, funk and disco with their
rhythms. Their 1978 album “Journey To Addis” contained their single “Now That We
Found Love” which also made a big move to the dance floors and gave the band
their first disco 12” single. The track is a unifying anthem which takes the
elements of reggae and transforms the song into an anthem. Produced by Alex
Sadkin and written by the Philly-legendary team, Kenneth Gamble and Leon Huff. A
big dance treat for those who love the alternative dance tacks.
I have
taken the 12” version of “Now That We Found Love” and worked a new ReStructure
Mix to pay tribute to Third World and this classic number. More beats and
percussion are added to give the rhythm more emphasis. The winded remix uses all
of the energy with more love added.
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• Can't Get Enough Of Your Love - Glenn Rivera ReStructure Mix - Taylor Dayne
Taylor Dayne is one of the 80’s notable pop-dance artists who made dance floors
come alive with excitement. “Can’t Get Enough Of Your Love” is her 1993 cover of
Barry White’s soul/disco classic – produced by Robert Clivillés and David Cole
of C & C Music Factory, This one is an example of how a new voice can capture
the magic over again with a deviate delivery and range. The production is close
to the arrangement as the original although the double 12’ remixes released
during the album were hardcore club house trax. Taylor gives this number her own
style yet she brings more emotion to the realness of this love song.
I
have taken the 12” extended album club mix of “Can’t Get Enough Of Your Love”
and also the instrumental to bring to play a new ReStructure Mix. The extended
intro is one of the pieces that give this new take more mystery and the works on
Taylor’s word play are also re-traced.
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• Get Ready For The Future - Glenn Rivera ReStructure Mix - Winners
Winners are Andrew Gadsden, Bobby Gene Hall, Jr., Herbert Ford, John M. Wells,
Michael L. King, Steve Scales, Tinker Barfield and William Armour. A funk/disco
band produced by Steve Tyrell and Fred Frank on one lone album and various
singles. “Get Ready For The Future” is from their 1978 self-titled project and
is one of the well-known underground classics from The Loft during its rotation.
The piece is a funky mood with plenty of bongos, keyboards and psychedelic synth
breaks – a close following of The Temptations 60’s hip approach. This one plays
out with a groove that is contagious and continually rolling. One of the big
hits from this band and still sounds like a disco standard.
I have taken
the album version of “Get Ready For The Future” and revamped the beats and
funk-fest with some new beats and percussion. More of an intro is used to bring
the mood into focus and more breaks are added with those space-luster breaks.
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• I Need Yoour Lovin' - Glenn Rivera ReStructure Mix - Teena Marie
Teena Marie is a music icon. Her work has always encompassed emotion and an edge
of funk which is her own style. Throughout the 80’s her blend of dance and
ballad numbers have made us dependent on her talent and image. Being one of the
artists who received support from Mr. Rick James also. “I Need Your Lovin’” is
from her 1980 project “Irons In The Fire” and is a lifting melody in spirit and
groove. This unique sound is one that Teena Marie worked with soul and gave us
tracks that will always compare to the greatest of the 80’s in more than one
way.
I have taken the album and instrumental version of “I Need Your
Lovin’” and reworked this beautiful love song into a new ReStructure Mix. I have
stripped away parts of the bass and groove to use as a new break over this new
remix and also faded out the end to give this piece center stage.
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• Popcorn - Glenn Rivera ReStructure Mix - Slotmachine featuring Gemini 7
Slotmachine is Günther Eckert and Torsten Hartmann – a German techno ensemble
who created the 1992 cover of the Gershon and Kingsley song “Pop Corn”. This
techno fused version is a rolling explosion with all of the elements of the 90’s
techno period to make it official. The vocoders guiding the musical elements
into the fast moving rhythms are the toppings for this dance desert – and for
those who cannot get enough of this classic a new fav. Production is like a
joust of energy with some breaks that make the outline work as well as ever.
I have taken the 12” version of “Pop Corn” by Slotmachine and reworked the
segments as they are new in this ReStructure Mix. There is a longer intro to
fade into the song and a few new musical breaks to make the melody echoes out
into the slowly fade to robotic heaven.
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• In The Name of Love - Glenn Rivera ReStructure Mix - Astaire
Astaire is an 80’s high energy project from John Davies and Nigel Stock – and
also from the Passion Records collection. One of the vital parts of the early
80’s dance transition from disco to high energy. “In the Name Of Love” is their
1985 single and once again marks a moment when the rolling drums and heavy beats
made the dance floor shake with excitement. The vocals provided again by Tracy
Ackerman are the sweetness which create the emotion and stir the energy into a
hypnotic sound. Much like their early releases this piece is more centered on
effect in many ways as the words seem to project heartache and despair even
though the build within the song is always celebratory. A wonderful number and
one of my favorites from Astaire.
I have taken the 12” version of “In The
Name Of Love” and reworked the sequencers and keyboards for this ReStructure
Mix. The intro fades in from a sweeping keyboard arrangement and some new
percussion guides our story along in a new way.
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• So Far, So Good - Glenn Rivera ReStructure Mix - Sheena Easton
Sheena Easton was a voice which started in 1981 and from a “whisper to a scream”
Her initial pop-radio sound notable thanks to her fantastic range and energy
which she wrapped into her songs. It was the 80’s synth-pop scene which became
her placement following her big 1983 hit “Telefone (Long Distance Love Affair)”.
It was very comfortable arena for Sheena and she took this step further and
further till you found yourself dancing to one of her new dance floor hits
without even knowing it. “So Far So Good” is a track she recorded in 1986 which
was from the film “About Last Night” – it was produced by dance greats Nile
Rogers and Narada Michael Walden. It has that 80’s overall feel with a definite
place for Sheena to once again “strut” her stuff.
I have taken the 12”
vocal and dub version of “So Far So Good” and have given it a new “go” in this
ReStructure Mix. More of a Latin flare is added with some new percussion and
drums to give it a new shine and also new groove.
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• You Killed The Magic - Glenn Rivera ReStructure Mix - Arpeggio
Arpeggio is Jessica Williams, Fred Sawyers, Jason Reed and Jerry Scott. A disco
ensemble by producer Simon Sousson in the late 70’s and throughout the 80’s.
Their first album titled “Let The Music Play” from 1978 contained their biggest
hit, “Love and Desire”. It was a complete sound for disco music of the time as
innovative for technical and orchestral sounds for the time – it was all new and
very exciting. “Breakout” is the follow-up project released in 1980 and even
though the disco backlash had affected the industry the excitement and disco
craft was evident. “You Killed The Magic” is a bitter sweet love song on a
romance gone wrong and just why. The signal in this number is the funky rhythm
guitars which take the song into a hypnotic dance effect. This again was a
display of Soussan’s touch with a “chic” edge to his disco music and the
vocalists and studio musicians who gave off the attitude in a wonderful display.
I have taken the album version of “You Killed The Magic” and rewired the
drama for a new ReStructure Mix. A new disturbed drum pattern is overlaid in
some segments to represent the “magic” becoming less consistent. The vocal
arrangement is also broken into a few more pieces and then rewound for a new
experience with Arpeggio.
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• Shake It Up, Shake It Up - Glenn Rivera ReStructure Mix - The Managers
The Managers is Richard Finch of K.C. and The Sunshine Band and Ish Ledesma from
Foxy. Their single “Shake It Up, Shake It Up” from 1982 is that Miami disco
sound that was so truly disco during the golden years. Lots of rhythm guitars
and bass to move the planet. The arrangement is quite simple – a few words and
“shake it up”! A formula which was the emphasis of “boogie” music. This one is
more of an experimental piece for the time to find those hardcore dancers. It is
on the Henry Stone Miami “Sunnyview” Records label and is one of the many
released on it after the closing of T.K. Disco.
I have taken the 12”
vocal and “your mix” versions of “Shake It Up, Shake It Up” and realigned the
rhythm into new segments for this ReStructure Mix. I pulled away most of the
moving pasts to reconnect the track in a new way.
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• Mar de la Tranquilidad - Glenn Rivera ReStructure Mix - Azul y Negro
Azul y Negro is an electronic band whose place in the 80’s became a wall of
sweeping synthesizers pouring into a robotic mixture. Their big hit from 1982
titled “The Night” is one of the underground club pieces that resonate over and
over. “Le Edad De Los Colores” is their project from 1981 and contains the
instrumental “Mar de la Tranquilidad” which sounds like a spaghetti western
soundtrack put to a disco arrangement. It is a wonderful fantasy play and gives
Azul y Negro their style for giving disco music an artistic slant in the 80’s.
I have taken the 12” version of “Mar de la Tranquilidad” and reworked the
mysterious guitar segments into a new ReStructure Mix. There are breaks that are
new and give the musical piece a club underground touch.
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• Dance - Glenn Rivera ReStructure Mix - Snoopy
Snoopy is an Italo-disco project from Franco Finotti, Massimo Monti and Vincenzo
Giuffrè from 1982 on the Il Discotto Productions label. This single is an early
Italian dance track which plays out with funky rhythm guitars and deep beats.
This one is an innovative approach for Italo-disco where many of the projects
focused on synthesizers and keyboards to guide the groove. The break downs are
infectious and give off an endless energy to this rack.
I have taken the
12” vocal and instrumental of “Dance” and shaved away much of the chorus and
replaced it with edits of the guitars and beat elements for this ReStructure
Mix. This new version is more like a dub with the best of the tracks taken apart
and fused together in a new way.
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• Follow Me - Glenn Rivera ReStructure Mix - Real Man
Real Man is Jan Vanroelen and Theo Linder – an 80’s electronic group who
released three singles from 1988 – 1990. “Follow Me” from 1988 is a cover of the
Amanda Lear disco classic which is created with heavy downbeats and a steel
plate driven keyboard arrangement which sounds a bit Belgium Beat with a high
energy twist. The vocals are also a nice take with a whispery male vocal
recreating the Faust-ian tale of the dark side and a convincing lure into
selling ones soul for pleasure. This take is one of the musty welcomed of the
time as it not only follows closely on the original – but it also adds to it
with the heavy beats and its mysterious sound.
I have taken the 12”
versions of Real Man’s “Follow Me” and revisited the track with a new edit for
the piece. There is a longer intro into the swirling sound of this temptation. A
few new drop off section provide the new breaks.
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• Ooh, La La - Glenn Rivera ReStructure Mix - Princess Bay
Princess Bay is disco project from Joe La Greca and M. L'Esperance with a
pulsating energy dance floor “goody” released in 1985. A blend of high energy
and Italo-disco with a polished and indelible result of drama and a sweeping
chorus which is somewhat haunting. The uncredited vocal is one of my favorite
and echoes out like a Nancy Wilson standard with rhythm. One of my all-time
favorites that I always believed missed its glory and should be a classic in the
vaults. The story goes that a “strange” turn in a relationship leaves out
heroine in dismay and questioning her distant lover. The arrangement is fast and
heated leaving the dance floor in its wake. A wonderful high energy blend with
fabulous production.
I have taken the 12” vocal and instrumental to
re-weave the drama here into a new ReStructure Mix for tribute to this gem.
There is a much longer intro and a replacement of the chorus to give us more of
a reason to feel the energy.
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• Can't Believe - Glenn Rivera ReStructure Mix - Nancy Martin
Nancy Martin (Nancy Catherine Julian Martinez) is a Canadian singer who brought
a large list of dance classics to the dance floors in the 80s. Her initial
talents were known in the 1982 project Jade – “I’m Gonna Get Your Love” –
produced by Marc Racine and Danny Tallon. Her 1983 album “Lay It Down is one
project that I was driven to with the great high energy pieces that were
accompanied by Nancy’s beautiful voice. “Can’t believe” is a single released in
1982 – produced by Dominic Sciullo and follows the electronic dance explosion of
the period with a hypnotic low pulse rhythm and Nancy giving it a new feel with
her unique style. This one was one of my favorites and may have been played out
in a matter of weeks in my club. It has many nice hooks and of course mystiques
feel that I always admired.
I have taken the 12” vocal and instrumental
of “Can’t Believe” and re-wired the energy into a new ReStructure Mix. I have
added my own mystique with a touch of “Oz” magic and a few new breaks using the
bass synths in pieces and new arrangements.
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• Three Steps From True Love - Glenn Rivera ReStructure Mix - Margaret
Reynolds
Margaret Reynolds is a soul/disco singer who began her recording career in 1974
and throughout the late 80’s continued to bring dance floors into her wonderful
performances. “Three Steps From True Love” is her 1985 single produced by Joe
Gibbs and a cover of the 1975 classic by The Reflections. The conversion from
the original soulful male lead by Margaret is a nice turn. The electronic dance
arrangement gives the new 80’s version the same shine that the original had with
more of a crescendo for Margaret’s range and soul adlibs. One of the big dance
floor hits for me and in memory is one of those tracks that once you hear in a
club t sticks with you for a while.
I have taken the 12” vocal and dub
versions into the ReStructure Mix arena and re-lifted the song with some new
segments added. There is more of the break pieces used in this new version and
Margaret stays right on top where she belongs.
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Litterbug - Glenn Rivera ReStructure Mix - Gentle Persuasion
Gentle Persuasion is Leza Holmes, Renee Johnson and Sharon Williams. These three
ladies were obviously being targeted as the new Three Degrees as the trio here
has some beautiful effects. Many hardcore disco music followers may remember
them on the first USA European Connection album titled “Come Into My Heart” –
where they made both the title track and “Love’s Coming/Baby Love” a success
along with Boris Midney. “Litterbug” has the feel of a First Choice production
with the stomping horns and a tale of heartache. These ladies once again make
the song sweet and a pure Philly disco droplet. The production here is from
Jerry Ross and Meco Monardo along with Van McCoy arranging. It is one of the
early periods of disco music where the dance floor began directing the music as
well as the disc jockeys.
I have taken the 12” version of “Litterbug” and
reworked a new ReStructure Mix with a new foundation of kick beats to drive it
up a few. There are the lovely voices of our ladies and more breaks to give the
stage to the dancers.
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The Look of Love - Glenn Rivera ReStructure Mix - ABC
ABC is Martin Fry, David Palmer, David Robinson, Mark White, Stephen Singleton
and Mark Lickley. After joining with producer Trevor Horn (Chromium, The
Buggles, Yes and Frankie Goes To Hollywood) in 1982 the band became one of the
most recognized sounds of the 80’s. Martin Fry taking the lead vocals in with a
bold and unique style takes each number as if he were performing in 50’s
nightclub as one of the brat-pack. “The Look of Love” is their single from the
album “he Lexicon Of Love” and is a lush and orchestrated track with the
electronic funk of artists like D-Train. A very nice blend of worlds which work
incredibly well. The song was released with several 12” editions with various
mixes and dissections of the incredible production.
I have taken the
album, 12” and part 2 versions of “The Look of Love” and rewired the track with
much of the orchestra alive and some dub-breaks and effects. The vocals are
still intact but are broken into different segues of the new layout.
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Valparaiso - Glenn Rivera ReStructure Mix - Paula Moore
Paula Moore is a singer/songwriter who recorded the single “Valparaiso” in 1983
– produced by Daniel Vandgarde who also gave us Gibson Brothers and Who’s Who.
This piece is one of the laid back disco numbers that makes the room fill with a
hypnotic rhythm and vibe that is close to the 50’s lounge sound. The beauty of
this song holds to the wonderful vocal which Paula Moore delivers in a heart of
fondness and memories. This one made its way to many jocks at the time who knew
how to start off an evening or close an early morning all night dance party.
I have taken the 12” version of “Valparaiso” and recreated a new ReStructure
Mix to keep this wonderful swirling number alive. I have added a few new
percussion elements to fill in the exotic sound of the lasting call.
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Double Trouble - Glenn Rivera ReStructure Mix - Diva
Diva is a session ensemble from prouder, Joe La Greca and arranger Denis Lepage.
One of the early 80’s definitive sounds is this energy bolting out over and
over. The electronic arrangement of Denis Lepage in the period was his most
effective. The horns and strings painted a slight variation to a James Bond
flick and the heavy percussion was the new guideline. “Double Trouble” also
features Denyse Lepage with her recognizable sweet delivery that is a take on
the dance energy itself. One of the great projects on the side and the mood set
is one to be dealt with.
I have taken the 12” vocal and instrumental of
“Double Trouble” and rejoined the rhythm for another ReStructure Mix. Some new
piece open the drama and a percussive challenge sloes it.
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• Tobacco Road - Glenn Rivera ReStructure Mix - Bob-a-Rela
Bob-a-Rela is a space disco project from producers George Lagios and Pat Deserio
from Canada. The disco explosion could never have occurred without their work
with Bombers and the talent which came from their sessions. “Tobacco Road” is a
cover of the John D. Loudermilk 1960 classic. This is a prime example of the
genius of these musicians who use the original to push out more of it with
electronics and modern riffs. The Bob-a-Rela project is one of the best of that
finale of disco orchestrations with that ring around it as Saturn has. This one
plays on with the ragged feel of the original and a few shinning disc touches,
I have taken the album version of “Tobacco Road” and also the 12” remix by
Richie Rivera and created a new ReStructure Mix. This one pays tribute to my
favorite period of disco and two of the great producers who interpreted it very
well.
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• Disco Kicks - Glenn Rivera ReStructure Mix - The Original Mass
The Original Mass is a disco project from Mark Lindsey and Perry Botkin Jr. –
creating the dance anthem for the end of the disco era and a new start for the
80’s dance scene. “Disco Kicks” was released in 1981 and features the energy of
the finale stage of the disco arrangement. A rolling bass and a few excerpts of
horns and strings make this one a definite anthem for the period. The track was
also recorded by San Francisco’s Boys Town Gang the same year from their “Disc
Charge” album. This one will always bring to mind the dance era of the end of
the 70’s and the 80’s new high energy roots.
I have taken the 12” version
of “Disco Kicks” and resliced a touch of energy for this ReStructure Mix. It
features a new surprise from one of the 80’s dance shows and again, the magic of
those rolling bass lines that define disco.
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• Tell It To My Heart - Glenn Rivera ReStructure Mix - Taylor Dayne
Cameron is Rafael Cameron – a funk/disco singer from Georgetown, Guyana. His
work on Salsoul Records are the relative funk fused production from Randy
Mueller (Tamiko Jones, Skyy, Funk Deluxe) who moved the 70’s disco scene with
his grooves worked on throughout the end of the 70’s and on to the 80’s.,
Cameron is a 1980 disco/funk project which plays out with more of the teasing
sounds which he produced with Skyy – yet each track has its own life. “Together”
is a bit of Cameron’s touch with a sensual breakdown and rolling bass line which
follows. Mueller once again creates that infectious groove that achieved with
Tamiko Jones’ classic “Can’t Live Without Your Love”. It is a nice piece of
romance layered out with a beat. One of the tracks from the album which breaths
with the sultry air that would make the early 80’s remember where dance floor
owned its allegiance – the disco era.
I have taken the album version of
“Together” and recreated a new arrangement for this ReStructure Mix. I have
added a light touch of new drums and a few percussion elements to add to the
lightly mastered original. I have kept the wind down of the original intact to
only explode back into that groove for more energy.
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Together - Glenn Rivera ReStructure Mix - Cameron
Cameron is Rafael Cameron – a funk/disco singer from Georgetown, Guyana. His
work on Salsoul Records are the relative funk fused production from Randy
Mueller (Tamiko Jones, Skyy, Funk Deluxe) who moved the 70’s disco scene with
his grooves worked on throughout the end of the 70’s and on to the 80’s.,
Cameron is a 1980 disco/funk project which plays out with more of the teasing
sounds which he produced with Skyy – yet each track has its own life. “Together”
is a bit of Cameron’s touch with a sensual breakdown and rolling bass line which
follows. Mueller once again creates that infectious groove that achieved with
Tamiko Jones’ classic “Can’t Live Without Your Love”. It is a nice piece of
romance layered out with a beat. One of the tracks from the album which breaths
with the sultry air that would make the early 80’s remember where dance floor
owned its allegiance – the disco era.
I have taken the album version of
“Together” and recreated a new arrangement for this ReStructure Mix. I have
added a light touch of new drums and a few percussion elements to add to the
lightly mastered original. I have kept the wind down of the original intact to
only explode back into that groove for more energy.
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I'm Leaving - Glenn Rivera ReStructure Mix - Joy
Joy is an Italo-house project from producers Corrrado Rizza, Alvaro Ugolini and
Dario Raimondi. This one is a leading piece in the elements that make up the
house drive at the end of the 80’s. Released in 1989 and plays out like as a
heartbreak message to a lover who is being left behind. Joy vocals are sweet and
a bit unthreatening yet the message is given with a sincere departure. One of
the nice Italo-house projects of the time and a notable from the producers who
worked this formula for dance floors at the time.
I have taken the 12”
‘disco mix’ and ‘anxious mix” into a new ReStructure Mix taking the pieces that
pumps the most energy for this new arrangement. There is a new beat added to the
foundation and some new percussion.
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• Takin' It Straight - Glenn Rivera ReStructure Mix - Cori Josias
Cori Josias is an artist who created a stir on dance floors with her 1983 single
“Takin’ it Straight” – produced by Colin Green, Steve Barnacle and Cori. This is
a blend of an electronic arrangement which sounds like the Italo-disco feel of
the period and yet contains its own balance. Along with Cori giving heartache no
sympathy with her stance on dealing with an unfaithful lover with defiance and a
nice rippling groove. This one surprised many DJs with its sound and found
itself on many playlists as an underground number. I have always remembered the
dance floor becoming alive at the touch of this bass driven sequencer taking on
the floor.
I have used the 12’ vocal and instrumental of “Takin’ it
Straight” and recreated a new ReStructure Mix to pay homage to Cori Josias and
her dance classic. There are parts of the original mix used in new ways to give
the track a new life.
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• California Dreaming - Glenn Rivera ReStructure Mix - The Midnight Shift
The Midnight Shift is a studio project from producers, Ian Anthony Stephens, Ian
Gant and Robin Wright – three major motivating individuals in the high energy
music scene of the 80’s. “California Dreaming” is their cover of The Mamas and
the Papas pop classic from 1970 and follows closely on duplicating their sound
with a Euro-house bass and beat. This production is of their best with many
dance elements working with the outline and mood of the song. It features Issy
Van Randwyck on vocals and also has a wonderful sound that brings to life
harmony over the thumping beats. A big dance floor hit in 1990 on its release
and also played a very important role in being on many hardcore underground
house playlists for a Euro-house release.
I have taken the 12” vocal, dub
and instrumental versions of The Midnight Shifts “California Dreaming” and
recreated a new ReStructure Mix. The original finds its way into this mix and
also leads to the unation of what this cover stick close to the original and
makes magic before our eyes and feet.
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• Bahamas - Glenn Rivera ReStructure Mix - Kangaroo
Kangaroo is a disco project from producer, Harry Thumann who also gave us the
dance floor classic, “Underwater” and “American Express”. His work was always
refining and innovating music production along with his creative process. The
best example is “Underwater” from 1979 where an electronic symphony echoes
throughout outer=space. Kangaroo is a studio project where he worked with the
very talented Lucy Neale (Silver Convention, Giorgio, Marsha Hunt, Donna Summer,
Munich Machine) as she wrote the lyrics to outline his showcase music. “Bahamas”
is a Calypso celebration with a touch of that light hearted mood. It was a huge
hit for me in my club for peaks and also T=dances where a party could occur at
any given moment. The production here is a layering of drums and percussion
along with some funky rhythm guitars and breaks to give it a place on the dance
floor.
I have taken the album version of “Bahamas” and reinvented more of
the energy and excitement in for this ReStructure Mix. More of the percussion is
empathized throughout the new remix and some new pieces are inserted to give
this celebration a few more surprises.
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• The Freeze - Glenn Rivera ReStructure Mix - Spandau Ballet
Spandau Ballet is one of the 80’s more successful New Romantic groups. Members
include Gary Kemp, John Keeble, Martin Kemp, Steve Norman and Tony Hadley. Their
first album titled “Journey To Glory” from 1981 was produced by Richard James
Burgess. The single from the project titled “The Freeze” is their first
synth-pop releases which outline the 80’s dance scene in vigor and excitement.
The electronic elements are the influence of many years prior during the funk,
disco and boogie layouts and only applied with a new goth-like edge. “The
Freeze:” is a poetic sounding piece which always makes segues more exciting
throughout the arrangement. A great dance number for a new layer of music to
keep dance music alive.
I have taken the 12’ vocal and instrumental of
”The Freeze” and revamped a new ReStructure Mix for this special 80’s edition.
The energy is guided throughout the new remix with only samples of what had
originally existed.
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• Satisfied - Glenn Rivera ReStructure Mix - Donna Allen
Donna Allen takes the 80’s by “funk force” in 1986 with her album “Perfect
Timing” – produced by Lou Pace and injected with his beat master arrangements.
“Satisfied” is one of the singles from the project which plays out like a
sensual call to a lover where Allen plays it with a bit of dare and lots of
promises. One of the funk moments of the 80’s when the arrival of a new voice
and energy was obvious. This one beats into a nice groove and then plays out
with Donna’s wonderful soulful performance.
I have taken the 12” vocal
and dub version of “Satisfied” and replanted a heavy thumpin’ bass beat to give
this ReStructure Mix a touch of that early am dance floor mystique. It takes on
a whole new feel and gives the purpose a new edge.
This one is dedicated
to Ray Duran Jr. who requested the work on this classic. Thanks, Ray and as
always, you are so right!
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• One Less Bell To Answer - Glenn Rivera ReStructure Mix - Pearly Gates
Pearly Gates (Viola Billups) is a vocalist from the early 70’s whose career
leads her into the arms of high energy producers, Ian Levine and Steven Wagner.
Their 1989 rendition of the Burt Bacharach and Hal David classic “One Less Bell
To Answer” (originally sung by Marilyn McCoo) is brought to life here in this
moving dance version. The tracks is a solid piece of heartbreak with great
lyrics and preface which makes this venture an win for Pearly and those who
can’t get enough of the swirling ballads turned to high energy anthems. It plays
out with allot of keyboards pounding out the rhythms and Pearly playing the
femme fetal in this episode.
I have taken the 12” version of “One Less
Bell To Answer” and reworked a new ReStructure Mix for this return to the drama.
A slight twist of the original instrumental is added for a fade in and out of
this heart wrenching work.
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• Stars On 45 - Glenn Rivera ReStructure Mix - Stars On 45
Stars On 45 is an 80’s dance project produced by Dutch producer Jaag Eggermont
and was inspired by a popular disc jockey medley titled “Bits and Pieces III –
Let’s Do It Again” from 1980. The medley was a mix of various hits – disco, pop
and rock blended over the beat/clap track of “Nanu, Nanu (I Wanna Funky Wich
You” by Daddy Dewdrops. The medley was extended in the Stars On 45 version and
released in several volumes featuring many genres of music and artists. It was a
successful venture for the period and brought back the attention to many past
pop hits.
I have taken the opening segues to the Stars On 45 medley’s and
recreated a separate mic for this ReStructure Mix. Using parts of each and
adding new percussion to give the new layout some energy.
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• I Only Have Eyews For You - Glenn Rivera ReStructure Mix - Bonnie Forman
Bonnie Forman is a high energy project from Bobby Orlando from the early 80’s
and during the reformation of dance music. Bonnie had a single released in 1982
titled “Walk Away” which charted very well on the dance charts and drew some
attention to her raspy and rock edged vocal delivery. Here in this cover of The
Flamingo’s classic “I Only Have Eyes For You” she gives another edge to the song
which blends Bobby Orlando’s hardcore synthesizer and heavy percussion as a
tough and raw love song – almost as a hard rock version would. This one is quite
a surprise where an odd approach works in more than one way. Bonnie’s version
was a welcome to those who wanted that 80’s edge and a rough of the upcoming
high energy feel that was new for the period.
I have taken the vocal and
instrumental of “I Only Have Eyes For You” and reedited a new ReStructure Mix
for this winding and punchy version. There is a touch of the original doo-wop
version injected to give those who love the piece another chance to find
themselves lost in it again.
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• Can You Feel It - Glenn Rivera ReStructure Mix - Cindy and Roy
Cindy and Roy are Cyndi Wallman and Roy Wallman. This talented pair is husband
and wife and also has shown a dedication to their music as they continued to
entertain currently as The New Censations. Their disco project from 1979 was
produced by Walter Kahn who also gave us Karen Young and Mizz. “Can You Feel It”
is the single which received the most play and gave them a short lived
prominence among the fading disco era into the 80’s. The production is one of
the full on orchestrated moments and gives way to the end of the majestic disco
period with a nice touch. The Casablanca Records finale in the new artist regime
was one of substance for these two since they shared a talent in music as they
continue to display today.
I have taken the album and 12” version of “Can
You Feel It” and reworked both into more of a dub-like mix for this ReStructure
Mix. It adds a few new elements via drum tracks to give the new “feel” a new
sound. It is a tribute to the talents of Cindy and Roy and also the great Walter
Kahn – who left us in 2013.
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The Man With The 4-Way Hips - Glenn Rivera ReStructure Mix - The Tom Tom
Club
Of Love” from 1981 became an instant classic for funk and
alternative dance floors. Their unique style and execution always gave a groove
something to study and move to. “The Man With The 4-Way Hips” is from their
second album titled “Close To The Bone” from 1983. More energy in this single
than their first trial gives a new drum in an Afro-theque ritual a run for the
words and money. Their tale of a man whom can move to any groove makes this one
a perfect contender for the bands alternative use of synthesizers and feedback.
It is one of the surprises from the period and kept the band in the midst of
where the 80’s had gone and was going.
I have taken the 12” vocal and
instrumental/dub versions of “The Man With The 4-Way Hips” and reworked a new
ReStructure Mix for this tribute to The Tom Tom Club. I placed the original;
percussion pieces in a new edit of breaks and some special lifted samples.
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So Glad - Glenn Rivera ReStructure Mix - Pepper Watkins
Pepper
Watkins (Carolyn Watkins) is a vocalist who performed in The Alabama State
Troupers and Mount Zion Singers. Her solo career gave us a single from 1986
titled “So Glad” – produced by Ross Vannelli who also gave us Gino Vanelli’s “I
Just Wanna Stop”. This Euro-disco piece is one of the singles released on TSR
Records which echoes the specialized dance etiquette the label was dedicated to.
The high energy edge to this electronic production is given a beautiful vocal
from Pepper Watkins which moves closer to a standard vocalist creating this love
song.
I have taken the 12” vocal and instrumental of “So Glad” and
rearranged the dance track in a new way for this ReStructure Mix. It works on
the percussion riff and then uses the heavy synthesizer elements to keep it
moving in a new way.
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• Cruising - Glenn Rivera ReStructure Mix - Sinitta
Sinitta is a UK artist who also happens to be the daughter of high energy
singer, Miquel Brown (“So Many Men, So Little Time”). Her 1984 single “Cruising”
is one of the moments of HI-NRG when the return to the basics payoff. This
flirty track produced by George Hargreaves and Mick Parker is a mover that takes
sweetness and brings the power that the early 80’s high energy marked. The
rolling synthesizers and heavy sequenced hand claps pump up the song to several
crescendos. This one was another excitement for dance music when a breath of
energy was needed.
I have taken the 12” vocal and instrumental of
“Cruising” and retaken the energy into a ReStructure Mix that plays to the hilt.
A slight replacement of the original that pulls out a new arrangement and a few
new breaks.
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• Two Pillows - Glenn Rivera ReStructure Mix - Joanne King
Joanne King (Léona Mills) is an 80’s pop singer from Germany who released a
single titled “Two Pillows” in 1982. The track was produced by Idris Cheba and
Michael Andrew. This heartbreak tale is an interesting blend of disco and
synth-pop with a few riffs that give the song a bit of mystique, The bird call
loops throughout the song give it a haunting edge and flow with the uncertainty
of the waiting if the forlorn. This piece is one of the nice transitions to
80’sdance music with the direction in the disco realm. The lead vocal is a nice
blend of sweetness with that touch of defiant heartbreak.
I have taken
the 12” version of “Two Pillows” and have worked on a new ReStructure Mix to
give this classic a lift. There is a new lengthy intro into the Calypso feel
vibes and the hard hitting breaks,
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Vision Love - Glenn Rivera ReStructure Mix - Topazz
Topazz is Alex Saltos, Evette Vera and Jesse Ramos. This 80’s
hi-energy/euro-house trio has brought the late 80’s a finale jolt of house
energy. “Vision Love” is their first release from 1988 which was an independent
label release and in the realm of what real disco music has in its ability to
produce excitement from Indi-artists to add to the spectrum of dance music. This
rolling track is a bit of a break on break sound where the keyboards take hold
of each segment and make it whole. One the exciting pieces of its genre and
another reason how disco music has survived throughout time.
I have taken
the 12” vocal and instrumental of “Vision Love” and added some new but well
known elements to this ReStructure Mix, I have extended the riffs which make it
memorable and given it a tribute for the world of dance music and how it has
influenced and survived.
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• Flash - Glenn Rivera ReStructure Mix - The Flash Back Band
The Flash Back Band is an Italo-disco project from Gilberto Gattei and Max
Sierra and was released in 1983. The prime time for innovative Italian disco
music was the period where many releases held a unique form and sound along with
the heavy beats, bass and sequencers. “Flash” is originally a segmentation of
jazz fell horns dueling with the disco keyboard riffs. A single that held many
riffs which took the edge of dance music from the period and placed them into a
new realm. This one was more of an early evening warm up track which would build
and drop into complete silence. More of a jam session complete with the
sequencers and breaks.
I have taken the 12” version of “Flash” on the Il
Discotto Productions label and realigned the instrumental with some new energy
and theme. Adding the main theme from the 1980 film “Flash Gordon” performed by
Queen into the mix to give the title new drama. There are some breaks along the
way and hope that this “Flash” can rejuvenate your ears.
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• You Make It Hard To Love You - Glenn Rivera ReStructure Mix - Abbe
Abbe is Abbe Lane is an entertainer whose career began in the mid-50’s. Her long
list of recording along with her bandleader husband. Xavier Cugat is the outline
of the lounge and club sound which helped to bring Latin rhythms to America.
Always known as a “sexpot” she eventually landed in the 70’s disco period when
she recorded her album “Rainbows” in 1980.The project was produced by Norman B.
Ratner who produced Bob McGilpin and various disco artists from the mid 70’s.
“You Make It Hard To Love You” is the single with the most impact from her
return to the mic experience. This one is a heartbreak tag with lots of the
electronic disco elements that became the staple of dance records. One of my
favorite pieces that play out with a diva from the past blending into the disco
world.
I have taken the album version of “You Make It Hard To Love You”
and reworked a new ReStructure Mix playing tribute to Abbe Lane and the
Butterfly Disco Label. There are some new elements added to pound out that disco
rhythm with more of the percolating edge that was exciting for the time.
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• Charming Prince - Glenn Rivera ReStructure Mix - Sylvie Stone
Sylvie Stone is an Italo-disco project from producers Ennio Manuel (Cruisin’
Gang) and Enzo Vallicelli (Max-Him, Hugh Bullen). This 1983 single is one of the
fantastic pieces of early Italo-disco which displays the heavy synthesizer
influence and creativity. The strange theme is also of interest where it points
to a title “Charming Prince”. The vocal is a childlike delivery and plays out to
a promise of intimate closure. This one was a big hit for me during the early
80’s and always brought the curious record seekers asking of the artist and
title. The vocal always sounded to me like an Angela Bofill in a different
setting.
I have taken the 12’ vocal and instrumental of ”Charming Prince”
and reworked this fairy tale dance track in a new ReStructure Mix. I have taken
the wonderful rhythm pieces and reassembled them along with a cameo by Donna
Summer.
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Dancing With You - Glenn Rivera ReStructure Mix - PAX
PAX is a German dance project lead by Robert Poerschke (Slizzy Bob) whom creates
a beautiful Euro-pop track titled “Dancing With You” from 1994. This song is one
of the nice laid back pieces that bring to mind the great dance palaces where
morning music was the vital piece to the event. The vocal here is a nice blend
of Martika like jazz echoes with a nice smooth energy. It has always been among
my favorites of this genre of dance music and even today brings many nice
emotions to the surface with its haunting sound.
I have taken the 12”
dance extended version and ballad track to recreate a new magic for “Dancing
With You”. I have made the intro more of a fade to a new fantasy where romance
is all about dancing and loving the one you are doing it with.
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• Wonderful City - Glenn Rivera ReStructure Mix - Marika
Marika is Andrea Delfino – an Italo-disco vocalist who began recording in 1989
and with the single “Wonderful City” with her captivating sound. The single was
produced by Franco Diaferia and Marika and features a percussion driven
arrangement which has an anthem like quality n its simplicity and wonderful
piano segments. It is one of the lovely pieces from the Italo-disco world and
even today sounds as beautiful.
I have taken the 12” vocal and
instrumental versions of “Wonderful City” and remapped a new ReStructure Mix and
plays out with more of the samba-feel bongos. There are more pieces edited and
looped for some new changes within the play.
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• Move This - Glenn Rivera ReStructure Mix - Technotronic
Technotronic started as a Belgium Beat studio concept and eventually became one
of the 80’s most prominent sounds and echoes. This electronic movement was a
cross between house music’s deep beats and heavy bass and a nu-new wave essence
in style and arrangement. Lead by producer Jo Bogaert and eventually becoming
the new riff for rap. It was another period in dance history where two mediums
of dance united for excitement. “Move This” is one of the singles from the “Pump
Up The Jam” project from 1989 and again features Felly on simple words and
energy. This one is a touch of flavor for the end of the 80’s and a huge
influence on dance music in the 90’s.
I have taken the 12” vocal and
instrumental of “Move This” and rejammed a ReStructure Mix using more of the
pieces to recreate some new sound. There is more bass pumping in and out of the
mix and some fades that give the vocal a new spot.
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• Sweet Dreams - Glenn Rivera ReStructure Mix - Hip On Ice
Hip On ice is a German electronic dance project from Alexander
Henninger who is better known as the innovator on 80’s dance
ensembles Micro Chip League, Deborah Sassoon, Celebrate The Nun,
J.W.B. Hits The Beat and Axodry on the Westside Music Label. The mid
and closing years of the 80’s made many hardcore projects using the
elements of sounds which were incorporated in dance music during the
creative and innovation. “Sweet Dreams” is a synth-pop track that
takes the mood into an industrial feel of works. Much like the work
with Micro Chip League, Alexander brings this one into a dark edge
where night feels like a hardcore fantasy. A nice deep sound that is
appropriately influenced by Kraftwerk and the synth period of disco
music. “Sweet Dreams” always reminded me of a Bowie vocal floating
over a light Bronski Beat sound. Successful to me and one of the big
picks for my dance floor of the time.
I have taken the 12”
versions of “Sweet Dreams” and used segments of each to recreate a
new experience in this ReStructure Mix. The electronic sequencers
are tagged and used for more mystique and the “Missing The Days” mix
to calm down the moody exchange.
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Tokyo - Glenn Rivera ReStructure Mix - Donna Summer
Donna Summer is not only one of the most incredible voices in the music industry
– she is also one of the most driving in momentum for keeping her music and
presence alive. Following the disco she released several projects displaying her
vocal and versatile talents. “Tokyo” is from her 19863 album titled “She Works
Hard For The Money” – produced by Michael Omartian. The track is a slight shift
from her pop-synth dance material with a touch of light jazz infused. The tale
of her travel and fond connection to this place make way for a nice
transformation for her vocals again as most hardcore fans could never get enough
of. The bridge of this track are what lure me into it in memory and paying
tribute to it and Ms. Summer are always in the back of my mind.
I have
taken the album version of “Tokyo” and pitched it up a few for this ReStructure
Mix. I have added a few new percussion riffs and played with the existing drum
and keyboard parts to create a more under-tone to the song.
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Give Me Love - Glenn Rivera ReStructure Mix – Fun Fun
The Time is Morris Day, Jesse Johnson and Jerry Hubbard – one of the 80’s
leading funk-dance ensembles. This band was produced by The Starr Company who is
also 80’s artist Prince and his dedication to keeping new talent rolling. “Ice
Cream Castles” is from their album by the same name released in 1984 and
following their appearance in the film “Purple Rain” which brought them into
focus. This track always gave me attention from the first beats with its wobbly
bass effect over driving funk drums. It is one of the elements of the song that
makes it a dance floor hit from the start. The tale here is a lyrical fantasy of
falling in love and comparing it to an enchanted placed where the wonderful
dreams overflow. One of the magical pieces of this one is the connection to
Prince’s organization and talent yet maintains its own. A great number from the
80s and The Time and another salute to the dance/funk of the period.
I
have taken the album version of “Ice Cream Castles” and reworked the groove
which was something I welcomed for this ReStructure Mix. The double vinyl was
the only way to play out this one during its time which always made the dance
floor or stand up patrons catch on to the groove also.
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Ice Cream Castles - Glenn Rivera ReStructure Mix – The Time
The Time is Morris Day, Jesse Johnson and Jerry Hubbard – one of the 80’s
leading funk-dance ensembles. This band was produced by The Starr Company who is
also 80’s artist Prince and his dedication to keeping new talent rolling. “Ice
Cream Castles” is from their album by the same name released in 1984 and
following their appearance in the film “Purple Rain” which brought them into
focus. This track always gave me attention from the first beats with its wobbly
bass effect over driving funk drums. It is one of the elements of the song that
makes it a dance floor hit from the start. The tale here is a lyrical fantasy of
falling in love and comparing it to an enchanted placed where the wonderful
dreams overflow. One of the magical pieces of this one is the connection to
Prince’s organization and talent yet maintains its own. A great number from the
80s and The Time and another salute to the dance/funk of the period.
I
have taken the album version of “Ice Cream Castles” and reworked the groove
which was something I welcomed for this ReStructure Mix. The double vinyl was
the only way to play out this one during its time which always made the dance
floor or stand up patrons catch on to the groove also.
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Dance In America - Glenn Rivera ReStructure Mix – Boogie People
Boogie People are Bruno Perri, Yves Charbonneau and Vincent Ciambrone. This
Canadian based project is a disco extravaganza with the focus on percussion and
a bass groove along with the showgirl chorus celebrating an era of dance. “Dance
In America” is the studio ensembles first project and plays out like a disco
anthem. This may have been the last of the crescendos of the disco era and plays
out quite dramatically as such. A stripped down production with the feel of a
Euro-disco piece.
I have taken the 12” version of “Dance In America” and
rewired the feel of this track for a new ReStructure Mix. I used the percussion
once again as the mainframe and added only a few more rearranging of the chorus
girl segments.
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• Don't You Want Me - Glenn Rivera ReStructure Mix – Jody Watley
Jody Watley is one of the artists from the 70’s who successfully transformed
herself into funk singers who made a light of her own career. From her first
appearance as a “Soul Train dancer” and then onto being a member of one of the
most exciting disco groups of the late 70’s – Shalamar. Throughout the 70’s it
seemed as though her singing career had become the worthy investment and in the
80’s her solo career was the big win. “Don't You Want Me” is from her first solo
project and was produced by Bernard Edwards of Chic. This track is one of the
most iconic pieces which give off Jody’s aura of a gentle sweetness and yet a
hard hitting funk edge. One of my favorites of mine from productions to the last
vocal piece it is hypotonic.
I have taken the 12” club version, dub and
vocal dub into a dreamy like arrangement for this ReStructure Mix of “Don’t You
Want Me”. There is an added hint of Jody’s past and also a few new breakdowns
and a fade.
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• (I'm Not Your) Steppin' Stone
- Glenn Rivera ReStructure Mix – Modern Rocketry
Modern Rocketry is Morey Goldstein and Ken Kessie. Their disco project from the
early 80’s is a studio ensemble keeping dance floors moving with an electronic
arrangement and a new energy. “(I’m Not Your) Steppin’ Stone” is a cover of the
Paul Revere and The Raiders 1966 rock song in a bass rolling arrangement. The
12” version was a top pick for a changing sound in the early 80’s and in the
wake of new-wave and pop rockabilly releases of the time. The San Francisco
Disco edge here is the sound that Megatone Records used throughout the 80’s in
various production and artists.
I have taken the 12” vocal version of
“(I'm Not Your) Steppin' Stone” and reworked this ReStructure Mix for a new turn
in placement and arrangement. I have utilized the cowbell percussion to the hilt
for more of a pulse in this new version.
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Garden Of Love - Glenn Rivera ReStructure Mix – Don Ray
Don Ray (Raymond Donnez) is an arranger and musician who are well known as one
of the pioneers of the European disco sound as it progressed in the mid and late
70’s. Along with Cerrone and Alec R. Costandinos this man achieved a notation in
the creative process of symphonic disco productions. “Garden Of Love” is the
title track to the 1978 project produced by Cerrone and Don Ray along with many
other talents from the Euro-disco pool including Madeline Bell, George Rodi, Ray
Cooper, Kay Garner, Mo Foster and Sue Glover. This number is one of the nice
Calypso-disco feel rhythms with a smooth vocal provided by Lee Rich and Rob
King. One song that was least to receive the play due to the big disco energy
pieces “Got To Have Loving” and “Standing In The Rain” but every bit as exciting
and worthy.
I have taken the album version of “Garden Of Love”: and
worked on playing more on a down beat in this ReStructure Mix. The aura of the
smooth and whimsical melody is intact with more of a kick-drum rhythm track
placed to give it a new energy.
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Mommie (Erotic) - Glenn Rivera ReStructure Mix – Kryptonite
Kryptonite is a Canadian disco project which began in the early 80’s along with
producers Joe La Greca and John McDiarmid Their initial singles featured a
production with heavy percussion and bass sequencers rolling out the energy –
very close to the feel of Denis Le Page and his Lime sound. Kryptonite was taken
over by Italo-disco producer Biagio Farina in 1986 and a new antidote was
created for a single titled “Mommie”. The new sound was a mambo-like track that
encompasses a mystique and edge as if it were a theme from a James Bond film. It
plays out in a clever arrangement where a confession from a loyal boy to his
mother gives us a teasing reading. One of the big numbers in my club for the
time and no stranger for Farina who is known for his work with various dance
projects in the 80 are including Ray Vista, Judy B., Claudia Hart, and Kim
Lamour. Another wonderful production by Biagio who always displayed his
dedication to dance music by the great results,
I have taken the 12”
version of ”Mommie” and rewired the track for this ReStructure Mix. There is
more laid out using the fantastic percussion track and some play with the
segments to take this version on another new path.
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Get Down Saturday Night - Glenn Rivera ReStructure Mix – Oliver
Cheatham
Oliver Cheatham is an r&b singer whose career spanned from 1982 through 2002.
His big dance hit “Get Down Saturday Night” from 1983 is one of the tracks that
received a notable amount of play and also one of the pieces which was produced
by Al Hudson, Dave Roberson and Kevin McCord of One Way (“You Can Do It”). This
one is a slick dance number that carries out the message that resonates
throughout the disco and 80’ synth-pop era which was the excitement to come on
each weekend while stepping out. Oliver does perform this song with the mild
enthusiasm and funky style which makes it hard to resist. The production is a
soulful approach with a nice appeal for disco crowds as well as the laid back
funk edge.
I have taken the album version of “Get Down Saturday Night”
and rewired the song for a new ReStructure Mix. A longer intro with a touch of
Earth Wind and Fire’s “Boogie Wonderland” bringing the promise of a little more
and a few new breakdowns to move the soul.
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Jump Into My Life - Glenn Rivera ReStructure Mix – Stacy Lattisaw
Stacy Lattisaw is singer who began a career at the early age of 12 and worked a
path on dance floors in the early 80’s following her classics “Dynamite” and
“Jump to the Beat”. Her music displayed the youthful energy of the 80’s dance
scene and gave her an immediate response of welcome. “Jump Into My Life” is a
single from her 1986 project titled “Take Me All The Way” – and was produced by
Kashif. This track is one of the outlines of Stacy’s lure which is a funky
rhythm along with her lovely and gentle vocals. It plays out as a love song
where the excitement of things to come is the promise of love and fort us an
energetic dance play. One of my favorites from this spectacular lady and a big
dance floor hit for me for the time.
I have taken the 12” vocal, dub and
instrumental to recreate a new ReStructure Mix for “Jump Into my Life”. There
are pieces of Stacy’s two classic hits added to remind us of the place that she
made for us to feel good about the music and ourselves.
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Heroes - Glenn Rivera ReStructure Mix – Big Ben Tribe
Big Ben Tribe is Renato Posani, Riccardo Persi and Stefano Previsti. This trio
released three singles from 1983 and 1984 and caught the attention of
Italo-disco lovers with their melodic and somewhat sultry sound. Heavy on
drum-like percussion from a jungle feel and synthesizers pulling along whimsical
themes is the basis of their arrangements. A cover of David Bowie’s “Heroes” is
their second release and one of the most memorable. This one plays out with the
romantic fantasy which Bowie created in the original with a full on synth-pop
sound. It is quite haunting and works well for the band. This one always worked
for me early in the morning for afterhours set and makes the mystery of the song
more enticing than ever.
I have taken the 12” vocal and instrumental in
the ReStructure Mix arena for another spin on "Heroes”. There is a new intro
featuring spots from Bowie himself and also a drop for breaks along the new
version.
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Love and Fantasy - Glenn Rivera ReStructure Mix – Eskimo
Eskimo is an Italo-disco project from producers Mauro Farina, Giuliano
Crivellente and Florian Fadinger. This trio transformed the Italo-disco sound
into a high energy feel with many of their releases during the late 80’s and
early 90’s. “Love and Fantasy” is their 1990 release on Asia Records and
displays the vibrant energy which became the rolling sound of disco and high
energy with a lighter edge. The vocals by Antonella Melone and Daniela Rando are
reminiscent of the early 80’s Italian productions by Fun Fun and Chip Chip –
however their harmonies create a unique sound which works well with the wind up
energy number. This is the execution of both worlds where dance music takes us
to another world.
I have taken the 12” vocal, dub and bonus beats to
create a new version for this ReStructure Mix. A longer play with the chorus and
an added beat track from the Dazz Band give this new edge more of a breakdown on
energy.
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Don’t You Want My Love - Glenn Rivera ReStructure Mix – Nicole
Nicole (Lillie Arlene Nicole Jade McCloud) is one of the exciting voices of the
mid-80’s dance movement. Her first solo album titled “What About Me?” is one of
the productions from Lou Pace (Donna Allen, Stacy Lattisaw, Joy and Pain). The
single from the project titled “Don’t You Want My Love” are one of the
explosions of the dance floor during the period. It encompassed the energy of
the pop-80’s dance scene and also along with Nicole enticing vocal makes this
one a bomb. One of the floor-packers in my club and amidst the energy there was
always the recollection of watching the hard hitting horns take on a reaction
from the crowd. This one is a promise of lasting energy since there is no way to
put it out.
I have taken the 12’ vocal and dub of “Don’t You Want My
Love” and reworked a new found energy in this ReStructure Mix. The synth pieces
are aligned more as the foundation and the kick-ass beats are the motivation
now. It has always been one of my favorites and now expressed in a club feel
environment.
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Sleepin' (Now
That You're Gone) - Glenn Rivera ReStructure Mix - Cabballero
Cabballero is Ricco Raggazzi, Ronald Bähr – a Eurodance studio group whose
repertoire includes their covers of classic 80’s dance tracks and a few disco
classics. Their electronic productions are powerful and motivating where the
riffs take over and create a techno influence. “Sleepin’ (Now That You’re Gone”
is their cover of Rick Astley’s 2001 track – and although their version was
released in 2004 there is newness with energy about this dance version. The
vocals are close to the original and play out as a nice heartbreak drama over
the pumping Eurodance groove. This track is one of those that is haunting for
the mind and moving for the feet.
I have taken the 12” vocal and
instrumental of Cabballero’s “Sleepin’ (Now That You’re Gone)” and redesigned a
ReStructure Mix. This one lends more to the sound of those bass sequencers and
thumping of those beats – a classic Moroder riff is used throughout to make this
one pop even more.
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• Hymn - Glenn
Rivera ReStructure Mix - Magna Charta
Magna Charta is Helmut Meyers and Walfried Böcker. This duo creates an
ambient/trance experience for dance music in the early 90’s. “Hymn” is a single
released in 1990 which originally followed the path of Enigma’s “Sadness”
complete with the Gregorian Monk chants intact but this time around there is a
house bass neat which pumps up the energy and also the direction. It was one of
the big floor stompers in my club at the release and continued to make its way
onto many afterhours’ sets and of course ambient mix projects. The entirety of
this track is an emotion feel with the piano and strings melodically painting a
picture for the romantic interlude.
I have taken the 12” club and
instrumental of “Hymn” and reworked a ReStructure Mix adding a few new drum
beats and also a movement from Madleen Kane to complete this new segment. There
are more of the bass winding drum beats and a breakdown for the energy.
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Too Late - Glenn
Rivera ReStructure Mix - Sylvester
Sylvester is one
of the disco music’s shining stars! His music and presence has
always branded a unique and powerful experience. His 1983 project
“Call Me” was produced by Dennis Wadlington, Dwayne Sweet, James
"Tip" Wirrick, Marty Blecman and Sylvester. “Too Late” is a single
from the album which was released as a 12” single remixed by Ken
Kessie, Marty Blecman and Steve Hasemeier. The song is one of the
moments again where Sylvester takes over the music and emotions run
to the top. It is informing his lover that the affair has become a
serious one and even though fighting it has been there – it is no
longer an option. A great electronic funk/dance piece and some
wonderful vocals both backing and lead.
I have taken the 12”
and album versions of “Too Late” and reworked a new ReStructure Mix
to pay tribute to the Megatone Record label and the power of
Sylvester. More of the instrumental is used a treatment to give the
new take some length and surprise.
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Loveline - Glenn Rivera ReStructure Mix - Shawne Jackon
Shawne Jackson is a Canadian singer and songwriter whose career began at the age
of 15 and eventually leads her into the early 80’s. She recorded the track
“Loveline” (which was also recorded by Tavares in 1981). The production is
executed by Willi Morrison and Ian Guenther of THP Productions and also
responsible for Duncan Sisters, THP Orchestra, Skatt Bros, and American Fade.
The slick electronic keyboards help this rekindling a nice update and some nice
riffs make it a transition for the big disco productions of their past a
wonderful sound. Shawne executes the sexy vocal in her own unique sound and make
the sound her own on more than one way. It is a nice shift from the hardcore
disco of the late 70’s into a funk driven 80’s.
I have taken the 12”
vocal and instrumental of “Loveline” for a new version in this ReStructure Mix.
It features a use of both vocal and instrumentation that it pieced into several
new breaks a funk foundation for Shawne.
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On The Road Again - Glenn Rivera ReStructure Mix - Rockets
Rockets are Claude Lemoine, Alain Groetzinger, Alain Maratrat, André Thus,
Bernard Torelli, Christian Le Bartz, Fabrice Quagliotti, Gerard L'Her and Sal
Solo. This futuristic styled band in the late 70’s became an underground hit
with their sound engaging a mix of synthetic effects with a rock fused style.
“One The Road Again” is from their 1978 project by the same title and is one of
their signature tracks. A touch of doo-wop meets disco/space funk. Their sound
changed in the 80’s to more of a nu-wave influence and also gave them more of an
opportunity to utilize their unique stage presence. Rockets are in indeed one of
the sounds of the late 70s which was unique and ahead of its sound.
I
have taken the 12” version of “On The Road Again” and worked it into a new
ReStructure Mix. A bass beat with more of a union for this space age piece is
added for a rhythmic feel and more of the sequencers are placed among the
journey here.
This ReStructure Mix is dedicated to Antonio Fisichella –
thanks for requesting this great band for a remix and may the force stay with
you!
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You Came 2 Me - Glenn Rivera ReStructure Mix - Susanne Jackson
Suzanne Jackson is a vocalist who works with Italian house producers Frank
Minoia and Max Minoia on this majestic Italo-house track titled “U Came 2 Me”
from 1991. The 90’s were a new arena for club music which used the legacy of
house music and Italian dance producers took the elements of this genre and made
it their own. A fresh edge was Italo-house which embodied the heavy bass and
piano riffs into a sweeter and more energetic phase. The outline of “U Came 2
Me” is a confession of a love from the heart and mind of an adorned woman who is
represented by Suzanne Jackson with a nice blend. This track was the top piece
in my club for months after its release and represented the power that previous
songs by Black Box, Lil’ Louis and many of the pop-artists who included a house
remix in their single releases. The beautiful sweeping of pianos and the funky
keyboards are the outstanding moments if the song. A house topper for producers
who gave us several releases dedicated to this Italo-house more shine for us
all.
I have taken the 12” version from “U Came 2 Me” and worked to pay
tribute to Italo-house contributions in dance music history. This ReStructure
Mix takes the high energy edge of each mic into an arrangement with a few new
elements to give on a new edge.
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Born To Be Alive - Glenn Rivera ReStructure Mix - Disco Connection
Disco Connection is Eddie De Gucht – producer of electronic covers of disco
classics. His work from the early 80’s was exciting to disco audiophiles like
myself who found a new version of a disco standard refreshing. At the end of the
disco era much of the hardcore dance music was produced and released in the UK,
Germany and Italy. Many of the contenders were new fusions of dance music which
centered on the fact the world had not finished dancing yet. Disco Connection
takes the 1979 Patrick Hernandez disco classic into the reprise mode with a full
on electronic stripped down arrangement. The melody plays the identifier and
only the rolling sequencers formulating the energy. Another release by this
studio project emerged including a cover of George McCrae’s “Rock Your Baby”.
The classic disco sound was being electrified and kept alive for those who could
not get enough.
I have taken the 12” versions of Disco Connection’s “Born
To Be Alive” and used the segments that make up the original tribute and some of
the new interludes for this ReStructure Mix. This plays out more like an
addition to the original with a few chorus pieces and new added percussion and
beats.
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Midnight Lover - Glenn Rivera ReStructure Mix - People Like Us
People Like Us is Paul Crossley, Terry Owen and vocalist Cindy Dickinson – and
together they gave the end of the 80s several high energy tracks. These discs
were fittingly an appropriate closing for the end of the high energy era of the
80s. The production and outline of People Like Us were the intense homework done
from dance floors during the 80’s from groups like Lime, Charade, Miquel Brown
and Hazell Dean. The energy derived from the use of percussion, rolling
sequencers and strong lead vocal were all set for the genre and this crew used
each part to the dance floors advantage. “Midnight Lovers” is a nighttime
fantasy with a desperate cry for the day to pass and a reunion of two lovers in
the night becomes a reality. A high energy number for the tail end of the 80’s
in the Passion Records tradition.
I have taken the 12” vocal and
instrumental of “Midnight Lover” and created a new Restructure Mix with more of
the percussion riffs worked and some new segues into the excitement. The vocal
by Cindy Dickinson has always been the desperation and feel of the song and is
maintained.
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You're The One - Glenn Rivera ReStructure Mix - Rory Block
Rory Block is a blues guitarist who began a recording career in 1968 covering
country and Mississippi Blues. The end of the 70’s brought her into the disco
era where she experimented along with soul/disco producer Bobby Eli for a
project aimed at dance floors. “You’re The One” is the single which became the
headliner from the project and gave way to a classic percussion riff. Rory’s
vocal are the fitting edge of the project which gives a soulful and bluesy sound
to many of the disco motivated tracks. Performances on the session include
Dexter Wansel and disco percussionist Larry Washington. Bobby Eli’s work here is
the upmost for the period of disco and gives Rory a comfortable place to rest
her vocals in.
I have taken the 12” version of “You’re The One” and
reworked a new ReStructure Mix to give homage to Rory and Bobby Eli. The track
is laid out with more extended pieces from the intro and also a couple of new
breaks.
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You're My Heart, You're My Soul - Glenn Rivera ReStructure Mix - Creative
Connection
Creative Connection is an Italo-disco project featuring Athina Haikali, Leroy
Skeete Davis and Lian Ross. The group is one of the 80’s electronic synth bands
that helped to keep the 80’s dance scene moving. Their cover of Modern Talking’s
“You’re My Heart, You’re My Soul” from 1985 is one of the true praises to a
sound which made a big impact on dance music. Creative Connection takes the
melody and outline of the original and recreates it to the standard with a few
new elements - one being a wonderful vocal from Lian Ross who later became a
solo artist and recorded the classic dance track “Fantasy”. The magic of Modern
Talking’s classic love song is alive here and the recreation is worth its own
weight as it gives homage to the sound of the 80s.
I have taken the 12”
version of Creative Connection’s “You’re My Heart, You’re My Soul” and reworked
the essence of the recording for this ReStructure Mix. There is a new break
surrounding the love notes a new arrangement on the vocal.
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The Music Takes-U-Away - Glenn Rivera ReStructure Mix - Panthera
Panthera is Ferre Baelen and Thierry Thielemans. This acid-house club track
titled “The Music Takes-U-Away” was released in 1989 at the peak of house and
techno music and dance floors were heavily relying on beats and bass to stomp
out a rhythm. The Technotronic take over the same year made a mild rap a big
part of house productions using the hip-hop chant to bring a new break for the
ingredient. The pop world had taken hold of this new genre and moved it into a
standard. “The Music Takes-U-Away” is one of the singles that worked a peak
dance floor into frenzy during this period for me. The pumping beats are the
outline of what the dance floors were craving. This production is more of the
house touch and some acid pieces to bring it to the “new dimension” that our rap
entails. Many of the parts that join the song are nice riffs that make this
style what it was as it made itself home.
I have taken the 12” version
and beats from “The Music Takes-U-Away” and reworked a new arrangement for this
ReStructure Mix. The single versions are extended here with more elbow room for
the rhythm to make itself a center stage.
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Electricity - Glenn Rivera ReStructure Mix - Ashaye
Ashaye (Trevor Julian Ashaye) is a singer who began his career with Earthline
Connection and eventually introduced him to producers Fiachra Trench and Nick
Glenny Smith who featured him on a medley of Michael Jackson hits. After
charting in the UK he was brought on to a project with producers Andy Sojka &
Rick Dejongh and the single “Electricity”. One of the dance tracks that were
fittingly arranged the song with a blend of electronic street beats meet high
energy. The arrangement follows the innovative style of Sojka and Dejongh’s work
on their past work project by Atmosfear and Contact-U. “Electricity” is a piece
that feels like a mild tremor and then builds to a mild energy that is hypnotic.
Ashaye performs his vocal with an ease that creates another lure into this
wonderful dance number.
I have used the 12” vocal and dub version of
“Electricity” to perform a ReStructure Mix on this 80’s dance track. There are
more definitive street beats added to give the song more of a stripped down
feel.
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The Only Way Is Up - Glenn Rivera ReStructure Mix - Yazz
Yazz (Yasmin Marie Evans) is a vocalist from Britain who is the focus of a house
project produced by Coldcut (Jonathan More and Matt Black). This experimental
acid-house sound was a big spot in the late 80’s and utilized the format and
sound created by DJs in the formulation of a simpler and raw approach at dance
music. Many of the pop bands and artists of the period used this style as a part
of the 12” remix package for disc jockeys to customize the track for their
format or a block of house music played during a sweaty response on the dance
floor. “The Only Way Is Up” is not only an anthem with the unity, peace and love
infused in the mood and lyrics but also gives way to Yazz as a new underground
house figure. Following successes like Deelite and Rupaul used house music and
its aura to project their own mission of a peace loving dance culture. The sound
here is almost leaning heavily into the high energy sound as the power behind
the drive is ominous in execution – which is why this track is a classic!
I have taken the 12” original club version and dub (“Bad House Music”) to
reposition this mover into a ReStructure Mix. The beats play the main stage and
give another shot at feeling the unity and hope – overall a good uplifting
emotion which is what disco music has always provided.
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Get Up - Glenn Rivera ReStructure Mix - Maria Verano
Maria Verano is a disco artist from The Netherlands who started her singing
talents as a young child. A Dutch producer, Jacques Zwart discovered her in the
early 80’s and created a sensation with her 1980 single titled, “Get Up” and
gave Verano a new audience to share her passion to. The song has a nice rock
edged vocal that definitely takes over the track with a powerful presence. One
of the nice transition pieces from the end of the disco era onto a new
generation of synth-pop and high energy. This one made a big mark on my dance
floors during peak hours when the floor was ready for some motivation.
I
have taken the 12” version of “Get Up” and rewired the song using its own
electronic keyboard parts in durations for this ReStructure Mix. I have also
added another 80’s classic to the mix using the Patrick Cowley bassline as a new
foundation.
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• My Baby Holds The Key - Glenn Rivera ReStructure Mix - Moulin Rouge
Moulin Rouge is a disco project from Mike Leander – a British producer who
worked from the early sixties onto the 90’s including artists Marianne Faithful,
Tom Jones and Gary Glitter. One of his 80’s dance projects was Slimline and the
1982 track “If You Can Dance You Can Do It” are one of the hidden electronic
dance gems of the time period. “My Baby Holds The Key” is a song written by Paul
Da Vinci (The Rubettes) and flows like a beautiful wave of heart and emotion
which display a feat in transposing the love song into a dance number. The
rhythm track with its beat and clap patterns play out a nice foundation for the
melody. This one was a favorite of mine since it gave us another beautiful disco
track in 1983 when it was difficult to locate such a piece following the disco
fade.
I have taken the 12” version of “My Baby Holds The Key” – using the
vocal and the instrumental to rework a ReStructure Mix. A new intro and use of
the pieces that build the high end of this number are used in the new
arrangement for a new effect.
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(I Know) I'm Losing You - Glenn Rivera ReStructure Mix - Uptown
Uptown is an electronic dance project from producer Scott Yahney. The project
released a cover of the Motown classic, “(I Know) I’m Losing You” – recorded by
The Temptations in 1966. The twist on the arrangement is a winner in itself – a
Detroit soul production translated effectively in a pulsating street beat
format. The vocals are another part of the magic where The Temptations soul
rendition is disco-fied by a lyrical female chorus. It is one of the big sleep
hits of 1983 and resurfaced again in 1989 with a killer remix to bring back this
force again. This classic dance floor piece was one of the sleeper hits of its
time and still brings it all back.
I have taken the 12’ vocal and
instrumental of “(I Know) I’m Losing You” and reworked a new ReStructure Mix to
give this one another beat to pound into your feet. More of the instrumental is
blended to give more distance between the verses and new breaks.
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• New Toy - Glenn Rivera ReStructure Mix - The Flirts
The Flirts are one of Bobby Orlando’s female groups created in the early 80’s to
help move his new high energy music into play. The ensemble has changed vocalist
throughout time but have always remained dedicated to the rolling bass and
energy of the driving dance energy which Orlando worked in many variations on
many of his studio sessions. “New Toy” is from the 1985 album “Blondes Brunettes
& Redheads” and takes the trio into the New York beats and samples werk that was
a sensation of the time. It is a catchy track that is simple and yet plays out
with these ladies as a perfume of lure with lots of sensuality once again.
I have taken the 12’ vocal and dub of “New Toy” and reworked a play thing
for this ReStructure Mix. Adding a classic Cerrone piece as the anchor for
rhythm and bass this time out the energy in more pumping.
I have taken the 12” versions of “No Good Boy” and reworked a new
ReStructure Mix for a tribute to Todesco and Bonzanni and their club work in
keeping dance music alive. There are new breaks and segments using some new
percussion to give this one a new chance to move the house bones in you.
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No Good Boy - Glenn Rivera ReStructure Mix - Maxi Shannon
Maxi
Shannon is an Italo-house project from 1991 and executed by Raff Todesco and
Sergio Bonzanni. The late 80’s brought house music into the light with many
variations on a style which focused on a heavy bass loop and kick beats to
fetter the beats. It was soon to take over the 90’s and create a whole new style
influence on disco, techno, and pop-music. With the success of studio groups as
Black Box and Inner City using the elements of this transition began a new
audience and dedication to the unity and celebration of dance music. “No Good
Boy” is in the mash-up tradition which Black Box created with “Ride On Time” in
1989 – a play with a classic club track using vocals or segments of the song
along with a new arrangement and production to create a whole new meaning.
Bonzanni and Todesco take the club song “You're No Good For Me’ by Kelly Charles
from 1987 and redirect the original into an Italo-house ride. This one was huge
in my club during its release and I have to thank Dean Ferguson for his high
recommendation of it.
I have taken the 12” versions of “No Good Boy” and
reworked a new ReStructure Mix for a tribute to Todesco and Bonzanni and their
club work in keeping dance music alive. There are new breaks and segments using
some new percussion to give this one a new chance to move the house bones in
you.
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• Revelation Day - Glenn Rivera ReStructure Mix - First Vision
First Vision is an Italo-disco project from producers Franco Zasa and Tony
Travagliante – who also released singles under the name Los Angeles T.F.
“Revelation Day” is their single from 1983 and reflects the innovative period of
dance music from Italy which helped to reinvigorate the dance community in the
early 80’s. The electronic keyboards are the magic here and play out with the
patterns which hypnotized dancers to a whole new dimension of imagination and
movement. The mood is a moody rhythm that works over layers of pulsating keys
and sounds. It may have been the influence of work by Giorgio Moroder from the
late 70’s and influenced house, techno and new age dance on to the 90’s.
“Revelation Day” has a biblical reference that is obviously twisted into a
somewhat uplifting message? This myth is one which always captures the attention
of those who emphasize the destruction of a soul that does not follow – here, it
is used in a most romantic edge with a strange haunting chorus.
I have
taken the 12” single of “Revelation Day” – using the vocal and instrumental to
work this new ReStructure Mix. The best of the keyboard elements are used in a
transformation for this eerie sound.
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Total Eclipse Of The Heart - Glenn Rivera ReStructure Mix - Koffie
Koffie is a disco singer who along with producers Warren Schatz and Mitch Farber
brings the 1983 rock anthem “Total Eclipse Of The Heart” from Bonnie Tyler.to
life again for the dance floor. This rendition is certainly the disco edge of
the 80’s with the flowing drama and the twist of the raspy rock edge of the
original to the vigorous diva workout of a disco chanteuse. The production is a
percussive foundation with the keyboards pouring the energy into Koffie’s vocal
performance. One of the more predicted disco covers yet it still plays out in an
interesting manner.
I have taken the 12’ vocal and instrumental of
Koffie’s “Total Eclipse Of The Heart” and laid out a whole new transition for
this ReStructure Mix. Using the original percussion to give pieces of the
original more of the resonating power of the song and this remake.
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Backstreet - Glenn Rivera ReStructure Mix - Patti Whatley
Patti Whatley is a vocalist who sang tribute to the 70’s discotheque
“Backstreet” in Atlanta, GA. The track simply titled “Backstreet” was released
in 1979 on Ray Caviano’s RFC subsidiary of Warner Bros. Records – and produced
by Angelo Solar and Carlos Glover. It is a simple party track that holds dear to
many who experienced or frequented the club during its monumental period. The
energy is driving here and the vocal is a bit dropped below the level of being a
bit faint. Any tribute to the great fantasy and escape locations of the disco
era are surely worth keeping alive.
I have taken the 12” version of
“Backstreet” along with the instrumental which was mixed by discos one and only
Mr. Jim Burgess and resent a message to the memory of this dance palace within
this ReStructure Mix. More of the percussion plays a heavier role as well as the
uplifting chorus.
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Mandrill - Glenn Rivera ReStructure Mix - Patrick Colby
Patrick Colby is an Italo-disco project from producers Alex Cundari and Max
Sierra. The single was released in 1985 and was an Italo-disco number in the
mature stages of high energy and the rolling hypnotic sequencers weaving
patterns. “Mandrill” is a story about a tough kid who falls into a new world
when he is free on the dance floor. The energy here is nice and blends into the
pop-iconic vocals which Patrick amerces himself into when the chorus rides into
a nice crescendo. One of the mid-tempo gems for my club of the time and a
favorite of mine which I always remember from the sweet melody.
I have
taken the 12” vocal and instrumental of “Mandrill” and reapplied a new
arrangement for this ReStructure Mix. A new break with a guest appearance by
Tito Puente is added to give the Latin fantasy some reality.
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• Turn Me, Turn Me, Turn Me - Glenn Rivera ReStructure Mix - Mary Love
Mary Love is a soul and gospel singer who joined the disco sensation of 1979
with her single “Turn Me, Turn Me, Turn Me” – produced by Jay Kessler and Pardo
Jones. Featured on the classic disco 12” label T.K. Records. The track has some
wonderful riffs including the space-like chorus which Lu Janis (writer) used in
many of his productions and also some nice percussion and horn segments. A
simple love song on how love changed the world of a lonely girl forever and a
great chorus to disco down to with a reverberating edge. The piece has always
been one of my favorites from the T.K. catalogue and still holds up with the
sound which brought it down on many club turntables.
I have taken the 12”
version of “Turn Me, Turn Me, Turn Me” and reworked a new ReStructure Mix for a
new take on the song. Using the original beats and bongo tracks as a new
emphasis on the breakdown.
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• Everything She Wants - Glenn Rivera ReStructure Mix - WHAM!
WHAM! are George Michael and Andrew Ridgley – a British pop-duo with more 80’s
influence on the time period and its shift in both sound and attitude. The band
released their second album in 1984 titled “Make It Big” – which included the
track “Everything She Wants” which is homage to a love long lost where material
objects become more important than heart. This one gave George Michael another
opportunity to deliver a soulful pop rendition of love gone wrong with all of
the drama in-between. A nice synth-pop number which many may remember the 80’s
being a strong flavor of which this one delivers.
I have taken the 12”
version of “Everything She Wants” and reworked the bongos and synths into a new
ReStructure Mix. More of the rhythm is pounded out in this new version and a few
new breakdowns are created.
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When The Fuel Runs Out - Glenn Rivera ReStructure Mix - Chuck Jackson
Chuck Jackson is a soul singer who began a recording career in 1957 and
continued throughout the millennium with many variations of r&b, blues and soul
to his credit. In 1979 he recorded a disco single – “When The Fuel Runs Out” –
originally recorded by Executive Suite in 1973 and written and produced by Earl
Young, Norman Harris and Ron Baker of the Salsoul Disco Machine of the late
70’s. This one became a classic in many ways as it gave soul music a lift up
into the upbeat disco sound that was being shaped in the early 70’s and
eventually became what 1979 was most celebrated by. The track is recorded with
Chuck’s soulful edge in a beautiful way and gives way to another moment where
dance music places itself in a framework for things to come. This Chuck Jackson
version is produced by Alan Schwatzberg, Stan Khan and Horace Ott.
I have
taken the 12” version of “When The Fuel Runs Out” and recreated a new edit for
this ReStructure Mix and salute to the magic 3 men of Salsoul Disco’s legacy. A
longer feed into the track is provided and more of Chuck’s soulful and effective
vocals are added.
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• The Blue Danube Hustle - Glenn Rivera ReStructure Mix - Rice and Beans
Orchestra
Rice and Beans Orchestra is an early disco ensemble from producer Pepe Luis Soto
– who also gave us Celi Bee and worked with Miami Sound Machine in the early
80’s. The sessions included Carlos "Kiko" Melendez, Eduardo "Sabu" Rosado,
Hector Garrido, Raul Paonesa, Tato Rossi and Pepe Luis Soto. Their first
self-titled project from 1976 which included a disco-fied version of Stauss’
“The Blue Danube”. This 70’s funky version is in pure disco camp as many movie
themes and classic standards were dipped into the disco arena with the
pop-mainstream in mind. The wah-wah guitars and rolling bass are the foundation
for this disco orchestral piece. Rice and Beans Orchestra are one of the early
disco ensembles to relay the new standard of disco music created by dance floors
and disc jockeys early on.
I have taken the 12” version of Rice and Beans
Orchestra’s “The Blue Danube Hustle” and reworked a new ReStructure Mix with
added beats and percussion from the original track. A longer intro paces the new
version and excerpts of the majestic “Blue Danube” are placed within this mix.
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• Love Pains - Glenn Rivera ReStructure Mix - Lorenza Johnson
Lorenza Johnson is a vocalist performing a cover of the classic Yvonne Elliman
song from 1979 – “Love Pains”. This song has lasted throughout time with many
artists taking on the emotion and yearning in its lyrics. This high energy cover
produced by Marvin Howell is a taste of the 80’s genre of dance music with its
fury of percussion and adorning of the pounding disco beat. Was another cover
necessary? It never hurt and this one plays out much like a lounge version of
the song with the diva in the echoes of the club singing her heart out. The
electronic production has some mighty nice riffs including the pounding
percussion and a few bluesy saxophone interludes. One of the dance palaces of
the 80’s hidden gems.
I have taken the 12’ versions of “Love Pains” by
Lorenza Johnson and recreating a new version for this ReStructure Mix. I have
sprinkled more of the percussion amongst the track and also given it a
non-apologetic fade out.
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Party Boy - Glenn Rivera ReStructure Mix - Sean Heyden
Modern Rocketry is a San Francisco based disco/high energy project from
producers Ken Kessie and Morey Goldstein – and features on vocals Jo-Carol,
Kathy Kennedy and Katie Guthorn. Their 1985 project featured several dance floor
singles which were successful in helping to create the outline for high energy
music. “Thank God For Men” is an anthem that follows the celebratory state of
machismo and all about it lure. This one may have been the sequel to “It’s
Raining Men” with the uplifting feel and gospel lingering. The full on
electronic production is one of the style that the label Megatone Records was
popular for during the early and mid-80’s.
I have taken the 12” remix
version of “Thank God For Men” and rewired the track for this ReStructure Mix.
The airy feel in the mix is now covered with some added percussion and pieces of
the action disbursed in a new way.
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• Thank God For Men - Glenn Rivera ReStructure Mix - Modern Rocketry
Modern Rocketry is a San Francisco based disco/high energy project from
producers Ken Kessie and Morey Goldstein – and features on vocals Jo-Carol,
Kathy Kennedy and Katie Guthorn. Their 1985 project featured several dance floor
singles which were successful in helping to create the outline for high energy
music. “Thank God For Men” is an anthem that follows the celebratory state of
machismo and all about it lure. This one may have been the sequel to “It’s
Raining Men” with the uplifting feel and gospel lingering. The full on
electronic production is one of the style that the label Megatone Records was
popular for during the early and mid-80’s.
I have taken the 12” remix
version of “Thank God For Men” and rewired the track for this ReStructure Mix.
The airy feel in the mix is now covered with some added percussion and pieces of
the action disbursed in a new way.
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• Summer Love - Glenn Rivera ReStructure Mix - Lipstick
Lipstick is a Euro-house project from Francesco Bontempi and Roberto Arduini.
This Italo-house cover of the classic disco track “Summer Love” by Musique is a
sweeping and lusty number. It is presented here with less of the orchestration
and more of the deep bass and beats of the house scene of the late 80’s and in
this case the release in 1990. The vocals are not as charged as the original but
the outline is centered more on a lyrical bass beat and the full electronic
sweeping keyboards representing Patrick Adams’ classic arrangement. This cover
is one of the obvious choices for an Italian production in any form and it is
presented here in a beautiful and lyrical outline to pay an appropriate homage
to the disco number that made be believe in the beat.
I have taken the
12” version of Lipstick’s “Summer Love” and used the vocal, club, instrumental
and piano mix to recreate a new ReStructure Mix. This time around I focused on
some new elements created by the existing house beats and the bass thumps
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Magic Nights - Glenn Rivera ReStructure Mix - Zara-Thustra
Zara Thustra is Alfons Weindorf, Berthold Weindorf, Clemens Weindorf, Eberhard
Wilhelm, Hermann Weindorf, Maximilian Spenger and Walter Schwarz. A German
progressive rock ensemble who gave us a classic club track titled “Magic Nights”
in 1986. The song was produced by Pete Waterman of Stock, Aitken and Waterman
who brought us all of the Hit Factory singles from the U.K. This piece is one of
the anthems that brought to life a whole new generation of music for dance
palaces. It is beautiful, lyrical and packed with the emotion that many of these
genres possess. One of my favorite records of this end and most likely a change
for the rock group as they lay out a new dance number that evokes the heart and
soul of the dance floor.
I have taken the 12” version of “Magic Nights”
and revisited the song with a new ReStructure Mix. The new version is laid out
more plainly and simple with some new breaks and effects along the way. Some
percussion is added to give it more energy.
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• Gimme Love - Glenn Rivera ReStructure Mix – Shy Rose
Shy Rose is a cover name for singer Valeria and is one of the mid-80’s
productions to keep the high energy vein moving on dance floors. Produced by
Antonio d'Addezio and creating some of the most loved dance tracks which leave
no excuse for a concerto synthesized piano and plenty of rolling percussion and
bongos assisting. The big points in high energy in this vein in as sexy as Donna
Summers’ “Love To Love You Baby” on steroids. “Gimme Love” is from 1989 and is a
cover of Cerrone’s 70’s classic. This full on electronic production gives a
satisfying reedition with more of a drop beat rhythm and Shy Rose’s soft and
subtle vocal lighting up the sweetness. The original release also credits Toney
D. and The Lovetrip Orchestra.
I have taken the 12” version of “Gimme
Love” and stripped it away from the medley for this ReStructure Mix. I have
reversed the arrangement with the strings starting out the need and more loops
and breaks taking you to the climatic closing.
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• Baby I Don't Know - Glenn Rivera ReStructure Mix – Kryptonite
Kryptonite is a disco project from Dee Jay Productions (Joe La Greca and John
McDiarmid) who have also been responsible in part for heating up dance floors
with pieces from Bombers, Eve John, Walter Rossi, Kat Mandu, Hydro, Melody
Stewart, Lime and Carol Jiani. A reputation of making the disco beat pays its
dues for the long run. Kryptonite is a dance project in keeping the disco aura
alive in the early 80’s. The shift of instrumental to full electronic based
arranged was the big influence of high-energy music which took over in the
mid-80’s. This sound was an early sign of which Canadian disco producers
dedicated their time and talent and benefited many more years and even now the
influence in pop-dance music.
“Baby I Don’t Know” has the essence of a
sound which was stamped on many of these productions which was heavy percussion
and 'no more fooling around’ bass and rhythm guitar riffs. The true surviving
and powerful elements of what maturing disco became in 1979. The hand claps that
echo over the deep bass beats are the groove which made the 80’s a new disco era
in itself. This track also shines with a masculine and defiant vocal which
follows a simple rule of melody and level to fit into a synth-pop 80’s culture.
A nice edge of the cliff relationship love song that makes the time seem simpler
but at times more appealing.
I have taken the 12” vocal and instrumental
of “Baby I Don’t Know” and worked on transferring the existing energy into a new
outline for this ReStructure Mix. I used many of the existing parts to achieve
the familiar production yet piece it a new way to make the excitement return
once again.
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• Love Resurrection - Glenn Rivera ReStructure Mix - Alison Moyet
Alison Moyet is a voice which helped shape the early 80’s into a progressive and
full of promise. With producer and musician Vince Clarke they formed Yazoo which
introduced an innovative style of synth-pop driven by Moyet’s powerful vocal.
“Love Resurrection” is her solo release project titled “Alf” from 1984 –
produced by Tony Swain and Steve Jolley. This number is a haunting song which
gives an opportunity to feel that need to be needed. A big hit for my club at
the time and lasted throughout a few years following
I have taken the 12”
version of “Love Resurrection” and re-weaved a new ReStructure Mix using parts
and pieces of the original and segmenting them in a new way. There are more
breaks and also more of Alison.
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• I Love You So - Glenn Rivera ReStructure Mix - Manny's
Manny’s is producer Manuel Dopazo and his 1983 single “I Love You So” which
became one of the favorites among hardcore club enthusiast during its release.
Very much a part of the 80’s dance continuum and the energy side is obvious
here. Lots of heavy percussion and patterned hand claps make this one an
irresistible dance piece for the time. The vocal is performed with a slight
twist again where the edge falters among alternative. The lyrics are simple and
there are several breakdowns which mark the timing of the songs energy and
enthusiasm. One of my secret weapons for those all night parties when the dance
floor needed to be cooled down slightly.
I have taken the 12” vocal and
Instrumental of “I Love You So” and rework the song into a new ReStructure Mix.
There are more breakdowns using the instrumental pieces and making way for more
of the yearning of our diva here.
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• Touch Me Baby - Glenn Rivera ReStructure Mix - Ultimate
Ultimate is one of the early Euro-disco projects to become main stream in disco
music during the peak. Produced by Juliano Salerni and Bruce Weeden with the
sound that Casablanca Records artist Alec R. Costandinos had made a new sound
along with music by Cerrone. It was take on the Barry White and Philly sound
which was full of funky bass and drums with an orchestral accompaniment. The
European disco sound that Boris Midney enhanced around the same time with his
own experimental take with USA European Connection. “Touch Me Baby” is a piece
from the “Ultimate” album – that was conceived by Marc Paul Simon and is the
true essence of that disco sound that was becoming the standard during the
following years. The production on Ultimate is one the most driven outlines in
disco of the time and brings a soulful rhythm into a disco arena.
I have
taken the piece “Touch Me Baby” from the album Medley-“Love Is The Ultimate” and
reworked its magic into a new ReStructure Mix. New percussion is added and the
arrangement is rewired to give the song a new vitality.
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• Let's Make Love To The Music - Glenn Rivera ReStructure Mix - Pattie
Brooks
Pattie Brooks is an iconic singer and disco artist. Her work initially as a
back-up singer gave her the endurance and work necessary to create her solo
endeavors. Her first solo album from 1977 titled “Love Shook” was produced by
Simon Soussan and featured his own studio ensemble called The Simon Orchestra.
“Let’s Make Love To The Music” is one of the lyrical disco numbers that plays
out in the mid-70’s fashion with a beat providing the rhythmic edge of the song.
Pattie is in her early stages of becoming one the disco era’s most loved and
talented performers. The session features more of disco music giants including
Elton Ahi, Lauren Rinder and Michael "El Coco" Lewis*.
I have taken the
album version of “Let’s Make Love To The Music” and placed it in a ReStructure
Mix fantasyland. I have added a new drum track to give the flowing sound a new
edge and also reworked some of the existing percussion in a new way.
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• Thank You - Glenn Rivera ReStructure Mix - Judy B.
Judy B. is an electronic dance ensemble from Biagio Farina (Claudia Hart, Ray
Vista, and Kryptonite) and released 2 singles in 1982. “Thank You” is the second
release and is one that follows a catchy riff where keyboards light up ala
“Funkytown”. The funky downbeats are the groove that makes this one work along
with several nice keyboard riffs. This one made my dance floor come alive early
evening and during peak hours. A touch of funk type bass licks make it even more
irresistible. A great 80’s dance track that should bring back the period well.
I have taken the 12’ vocal and instrumental of “Thank You” and recreated a
new version for this ReStructure Mix. A placement of arts of the song in new
areas and extended grooves are added to give in a new flavor.
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• Hot Feet - Glenn Rivera ReStructure Mix - Tschai Prender
Tschai Prender is a disco artist produced by Charles Blackwell who also gave us
Larry Page Orchestra from the mid-70. The disco era was constructed on many
independent labels and ventures into disco productions. The sound of classic
disco was created on dance floors with many of the disc jockeys giving feedback
from the dance floor. Many of disco music’s characteristics are based on camp
and over dramatized orchestrations – “Hot Feet” is camp all around as it returns
the height of the disco boom when people found themselves dancing all night
long. It is a sexy moment for Tschai Prender as she gives up the floor for a
woman who just can’t stop dancing. It is the essence of where disco music was
intended for the feet to move to. The production follows the fast rolling hustle
sound that is being covered in 1980.
I have taken the 12’ version of “Hot
Feet” and retraced a new edit where the rhythm tracks are dissected in this
ReStructure Mix. The outline is in more of a slice of what works best in the
song.
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• Hey,You Should Be Dancing - Glenn Rivera ReStructure Mix - Gene Farrow
Gene Farrow is a disco artist from 1977 and with a classic dance track titled
“Hey, You Should Be Dancing” made an impact on the growing disco trend of the
time. This track is an obvious take on the Bee Gee’s “You Should Be Dancing” –
with a slight alteration and a heavy drum and conga outline added. This one
plays out as the disco-pop sound yet with the drums and conga sections it makes
a nice edge. Gene Farrow released his album in 1978 titled “Move Your Body”
which contained this single and a few more pieces with a nice rhythmic outline.
The song is infectious and has a bit of a sound ala-The Archie’s which is what I
hear – overall a nice disco classic to remind of the huge impact the motion
picture “Saturday Night Fever” made on the nightlife.
I have taken the
12” vocal and instrumental dub of “Hey, You Should Be Dancing” and recreated a
new pounding and tingling ReStructure Mix for this classic. I have used more of
the drum breaks in a new arrangement and offered more of the verse and chorus to
bring it into a new sound.
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• Leave That Boy Alone! - Glenn Rivera ReStructure Mix - Poussez!
Poussez! Is a disco project from producer Alphonse Mouzon and contributed to the
1979 dance phenomenon. The project titled “Poussez!” contained not only 4 tracks
which all make the classic disco lists but also the vocalist who made it all
happen – Ms. Christine Wiltshire (Musique, Center Stage, Phreek, Class Action,
Aural Exciters). The vocal delivery on the initial album is the essence of
Poussez! The single “Leave That Boy Alone” is from their second album released
in 1980 and minus Ms. Wiltshire features Connie Harvey and Janet Wright. The
production is less chic disco and more into the electronic 80’s disco camp. The
sound is more camp edged and falsetto. The anticipation of the project is what
maintains it as a remembered moment in disco history.
I have taken the
12” version of “Leave That Boy Alone” and reweaved a new ReStructure Mix and
bring back Ms. Wiltshire in a cameo. The outline had a bit more of a dub
conciseness and more play with the concept of the song.
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• Out Of Control - Glenn Rivera ReStructure Mix - Evelyn "Champagne" King
Evelyn “Champagne” King is one of the soulful voices of the disco era. Her
classic “Shame” from 1977 is one of the tracks which helped to unite soul and
disco into a formula which would make dance floors move for years on. “Out Of
Control” is from Evelyn’s 1984 project “So Romantic” and features a deep groove
with a fantasy aura injected. One of the hardcore pieces from Ms. King and
perhaps one of my most favorite since it focuses on the beats, bass and drums as
the arrangements focus. It is one of the pieces that I would qualify as an
after-hours anthem. Produced by Jimmy Douglass and powered by Evelyn’s ad-libs
and infectious calls this single was quite different for her past repertoire.
I have taken the 12” vocal, instrumental and dub of “Out Of Control:”
and re-directed this ReStructure Mix in a new after-hours feel. More of the
keyboard riffs stand in segments where they are framed and a few new breaks give
way to the space-out feel of the groove.
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We're The Right Combination - Glenn Rivera ReStructure Mix - French Kiss
French Kiss is a studio band created by producer Simon Soussan in 1979 and
features Jessica Williams, Lamarr Stevens, Muffi Durham and Yvette Johnson. The
success of his group Arpeggio gave him another opportunity to give dancers
another explosive disco outline in his symphonic and electronic driven style.
“We’re The Right Combination”: is a track from the project which stands out once
again thanks to the soft-vibrato vocals which Soussan us known for in his
productions. This love song is a wonderful serenade and keeps moving along with
the strings tweaking at the breaks. The album titled “Panic!” is one of the
great releases of 1979 and maintains the magic of the disco era.
I have
taken the album version of “We’re The Right Combination” and recreated a new
ReStructure Mix giving it a new intro and some play with the verse. There is an
extended use of the handclap groove that moves throughout this new arrangement.
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He's A Pretender - Glenn Rivera ReStructure Mix - High Inergy
IHigh Inergy is a girl group from Motown Records featuring Barbara Mitchell,
Linda Howard and Michelle Rumph. The group was formed in 1977 and became one of
the top soul pics for the mid-70’s following their hit “You Can't Turn Me Off
(In The Middle Of Turning Me On)”. Their last project titled “Groove Patrol”
from 1983 was a powerful beat driven track produced by George Tobin and Mike
Piccirillo. This one is a slammin’ dance piece telling the confessions of a
woman who will not play into a “player". One of the big Motown promises of the
year and the perfect stage for the ladies.
I have taken the 12” vocal and
instrumental of “He’s A Pretender” and re-stomped a new ReStructure Mix for the
finale chapter of High Inergy. The new groove gives way to a longer and more
flowing arrangement for the feet and heart.
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• Hot Lunch Jam - Glenn Rivera ReStructure Mix -Irene Cara
Irene Cara is a 70’s icon who made her way through the film and music industry.
In 1980 she starred in the motion picture “Fame” and also sang the title track
along with “Hot Lunch Jam” and a ballad titled “Out Here On My Own”. Irene
Cara’s career was in top form during this run and it lead to another follow up
in the film “Flashdance” where she also sang the titled track – produced by
Giorgio Moroder. “Hot Lunch Jam” is a segment of the film where student of an
art academy ad-lib a session in the lunch hall. It is one of the memorable
moments from the film and gives this track a lasting memory.
I have taken
the album version of “Hot Lunch Jam” and recreated a new intro and outline for
this ReStructure Mix, I have centered on using the intro beats as the guide for
this new experience of a “hot” number.
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Get On Up - Glenn Rivera ReStructure Mix - Suzy Q
Suzy Q is a dance music project from Jerry Cucuzzella – a Canadian disco
producer who is known for his work on the 1979 project Nightlife Unlimited on
Casablanca Records. His dedication to disco and dance music continued throughout
the 80’s with projects like Suzy Q where in this edition of “Get On Up” is
vocalist Michelle Mills (Mizz). “Get On Up” is from the album titled “Get On Up
And Do It Again” released in 1981 and is another one of the infectious grooves
that continued to move dance floors in the early 80’s with the disco tradition.
The vocals by Michelle Mills are quite delicious in that they flow with a
sensual edge yet deliver that overpowering and definitive party mood. One of my
many favorites from Suzy Q and a great way to start any weekend.
I have
taken the vocal and instrumental versions of the 12’ of “Get On Up” and
recreated a new party for this ReStructure Mix. I have used some of my favorite
pieces of the song and added a few new riffs and breaks along the way.
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Future Brain - Glenn Rivera ReStructure Mix - Den Harrow
Den Harrow (Manuel Stefano Zandri) is an Italian disco studio project which
became one of the most requested songs in my club during the release. The
ominous keyboard arrangements take over the song like a wave of energy and along
with the ethereal chorus it is a roaring segment that takes over the sense. It
is one of the tracks that make Italo-disco unique and powerful. The song “Future
Brain” is produced by Miki Chieregato and Roberto Turatti. The arrangement is
almost haunting as the story is told of a super computer who begins taking over
love and pairing of humans. The music is a wonderful mid-80’s experience and
keeps the energy driving throughout the track.
I have taken the 12”
version of “Future Brain” and recreated a new act for this ReStructure Mix. A
longer intro using pieces of a Kraftwerk classic give it a new introduction. New
breaks and also a new fade are added.
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Breakaway - Glenn Rivera ReStructure Mix - Pure Energy
Pure Energy is a disco project from producer Wade Marcus – and features Curtis
Hudson, Lisa Stevens and Raymond Hudson. Their big dance floor hit “Party On”
from 1980 is one of the classics that maintain the reputation of independent
label underground disco. The feel of this one is funky at best yet the disco
aura is here with the strings and heavy percussion. The lead vocal once again
takes the center stage as Lisa Stevens gives us the rundown on the lowdown of a
relationship gone sour. The funky bass guitars and rhythm section give a smooth
groove that plays out like most of Pure Energy’s evanescent disco/funk numbers.
This one is another one of the examples of the essence of disco music surviving
into the 80’s.
I have taken the 12” vocal and instrumental of “Breakaway:
and reworked a new ReStructure Mix with a twist on some of the main elements.
There are new breaks and segments that are extended to provide more energy
pumping out this nice track over again.
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Show Your Love - Glenn Rivera ReStructure Mix - Kiwi and Tess
Kiwi & Tess are a sister group from Denmark featuring Anette Wilk Vesteraer and
Susanna Wilk Kavåg. Their recording career began in 1988 with the single “Show
Your Love” produced by First Productions. This piece is a nice synth-pop dance
track that follows tight keyboard arrangement with lots of gadgetry working in
the background to keep the rhythm secure. It was one of the big hits in my club
for quite some time and always brought the crowd into frenzy into the chorus.
Vocals are reminiscent of a Stock Aitken and Waterman sound with the same type
of formula guiding it. It is one of the nice pieces of the late 80’s which
embodied both pop dance and a club record.
I have taken the 12” version
of “Show Your Love” and reedited a new ReStructure Mix which works out the
rippling effects in a new arrangement. It has more of the uplifting chorus and
also a few new breaks.
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• Ten Percent - Glenn Rivera ReStructure Mix - Double Exposure
Double Exposure is Charles Whittington, Joe Harris, Leonard Davis and James
Williams. One of the groups that emerged in the mid-70’ The Salsoul sound was
quickly becoming an outline for New York disco and many clubs began to play this
groove that emerged from the Sound of Philadelphia from years earlier. The more
complete edge that this production team lead by Ron Baker, Norman Harris and
Earl young was a full on club mix down in the new disco format. “Ten Percent” is
from their 1976 album by the same name and is a classic by all means the same
effect as a song by the Temptations is a classic in the Motown genre. One of the
great pieces on the Salsoul and one which deserves that long lasting play as a
one of the disco “greats”.
I have taken the 12’ and instrumental versions
of “Ten Percent” and reworked a more defiant ReStructure Mix. More of a dub and
playful EQ is laid in the groove and gives the verses and chorus pieces a new
meaning. This one is for the Salsoul enthusiasts who never seem to get enough.
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• Touch Me Now - Glenn Rivera ReStructure Mix - Bravo
Bravo is Romano Trevisani and Serse May – a duo that have produced many
electronic disco-funk releases throughout the 80’s. This project is a curve on
the disco sound which became an outline of disco music with more of the
electronics that pioneers like Giorgio Moroder paved the road for. “Touch Me
Now:” is from 1980 and from Bravo’s self-titled project which features a four
songs and medley of pieces of music lead by Santana’s “Soul Sacrifice”. The
outline of this and many other Italian disco projects focused more on
instrumental parts of each track where a funky groove was accompanied by a high
end chorus which again followed the disco formula of the female ensemble in
Cerrone’s side long productions. This is a simple outline of the sexy side of
disco music meets the Italian groove.
I have taken the 12” version of
“Touch Me Now” and stripped away at the parts of the song that make it “werk”
and recreated this ReStructure Mix. More of the percussion elements guide the
segments that break up the song into a funky experience. This one is homage to
the early 80’s Italian disco sound and how it has changed the dance floors of
the time.
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• American Love - Glenn Rivera ReStructure Mix - Astaire
Say When! Is Elvira Valentine and Ingrid Simons a dance group duo who released
several singles in the late 80’s. “Save Me” is a house/synth-pop dance track
released in 1987 and was produced by Fluitsma & Van Tijn. This one became one of
the most played new releases of 1987 in m club thanks to its driving rhythm and
sweet vocal melodies which lead eventually to a chorus that is uplifting. The
drums and bass beats are deep and infectious and are an instant magnet for the
feet. This one always brings me back to the essentials of dance music which is
always played out in the manner this song displays – slick and a work out to
dance to.
I have taken the 12” version of “Save Me” and recreated a new
arrangement and flow for this ReStructure Mix. The energy flows more
consistently and there are a few sampled pieces of an 80’s dance hit to remind
us of the moments that were great of the time.
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• Save Me - Glenn Rivera ReStructure Mix -
Say When!
Say When! Is Elvira Valentine and Ingrid Simons a dance group duo who released
several singles in the late 80’s. “Save Me” is a house/synth-pop dance track
released in 1987 and was produced by Fluitsma & Van Tijn. This one became one of
the most played new releases of 1987 in m club thanks to its driving rhythm and
sweet vocal melodies which lead eventually to a chorus that is uplifting. The
drums and bass beats are deep and infectious and are an instant magnet for the
feet. This one always brings me back to the essentials of dance music which is
always played out in the manner this song displays – slick and a work out to
dance to.
I have taken the 12” version of “Save Me” and recreated a new
arrangement and flow for this ReStructure Mix. The energy flows more
consistently and there are a few sampled pieces of an 80’s dance hit to remind
us of the moments that were great of the time.
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• Maccaroni Radio - Glenn Rivera ReStructure Mix - Eddy Trauba & M.M. Greco
Eddy Trauba and M.M. Greco (Mario Mangiarano) is a pair of Italo-disco players
united for a 1983 powerhouse synth-track titled “Macaroni Radio”. Produced by
Riccardo Cioni and on the Italian dance label Master Dee Jay Records. This piece
is of the early electronic dance projects in the Italo-disco progressive format
which used heavy synthesizers for the driving energy in a mid-tempo outline. The
song is a tribute to the dance sound of Italy of the time and plays out as a
sing along anthem. A bit wacky and camp for the heavy edge sound yet this
formula played out in a light hearted manner.
I have taken the 12” vocal
and instrumental of “Macaroni Radio” and reworked a new ReStructure Mix to pay
homage to the early Italo-disco sound. This remix places more emphasis on the
driving synthesizers and heavy beats. A new percussion line is added for a
sprinkle of energy.
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• I Got Love - Glenn Rivera ReStructure Mix - Peggie Blu
Peggie Blue is a soul/r&b vocalist who released her first project in 1980 with a
production by Jerry Ragovoy. “I Got Love” is the album title and the release
that circulated the club scene on many disc jockey lists which leaned towards an
r&b format. The piece is beautifully produced and has the riffs that make it a
disco spotlight and the soulful edge of Ms. Blue’s vocals which make it an
anthem of its own. This one is another one of the hidden treasures of the early
80’s and is fitting for any time on most dance floors.
I have taken the
album version of “I Got Love” and recreated a new work for this ReStructure Mix.
There is a down beat added to give it more energy and several breaks to bring
the soaring chorus to a dance floor edit and dub like feel.
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• Dim All The Lights - Glenn Rivera ReStructure Mix - Upfront
SUpfront is a dance project from Jeff Halverson and Steve Berman. They released
a cover of Donna Summer’s 1979 hit “Dim All The Lights” with an electro-beat
arrangement that sounds closely and impressively to Kraftwerk. This on works
very well thanks to the soaring vocal provided by Adrienne who makes the new
version her own message. It has plenty of the 80’s feel with pounding street
beats and yet the sensual feel of Donna’s self-written hit maintains its
romantic aura. One of the favorites of mine from 1991 where dance music began to
take another shift into techno and rave.
I have taken the 12’ vocal and
dub mix of “Dim All The Lights” and recreated a new ReStructure Mix with all new
pieces of the original and Upfront’s sound. It makes the classic piece sound
like home again and more of the fabulous new vocal is added.
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• Keep Doin' It - Glenn Rivera ReStructure Mix - Showdown
Showdown is a disco project from Jay Ellis and Meco Monardo – known in the
recording industry as The Disco Corporation of America. They have been
responsible for many of the new paths dance music took in the early and
mid-70’s. Responsible for the big Gloria Gaynor “Never Can Say Goodbye” project
and the extended disco format that soon became the 12’ single. Showdown is Casey
Spencer, Eugene Pitt, and Richard Harris and “Keep Doin’ It” is from the 1977
album. One of the tracks that resemble the Miami disco sound close to the K.C.
and the Sunshine Band feel. This one is a gift to dance floors as it
incorporates the excitement of the moment and then takes on an uplifting chorus
that disco music was built on. It is truly a moment for dance music history when
the music grew unto itself.
I have taken the 12” version of “Keep Doin’
It” and reworked a ReStructure Mix for a longer and more exercised trip. The
elements that make the song a piece of dance magic are intact and only
accentuated by new beats and percussion.
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• Rain Forest - Glenn Rivera ReStructure Mix - Paul Hardcastle
Paul Hardcastle is a British producer and musician who helped to shape the 80’s
dance music scene with his use of street beats, keyboards and imaginative riffs.
His big dance floor track “Rain Forest” from 1984 is perhaps one of the most
changing of styles and sounds in its time. The blending of hard street beats and
smooth melodies was a new sensation – as Kraftwerk also exhibited in “Tour De
France” in 1983. “Rain Forest” presents a landscape of rhythm and relaxing music
box edge. The 80’s dance scene was a creative spot for artists as Paul
Hardcastle and his creative mind. He continues to work in the music industry
where his energy in still living.
I have taken the 12’ single of “Rain
Forest” and reweaved a ReStructure Mix breaking the arrangement into pieces of
beat box grooves and pieces of the melody. It gives more of the break in a
dub-like manner as most of the 80’s influenced the 90’s with his outline.
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You Made Me Believe - Glenn Rivera ReStructure Mix - Collins & Collins
Collins and Collins are a group from 1980 which featured the track “You Made Me
Believe” – produced by John Davis. The project followed the disco era and into
the 80’s new rendition of what dance floors were looking for. It is laid out in
a rhythm & blues fashion which presents a challenge for the arrangement from
John Davis – although you can hear his trademark bongo rhythms below this one.
The soulful vocal from the Collins duo is an uplifting part of this song which
was lost unfortunately in the early 80’s where most dance releases were not
being promoted as they should have. Still this dance number has some great
qualities as well as the energy from the delivery.
I have taken the album
version of “You Made Me Believe” and reworked a new ReStructure Mix to pay
tribute to Mr. John Davis and his contributions to dance music. There is a new
percussion riff added to express more of a disco element and the breaks are
centered on the drop out effects.
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Medley: I Don't Mind / Take Everything - Glenn Rivera ReStructure Mix - Eugene
Record
Eugene Record is a soul artist and vocalist who as the lead singer of The
Chi-lites took control of many hearts and souls of those who were longing for
emotion and range. His career spanned a solo recording period from 1977 through
1981. His disco recording from 1979 is a single with two tracks united in a
medley – “I Don't Mind” and “Take Everything”. This 12” single was a nice
soulful vocal presented over a disco arrangement with the traditional breaks and
lead in instrumental. One of the big disco/soul numbers of the big 1979 dance
pool.
I have taken the 12’ version of “Medley: “I Don't Mind’ / “Take
Everything” and blended the two pieces over a new arrangement for this
ReStructure Mix. Pieces of the great percussion breaks are sprinkled throughout
the mix top give it more of the feel that it deserves
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• You Set My Heart On Fire - Glenn Rivera ReStructure Mix - Evans and
Fisher
Evans and Fisher are Danny Fisher and Tommy Evans - an Italo-disco production
team who revamped the Tina Charles 1975 disco classic “You Set My Heart On Fire”
(originally produced by Biddu) into a flowing electronic dance piece. This cover
features vocals from Italian singer, Daphne. The arrangement is similar to the
original and gives Evans and Fisher one of the most beautiful 80’s dance tracks.
The heavy percussion is a nice foundation for the magic that ensues.
I
have taken the 12” vocal and instrumental of Evans and Fishers cover of “You Set
My Heart On Fire” and reworked a new ReStructure Mix for a new edge. It takes
some of the riffs into a new arena where the theme makes it point all over
again.
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• Touch Me Baby - Glenn Rivera ReStructure Mix - O'Hara
O’Hara is Leslie O'Hara – a disco performer produced by Charles Algarra, Youssif
Achir Chemouny and Humbert Petrucci. The single “Touch Me Baby” is from 1984 and
one of the underground gems of the mid-80’a. A synthetic feel with sensuality is
explored over and over here with O’Hara’s moaning and avid purring. It is an
early morning dream. The production is a light electronic pulsation of disco
grooves and light funkiness. This one almost fits into the aura of classic club
records like “Magnifique” with more of the syrup of disco to make it a touch
campy and sexy.
I have taken the 12” of “Touch Me Baby:” and recreated
the aura into a more flowing ReStructure Mix. A borrowed drum track from Elton
Ahi is placed to bring it down further into a beat driven climax.
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• Pretty Woman - Glenn Rivera ReStructure Mix - Scott Allan
Scott Alan is a singer who is best known for his 1979 single “I Think We’re
Alone Now/Will You Love Me Tomorrow” on T.K. Records – a fantastic medley of the
1967 song by Tommy James and The Shondells along with The Shirelles’ “Will You
Love Me Tomorrow”. His second recording took a similar route with a cover once
again of Roy Orbison’s “Pretty Woman” – produced by Bobby DeSantis and released
in 1982 on Disconet Volume 5 – Program 2. A great outline for a disco version
since the guitar riffs carry a heavy rhythm and Scott takes on Orbison with
success. Another big number for this artist and a reminder of the hidden
unreleased singles that Sugarscoop would lay out for the hungry jocks.
I
have taken the Disconet version of Scott Allan’s “Pretty Woman” – which was
mixed and mastered by Mike Arato and placed it along with pieces of the original
with a blend of old and new for the care of this nice dance piece.
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• Jackie - Glenn Rivera ReStructure Mix - Blue Zone U.K.
Blue Zone U.K. is ANDY Morris, Ian Devaney and Lisa Stansfield. A trio whom
released “Big Thing” in 1988 – a project which contained the single “Jackie”
which took clubs by storm not only because the vocal from Lisa Stansfield was
irresistible – but also the production and song itself were a wall of energy and
perfect for the time period. This one was a huge success immedietly following
the 12” single release and made another promise that was short lived for a
fabulous singer like Stansfield. Her big sound with a soulful edge always worked
a number and with “Jackie” it was ominous. One of my favorites of the time and
many others, I am sure.
I have taken the US 12” vocal and dub version to
recreate another opportunity for “Jackie” in this ReStructure Mix. All of the
percussion and drum effects are from the original recording so the sound is
still intact with only a new arrangement.
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Infactuation - Glenn Rivera ReStructure Mix - Up Front
Up Front is An 80’s club ensemble featuring Winston Negron and Karen Diggs.
Their electro sound brought a definition to 80’s dance music fused with soul and
funk. “Infatuation” is their single from 1983 and is one of the New York Club
records which took dance floors hostage the summer of its release. One of the
pieces from the time period which reaches far beyond the existing grooves and
may have been a spark that lit a need for a new definition of music. The vocals
here are as New York Street as the early 80’s could deliver and work well over
the lesson being told. It is truly one of the great stamps for the night life in
theme and sound.
I have taken the 12” vocal and dub of “Infatuation: and
recreated a new rippling sound for this ReStructure Mix. Adding some new drums
and using the existing trip to take us a bit further.
This ReStructure
Mix is dedicated to Marialisa Maiman– thank you for your friendship!
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• Cannonball - Glenn Rivera ReStructure Mix - Supertramp
Supertramp is a rock band whose recording career began in 1970 and brought them
to a crossover to 80’s club dance music with their “Brother Where You Bound”.
The single “Cannonball” is a jazz-edged number that pulled off many new faucets
for this band. It is a continuum of rhythms and a groove that takes the energy
into a movement that for Supertramp is monumental. The song reveals a one sided
relationship that is hit hard and strikes back with a rhythmic revenge. One of
my favorites for the 80’s club scene and a memorable sound that makes Supertramp
a new angle in dance history.
I have taken the 12” vocal and instrumental
and rewound the elements into a new ReStructure Mix. This time around many of
the riffs are combined and reworked to give the free sound a new tag. There are
more loop pieces to give this song a whole new face lift.
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• Nobody Else - Glenn Rivera ReStructure Mix - Karen Silver
Karen Silver is a Canadian artist who made the disco set in 1979 with her big
single “Hold On I’m Coming” produced by John Driscoll and Gino Soccio. The heavy
bass synths and electronic forces are one of the great offerings to the
disco/techno world. Karen has always brought a unique sound to dance music as
her delivery always was a reflection of soft rock of the 70’s. “Nobody Else” is
another Soccio touch given with Silver’s talent as the funky new age feel with a
shaky rhythm track. This one gives a funky moment for Karen to transform herself
into the “soul-mama” and does so in her own manner. It is one of the 1981
releases that dominated the disco-edge into the electronic funk of the 80s
I have taken the 12” version of “Nobody Else” and transformed the
unmistakable rhythm track into a new ReStructure Mix. This one pays again a
tribute to both Silver and Soccio in their uniforms that made them so much a
part of the early 80s and the shift in dance music.
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• Destiny - Glenn Rivera ReStructure Mix - Gwen Jonae
Gwen Jonae is vocalist best known for her recordings as Paul Sabu’s ensemble
Sister Power (“Gimme Back My Love Affair”) from 1979. Gwen began her solo career
along with Paul Sabu in 1982 starting with the single “Red Light Lover” which
featured Sabu’s 80’s transition to heavy electronic productions in an early high
energy formula. “Destiny” is from 1983 and is an anthem of hope and dedication
to one’s own and has an empowerment feel. It has more of the rock edge with Sabu
created very effectively with his own releases and also the fabulous vocals of
Ms. Jonae. One the big celebrated releases from the San Francisco based label
C&M Records and a big continuance of the dance music flair.
I have taken
the 12” vocal and instrumental of “Destiny” and moved more of the powerful
instrumental and drums parts into this ReStructure Mix. It also adds a techno
piece from the 90’s into the ingredients to piece together two wonderful periods
in dance music history.
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Frogs In Spain - Glenn Rivera ReStructure Mix - Fake
Fake is Erik Stromblad, Janne Fagerberg, Stefan Bogstedt, Stefan Sverin, Tony
Wilhelmsson and Ulrica Örn – a Swedish disco group who released their album “New
Art” in 1984. The category here is Italo-disco which plays out in a whimsical
manner on the single “Frogs In Spain”. A troubled relationship apparently is
distracted by unusual and bothersome issues – like frogs in Spain. The song has
a deep driving synth-bass that takes over and makes this one infectious. It was
one of the odd releases of the time yet fit perfectly in the Italo-disco
adventure theme.
I have taken the 12” version of “Frogs In Spain” and
reworked in an underground manner using new beats and a wired new arrangement.
It plays out in the same fashion without the oddness of the lyrics and some of
the chants.
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• Magnifique - Glenn Rivera ReStructure Mix - Jersy Devil Social Club
Jersey Devil Social Club is Morgan Geist – a producer and musician who has taken
the 1979 club classic “Magnifique” – originally produced by Anthony Monn and
initially released under the group name Charisma and then changed to Magnifique.
The tail end of the disco era was hit with a wall of synthesizers rolling along
with a sexy female ensemble weaving a mysterious chant. This was the future of
the 80’s high energy scene and became a cult classic immediately. Jersey Devil
Social Club takes this classic into a stripped down into an impressive cover
where even the thought of recapturing the song is worthy.
I have taken
the 12” versions of Jersey Devil Social Club’s cover of “Magnifique” and
reworked a new ReStructure Mix for homage to their efforts. This winding journey
includes a few surprises and lifts the song back to where it belongs
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Edge Of The Razor - Glenn Rivera ReStructure Mix - Stephanie Mills
Stephanie Mills brought to dance music a soulful and soothing aura with
intensity and emotion. Her 1979 hits “Put Your Body In It” and “You Can Get
Over” were monumental tracks for the dance floor. Her Broadway experience in the
show:”The Wiz” prior to her disco excursion made her entrance most welcome.
“Edge Of The Razor” is from her 1984 album “I’ve Got The Cure” – produced by
George Duke. This electronic funk-dance track is a darker side of the night as a
meeting with taken partner becomes her stance to continue the danger and
mystique. It is a track that does not use much of Stephanie’s range and power –
but it is still a nice pop-synth number.
I have taken the 12” vocal and
instrumental of “Edge Of The Razor” and reworked this night out in an extensive
dub-like manner for this ReStructure Mix. More breaks are added and some play
with loops and the existing synths are a big part of this remix.
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Dance Right Back Into Heaven - Glenn Rivera ReStructure Mix - Ernest Kohl
Ernes Kohl is a successful figure in the third generation of dance music
artists. His music has always focused on the power of disco music and in his own
way has created many classic covers and irresistible originals for the dance
floor. His dedication to the dance community has always been directed at giving
his best and working the energy in his own style. “Dance Right back Into Heaven”
is his single from 1990 and is a track that he recorded along with co-high
energy producer and artist Mr. David Diebold. This piece of fast moving
electronic high energy is what dance floors kept moving to a sincere dance sound
that always gave the lyrical feel of disco music. The pace here one of Ernest’s
best and is one that I can remember using at peak hour for the secret weapon. A
nice anthem that makes it easy to understand why so many years of dance music is
still celebrated.
I have taken the 12” vocal and instrumental of “Dance
Right Back into Heaven” and gave this one a ReStructure Mix to salute to Mr.
Ernest Kohl’s long playing dedication to keeping the beat alive. There are some
new percussion elements added and more of the sweet and driving crescendo
intact.
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• I'm Your Boogie Man - Glenn Rivera ReStructure Mix - K.C. & The Sunshine
Band
K.C. & The Sunshine Band is the founders of the Miami disco-funk sound. Harry
Wayne Casey (K.C.) and producer, Richard Finch are the driving forces behind the
Bands success from the 1974 release throughout current day – as the band
continues to release projects to present day. “I’m Your Boogie Man” is a single
from their 1976 project titled “Part 3”. This funky take on the dance generation
of the time and transforming a love song with a soulful and rhythmic edge. This
is probably one of the classics from K.C. and The Sunshine Band which brings
back the magic all together.
I have taken the album version of “I’m Your
Boogie Man” and also an independent instrumental version to recreate a deeper
groove for this ReStructure Mix. The more dub-feel is a side of this number that
was embedded in my head when I began to break the track into pieces.
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Try My Love On For Size - Glenn Rivera ReStructure Mix - Sharon Redd
Sharon Redd is a force in dance music that always makes her an iconic figure.
Her inception onto dance floors was the big disco hit “Love Insurance” as she
sang lead for a session group titled Front Page. From there on her solo career
took off in many winning directions. Her first project was produced by Willie
Lester and Rodney Brown (Gayle Adams, Bobby Thurston) and was a step in the New
York funk arena with the big dance floor piece “Can You Handle It”. However,
much of Sharon’s talent is hidden within each project as it is here with “Try My
Love On For Size”. It is a sexy and driving soul-disco track that transforms
itself into a vocal stage for Redd who always flows with the music to stay on
track. An alternative song for many adventurous jocks and one of my favorites
from Sharon Redd.
I have taken the album version of “Try My Love On For
Size” and reworked the drum pieces into a new foundation to work this
ReStructure Mix. There are a few new breaks and more of Sharon in cuts and
loops.
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(They Call Me The) Queen Of Fools - Glenn Rivera ReStructure Mix - Jessica
Williams
Jessica Williams is one of dance music’s prized divas. Her work has spanned a
period of disco music with performances in groups Arpeggio, French Kiss, and
Romance. The power of Jessica Williams is fitting on the dance floor with her
energy and presence of taking each song and dominating the rhythm with her
vocals. “(They Call Me The) Queen Of Fools” is her 1983 single and take of her
big disco hit “Queen Of Fools” from 1979 – produced by Simon Soussan. This
continuum makes magic again with Jessica’s heartbreak and the exciting energy of
the production. It is truly one of dance music’s anthem that will always live in
the hearts and feet of those who danced to it at one time or another.
I
have taken the 12” vocal and instrumental of “(They Call Me The) Queen Of Fools”
and recreated a ReStructure Mix pay homage to Jessica’s blockbuster. It realigns
the song ion a whole new arrangement and gives an opportunity for the original
to tell its own story.
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Say It Again - Glenn Rivera ReStructure Mix - Santana
Santana is a Latin-rock group assembled in the 60’s by Carlos Santana. The band
began their recording career in 1969 and was highly acclaimed by fusing Latin
rhythms with rock music which gave them a lasting career though present day. In
1985 the band released their project titled “Beyond Appearances” produced by Val
Garay – the project featured a single, “Say It Again” which was a dance number
bringing them into the pop-dance spotlight. The single did quite well in clubs
and dance palaces as it builds up to a chorus with an uplifting message. This
one did quite well for me in the many sets of high energy and synth-pop sets
which worked on peak time.
I have taken the 12” vocal and instrumental
versions of “Say It Again” and reworked the track into a new ReStructure Mix.
The verses are extended into new crescendos and much of the percussion is
utilized throughout the new mix. A classic Santana piece is also added for good
measure.
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Dancing In The Dark - Glenn Rivera ReStructure Mix - Bruce Springsteen
Bruce Springsteen is an American icon in rock music. His song writing became a
brand that made his music more poetic to fans. His 1984 album “Born In The
U.S.A.” is an iconic return for Springsteen as it contained many tracks that
stood out and also like “Dancing In The Dark” transformed this rocker into a
synth-pop star. The track follows his hard delivery which fits into this play
into a moment where stripping away the meaningless tasks of the day for his
lover is expressed simply in their midst. The rawness of the love and the
attitude are pure rock ‘n roll yet the energy play out well in the 80’s dance
scene.
I have taken the 12” vocal and dub version of “Dancing In The
Dark” and recreated a new synth driven ReStructure Mix to pay homage to the 80’s
dance scene and Bruce’s part in adding his mark in dance music history.
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• Young Men Drive Fast - Glenn Rivera ReStructure Mix - The Quick
The Quick is Colin Campsie and George McFarlane and began their dance floor
reign in 1979 with their big dance floor hit “Sharks Are Cool Jets Are Hot”.
Their electronic work is rolling and driven as high energy music in the mid-80s.
“Young Men Drive Fast” is from their 1982 album titled “Fascinating Rhythm”
which features another take on the early high energy sound. This follow up
single was club favorite and followed closely the disco arrangement with breaks
and plenty of builds and light echoes of work from Giorgio Moroder with Sparks.
I have taken the 12” version of “Young Men Drive Fast” and reworked the
energy into a new ReStructure Mix with more of a breakdown. The rock edge I felt
is tapered into another 80’s pop rock 'n roll tribute in the break.
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• I Believe - Glenn Rivera ReStructure Mix - Mko Mission
Miko Mission is Pier Michele Bozzetti and created Miko Mission, an Italo-disco
project which produced many dance singles in the uplifting style of this genre.
“I Believe” is a single he released in 1988- arranged by Mario Natale and
produced by Graziano Pegoraro. This number is an anthem that sounds like a
unation of ones soul as it speaks generally among a self-awareness. The chorus
may immolate a touch of the “We Are The World” yet it flows wonderfully over the
full on electronic orchestration. One of the big early evening numbers in my
club and also a great number for those theme tapes with the freedom and unity
the world can be at times.
I have taken the 12” versions of “I Believe”
and reworked this anthem into a new ReStructure Mix for another turn on the
flowing sound. It filter in with a rippling bass and wanders out the same way.
It is a nice song from Miko Mission and pays a great tribute to the Italo-disco
sound.
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Exposed To Love - Glenn Rivera ReStructure Mix - Exposé
Exposé is a
trio from producer Lewis A. Martineé - along with Ann Curless, Jeanette Jurado
and Gioia Bruno as the most known of the chorus. The exception which applies
here is the single “Exposed To Love” which features Alé Lorenzoon lead vocals.
These ladies were a big part of the mid and late 80’s as their stage presence
brought a sharp and sophisticated view of pop-dance music. “Exposed To Love” is
a nice play on the group’s title and rings Miami freestyle rhythms to a new
audience and dance floor wanting new experiences. The street sounds are
emphasized in a sharp delivery in the clean cuts of kicks between heavy dub
beats. It is one of the transfers from the disco beat to a full on street
production. “Exposed To Love” also gives the ladies an opportunity to claim the
femme-esque and sexy side of Miami freestyle.
UI have taken the 12: vocal
and dub of “Exposed To Love” and recreated a new beat driven dub with triple
beats pounding out the new sound. More of the Latin flair keyboards are
emphasized throughout this ReStructure Mix.
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• Shake What You Got - Glenn Rivera ReStructure Mix - Pulse
Pulse is a disco band from 1978 with members James Aaron Johnson and Jim
Johnson. Their single “Shake What You Got” is a nice blend of soul and pumping
disco with a great hook that makes the mood irresistible. It was one of the
singles that fit perfect for that independent disco label sound. A breakout of
many new dance companies backing the disco theme. This one is one of favorites
of its style and makes the time period come right back into the feet.
I
have taken the 12” version of “Shake What You Got” and reworked a new
ReStructure Mix for a trip back to 1978. More percussion is beefing up those
blaring horn sections and a surprise break from a disco classic is blended in as
treat.
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• Spend The Night - Glenn Rivera ReStructure Mix - Bob-A-Rela
Bob-A-Rela is a disco project from producers George Lagios and Pat Deserio –
best known for their work with the group Bombers (“Everybody Get Dancin’) and
Kebekelektrek (“Magic Fly”, “War Dance”). An innovative move here on disco music
with a space age feel to the grooves with keyboards emulating space ships
soaring through the galaxy and whooshing noises that echo through an eternal
galaxy. The musicians here are from many Canadian disco projects and include
Busta Jones on those funky guitars. “Spend The Night” is a touch of rock love
with the female ensemble pulling an attraction into a carnal arena. It is one of
my favorites tracks from the project although the entire session is worthy of
accolades.
I have taken the album version of “Spend The Night” and
recreated a new ReStructure Mix and in the outline of my work used portions in
segments to recreate this aphrodisiac. There in a new intro and fade with
utilize those space references that I adore.
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• Heaven Knows - Glenn Rivera ReStructure Mix - Donna Summer
Donna Summer marked the height of her career and also in disco history in 1978
with her double record project “Live and More”. The 3 sided concert pressing is
a display of Donna Summer’s fantastic vocals in a concert environment – even in
play with her early recordings where she transformed the soft sexy tracks into
her now emerging vocal abilities. “Heaven Knows” is one of the new songs from
the project and features Brooklyn Dreams on backing vocals. It is one of Donna’s
beautiful love songs and also marks a new phase of her career as the Queen of
Disco. The production is another wonderful time when disco music was perfected
with orchestrations and funky elements supporting the arrangement.
I have
taken the 12” version of “Heaven Knows” and recreated a new outline for this
ReStructure Mix. It has more of a dub feel and breaks the original into more
breaks for a new edit and experience.
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• Don't Challenge Me - Glenn Rivera
ReStructure Mix - Makers
Makers is an electronic/funk and experimental project written and produced by
disco pioneer. Boris Midney. His work from the late 70’s took on a whole new
sound and identity during the big disco era. His work on projects USA European
Connection, Beautiful Bend, Caress, Masquerade, Festival, Companion and Double
Discovery have displayed his unique approach to taking the disco beat and
stripping each layer of rhythm with European disco flavors accenting his
arrangements. Makers are one of his earliest works and there is an early sign of
his style with play on both the groove and moody and dreamlike feel. This work
from 1972 is placed as Midney’s claim to a greater fame with disco music in 1978
where clubs became exposed to what would be known as “Art Disco”.
I have
taken the 7” version of “Don’t Challenge Me” and focused on paying tribute to
Midney’s work by dissecting this psychedelics mood into a disco fare. A new drum
beat and pattern pound out the early morning sound of this track and some of
Midney’s later magic is added to fulfil the dynasty of disco music he has
created.
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• Life's A Bitch - Glenn Rivera ReStructure Mix - Green Olives
Green Olives is David Sion, Fulvio Zafret and Sergio Portaluri – an Italian
Euro-house band who released 3 singles in late 80’s and bridged the house period
into the 90’s. This ensemble created a wonderful portrait of the nightlife in
each of their tracks. Their smooth rolling house grooves are accented with the
classic Chicago piano riffs and along with their falsetto vocals their style is
very slick. “Life Is A Bitch” is their 1989 single and takes a look at the flip
side of the world in a trial of obstacles and then the wake of appreciation when
out on the town. This one screams the energy of the Italian singles of the late
80’s with the touch of dance music and the uplifting mood it resonates
I
have taken the 12” vocal and dub beat tracks of “Life’s A Bitch” and reworked a
ReStructure Mix as a new arrangement for this house classic. The percussion and
key riffs are pieced into new elements to provide some new energy.
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• Non-Stop - Glenn Rivera ReStructure Mix
- Tina Fabrik
Tina Fabrik is a disco/funk singer who released 2 singles on
the Prism Records label in the early 80’s. “Non-Stop” was
produced by Mike Pabon who also gave us Geraldine Hunt and
Pure Energy. The single was released in 1982 and was welcomed
with open arms on dance floors as it blended a soulful vocal
with an electronic arrangement and the energy of what disco
music created. Prism Records was one of the dance labels which
helped to maintain dance floors that were continuing to move
and demand fast moving energy in their nightlife régime.
“Non-Stop” brought a funky edge to the rolling energy that it
builds up in to and Tina’s vocal gives off a sweetness that
plays out well in the mix. One of the most played tracks for
me during the mi-evening when dancers were being persuaded to
take on the dance floor.
I have taken the 12” vocal
and dub of “Non-Stop” and reworked a new definition of the
song in this ReStructure Mix. Using parts of the energetic
breaks and builds to introduce the track and then play out the
excitement.
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• Wanna Feel - Glenn Rivera ReStructure
Mix - Vivian Vee
Vivian Vee is an Italian singer who at the age of 18 joined
forces with producer Claudio Simonetti and Giancarlo Meo – the
duo who also brought us Easy Going, Capricorn and Goblin. A
power force in the early 80’s with dance music which filtered
many areas of energy and theme. Vivian’s 1983 project titled
“With Vivian Vee” is one of the effected productions from
successful dance floor projects like Jacques Fred Petrus’
Change (“Glow Of Love”). This movement where electronic pieces
worked in a more funk driven style It became the mother of US
producers like Kashif who took the sound and made it a soulful
experience. This movement from European disco to a funkier
edge was a new sound for Vivian Vee and this project proved
that she took it to heart. “Wanna Feel” is a sweet love song
that follows closely the Change edge with a touch of Kashif –
you can hear the sounds and influences. One of my favorite
periods where dance music influenced its own.
I have
taken the album version of “Wanna Feel” and stripped away the
rhythm and grooves to reassemble them in this ReStructure Mix.
A few new breaks and bridges are added using the original
riffs. This is a salute to Meo and Simonetti who are the
geniuses of Italo-disco in its early form.
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• Disco Train - Glenn Rivera
ReStructure Mix - Dance Reaction
Dance Reaction is a disco group from Belgium that brought a style
close to a rejuvenation of disco music to the early 80’s. The
track “Disco Train” from 1981 was produced Frank Sauter and simply
outlines the disco classic “Vertigo” from Dan Hartman – which was
the introduction to the big dance floor hit “Relight My Fire”. The
group ad libs spoken and light harmonies of a simple chorus riff
in this electronic dance piece. It is simply one which stands out
since the melody is so familiar. It is a basic arrangement with a
few moments of underground early morning style energy.
I
have taken the 12” version of “Disco Train” and placed it into a
new context in this ReStructure Mix. Pieces of Dan Hartman’s
original are added to bring the flow into perspective and more of
the adlibs are rearranged.
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• Feel The Spin - Glenn Rivera
ReStructure Mix - Debbie Harry
Debbie Harry takes on the 80’s with a dance sound that gives her
an introduction into synth-pop. “Feel The Spin” is a track
released in 1985 and featured in a dance flick soundtrack titled
“Krush Groove”. Produced by John “Jellybean” Benitez and Doreen
Dorian this one is a simple rhythmic number with a Calypso styled
keyboard. It reflects the time period and the street beat sound
which the bass keyboard elements a big part of the Stock Aitken
and Waterman sound of the late 80s. The mood here is celebratory
and Debbie once again recites an excursion into another world. And
although the lyrics portray madness in mind it is still fun the
way this diva recites and performs.
I have taken the 12”
vocal and dub version of “Feel The Spin” and reworked a new
ReStructure Mix using more of the bass line keyboards as the
factor here. There is an ending taking the upbeat keyboard riff
into the final phase of the excitement.
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• Be My Lady - Glenn Rivera
ReStructure Mix - Vanessa
Vanessa is an Italo-disco project from Giacomo Maiolini, Giuliano
Crivellente and Mauro Farina. “Be My Lady” is the first single
which features Clara Moroni on lead vocals. This one is a swirling
piece of Italo-dance fest with allot of the girl-twirl elements
which took over the late 80’s with a vengeance. It was the energy
of the high energy scene with more sweeteners added. “Be My Lady”
was a huge success in my club and may have been there for months.
It was a recognizable track that was also a heck of a lot fun to
dance to. There a few similarities to Sabrina’s “Boys” yet this
one still hold its own sexy feel and energy.
I have taken
the 12” version of “Be My Lady” and reworked the synths and drums
into a new ReStructure Mix. The male rap is separated and played
out in a new way throughout the mix.
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• The Politics of Dancing - Glenn Rivera
ReStructure Mix - Re-Flex
Re-Flex is an 80’s band featuring Baxter, Paul Fishman, Roland
Vaughan Kerridge and Nigel Ross-Scott. In 1983 their track “The
Politics Of Dancing” became one of the alternative dance numbers
which fit into the 80’s with every sound in place. The production
by John Punter was on spot with rhythms that down-beat and a
filtered percussion accompaniment which added to the infectious
vocal. The 80’s became the period where nu-wave, punk, alternative
and rock were blended well with synth-pop and left a sound that
again, was mastered out of the elements of disco for the time
period. “The Politics Of Dancing” is a clever take on world
leaders and heads and the control on which they decide for all.
This number transforms the premise into a nice little “message”
which seems to glorify and detest the many effects – either
positive or negative.
I have taken the 12” version of “The
Politics Of Dancing” and stomped out an alternative arrangement
for this ReStructure Mix. There is more of the emphasis on the
groove here rather than the warning. A few new breaks roll out the
news and much of the existing percussion is reworked.
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• Let's Make It - Glenn Rivera
ReStructure Mix - Vallerie
Allington
Valerie Allington is an Italo-disco artist from the early 80’s who
was introduced with a track titles “Stop” released in 1982. This
experimental and innovative time was perfect for Italian producer
Sangy to work his 70’s influenced keyboards into the new Italian
disco sound. “Let’s Make It” is her second release from 1984 also
produced by Sangy and every bit as exciting and powerful. This is
an uplifting message of love put into a reverberating love song
that follows the edge of Kraftwerk with pieces of their hit
“Numbers”. This pretty much has it all for the time period as it
was always requested and I kept it alive throughout the year.
I have taken the 12” vocal and instrumental versions of “Let’s
Make It” and focused on a percussive foundation to represent a
carnival experience. The breaks are dragged out until the groove
jumps right back at the floor. It is quite a great time for this
song and feeling.
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• I Wanna Groove - Glenn Rivera
ReStructure Mix - Arlene Duncan
Arlene Duncan is a Canadian singer who also records under the name
of Kairene. Her single “I Wanna Groove” from 1982 was produced by
Ian Guenther and Willi Morrison who are better known as THP
Orchestra. This duo also produced The Duncan Sisters (no relation
to these ladies), Sticky Fingers, Southern Comfort and The Grand
Tour. THP move into the 80’s was a daring time since music was
morphing from a full scale disco production which these two men
helped to create, into am 80’s synth-pop sound. This track has a
heavy jamming beat which outlines the disco feel but the keyboards
and arrangements we simple I assume to test the waters of the
dance floors at the time. The track has a moving energy that
maintains THP’s reputation and is brought here again to remind us
of the 70’s to 8’s conversion of dance music.
I have taken
the 12” vocal and instrumental of “I Wanna Groove” and reworked a
new ReStructure Mix for a new experience. I have played with the
existing keyboards and bass to add more breaks and segues to the
groove.
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• Pick Me Up - Glenn Rivera
ReStructure Mix - Marz
Marz is an Italo-disco project from 1984 with Bill Pettaway,
Dwayne Herndon, Gerard Mackell, Gregory Mackell, Keith Rowel, and
Marvin Ennis. Their big track “Pick Me Up” is an unforgettable
song that echoes out a touch of sophisticated funk along with the
innovative feel of Italian disco which became its own brand of
funk during the early 80s with bands like Change and Bronx,
Brooklyn and Queens Band. “Pick Me Up” is a beautiful New York
funk stylized piece and has many qualities and riffs that stand
out to give a bravo at the closing.
I have taken the 12” on
Italian label F1 Team label and reworked the electronic funk to a
new ReStructure Mix. This arrangement allows for more of the
pumping energy that comes along with the song and gives more of
the piano interlude attention for a new intro and fades.
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• Don't Stop The Train - Glenn Rivera
ReStructure Mix - Kristeen
(alias Viola Wills)
Kristeen is a cover name for disco legend,
Viola Wills on a 1985 release of “Don’t Stop The Train” – a dance
floor hit released by Phyllis Nelson in 1981 and produced by Yves
Dessca – who also produced this Kristeen (Viola Wills) version.
Earlier in 1979 he recorded Viola on a track titled “You Will
Forget”. Another fantastic performance for Viola who seemed to top
every performance with the next thanks to her beautiful voice and
range – her big hit in 1980 with “If You Could Read My Mind” which
started another row of hits for her. In “Don’t Stop The Train”,
Viola performs this like a Shakespearean actor exuding the emotion
and drama nonstop – it is quite a feat and understandably why she
was brought in again as a session singer but then of course under
the alias Kristeen (even a photo of another woman on the 12”), But
all in all we know Viola and the tremendous talent we had pin the
dance floor and this is another reason to celebrate her magic.
I have taken the 12”
vocal and instrumental of “Don’t Stop The Train” and the beautiful
arrangement by Yves Dessca to bring to life again the heartbreak
and tale woven by Viola Wills here. There are some new percussion
pieces added to give it a new rhythmic life and a few reedited
pieces to make this one last longer than Ms. Will's anticipation
for the ride.
This one is dedicated to the memory of Ms. Viola Wills – your
music still moves us as is you were never gone.
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• Looking Out - Glenn Rivera
ReStructure Mix - Oh, Romeo
Oh Romeo is a studio group from
high-energy/disco producer Bobby Orlando. The sessions produced
several singles on Orlando’s Bobcat Records label including
“Looking Out” from 1983. This one is a roundup of the elements
that Orlando created in the early 80’s using heavy percussion and
rolling synthesizers to pull off the task. It was this sound that
helped the mid and late 80’s to continue the dancers to serenade
all over again and again. It was definitely a fusion of what
producers like Giorgio Moroder were bringing forth in the mid and
late 70’s.
I have taken the 12” version of “Looking Out”
and recreated a new energy for the outline of this ReStructure
Mix. There is a play on the verses of this daring woman who spend
her nights searching for that perfect love and also a bit of
tribute to Moroder himself by using one of his finest riffs.
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• Undercover Girl - Glenn Rivera
ReStructure Mix - Sharon Redd
Sharon Redd is the diva of the funk with a
disco groove following it. Her introduction onto the dance floor
was beautifully timed with a studio group called Front Page and
their huge single “Love Insurance” from 1979. Her solo recording
career began in 1980 with her big Prelude Records single “Can You
Handle It” – and following were big dance palace hits including
“In The Name of Love” and “Beat The Street”. “Undercover Girl” is
a single released in 1985 – produced by Michael Stokes. It was
close to the 80’s pop-funk sound that groups like Apollonia 6 and
Midnight Star were weaving. It is the Sharon Redd who plays it
street like a lady. One of the funk-fests for Redd and in her own
way she conquers this piece.
I have taken the 12’ vocal and
instrumental of “Undercover Girl” and re-jammed a ReStructure Mix
for this beat-crisp number. The beats are reworked into a new
outline and Sharon’s confession is portrayed in a new way. This
mix is dedicated to the lady herself, Sharon Redd and also, Lona
Warden – who still teaches me how love is so strong and lasting.
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• Slave To Love - Glenn
Rivera ReStructure Mix - Sammy Allen
Sammy Allen is a German Euro-dance artist
from the mid-80s who released 2 singles which helped to keep the
electronic dance aura alive. “Slave To Love” is a single released
in 1988 – produced by Alf Siol. This track follows the patterns of
a rock anthem which may had relevance in the early 80s. A simple
keyboard arrangement in the Asian-wave style of the late 80s dance
floor. This German production was featured on the Night’n Day
Records which has some major slick releases in the period. The
sheer ecstasy in the vocal makes this one a bit camp and as always
it worked on dance floors.
I have taken the 12” vocal and
instrumental of “Slave To Love” and reworked a new ReStructure Mix
for the excitement of the Euro-dance sound of dance music. The
arrangement has been stretched out and laid over a phantom
percussion to give more of an underground sound to the track.
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• Unchained Melody/Need Your Love - Glenn
Rivera ReStructure Mix - Clem Curtis
Clem Curtis is a singer from Trinidad,
West Indies who was originally from a group called The Foundations
from 1966 through 1968. The disco era was fortunate enough to have
Clem record his cover version of The Righteous Brothers 1964 hit
produced by Phil Spector, “Unchained Melody” with a disco
arrangement produced by Tony Sadler. Clem’s single was released in
1979 on RCA Records and is one of the underground favorites among
those DJ’s who did not miss it due to over saturation of this big
disco year. This dance version allows Clem to deliver a wonderful
vocal over a 70’s funky arrangement with guitars and the sweet
strings sweeping across the groove. The titled “Unchained Melody”
comes from the film that the song was featured in titled
“Unchained” released in 1955.
I have taken Clem’s beautiful
disco version and reworked a new ReStructure Mix which pays homage
to The Righteous Brothers version and rearranges the original
without the camp chorus girls. The vocal is extended as rightfully
as it should for this new disco sparkler.
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• Walking On The Floor - Glenn Rivera
ReStructure Mix -
Quartz
Quartz is Didier Plus, Laurent Taieb, and
Patrick Langlade. A French disco band from 1978 originally founded
by Chris Quartz (Saint-Preux) and leading the period with a big
disco hit titled “Beyond The Clouds”. It was an innovative
instrumental with a new age feel to it along with the pumping bass
lines and breaks of disco energy. The style was one of the
starters for artists like Gino Soccio and Patrick Cowley. “Walking
On The Floor” is from their 1979 project “Camel In The City” – it
is another part of the process of creative disco with beats and
electronic pulses bringing energy to life.
I have taken
the album version of “Walking On The Floor” and reworked some of
the vital elements of the track into this ReStructure Mix. New
bass beats and high end effects make a new foundation for this
nuance for Quartz.
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• Looking For Clues - Glenn Rivera
ReStructure Mix -
Robert Palmer
Robert Palmer is an interesting vocalist
and musician. A British pop-rock singer he recorded his own style
of music throughout 1974 to 1983 where he found a new stage for
himself recording pop-funk songs in his own appeal. He released
dance floor hits “You Are In My System”, “I Didn’t Mean To Turn
You On”, “Early In The Morning” and “Tell Me I’m Not Dreaming”
which were prior dance floor hits that he revived in his own
sound. “Looking For Clues” is from his 1980 project titled “Clues”
which bears the 80’s dance feel with an extreme and percussive
arrangement and a few small breaks. It was a big DOR (Dance
Oriented Rock) crossover and made its way on many dance floors.
I have taken the album version of “Looking For Clues” and
reworked a ReStructure Mix to pay homage to this fast slamming
piece. There is a new intro and a few new elements with drums and
percussion to move along with it.
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• This Must Be Heaven - Glenn Rivera
ReStructure Mix -
Jerry Carr
Jerry Carr is one of the funk and soul
talents in the music industry who is a self-taught musician and
brings the 80’s a new brand of funk. His 1981 album “This Must Be
Heaven” produced by William Talbert (Shotgun) is a refreshing
piece of work for a period where dance music shifted from disco to
a soulful and funky groove. The title track is the big hit here
and plays out in a romance turned to a dance. It as the foundation
of a nice New York funk track with some catchy riffs throughout.
Jerry does a very nice job covering this one with a soulful and
dedicated performance which still plays out in its originality.
I have taken the 12” version of “This Must Be Heaven” and
recreated a new dance experience for this ReStructure Mix. The
original elements are accented lightly with a new drum track and
the groove spread across the remix with a few new twists and
turns.
This ReStructure Mix is dedicated to Mr. Jerry Carr.
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• Electric Avenue - Glenn Rivera
ReStructure Mix -
Eddy Grant
Eddy Grant is a musician and producer who
began his recording career in 1975 fusing a blend of reggae, funk
and soul. Into the 80’s he became an iconic figure with many of
his songs outlining current world events and status of the
struggles among people. “Electric Avenue” comes from his 1982
album “Killer On The Rampage” and plays out as a shout out to the
Brixton area which of the time was the first to be lit by
electricity yet remained violent, racist and many tensions. The
song itself is a landmark among the 80’s dance period thanks to
its electronic groove which plays out almost like a robotic groove
taking on an edgy sound. It moved many feet and also brought many
minds to think about awareness to find solutions to some of the
problems in society and the world.
I have taken the 12”
version of “Electric Avenue” and reworked a new ReStructure Mix
for an experience that may take on a new current political time
which is among us now. I have added some new elements to bring the
groove alive in a new way – the way a solution for today’s issues
needs be addressed in a new way – not as they are in the current
day administration.
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• It's Alright - Glenn Rivera
ReStructure Mix -
Peter Brown
Peter Brown is one of disco music’s
greatest gifts. His music has always been innovative and funky
with a fusion of electronic grooves with soul. His introduction to
disco music in 1977 with “Fantasy Love Affair” was a signal to the
dance floor that a sound was emerging from soul and funk soon
assemble itself in a new way from Brown. “It’s Alright:” is from
his 1979 album “Stargazer” which big dance floor hit “Crank it
Up”. There is a sound within each of Peter Brown’s creations which
ring out in its own way and this piece is no exception. Even
though this song seems to relay a misinterpreted relationship it
plays out in an upbeat manner thanks to Brown’s masterful
keyboards and arrangements.
I have taken the album version
of “It’s Alright” and recreated a new groove for this ReStructure
Mix. The electronics are enabled a bit more to bring this one back
to life again and thanks to Peter’s vocals it always seems new and
darn funky!
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• (You Got Me) In The Mood - Glenn Rivera
ReStructure Mix -
Puff
Puff is a disco session from producers
Will Crittendon (Mantus), Brad Baker, Don Oriolo and Neil
Levenson. This is the ultimate underground sound with a touch of
the chic edge of disco. Complete with sensual femme ensemble and
swirling strings this one pulls out everything that the 70’s disco
dance floor exuded. It is a journey into the sexy and pulsating
beats that made hips move and shake. “(You Got Me) In The Mood”
was one of the big 1979 surprises but came at a time where the
music faded into a message of the dance backlash – however for me
it still represents good energy and uplifting energy – that is
what disco was all about.
I have taken the 12” version of
“(You Got Me) In The Mood” along with the B-side instrumental
titles “Moody:” and reworked the frenzy into a new ReStructure
Mix. There are a couple of new surprises sampled in and a couple
of new breakdowns.
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• Catch The Rhythm
(Universal Mood) - Glenn Rivera
ReStructure Mix -
Caress
Caress is a Euro-disco project from Boris
Midney – an innovative arranger, composer and producer. His
projects from the start were an experimental edge in the late 70’s
beginning with USA European Connection (“Come Into My Heart/Good
Loving”) which initially was overlooked on dance floors but soon
after became the new technical sound of disco music. He then
followed with Beautiful Bend which was a masterpiece of disco
elements with a swirling orchestra lifting the melodies and funky
accompaniment. It was his style which created a cult following and
this project called Caress where he began o shift his sound into a
new audience and period of dance music.
I have taken the
album version of “Catch The Rhythm” and re-edited a new
ReStructure Mix to pay homage to Boris Midney’s genius and the
lovely melodies he has given dance floors to sway and move to.
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• Love Fever - Glenn Rivera
ReStructure Mix -
Gayle Adams
Gayle Adams is a funk/disco vocalist who
emerged in 1980 on the New York disco label Prelude Records.
Produced by Rodney Brown and Willie Lester who also gave us Sharon
Redd’s “Can You Handle it” and Bobby Thurston. This brand of New
York funk helped the 80’s to move into a new direction and also
kept the hardcore underground club feel intact. “Love Fever” was
released in 1982 and is a great outline of the Gayle Adams
delivery that made her a big dance floor favorite.
I have
taken the 12” vocal and instrumental of “Love Fever” and reworked
a new ReStructure Mix with more of the groove and sharp edges
which made this one a top pick. It still moves along with Gayle’s
funky edge and brings out more of the beat and breaks in a new
way.
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• Bad Connection - Glenn Rivera
ReStructure Mix -
Strange Affair
Strange Affair is an Italo-disco project
from producer Giuliano Salerni – who also gave us Ultimate’s “Love
Is The Ultimate”, Hi Gloss and Bonnie Boyer. His work was another
European disco venture which played out with full orchestrations
and funky rhythm and bass guitars. “Bad Connection” is from the
first medley on the project where a gay man dials in error a
lonely woman who is willing to have company during a lonely hour.
It is quite camp and plays out with the vocals of Brenda Hill,
Carolyn Mitchell, Joy Lober and Vaneese Thomas in a camp-like
chorus. The ladies also created the vocals for Ritchie Rome’s
African Suite project.
I have taken the album version of
“Bad Connection” and reworked the strings and bass into a new
ReStructure Mix. The longer into showcases the funky guitars and
the fade uses those booming bass drums to exit this sexy scene.
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• Fantasy - Glenn Rivera
ReStructure Mix - The Ritchie
Family
The Ritchie Family project titled “All
Night All Right” from 1983 features Jacqui Smith-Lee, Linda James
and Vera Brown on vocals and was produced by Gavin Christopher and
Jimmy Douglas. “Fantasy” is a single that falls close to the work
in a prior project by Jacques Fred Petrus with a trickling techno
set as the girls lead a sexy and haunting refrain. It is one of
the pieces that I would use for afterhours sets that lead to such
an atmosphere. It is a different feel for The Ritchie Family and
has a nice airy quality.
I have taken the album version of
“Fantasy” and recreated a new ReStructure Mix that takes the
soaring song into a new sensual galaxy. A familiar beat sample is
added along with new percussion to help this mission be a
successful one.
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• Let Yourself Go - Glenn Rivera
ReStructure Mix - The
Supremes
The Supremes in 1977 featured Mary Wilson,
Scherrie Payne and Susaye Greene as the trio. Their single “Let
Yourself Go” produced by Holland, Dozier and Holland was one of
the big records during the underground dance scene of Paradise
Garage which immediately gives this soul number a standing all of
its own. The girls serenade the atmosphere with a light and sweet
message of being who you are is a necessity for the moment so it
also becomes one of the early anthems of the dance floor. This one
shines throughout time with the nice groove pumping out the energy
for the trio to sing out and rejoice about the happiest times on
the dance floor.
I have taken the 7” version of “Let
Yourself Go” and reworked the classic with more percussion leading
the way in this ReStructure Mix. There is a long intro for the
lead into the excitement and a fade out for the cool down.
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• Everything So Good About You - Glenn Rivera
ReStructure Mix - Melba
Moore
Melba Moore is one of the true voices of
soul from the 70’s. She has always delivered a performance which
gives off the innocence of a child who blossoms with emotion and
knowledge. Her career in the late 70’s transformed her instantly
into a dance floor favorite. With big hits like “You Stepped Into
My Life” and “Pick Me up I’ll Dance” there was no keeping her
talent away from those who were ready to express it in dance form.
“Closer” is her 1980 project produced by Bruce Hawes, Victor
Carstarphen and Melba. The initial track titled “Everything So
Good About You” is a disco funk track that became an instant hit
on my dance floor at the time and gave me another opportunity to
program one of my favorite voices once again.
I have taken
the album version of “Everything So Good About You” and reweaved
the song into a new ReStructure Mix. New drums are added to pump
the rhythm track up and also new loop edits to break and rearrange
the original version apart.
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• Let's Stay Together - Glenn Rivera
ReStructure Mix -
Richard Woods
Richard Woods is artist from 1983 who
recorded a cover of Al Green’s soul classic “Let’s Stay Together”
with an electronic arrangement full of sharp slivers of beat and
handclaps. This version was released on Disconet Program Service
Volume 6 Program 8 and was always an alternative for myself during
early evening or after hour’s sets. It moves in a nice vibe and
takes the songs into a new arena that pumps it into a synth-pop
edge. It was never released following this issue so the version
here is as close as it gets.
I have taken the Disconet
version of “Let’s Stay Together” and rewired it for this
ReStructure Mix adding some new percussion and a few snippets of
the original instrumental. It plays out lengthier and has a few
new breaks.
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• Something About You - Glenn Rivera
ReStructure Mix - Angela Bofill
Angela Bofill is a vocalist who began as a
jazz influenced voice with many recordings that placed her in a
unique start. Following the direction of ballads which outlined a
love story of either new love or heartbreak her direction became
more of an r&b and funk take with her beautiful voice. The 80’s
brought her into a new arena of self-discovery and a new style put
forth by her new label Arista Records and the direction of being a
leading diva. “Something About You” is simply a take on the
pop-dance market with Angela serenading with her voice in a new
arena. She handles this love sonata with all of her sense of
displaying her goods effectively. Produced by Narada Michael
Walden in his prime of creating or rejuvenating talented voices
this one is merely a sweet love song that plays out plainly. One
of the factors which always caught my attention is the guest
musician – Mr. Patrick Cowley brought on board for this one
creates the sweeping hand claps.
I have taken the album
version of “Something About You” and reworked the horns and funk
beats into a new ReStructure Mix. A longer intro using snippets
and pieces of breaks and intros make this a lengthier experience
and more of Angela’s sweetness in her vocals more of a stage.
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• Love Machine - Glenn Rivera
ReStructure Mix - Thelma Houston
Thelma Houston is a disco icon since her
big dance floor hit “Don’t Leave Me This Way” from 1976. Her 1979
album “Ride The Rainbow” featured a cover of The Miracles 1975 hit
“Love Machine”. Thelma takes the song into a new direction where
she directs her awe at her man who seems to know how to work her
in the right way. Produced by Hal Davis and tailored with a few
new riffs to give this soul classic a disco face lift.
I
have taken the album version of Thelma’s “Love Machine” and
reworked some of the elements for this ReStructure Mix. There are
pieces of the original instrumental to give the mix a touch of the
first experience – however, Thelma’s vocals are still the great
part of this wonder.
This ReStructure Mix is dedicated to
Nick Bunning – thanks for the request and the friendship.
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• High Rise - Glenn Rivera ReStructure
Mix - Ashford and Simpson
Ashford and Simpson are musicians,
songwriters and performers who have made music history with songs
like “Ain’t No Mountain High Enough” and “I’m Every Woman”. Their
musical exploration has created a big impact in the industry which
helped to reshape and create paths for musical substance and
fusion of soul and disco music. “High Rise” is a single from their
1983 album by the same name and is a song that outlines a
relationship where the breaks are evident when one leaves for
opulence and a new life outside the mediocre. It was a big pick
for DJs for club play and makes another mark in their songwriting
and performance once again.
I have taken the 12” vocal and
instrumental to recreate a new ReStructure Mix for “High Rise”.
This time around there is a dub-like intro with the bass looping
and a more instrumental path throughout the mix.
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• Breakdance - Glenn Rivera
ReStructure Mix - Irene Cara
Irene Cara is best known for her dance
anthems “Fame” and “Flashdance...What A Felling” during the late
70’s and early 80’s. Her 1983 project with Giorgio Moroder
featured several tracks that became more fan adored with the
production of 80’s synth-pop more favored. “Breakdance” is a
single that became one of the tracks that emerged and is one of
the Moroder-esque sounds of the 80’s with his jittery sequencers
jumping all over the beats. It is a short but mentionable track
that celebrates the 80’s street dance that became one of the
visuals for a new brand of music of the time. Mostly inspired by
rap and street beats this electronic energy driven anthem plays
out like a cascade of keyboards pouring out the mood. It is a
Moroder project that echoes his work during the early 80’s where
he found himself quite busy on many projects.
I have taken
the 12” vocal and dub and reworked a new ReStructure Mix using
loops and edits to revisit “Breakdance”. More of the verses and
choruses are rearranged to give this remix more of a break-down
for the instrumental.
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• Children Of The Sky - Glenn Rivera
ReStructure Mix - Giorgia
Morandi
Giorgia Morandi is an Italo disco project
from producer Toni Verona and features Renata Giorgi on vocals for
this single, “Children Of The Sky”. This is a lovely piece of
Italo-disco with a beautiful instrumental and vocal. The soft and
gentle approach is one of the great sounds of early morning music
where the dance becomes closer to the soul. This one was released
in 1988 on the classic Flea Records label and is one of my
all-time favorite Italian disco songs.
I have taken the 12”
vocal and instrumental and reassembled a new version for this
ReStructure Mix. There is a re-edit of the arrangement and a new
percussion track added to bring it alive once again.
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• Work Me - Glenn Rivera
ReStructure Mix -
Fever
Fever is a band with Dale Reed,
Dennis Wadlington, and Joseph "Joe" Bomback. Their big LP “Fever”
from 1979 is one of the peaks of the disco era with its energy and
segued medleys of nightlife on wax. This was one of the huge DJ
plays of the time and both sides were equally played. Production
is a full on electronic production with a few insets of the teams
horn and percussion talents. Their first single from 1978 – a
disco cover of “Standing In The Shadows of Love” is another mark
in their music history as it was equally as successful and
innovative. “Work Me” is the second track from the medley and
always brought the appropriate energy to follow the first hit
“Beat Of The Night”.
I have taken the album version of
“Work Me” and created a new mix singularly spotlighting it on its
own. A new percussion riff gives the song a new feel and some new
breaks and extended vocals are added.
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• Make Your Move - Glenn Rivera
ReStructure Mix - Joe Thomas
Joe Thomas is a 70’s soul jazz and funk
musician who began his recording career in 1964. His music was
accented by his very well-known flute talents which were always
the lure of each song as he always played with emotion and ease.
Joe’s music was also following the crossover of soul music to funk
which gave his flute performances a whole new stage. “Make Your
Move” is from the 1979 album by the same name and features vocals
by Gordon Grody (credited as Pleasure Palace) who may sound
familiar with Gregg Diamond’s sessions. This release was also a
12” single which moved quite well as a follow up to Joe’s 1978
disco hit “Plato’s Retreat” (featured Diva Gray). The arrangements
were laid out by Brad Baker who also worked on many successful
disco projects in the late 70’s.
I have taken the 12”
version of “Make Your Move” from T.K. Records and reworked a new
intro and fade out for this ReStructure Mix. There are a few new
elements added using the existing drums and fabulous hand claps
track.
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• Y.M.C.A. - Glenn Rivera
ReStructure Mix - Glamorama
Glamorama is a project on Almighty Records
from 1993 produced by Graham Wilcocks and Richard Cottie. This
project featured a cover of the Village People classic “Y.M.C.A.”
– done in complete camp featuring the vocals of high energy diva
Ms. Earlene Bentley. It is a wonderful twist with a whole lot of
essence on the disco diva stance and of course the disco era
itself. The production is laid out in the 1993 fashion with the
Euro-disco flair utilizing heavy bass (house) and plenty of
interjected pieces of orchestrations. It is much more uplifting
with Ms. Bentley at the helm and the play on words during this
arrangement is simply magnificent. This one always reminds me of a
great dear music friend (who left us) Mr. Marty Parriott who
always referred to this version as the Kate Smith version – as if
were here following the “Star Spangled Banner” salute.
I
have taken the 12” version of Glamorama’s “Y.M.C.A.” and dressed
it up for this ReStructure Mix. There are pieces of the Village
People original scattered around this edit and more dub effects to
give the length of the mix more opportunities to get lost in.
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• What You Won't Do For Love - Glenn Rivera
ReStructure Mix - Denie Corbett
Denie Corbett is a vocalist from the disco
era whose first single from 1979 titled “Be What You Are” was
produced by Joe Bataan. Her second 12” single released that same
year is “What You Won’t Do For Love” which is one of the last
driving disco tracks at the end of the era. This one has an
ominous energy and drive and powerful disco-diva performance from
Denie. It was always one of those big gay male discotheque anthems
for me with its strong and powerful female vocal and the
underground rhythm tracks along with soaring strings. This was
return to the independent sound of pure disco –perhaps the first
time Grace Jones’ “Do Or Die” affected the dance floor!
I
have taken the 12” version of “What You Won’t Do For Love” and
revisited this energy to create a new ReStructure Mix. There are
more breaks and a play with the chorus inside the mix. It is a
tribute to the finale days of pure disco.
This ReStructure
Mix is dedicated to Nick Bunning – thank you for your friendship
and inspiration!
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• It's A Love Thing - Glenn Rivera
ReStructure Mix -
The Whispers
The Whispers are a soul group that was
formed in 1964 and recorded up to 2000. Their harmonies and
soulful vocal arrangements are the real advantage of the ensemble
and although time has moved and given their music a new sound the
essence are The Whispers themselves. “Imagination” is their album
from 1980 produced by Dick Griffey and The Whispers. “It’s A Love
Thing” is the funk touch of tight early 80’s dance grooves. It is
the old school that stands out among the class as most of the
music from Solar Records has. It is a love song that brings out
the men in a wonderful serenade that reaches peak after peak and
even throughout the verses gives them an opportunity to prove why
their lasting is evident.
I have taken the 12” version of
“It’s A Love Thing” and reworked an edit for this ReStructure Mix
which moves the original vocal into a dub mix. Pieces of the
electronic groove are dissected and rearranged to bring new life
into this old school classic.
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• Welcome Aboard - Glenn Rivera
ReStructure Mix -
Mother F
Mother F is Denis LePage from Lime and
many dance projects including Diva, Kat Mandu, Voggue, Carol
Jiani, Chris Mills and Blush. His work as an arranger and producer
are the pinnacle pieces of the dance movement throughout the late
70’s through the late 90’s. Mother F is his project which
initially compiled instrumental versions of his big dance floor
hits of the early 80’s. “Welcome Aboard” is a single from this
project and is a wonderful cover of The Love Unlimited Orchestra
and Webster Lewis’ 1981 masterpiece. The electronic take and
execution are wonderfully created here and give the track more of
an underground feel. It is one of the great directions which
inform us of where LePage’s inspirations are generated – and this
is a wonderful place.
I have taken the 12” version of
“Welcome Aboard” from Mother F and recreated a new ReStructure Mix
for prosperity of the movement itself and Mr. Lepage. The
expression here is to spotlight the rhythmic pieces of the song
and give it more of a fantasy club feel.
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• Dancin' In The Key Of Life - Glenn Rivera
ReStructure Mix -
Steve Arrington
Steve Arrington is a soul/gospel artist
who began his recording career in 1978 with the band Slave – known
for his vocal on the track “Just A Touch Of Love”. His solo career
gave us an inspirational dance track from 1985 titled “Dancing in
The Key Of Life” which became a club favorite immediately.
Produced by Keg Johnson and Wilmer Raglin brought to the surface
the garage sound of soul crossing into the 80’s dance circuit.
This drum and percussion sound lead by house-like bass sounds was
an innovative style and helped to pave the wave for a new edge of
music for the dance floor. Arrington gives an incredible vocal on
“Dancing In The Key of Life” and has always made this one sound
like a standard.
I have taken the 12” vocal and
instrumental of “Dancing In The Key Of Life” and reworked a new
ReStructure Mix with a deeper dub feel. There are several new
breaks and also some play with Steve’s vocal track.
This
ReStructure Mix is dedicated to Ray Duran Jr. from Facebook –
thanks for always being so uplifting and reminding me that the
best people are the united in club music!
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• Oxygen - Glenn Rivera
ReStructure Mix - The Blue
August Project
The Blue August Project is dance project
from producer Phil Harding – who also gave us tracks from The
Technos, Norma Lewis, Jackson Moore and Nitzer Ebb. This 1987
release is a club classic in the anthem form. It brought a period
in the late 80’s where the high energy sound was once again
brought onto the spotlight with beauty and the true essence of
disco/dance. It was a breath of fresh air for the time and still
resonates nicely with its crescendos and peaks.
I have
taken the 12” vocal and dub version of “Oxygen” and reworked a
spectacle of an anthem in this ReStructure Mix. There are more of
those echo-claps that bring magic to the beats and a few more
peaks to bring this love song a new life.
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• Morning Music - Glenn Rivera
ReStructure Mix - St.
Tropez
St. Tropez is a disco ensemble produced by
W. Michael Lewis and Laurin Rinder which began as an outline for a
disco concept that was sensual and bold. And although the music
relayed a soft and sexy delivery the production from W. Michael
Lewis and Laurin Rinder played like an orchestral boom full of the
ingredients that disco would become in the late 70’s. “Morning
Music” is a cover of a track releases in 1978 by a cover band from
John Davis titled Siren. This new recording takes the disco energy
of the original and plays it out in a slow driving beat that would
later become a genre of dance music called sleaze. The ensemble
here consists of Mona Lisa Young, Phyllis Rhoades and Lyndie White
is a disco display of sensual drama – a bit over the top but isn’t
that disco music?
I have taken the 12’ vocal and
instrumental of “Morning Music” and reworked a new ‘morning” mix
for this ReStructure Mix. There is more of the orchestral lead in
and a play with some of the elements that give it that intimate
love making sound.
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• Big Fun - Glenn Rivera
ReStructure Mix - Inner City
Inner City is Kevin Saunderson and Paris
Grey (Shana Jackson) – an innovative dance group which began a new
fused sound of techno/electronic dance the heavy bass beats of
house music. The mid-80s were an experimental time for dance music
and the crossover of DJ remixes influenced by their styles became
a sound which utilized looping piano and bass over heavy bass
beats. “Pump Up The Volume” by M.A.R.R.S. being one of the big
radio and club tracks to make a mark in this genre in 1987. The
house sound began as an alternative remix on pop/dance singles
which yielded the underground sound. “Big Fun” was released in
1988 and although it had an extreme impact on the club shift to
house and techno the years prior were definitely a testy of this
formula. The track is simple and dedicated to the Chicago house
vibration with a touch of techno and later to add acid elements to
the mix.
I have taken the 12’ remix version of “Bog Fun”
and reworked the song for homage to the 80’s and early 90’s dance
scene. There are new breaks and parts that move on to new
directions but my focus clearly is to outline that ominous house
sound.
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• Body Party - Glenn Rivera
ReStructure Mix - Brenda
Mitchell
Brenda Mitchell is a project from French
disco producer Pierre Jaubert (Michelle, Chantal Curtis, Ice)
whose music played a vital part in the evolution of disco music.
His work became the link between soul and disco with his 1977 work
under the name Michele and the project which would be picked up by
West End Records and remixed by legendary Tom Moulton. The cross
became the disco that would catapult itself as the outline for the
dance floors of the mid and late 70s. “Body Party” is not just
another link in this direction but also a track that was remixed
by another player in disco history – Patrick Cowley. His remixed
version from 1978 displayed his electronic touches with his
keyboards and synthesizers to add energy and a new innovation as
he did with Sylvester’s “Dance (Disco Heat)” and “You Make Me Feel
Mighty Real”. “Body Party” is the early sound of his later
production with Michele titled “Disco Dance”.
I have taken
the album version of “Body Party” and used the Cowley connection
to heavily recreate this ReStructure Mix. The piece is populated
with Patrick’s work that is well know as he moved into the dance
arena and became one of dance music’s most influential talents.
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• This Happy Feeling - Glenn Rivera
ReStructure Mix - GQ
GQ is a disco/funk band - Emanuel "Rahiem"
LeBlanc, Herb Lane, Keith Crier, Paul Service and Steve Adorno.
Their huge disco hit “Disco Nights (Rock Freak)” from 1979 gave
them the golden opportunity to become one of the recognizable
faces of a time period of dance music. Disco was always defined
with a variation of funk and soul combined with a heavy bass drum
and accentuated strings. GQ is a great demonstration of the disco
sound fused with funk and soul. “This Happy Feeling” is a single
from their 1979 album “Disco Nights” and holds all of the magic
the band created with their talents.
I have taken the album
version of “This Happy Feeling” and focused on the heavy bass
guitar groove as the standar5d for this ReStructure Mix. A classic
riff from Mass Production is sampled to bring old-school and disco
together.
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• Love Is Magic - Glenn Rivera
ReStructure Mix - Midnight Gang
Midnight Gang is an Italo-disco ensemble
produced by Jacques Fred Petrus and Mauro Malavasi both
responsible for disco classics by Macho, Peter Jacques Band, Rudy,
Change, B.B. & Q. Band and The Ritchie Family. The formula which
this pair created in the mid and late 70’s paved a way for a disco
music to achieve a peak and succeed. “Love Is Magic” is from the
Midnight Gang project which features players from various sessions
compiled by Petrus and Malavasi and once again focuses on the
celebratory feel of dance music where lyrics are placed for sound
rather than meaning. The concept is another disco orchestration
from Petrus’ Good Music Production group and includes his
signature style and dedication.
I have taken the album
version of “Love Is Magic” and realigned the song into a new
ReStructure Mix for homage to both Petrus and Malavasi. A new
intro features a Peter Jacques Band classic as a teaser and
eventually extends this uplifting song into a new remix.
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• Tunnel Of Love - Glenn Rivera
ReStructure Mix - Carol Cooper
Carol Cooper is a vocalist who released an
80’s high energy piece in 1985 titled “Tunnel Of Love” – produced
by Guy Ruvolo. This number was a club favorite thanks to its
everlasting riff where a vulnerable heart is ready to give into
strangers attempts. This was rolls out a percussion riff that is
the club sound of the 80’s all in one. Carol’s vocals paint a
wonderfully sweet “Alice In Wonderland” character in club land
being tempted and eventually falling deep.
I have taken the
12” vocal and instrumental of “Tunnel Of Love” and recreated a new
ReStructure Mix. This reedit places more of that hard hitting
percussion track into the story and also the dub elements of the
instrumental are utilizes more thoroughly.
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• Where Is My Man - Glenn Rivera
ReStructure Mix - Eartha
Kitt
Eartha Kitt is a legend in music history.
Her unique vocal and sound is one that helped to create a mystique
on her aura. Many of her years are spent in an arena of being
‘Eartha Kitt” in her own sense. In 1984 she joined forces with
disco producers Jacques Morali and Henri Belolo – better known as
Cant Stop Productions – responsible for projects from The Ritchie
Family, Village People, The Lovers and Phylicia Allen. This once
again camp take on disco music’s lasting edge takes on Eartha in
her own formula where the essence is in her sound and reputation.
“Where Is My Man” was one of the 80’s club favorites for many
reasons and one of them is that is a perfect fit for Ms. Kitt. It
is taking “How To Marry A Millionaire” into a new stage. This one
will always mark the 80’s disco revival successfully and in its
underground self.
I have taken the 12” vocal and
instrumental of “Where Is My Man” and reworked a new arrangement
for this ReStructure Mix. Playing on the teasing aspect of
Eartha’s presence in a new ay with more percussion and loops to
create a new groove.
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• 101 - Glenn Rivera
ReStructure Mix - Sheena Easton
Sheena Easton became one of the 80’s dance
floor buttons to move. Her track “101” from 1988 is a piece
written and produced by Prince. The song is one of the
transformations from pop-dance to an underground flavor thanks to
remixes by Def House and their use of house bass and kick drums.
This one was a big hit in my club and carried through for months
as it blended well with the Italo-house and Chicago bass house
numbers of the time. Sheena delivers one of her lusty performances
which give her the darkness and sensuality of what the dance floor
in a disco realm is all about.
I have taken the 12” Def
House remixes of “101” and recreated a darker yet disco-fied
ReStructure Mix to bring this one back. All of the elements that
make this one tick are still loaded and thumping out the rhythm
and desire.
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• Fire Fly - Glenn Rivera
ReStructure Mix - Azoto
Azoto is an Italo-disco project from
producer/arranger Celso Valli. The disco band was originally
called Lucrethia And The Azoto 14,008 on their first project from
1978 titled “Dance Skinsation” and brought Italo-disco into the
limelight with the uplifting tracks and electronic fused
arrangements. “Fire Fly” is a symbolic love song of a relationship
that only takes place at night – most likely at the club – and the
excitement brings the guidance of a light in dark. The flowing and
bass looping sound is the perfect edge for the oddness of the
Azoto chorus which always has a childlike sound.
I have
taken the album version of “Fire Fly” and used the rolling bass a
new foundation for this ReStructure Mix. It plays out with some
new breaks and segues created with parts and pieces of the songs
riffs.
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• Sweet San Francisco - Glenn Rivera
ReStructure Mix - Queen Samantha
Queen Samantha is a disco project from
France along with producers Harry Chalkitis and Charles Ibgui. The
group vocalist Gloria Brooks is the falsetto diva with a haunting
delivery which always gave this band a somewhat mystical realm.
Their big hit “Take A Chance” from their album “Queen Samantha II”
from 1978 gave them the dance floor as it became one of the big DJ
favorites and dancers release numbers. “Sweet San Francisco” is
from the same project and gives the same edge as this band
promises. It is a flowing piece with a moving wind which brings it
into play as a journey of sorts on the dance floor. Chalkitis
plays a big part of this band as he contributes many instruments
and also arranges.
I have taken the 12” version of “Sweet
San Francisco” and reweaved a new path for this ReStructure Mix.
Pieces of Mike Oldfield’s “Tubular Bells” are placed to present
that harmonic feel for the trip and some new breaks are added and
extended. This one is a tribute to the band and this disco
classic.
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• Love
To The Limit - Glenn Rivera ReStructure Mix - Bridgett Grace
Bridgett Grace is a vocalist from the late
80’s house singer with a voice that set a fashion for the genre
itself. Leading the way for 90’s house like vocalists Dina Carroll
– whose delivery was a lounge standard feel: sophisticated and
beautiful. “Love To The Limit” is one of the pinnacle moments for
Bridgett as this song encompasses the 90’s techno-house sound and
energy with elegance. Produced by Jeff Mills, Mike Banks and
Underground Resistance, which commonly encompassed the Detroit
house sound with other elements. The 1992 release was always one
of my favs and till this day brings back the lovely days of a
disco diva swooning over beats and energy.
I have taken
the 12” on Network Records and reworked the “True Faith Mix”,
“accapella”, and “piano mix” to recreate a new house order
ReStructure Mix. The flow of the underground house still remains
with some new twists and turns. This tribute to the ongoing dance
scene is a landmark for me as it brings to mind a sweetness that
the hard hitting bass and beats can contribute.
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• Love Take Me High - Glenn Rivera ReStructure Mix - Loverde
Loverde is Frank Loverde, Linda Imperial and Peggy Gibson – one of
the first disco groups to enter 1980. Following the loss of
interest that major record labels and the “disco fever” that the
trend seekers who were only involved due to the hype and over
marketing of the word “disco”. Disco was always an underground
concept. The wave from 1977 – 1979 created an audience that were
only along for the ride and until the next trend they could find.
In my opinion the return to underground roots during the early
80’s was the best for the music as it kept those who truly
believed in the meaning and creativity behind the art of disco.
Loverde is one of the San Francisco community disco groups that
included Patrick Cowley and Don Miley. This trio has a bit club
hit in 1982 titled “Die Hard Lover” which remained true to the
disco environment but in a new electronic arrangement which was
more pleasing for a new era and audience. Those who always loved
disco music, unlike the followers were all drawn to projects like
Loverde.
I have taken the 1987 Loverde release “Love Take
Me High” – produced by Leo Frappier and David Diebold (The “High
Energy Igniters”) – and reworked the staple elements of the new
dance floors into a ReStructure Mix. More of the powerful touches
are accentuated to bring this uplifting song into ear candy.
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• Spotlight - Glenn Rivera ReStructure Mix - Elton John
Elton John takes a turn onto the dance
floor in 1979 along with disco producer, Pete Bellotte (Donna
Summer, Trax, Roberta Kelly, Marsha Hunt, Munich Machine). His
project “Victim Of Love” has Elton’s touch on material including a
disco cover of “Johnny B. Goode” – and also includes some of the
Munich disco session minds like Thor Baldurson as arranger. The
cuts are segued as a disco long play mix and utilize the beat with
the hard pounding mechanism which brings the means for a disco
I have taken the album version of “Spotlight” and re-aligned
the energy for a new pumpin’ ReStructure Mix. New eq-effects are
added to re-fliter the song all together for a new time of workin’
it to this track.
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•
Casino - Glenn Rivera ReStructure Mix - Passengers
Passengers is an Italian disco group who
began their big spin on dance floors in 1979 with their album
“Girls Cost Money” produced by Angelo and Felix Piccarreda – and
more notably arranger and conductor Celso Valli (Tantra, Azoto,
Nuggets). “Casino” is from their 1981 project with the disco flair
of the new electronic dance period of the early 80’s and disco’s
reputable chic edge. The fast moving number is a gamblers arena
where one spin or dram may change your life. This production again
gives Valli an opportunity for a simple disco pump and the
vocalists Chuck Rolando, Elwanda Contreras, Gesualdo Arena and
Mary Shaw to deliver a chorus for the excitement and thrills of
their world.
I have
taken the album version of “Casino” and recreated a twist and
regathering of the vibes and fast bass plucks in this ReStructure
Mix. I have added new percussion and redirected the action in
parts to give this one an experience in a new space.
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•
Who Do You Love - Glenn Rivera ReStructure Mix - THP
THP is producers Willi Morrison and Ian Guenther, writer Bruce Ley
along with conducting by Pete Pederson. The session group began as
a project in 1976 titled “Early Riser” featuring a disco version
of the Theme from the television show “S.W.A.T.” – covered by
Rhythm Heritage more successfully that same year. The second and
third projects from THP (Three Hats Productions) were more notable
with the disco-pulsed “Two Hot For Love” and the four piece 40’s
big band infused “Tender Is The Night”. The finale project from
THP is “Good To Me” from 1979 which is a disco-popish dance
extravaganza in the live band fusion meets disco engineering. “Who
Do You Love” is the last track on the album which features
vocalist Joyce Cobb. A wonderful closing to numbers which all
bears a recognizable feature and the bluesy and soulful vocal by
Cobb. THP pours all they have into this project and for one of the
last full-on disco orchestrations and arrangements make this a
memorable listening and dance experience.
I have taken the
album version of “Who Do You Love” and reworked the keyboards and
funk-driven bass guitars into a new ReStructure Mix. I admire the
original arrangements of all Three Hats Productions (THP) and only
focused on creating a new blend of edits to give the music a new
feel.
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• Nasty Disposition - Glenn Rivera ReStructure Mix -
Aurra
Aurra is one of the early 80’s funk bands which consisted of
members of the band titled Slave. This session band began its
recording career in 1980 with lead vocals from Starlena Young
whose voice is most recognizable in the Slave track “Just A Touch
Of Love” from 1979. “Nasty Disposition” is from their 1981 album
titled “Send Your Love” produced by Steve Washington which gives
the funk and disco arrangement its proper blend. The crossover
between the disco era of the late 70’s and the funk edge injected
to save dance music is a big part of this period. Many productions
using the dance formula were lowering BPM’s and giving more
resonance to the 80’s new funk sound and its disco influence.
I have taken the 12” version of Aurra’s “Nasty Disposition”
and reworked a new ReStructure Mix with some segments added to
create some different effects. A new percussion track is added and
used throughout to give this track a new edge.
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• Bad Love - Glenn Rivera ReStructure Mix - Donna Allen
Donna Allen is an incredible vocalist. Her career began as backing
vocals for Miami Sound Machine and eventually leads to her solo
recording career in 1986 and her project “Perfect Timing” produced
by Lou Pace (Timmy Thomas, Nicole). Her single “Bad Love” from
this album was always my choice for an early evening warm-up
following the success of “Serious” which caused a big impact both
in radio play and club dance floors. “Bad Love” is one of those
funk-fests that are powered by Donna’s soulful and powerful vocal.
The electronic street production play along with the tailored sass
and smooth rhythms. One of my favorite vocal performances in this
genre.
I have taken the 12” version of “Bad Love” and
recreated a ReStructure Mix using the beats as a new emphasis on
extending the power of this track. It is longer and more
satisfying to hear Donna serenade this funk trial over and over.
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• On The Beat - Glenn Rivera ReStructure Mix - D.F. & Pam
D.F. and Pam are Daniele Francescon and Mauro Pilato. Their 1983
single “On The Beat” is one of the Italo-disco tracks which helped
me to identify the importance of this genre in the history of
dance music. This one has the feel of energy yet a mild and smooth
delivery of keyboards and synthesizers which give the continuance
of disco music in electronic form its reason. The cover artwork
always reminded me of the early venture from Jacques Fred Petrus
and his production of Change (“The Glow Of Love”) and the lent
title of his B.B. & Q Band track. It would have been robbery had
it been duplicated, but not since the production takes on a whole
new light. This one was always a tug of war on whether to pay the
“a” side vocal or give the dance floor a new experience with the
”b” side dub/instrumental. It is solved here by myself for me by
combining them both.
I have taken the 12” vocal and
dub/instrumental of “On The Beat” and reworked it for this
ReStructure Mix. The rolling bass and funky rhythm guitars are
edited to give this reedit a new shine and direction.
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• No Way Out - Glenn Rivera ReStructure Mix - Doris Jones
Doris Jones is a vocalist who Ian Levine brought to the U.K.K. in
the mid-70’s to record his sound which became a powerful vocal
over his lush and orchestrated disco productions. This sound
became a unique and identifiable edge for Levine as his vocalist
always played to the hilt as the Broadway infused arrangements
were always a sensation on dance floors. “No Way Out:” is the
disco era of divas champion theme where love takes hold and never
let’s goes and the song displays the emotion with a resonating
emotion. It is released in 1977 and is one of the Levine and
Fiachra Trench steps to their eventual mastering of the disco
sound.
I have taken the 12” version of “No Way Out” and
re-dramatized the piece in a new ReStructure Mix for a tribute to
Levine and Trench. There is a longer intro and a few new breaks to
piece out the song in a new way.
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• Pump Up The Jam - Glenn Rivera ReStructure Mix -
Technotronic
Technotronic is a Belgium group produced by Jo Bogaert and the big
club hit “Pump Up The Jam” became the sensation of 1989. Following
house music of the mid-and late 80’s came an experimental period
of beats and eclectic keyboards in many variations which brought
the rave and techno edge to life. Technotronic merged the obscure
sound of rap and acid house into a sound which brought the
elements to a maximum. “Pump Up The Jam” is the starter kit for
techno music and worked in the underground energy into a whole new
edge of music for the 90’s.
I have taken the original 12”
version of “Pump Up The Jam” and reworked a new dance pattern
using a few samples from a classic Earth, Wind & Fire piece and
some disco pieces. This new “pump” works with parts of the song
and recreate then with a new groove and experience.
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• Handsome Man - Glenn Rivera ReStructure Mix - Sparkle Tuhran
Sparkle Tuhran is a vocalist from an ensemble titled Friends who
in 1979 recorded the project titled “Trans Am Dancing” – produced
by Jean-Pierre Massiera, John Brown III and Mike Felder. The track
“Handsome Man” is the dance piece which has become a story on its
own when Larry Levan of Paradise Garage made it a classic by
identifying its raw soulful vocal and unique striped instrumental.
A genre which would later become “garage music” and then later
“house” music following synth-pop. The song was immediately a big
hit among those who following the disco wave returned to the
underground club sound and created a style of music for the early
80s which is now a part of music history.
I have taken the
12” version of “Handsome Man” and reworked a new ReStructure Mix
which lends another ear to the progression dance music of the
early 80s. It will always impact pop and dance music of the future
since songs like this were spinning its own unknown legacy.
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• Just Gotta Tell Her - Glenn Rivera ReStructure Mix - Hot & Cold
Hot & Cold is an Italian disco project from Gianfranco Bortolotti
and Pieradis Rossini from the mid-80’s and following in the
footsteps of session groups like Fun Fun. Their outline is similar
in a synth-pop direction and common sweetness shared. “Just Gotta
Tell Her” is their single from 1987 which sweeps high and low with
a bombarding edge of percussion and synthetic orchestral
movements. The feel of this one is a memorable and melodic journey
which made it a favorite among those Italo-disco followers. The
studio ensemble consists of Angela Parisi, Antonella Pepe and
Ivana Spagna in the chorus giving Italian disco music another
charge of energy and sweetness.
I have taken the 12” vocal
and instrumental versions of “Just Gotta Tell Her” and revamped
the swirling love song in this ReStructure Mix. The heavy drums
and percussion are used again for the base line energy and some
edits and loops work to bring in a new segment of fade.
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• Righteous Rhythm - Glenn Rivera ReStructure Mix - Rose Royce
Rose Royce is a band formulated by legendary producer Norman
Whitfield for the soundtrack of the motion picture “Car Wash”. The
band existed prior to the soundtrack as Total Concept Unlimited
and then during the soundtrack work a new member – the only female
member, Ms. Gwen Dickey became the completion of Rose Royce. The
instrumental pieces of Whitfield’s control of the sessions are
truly the cross between soul and funk of the mid-70s and also a
lead into the disco realm of music bigger than a radio box
exploding in variations.
I have taken the album version of
“Righteous Rhythm” and re-funked a ReStructure Mix to play tribute
to both Rose Royce and Mr. Norman Whitfield. This one focuses on
Whitefield’s psychedelic merge into funk music and gives way to
several new breaks and stages for this dynamite track.
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• Central
Park - Glenn Rivera ReStructure Mix - Martina
Martina is a disco artist from La Drogueria Di Drugolo also known
as Kat Mandu Productions and the production team responsible for
Tantra (“Hills Of Kat Mandu”, “A Place Called Tarot”) and Lama
“Love On The Rocks”, This project titled “Disco Round The World”
was released in 1980 and featured several disco tracks with the
electronic pulse which became the 80’s merge of Italo-disco and
synth-pop. “Central Park” was a single from the album which sounds
more like a move on the high energy tracks with a touch of funky
guitars and some nice groove breaks. It is an obvious salute to
New York’s day and night playground and brings a mysterious feel
to life in this track from Martina.
I have taken the 12”
version of “Central Park” and recreated a new version for this
ReStructure Mix and rearranged the entire son into a new suite.
There are a few new breaks using the keyboards and funky guitar
work for breakdown and more emphasis on the darker edge of the
park.
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• Chinese Ways - Glenn Rivera ReStructure Mix - Secrets Of
China
Secrets Of China is a Belgium Beat project from Herman Gillis, Jo
Casters, Roland and Beelen. Their track “Chinese Ways” from 1988
was a part of the new beat movement of the late 80s. A style that
was by legend, created by slowing down 45 disco electronic tracks
to lower BPMs and exploring the edge of the electronic groove. In
many of the selections from this genre you are only given segments
of rhythms and tracks that are heavily stamped with riffs and
samples. Some samples a bit racy and instigated a cult following.
“Chinese Ways” has a fantastic groove which always caught my ear
and the smooth looping keyboards always were a house-like
experience that was hypnotic.
I have taken the 12” version
of “Chinese Ways” and have given it a new ReStructure Mix adding a
few new samples of Lao Schifrin's “Enter The Dragon” soundtrack.
The piece plays out on its own with the new edit which plays on
that infectious groove.
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I Need A Man In My Life - Glenn Rivera ReStructure Mix - Katie
Kissoon
Katie Kissoon is a vocalist who has appeared on many projects
with artists Love and Kisses, Barbara Pennington, James Wells,
Love Twins, WHAM! and Billy Ocean. Her voice is the quintessential
sound of high energy disco in that she encompasses a sweetness and
range which captures the heart, soul and feet. “I Need A Man In
Life” is her single from 1984 – written and produced by Ken Gold.
This high energy gem is one of the favorites among many clubs with
a fabulous hook which echoes the 80’s dance floor. This one is the
development of disco music in the full force 80’s form.
I
have taken the 12” vocal, accapella and dub versions of “I Need A
Man In My Life” and recreated a new ReStructure Mix to pay tribute
to Ms. Kissoon and her fantastic work. This one gives a street
beat an opportunity to take a play at the mood of this uplifting
song.
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Evolution - Glenn Rivera ReStructure Mix - Giorgio Moroder
Giorgio Moroder is the man who brought disco music into the light.
His talent was a unique presence in the mid-70’s when most of his
success came naturally as he experimented with electronic sound
and transformed rhythmic sessions into intriguing dance music. His
work with moog synthesizers and various keyboard arrangements gave
his music a futuristic aura which was innovative and adventurous
to dance along with. “Evolution” is a piece from his disco-fied
soundtrack to the television show “Battlestar Galactica” released
in 1978. The track stretches across one full side of B into a 15
minute passage of laid back rhythms with his electronic touches.
It is truly one of difference to his work where sequencers are the
foundation for the groove.
I have taken Moroder’s
“Evolution” from the album and transformed parts of the movement
into a true “evolution” of his music genius. Taking pieces of some
of his classic solo work and Donna Summer masterpieces into the
mix. More of the flavor plays into the blend of track which works
to create the Moroder tribute he deserves.
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• Sex Appeal - Glenn Rivera ReStructure Mix - Sophie St. Laurent
Sophie St. Laurent is a Canadian dance project from producers
Anand Maharajh and Paul Klein. This electronic track is from 1983
and its title “Sex Appeal” gives us just that. It is a sexy piece
with a beat street feel and an alluring chorus that exudes a sexy
rhythm. One of the big pieces for me of the time I would have to
extend this one over and over to keep the crowd happy. This one
fits perfectly into the 80s crossover with its erotic style and
the beats bumping all over the place.
I have taken the 12”
version of “Sex Appeal” and reworked a ReStructure Mix and
refocused on a downbeat to shift this remix. It plays out longer
with more of the elements that make it work so well.
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• Brazil - Glenn Rivera ReStructure Mix - The Ritchie Family
The Ritchie Family is Gwen Oliver, Cassandra Wooten and Cheryl
Mason Jacks and their first album “Brazil” from 1975 became the
outline for the disco movement of the mid-70s. This orchestrated
and melodic lounge-esque feel of dance music became the start of a
crossover for club music. They are known for their big disco
classic “The Best Disco In Town” from their standard and even
grabbed riffs from their first project. The sound of big disco
orchestra hit the night clubs at an appropriate time when the
music was outlining the themes and soundtracks for television
shows and motion picture soundtracks. This gave disco music is
swirling strings and definitive horn sections. “Brazil” is a
celebratory number with the ensemble giving it their all for the
crowd and it most likely one of the pieces that make The Ritchie
Family a classic.
I have taken the album version of
“Brazil” and reworked a ReStructure Mix with a few riffs
headlining a new beat driven sound. There are a few new breaks and
some effects to make this one a celebration once again.
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Won't You Let Me Be The One - Glenn Rivera ReStructure Mix -
Michael McGloiry
Michael McGloiry is a guitarist and songwriter who was a member of
the bands Switch and Finished Touch. His solo career began in 1979
with his first single “Love Every Inch Of Me” which he wrote,
performed and produced. It was his second single from 1980 titled
“Won’t You Let Me Be The One” which generated quite a bit of club
play and circulation. This track is a love song with the
soul/disco touch that resonates the New York Disco feel. It is
slick and very melodic and within the first few minutes the rhythm
pulls in your soul and feet.
I have taken the 12” version
of “Won’t You Let Me Be The One” and recreated a new ReStructure
Mix to pay homage to McGloiry and this nice single. More of the
bass synth elements come into play here and some looping are added
for new breaks.
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Nasty - Glenn Rivera ReStructure Mix - Janet Jackson
Janet Jackson, Jimmy Jam and Terry Lewis created a move on the
dance floor which is a memorable one for the mid-80s. The project
titled “Control” was a boost for Janet to stage a new persona and
also a number of dance floor hits. “Nasty” is the track that
blends a street beat fare along with Janet’s new domination. This
one bangs over and over with Jam and Lewis’ play with beats and a
street-sound which not only borrowed from the early 80’s rap scene
but also perfected it. The beats play t like an orchestra of bass
drums and a few percussion riffs. A nice take for the mid-80s and
another path for the dance scene.
I have taken the 12”
vocal, instrumental and accapella to recreate a new venture for
this ReStructure Mix. I break down pieces of the original and then
outline it with a whole new edge. The chorus is a new experience
and gives this one a rebirth.
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• Voices In The Dark - Glenn Rivera ReStructure Mix - Mike
Cannon
Mike Cannon is Giorgio Spagna – an Italian producer in the
Italo-disco genre. “Voices In The Dark” is his 1983 single which
is one of the memorable pieces released on the Italian disco label
Memory Records. It contains some great keyboard riffs that are
reminiscent of Bobby Orlando work and also some nice hooks. The
lead on this one is the eerie subject matter which most likely is
the confidence speaking within our storyteller giving him the
power to succeed, It is laid out quite well and the electro-feel
gives it the unique dance sound the 80’s was clamoring for.
I have taken the 12” vocal and instrumental of “Voices In The
Dark” and reworked a new ReStructure Mix. I broke some of the
pumping bass into pieces and uses parts of the breakdown as a new
foundation for the remix.
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Dirty Talk - Glenn Rivera ReStructure Mix - Klein & MBO
Klein & MBO is an Italian disco project from Tony Carrasco and
Mario Boncaldo during the early 80’s. This electronic piece was an
innovative style for the time since it used many elements of early
house music and a repetitive rhythm which sets the course for a
simple set of verses for the recipe. “Dirty Talk” was a big hit in
the US as well as overseas in many clubs which were lured into the
underground feel of the track. This became one of the champion
sounds of the mid-80s and inspired many productions and
arrangements similar to its sound. This one was a club crossover
as well as an Italo-disco statement once again.
I have
taken the 12” vocal and instrumental versions of “Dirty Talk” and
recreated a new rhythm section for this ReStructure Mix. It kicks
back with the new drum beats and plays out again as a rolling
piece of rhythmic magic.
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• No Credit Cards - Glenn Rivera ReStructure Mix - Amanda Lear
Amanda Lear is one of the unique disco acts from the mid-70’s
whose contributions include a journey into the disco-opera of
Faust In 1984 her single “No Credit Cards” was released and fit
into the club high energy scene and was an outline again for
Amanda’s vocal phrasing and style. The production by Roberto
Gasparini (Alba, Valerie Dore) is a fast moving tale of a woman
who was raised in the jungle finds herself in civilization with
“no credit card” to purchase the diamonds she absconded. A bit of
light hearted laughter in Amanda’s own delivery. The piece reminds
me of a Bobby Orlando track with the percussion and rolling bass
lines.
I have taken the 12” vocal and instrumental of “No
Credit Card” and replaced the very awkward situation in a new
ReStructure Mix. A new percussion riff guides the adventure into a
new form.
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Some People - Glenn Rivera ReStructure Mix - Cliff Richard
Cliff Richard is a vocalist and talent who have been recording
since 1959 with a plethora of styles and songs. He is one of
Britain’s foremost music vocalists and has always brought a
romance and emotion to his music which brings us to 1989 and his
project titled “Some People” – produced by Alan Tarney. The title
track has always been one of my favorites from this 80s’s pop
arena. It encompasses an emotional look at view of a love that is
true and existent. One of the great 80’s tracks that did not quite
reach the pop crossover it deserved and with its lasting heart and
soul is a track that I get lost in even today.
I have taken
the 12” version of “Some People” and recreated a more energy
driven ReStructure Mix for a new visit to this anthem. The vocals
are given a longer stage to spread love and care.
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Burn It Up, Mr. D.J. - Glenn Rivera ReStructure Mix - Risqué
Risqué is an electronic dance band from The Netherlands - Denise
van der Hek), Donna Baron, Ingrid de Goede, Irene van der Hoeven.
Their 1983 single titled “:Burn It Up (Mr. D.J.)” was an awaited
release from the group who scored a place on dance floors a year
earlier with “Girls Are Back In Town” – both produced by Coen Bais
(Sensation, Snowflake) and John Tilly (Telekin, Forrest, Future).
This group is one of the stylized girl groups of the 80’s – very
much like Bananarama. “Burn It Up, Mr. D.J.” Is a frenetic piece
that delivers the wonderful energy this ensemble has contributed
to the dance music scene in the early 80’s? The masterful
electronic arrangement from John Tilly plays out marvelously and
gives this number the right amount of pulse it needs.
I
have taken the 12” club and instrumental versions of “Burn It Up,
Mr. D.J.” and reedited a ReStructure Mix to blend more of this
magic in a new way. There is more percussion which stands out over
those silky voices.
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• Love Attack - Glenn Rivera ReStructure Mix -
Amber
Amber is a disco band from 1978 who recorded with The Deep South
Dance Band on three 12” singles. “Love Attack” is from 1979 and
outline disco music at its peak. The bass sequencers pumping the
energy and the chorus girls leading the dance into an uplifting
and melodic experience. It is the style that made disco music the
adoring for many of the time. This one powers up with the concept
of being taken over by and incontrollable urge on the dance floor
and builds over and over and our chorus ignites. This one was an
underground hit and follows the disco era to its finale. The
production is by Carson Whittsett and M. Mullen and gives us that
early high energy feel that rolls on and on.
I have taken
the 12” version of “Love Attack” and re-edited the track into a
new ReStructure Mix. I used the bass synths as a new foundation
and added some percussion to give it more hi-end as well as
energy. He chorus has been broken down into a new arrangement
also.
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• On The Road To Mandalay - Glenn Rivera ReStructure Mix -
Harlow
Harlow is a Canadian disco project from producers Mike Alyanak,
Steve Alexander and Bertch Alyanak – vocals are provided by Joanne
Perica, Johanna Vanderkley and Linda Hanchar. Their big club hit
“Take Off” from 1981 was a high energy baby for dance floors and
where club music was headed in the early 80’s. It was a touch of
the disco fantasy with the chorus girls leading the way. :”On The
Road To Mandalay” is their 1983elease from their “At Midnight”
album. This one as a much an adventure for Harlow once again
taking us on a spiritual adventure into a place of calm and
serene. It is another piece that accentuates the vibe of true
disco in a crossover mode.
I have taken the 12” version of
“On The Road To Mandalay” and reworked the path for this
ReStructure Mix. The track is extended on the breaks and
instrumental parts to give it me of that escape on the dance floor
feel.
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You Know I Like It - Glenn Rivera ReStructure Mix - Nick
Straker Band
Nick Straker Band is one of the groups that helped to move dance
music into the 80’s with their diverse delivery of dance music.
Their 1980 dance track “Leaving On The Midnight Train” is a
venture into the disco/high energy sound and following were a few
jazz-infused tracks which gave them their signature sound. “A
Little Bit Of Jazz” and “A Walk In The Park” from 1979 were both
club favorites and helped to move the dance sound into a new era
of 80’s disco music. “You Know I Like It” is a single from 1983
which gained allot of attention from the jocks who were playing
more of the British jazz sound that allowed a lower BPM funk
style. This one has that shinny effervescent sound which disco
music was known for and made Nick Straker another fond choice for
club music lovers.
I have taken the 12” vocal and
instrumental of ”You Know I Like It” and moved to create a new
element for the chants and rhythm. There is a longer intro with
some new looping effects to give this one more magnetism.
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Perfect Fit - Glenn Rivera ReStructure Mix - Jerry Knight
Jerry Knight is a funk artist from the band Raydio (of Ray Parker
Jr. ensemble) and eventually worked with the duo Ollie and Jerry –
creating the title themes for the “Breakin’” movies (“Ain’t No
Stoppin’ Us”). Jerry’s solo recording career gave us three
projects where the second titled “Perfect Fit” from 1982 is the
single released in clubs which did quite well. His approach
contained the old-school flavor of the early 80’s and in a make
shift of rhythms transitioning without taking away production.
“Perfect Fit” plays out in the electronic funk arena like a Bootsy
Collins piece with a pop-edge.
I have taken the 12”
version of “Perfect Fit” and worked a new ReStructure Mix for
homage to the electronic old school flavor. A new intro of beats
and layers of bass and drum kicks are added to bring this hot
number to another hilt.
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Fuego - Glenn Rivera ReStructure Mix - Mali Carvalho
Mali Carvalho is an Italo-house project from producers Marco
Bresciani and Roberto Zanetti. This curve in 1989 was a surge in
house music created by bands like Black Box and many remixes aimed
at the heavy bass patterns of the Chicago house sound. Italian
producers followed closely from the echoes of Technotronic – a
studio ensemble that utilized heavy bass and looping piano tracks
to forge a rhythmic sound. This track titled Fuego” is one of the
similar pieces which use sampled speech and vocals to create the
pattern of street sound vs house music. Another big influence was
the dance floor hit “Pump Up The Volume” which helped to pave this
structure as an immediate art form for both creativity and cleaver
mixing.
I have taken the 12” version along with the dub
from “Fuego” to recreate a new ReStructure Mix to pay homage to
Italo-house music. More of the bass elements from the dub and
chopped and spliced into a new rhythmic form.
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I'm In Too Deep - Glenn Rivera ReStructure Mix - James Bradley
James Bradley is a soul/disco artist who was a part of Henry
Stone’s disco label Malaco Records. His self-titled album released
in 1979 was produced by Frederick Knight – who also gave us Anita
Ward’s “Ring My Bell”. The single “I’m In Too Deep” is one of the
12” releases from the project and received some play early on and
then vanished out of sight due to the many releases during this
peak year for disco music. This track had some wonderful elements
like many of the tracks on this album. The sequencer shooting
energy into this love song work well with the energy. This one is
a T.K. Records 12” classic and should bring to mind a touch of
soul with the hardcore disco punch.
I have taken the 12”
version of “I’m In Too Deep” and reworked a new ReStructure Mix to
pay homage to both Mr. Henry Stone and T.K. Records. A new base
beat it added to bump it up and also rearranged to bring out the
early morning feel of the mood
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The Love I Lost - Glenn Rivera ReStructure Mix - Seventh
Avenue
Seventh Avenue is a disco project from producers Ian Levine and
Fiachra Trench which transformed into a high energy sensation in
the 80’s. As dance music became less orchestrated and more
electronic the already infamous duo s worked to create some of the
80’s most memorable pieces of work for the dance floor. The
changing ensemble found itself one of the first high energy “boy
groups” as the members were more appealing for covers as time
grew. “The Love I Lost” a cover if the Philly classic recorded by
Harold Melvin and The Blue Notes in 1973 with Teddy Pendergrass on
lead. It is no wonder why this one struck a chord in soul, the
Philly Sound and the emerging disco sound. The emotions being
emulated in the high energy version are a blue-eyed soul rendition
– and done quite well.
I have taken the 12” version of
“The Love I Lost” and recreated a new outline for this ReStructure
Mix. The percussion and drums are emulated in a new edit to give
the track a new energy and also a looping to give it a lasting
feel.
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• Shine A Little Love - Glenn Rivera ReStructure Mix - Les Blues
Belles
Les Blues Bells is a Euro-beat cover of Electric Light
Orchestra’s. Vocals provided by Clara Moroni and Elena Ferretti
and production by Giacomo Maiolini – who helped to keep high
energy music alive and transforming it into a lighter sound called
Euro-beat. It was the darling sound of disco returning in
electronic form. The winding keyboards and rolling bass are the
recipe for this style which was titled appropriately, “girl-twirl”
by my wonderful friend; Dean Ferguson is the 90’s answer to disco
and high energy. This 1992 addition was fast and furious and many
clubs that favored this edge. It is a great uplifting track from
Jeff Lyne and ELO and one of the tributes to the happiness and
excitement they brought to the 70s.
I have taken the 12”
vocal, accapella and dub of Les Blues Belles “Shine A Little Love”
and worked a bit more energy in this ReStructure Mix. The layout
is more on the ricochet loop edits and rolling bass. A house piano
break is added for a taste of ano9ther style of successful music
of the time.
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Another Life - Glenn Rivera ReStructure Mix - Kano
Kano is an Italo-disco project from producers Luciano Ninzatti,
Stefano Pulga and Matteo Bonsanto whose innovative dance hit “I’m
Ready” from 1980 paved a new path for Italo-disco and new
variations of disco. Their 1983 album titled “Another Life” is
their move onto a whole new outline for the project. This deep
electronic “wall of sound” encompassed a whole new drama for dance
music. Although the first Kano project featured vocals from out
creative trio of producers and musicians it was soon that a lead
vocal would take over each track – which became Glen White on the
1981 “New York Cake” album. In “Another Life” these lead vocals
create a wonderful and tragic emotion which haunts the lyrics of a
romance gone astray. It is one of the classics of Italo-disco and
marks a great time for its ventures.
I have taken the 12”
vocal and instrumental of “Another Life” and worked to create a
new ReStructure Mix luring in on the mystery of the song and also
a bit more piecing of its elements. It is intended to salute this
monumental band and also the Italo-disco revolution in dance music
during the early 80’s.
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Laser Light - Glenn Rivera ReStructure Mix - Latin Lover
Latin Lover is David Rienau and producers Mark Kramer and Theo
Werdin. One of the 80’s memorable electronic high energy projects
that two of the tracks that made dance for move over and over –
“Casanova Action” (1985) and “Laser Light” (1986). The synthesized
rolling bass was the immediate draw to these energetic numbers and
also the riffs caught the imagination of DJs and dancers. “Laser
Light” is one of the pounding songs which helped to keep high
energy music alive throughout the mid-80s and create a style that
was imitated through the early 90’s.
I have taken the 12”
version of “Laser Light” and reworked a new ReStructure Mix for a
high energy take on the 80’s again. It works on some fast looping
and a new familiar percussion track from a few years earlier. This
one stays alive longer than expected.
Dedicated to my good
friend and fellow-dancer Tony Fukushima who helped me to keep my
ears open for the best!
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Can The Rhythm - Glenn Rivera ReStructure Mix - Girl Talk
Girl Talk is a duo featuring Julie Wright and Karen Wright in a
high energy mode produced by Stock Aitken and Waterman in 1984.
Their club hit “Can The Rhythm” is a fast moving electronic dance
track that was quite popular in hardcore dance clubs. It features
a touch of street riffs and high energy sequencers competing for
the uplifting vocal chorus. One of the big tracks for my sets
featuring hi-NRG and a lasting effect once you get into the
pulsating sound of this adorable piece.
I have taken the
12” vocal and instrumental versions of “Can The Rhythm” and
reworked a new ReStructure Mix to pay tribute to the duo and also
Stock Aitken and Waterman as they worked prior to Kylie Minogue
and Rick Astley and their many big tracks during the late 80’s.
This one features more of the riffs that power the song and more
of the uplifting energy.
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• Motown Review - Glenn Rivera ReStructure Mix -
Philly Cream
Philly Cream is a studio group composed of players from another
group titled Fat Larry’s Band – also recording under the
Fantasy/WMOT Records label. Their 1979 single “Motown Review” is
one of the exciting tributes (disco style) to the Motown Records
era and the wonderful music it created. The funky guitar riffs,
bongos and drum riffs are the similar sounds of another project
titled Slick (“Space Bass”). The single has a retro feel that
honors the time period and most of all the Motown sound. It is one
of the big radio tracks which also received lots of club play.
I have taken the 12” version of “Motown Review” and
transformed the sound into a new ReStructure Mix. The drums are
used throughout this new version as a new weight for the rhythm
and pieces of Motown are scattered to bring the real deal
together.
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• Everlasting Love - Glenn Rivera ReStructure Mix - Vicki Sue
Robinson
Vicki Sue Robinson “turned the disco beat around” in 1976 with her
huge pop-disco hit “Turn The Beat Around”. From this moment on
dance music became identifiable and full of excitement and an
uplifting Vicki is one of the beloved voices of disco music and
has delivered some of the great dance hits including “Hold Tight”
and “Nighttime Fantasy”. During the 80’s she returned with her
loyal producer Warren Schatz with two incredible cover songs – “To
Sir With Love” and “Everlasting Love”. The Robert Knight hit from
1967 is one of Vicki wonderful vocal challenges with success. It
plays out as lyrical and fluent as the song desires. Schatz’s also
performs well during the 80’s as he strips down the production to
electronic play with a touch of strings.
I have taken
the12” vocal and instrumental of “Everlasting Love” by Vicki and
transformed it into a new ReStructure Mix using the segments that
lay out the songs sweetest pieces. More of the electronic
sequencers and keyboards are used to bring out the hard edge
foundation as the lyrical love song moves us once again.
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• Burning Spear - Glenn Rivera ReStructure Mix - The Salsoul
Orchestra
The Salsoul Orchestra released their ninth project titled “Street
Sense” in 1979 amidst the peak of disco music. This album was
produced and mixed by Mr. Tom Moulton who was a main factor in the
success of disco music and its iconic long sided vinyl mixes. The
band made up of studio musicians who helped to shape the sound of
soul, Philly and eventually disco music were some of the
innovators of talent during the 70’s.“Burning Spear” is an
instrumental piece from the tracks which follows closely the
growth and outline of The Salsoul Orchestra’s sound. A funky
rendition of jazz-like melodies that are transposed to a 4/4 disco
beat. The build and breakdown of musical compositions as this were
always featured as the bloodline to disco music.
I have
taken the album version of “Burning Spear” and focused on elements
that were the rhythmic base of the piece and reassembled them into
a new ReStructure Mix. There are some new breaks and segues to
bring back that feeling of dancing to an adventure all over again.
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Law Of The Land - Glenn Rivera ReStructure Mix - The Professionals
“Law Of The Land” is a track recorded by The Temptations and The
Undisputed Truth in 1973 and produced by Norman Whitfield (Rose
Royce, Stargard, Gladys Knight and The Pips, Edwin Starr). The
song crossed into the realm of disco with it rhythmic edge and
rolling bass parts. It became one of the underground gems of the
dance community and is covered here by a studio group from Belgium
called The Professionals. This cover comes close to original with
an electronic production lifting it into the 80’s synth-pop arena.
It is close to what may have influenced Fancy’s “Come Inside” from
1984 as it shares similar bass and rhythm attributes. The
Professionals version also gives a female vocal that brings the sg
into more of a disco feel. Their version was released in 1985 and
was produced by J.P. Bulté.
I have taken the 12” vocal and
“The Land” versions of “Law Of The Land” by The Professionals and
reedited a ReStructure Mix to pay tribute to this psychedelic and
soulful rendition. It is played out with more of the percolating
sequencers rearranged and pieces of another Motown classic from
The Temptations injected.
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• Loveride - Glenn Rivera ReStructure Mix
- Nuance featuring
Vikki Love
Nuance featuring Vikki Love is one of the freestyle headliners in
clubs during the mid-80s. Their 1984 freestyle classis “Loveride”
is one of the most unforgettable beat driven dance tracks of its
time. Vocals here are provided by Vikki Love and set the beats on
fire all over again as she tells of her deepest fantasy over and
over. It is a soulful rendition which gives an open gate to the
divas of the time for a challenge. It has always been one of my
top plays of the period and still today when I hear that chorus
riff I cannot get it out of my head
I have taken the 12”
vocal and dub of “Loveride” and pay tribute to the freestyle sound
of the 80’s in this ReStructure Mix. It is guided a bit more by
the melodic and sexy vocal by Vikki Love and some of the hard
beats are softened.
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Take Me To The Top - Glenn Rivera ReStructure Mix - Advance
Advance is an Italo-disco funk project from Italian producers
Alvaro Ugolini and Dario Raimondi – who also gave us Fun Fun and
Monkey Business. This piece is one of the New York funk crossover
productions closely immolating the edge that Jacques Fred Petrus
brought with Mauro Malavasi with the band Change. The
extraordinary and melodic feel of the song is captured by vocalist
Tracy Ackerman of studio high energy groups Astaire, Mirage and
Massivo. The keyboards are a longing for the crisp and emotional
effect where dance becomes more of a ritual. “Take Me To The Top”
is one of the hidden gems of Italo-disco in a shift from the
traditional 80’s high energy into an arena of emotions and funk.
I have taken the 12” vocal and instrumental of “Take Me To The
Top” and reworked a new ReStructure Mix from the favorite pieces
of this great recording. I have rearranged the wonderful vocal
into a new layout where the love song becomes the anthem.
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Life At The Outpost - Glenn Rivera ReStructure Mix -Skatt
Bros.
Skatt Bros. are Craig Krampf, David Andez, Pieter Sweval, Richard
Martin-Ross, Richie Fontana and Sean Delaney. This band was
formulated by Sean Delaney and Ritchie Fontana at the tail end of
the 70’s and their first album titles “Strange Spirits” was a
production from the THP team Willi Morrison and Ian Guenther (THP
Orchestra, Grand Tour, The Duncan Sisters, Sticky Fingers,
Southern Exposure). The project included two dance floor hits –
“Walk The Night” and “Life At The Outpost”. The band had a rock
edge with a few remix ventures for the two tracks which caught on
to clubs. “Life At The Outpost” is a slight western flair piece
that has a catchy riff that will stick in your head with a roaring
guitar twang bridge. It was one of the big dance floor numbers in
many of the gay clubs and another shift for dance/disco music
during the late 70s.
I have taken the album version of
“Life At The Outpost” and refocused on the thumping bass chords as
a foundation for this ReStructure Mix. It is not only extended but
also given more of a fade on the exit and a break with a touch of
Glenn Campbell.
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Tempt Me - Glenn Rivera ReStructure Mix - Lisa
Lisa (Lisa R. Fredenthal-Lee) is a singer/artist and high energy
80’s diva. Her big club hit “Jump Shout” from 1982 helped to
revive the dance community into a new era of movement and unity.
Her music was always uplifting and abstract as her persona teased
and delivered. “Tempt Me” is an electronic high energy track
produced by Ian Anthony Stephens and Paul Parker and was released
in 1985. A fast reverberating dance number that explodes
(literally) with excitement and a touch of tease from Lisa’s at
times sexy.
I have taken the 12” vocal and instrumental of
“Tempt Me” and reworked a ReStructure Mix with more advantage to
the percussion riffs and layout. It plays out with more breaks and
looping of the existing parts and some new drum tracks.
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Touch by Touch - Glenn Rivera ReStructure Mix - Diana Ross
Diana Ross released her 1984 album “Swept Away” in 1984 and proved
that this legend goes on and on. This album helped to continue her
iconic career as a pop-icon in the dance arena of the 80’s – a
much diversified time and place for dance music. The track "Touch
By Touch” has always been one of my favorites from the project
since it outlines and uplifting love anthem with a Calypso feel.
It was one that I would play directly from the album cut during
the early build of the evening. The track gives Diana an
opportunity to device her sexy vocals over a rolling dance rhythm
and plays out very well for both.
I have taken the 12”
version of “Touch By Touch” and reworked a new ReStructure Mix for
this Ross synth-pop favorite. I have added a downbeat rhythm track
to kick up the song to a new level.
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The Force - Glenn Rivera ReStructure Mix - Nancy Nova
Nancy Nova is a unique dance artist whose big club hit “The Force”
from 1981 was a refreshing taste of experimental electronic music
with a wonderful strange edge. It was another return to the
innovation of disco music since the mid-70’s when Meco and Rhythm
Heritage were disco-fying popular film and television soundtracks.
In “The Force” Nancy brings here vocals into the memorizing sound
of a 50’s sci-fi flick with a host of thumping rhythm guitars and
a chorus of galactic aliens. One of the big “forces” of the club
underground club scene of the early 80’s. I personally preferred
this one as an after-hours introduction to a new set of dance
music for the imagination however it works in many areas.
I
have taken the 12” version of “The Force” and realigned it with
the 50’s sci-fi/horror film genre in this ReStructure Mix. I have
added a dramatic intro from a soundtrack by Vic Mizzy and the
adventure takes off from there. Nancy phrases the strange
incantations of her new world of “The Force” once again and more
mystery and excitement are evoked by orchestral drums. Hold on!
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You Keep Me Hangin' On - Glenn Rivera ReStructure Mix - Tata Vega
Tata Vega is a Motown artist who began her solo career in 1976 on
Tamla Records. Her voice is recognizable with the soulful and funk
edge she creates with adlibs and delivery. Best known for her
vocals in the film “The Color Purple” where she sang under the
character Shug Avery – produced by Quincy Jones. Tata’s album “Try
My Love” from 1978 featured a classic disco hit “I Just Keep
Thinking About You Baby” and kept dance floors waiting for her
presence once again. “You Keep Me Hangin’ On” is her cover of The
Supremes Motown classic and is produced by Winston Monesque in
1980. The production is an electronic production with a light
touch of funk which supplies a wonderful foundation for Tata to
play out her style in this recording. More of her soulful talents
are drawn out and spotlighted throughout the arrangement.
I
have taken the 12” version of “You Keep Me Hangin’ On” and
reworked the keyboards and Vega’s unforgettable vocals in this
ReStructure Mix. New drum tracks pound out more of the rhythm and
a lengthier intro leads here.
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Guilty - Glenn Rivera ReStructure Mix - Hotline
Hotline is a studio project from producer Bobby Orlando and
outlines the synth-pop 80’s in a high energy light. Fast moving
and erratic sequencers percolate over heavy percussion and bongo
tracks are the production which brought this formula to its
greatest effect in the mid-80’s. Orlando’ Hotline began as a take
on his productions by The Flirts and his big hit with “Passion” –
and his own parody on his music created the formula which many
dancers will remember as infectious and hard to resist. “Guilty”
is another simple melody piece that has the confessions of a
cheating lover who turns themselves in with more resentment and in
this light “rhythm”. It was one of the big identifiers for Orlando
during the time and still a favorite among his followers and me.
I have taken the vocal and dub on the original Memo Records
release of “Guilty” and re focused the pieces into a new
ReStructure Mix. The story is a bit rearranged and reused for a
loop-to-loop transition and a dub-energy.
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