 |
||||
|
||||
 |
||||
 |
|
• Don't Stop The Music - Glenn Rivera ReStructure Mix - Fussy Cussy
Fussy Cussy is Cussy Nicodemo - a disco project which began in the
mid-70’s and on throughout the early 90’s. “Don’t Stop The Music” is
their 1981 single produced by Dominique Nicodemo and Mike Nicodemo -
arranged by Denis LePage (Lime). This wall of disco power ignites
from the moment the first beat hits the floor. One of the big tracks
of that year from my club as it gives out that full bass disco sound
which would soon become “high energy”. The vocals entertain with a
50’s-like charm and the sweeping strings play out a return to the
disco-mirrored ball sound. A nice track that gives off the 80’s
continuum where people were not done dancing yet. |
 |
|
• Night Drive - Glenn Rivera ReStructure Mix - Giorgio Moroder
Giorgio Mororder composed and created the soundtrack to the motion
picture “American Gigolo” in 1980 - along with Harrold Faltermeyer
and Keith Forsey he breaks into soundtracks utilizing the skills
that he worked on from the start of his first disco productions with
Donna Summer and his solo career. “Night Drive” is a movement from
the soundtrack and is an electronic version of the theme from the
film: “Call Me” by Blondie. The mood of this track is a laid back
moment when the film has outlined the situation and our main
character is in his realm. The early recordings with Munich Machine
which Giorgio produced and conducted are similar to this outline and
the arrangement is a new layer for these sessions. |
 |
|
• Is It Love - Glenn Rivera ReStructure Mix - Machine
Machine is a disco/funk band featuring Clare Bathé, Jay Stovall,
Jocelyn Brown, Kevin Nance, Lonnie Ferguson, Melvin Lee and Thomas
Browder. Their big disco hit “There But For The Grace Of God Go I”
from 1979 made them one of the most promising bands of the time. “Is
It Love” is from their second project titled “Moving On” - produced
by Joe Ferla. This piece is one of the funkiest bass guitar riffs
from the time. The plucking works in and over the beats and groove
of this song. It is assuring also that the lyrics project an outline
of that feeling that we all experience when someone special steps
into our lives. A great follow up single and a mark for this band in
their short exposure. |
 |
|
• U Babe - Glenn Rivera ReStructure Mix - Red Fox
Red Fox is an Italo-house project from Falcus & Vangok. Their
releases from 1989 through 1992 were a move to bring the house
excitement of the late 80’s to another peak. “U Babe” is their 1991
release that is as cute as house music gets. Utilizing samples from
Whitney Houston in segments this energetic piece is a celebration of
the love and unity which house music was labeled throughout its club
rein. The frail voice of our tell-it-all diva gives us a rundown of
her spotting that face in the crowd and fantasizing far into a
meaningful yet adoring arena. It has bass thumping prodding at the
center of this sample-esque piece. It is house music moving on and
creating more moves for the dance floor than expected. |
 |
|
• I Like You - Glenn Rivera ReStructure Mix - Culture Beat
Raúl Orellana is a DJ/music arranger from Barcelona who worked
closely with the disco label Blanco Y Negro Music, S.A. throughout
the early 80’s. His release of “Guitarra” in 1988 features guitarist
J. Bonell is a flamenco extravaganza for the dance floor. In the
Euro-house tradition where the heavy bass beats guide along the
Spanish fused instrumental. One of the loveliest instrumental pieces
of the time and a definite start to a period of familiar works being
released of the time. This one guides us into a fantasy that is more
or less real until the dance is over. |
 |
|
• Guitarra - Glenn Rivera ReStructure Mix - Raul featuring J. Bonell
Raúl Orellana is a DJ/music arranger from Barcelona who worked
closely with the disco label Blanco Y Negro Music, S.A. throughout
the early 80’s. His release of “Guitarra” in 1988 features guitarist
J. Bonell is a flamenco extravaganza for the dance floor. In the
Euro-house tradition where the heavy bass beats guide along the
Spanish fused instrumental. One of the loveliest instrumental pieces
of the time and a definite start to a period of familiar works being
released of the time. This one guides us into a fantasy that is more
or less real until the dance is over. |
 |
|
• Accidental Lover - Glenn Rivera ReStructure Mix - Mc Lane Explosion
Mc Lane Explosion is Roland Romanelli of the disco group Space. His
1978 project “Pulsar” is a deeper outline on a few of the big
electronic/new age disco tracks of the time. “Accidental Lover” is
his cover of Love & Kisses 1977 track from their first project
produced and conducted by Alec R. Costandinos. This piece is one of
the first of the Euro-disco productions to make an immediate mark on
dance floors with its heavy string and horn section as well as the
sweet bridges flowing between the need to cease a connection which
obviously is blurred by two who are meeting in private due to other
restraints. Romanelli does a light and complete arrangement and
brings to life this disco overture along with vocals by The
Sweethearts of Sigma. |
 |
|
• Taste So Good - Glenn Rivera ReStructure Mix - File 13
File 13 is an electronic/freestyle dance session with Arthur Ether,
David Witz and Doug Di Franco - and produced by Arthur Ether and
Double Dee. One of the sexiest and tantalizing dance floor tracks as
it tributes the adult phone sex sites of the 80’s. The suggestive
nature is definitely the line between groove and movement more than
anything. Heavy beats and drums pound out the oral delicacies that
this area is far remembered by. There is a drawn out orgasmic feel
to the song and it seems to hit home in many ways on the dance
floor. |
 |
|
• Just How Sweet Is Your Love - Glenn Rivera ReStructure Mix - Rhyze
Rhyze is a disco/soul group formed in the early 80’s and features
"Jojo" McKnight, Charles Holmes, Ellsworth Anderson, Kenneth Hicks,
Kevin Barbee, Richard Menter, Roscoe Taylor, and Vince Jackson.
Their first project is the title of their first dance floor hit
“Just How Sweet Is Your Love” - produced by Paul L. Kyser. The track
is a shift from the energy disco mode into a more soulful and funk
arrangement. This being one of the big songs which created this new
arena at the start of the 80’s this one has a lot of the flair which
disco music left us with in the late 70s. The strings are a
monumental part of the track's groove and along with the vocals are
a more streetwise Philly edge. |
 |
|
• Get It Off - Glenn Rivera ReStructure Mix - Cameron
Cameron (Rafael Cameron) is a disco/funk artist from Salsoul Records
during the late 80’s and was produced by Randy Muller. “Get It Off”
is from his first project titled “Cameron” released in 1980 and is a
stamp in the sound which Muller created with the group Skyy. An
exploration of heavy funk keyboards along with the strings
accompanying the high points of the compositions. One of the
exciting moments of this new edge were the vocals of Cameron himself
and the heavy groove he releases his magnetism on. It is another
moment where Salsoul Records leads the dance floor onto another new
and infectious sound. |
 |
|
• Falling In Love - Glenn Rivera ReStructure Mix - Surface
Surface is a disco/funk group from David (Pic) Conley and Toni Byrd
- their single from 1983 became a huge dance floor hit and gave them
a start to formulate a band which recorded throughout the end of the
90’s. “Falling In Love” is their first single from 1983 and is a
hypnotic funk number which brings to mind a sweetness that is love
in its early stages. The piece features a female vocalist expressing
her love and devotion to a relationship which has transpired and
exudes energy and promise. Released on the disco label, Salsoul
Records it was one of the many crossover disco bands of the time. |
 |
|
• Come On and Dance With Me - Glenn Rivera ReStructure Mix - Suzy Q
Suzy Q is a disco artist created by Jerry Cucuzella and features a
number of vocalists on lead - on the 1989 single “Come On and Dance
With Me” we have Angie Vileno taking over. This electronic dance
track is a mid-tempo hypnotic house track that plays out like a sexy
lure into the groove. It features muh of the space-tastic effects
that these productions used to blend the energy into beats. A nice
riff here makes the song stand out and gives us another opportunity
to hear this studio group play out an infectious track. |
 |
|
• Destiny - Glenn Rivera ReStructure Mix - Vivian Vee
Vivian Vee is a disco singer from Italy who became the “darling of
European disco” following her late 70’s releases and onto her dance
floor career of the 80’s. “Destiny” is from her 1983 project titled
“With Vivien Vee” - produced by Giancarlo Meo. This was a slight
shift from her high energy disco style to a more funk infused
electronic sound. With the success of bands like Change, High
Fashion and B.B. and Q Band the lure of a distinctive groove was
chosen for this project. Vivian is still in her arena where her
vocals display a sexy edge and flow along with the outline here.
“Destiny” is a love song where she exclaims a lifelong love is her
desire. |
 |
|
• Living For The City - Glenn Rivera ReStructure Mix - Sylvester
Sylvester covers Stevie Wonder’s “Living For The City” in 1986 and
takes the soul classic into a vibrant disco arena. Released on
Megatone Records and produced by Sylvester, this mid-tempo dance
track captures more of the mood of the song with touches of gospel
featuring Jeanie Tracy, Tramaine Hawkins and Lynette Hawkins Stevens
on backing vocals. One of the 12” singles Sylvester would release
following his signing to major recording label Warner Bros. Records.
A classic turned classic again with the help of our disco diva,
Sylvester! |
 |
|
• Words - Glenn Rivera ReStructure Mix - Missing Persons
Missing Persons are Dale Bozzio, Warren Cuccurullo, Terry Bozzio,
Garry Guttman, Patrick O'Hearn and Chuck Wild. “Words” is from their
1982 EP titled “Missing Persons” and was produced by Ken Scott. One
of the truly new-wave / synth pop bands who helped set the stage for
the 80’s crossover of a hardcore new wave vibe with dance floor. The
basic meaning of “Words” is that no one is really paying attention
so why bother with them. It is a hardcor rebellion done in a
somewhat fun manner. Perhaps some of the meanest bass guitar riffs
and of course along with Dale’s cool hiccup style delivery this one
is a dance floor classic. |
 |
|
• Harlequin Tears - Glenn Rivera ReStructure Mix - Hohokam
Hohokam is Andy Reilly, Dave Earl, George Kamm, Melanie Redmond,
Steve Devier and Tony Edwards - a synth-pop ensemble produced by
Gary Numan (“Cars”). Their 1985 single “Harlequin Tears” is one drum
fest which plays out as a direct heartbreak in reverse as this one
turns away from the pain and asks a simple question of heart and
emotion: where is your heart? This one is one of the energy choices
of the alternate sound of the mid-80s and is still a favorite of
mine. |
 |
|
• Dreams - Glenn Rivera ReStructure Mix - Gabrielle
Gabrielle is a r&b singer from Britain and has one of the most
unique voices of the 90’s. Her 1993 hit “Dreams” relays a bit of
mysticism thanks to her style and delivery. The song was an instant
dance floor hit with a couple of power “house/club” mixes on the 12”
which gave the track an extended feel with plenty of looped and
trigger mixes. The track was produced by Richie Fermie and is from
her project “Find My Way”. |
 |
|
• Whirlpool - Glenn Rivera ReStructure Mix - Edwin Starr
Edwin Starr is a soul/disco singer who began his recording career in
1968. His voice is one that is recognizable for its power and
emotion and he gives his own “soul” in each song. “Whirlpool” is a
single from his 1980 project “Stronger Than You Think I Am” -
produced by Edwin. The track is a teasing number of an attraction
and the pulasting effect it has on emotion. Outlined as going round
in circles due to the outcome of a dramatic outcome. The production
is in the 70’s tradition complete with horns and an opportunity for
Edwin to tell his story again with the extent of his masterful
voice. |
 |
|
• I Cry For You - Glenn Rivera ReStructure Mix - Bobby 'O'
Bobby O is Bobby Orlando - a dance music producer who began in the
late 70’s and covered the 80’s with his unique style of music. “I
Cry For You” is a single from his first project titled “Freedom In
An Unfree World” from 1983. This mini street-opera is one of the
tracks of that year which combined the hatching sound of high energy
music with the drama of disco. The lead female vocal is fabulous as
she croons of being left alone with perhaps a child and yet her
suitor is trying to overcome his own masculine identity. The full on
electronic arrangement makes worthwhile of orchestral strikes
outlining this dance classic. |
 |
|
• I Can See Clearly - Glenn Rivera ReStructure Mix - Debbie Harry
Debbie Harry is a 70’s, 80’s and 90’s icon. She created her own aura
and sound which still rings out in her music today. “I Can See
Clearly” is her 1993 single from her project titled “Debravation” -
produced by Mr. Arthur Baker. This piece has Debbie’s iconic lulling
and sensual delivery which outline an awakening from a connection
which had become blurry with lies and inconsistencies. Eventually
she pleads to return before the incident and plays out the
heartbreak with a mystic. It is a touch of the “rave” scene in this
dance version which gives sharp jabs of hardcore dance floor techno
influence. |
 |
|
• Night In Motion - Glenn Rivera ReStructure Mix - U 96
U 96 is a German techno group featuring Ingo Hauss and Hayo
Panarinfo. Their compositions became very popular on dance floors
during the early and mid-90’s. “Night In Motion” is from 1993 and
was a popular track among hardcore and experimental dance floors. A
series of catchy vocal riffs are the main attraction here along with
the darting keyboards weaving a pattern that is somewhat melodic. A
very deep dive into the industrial sound which emphasises the bass
sequencer with a deep roar. One of the tracks that kept dance moving
during weekend peak hours also. |
 |
|
• Full Circle - Glenn Rivera ReStructure Mix - Company B
Company B is a female trio featuring Leslie Livrano, Lori Ledesma
and Susan Johnson - produced and conceived by Ish Leshma (Foxy).
“Full Circle” is their 1987 follow-up to their huge club hit
“Fascinated” from 1986. The electronic arrangement is the Miami
freestyle which began formulating in the early 80’s as a result of
early rap and street beat music. The emphasis here on “Full Circle”
is the magic sound which Ledesha created which features the hard
beats kickin’ energy along with the rolling keyboard accompaniment.
This love song demands a lover to take part in the completion of a
love connection and move into the next phase of romance. It is as
exciting as their first big hit and moves with a sassy vocal which
evokes attitude and a slight alternate edge. |
 |
|
• Twenty Questions - Glenn Rivera ReStructure Mix - Tictoc
Tictoc is a synth-pop band from Canada with John DeFino, Ray Borg,
Serge Porretta and Tevan Kaplan. Their 1983 single “Twenty
Questions” is from their project “Where The Picnic Was” - produced
by Terry Brown. The track has an infectious electronic arrangement
for caution as a heartbreak may lend to insecurity in new
relationships bringing on “twenty questions”. One of the powerful
synth-pop treatments of the time with some assistance in the mixdown
by Chris Barbosa of Shannon (“Let The Music Play”) fame. This one
stands out thanks to its slick simplicity and also the clever use of
rhythm guitars and keyboard riffs. |
 |
|
• Down On The Street - Glenn Rivera ReStructure Mix - Shakatak
Shakatak is an English jazz/funk band from the early 80’s who
released several great dance tracks during their creative spin.
“Down On The Street” is from their 1984 project by the same name -
produced by Nigel Wright. One of the uplifting songs of that period
which display positive and beautifully arranged dance numbers.
Plenty of those horns blaring out the celebration which are
complimented by lead vocals from Jill Saward and backing vocals from
Tracy Ackerman. This is a wonderful 80’s funk/dance number which
always gives off a great vibe. |
 |
|
• Magic Fly - Glenn Rivera ReStructure Mix - Space Lovers
Space Lovers is an electronic dance project from Italian producers,
Danni Demaldé and Tommaso Cariati also known as Evans and Fisher.
Here they cover Didier Marouani’s “Magic Fly” which was originally
recorded in 1978 and was a crossover of a New Age theme into the
disco realm. The single was also covered by Kebelektrik whose album
was released on Salsoul Records and a 12” single on TK Records. The
track is a wispy melody which strikes into a powerful crescendo
throughout parts of the song. Here in Space Lovers it is approached
with a New Beat/Belgium Beat edge which was a style created in the
mid-and late 80’s. It has a pulsating bass which takes over much of
the new version and hearing it in a new context is always
interesting for a classic. |
 |
|
• Let Me Be The One - Glenn Rivera ReStructure Mix - Expose
Exposē is Ann Curless, Gioia Bruno and Jeanette Jurado - a pop-dance
trio created by producer Lewis A. Martineé. Their success throughout
the mid and late 80’s was due to tracks like “Point Of No Return”
and “Come Go With Me” - a combination of pop and Latin freestyle.
“Let Me Be the One” is from their 1987 project titled “Exposed”.
This love song has several wonderful melodies which flow nicely over
the heavy street beats and keyboard riffs. It is one of the group's
most memorable tracks and has a lasting feel as the lilting
harmonies fill in the sweet arrangement. |
 |
|
• Sugar, Sugar - Glenn Rivera ReStructure Mix - Learner's Permit
Learner’s Permit is an electronic dance project from David Gamson -
who was originally a keyboard player for the group Scritti Politti.
This project was a cover of The Archies 1969 pop-hit “Sugar, Sugar”
(sung by Ron Dante) and transforms the hip-shakin’ 60’s track into a
pop-synth number. The keyboards are a bit programmed as an Atari
game and play out more in a camp outline as do the vocals. It is an
early 80’s experimental track which takes the original into a whole
new realm. |
 |
|
• Soft Emotion - Glenn Rivera ReStructure Mix - Azoto
Azoto is a disco group from Italian producer/arranger Celso Valli
who also brought us his work from Tantra, Passengers, V.I.S.A.,
Lama, Nuggets and Future State. Their 1979 project titled “Disco
Fizz” is a classic work from Valli that brings disco music from the
late 70s into a new age. “Soft Emotion” is a track from the album
which brings some of the magic of European dance music. The song has
a whispery chorus speaking about the excitement that love has
brought and of course the silliness it can create with
over-findness. The arrangement has wonderful rhythm guitars which
pluck their way into beautiful mandolin segments with the lush disco
strings accompanying. It gives off the dedication of the funky
rhythmic edge and also the light hearted chorus reciting the lure of
love. |
 |
|
• We've Got To Live Together - Glenn Rivera ReStructure Mix - R.A.F.
R.A.F. is Mauro Picotto - a techno-house/rave project that released
several singles in the early 90’s. “We’ve Got To Live Together” is
from 1991 and features samples by Tata Vega from the Blind Truth
single “Why Can’t We See” from the same year. This one aims at the
classical string piece which drops in among the fast edged rave
keyboards and thumping house beats. It is one of the techno/rave
pieces which placed it in underground and hardcore clubs as a fav.
|
 |
|
• Where The Boys Are - Glenn Rivera ReStructure Mix - Linda Imperial
Linda Imperial is one of high-energy music’s lasting talents. Her
recording career in the trio called Loverde featuring Frank Loverde,
Peggy Gibbons and Linda - releasing big clubs hits “Die Hard Lover”
in 1982 and eventually going solo in 1985 where she recorded her own
dance floor classics “Stranger”, “Fire”, “Killing Me Softly”, “Get
Here” and “Where The Boys Are” from 1998 - produced by Chris Cox.
Linda’s treatment of the 1960 Connie Francis song “Where The Boys
Are” and also from the light hearted comedy/romance film by the same
name is flawless. The energy is driven by Chris’ pumping techno
arrangement and presents a stage for Linda’s fabulous rendition of
this classic. This single also gives us an opportunity to hear
Linda’s vocal range and dedication to her craft. |
 |
|
• Don't Lose The Magic - Glenn Rivera ReStructure Mix - Shawn Christopher
Shawn Christopher gave house music a lift in the early 90’s. During
a transition where the deep bass and beats were formulating a rave
and techno fusion tracks like Shawn’s “Another Sleepless Night” were
integrating the best of Chicago house and the new dance floor sound
of the early 90s. “Don’t Lose The Magic” is her 1992 release from
her project which was produced by Mike "Hitman" Wilson. This love
sonnet is a melodic track with the pumping bass along with Shawn
making us believe in her own “magic”. This one is the weapon a man
in the booth would save for that moment on the dance floor when ears
and feet were at their most alert and ready to move. |
 |
|
• Running From Paradise - Glenn Rivera ReStructure Mix - Hall and Oates
Daryl Hall and John Oates are a pop duo who began recording in 1972
and released projects throughout the 70’s, 80’s and 90’s. The disco
era brought many artists and bands onto the dance floor to create
their own magic in the disco world. Hall and Oates released their
1979 project titled “X-Static” with their track “Running From
Paradise” blending their harmonies in a song which outlines a suitor
attempting to lure a love interest into a more than rewarding
situation. The heavy drum beats, bongos and electronic riffs are the
elements which make this duo use their own flair in a new genre of
music for their repertoire. |
 |
|
• Secret Love - Glenn Rivera ReStructure Mix - Viola Wills
Viola Wills is a landmark dance artist whose career during the 70’s
and 80’s brought many magical moments to the disco floor. Her voice
is a gentle interpretation of love, heartbreak and life’s wonders in
many of her songs. “Secret Love” is Viola’s cover of the 1953 Doris
Day track from the film “Calamity Jane” - and is produced by Jerry
McCabe and was featured on her 1980 album, “If You Could Read My
Mind” and then re-released in 1989 with a remix by Martin Rex. This
beautiful number is again given the Viola treatment where verses are
gentle and sweet yet the chorus takes us to a crescendo of energy as
she belts out the confession. It is surely one of he memorable
recordings and gives the original a lasting legacy. |
 |
|
• Paradise - Glenn Rivera ReStructure Mix - Gregg Diamond's Bionic Boogie
Bionic Boogie is a disco ensemble created by producer, musician and
arranger Gregg Diamond during the mid-70’s. The studio vocal
sessions included Gwen Guthrie, Luther Vandross, Cissy Houston, Zach
Saunders, Ullanda McCullough and David Lasley. The formulation of
Bionic Boogie holds the fusion of funk and soul into disco creating
an orchestrated arrangement along with the guitars branding a more
sophisticated flair. “Paradise” is from their 1978 project titled
“Hot Butterfly” which becomes the project where it is evident each
vocal movement has become arranged by Luther Vandross. The layering
of vocals on this track gives off a magic which works with Diamond’s
arrangements and moves this second recording for Bionic Boogie a
step further for disco accolades during this period: the heyday of
disco music. |
 |
|
• Music Is My Thing - Glenn Rivera ReStructure Mix - Samantha Gilles
Samantha Gilles is a high-energy artist produced by Fonny De Wolf
(Rofo, Lazer Dance, Michael Bow, Charity and Bianca). The voice is
the alluring sweetness which disco music made a staple of. “Music Is
My Thing” is a serenade from Samantha where she exclaims the
excitement of her motivation behind the talent. More in the energy
of tracks which are smooth and yet contain the high-energy
ingredients like heavy beats, rolling bass and percussion. This 1985
single is from her project “Love 4-2” which also has her big club
hit, “Let Me Feel It”. A lyrical piece of high energy with a mild
approach and Samantha laying down her sound to move to. |
 |
|
• Jump The Gun - Glenn Rivera ReStructure Mix - The Three Degrees
The Three Degrees are Sheila Ferguson, Valerie Holiday and Fayette
Pinkney - and their big disco project from 1978 is “New Dimensions”
produced by Giorgio Moroder. This being one of the sensations of
music for the time period: the vocals of The Three Degrees and the
sharp electronic sound of Moroder. “Jump The Gun” is from their 1979
follow-up project titled “3D” which was also produced by Giorgio
Moroder. This ticket was yet another disco gem for both producer and
the ladies where the project provided the right balance of
dance/disco tracks along with beautiful ballads. “Jump The Gun” is
the headliner warning from the ladies warning an excitable beau that
taking the steps slowly is the only way to move on in romance. The
heavy guitar work gives the song a touch of disco/rock along with
the Degrees burning up the track. |
 |
|
• Comanchero - Glenn Rivera ReStructure Mix - Comanchero
Comanchero is an Italian-house project which brings a classic dance
track from 1984 titled “Comancero” and was released under the title
Raggio Di Luna. This 1989 release takes the original into the
bass-driven house arena where the track is sped up yet retains the
magic of the original melody with enhanced energy. Produced by Mario
Bortoletto and Sergio Dall'Ora - this one gives way to a whole new
power for the song and also a lift into the late 80’s where house
music had formed its roots and stamped its sound on many covers and
remakes. A great Italian dance production and a sound which labels
the 80s and early 90s a dance haven. |
 |
|
• Mighty Fine - Glenn Rivera ReStructure Mix - Peter Jacques Band
PeterJacques Band is a disco session from producer Jacques Fred
Petrus and arranger Mauro Malavasi. Their first project titled “Fire
Night Dance” from 1978 was an innovative display of electronic disco
music breaking the standard mold and arrangements. Many of their
projects to follow also inherited the attributes - including Macho,
Caprice, Change, Rudy, B.B. and Q Band, Revanche, High Fashion, Zinc
and Midnight Gang - as well as productions with Ritchie Family.
“Mighty Fine” is from their 1980 project titled “Welcome Back” and
follows the sound created for their session project of the time
period titled Change. More of a funk-disco experience with slick
guitar work and again the fantastic vocal arrangements which were
led by Luther Vandoss. |
 |
|
• In Motion - Glenn Rivera ReStructure Mix - Freda Payne
Freda Payne is a soul vocalist whose recording career began in 1963
and moved throughout the 70’s where her big hit titled “Band Of
Gold” from 1970 made her a household name. “In Motion” is a 1982
release produced by Leon and Edmund Sylvers (of The Sylvers). This
electronic dance/funk track is an echo of the early 80’s sound which
was led by Evelyn King, Meloba Moore and O’Brian/ A nice airy sound
where the groove was the emphasis and bass guitars plucked out the
rhythm. “In Motion” gives Freda another chance to present her talent
in a new arena during a long and many years of dedication to her
music. |
 |
|
• Mission - Glenn Rivera ReStructure Mix - Motive 8
Motive 8 is Steve Rodway along with Angie Brown on the diva end.
“Mission” is their 1991 single which blasts out the formula of the
early 90’s in an explosive package. The kick beats here are not
tame. A full-force energy of techno and Euro-house unite here with a
dreamy feel in areas of the track. One of the dance-rap pieces which
solidify the dance force needs and also the impact that is needed
for this period of unification. |
 |
|
• More Than A Memory - Glenn Rivera ReStructure Mix - Anita Pointer
Anita Pointer is the second to the eldest of the Pointer Sisters
trio and takes a moment to present a solo project along with
producer Naratha Michael Walden. From her project titled “Love For
What It Is” from 1987 this single echoes the pop-dance beauty of the
repertoire which they played out in the synth-pop 80’s. “More Than A
Memory” is a track asking a new romantic involvement to please feel
deeper and love deeper so that the bond can be strong and survive.
It is a wonderful performance from Anita and she displays the light
emotion necessary to bring a nice essence to this song. |
 |
|
• They Say It's Gonna Rain - Glenn Rivera ReStructure Mix - Hazell Dean
Hazell Dean is a high energy artist whose career in dance music
began in 1983 with her big hit “Searchin’ (I Gotta Find A Man)”. She
instantly became a part of dance floors as she delivered many
classics and club favorites that still resonate a period of
beautiful heartbreak and love songs to move with. “They Say It’s
Gonna Rain” is one of Hazell’s unforgettable tracks released in 1985
and was produced by Stock, Aitken and Waterman. A song of a romance
soon to end and yet the word has yet to be spoken of. One of the
emotional dance tracks of the time and a wonderful arena for
Hazell’s lyrical vocal style which expresses emotion in a powerful
way. |
 |
|
• Hip Hop - Glenn Rivera ReStructure Mix - Chris Cuevas
Chris Cuevas is a singer who became the winner of “Star Search” at
the age of 14. His career led him into a recording contract with
Atlantic Records and his release “Hip Hop” was from his 1991 album
“Somehow, Someway”. The track is a house infused number which
features a dub mix from Masters At Work where the groove is placed
into a serious dance traxx which echoes the early 90s house scene.
This underground sound became the pop-house of the time and still
offers a notable hard beat and some toe-tapping keyboards. |
 |
|
• On The Beach Tonight - Glenn Rivera ReStructure Mix - Cruisin' Gang
Cruisin’ Gang is Laura Fadinger, Ombretta Marsigli and Sabrina
Morroya - an Italo- disco project from 1983 produced by Cruisin’
Records. Their music is a full on electronic production complete
with layers of percussion and some break beats along the way. Their
single “On The Beach Tonight” from 1984 is a lyrical piece that
gives off the light hearted sound of Italian disco music during the
early 80’s. It has a childlike ensemble hom serenade celebration at
the shore following a hectic and pressured day. The piece has many
nice segments which flow into a small adventure as the keyboard
riffs change their playfulness. It is one of the singles from
Cruisin’ Gang which stands out among their wonderful repertoire. |
 |
|
• Strange Love - Glenn Rivera ReStructure Mix - Depeche Mode
Depeche Mode is an English electronic band from 1980 consisting of
Alan Wilder, Andrew Fletcher, Dave Gahan, Martin L. Gore and Vince
Clarke. Their music was a heavy influence on the 80’s and began on
dance floors and in speakers. “Strange Love” is a track from their
1987 project “Music For The Masses” - produced by David Bascombe,
Daniel Miller and Depeche Mode. The years passed and Depeche Mode
always fit in with their incredible use of phrases and potpourri of
keyboard sounds. “Strange Love” is a moody piece reflecting on how a
relationship works on the edge creating questions and pain. It is
one of the tracks which I played most of DP and still resonates as a
mystique in sound and words. A common left feeling front this
talented ensemble. |
 |
|
• Communication - Glenn Rivera ReStructure Mix - The Duncans
The Duncans are Phyllis and Helen Duncan (The Duncan Sisters) - who
were also Sticky Fingers and the vocal ensemble on the second THP
project. Produced by Willi Morrison and Ian Guenther these ladies
took the end of the 70s prisoner with the first solo album which
included their anthem “Sadness In My Eye”. “Communication” comes
from their second solo project where their name change becomes The
Duncans. Once again produced by THP this project is a bit more
stripped yet still has that incredible sound of these ladies. The
track “Communication” gives them another opportunity to harmonize
with a few choruses and segues into the heartbreak here and gives
off that soaring feeling that these women always created vocally. |
 |
|
• Born To Be Wild - Glenn Rivera ReStructure Mix - Jo-Carol with Modern Rocketry
Jo-Carol began her career in dance music as one of Patrick Cowley’s
singers included in his big hits “Menergy” and “I Wanna Take You
Home” from 1981. Her vocals are also on the 1987 cover of
Steppenwolf’s 1968 rock classic “Born To Be Wild”. Creating the
percolating sound of this track are the San Francisco ensemble
Modern Rocketry. This is one of the last breaths of classic high
energy with that Frisco sound. This cover gives us a pumping edge
which plays out with a nice feel for the rough excitement. Jo-Carol
has been involved in many of her own singles during and prior to
this track as well as her participation in the duo Jo-Lo (“Last
Call”). The energy here is a powerhouse delivery and gives a dance
version of the rock classic a nice feel. |
 |
|
• Running In The City - Glenn Rivera ReStructure Mix - Space
Space is a disco ensemble formulated by Didier Marouani and Roland
Romanelli in the late 70s. Their second project titled “Deliverance”
from 1977 features the instrumental track “Running In The City”
which is an early blend of electronic dance music and new age. The
keyboards blend an orchestral flow of lilting emulated strings and
give off an ethereal sound. Much of Space and their sound was based
on the futuristic ideas of time to come and their music fit directly
into this mold all together. |
 |
|
• Japanese War Game - Glenn Rivera ReStructure Mix - Koto
Koto is an Italian dance project from Anfrando Maiola and produced
by Stefano Cundari. One of the early 80s projects which helped to
define Italo-disco in its entirety. “Japanese War Game” is their
second release from 1983 which is a short edged instrumental which
plays heavier on the bass keyboards and sequencer riffs. The formula
that Koto began its dance floor experience is played here in this
arrangement with the breakdowns and electronic crescendos. |
 |
|
• No Parking On The Dance Floor - Glenn Rivera ReStructure Mix - Midnight Star
Midnight Star is one of the 80’s headliner funk/dance bands.
Their 1983 project and single titled “No Parking On The Dance Floor”
is a dance floor classic among the many releases in this genre at
the time. Produced by Reggie Calloway, this album shined with its
far-edged electronic funk sound. The track is a mechanical simulated
arrangement and plays out with the interruption of a vehicle
attempting to park in the middle of the floor where this party will
not have it. It plays out with a great deal of fun and riffs and it
is a part of the Midnight Star repertoire that is timeless. |
 |
|
• Hold Me Tight - Glenn Rivera ReStructure Mix - B.B. and Band
B.B. and Band is an Italian dance group who released their first
project titled “Wee The People” in 1982 - produced by Mario Boncaldo
and Tony Carrasco. The uplifting edge to their dance tracks made an
instant hit on dance floors including “All Night Long” and “That
Special Magic”. In 1984 their single “Hold Me Tight” gave us another
energetic dance piece which displayed the lighter side of their
approach and celebratory sound. This number has several nice riffs
including a pounding drum rhythm which sounds at home on any dance
floor. B.B. and Band gave the mid-80s more reasons to feel the
excitement which dance music always delivered. |
 |
|
• Come And Get Your Love - Glenn Rivera ReStructure Mix - Boys Town Gang
Boys Town Gang is a San Francisco based disco ensemble produced by
Bill Motley in 1981. Their first big single was a cover of the
Motown classic, “Ain’t No Mountain High Enough” and Diana Ross’
“Remember Me” which featured Cynthia Manley on vocals. “Come And Get
Your Love” is a cover of the Redbone pop-hit from 1973/ This
production included Jackson Moore on lead vocals and is from their
second album titled “Disc Charge”. The disco fluff here flows like
magic as Motley was determined to bring the full orchestral and band
sound of disco back to the early 80’s. The guitar riffs and excited
chorus are the lead in on this remake and although it plays out a
bit faster than the original it still gives off that 70s disco
energy. |
 |
|
• I Took His Money - Glenn Rivera ReStructure Mix - Hott City
Hott City is a disco project from producers Jeffrey Parsons and
Jeffrey Steinberg - who also created the project Cut Glass (“Without
Your Love). Their album “Ain’t Love Grand” from 1979 is the process
of disco music throughout the seventies and maturing into
arrangements which were more electronic enhanced. The vocalists on
“I Took His Money” are Mildred Vaney and Ortheia Barnes who also
created a stir as Cut Glass. The hard edged theme here where
desperation leads to a sexual act for finance is played out here
with the direct and effectiveness in the sound of this piece. It is
a part of the now classic project which makes the 70s complete
before passing into the 80s dance scene. |
 |
|
• Gimme The Love - Glenn Rivera ReStructure Mix - Kinky Go
Kinky Go is an Italian dance project from the late 80’s - produced
by Danilo Bastoni, Danilo Bastoni and Gianni Salvatori/ Their 1986
track “Gimme The Love” is a retro take on the Bronski Beat high
energy sound and vocal delivery. It is as moody and somewhat odd in
its delivery yet it plays out well in the high energy realm. The
electronic arrangement is a full orchestral like edge that peaks and
then winds down into a hypnotic new age feel. The energy is full of
what the 80’s were all about and this one made a huge mark for those
clubs who continued to celebrate the high energy sound of dance
music. |
 |
|
• You Feel My Love - Glenn Rivera ReStructure Mix - Evans and Fisher
Evans and Fisher are an Italian house/dance duo who moved onto the
scene in the late 80’s and created a blend of heavy synthesizers and
deep house-like grooves. “You Feel My Love” is their 1989 release
which moves erratic with its key-riffs which pull off that energetic
layer of high energy. The vocals are presented in an over anxious
delivery where a love interest becomes insistent. There are moments
in the song where those swirling electronic strings bring us back to
the disco era and then pull us right back into the 80s high energy
feel. |
 |
|
• Better Be Good To Me - Glenn Rivera ReStructure Mix - Tina Turner
Tina Turner is a rock/pop/dance icon who created a much loved stage
presence in several returns to the music industry. Her biggest
success was 1984 and her project “Private Dancer” which created a
new excitement among new fans of the time period. “Better Be Good To
Me” is a single from this album which became an iconic track for her
longevity and rock edged vocals. The song demands a given on both
sides and with her energy and ferocious approach this one is a
classic on her side. It became one of the big singles from the
project and also a huge hit on many dance floors. |
 |
|
• Touch - Glenn Rivera ReStructure Mix - Secession
Secession is Peter Thomson, Jack Ross, Jim Ross and Carole L.
Branston - a Scottish synth-pop band formed in the mid-80s. Their
dance floor track “Touch” from 1984 is an electronic piece which has
always given me the impression these players were working on a New
Order sound for the time period. Their layering of sounds, off-beat
melodies and new wave vocals give off a flair which became a target
for many dance bands. “Touch” is a moody and longing track which
emphasizes the absence of a lover and the feelings that are
unfavorable. The production from John Rocca works up into a mild
crescendo of exploding keyboard notes and winding sequencers. One of
the hardcore dance palace pieces of the time and a definite edge on
the 80s electronic dance movement |
 |
|
• Miss Chatelaine - Glenn Rivera ReStructure Mix - k.d. Lang
k.d. Lang is a Canadian country/pop singer and songwriter who became
one of the familiar voices of the late 80’s and early 90’s, The
single “Miss Chatelaine” from 1992 is a sleek and Parisian feel
number which gives k.d. many opportunities to accentuate her unique
vocal style and execution. It is one of her most memorable and
continues to create a flair for the dance floor even today. The
track was produced by k.d., Ben Mink and Greg Penny and This one is
a swirling song which brings to mind a comfort for the inner soul
and more movement for the body and is one of my favorite early
morning pieces of the time period. |
 |
|
• Hang On In There Baby - Glenn Rivera ReStructure Mix - Alton McClain and Johnny Bristol
Alton McClain is one of the unforgettable artists of the late 70’s -
along with Destiny they created hits like “99 ½” and “It Must Be
Love”. Johnny Bristol became a part of The Motown Family and
developed a powerful place for himself in the early 70’s with his
big 1974 hit “Hang On In There Baby” which is revived here as a duet
from Alton McClain and Destiny’s project “More Of You” - produced by
Frank E. Wilson and John Footman. This spectacle of a “cover” is one
of the jewels of soul and disco music in its blending of energy and
emotion. Both Johnny and Alton work their own sound into a very
beautiful number here. |
 |
|
• Jeopardy - Glenn Rivera ReStructure Mix - Greg Kihn Band
Greg Kihn Band is a 70’s group whose 1983 track “Jeopardy” gave them
a #2 spots on the Billboard 100 chart. The song is a funky groove
with the band feeding into the possibility of an affair about to
end. An 80’s feel all together in the powerful crossover feel of
rhythm guitars and igniting choruses. The fantastic approach at the
dance market was a huge movement from many rock and pop groups and
the outcome in the best is a single like this. |
 |
|
• Bula Bula - Glenn Rivera ReStructure Mix - Praga Khan
Praga Khan is Maurice Joseph Francois Engelen - a Belgium producer
who worked on several New Beat projects during the late 80’s and
early 90’s. Some of his most memorable were Lords Of Acid and Jade 4
U - it was a new style of music created with the heavy electronic
feel dominating the arrangements. “Bula Bula” is a 1989 single with
a house touch used among the samples of the rock n’ roll classic
“Wully Bully” by Sam and The Sham which was released in 1964 and
also percussion pieces from Issac Hayes “Theme from Shaft” from
1971. The outrageous bass elements bounce back and forth like a
beach ball creating a rhythmic edge for this piece. It is one of the
early New Beat/Belgium tracks which helped to make the genre one of
the successful alternative dance sounds of the period. |
 |
|
• High Society - Glenn Rivera ReStructure Mix - Norma Jean
Norma Jean is a disco/soul vocalist who is also known as one of the
members of Chic. Her solo career began in 1978 with her self-titled
project which included the hit singles “Saturday” and “Sorcerer” -
both produced by Bernard Edwards and Nile Rogers. “High Society” is
a single released in 1979 and again has the deep bass guitar magic
of Chic and the classic edge of the feat to make it to the top of
success. The riff of the song is the chorus which flows like a magic
proverb taking us into the groove that Edwards/Rogers so
magnificently worked. The string section are the disco sweeping
effects that made the dance floor sway and move throughout the 70’s.
A great track and also one of my favorites in this genre. |
 |
|
• Breakin'...There's No Stopping Us - Glenn Rivera ReStructure Mix - Ollie and Jerry
Ollie and Jerry are Jerry Knight and Ollie Brown - a duo who have
both performed as artists and produced many artists. Their
contribution to the soundtrack for the 1984 street-dance film
“Breakin’” is the main theme “Breakin’...There’s No Stopping Us” and
was written and produced by both. This inspiring piece is a beat-box
driven track which bumps and pounds in and out of every chorus. It
is a positive feel which gives off the 80’s challenges which became
the spotlight for many dance featured films. Production is a full on
electronic arrangement with the soulful vocals of both Ollie and
Jerry lending their efforts to spread a positive vibe at the
dancefloor. |
 |
|
• Lay It On The Line - Glenn Rivera ReStructure Mix - Elaine Charles
Elaine Charles is a high energy artist from Canada founded by Louis
Toteda and her 1987 single “Lay It On The Line” being one of her big
dance floor hits. The track was produced by Teneen Ali and was mixed
down by The Golden Boys using the sample riffs to emphasize its
power. The song is an ultimatum drawn by our heroine who knows
something is going on behind the scenes with her relationship and
she wants to know now. It is a fast moving piece that never gives up
from start to finish and one of the crossover tracks of the time
from Canadian label to US. |
 |
|
• Blade Runner - Glenn Rivera ReStructure Mix - Remake
Remake is a techno dance project from Adriano Dodici, Alex Neri,
Marco Baroni and Mr. Muzak - and also a full dedication to the
trancescene of the early 90’s. Their 1992 release “Blade Runner” is
a dance interpretation of the Vangelis soundtrack to the sci-fi epic
by the same name. This single has echoes of the 70’s electronic age
ignited by Giorgio Moroder with moments where his “Chase” comes to
mind. There is a unique outline where the recognizable melody from
the film becomes the touch of what is needed to make this one work.
There are several sequencers which plot out the rhythm and pull this
one in and out of segments into breaks. |
 |
|
• War Boys - Glenn Rivera ReStructure Mix - Annabella
Annabella is Annabella Lwin - and also the lead vocalist in the 80s
band Bow-Wow-Wow (“I Want Candy”). Her solo career began in 1986
with the release of her project titled “Fever” - produced by John
Robe, The System, Jim Lee, Greg Walsh, and Zeus B. Held. “War Boys”
is the first single release from the album and is a mixture of
street beat and alternative rock. The story here are the fallen boys
who never make it to love in their attempts and even though failure
comes they continue to fight for it. Annabella uses a child-like
voice to relay this lesson and also moves closely to the electronic
and alternative mix. Lots of sound symbolism passes through every
once in a bit along with John Robe’s heavy bass sequencers which
bring back reminiscent of Shannon. |
 |
|
• Visitors - Glenn Rivera ReStructure Mix - Koto
Koto is Anfrando Maiola composing and arranging and produced by
Stefano Cundari. This Italian dance project is one of the classic
pieces of music from 1985 and many keyboard riffs make up each of
Koto’a creations. “Visitors” is a mind bending instrumental which
seems to outline a close look at those mysterious flying ships from
far away. The mood of this one is eerie yet uplifting. The full-on
electronic production works like magic here as the fingers move up
and out to place us right there in the eyes of our “visitors”. |
 |
|
• I Was Born To Love You - Glenn Rivera ReStructure Mix - Freddie Mercury
Freddie Mercury began his solo career in 1985 with his project “Mr.
Bad Guy” which was self-produced. At the time Freddie was known to
believe that people wanted to dance and his dedication came by
creating a project with dance tracks. “I Was Born To Love” is a
crescendo of romance in a love song and glares over the dance floor
like the finale of an opera. It is quite the dramatic feel of a love
which needs to be amplified. Freddie’s vocals work well over the
electronic base of this track and flows as lovely as his voice ever
could. There are moments where fireworks could have been ignited and
where the drama hits the bell at the lop of the tower. |
 |
|
• Cream - Glenn Rivera ReStructure Mix - Prince
Prince has been a gift to music fans everywhere. His compositions
are teasing, invoking and enticing - as is his 1991 release titled
“Cream”. The track starts off as a rolling tribute to the 60’s
psychedelic rock scene and then converts itself into a bustin’ out
piece. The guitars as usual keep Prince at bay as he loses his
excitement throughout the song. It is one of the sexiest recordings
and displays once again how this man was more than a master with
music. |
 |
|
• Saving Myself (For The One That I Love) - Glenn Rivera ReStructure Mix - Oh Romeo
Oh Romeo is a high energy ensemble featuring Tammy Quinn and Bobby
Orlando. The group was another powerhouse session featured on
Bobby’s “O” Label. Their seventh release from 1985 is “Saving Myself
(For The One That I Love)” another simple and direct track which
features Bobby’s magic in the touch of electronic hand-clap patterns
(reminiscent of “Bang A Gong” by Witch Queen). The essence of high
energy flows like a split dam here with a fast paced sequencer
booming out the bass and Orlando’s classic “strike” samples. It is
that wall of dance music the dance floor clamored for during the
80’s. A No-Nonsense Approach! |
 |
|
• There's No Me Without You - Glenn Rivera ReStructure Mix - Len Boone
Len Boone is a singer and songwriter who has written songs for Bay
City Rollers, Maxine Nightingale, and Michael Zager. In 1979 he
released the single “There’s No Me Without You” - arranged by Gene
Page and produced by Roger Watson. This release at the peak of the
disco era closely follows the pop essence of disco music. Utilizing
the percussion and bass as a foundation for the arrangement. This
single is accompanied by Holly Sherwood on vocals and plays out as a
romantic duet. The high peak strings bring this one into disco
heaven for those who can’t get enough. |
 |
|
• Yo-Yo - Glenn Rivera ReStructure Mix - Plaza
Plaza is a Belgium band featuring Patrick Van Assche, Sandra De
Maayer and Tineke Honoré - and produced by Fonny De Wulf. The stance
made here was the birth of the ensemble of bands emulating this
outline. In the 90’s tracks like “Another Night” and “Mr. Vain” were
imagined with the same ammunition. Upbeat and appealing. “Yo-Yo” is
Plaza’s 1989 single which has a simple riff which plays out to the
hilt here with the bounce and energy that high energy music was all
about. The electronic production plays out like a video game theme
with more of a dance floor flavor. |
 |
|
• Ou Est Le Soleil - Glenn Rivera ReStructure Mix - Paul McCartney
Paul McCartney teamed up with producers Trevor Horn, Stephen Lipson
and Shep Pettibone to dive into the underground sound of house music
in 1989. This electronic track plays with deep bass and plenty of
the ricocheting effects that bring back the early 80’s experimental
period where bands like Art Of Noise weaved a new path. Paul works
his end with a French vocal asking where is the “sun”? It is an
abstract piece which displays Pettibones mixing genius along with
Lipson and Horn’s never ending creative edge. |
 |
|
• Exalt-Exalt - Glenn Rivera ReStructure Mix - Azoto
Azoto is an Italian disco project created by producer/arranger Celso
Valli. “Disco Fizz” is the title of their 1979 album which features
many noteworthy hits including “Anytime Or Place” and “San
Salvador”. The production is a full on disco ensemble with Valli’s
touch of electronics which bring out the end of the 70’s disco sound
with a force. “Exalt-Exalt” is a track from the project which is
quite mystical in its own sound. The robotic sequencers pound out
the rhythm while an operatic chorus delivers the outline of the
celebration here. It is one of the best works of Celso Valli and
displays a time where American disco has ceased to flourish and the
Italians help to keep it alive throughout the 80’s. |
|
|
• Meeting In The Ladies Room - Glenn Rivera ReStructure Mix - Klymaxx
Klymaxx is Bernadette Cooper, Cheryl Cooley, Joyce "Fenderella"
Irby, Lorena Shelby, Lynn Malsby, Rayn Jackson, and Robbin Grider.
This ensemble of ladies were one of the mainline funk groups of the
mid-80’’s. Their 1984 hit “Meeting In The Ladies Room” is one of the
surface tracks which outline what these ladies are all about. The
funky beat tracks combine street-beat and electronic funk
masterfully. The song outlines the problems with ladies keeping
their men underwraps in a club full of adoring women. It is played
out in a comical sense which gives the song its lasting feel and
with the playout of rhythm it still hits the target. Produced by Bo
Watson and Vincent Calloway. |
 |
|
• U.F.O. Love Encounter - Glenn Rivera ReStructure Mix - Range
Range is an Italo-disco project from Paul Mazzolini (aka Gazebo) and
Natasha Maimone. Their 1981 single “Give Me” featured a B-side
titled “U.F.O. Love Encounter” which is the focus of this
ReStructure Mix. The track has some of the same funky guitar work
and galaxy-like keyboard work which centers on two aliens meeting
for the first time and planning a rendezvous. The piece has some
great keyboard riffs and bass effects and gives off a nice aura of
disco magic. Although this is the flip side I always loved hearing
the space-theme take off. |
 |
|
• Steppin' Out - Glenn Rivera ReStructure Mix - Joe Jackson
Joe Jackson is a British musician who released his project titled
“Night and Day” in 1982 along with the single “Steppin’ Out”. The
single was a bi success with its fast paced bass sequencer leading
the nightlife fantasy and how much we long for it. One of the bg
crossover songs of its time as it fit into the pop-nu wave
categories as well as the adult contemporary with its striking piano
crescendos. A great 80’s song to reminisce on the flow of pop music
and how various influences continues to bring on new sounds. |
 |
|
• All Systems Go - Glenn Rivera ReStructure Mix - Donna Summer
Donna Summer took her voice to the limits of success throughout the
70’s which led eventually to her search for the layers below the
“Queen Of Disco”. Her project titled “All Systems Go” from 1987 was
a mixture of synth-pop tracks and also a few adult contemporary
pieces where she uses the magic of her voice to introduce us to more
of her undying talents. The title track, “All Systems Go” is a track
that she co-wrote with Munich musician Harold Faltermeyer (“Axel
“F”) and he also produced. The song is a fantasy number using the
love experience as a trip to the stars. Donna delivers this
experience once again in her powerful yet smooth delivery and then
opens the portal with her convincing excitement throughout each
chorus. It is one of my favorite 80’s tracks from Donna’s
repertoire. |
 |
|
• Disco Panther - Glenn Rivera ReStructure Mix - Cassandra
Cassandra (Roberto Maurizio Coatti) is a transgender Italian actress
and singer who released the single “Disco Panther” in 1978 -
produced by Alan Taylor and arranged by Celso Valli. This number is
pure camp as it mashes a sexy disco music along with Henry Mancini’s
theme from “The Pink Panther”. The arrangement is all of 1978 with
the fast moving disco bassline and the swirling strings. There are a
few drop ins of the theme from the “panther” which completes the
title and the vocal is very reminiscent of Amanda Lear’s
concoctions. It is sheer fun and camp all along this track and the
disco essence is captured completely. |
 |
|
• I Beg Your Pardon - Glenn Rivera ReStructure Mix - Kon Kan
Kon Kan is a dance project from DJ Barry Harris who began a dance
track with a mash-up of current vocals along with a classic piece of
country-western (“(I Never Promised You A) Rose Garden)” by Lynn
Anderson. The single was a huge dance floor success and brought upon
their album project titled “Move To Move” in 1989. The clever layout
of the song is one that was innovative for the time and only heard
before in special DJ remix medleys. The 80’s closing was a big
celebration with tracks like this. |
 |
|
• Unison - Glenn Rivera ReStructure Mix - Junior
Junior (Norman Washington Giscombe, Jr.) is a soul/funk vocalist
from London who had a big hit in 1981 titled “Mama Used To Say”
which brought his name to the dance floor and DJ booths. His next
single was released in 1983 and was titled “Unison” - produced by
Andy Goldmark and Bruce Roberts. This single was released on the
Casablanca Record and Filmworks label. A more subtle early morning
sound on this track which contains some wonderful keyboard riffs
which play out as a mellow strike yet resonate for seconds
throughout the song. It is one of the tracks which always brings to
my mind more of an afterhours feel. |
 |
|
• I've Just Begun To Love You - Glenn Rivera ReStructure Mix - Dynasty
Dynasty is a disco/funk group featuring Kevin Spencer, Leon
Sylvers, Linda Carriere, Nidra Beard, Wardell Potts and William
Shelby. The project was founded by Leon Sylvers (of The Sylvers) and
Dick Griffey (Solar Records). “I’ve Just Begun To Love You” is a
single from their 1980 album “Adventures In The Land Of Music” and
contains the sound which refines the post disco era with a new brand
of funk. The bass guitar pieces are kickin’ throughout this track
and the wonderful harmonies make the lyrics last longer. The success
of this track gave way to the Solar Records dance formula which
lasted throughout the late 80’s under several artists. |
 |
|
• Is This Love? - Glenn Rivera ReStructure Mix - Jesse Lee Davis
Jesse Lee Davis is a Eurodance artist who began recording in the
early 90’s and his big single “Is This Love” from 1992 is his most
memorable - produced by Arn Schlürmann and Tom Gee. This fast paced
love song is the question at the start of a romance where
uncertainty is evident. Jesse delivers a powerful vocal which gives
us segments of his talent in phrasing and also his yearning in this
romance. The arrangement takes on a rave-like feel with some
pounding of those odd-notes that make out the left field sound. The
power edge of this track are the melodic verses which meet at the
powerful chorus which pleads very much with an emotional tact. |
 |
|
• (Shake, Shake, Shake) Shake Your Booty - Glenn Rivera ReStructure Mix - K.C. and The Sunshine Band
K.C. and The Sunshine Band are a 70’s disco band who created The
Miami Sound. Led by Harry Wayne Casey and Richard Finch this group
brought the sound of disco music to life. Their 1976 album titled
“Part 3” contained one of their biggest hits - ”(Shake, Shake,
Shake) Shake Your Booty” which is a simple rhythmic piece with the
earliest of the disco songs which evoked one to let loose on the
dance floor. The horns have always been the element of the Miami
edge which blasts over and over creating a continuous hypnotic
appeal. The 70’s may not have been the disco era if not for a group
like K.C. and The Sunshine band who helped to bring those initial
dancers onto the secret of disco music. |
 |
|
• Let Me Dance - Glenn Rivera ReStructure Mix - Ron Matlock
Ron Matlock is a soul artist and musician whose work includes
working with Keith Barrow, Shirley Caesar, Rick James, Eddie
Kendricks, Bobby Taylor and Norman Whitfield/ His solo album titled
“Love City” from 1979 contains his single “Let Me Dance” - produced
by Michael Stoakes. The track is a slick disco number which has a
debonair vocal by Matlock and several riffs that play out soulfully
and with a disco shine. It is the piece which would keep dancers out
for one more spin. Ron delivers a performance here that is displayed
wonderfully in the soul means and with the disco genes. |
 |
|
• The Rhythm Of The Night - Glenn Rivera ReStructure Mix - Corona
Corona is a Eurodance artist whom entered clubs in 1993 with her big
hit, “Rhythm Of The Night” - produced by Roberto Arduini and Checco.
This fast paced energetic track became an instant classic following
and closing the big techno-Eurodance period of the 90’s. It features
a chorus riff which seems to glorify the nightlife in a mysterious
and exciting way. Along with Corona’s flowing vocals and taking this
one onto the top level for dance floor energy. It is now classic
which defies the placement of the memory of a time when dancing was
the release we all took. |
 |
|
• Touch Me (All Night Long) - Glenn Rivera ReStructure Mix - Cathy Dennis
Cathy Dennis is a British singer/producer who released her first
album titled “Move To This” in 1990. “Touch Me (All Night Long)” is
the first successful single which is a tribute to the original from
1984 by Wish featuring Fonda Rae on vocals. Cathy made her own
layout featuring new verses and borrowing the chorus. This low bass
house track made the 90’s induction into a full-on house music scene
that it made both radio play and club play. The execution here is
simple and drawn out – what makes it irresistible are Cathy’s sweet
and sexy vocals which once again fit the mold for the perfect club
diva. |
 |
|
• Eye In The Sky - Glenn Rivera ReStructure Mix - The Alan Parsons Project
The Alan Parsons Project is a British rock studio project featuring
Alan Parsons, David Paton and Eric Woolfson. "Eye In The Sky" is
from their 1982 album by the same name. The song is quite beautiful
and obsessive at the same time. A love song which solidifies a
romance as usual and how one is more aware of the other's presence
and absence. The rhythm track is a wonderful guitar build arpeggio
which helps to weave a mystery regarding the watchful eye which
knows all. |
 |
|
• Rhythm Is A Dancer- Glenn Rivera ReStructure Mix - SNAP!
SNAP! Is Eurodance group created by Michael Münzing and Luca
Anzilotti. Their club popularity began following their first big
release, “The Power” from 1989. “Rhythm Is A Dancer” is their 1992
single - produced by Michael Münzing and Luca Anzilotti. This track
emphasized the early 90’s house movement where clubs clamored for
the heavy beats and bass thumping which created many big hits both
radio and club play. “Rhythm Is A Dancer” is an anthem-like number
which fires out several riffs which seem to catch fire as they play.
There are slight techno nuances in this arrangement and help to make
this one a memorable piece which still ignites in all the right
places. |
 |
|
• Let Me Be Your Wonder Lover - Glenn Rivera ReStructure Mix - Sandy Steele
Sandy Steele is a disco project from Canadian disco producer Jerry
Cucuzzella who gave us numerous projects from Nightlife Unlimited,
Suzy Q and Nancy Martinez. “Let Me Be Your Wonder Lover” is the
B-side to the 1983 release of “Mind Your Own Business”. One of the
many Canadian disco tracks which helped to keep dance floors moving
following the late 70’s fade from major labels. The underground feel
of this Sandy Steele single has the feel of an Adam Ant disco track
with the percolating effects accenting the downbeats and the
handclaps reinvigorating a 50’s edge. It has one of the catchiest
choruses which is why is has remained a classic among the hardcore
jocks who dedicated themselves to the new disco sound which would
soon be high energy. |
 |
|
• Conquest Of The Stars - Glenn Rivera ReStructure Mix - Space Project
Space Project is a Canadian disco ensemble produced by Dominic
Sciscente and Michel Daigle. This early disco album from 1978
features the European disco edge with a complete orchestra along
with the bass guitars and percussion guiding the crescendos.
“Conquest Of The Stars” is the opening piece and sounds reminiscent
of a “Star Wars” theme with a disco beat. The arrangements on this
project are quite impressive where each of the four tracks have a
unique galactic theme and sound. One of the pieces which cross over
between the pop-edge of dance music meets soundtrack composition. |
 |
|
• Eastern Trip - Glenn Rivera ReStructure Mix - Voyage
Voyage is a Euro-disco project from Marc Chantereau, Pierre-Alain
Dahan, Slim Pezin and Roger Tokarz. Their first album began a disco
adventure of a trip around the globe. The main track was always an
anthem as the ‘voyage’ begins and from thereon we are immersed in
traditional and eclectic musical pieces from various parts of the
world. “Eastern Trip” is a track from the 1978 project titled “Fly
Away” and focuses on the Eastern countries and a rhythms and sounds
that are recognizable. One of the few disco tracks with a sitar
which works very well. |
 |
|
• I Feel Love - Glenn Rivera ReStructure Mix - The Dream Girls
The Dream Girls are Adrienne Loehry, Hannah Jones and Jackie Rawe –
produced by Gary Miller, Graham Willcocks and Martyn Norris. This
Almighty Records release on another cover of the Donna
Summer/Giorgio Moroder disco classic, “I Feel Love” is a celebration
of the new age of disco during its release. The sequencers and
keyboards lightly emulate the original patterns that made this song
a turning point in dance music history. Vocals are light and sweet
in this remake and give off a sense of dedication to the classic.
One of the early 90’s pieces which belong to the long list of covers
from the label – but makes its way for attention since the focus is
in all good energy. |
 |
|
• Mr. Rhythm - Glenn Rivera ReStructure Mix - King Sporty
King Sporty is a reggae artist and musician who began his recording
career in 1976. “Mr. Rhythm” is a track from his project by the same
titled released in 1977 – produced by George "Chocolate" Perry and
King Sporty. The single is full of percussion and his style of vocal
arrangements which layout the ground work for a celebration. The
piece features a rolling sequencer which gives it a mid-70s disco
feel with all of the focus on that Saturday peak hour play. Released
on the T.K. Disco label and is now an underground classic. |
 |
|
• From Here To Eternity - Glenn Rivera ReStructure Mix - Paul Parker
Paul Parker is an artist whose name is spotlighted over and over for
his hi-NRG releases in the 80’s and also the inception of his dance
music career working with Patrick Cowley and as a part of his vocal
ensemble. “From Here To Eternity” is Paul’s 1991 cover of Giorgio
Moroder s electronic disco classic. He works with producer and
musician, Man Parrish in this 90’s take on the incredible song and
the pairing in great with both vocalist and producer as Paul’s voice
creates the mystery and galactic romance as in the original. One of
the 90’s covers that are very well worth moving to again! |
 |
|
• Street Fever - Glenn Rivera ReStructure Mix - Tasha Thomas
Tasha Thomas is a singer from the disco era and made her mark with
one album – the singles: “Shoot Me (With Your Love)”, “Midnight
Rendezvous”, “Hot Buttered Boogie” and “Street Fever”. From 1979
this lady held one of the clubs big floor movers which was her first
single, “Shoot Me (With Your Love)” and yet the third single “Street
Fever” made the crowds sweat all over again. It was Tasha’s enticing
and predominant vocals which took each song and created her own
outline in a diva format. “Street Fever” plays out a jazz revival
and seems to give Tasha room to spread her talent across the track.
Personally one of my 70’s favorites. |
 |
|
• Robert Di Nero's Waiting - Glenn Rivera ReStructure Mix - Bananarama
Bananarama are Keren Woodward, Sarah Dallin and Siobhan Fahey – an
80’s female trio who lasted through 2022. The faces have changed
several sessions but the “purrfect” sweetness and sound has always
been there. “Robert Di Nero’s Waiting” is a track from their 1984
self-titled project – produced by Tony Swain and Steve Jolley. A
song directed at the Italian actor and the awe and safety he gives
the ladies on a night where the night is suspicious and unfriendly.
The buildup of the track is simple dance floor formula however for
these ladies it always resonates beautifully. |
 |
|
• I Know - Glenn Rivera ReStructure Mix - New Atlantic
New Atlantic is Cameron Saunders and Richard Lloyd – a rave band who
released their big club track, “I Know” in 1991. The ambient/techno
piece utilizes vocals from Candi Staton’s “You Got The Love” for the
message entwined with the segments of hypnotic techno arrangement.
It is one of the most recognizable tracks from this period of club
music and also hails thanks to the power of Staton’s powerful vocal
samples. |
 |
|
• Midnight Energy - Glenn Rivera ReStructure Mix - Mantus
Mantus is a disco group consisting of Billy Amendola, Frank
DeCrescenzo, Jimmy Maer and Kenny Bee. One of the initial disco
productions to highlight the breakdown of congas and bongos in the
dance mix leading to a new dance era. “Midnight Energy” is the title
cut from their 1979 project produced by Will Crittendon. The track
is an infectious piece which outlines the disco era and its hold on
those who caught ‘night fever’ with all the energy and excitement.
It has the boys serenading us with several moments where this piece
sounds like an early disco anthem. A nice arrangement and break make
this one a classic in its own right. |
 |
|
• Sadie (She Smokes) - Glenn Rivera ReStructure Mix - Joe Bataan
Joe Bataan is a musician from New York who began his recording
career in the late 60’s. His music eventually leads him into the
disco era where he released three dance projects on Salsoul Records.
“Sadie (She Smokes)” comes from his 1980 project titled “Mestizo” –
produced by him. The track features Jocelyn Brown on lead vocals
taking us into the world of this siren that seems to capture the
men’s attention when she moves. It is a last disco edge track from
the 80’s with plenty of the syndrums and energy. Along with the
powerful vocal from Jocelyn it is one of the underground favorites
from the Salsoul label. |
 |
|
• Getaway - Glenn Rivera ReStructure Mix - Earth, Wind and Fire
Earth Wind and Fire are the pinnacle of the bridge between soul,
funk and jazz music during the mid-70’s. Their projects are some of
the best of the seventies and where music was headed. “Getaway”
comes from their 1976 project titled “Spirit” – produced by Charles
Stepney and Maurice White. This tale is an escape from the pressures
of the time existing between two lovers or even the world’s
optimists to move onto a more relaxed state of mind. It has the most
powerful horn section in any soul track which has reached pop
status. The energy of Earth Wind and Fire is captured here and is
most appreciated with the vibrancy and excitement of the
arrangement. |
 |
|
• Touch The Radio Dance - Glenn Rivera ReStructure Mix - Language
Language is an 80’s synth-pop band who released their project titled
“Alphabet City” in 1984 – produced by Alan Shacklock. The first
single from the album is “Touch The Radio Dance” which plays out
like a pinball machine constantly popping its metal balls in and out
of segments. It is more of an alternate sound for the time period
and blends in a few strange female portions which add a strange
mystique. The track did well in alternative clubs and those who
celebrated that after-hours playlist where anything could happen. |
 |
|
• Two Tribes - Glenn Rivera ReStructure Mix - Frankie Goes To Hollywood
Frankie Goes To Hollywood are William Holly Johnson, Paul
Rutherford, Brian Nash, Peter Gill and Mark O'Toole – an ensemble
compiled by producer Trevor Horn (Buggles, Art Of Noise). An 80’s
answer to Village People with a wide world appeal focused on world
peace and sex. “Two Tribes” is a single from their “Welcome To The
Pleasuredome” album from 1984. This track is a graphic view of the
world pushed to the brink of atomic weapons due to the inability to
find alternate solutions. The song creates the scenario of just how
primitive the concept of war works with humanity. A percussion
driven base delivers an arrangement introducing the time zones of
war and its negative impact on the planet. One of the big 80’s
pieces which once again keep the pure disco edge with a new feel. |
 |
|
• You're So Romantic - Glenn Rivera ReStructure Mix - Sheryl Lee Ralph
Sheryl Lee Ralph is a singer/actress who also a part of the original
“Dreamgirls” Broadway cast. Her voice is a delicate sound which
delivers a nice direction and soulfulness. “You’re So Romantic” is
her second solo single from 1984 and her album “In The Evening”
produced by Trevor Lawrence. The track is a “romantic” piece paying
tribute to the love of her life and the energy which it delivers. It
is a basic dance track which follows in the mode which her first
single lead us. It is her vocal which makes the icing on this cake. |
 |
|
• Lay All Your Love On Me - Glenn Rivera ReStructure Mix - Poison No. 9
Poison No. 9 is a UK electronic/high energy project from producers
John Hamilton and Paul Mex released in 1986 their cover of ABBA’s
big dance floor hit from 1981, “Lay All Your Love On Me”. This
production is a stripped bare sound with echoes of distant cowbells
and the roar of symphonic samples. The vocal is a left field sound
which works very well with the cold and barren sound of the
arrangement. The first of the covers of the classic leads the way in
its original execution and also in the energy that it exudes from
start to finish. |
 |
|
• (I Need A) Working Girl - Glenn Rivera ReStructure Mix - Johnny Lovesin
Johnny Lovesin is a Canadian rock artist who released his project
“Rough Side Of Town” in 1983 – produced by George Semkiw. The single
“(I Need A) Working Girl” was a big push in a market which was
shifting towards a synth-pop audience with Lovesin’s guitar flare.
The track is simple to move to since it rushes in like a roaring
wall of deep synthesizers leading the way. It is one of the 80’s
markers on experimental play and execution. The riffs are non-stop
in the 12” version which plays out anything but gentle. |
 |
|
• I Got The Message - Glenn Rivera ReStructure Mix - Men Without Hats
Men Without Hats are Ivan Doroschuk, Colin Doroschuk, Jeremie
Arrobas, Stefan Doroschuk and Roman Martyn. Their first project from
1982 titled “The Rhythm Of Youth” contained their big dance floor
hit “The Safety Dance” which is also a track which defines the
creative period of the 80’s music movement. “I Got The Message” is
the second single from the album which is a pulsating bass track
with more of their unique vocal style and delivery. The exercise
which this band gives has always been the high energy approach where
riffs make the solid foundation for a dance track. In “I Got The
Message” the essence of the band and their sound rings true. |
 |
|
• Secret Rendezvous - Glenn Rivera ReStructure Mix - Karyn White
Karyn White is a soul/funk vocalist who began her solo career in the
late 80’s with her self-titled project produced by Babyface and L.A.
Reid. “Secret Rendezvous” is the second single release from the
project which did quite well on radio play as well as club rotation.
The track is a funky beats venture into a fantasy where two lovers
plan their evening getaway. Karyn does well with her high end
painting the words onto this canvas and also initiated a style which
was both sensual and woman-powered. The song always did well for me
during early evening sets and during its release the peak funk hour. |
 |
|
• Thank You For Being A Friend - Glenn Rivera ReStructure Mix - Golden Girls
Golden Girls is a high energy project from Canada with producers
Michael Shell and Vince Degiorgio at the helm. This cover of the
80’s television show “The Golden Girls” works magically with the
pumping bass sequencers pounding out gratitude. The low key vocal
also gives to the sound which gives the Andrew Gold song a nice
vibrancy. The breaks consist of Patrick Cowley’s “Megatron Man”
drums and give the tail end of the dance version a nice tie in. One
of the few television show dance covers which place itself in the
correct mold. |
 |
|
• Break Me - Glenn Rivera ReStructure Mix - Charade featuring Norma Lewis
Charade is a high energy project from Geoff Rivell and Fred Bolero –
and featured on the UK label Passion Records. This production is the
early 80’s return to disco music with dramatic flair done in an
electronic arena. The power behind many of this sound is the most
incredible wall of sound in the 80’s. “Break Me” is their second
release from 1984 and has that sweeping orchestra edge along with
the heavy beats and rhythmic percussion. Norma Lewis leads this
fantastic song about a romance which seems to take it all in keeping
the flame alive and does it with her best. This is perhaps one of
her most powerful vocals on a recording. High energy is given it
right here and so are dancers. |
 |
|
• Beverly - Glenn Rivera ReStructure Mix - Fonzi Thornton
Fonzi Thornton is a voice that may be familiar within many dance
classics including B.B. and Q. Band, Chic, Change and backing for
Aretha Franklin and Luther Vandross. His part as a session vocalist
leads to a well-deserved solo career. His 1983 project titled “The
Leader” had a big backing including Kashif, Bernard Edwards and Nile
Rogers arranging and production including Michael H. Brauer, Robert
Wright and Fonzi Thornton. “Beverly” is the first single from this
project and contains the Kashif magic from start to finish. His
touch always sprinkled magic over the groove enhancing with vibrancy
new to the 80’s. It was a lustrous time for electronic music and
funk to work together. The track “Beverly” tells the love story of a
convincing dedication that has never been in the past. It is truly a
great moment for Fonzi to display his vocal talent and also lay down
a delivery which was a big edge in the 80’s dance scene. |
 |
|
• Dancer '93 - Glenn Rivera ReStructure Mix - Seventies Fashion
Seventies Fashion is a 1993 Italian production and cover of the Gino
Soccio disco classic, “Dancer” from 1979. This various mix
compilation of house, techno and tribal pieces takes elements of the
original vocal and pieces it with new drum and keyboard production
in a fantastic way. This mix by Sasha is one of the most exciting of
the disco covers as it makes use of the early techno influence and
creation by Soccio and shapes it into a whole new vehicle without
much of notice. It was a great way of homage to Gino Soccio’s genius
as well as his contributions to dance music. |
 |
|
• Everybody's Free - Glenn Rivera ReStructure Mix - Rozalla
Rozalla is a singer from the 90’s whose big techno-rave track,
“Everybody’s Free” became an immediate anthem. The production was a
light flowing edge of techno sequencers with another light dash of
rave elements. Produced by Nigel Swanston and Tim Cox this piece was
a staple in most clubs of the time. Rozalla also made her big debut
even though her solo recording career began in the mid-80’s as this
was the vehicle which best suited her energy and club identity. |
 |
|
• Invisible - Glenn Rivera ReStructure Mix - Alison Moyet
Alison Moyet is one of the talents from the 80’s whom moved
synth-pop music into a new direction. Her work with Vince Clark and
his group Yazoo added a depth to electronic dance music which
brought a soul to the robotic sequencers and keyboards. Alison
became a solo career in 1984 with her project titled “Alf” –
containing the incredible single “Invisible”. This recording is one
of the most powerful of female vocals from the 80’s as Alison pours
so much emotion and pain it is identifiable immediately. The
production by Tony Swain and Steve Jolley emphasis an adult
contemporary feel to 80’s dance music that is classic. “Invisible”
is now a classic and one of Alison’s most powerful recordings. |
 |
|
• Infatuation - Glenn Rivera ReStructure Mix - Miss Sage
Miss Sage is Italian disco project from Alessandro Zanni and is a
1989 single titled “Infatuation”. This fast rolling dance piece is a
Euro-beat styled dance track which has the variations of high energy
music built up throughout the 80’s. Heavy percussion riffs cushion
this one with the bass sequencers following closely behind. Vocals
are sweet and somewhat in the distance but add to the mystique of
what kind of obsession this may be. Released on the Italian dance
label Memory Records and gives the end of the 80’s a reminder of how
hard those dance floors moved throughout their rein. |
 |
|
• Outta Limits - Glenn Rivera ReStructure Mix - Mission Control
Mission Control is a deep house project from Aldo Hernandez and
Ralph Falcon. An outline of underground themes and releases for the
90’s dance floor. Their 1990 release “Outta Limits” is quite a
trippy number which uses samples from Dr. Timothy Leary’s lecture on
acid – “Turn On, Tune In, Drop Out”. Pieces are placed in a weaving
and hypnotic blend of deep mystical places where your imagination is
more important than your feet. It is one of my favorite after-hours
pieces and gives a descriptive outline on what is to happen in those
early morning hours with hardcore music. |
 |
|
• The American Dream - Glenn Rivera ReStructure Mix - The Big Smoke
The Big Smoke is a high energy project from Canada and produced by
Daze Washburn and Willi Morrison (THP), Their 1986 single “The
American Dream” is a reflective theme which uses celebrities who
never made it past their fame and in turn the light dimmed before
the dream was complete. The influence of Phil Harding is heard in
the beats and energy within the track it has his signature
throughout the piece in his wonderful way. This one was released
during high energy resurgence and was successful on those dance
floors which continued to supply that nonstop disco edge. |
 |
|
• Show Me Where You're Coming From - Glenn Rivera ReStructure Mix - Carrie Lucas
Carrie Lucas is a disco singer from the mid-70’s who left behind a
legacy of her energy and soft approach to a high energy situation.
“Show Me Where You’re Coming From” is her 1982 single from her
project titled “Still in Love” – produced by Leon Sylvers III. This
rhythmic funk piece is the sound that Solar Records generated out of
the early 80’s spinning off from the disco era into electronic dance
music. The direction given by Carrie is once again the magic of her
sound which is quite subtle yet so effective. This one was a radio
hit and also made many dance floors regain their footing in the
dance arena for the time once again. |
 |
|
• Move Over Darling - Glenn Rivera ReStructure Mix - Linda Taylor
Linda Taylor is one pf UK’s vocalists who worked on projects by
Gonzalez, Art Of Noise and Shakatak. Her sweet and melodic vocals
are the crowning point of her single “Move Over Darling” from 1991 –
produced by Martyn Norris and Richard Cottle. In the disco tradition
this clever cover of Doris Day’s theme song from the 1963 comedy
film (which for you Hollywood buffs – was originally titled
“Something’s Got To Give” and starred Marilyn Monroe). This
irresistible disco version works so well with Linda’s delivery and
energy. It is as exciting as the original by Doris Day. The Almighty
high energy machine is in full force here and delivers a 90’s
classic. |
 |
|
• Legion - Glenn Rivera ReStructure Mix - Mark Schreeve
Nark Schreeve is a musician from UK who lead the electronic sound in
ambient/space music with his curiosity and cleverness to keyboards
and sequencers. “Legion” is a single from 1985 which he produced and
performed. The sinister overtones are guided by his arrangements
where an ominous wall of darkness awakens to a soft rhythmic loop.
The piece is one of the exciting instrumental tracks from the time
period and gives way to the street beat sound of the early 80’s.
There is also a familiar keyboard riff borrowed from the rap classic
“Plant Rock” which blends into the eeriness of this statement. |
 |
|
• No Use To Borrow - Glenn Rivera ReStructure Mix - Blue Moderne
Blue Moderne is a project from producer, Ish Ledesma – who is also
one of the original members of the disco group, Foxy (“Get Off”,
“Hot Number”, “Party Boys”) and also created Company B
(“Fascinated”). His productions throughout the 80’s always built on
a trust of a new and diverse sound and his logical musical genius.
“No Use To Borrow” is a 1988 release under his group Blue Moderne –
which this time around features fabulous vocals from Sandy Barber
(also known as Sandy B.) This track is one that outlines love in
general and not since Diana Ross’ “The Boss” has it outlines more
precisely what incurs. The power of a relationship is basically at
the will of where love will go on its own. So control and
manipulation are best left outside. It is outlined beautifully in a
melodic and hypnotic arrangement along with Sandy’s fantastic vocal. |
 |
|
• Survival - Glenn Rivera ReStructure Mix - Machine Orchestra
Machine Orchestra is a project from Chicago artist Peter Black,
Their 1992 single “Survival” is a garage house track that pulls a
notable extreme on the less fortunate fighting to stay alive. This
theme sounds like it would resonate from one of the 80’s dance
flicks where the neighborhood kids are trying to save ‘the center’.
It does contain nice soulful vocal from an uncredited singer who
beats the world into awareness with her power and rage. There were a
few of these songs were the uplifting segments of a house playlist
and made the moment much more exciting. |
 |
|
• I Feel It - Glenn Rivera ReStructure Mix - Suzie and The Cubans
Suzie and The Cubans are Carlos Berrios, Jürgen S. Korduletsch and
Tuta Aquino – blending freestyle and house music at the end of the
80’s. “I Feel It” is their 1987 release which becomes one of the
underground mixers of the period. The heavy bass and vibes are the
essential vibrancy to this dance number and variations of the groove
in a house manner create an infectious dance track. This one closes
out the house music phenomena by blending in many of the staples of
the underground house scene. |
 |
|
• Trigger Track - Glenn Rivera ReStructure Mix - Boytronic
Boytronic is a German synth-pop band from the early 80’s whose music
became recognizable by their sounds and intensity. “Trigger Track”
is a bonus track released in 1984 as the B-side to “Diamonds and
Loving Arms” 12” single – produced by Boogiesound Studio. This piece
is a driving maze of bass sequencers and keyboards riffs that flow
wonderfully into a few verses that are mysterious. The 80’s dance
floor was lost in this flavor of dance music with the new-wave edge
taking its part in the electronic arena of the creative end. This
one screams that fast paced edge with full-force intensity. |
 |
|
• Venus - Glenn Rivera ReStructure Mix - Bananarama
Bananarama are Keren Woodward, Sarah Dalli and Siobhan Fahey – a
trio formed in the early 80’s and became a favorite among dance
floors. Their light hearted and sometime kooky mannerisms gave the
girls a deserving titled as they were. “Venus” is their cover of
Shocking Blue’s 1967 classic. The production by
Stock/Aitken/Waterman is the classic thumping beats and hardcore
percussion layers – a sound which was successful among many of their
projects. This fast paced and energetic remake is a classic since
its release thanks to the girls and their gorgeous images and also
the arrangement which swallows the song whole in a wonderful way. |
 |
|
• Forever Came Today - Glenn Rivera ReStructure Mix - The Jackson Five
The Jackson Five are Motown’s crowning achievement in displaying
talent and promise of soul music. Their impact was a big success in
bringing young and related performers upfront and making them stars.
“Forever Came Today” is one of the tracks which plays out in a
serenade of dance-fusion for the time and today stands as powerful
to hear Michael Jackson’s incredible voice once again fit into the
perfect realm. It is from their 1975 project titled “Moving
Violation” and was produced by Brian Holland. It is a beautiful love
song where the title is the magic and rest is pure residue. The
arrangement was done by Arthur Wright and is an early sign of the
disco arrangement where the groove pops in and out of existence
without ever leaving. |
 |
|
• Is It It? - Glenn Rivera ReStructure Mix - Peter Jacques Band
Peter Jacques Band is a disco project from the late 70’s created by
producer Jacques Fred Petrus and arranger/musician Mauro Malavasi.
During the late 70’s the duo also created the New York disco/funk
band Change. This second project from Peter Jacques Band reflects
the smooth sound of a funkier addition to the high energy disco
platform. “Is It It?” is one of the bouncy tunes from the 1980
project “Welcome Back” and is one of the masterful vocal
arrangements which feature Luther Vandross. The song is that
mysterious voice behind a new connection on its validity as a
lasting love and romance. It is playful and fun and brings back that
feeling where love is exciting and rewarding. |
|
|
• Getting Away With it - Glenn Rivera ReStructure Mix - Electronicronic
Electronic is a project from Bernard Sumner (Joy Division, New
Order) and Johnny Marr (The Smiths) from the early 90’s. “Getting
Away With It” is their first single from 1989 and holds a mirror to
music created by Pet Shop Boys but with their personal stamp raising
the excitement. This piece is one of the most beautiful of this
genre of post disco done in full on electronic arrangement but
complete with swirling strings and crescendos. Its message is that
knocks on the head and caught in a loop of unsuccessful romantic
situations. It plays out with a touching manner as the beautiful
music seems to drown out the sorrow into a morning dance. One of the
marks on the dance floor of its time and also now an underground
classic. |
 |
|
• Body Mechanic - Glenn Rivera ReStructure Mix - Quadrant Six
Quadrant Six is John Robie and Kenny Simmons – a street/electro
dance duo who’s 1982 single “Body Mechanic” is the synthesis of 80’s
street beat sound. The track is an energetic break dance and
pop-lock piece which gives a body the makeover it needs to loosen up
and move. The futuristic edge of the track is fun and at the same
time seriously funk driven. This one was from a period when New York
street dance was taking its toll and the grooves represented the
movement as well. |
 |
|
• A Love Supreme - Glenn Rivera ReStructure Mix - Will Downing
Will Downing is a soul/house singer and producer. His 1988 single “A
Love Supreme” – produced by Mr. Arthur Maker is heralded as the
perfect house song of its time. The smooth feel of the production
and the powerful lyrics and vocals of Downing are a part of that
success. It was one of the adult contemporary dance tracks which
created a bridge between the dance floor and the power of pop music.
“A Love Supreme” has many wonderful parts which bring the song into
an anthem arena with that deep house feel where the bass becomes the
hypnotic edge. |
 |
|
• New York By Night - Glenn Rivera ReStructure Mix - Dennis Parker
Dennis Parker is an actor/singer who released his disco project
titled “Like An Eagle” in 1979 – produced by Jacques Morali (Village
People, The Ritchie Family). His second from the album “New York By
Night” is favorite among those who clamor for that full orchestrated
sound created by Morali within the studio. The track is homage to
the city and a more realistic view of times within it. The rolling
basslines are a club into the obvious movement of disco music from
the end of the seventies onto the 80’s where basslines became more
predominant. “New York By Night” is another masterful piece from
Morali and also gives Parker a nice place to plant his vocal
aspirations. |
 |
|
• It's A Game - Glenn Rivera ReStructure Mix - Les McKeown
Les McKeown is a singer who started his career in the 70’s with Bay
City Rollers. Eventually after the split up of the band his solo
career began with a following from not only the BCR but also his
own. “It’s A Game” is a single from 1989 – produced by Dieter Bohlen
(Modern Talking). The track is a situation is a romance where the
love seems hopeless as many fronts are put ahead of the actual love.
It has a nice build to a downward chorus which explains the
relationship failing into silence. The electronic arrangement has a
nice flow along with some clever keyboard work. It is more of a tea
dance piece but worked well with the right audience. |
 |
|
• Anything For Love - Glenn Rivera ReStructure Mix - Reina
Reina (Lori Reina Goldstein) is a club artist from the late 90’s who
made all eyes and ears turn her way with her power diva-esque
vocals. “Anything For Love” is her single from 1999 – produced by
Hex Hector & Mac Quayle. This auto-anthem is a building stance for
the promise of lasting love and breaks it down as Reina delivers an
incredible performance which always reminded me of Mariah Carey.
This one was the dance floor stomper which seemed to be a circuit
party interior. It still has that flavor which lasts and gives
meaning to the artists herself. |
 |
|
• Hopes and Dreams - Glenn Rivera ReStructure Mix - Albert One
Albert One (Alberto Carpani) is an Italian disco artist whose
projects were based on his emotional and powerful vocals. “Hopes and
Dreams” is a single from 1987 which he produced and made one of the
most touching of the love anthems from Italy. The rolling bass
sequencers and exuberant keyboards make up the arrangement along
with a delivery from Alberto which touches the soul. It is one of
the finest pieces of dance music from Italy during the period and
always worked for myself during those tea dances or after-hours
dance marathons. |
 |
|
• What You're Missing - Glenn Rivera ReStructure Mix - K-klass
K-klass is a project from Andrew Williams and Carl Thomas – molding
house music into icon sounds. “What You’re Missing” is from 1994 and
reeks of the UK house sound which was setting dance floors into a
hard club environment. The energy behind this one exceeds much of
the releases of the time and gives off a resonance of good energy
and love. The lead vocal gives off that unity which house music
created and relayed from the start. |
 |
|
• Body Shake - Glenn Rivera ReStructure Mix - T.C. Curtis
T.C. Curtis is William Alexander Smith – a funk/dance artist who
used a groove to paint his music over and capture all in long play.
“Body Shake” is his single from 1981 and is a disco track which
plays out like a jam session. The keyboards are the elements here
that use the most air and they begin as a tease and lead into an
effective build. The early 80’s were once again an experimental
scene for dance music and this one has the formula as an
instrumental with a disco/funk flare. This single is an early
standard for T.C. Curtis as his work continued throughout the 80’s. |
 |
|
• I Didn't Mean To Turn You On - Glenn Rivera ReStructure Mix - Cherrelle
Cherrelle (Cheryl Ann Norton) is a soul/funk singer from the
mid-80’s and her solo debut produced by Jimmy Jam and Terry Lewis.
“I Didn’t Mean To Turn You On” is one of 1984’s big dance tracks and
gave Cherrelle a definite audience. The track is a heavy beat and
bass arrangement with many of the samples from the new sound clips
of the period. Although the song plays out in a satirical feel it
has the feel of a message with more meaning thanks to the alternate
take with Jam and Lewis. This number was also covered by rock icon
Robert Palmer the following year in a successful delivery and in his
own style. |
 |
|
• I Can See For Miles - Glenn Rivera ReStructure Mix - Navigator
Navigator is a Euro-house project from UK producers Martyn Norris
and Richard Cottle – who cover The Who’s 1967 track “I Can See For
Miles”. Done with a rolling arpeggio of keyboards and thumping house
base where femme fatale takes over is a nice high energy episode.
The airey feel in this one makes one revert back to Eurodisco intro
from groups like Voyage. The power elements in this cover are the
vocal and the breakdowns which come in a moment where a breath can
be taken from the previous build. |
 |
|
• Boogie Business - Glenn Rivera ReStructure Mix - Lamont Dozier
Lamont Dozier is an artist who also wrote classic Motown songs as
Holland-Dozier-Holland. His solo career as a recording artist began
in 1973 and leads him eventually into the disco era and his talent
went from pop-soul to disco-pop. “Boogie Business” is from the 1978
project “Bittersweet” – produced by Frank Wilson. The disco era was
in full swing and it seemed as every artist or band was contributing
by working their own style or signature into a disco format. “Boogie
Business” is an uplifting piece which a successful club disc
jockey/performer gives us a rap on his venture. The arrangement has
a few segments of that Motown build where a movement transforms us
to a place where memory becomes illusion. Dozier belts out several
wonderful parts which give the song a nice authenticity. |
 |
|
• I Love Music - Glenn Rivera ReStructure Mix - The O'Jays
The O’Jays are a group originally a gospel duo and eventually became
one of the leading 70’s groups with tracks like “I Love Music” from
1975. The project was produced by Kenneth Gamble & Leon Huff – the
team which created magic with their touch during the mid-70’s. “I
Love Music” quickly became a soul iconic song and also opened the
doors to the Philly Disco Sound emerging at the time. The beautiful
lyrical production is and wonderful as the vocals in The O’Jays
court. This piece is a landmark in music history and brings us back
to being grateful for what has rolled out with history in music. |
 |
|
• Man From China - Glenn Rivera ReStructure Mix - Vivabeat
Vivabeat is Alec Murphy, Chris Schendel, Consuelo de Silva, Doug
Orilio, Marina Del Rey, Mick Muhlfriedel, Rob Dean and Terrance
Robay – an electronic new wave dance band from 1980. Their single
“Man From China” from their project titled “Party In The War Zone”
is a single which stood out during its release in 1979. A segue to a
rock edge with new wave fusion began a whole new era of dance music.
“Man From China” was always perplexing piece for me as the hardcore
sequencers and drum beats make up a new feel for its time. The
vocals are a raw and raspy male vocal who announces the theme in a
rock-a-billy delivery and edge. It is a great crossover dance track
which leads the way before its time. |
 |
|
• Open Your Heart - Glenn Rivera ReStructure Mix - Ceybil Jefferies
Ceybil Jefferies is a house vocalist who had several big club hits
during the early 90’s. Her delicate yet powerful performances gave
the success for many house/dance sets and a few of her tracks were
considered classics shortly following their release. “Open Your
Heart” is from her project titled “Let The Music Take Control” from
1991 and produced by Roland Clark. This beautiful love song is one
of my favorites of that year with its knock down vocal in a lovely
delivery which Ceybil plays out very well. It is a true house music
innovative sound that became one of the outlines for many more
productions during the time period. |
 |
|
• Hey! D.J. - Glenn Rivera ReStructure Mix - The World Famous Supreme Team
The World Famous Supreme Team is Larry Price and Ronald Larkins Jr.
and their track “Hey! D.J.” from 1984 is follow up from their
appearance on Malcom McLaren’s “Buffalo Gals” from 1980. This set
the stage for their DJ skills and their talent for rapping/rhyming.
It is a salute to radio, club disc jockeys and the multicultural
music which is a part of our world. The masterful piano riffs give
this piece a kind of elegance that slips into a rap joint here and
there. It is one of the memorable early rap songs that came from the
New York scene and makes it seem quite easy with the Supreme Team
and their execution. |
 |
|
• Dirty Job - Glenn Rivera ReStructure Mix - Sweet Connection
Sweet Connection is Billie Joe and Sue Dixey – a project from
producer Reinhard Frantz. Their high energy sound was recognized in
the late 80’s by dance floors that were not done with the rolling
electronic feel. “Dirty Job” is their single from 1988 and has a
defiant theme of a relationship on the edge of destruction and the
plea to stop its end. The fierce keyboards have a wicked sound that
resonates with the ladies warning. It is one of their tracks which
give us the full on underground high energy arrangement where a
break becomes part of another world. |
 |
|
Roberta Flack is a performer whom always leaves an impression in
one’s mind through her music. It is a powerful gift which she has
displayed over and over throughout her career. ”Don't Make Me Wait
Too Long” is from her 1980 project with Donny Hathaway – who Donny
can be heard as the lead vocalist on the theme from the 70’s
television show “Maude”. The collaboration works like magic
throughout the project and gives us songs as this. It is a beautiful
and hopeful love song which plays out in every note of the meaning
of love. It has always been one of my favorite dance-love songs and
has always given me thanks for Roberta’s talent. |
 |
|
• Dream On - Glenn Rivera ReStructure Mix - RAH Band
RAH Band is Barry De Souza, Liz Hewson, Ray Warleigh and Richard
Hewson – a British studio group whose instrumental and fusion of
various styles created a unique sound. “Dream On” is a single from
their self-titled project from 1981. The emphasis of this track is a
light flair of jazz meets international flare. It flows in and out
of rhythmic sectors which make it quite contagious and satisfying.
The keyboards break into a nice crescendo throughout the arrangement
and give way to a light lounge like samba piece. It is a great
example of how this band are remembered from the 80’s as being one
who were overlooked for their creativity. |
 |
|
• The Big Bang - Glenn Rivera ReStructure Mix - Fantasy Ten
Fantasy Ten is a disco project from producer Cay Hume along with
Holly Post and Ronald David-Ohlmeier. A disco track outlining “the
big bang” from 1987 is an infectious track which immolates a voice
from the heavens giving a directive and scientific exploration of
the birth of our galaxy and space. The eerie feel is effective and
outlines a few short segments which feel like apostles are giving
thanks to the cosmic beginning of time. A fantasy-like approach
which works well with the heavy bass and haunting and mystical edge.
This one follows the sound which was created in the late 80’s by
groups like Off (“Electrical Salsa”) and Silicon Dream (“Marcello
The Mastroianni”) – a nice venture into a new dance adventure. |
 |
|
• Eveerybody Dance - Glenn Rivera ReStructure Mix - Ta Mara and The Seen
Ta Mara and The Seen is a band compiled by Jesse Johnson (formerly
of Prince’s sound Morris Day and The Time) whose sound pulls on the
strings of the 80’s dance movement. Much of the instrumentation
emulates that edge that Prince created in “Purple Rain” and is
successful here. “Everybody Dance” is the single released in 1985
and worked its way onto playlists in clubs around the world giving
Ta Mara and The Seen their time. The groove of this one has an
infectious pulse as Ta Mara’s sweet yet driving vocal gives the
directive of the dance floor. It is one of those unforgettable 80’s
numbers thanks to the simple yet effective chorus. |
 |
|
• The Rock - Glenn Rivera ReStructure Mix - Tramaine
Tramaine Hawkins is a gospel singer whose solo career had a lasting
effect in the late 80’s with several of her inspirational songs.
“The Rock” is from her 1987 project titled “Freedom” – produced by
Tramaine. Her previous dance floor track titled “Fall Down” was the
start of this power message she delivers. “The Rock” has the same
effect yet pulls together more of a groove which give the message an
ethereal sound. The song was a great weapon for me during early
morning sets or early in the evening when the floor was to come
alive. |
 |
|
• We Got The Love - Glenn Rivera ReStructure Mix - Lindy Layton
Lindy Layton is a vocalist who founded Beats International and
appeared in in many productions also for her solo career. “We Got
The Love” is her 1992 single produced by Steve Mac and also written
by high energy vocalist, Tracy Ackerman of Astaire and Q-Feel. The
uplifting love song is a satisfying pop-house piece which is a
celebratory song and dance track. The sweetness exudes from each
vibe of this production and the 60’s summer of love always comes to
my mind. Lindy’s vocals play well with the track that also features
Ackerman on the backing chorus. |
 |
|
• Ride On Time - Glenn Rivera ReStructure Mix - Black Box
Black Box is an Italo-house project from Daniele Davoli, Mirko
Limoni and Valerio Semplici. Their big album in 1989 was titled
“Dreamland” and featured the track “Ride On Time” – which was an
instant success and fit the new mold of house music. The song was
comprised of vocals from Loleatta Holloway’s “Love Sensation”
(produced by Dan Hartman) and using phrases and pieces completed
what was to become an innovative and duplicated style. The power
house yet simplistic approach brought the dance floor a new sound
and excitement as can be experienced with dance music throughout
time. |
 |
|
• Let It Whip - Glenn Rivera ReStructure Mix - Dazz Band
Dazz Band is a funk band from the late 70’s with a big dance floor
hit in 1982 titled “Let It Whip” – produced by Reggie Andrews. A
beat and rhythm approach which instantly became a favorite among
clubs. Its rhythm track is the foundation of 80’s funk captured in a
monumental state as this love song lures its capture into a dancing
frenzy with breakdowns and slick claps tracks as the aphrodisiac. It
was one of the pieces that kept my floor moving that year and now
brings back that packed to the edges of the dance floor memory. |
 |
|
• Ash 48 - Glenn Rivera ReStructure Mix - Amii Stewart
Amii Stewart’s huge disco hit from 1978 is a cover of Eddie Floyd’s
1966 soul track “Knock On Wood” – produced by Barry Lang. In 1985 a
supplemental remix was released titled “Ash 48” produced by Barry
Lang and Dave Hewson. This piece is a tribute to the technology
which initially created the disco masterpiece that took dance floors
buy storm in its release. The term “Ash” meaning after the fire a
flame still burns from the ashes. This is exactly what we are
dealing with here. The focus of taking the original concept deeper
into an underground feel. “Ash 48” was originally billed by Ash 48 –
but without Amii this track could not be as hot as it still lies.
There are additional vocals added by Sharon Benson to fill in the
new gap of this disco classic. |
 |
|
• Fine Time - Glenn Rivera ReStructure Mix - New Order
New Order is Bernard Sumner, Gillian Gilbert, Peter Hook, Phil
Cunningham, Stephen Morris and Tom Chapman – an early 80’s
experimental band utilizing a heavy industrial feel. Their music has
always been unique in theme and execution and has given dance floors
a new awakening in movement “Fine Time” is a single from their 1988
project titled “Technique” – produced by New Order. This track is
peculiar in many ways including its use of acid house, new beat and
hard industrial segments. The piece is another opportunity to feel
the freedom that New Order uses in its creative and recording
process. A unique 12” featuring various sounds for this song was one
that was exciting for its time. |
 |
|
• Hit That Perfect Beat - Glenn Rivera ReStructure Mix - Bronski Beat
Bronski Beat is one of the innovative synth-pop groups of their time
and along with the vocals of Jimmy Sommerville the hits were only
expected. The members also included Steve Bronski and Larry
Steinbachek – both who recently left us with their fabulous music.
With the departure of Jimmy Sommerville as he joined The Communards
it was unclear whether or not the group could continue – however
they did. “Hit That Perfect Beat” from 1985 was a new energy and
powerhouse sound for the band and was produced by Adams Williams.
This this in one of the most memorable of the energy dance tracks of
that year and demonstrated the talent these boys were given. It was
one song which always ended up on my playlists and packed the dance
floor. |
 |
|
• Everybody Dance - Glenn Rivera ReStructure Mix - Sister Sledge
Sister Sledge are Debbie Sledge Young, Joni Sledge, Kathy Sledge,
Kim Sledge and Tanya Tiet. One of the early dedicated groups to
disco music and known for their many dance floor hits. “Everybody
Dance” was originally a track recorded by Chic in 1977 and since
Nile Rogers and Bernard Edwards had lit the fire under these ladies
career in the late 70’s a cover featuring their vocals in 1999 from
a compilation titled “The Very Best Of Chic And Sister Sledge” –
featuring current club/house remixes of their music. Sister Sledge
takes this anthem and runs with it. With music that Edwards and
Rogers were producing together it is no wonder these songs are a
welcome sight in any context. |
 |
|
• Change - Glenn Rivera ReStructure Mix - Barry White
Barry White is one of the moving forces in disco music during the
seventies. His compositions and productions have always been
celebrated on dance floors to the highest respect. “Change” is from
his 1982 project by the same title and gives his brass hitting in a
mercifulness manner. His forthcoming sight in the 80’s is a dance
floor mover and gives us another chance to hear this master mature
to another period of dance music. The track was co-produced by Jack
Perry. |
 |
|
• F.L.M. - Glenn Rivera ReStructure Mix - Mel and Kim
Mel and Kim is Melanie Susan Appleby and Kim Appleby who became one
of the successful dance acts from production team, Stock, Aiken and
Waterman during the late 80’s. “F.L.M.” is from their 1987 project
and became their anthem in many clubs. The track is a celebration of
life and the lighter side of the nightlife. The noticeable
production from SAW works well with the harmonies these two ladies
produce in energy and execution. Many clubs adapted this one as
their close to the groove piece and had a very successful run along
with several other singles from their project. |
 |
|
• It's A Disco Night (Rock Don't Stop) - Glenn Rivera ReStructure Mix - The Isley Brothers
The Isley Brothers are a soul ensemble who began their careers in
the late 50’s. The ensemble includes Chris Jasper, Ernie Isley,
Marvin Isley, O'Kelly Isley, Ronald Isley and Rudolph Isley. The
group survived throughout the 60s and onto the millennium recording
soul, disco and r&b. “It’s A Disco Night (Rock Don’t Stop)” is the
single from 1979 and the project titled “Winner Takes All” –
produced by Chris Jasper. This is their disco entry during the
height of disco music’s craze and their soul and funk touch makes
this one an old school classic. Very driving bass and percussion
give the disco lights their purpose and the funky groove the
dancer’s enthusiasm. |
 |
|
• Give Me Your Love - Glenn Rivera ReStructure Mix - Phil Trim
Phil Trim is a singer from Trinidad who began his recording career
in 1978 and released 5 projects. His single from 1977 “Give Me Your
Love” was featured on the TK Disco label and was produced by Ramon
Arcusa. This is disco bubble show complete with the chorus girls
introducing our man at every verse. This is the disco camp which
emerged during a period where disco music was finding itself labeled
as funk, soul and at times pop. This love song has the strings that
ignite the mirror balls and the bass lines which fuse the hustle.
This disco record is one of the sheer pieces from the time period
where the sound was being created as well as being showcased. |
 |
|
• Mirage - Glenn Rivera ReStructure Mix - Scotch
Scotch is an Italian disco project from Fabio Margutti, Franz
Felleti, Franz Rome, Manlio Cangelli and Vince Lancini. Their music
has always been an uplifting electronic production with a riff which
sticks to the dance floor. “Mirage” is their single from 1986 –
produced by Zambelli Bros. This piece is a romantic interlude where
clarity becomes the focus on the romance being started on the right
feet. The lyrical keyboards are enticing for this style of Italian
dance music and always make the moment become more celebratory. It
is one of the more sensational singles and still holds a nice feel
even today. |
 |
|
• Tina Cherry - Glenn Rivera ReStructure Mix - Georgio
Georgio (Georgio Allentini) is musician/artist who released three
projects starting in the late 80’s. His first success was a single
titled “Tina Cherry” from 1987 and was formulated in the deep house
sound which was a popular mix during this period. The heavy bass
sequencers are the power behind this slick track which caught on
fast in clubs. It was the smooth variations of the segments of
keyboard riffs which made this number a dance floor hit. |
 |
|
• Take Me To The Sun - Glenn Rivera ReStructure Mix - Paradise Orchestra
Bruce Johnston is a vocalist, keyboardist, guitarist, bassist,
drummer, composer and producer who joined The Beach Boys in 1964.
His disco track “Pipeline” from 1977as produced by Gary Usher and is
one of the innovative instrumentals of the time. He uses drums and
percussion in heavy layers to create a piece which also includes a
vocal which resembles a Beach Boys number. This one has the elements
of the disco era which the full on string elements and breakdowns.
The drum tracks and breaks are interesting and hold a rhythmic edge
that is powerful and memorable. |
 |
|
• Hot Love - Glenn Rivera ReStructure Mix - Big Ben Tribe
Bruce Johnston is a vocalist, keyboardist, guitarist, bassist,
drummer, composer and producer who joined The Beach Boys in 1964.
His disco track “Pipeline” from 1977as produced by Gary Usher and is
one of the innovative instrumentals of the time. He uses drums and
percussion in heavy layers to create a piece which also includes a
vocal which resembles a Beach Boys number. This one has the elements
of the disco era which the full on string elements and breakdowns.
The drum tracks and breaks are interesting and hold a rhythmic edge
that is powerful and memorable. |
 |
|
• Pipeline - Glenn Rivera ReStructure Mix - Bruce Johnston
Bruce Johnston is a vocalist, keyboardist, guitarist, bassist,
drummer, composer and producer who joined The Beach Boys in 1964.
His disco track “Pipeline” from 1977as produced by Gary Usher and is
one of the innovative instrumentals of the time. He uses drums and
percussion in heavy layers to create a piece which also includes a
vocal which resembles a Beach Boys number. This one has the elements
of the disco era which the full on string elements and breakdowns.
The drum tracks and breaks are interesting and hold a rhythmic edge
that is powerful and memorable. |
 |
|
• Bitter Moon - Glenn Rivera ReStructure Mix - Candyland
Candyland is Colin Payne, David Ayers, Derrick McKenzie, Diid Osman
and Kenediid Osman – a 90’s psychedelic rock/synth band. Their 1992
project titled “Suck It And See” contained the single “Bitter Moon”
which follows in their deep edge of moody esthetics and in the
heartbreak mode here. The song has an eerie feel and somewhat
mysterious and tense energy. It follows the early morning formula
which takes the extreme left field and shifts it into full gear.
Vocals work as the tremble throughout the song in a careless sound.
The track was produced by Chris Parry. |
 |
|
• The Sun Always Shines On T.V. - Glenn Rivera ReStructure Mix - a-ha
a-ha is a Norwegian band consisting of Magne Furuholmen, Morten
Harket and Paul Waaktaar-Savoy. This band became an instant 80’s
staple following their 1984 single “Take On Me”. Their project
titled “Hunting High and Low” – produced by Tony Mansfield contained
their follow up single from 1985 titled “The Sun Always Shines On
T.V.”. This track is an anthem in a synth-pop arrangement and a
melody that touches the soul. It faired very well on dance floors
and within the 80’s realm is a classic. |
 |
|
• Say! - Glenn Rivera ReStructure Mix - Cleo
Cleo is an Italian disco project from Fabrizio Segalini and features
Angela Parisi on vocals. This 1988 release has a nice production
with some keyboards riffs which play into the groove nicely. “Say!”
is more of a rhythmic piece and fares some nice lines which are
performed in an uplifting fashion with the lower bpm energy. This
one is a nice production which plays out more against the rattling
percussion which supplies a foundation for our diva giving her
despair in a romantic situation. |
 |
|
• C'mon And Dance - Glenn Rivera ReStructure Mix - Liquid Gold
Liquid Gold is a disco band featuring Ellie Hope, Franco Morruzzi,
Ray Knott and Wally Rothe – produced by Adrian Baker. The group had
a huge disco hit with “My Baby’s Baby” from their self-titled 1979
project. It was the perfect mixture of pop and disco for the period.
With the lead vocals of Ellie Hope the band had an unforgettable
impact and eventually in the 80’s she pursed a solo career with
several dance tracks which did very well. “C’mon And Dance” is
another track from their album with more of a laid back and
jam-session feel. It uses the group as an ad-lib to the musical
interludes which call into the arena the dancers – a formula which
was very much what disco music was about. |
 |
|
• Stop That Man! - Glenn Rivera ReStructure Mix - Glamorama
Glamorama is a high-energy/techno project from UK producers Graham
Willcocks, Martyn Norris and Richard Cottle – also responsible for
bringing us Obsession, Royal T, Rapport, Abracadabra and Shaft.
Featured on the legendary Almighty Record label and making a mark in
the early 90’s shift from high energy to techno and eventually rave.
The three ingredients are blended well with “Stop That Man!” from
1993 –and along with high energy diva Earlene Bentley this one has
an aura of attitude and sophistication. The rolling bass lines are
the main aspect of this number and work well with the rave and
exotic keyboard riffs which plant themselves firmly into this great
number. |
 |
|
• Woman Ad Lib - Glenn Rivera ReStructure Mix - L.A.X.
L.A.X. is a disco/funk band lead by producer Ralph Benatar and
members are Galen Senogles, Geoffrey Leib, Kenny Lee Lewis, Larry
Lingle, Mike Lingle and Roy Galloway. Their 1979 self-titled project
contains their first dance floor hit “Dancing At The Disco” which
was welcome for their funk style. “Woman Ad Lib” is another cut from
album which received play and is a more disco driven piece in a more
club outline. The play is dedicated to the female vocal provided by
Laura Lucerno and Roy Galloway in a phrase feeding play. The track
is much like a Euro-disco track through the feel of this one and
also contains the groups classic funk edge. |
 |
|
• No More Words - Glenn Rivera ReStructure Mix - Berl
Berlin is Terri Nunn, John Crawford and David Diamond – an 80’s band
who fused electronics with nu-wave guitars. Their dance hits are a
staple for the period as much of their elements are great riffs
which give the period its feel/ “No More Words” is from their 1984
project titled “Love Life” produced by Giorgio Moroder and Ritchie
Zitto. This percolating dance track is a Berlin outline along with a
convincing vocal from Terri Nunn. The echoes of Moroder’s 80’s
venture are here best as he makes a nice canvas for the band to work
over. |
 |
|
• Change Of Heart - Glenn Rivera ReStructure Mix - Change
Change is a disco/funk ensemble founded in the early 80’s by
producer Jacques Fred Petrus and created a sound with a group of
well experienced disco, soul and r&b singers that exploded from
their first hit “A Lover’s Holiday” from 1980. “Change Of Heart” is
their single from their 1984 project produced by the legendary Jimmy
Jam and Terry Lewis. The track gives lead singer Deborah Cooper an
opportunity to blend into the situation which falls short of a love
affair to a relationship. There are the levels of vocal segments
that play out wonderfully in this number and make it one of the
great funk/dance tracks from this ensemble. |
 |
|
• Old Wine In New Bottles - Glenn Rivera ReStructure Mix - Silver Convention
Silver Convention are the statement from producers Michael Kunze and
Sylvester Levay and contributed much of the disco appeal of the
mid-70’s to their music. “Old Wine In New Bottles” is from their
1976 project titled “Get Up And Boogie” where the title track was on
to become a disco classic. Their sound was the emphasis on how chic
disco music was becoming and where it was going. The heavy strings
and funky band-like rhythms are the canvas works for the style of
Silver Convention. The vocals were Linda G. Thompson, Penny McLean
and Ramona Wulf who gave the face of the band a sexy and somewhat
playful edge. |
 |
|
• Heart Of Glass - Glenn Rivera ReStructure Mix - The Associates
The Associates are Billy MacKenzie and Alan Rankine - a synth-pop
group from Scotland. Their 1988 album “The Glamour Chase” featured
their cover of Blondie’s disco hit “Heart Of Glass” and was produced
by Chris Hughes and Ross Cullum. This being one of the rekindles of
a classic which lays out another segment of ingenuity. Their
electronic take on the Blondie number with their vision and sound. A
mildly played arrangement utilizes the ideas of a crescendo placed
within the build of the song without exhausting it means. One of the
great covers in general where the concept is close to the original
yet reaching in another direction. |
 |
|
• Don't Leave Me This Way - Glenn Rivera ReStructure Mix - The Communards
The Communards are Jimmy Somerville (Bronski Beat) and Richard Coles
- a duo who released a few covers of disco classics in the 80’s high
energy mode. Their 1986 cover of Thelma Houston’s big disco hit
“Don’t Leave Me This Way” is one of the most incredible undertakings
in the dance arena. Produced by Mike Thorne this piece is a hard
hitting transformation of the soulful disco classic to the
incredible performance by Jimmy Sommerville who takes each segment
of the track and plays out the drama in his own style. This one was
huge on dance floors and reminded those who know the song how
wonderful the song was and those new listeners an advantage to
experience such a masterful song. |
 |
|
• Don't You Want Me Baby - Glenn Rivera ReStructure Mix - Mandy
Mandy (Amanda Louise Smith) is a PWL artist who along with the
assistance of producers Stock, Aitken and Waterman released a few
tracks in their genre of dance music. “Don’t You Want Me Baby” is
Mandy’s cover of Human League’s bit synth-pop hit from 1981 with
more energy and the SAW sound which rolls out like 3 barrels at
once. Mandy’s vocals are faintly distributed throughout rolling bass
sequencers and keyboards and yet the familiar chorus and riffs are
nice to hear in a more energy driven version overall. The one made
its debut in 1988 and did well on several high energy charts and the
clubs which are still clamoring for energy dance music. |
 |
|
• Play That Beat Mr. DJ - Glenn Rivera ReStructure Mix - G.L.O.B.E. and Whiz Kid
G.L.O.B.E. and Whiz Kid are Harold McGuire and John Miller - a duo
forming an early 80’s street beat group and releasing their 1983
single titled, “Play That Beat D.J.”. The early 80’s paved the way
for rap to become an identity which became one of the inspirations
of today's hip-hop genre. Produced by Craig Harris and Tom Silverman
and released on the newly formed Tommy Boy Records, this early piece
of simulated live rap from the deejay booth celebrates the man who
brings it all together night after night - spinning those discs and
keeping us on the floor. There are the scratch techniques which
became an element in dance music and kept the rhythms and grooves
new and fresh throughout the 90’s. A classic among the time period
and one track which gives this genre a push into success. |
 |
|
• Kiss You All Over - Glenn Rivera ReStructure Mix - Exile
Exile is a pop/country band from Kentucky whose fame hit in 1978
with their #1 pop hit “Kiss You All Over” – produced by Mike
Chapman. The track is a vocal treat where the layers of male vocals
play out equivalent to a church choir in their crescendo. The song
is one of the easy listening treats which fell close to the disco
category of its time and also still plays out romantically as well.
A 70’s classic which will remain a favorite among many thanks to its
wonderful riffs and vocals. |
 |
|
• Applause - Glenn Rivera ReStructure Mix - Angie Gold
Angie Gold is one of the high-energy artists with a voice which
transcends the dance floor. “Applause” is her 1986 release produced
by Nigel Wright and an appropriate song for this fantastic artist.
The song feeds into the realm of needing the audience to have been
satisfied and leaving the air with hands applauding and in turn this
makes all of the work for our singer worth it all. One of the
anthems of the time which has the singer who can bring it to life
the right way. This one is a track which makes a dance floor move
with appreciation as well. |
 |
|
• Living My Own Life - Glenn Rivera ReStructure Mix - Earlene Bentley
Earlene Bentley is one of the high-energy divas from the Ian
Levine/Fiachra Trench music legacy. “Living My Own Life” is
Earlene’s 1984 single and gives us the complete high energy sound in
one defiant message. Although the sound of high energy music of the
time relied on the pumping bass and percussion it was always the
diva which Levine and Trench placed on the track which mattered
most. “Living My Own Life” is an anthem of self-esteem and power
within ones soul and makes this number pound out more on the message
than the orchestra drums. It is the 80’s dance sound which will
forever bring about the feeling of an uplifting moment on the dance
floor. |
 |
|
• Sweet and Low - Glenn Rivera ReStructure Mix - Debbie Harry
Debbie Harry is an 80’s icon who covered the music scene in her own
way beginning with her big disco hit from 1978, “Heart Of Glass”.
Although Harry’s voice was appropriate for those new-wave and rock
edged tracks her voice also flowed like a disco chanteuse in a
lovely manner. “Sweet and Low” is a single from her 1989 project
“Def, Dumb and Blonde” – produced by Arthur Baker. The song is a
melodic trip into a love fantasy where no matter what occurs around
it cannot interfere with the lure of this love. It is perhaps one of
the most lyrical since “Heart Of Glass” in a vocal delivery from
Harry. It is now an underground classic and one that should not have
anything shoveled over it. |
 |
|
• Happy Together - Glenn Rivera ReStructure Mix - Terms Of Surrender
Terms Of Surrender is a studio group from 1983 and produced by Mark
Berry. “Happy Together” is their beat-box cover of The Turtles 1967
rock classic and down with layers and layers of syndrums and
reverberations. The eerie feel of this cover is enough to place it
in that early morning music/sleaze category that was so alive in the
mid and late 80’s. The vocals are haunting also as they echo
throughout this arrangement and give off a new feel far from the
original. This one was always a favorite of mine since it covers
that morning mood and also transpires a classic into a left field
style and very well. This cut was featured on Disconet’s Volume 5
Program 12 Issue. |
 |
|
• The Disco Spaceship - Glenn Rivera ReStructure Mix - Laurie Marshall
Laurie Marshall is a disco artist from Canada whose act is quite
unique with the 1977 song, “The Disco Spaceship” – produced by Ralph
Murphy. It is pure camp as Laurie performs the track in a
funky-galactic-drag outline. Complete with a powdered white wig and
alien makeup. It is the formula where the track is as outrageous as
the performer. It works in the deepest sense of disco-camp and
confirms again how the 70’s obsession with space and the universe
played a fantasy in many ways including in this type of dance track.
The simple keyboard tracks are played out in an arrangement which
only allows the song to bring an interesting connection between
spaceships and dance floors. |
 |
|
• It Should Have Been You - Glenn Rivera ReStructure Mix - Gwen Guthrie
Gwen Guthrie is a singer who began as a session singer with notable
projects as Gregg Diamond’s Bionic Boogie debut album. Her talents
as a songwriter also gave her expose with many top pop and soul
artists. “It Should Have Been You” is from her first solo album from
1982 – produced by Sly Dunbar, Robbie Shakespeare and Steven
Stanley. The project gave Gwen a new identity for her unique vocal
and sound. The song focuses around missed opportunities in a
relationship which may have ended too soon as many of the great
elements are wonderful memories and strengths. Gwen performs this as
a simple note to give her presence a relaxed delivery and also a
flow with the funky groove of this music. |
 |
|
• Evergreen - Glenn Rivera ReStructure Mix - Hazell Dean
Hazell Dean is a British pop singer who became the high energy diva
of the 80’s. “Evergreen” is her cover of Barbra Streisand’s hit from
1976 and in a production from Willi Morrison & Ian Guenther (THP
Orchestra, Sticky Fingers, Duncan Sisters, and Southern Exposure)
brings the ballad on the dance floor with grace and energy. The full
on electronic production is the 80’s standard where beautiful songs
and suggestive orchestral segments met with the new sound of time.
The vocal from Hazell is perhaps the more important areas here as
not any singer recreate a pop hit with such a smooth impact. This is
one of the great moments where the beat and the ballad collide with
great accomplishment. |
 |
|
• Power Of Persuasion - Glenn Rivera ReStructure Mix - Pointer Sisters
Pointer Sisters are the powerhouse act of the 80’s. Their music
always found a place on dance floors and their energy and lasting
stance. “Power Of Persuasion” is a single from 1988 and was produced
by Jerry Knight and Aaron Zigman. The song was from the film
“Caddyshack II” and plays out as powerful as their 80’s dance hits
but with a bit more of a Euro-house sound. The ladies again tease us
with the promise of something good as long as the answer is “yes”.
This one gives Pointer Sisters another dance track which begins with
excitement and ends in satisfaction. |
 |
|
• In Private - Glenn Rivera ReStructure Mix - Dusty Springfield
Dusty Springfield returns along with Pet Shop Boys on the B-side of
her album “Reputation” – which features the single “In Private”
released in 1990. A monumental track of lies, cheats and ultimatums
as Dusty pleads with her married love affair to confess what was
really going down. It is one of the Pet Shop Boys most powerful and
emotional trips and along with Dusty taking the blame but not
without justification before the romance and this song ends. A
complete disco symphony guides this one directly into the classic
bins and keeps the rhythm still moving along. |
 |
|
• High On The Boogie - Glenn Rivera ReStructure Mix - Stargard
Stargard is a disco/funk project from producer Norman Whitfield with
a big 1978 dance floor hit titled “Which Way is Up?” – featured in
the Richard Pryor comedy film. The trio consisted of Debra Anderson,
Janice Williams and Rochelle Runnells and later in 1980 Debra left
the group. “High On The Boogie” is a dance track which follows in
the funky vein which made these ladies the superlative attraction in
the late 80’s. This dance anthem has several juicy riffs and funky
vocal segments where the groove is no longer needed to guide your
hips. The track is from the 1980 album “Back 2 Back” and gives us
again that crossover between funk and disco that is so delicious. |
 |
|
• Be Your Man - Glenn Rivera ReStructure Mix - Jesse Johnson Revue
Jesse Johnson (Jesse Woods Johnson) is a guitarist who began with
Morris Day’s The Time band. His solo project titled Jesse Johnson
Revue was in the spotlight thanks to the success of Prince’s “Purple
Rain” and the many projects he accompanied through their starting
period. “Be Your Man” is the single from the project and has that
80’s Prince and The Revolution sound which guides it into a
wonderful place. A love song with several wonderful moments with
keyboards lightening up the space where the heartfelt direction is
given. The track is from the 1985 album by the same name. |
 |
|
• Lost In Music - Glenn Rivera ReStructure Mix - Sister Sledge
Sister Sledge are Debbie Sledge Young, Joni Sledge, Kathy Sledge and
Kim Sledge. This ensemble was produced by Chic Organization (Nile
Rogers and Bernard Edwards) during the late 70’s and began a whole
new style for the group and several major hits, including “We Are
Family” and “Reach Your Peak”. Their first album produced by the
Chic-duo was the 1979 project “We Are Family” and along with the
tilted track a few more hits emerged including “Lost in Music” – a
song where music becomes the peak of one’s dream and living an
ordinary life is impossible. It is perhaps the most teasingly dance
track to solidify the urge to keep music as the top priority and
everything else a stepping stone – as worded “lost in music”. |
 |
|
• Baby Dancer - Glenn Rivera ReStructure Mix - Carrara
Carrara (Alberto Carrara) is an Italian artist who released a big
Italian disco hit in 1983 titled, “Disco King”. The track
immediately became one of the uplifting and creative pieces of the
time period. “Baby Dancer” is his 1987 single – produced by Ruggero
Penazzo and arranged by Walter Bassani. Another clever dance piece
with the outline of a love song flowing into a rhythmic edge with
plenty of loveable riffs. One of the 80’s Italian disco favorites
which made the dance floor welcomes a return to the feel-good and
whimsical sound of this countries continuance of disco music during
the 80’s. |
 |
|
• If U Want My Love - Glenn Rivera ReStructure Mix - Dionne
Dionne (Beryl Dionne Warren) is a club artist recording from the
late 80’s throughout 2009. Her releases always have one common trait
– her beautiful voice and sensual delivery. “If U Want My Love” is
her 1991 release produced by Andrew Komis. This track is presented
in 3 versions in the garage house tradition and along with the
flowing vocal made this one a top 10 hit in my club during its
release. Each segment of the production is stripped raw and pumped
with percussion and bass in that garage flair. With the house era
moving into a more pop realm this is the sound that helped make the
club sound noticeable. |
 |
|
• Stop The Music - Glenn Rivera ReStructure Mix - Gregg Diamond's Bionic Boogie
Gregg Diamond gave the 70’s a lesson in funky fantasy. His beautiful
and band influenced recordings gave way to the lush sounds of disco
in an early period. His recordings with Andrea True Connection
(“More, More, More”, “N.Y. You Got Me Dancing”) are the embryo
stages of his talent in creating disco music with his style. “Stop
The Music” is from his first Bionic Boogie project from 1977 and
this session features vocals from Gwen Guthrie and Ullanda
McCullough. The uplifting messages that disco music evoked are felt
in this number and also Diamond’s touch in blending phrases and
musical influences. I always heard his music as a groovy edge with
the disco flare added. |
 |
|
• I've Got Faith In You - Glenn Rivera ReStructure Mix - Cheryl Lynn
Cheryl Lynn is one of the great voices of soul, disco and
inspirational music. There was an impact of her presence in the late
70’s not only with a disco hit but also as a unique voice and
delivery. Her second project titled “In Love” is a session which
gives her pipes range experimental boundaries. Along with producer
Barry Blue does this recording make history as proof to the talent
this woman possesses. “I’ve Got Faith In You” was written by Bobby
Caldwell (“What You Won’t Do For Love”) and is a statement for
Cheryl in more ways than one. The track is worked with a rhythm bass
guitar and opens up many exciting moments for this diva. One of my
many favorites from this project and from the lady herself with a
nice impact delivered with her own style. |
 |
|
• Sweet Talk - Glenn Rivera ReStructure Mix - Robin Beck
Robin Beck is a singer from Brooklyn, New York who began her career
as a backing vocalist for Melissa Manchester, Chaka Khan and Leo
Sayer. Her solo career began in 1979 with her project titled “Sweet
Talk” – produced by Kenny Lehman (Lemon, Rhetta Hughes, and
Quinella). The title single was big release during a period where
disco music was reaching the edge of its peak. This track tells the
story of a manipulating lover who takes control with a soft approach
– “sweet talk”. Robin performs the piece soulfully and with much of
her vocal talent as you may hear developed in session recordings.
The song is a favorite among the disco audiophiles who followed the
trajectory of disco music as this piece is much more of a lower bpm
mover. |
 |
|
• Love Has Come Around - Glenn Rivera ReStructure Mix - Donald Byrd and 125 Street NYC
Donald Byrd and 125th Street NYC is a session featuring Donald Byrd,
Eric Hines, Ronnie Garrett and William Duckett. Their big dance club
hit from 1981 titled “Love Has Come Around” is one of the Paradise
Garage classics and is also assisted by the great Isaac Hayes who
produced. The dreamy funk style piece is one that exudes the early
80’s dance floor with the soulful vocal and chorus along with the
groove that moved those underground clubs non-stop during the
period. This piece can be considered a soul/funk anthem at least –
but when you analyze and repeated listens you can feel it deserves
much more of its own genre. |
 |
|
• Falling In Love Again - Glenn Rivera ReStructure Mix - The Technos
The Technos are Bev Sage and Steve Fairnie – an 80’s electronic band
whose presence on the dance floor was unique and shimmering
experience thanks to ingenuity and their approach in general.
“Falling In Love Again” is a cover of the Marlena Dietrich song from
the 1930 film, “The Blue Angel” and their version released in 1985
and produced by Phil Harding. Their energetic take on the vamp song
is one of the most exciting covers and also includes a few
low-samples of the film and also some wonderful riffs. The lead
vocal is played out with total camp as it should be and the rest is
history, |
 |
|
• No More No War - Glenn Rivera ReStructure Mix - Mirage
Mirage is Donald Todd Canedy who created several Euro-disco singles
during the mid and late 80’s. “No More No War” was released in 1985
and produced by Pepone. This statement on the human battles that our
planet has endured and how there is no longer desired is a strong
theme and works well in the powerful drum tracks and deep bass
synthesizers pumping out the energy. This single is one of the most
exciting club tracks of the period and is a favorite among club
jocks and dance music enthusiasts. The electronic production is
complemented well this hard edged chants and the swirling bridge. |
 |
|
• Let It In (Rock) - Glenn Rivera ReStructure Mix - Caution
Caution is a disco project from Jorge Barreiro and Roy Bermingham.
This appropriately moving track is homage to the 70’s rock sound
with the distorted guitars pouring out energy during the breaks. The
vocal sounds a bit like “Leather Tuscadaro (Suzy Quatro)” to me –
but works well with the edgy rock sound placed over the disco bass
line and beats. This one may have been the introduction as the early
80’s as it became a more experimental time for dance music. This
single from 1980 is a definite stamp of the time period and a moment
of sheer genius on the Roy B. Record label. |
 |
|
• Shake - Glenn Rivera ReStructure Mix - Bombers
Bombers is one of the classic disco projects from George Lagios and
Pat Deserio. The galactic themes from album covers to music were
very appropriate during the late 80’s thanks to pop culture. “Shake”
is from the “Bombers 2” album released in 1979 along with their
disco classic “Everybody) Get Dancin’”. The piece is accented
wonderfully with a bass guitar riff that can only come from Buster
Jones who also performs vocals. The hypnotic feel of this classic
disco number is one of the most intriguing and leaves to mind no
question why dance floors went on-and-on during this disco period. |
 |
|
• Excitable - Glenn Rivera ReStructure Mix - Amazulu
Amazulu is a British reggae ensemble from the mid-80’s featuring
Rose Minor, Annie Ruddock, Clare Kenny, Lesley Beach, Margo Sagov
and Nardo Bailey. Their 1985 single “Excitable” is from the
self-titled album release and was their most successful in this
genre. The steel; drums, horns and lead vocal make this track a nice
celebratory number which always brings good vibes to the heart and
feet to the dance floor. |
 |
|
• Dream Machine - Glenn Rivera ReStructure Mix - ORS
ORS (Orlando Riva Sound) is a German disco project featuring Anthony
Monn, Herbert Ihle, Mario Argandoña, Rainer Pietsch, Sophia Reaney,
Stevie Bi and Wolly Emperhoff. Their project titled “Body To Body”
from 1978 is an experience of the disco sound which emerged into the
late 70’s with all of the fusion along the way including electronic
and funk. “Dream Machine” is a single from the project which is a
musical piece that emanates a galactic feel along with a ghostly
female vocal which welcomes you into the star system. It is one of
the tracks that are the essence of 70’s and makes this time seem as
though it is missing something. |
 |
|
• 8:15 To Nowhere - Glenn Rivera ReStructure Mix - Vicious Pink
Vicious Pink Is Brian Moss and Josie Warden. Their music during the
mid-80’s helped to bridge a predominant electronic production to a
raw edged style as rock influence. “8:15 To Nowhere” was originally
released as a B-side to their club hit, “Cccan't You See...” and
later remixed and released again in 1988 as a single. The hard
welding keyboards are an edge of high energy and madness with its
devouring sound. The piece is celebrated as a cutting-edge piece and
now displays the band as the stand with the fusion of electronic
music and a hard edge on corners. |
 |
|
• Heart - Glenn Rivera ReStructure Mix - Pet Shop Boys
MCL is Microchip League who created an electric-dance current in
1987 with their single “New York” produced by Axel Henninger and
Westside. Their project titled “Code Numbers” contained several
genres including industrial and new beat. “Don’t Blame It On The
Samba” is their single from 1990 which has a more commercial edge
and also freestyle beat in place. It is infectious piece that
contains some killer Spanish guitar riffs and a wonderful lead vocal
from Frank S. |
 |
|
• Blame It On The Samba - Glenn Rivera ReStructure Mix - MCL featuring Frank S.
MCL is Microchip League who created an electric-dance current in
1987 with their single “New York” produced by Axel Henninger and
Westside. Their project titled “Code Numbers” contained several
genres including industrial and new beat. “Don’t Blame It On The
Samba” is their single from 1990 which has a more commercial edge
and also freestyle beat in place. It is infectious piece that
contains some killer Spanish guitar riffs and a wonderful lead vocal
from Frank S. |
 |
|
• I'm Not In Love - Glenn Rivera ReStructure Mix - Basscut
Basscut is an electronic dance project from Elisa Burchett and
Heinrich Zwahlen. Using the base of house music this duo creates
infectious dance numbers like “I’m Not In Love” from 1991. The
smooth effect is a bassline driven energy piece with a unique vocal
created as Bassline. The song lead my high energy chart reporting
back in the early 90’s and brought to the dance floor another form
of Euro-house a new sound. The track has many riffs that work in its
favor and a production that is stripped down but working with the
effective pieces necessary. |
 |
|
• Break Away - Glenn Rivera ReStructure Mix - Big Pig
Big Pig is an 80’s band from Australia – featuring Sherine, Nick
Disbray, Tony Antoniades, Time Rosewarne, Oleh Witer, Adrian
Scaglione and Neil Baker. Their big song from 1987 is a powerhouse
dance track titled “Break Away” – produced by Nick Launay. This
piece has so many pertinent riffs that it exudes energy and
excitement. A touch of rockabilly meets 80’s dance floor. One of the
big surprises of this year and a definite dance floor packer. |
 |
|
• Without You - Glenn Rivera ReStructure Mix - Midnight Shift
The Midnight Shift is a dance/disco/high energy project from the UK
including some of the great parts of 80’s dance: Ian Anthony
Stephens, Ian Gant and Robin Wright. Their 1991 single is a cover of
the Harry Nilsson song from 1972 titled “Without You”. This cover
incorporates a riff from the ABBA track “The Winner Takes It All”
and fits too comfortably in this new arrangement. It is a blessing
for the high energy community that this session existed and also for
the remnants of the remakes they have covered it is sheer heaven. |
 |
|
• Still A Thrill - Glenn Rivera ReStructure Mix - Jody Watley
Jody Watley is an extraordinary talent from the disco era who
transformed herself into a solo-artist in 1987. Her self-titled
project brought the new dance floor of the 80’s its sound and also a
new icon. “Still A Thrill” is a single from this album and was
produced by André Cymone. This sexy and unforgiving piece is a
lasting tribute to the heart and bod feeling which lasts as time
shapes and solidifies this relationship. It truly is the top of the
funk and sensual pop sound and makes it easy for Jody to display
just what this talent is all about. |
 |
|
• Boogiethon - Glenn Rivera ReStructure Mix - Biddu and The Orchestra
Biddu (Biddu Appaiah) is a producer, musician and songwriter who
also gave us tracks from Carl Douglas and Tina Charles. His work
with his orchestra brought the track “Booogiethon” from 1977 and
from his project titled “Eastern Man”. This sick and horn driven
piece is a great example of how early disco/dance music was
gathering a fusion of musical styles. This simple chorus piece is
the disco dessert that was served during the mid and onto the disco
peak of 1979. A nice funky rhythm makes this one hard to remain
still and also that chorus is an all-around singer along. |
 |
|
• Somewhere - Glenn Rivera ReStructure Mix - Vicki Shepard
Vicki Shepard is one of the club divas from the late 80’s. Her
success was achieved by bringing back several club favorites in her
style as well as few new dance floor pieces. “Somewhere” is her
disco cover of the majestic song from “West Side Story” and in
Vicki’s court she introduces it in the same manner – fabulous! Her
dreamy vocals give a mystic and yet energetic twist in this version.
It was produced by David Lawson and displays a wonderful electronic
arrangement which brings the song the power it relays as a dance
floor classic. It has always been a favorite of mine and worked my
dance floor for days during its release. |
 |
|
• Sharpshooter - Glenn Rivera ReStructure Mix - Laura Branigan
Laura Branigan is a singer who began her recording career in 1981
and worked many dance floor hits including, “Gloria”, “Solitaire”
and “Self Control”. Her powerful and rock-edged vocals gave her
music the power and emotion needed to relay some intense messages.
“Sharpshooter” is a track released in 1984 on the motion picture
soundtrack of the film, “Body Rock” – it was produced by Jack White
and Robbie Buchanan. Another song where Laura’s brings to the
surface an emotion which introduces the human connection with
sensuality and ease. The track did not have a release as a single so
the best part is that it is a gem for a fan. |
 |
|
• Everybody Move - Glenn Rivera ReStructure Mix - Cathy Dennis
Cathy Dennis (Catherine Roseanne Dennis) is a singer/songwriter from
England who brought the early 90’s excitement with her many
dance/house releases. “Everybody Move” is from her 1990 project
titled, “Move To This” and was produced by Chic’s Nile Rogers. The
energy in this track is fast and furious as Cathy takes her sweet
yet powerful vocal into the song. It is one of the tracks which
followed many of her pervious including “All Night Long (Touch Me)”
and “Just Another Dream”. This piece makes the start as exciting as
the finish with its antidote for almost everything which was house
music for the period. |
 |
|
• Tell Me All Your Secrets - Glenn Rivera ReStructure Mix - Nerissa
Nerissa (Nerissa Vitello) is a singer who released several dance
cuts throughout the early 80’s including “Tell Me All Your Secrets”
from 1990. The track was produced by Darrell Lawrence and is
delivered in the deep house “Red Zone” tradition created by David
Morales. The heavy drums and key-riffs are the essential dub-like
energy of the 80’s house period and at this time being fused with
several i9ngredients to keep it rich. The ideal of “Tell Me All Your
Secrets” is an invitation to a relationship where no boundaries are
present. The song has a sensual feel overall thanks the persuasive
vocal by our diva here. One of the great independent dance label
tracks from the period and a definite ear magnet. |
 |
|
• I'm Not Perfect (But I'm Perfect For You) - Glenn Rivera ReStructure Mix - Grace Jones
Grace Jones is the “showgirl” of disco music. Her unique style and
music contributions have never sold her short of fabulous. Her 1986
project titled “Inside Story” is again Ms. Jones being, “Ms. Jones”.
“I’m Not Perfect (But I’m Perfect For You” is the big single and was
co-produced by Chic’s Nile Rogers along with Grace. This one sticks
to Grace as it displays her persona undoubtedly and also carries
through a play with words in many ways as Grace sells her wares once
again. The song became a big club hit made this disco star shine all
over again. |
 |
|
• Once More - Glenn Rivera ReStructure Mix - Taffy
Taffy (Katherine Quaye) is a British singer who moved into the
Italian disco arena with a big hit titled, “I Love My Radio
(Midnight Radio)” in 1985. Her presence has always been an exciting
one since most of her music always reflects uplifting themes and
celebratory outlines. “Once More” is her single from 1985 and was
produced by Claudio Cecchetto. This track is an anthem in the works
as she exclaims the excitement to mention her partner and the magic
that he gives. It is a soaring track which always rings out like a
powerhouse when the chorus builds into the finale of raging
keyboards and beautiful rhythmic sounds. |
 |
|
• Nightdrive - Glenn Rivera ReStructure Mix - Kaotic
Kaotic is a deep house project from Timothy Titsworth – his single
titled “Nightdrive” was released in 1992 on Underground Level
Recordings label. This piece is a rhythmic interlude into a moody
and mystique as it beats out a drum track which grabs your ears and
feet from the start. It is one of the transition pieces I have heard
in many clubs during its release but for me it was always a track
that could start the floor early or end the night. One of the early
90’s deep house/electronic numbers that I was caught from the first
few beats. |
 |
|
• Rich In Paradise - Glenn Rivera ReStructure Mix - Honesty 69
Honesty 69 is a German electronic project led by Thomas Gesell and
Willi Grossmann. Their 1989 single “Rich In Paradise” is one of the
Ibiza-esque dance tracks which bring to life the Lil’ Louis track
“French Kiss” along with an outline of their own. Using the
sequencer bass patterns throughout this arrangement make this sexy
record work both as a house and techno number. The sexy infusion of
the female adlibs gives the track its own identity as we are
immersed into a rolling dance experience. This one always fared well
at my club and brought peak hour to a new high, |
 |
|
• I Like It - Glenn Rivera ReStructure Mix - The Players Association
The Players Association is a disco/jazz ensemble who began their
recording career on Vanguard Records in 1977. Their self-titled
album from that year contained their single “I Like It” which is an
early favorite of dance floors and followers. The horn infused track
is one which outlines the rhythm in the club manner of the time and
also gives us a live band feel with its sectional arrangement. One
of the 12” singles of the time which was admired for its early moves
to fuse disco and jazz on a parallel. |
 |
|
• Do It For Love - Glenn Rivera ReStructure Mix - Ann Consuelo
Ann Consuelo (Ann Consuelo Del Pilar) is a singer from Guayaquil,
Ecuador and is one of the voices of the early 90’s house movement.
Her club hit, “Do It For Love” was released in 1992 and produced by
Douglas Carr and Nick Nice. A big underground hit as her prior
single “See The Day”. This one has a serious impact with its house
thumping rhythm and the wonderful segments where Ann brings the
lyrics into a playful mode. This one was dance floor success for me
from day on to the many months of programming it following. One of
the big house records that justify the means. |
 |
|
• Super Hero - Glenn Rivera ReStructure Mix - Love Drops
Love Drops are Asia Love and Wayne "Smash" Hunter – a house project
from the early 90’s. Their single titled “Super Hero” released in
1992 is a deep house piece which closely resembles the aura of the
group Deee-Lite with a free love and good time feel. The song has
one major factor for its initial success: the kick ass house beat.
Every atop is a mild as a few keyboard segments and a saxophone
break. In this number the real force is the fantastically carefree
vocal from Asia which bounces off the rhythm over and over making
her diva debut an original one. |
 |
|
• Welcome To My Heaven - Glenn Rivera ReStructure Mix - Kim Martin
Kim Martin is an Italo-house project from Dora Carofiglio, Giuseppe
Nicolosi, Lino Nicolosi & Rossana Nicolosi with Cateno Domenico
Nicolosi. The label offering their projects from Italy was titled
Selector Records and in 1991 released “Welcome To My Heaven” – a
wonderful house number which played out with all of the elements
which house music encompassed throughout the end of the 80’s and on
to the 90’s. This track is a bouncy bass driven number with plenty
of recognizable samples sprinkled throughout the arrangement. Its
uplifting feel gives it the immediate draw into its memorizing
verses and into the organ guided chorus. It is one of the big
underground Italo-house numbers which made it onto hardcore house
playlists. |
 |
|
• Set Me Free - Glenn Rivera ReStructure Mix - Jaki Graham
Jaki Graham is a British soul artist who arrived on the dance scene
during the early 80’s and made the dance floor move to a synth-pop
sound with a soulful edge. “Set Me Free” is from her 1986 project
titled “Breaking Away” – produced by Derek Bramble. This powerhouse
track has all of the necessary elements and an intro for anyone who
has never heard Jaki release her vocal talents. It tells the story
of a woman caught in a possessive relationship and wants to release
herself from it. The production gives us the UK funk edge with a new
standing diva showing us the rest of the way. |
 |
|
• Uncle Bob's Burly House - Glenn Rivera ReStructure Mix - Uncle Bob
Uncle Bob is Philip Kelsey – his project from 1992 is one of the
deep house productions which are progressive and trance-like. The
four cut 12” single gives an individual display of the riffs for
“Uncle Bob’s Burly House” in a club manner. This short excursion
into a realm where voices edge on a sense of hypnotic energy and
some mean dub-like breaks. The essence of this groove is the bass
works which seem to fluctuate throughout each mix. This one was
secret weapon for me when the dance floor was there and ready to go
deeper. |
 |
|
• Love At First Sight - Glenn Rivera ReStructure Mix - Van McCoy
Van McCoy is the man who ignited the “hustle” craze prior to the
disco explosion of the mid-70’s. His hit single titled, “The Hustle”
from 1975 was a step in the direction from which soul music began to
transition into the disco form. His compositions displayed a lyrical
and arranged musical outline of a simpler and more concise groove
along with the strings and funky guitars. “Love At First Sight” is
from his 1976 project titled, “The Real McCoy” and is a touch of the
disco formula in its pubescent stage. The simple arrangement was
more of the excitement of the dance arena for the time. This one
makes a statement with the lush stings and the breakdowns which
later become the outline for disco music. |
 |
|
• I Feel Love - Glenn Rivera ReStructure Mix - Messiah featuring Precious Wilson
Messiah is a techno-rave project from Ali Ghani and Mark Davies.
Their take on Donna Summer and Giorgio Moroder’s disco classic was
released in 1992 and is focused on the acid-house/techno/rave feel
of dance floors. This powerful and electrifying version sets the
track in a whole new arena along with the vocals performed by
long-time disco artist, Precious Wilson (Eruption). The rolling
sequencers again display the elegant and genius of Moroder and how
this piece of dance music changed the music world. There are builds
throughout this arrangement that bring about a “mosh-pit” energy
since the intent from the original is the excitement. |
 |
|
• You Are My World - Glenn Rivera ReStructure Mix - Double You
Double You is a Eurodance group featuring Andrea de Antoni, Franco
Amato and William Naraine. Their cover versions of disco classics
including “We All Need Love”, “Please Don’t Go” and “Who’s Fooling
Who” began a string of dance floor successes for this project. “You
Are My World” is from their first project, “We All Need Love” and is
a Euro-house arrangement with all of the appropriate formula for
1992 during the big club/dance period. It is a solemn love song that
plays out with plenty of emotion in a connection that is strong and
promising. Great vocal work and some of the breakdowns which made
the late 80’s and early 90’s still a great dance period. |
 |
|
• SOS - Glenn Rivera ReStructure Mix - ABBA
ABBA is Agnetha Fältskog, Anni-Frid Lyngstad, Benny Andersson and
Björn Ulvaeus – on of the definitive pop groups of the 70’s and
disco era. Their music is always an experience that is unique in
their power behind the female vocals and the creativity of the male
figures – all which are upfront and effective. “SOS” is their big
hit from 1975 and is ABBA with their entire mite. A song regarding
the fading of a relationship and the plea to restore that once was.
The chorus is an uplifting sound which this band always seems to
pull off in each track. It is the magic of ABBA that brings their
name to the forefront whenever pop or dance music is relayed. |
 |
|
• Hazme Sonar - Glenn Rivera ReStructure Mix - Morenas
Morenas is an Italian house project from Andrea Gemolotto, Angelino
Albanese, Claudio Collino, Massimino Lippoli and Riccardo Persi. One
of the very successful underground tracks featuring the Latin edge
and may have begun a series of releases emulating this arrangement.
The smooth complexity of this piece is as easy as a dancer sway with
its groove. A nice series of breaks and segments that work together
as a nice musical number with only a few adlibs from our lead
vocalist. |
 |
|
• Streetwise - Glenn Rivera ReStructure Mix - B-Art
B-Art is a Belgium Beat group featuring David Morley, Errol Jones,
Jean-Pierre De Vylder, Jeroen Dejonckheere, Renaat Vandepapeliere,
and Rony Brack. Their 1989 single “Streetwise” produced by Renaat
Vandepapeliere is a house track which they delivered with a slick
arrangement and lead vocal from Jean-Pierre De Vylder. A nice piece
of evening candy outlining the nightlife and its energy and
excitement. This song was released on the new-beat label R & S
Records from Belgium and gives this band a crossover capability in
this effort. A big dance floor packer for me. |
 |
|
• Sex Or Sex - Glenn Rivera ReStructure Mix - Cristiana
Cristiana is an Italian disco project from producers Tano Lanza and
Mario Percali – featured on the Ram Production label in 1987. One of
the last true Italian disco productions which center on the heavy
percussion edge. The intended vocal approach is light and frail as
it expresses a sensual desire. The foundation of this track is the
keyboard riffs that represent a sweetness and somewhat innocence for
this request. With the play on words the two choices are the same:
sex or sex? The heavy bongo and percussion tracks are a dub-like
feel from the original and make this piece a nice mix in and mix out
weapon. |
 |
|
• Papillon (Hot Butterfly) - Glenn Rivera ReStructure Mix - Chaka Khan
Chaka Khan is The Queen Of Funk Music – her influence began in the
early 70’s along with Rufas and many new barriers were opened by
this diva. Her 1980 project titled “Naughty” – produced by Arif
Mardin contained a cover of Gregg Diamond’s “Hot Butterfly” which
was from the Bionic Boogie project by the same name and featured the
fantastic, Luther Vandross on lead vocals. This song is one which
brings on many emotions as the love relationship comes to an end for
two and is poetic in many of its phrases. This was another early
moment for Chaka to make a song her own – and she does. A soaring
performance is more than teasing and full of emotion. A memorable
moment for Chaka as she makes this classic her own which she
completes in her own essence. |
 |
|
• Everything Changes - Glenn Rivera ReStructure Mix - Kathy Troccoli
Kathy Troccoli is an American singer who began her recording career
in the early 80’s and delivered a dance floor piece titled
“Everything Changes” in 1991 and was produced by Ric Wake. This
magic track has the melody of a Stock Aitken and Waterman song from
the iconic dance floor mode they created. The overall effect is
Kathy’s moving vocal which brings on the excitement of how love
affects two beginning a new life together. It is one of the
anthem-like pieces which made the 90’s house period work the under
beats here. One of my favorite vocal sensibilities and a dance floor
packer for me during peak hour. |
 |
|
• Take My Love - Glenn Rivera ReStructure Mix - Lickwid Lips
Lickwid Lips is a house ensemble from England and is produced by
Steve Davis and Lee Tucker. Their single “Take My Love” released in
1992 is a complete analogy of the club sound movement from the end
of the 80’s onto the hardcore 90’s where a fusion of trance, techno
and house music was a featured sound in many productions. This track
features erotic vocals from Chantzi D. rolls out like an ambient ear
orgasm. Many of its elements are deep house infused and the 3 12”
mixes are each unique in their own essence. This one was a feature
peak number for me and always had the floor packed with adventurous
movers. |
 |
|
• We Connect - Glenn Rivera ReStructure Mix - Stacy Q
Stacy Q is an 80’s pop-dance singer who made 1986 a memorable dance
floor moment with her hit, “Two Of Hearts” – it was the return of
the high energy bass synthesizers rolling out the energy. Stacy Q
made herself an iconic figure with her sweet 80’s gal look and feel
as well as the savory vocals. “We Connect” was her follow-up release
which made club playlists in the familiar sound of both tracks. The
rolling edge of both tracks work well as Stacy makes her sensual and
girlish delivery play out for her well. |
 |
|
• Medley: "Times Out Of Time / Don't Start Givin' Up - Glenn Rivera ReStructure Mix - Mike Francis
Mike Francis is an Italian singer who began his recording career in
1984 and leaves behind him in his passing in 2009 a string of
wonderful ballads and rhythmic pieces. This ReStructure Mix focuses
on two of Mike’s beautiful numbers: “Times Out Of Time” and “Don’t
Start Givin’ Up” from 1988 – both tracks are a bit more adult
contemporary outlined and have a wonderful resonance in both vocals
and arrangements. The 12” single “Times Out Of Time” featured the
bonus track “Don’t Start Givin’ Up” – and are produced by Mike
Francis and Davide Romani (of Peter Jacques’ Change). Two hidden
gems that always weaved magic for me in early evening or after-hours
sets. |
 |
|
• A Night To Remember - Glenn Rivera ReStructure Mix - Shalamar
Shalamar is Howard Hewett, Jeffrey Daniel and Jody Watley. One of
the original disco groups from the mid-70’s building a connection to
funk and soul among the disco scene. “A Night To Remember” is from
their 1982 project titled “Friends” – produced by Leon F. Sylvers,
III. One of the iconic tracks once again as the harmonies and slick
funk production pulls the most for the dance floor. The romantic
edge of this one is irresistible and one which always brought a
crowd to the dance floor to help celebrate their own nights. |
 |
|
• Hands Down - Glenn Rivera ReStructure Mix - Dan Hartman
Dan Hartman is a longtime songwriter, musician and singer who began
with the Edgar Winter Group and a recognizable 70’s hit “Free Ride”
from 1972. The disco era brought immediate success to his feel-good
songwriting with his 1978 hit “Instant Replay” which was the height
of the disco phenomena and an iconic track to outline the period.
His next project featured “Hands Down” released in 1979 and sounded
much like the executives over at his label demanded a sound-alike
hit. Although it is a long song in the same sense it does however
have its own energy and excitement. This is a production that
utilized all elements which made disco music crossover and take
notice among those who were ready to dance. |
 |
|
• Better Stop - Glenn Rivera ReStructure Mix - Chilly
Chilly is a German disco group featuring Oscar Pearson, Sofia
Eyango, Ute Weber and Werner Südhoff – the concept and production is
from Bernt Möhrle. Their first project from 1978 titled “For Your
Love” is their disco cover of The Yardbirds’ rock classic with an
extreme overhaul and incredible arrangement joining the slick disco
sound with a rock feel. “Better Stop” is also from this project and
is a friendly warning from one friend to another about the abuses of
cocaine in circles. The intent is laid out plainly where the soul is
stolen from the addiction and a clear path is waiting. It also
contains the strong combination of Ute’s rock edged voice along with
a soulful dose from Oscar Pearson. |
 |
|
• Hell On Wheels - Glenn Rivera ReStructure Mix - Cher
Cher is one of the talents of our time. Her continuance in breaking
barriers and creating her iconic stature as her own is phenomenal.
“Hell On Wheels” is Cher’s 70’s contribution to the disco era with a
fabulous production by the late-great, Bob Esty. This roller-disco
piece has the edge of a teenage rock concert with multi-colored
flares igniting along with the energy. Cher is once again giving her
performance as only she can deliver with the edge that gives us the
resolution before the start and of course the perfection of this
song working in her own arena. The track is a monumental disco
production which makes a time long gone seem intriguing. |
 |
|
• Don't Break My Heart - Glenn Rivera ReStructure Mix - Den Harrow
Den Harrow is an Italo-disco act whose vocals are provided by Chuck
Rolando, Silvio Pozzoli, Tom Hooker and Anthony James – while the
stage performance is given to Stefano Zandri. The production is from
Miki Chieregato and Roberto Turatti and brings fullness to the sound
of Italian disco music in the 80’s. “Don’t Break My Heart” is from
the project “Day By Day” from 1987 and is a plea for a continuance
of a love which seems troubled yet here in a realm that is worth
saving. The dramatic flair of this piece has plenty of deep
sequencers pounding out the disco beat with tears and all. One of
the lower energy tracks with that after-hours feel. |
 |
|
• Why Can't We Live Together - Glenn Rivera ReStructure Mix - Kongas
Kongas is a band from the early 70’s and included Cerrone and Don
Ray. The band reached a top disco status with their 1977 cover of
Steve Winwood’s “Gimme Some Loving” and it’s hard hitting disco
energy. Their cover of Timmy Thomas’ “Why Can’t We Live Together”
released in 1982 and again, produced by Cerrone. This version lends
to the disco percussion and hard beats which ignite the original in
a new way. The track has been covered by many bands and artists and
this version lands a top level achievement where the elements follow
close to the original anthem, yet stand out in their own delivery. |
 |
|
• Hasta La Vista - Glenn Rivera ReStructure Mix - T-Series
T-Series is a German techno project from Peter Ries and Wolfgang
Filz – who also gave us “Who Killed JFK” by Mysteria in 1982. “Hasta
La Vista” is a take on the 1991 Arnold Schwarzenegger film
“Terminator 2: Judgment Day” and his memorable line. The hardcore
edge is close to a rave energy and much of the power from this track
is a rolling sequencer which outlines the dub versions from the 12”
I new-beat style of using the heavy bass beats and giving way to
challenges from keyboard to keyboard as the breaks. This one is fun
and inventive as much of the techno sound of the late 80’s and early
90’s created. |
 |
|
• Everlasting Love - Glenn Rivera ReStructure Mix - Sandra
Sandra (Sandra Ann Lauer) is a German pop singer who was also a
member of the group, Arabesque in the late 70’s. Her
producer/husband is artist, composer and songwriter, Michael Cretu
(“When Love Is The Missing Word”) and brought his unique sound to
her projects. “Everlasting Love” from 1987 is Sandra’s cover of the
1967 Robert Knight song that has been covered by many artists
including another dance version from Vicki Sue Robinson. Sandra’s
soft approach is a melancholy approach along with the sometimes
striking arrangement created by Cretu. It is an 80’s feel with its
dosage of synthesizers and keyboards laying the ground for this
classic. |
 |
|
• Touch Me in The Morning - Glenn Rivera ReStructure Mix - Lydia Steinman
Lydia Steinman is a disco singer from the 80’s who released her
cover of Diana Ross’ majestic classic, “Touch Me In The Morning” in
1985. Produced by Jimmy Brown – this electronic production is a
percolating energy version with a set of lyrics and choruses that
could not go wrong. This one rings several great bells of
opportunity to convert this classic into an 80’s dance piece. The
sequencers make up most of the foundation of this arrangement and
the keyboards are simple yet effective. All in all this is a diva
song where this diva makes it work for her cause. |
 |
|
• It Feels So Good - Glenn Rivera ReStructure Mix - Sonique
Sonique (Sonia Marina Clarke) is a singer, disc jockey and producer
from London who released several projects during the start of the
millennium. Her big unforgettable track from 1998 titled “It Feels
So Good” is one of the electronic house anthems of its time. The
energy in this song has the momentum of the love she sings
poetically and in her own vein. There is a mystique about this
number which brings on a satisfying ritual within its self. The song
was produced by Chris Allen, Linus Burdick, Matt Smith, and Simon
Belofsky. |
 |
|
• You - Glenn Rivera ReStructure Mix - Marcia Hines
Marcia Hines is a vocalist who began her recording career in 1975
and gave her music a unique feel with her distinct delivery and
whole hearted emotion infused. Her dance floor hot from 1981 titled
“Your Love Still Brings Me to My Knees” is one of my favorites from
the period thanks to Marcia’s incredible vocal. It was also a dance
floor igniter where the first few minutes brought many new dancers
out. “You” is a track released in 1977 from her album, “Ladies and
Gentleman” – which was also recorded by Rita Coolidge the following
year. This love song is a testimony for a partner who leaves her
mind on feeling excited on what is to come. It is one of the tracks
which make it easy to fall in love with love itself. |
 |
|
• Sugar Daddy - Glenn Rivera ReStructure Mix - Keren and Chelle
Keren and Chelle are Karen Poole and Shelly Poole – formerly a group
titled Alisha’s Attic. Their 1988 single, “Sugar Daddy” is one of
the finale and definitive pieces of the 80’s high energy scene.
Produced by Steve Slavin, J. George Hargreaves and Mick Parker in a
sweet yet with slivers of sequencers shooting out the rhythm along
with the SAW-sound alike feel. It is a track that worked in my club
for months where peak time reached just that. The song itself is
quite irresistible and has the two girls playing the role as close
to you can image as the energy prevails. |
 |
|
• Running Wild In The Night - Glenn Rivera ReStructure Mix - Evelyn Thomas
Evelyn Thomas is reining “High Energy Diva” of the 80’s. Her dance
music during the high energy period gave dance floors an anthem with
her big 1984 hit, “High Energy” – produced by Ian Levine and Fiachra
Trench. “Running Wild In The Night” brings the 80’s nightlife to a
peak with its driving sound and the accompanying of Evelyn’s
fabulous voice guiding us through the one edge of town to another.
It has always been one of my favorite tracks from Ms. Thomas and has
always brought the dancers a place where their own legacy is noted
and celebrated. |
 |
|
• Flames Of Love - Glenn Rivera ReStructure Mix - Fancy
Fancy is an electronic dance project created and performed by German
born singer/musician Manfred Alois Segieth. His growth in dance
music has succeeded no only his releases under Fancy but also many
of his productions with many artists including Slip and Grant
Miller. “Flames Of Love” is his release from 1988 and rings out like
a disco love anthem. The keyboards serenade his wondrous and
somewhat lost vision of a one-sided love where he plays the fool as
he sinks deeper in love. The essence of Fancy can be understood as
this one covers all of his mastery in creating an aura of high
energy music for a dance crowd waiting for drama. |
 |
|
• Turn Me On Again - Glenn Rivera ReStructure Mix - Astaire
Astaire is a high energy project on the UK label Passion Records –
produced by Nigel Stock and Nigel Wright. The magic of this session
are the vocals of Tracy Ackerman who began her dance floor stent
with Astaire and went on to recording as a solo artist in the latter
80’s. “Turn Me On Again” is their single from 1987 and is
co-produced by John Davies. This powerful and exhilarating piece is
one of the tracks in this genre which peaks over and over with
several ricochet effects and the chorus which brings on an uplifting
and powerful moment. It is one where Tracy’s vocal yearn more and
more giving way to a surrender of her desire. |
 |
|
• Radio Ga Ga - Glenn Rivera ReStructure Mix - Queen
Queen is a rock legend and a dance floor diamond. Their music
relayed a new outline challenging rock music’s principles and
guidelines with a winning on their creative end. Their 1984 album
titled “The Works” – produced by Mack and Queen is another genius of
weaving a craft of music. “Radio Ga Ga” is homage to old radio which
many lost touch with as soon as the video trends of the 80’s took.
The track emphasizes an old world of music forgotten and gives a
salute to its power even though time shifts the sound of its content
and technology. One of the most genius assemblies is the full on
electronic production with percolating bass synthesizers and sharp
metal-like keyboards playing out this homage. It is another one of
Queen's magic moments for the band and Freddie Mercury’s towering
vocal. |
 |
|
• Sahara Nights - Glenn Rivera ReStructure Mix - F.R. David
F.R. David (Elie Robert Fitoussi) is a French singer who began his
recording career in 1967. His dancer floor fame came from tracks
like “Sahara Nights” released in 1987 and produced and arranged by
Celso Valli (Passengers, Tantra, Azoto). This track is a dreamy bass
track driven dance number that reflects an aura of the desert nights
and its beauty. F.R. David delivers a nice enticing vocal gives us
the intent of a moonlit night with dunes awaiting romance and
adventure. A nice 80’s synth-pop piece that echoes the early morning
feel of a dance floor. |
 |
|
• Rocket 2 U- Glenn Rivera ReStructure Mix - The Jets
The Jets are a band who is actually a family group formed in 1977.
Their popularity grew with their first release “The Jets” in 1985 –
produced by Donn Powell and gave them a few singles which made them
an addition to the dance community. “Rocket 2 U” is from their 1987
project titled “Magic” and was produced by Bobby Nunn and featured a
12” single remixed by Steve Thompson and Michael Barbiero. The
single became a hit in clubs and gave the band once again their
notoriety as one of the most popular family groups since The Jackson
Five. The track emphasizes a love relationship which is being
outlined for a partner who is missing the point…but not for long. |
 |
|
• Gimme Some Loving - Glenn Rivera ReStrcuture Mix- Fun Fun
Fun Fun is an Italo-disco project from producers Dario Raimondi and
Alvaro Ugolini – and vocalists Ivana Spagna, Antonella Pepe and
Angela Parisi. “Gimme Some Lovin’” is a sweeter sounding cover of
the Steve Winwood/Spencer Davis Group track from 1967, This
electronic hi-NRG/Italo house arrangement is a more melodic feel for
the classic song and takes on a whole new message with the softer
vocal approach. It moves along with riffs done in a fast moving
synchronized movement and make this cover version stand alone in its
entirety. |
 |
|
•
Dream Express is a Belgium disco group who began recording in 1976.
The members include Bianca Maessen, Luc Smets, Patricia Maessen and
Stella Maessen. The essence of their sound is the female harmony
which blends in with the beauty of the pop sound of the mid-70s.
This being the initial points where disco music was being guided and
gathering all influence from music passing. “Spinning Top” is a
single from 1977 which originally is the B-side to their track “A
Million In 1, 2, 3” and with the magic ingredients poured into this
one is a memorable feel. There are musical parts which echo the
early 70’s and a lovely chorus from the ladies that give the proof
of the group’s strength. |
 |
|
• Standing Ovation - Glenn Rivera ReStructure Mix - GQ
GQ is a disco/funk band from The Bronx and members were Emanuel
"Rahiem" LeBlanc, Herb Lane, Keith Crier, Paul Service and Steve
Adorno. Their first hit track “Disco Nights (Rock-Freak)” from 1979
created a style and audience for their funk based disco sound.
“Standing Ovation” is from their 1980 project, “GQ 2”. Another great
dance number with heavy rhythm guitars guiding their slick
arrangements. The sound was a fierce number which gave the dance
floors another moment to groove again to GQ. |
 |
|
• Moonlight and Muzak - Glenn Rivera ReStructure Mix - M
M is a synth-pop project from Robin Scott. Their big hit “Pop Muzak”
from 1979 became one of the early dance groups to direct their sound
with a light nu-wave edge. “New York, London, Paris, Munich” is
their album which features their second single, “Moonlight and
Muzak”. Another full-on electronic arrangement with a slight touch
of romance where the moody voice informs us of a night which began a
new chapter of love. The keyboards play out as a series of riffs
guide us through the sweet chorus which informs us of just how
serious this romance is. |
 |
|
• Blame It On The Weatherman - Glenn Rivera ReStructure Mix - B Witched
B Witched is an Irish girl group from the late 1990’s – members are
Edele Lynch, Keavy Lynch, Lindsay Armaou and Sinéad O'Carroll.
“Blame It On The Weatherman” is their single from 1998 produced and
written by Ray "Madman" Hedges. This one is a big floor packer for
this time period in my club as there were plenty of movers that hit
floors at the same time and also the mood of the track itself has a
classic heartbreak feels. One of the singles of the time which I
played continually and also extended for the fast moving vibes and
bass this one commits to. |
 |
|
• This Is Love - Glenn Rivera ReStructure Mix - Susan Stevens
Susan Stevens is a Canadian disco project from the producers of
Nightlife Unlimited - Johnny Dorazio, Robert Brewster and Tony
Bentivegna. The project was released in 1983 and utilized an
electronic format using sequencers and keyboards to paint the energy
from this early high energy sound. Susan Stevens is one of the
darling voices of disco music from this period and works the music
simply with love sonnets in her sweetness which sounds like the girl
groups from the late 50’s. “This Is Love” flows beautifully in its
nice rolling energy and gives off the full electric arrangements
which these producers worked well in many sessions. |
 |
|
• Don't Make Me Over - Glenn Rivera ReStructure Mix - Sybil
Sybil (Sybil Ilona Lynch) is a vocalist from Paterson, New Jersey
and brought a free style beat to an updated recording of Dionne
Warwick’s 1962 song, “Don’t Make Me Over” – written by Burt
Bacharach and Hal David. Sybil’s 1989 release produced by Dolores
Drewry and James Bratton is a beat driven downtempo dance piece
which gives the song a new life. The vocal from Sybil is a bit more
subtle and lilting but blend well with the production which aims
towards the bass beats and light keyboard riffs. |
 |
|
• Right On Track - Glenn Rivera ReStructure Mix - Breakfast Club
Breakfast Club is a band formed in the late 70’s and consists of
Stephen Bray, Dan Gilroy, Ed Gilroy and Gary Burke. Their big hit
titled “Right On Track” from 1987 is a slick and unforgettable song
which skates on both wheels from the chorus piece. It was produced
by Jimmy Iovine and is from their self-titled project. The momentum
of dance music in the 80’s was fed by several new remix techniques
and the creative songs which followed and this track is the hilt of
that time period. It holds up to its sound and of course that slick
chorus works all the time. |
 |
|
• Circle Of Fire - Glenn Rivera ReStructure Mix - Penny McLean
Penny McLean (better known as “Lady Bump” from 1975) released her
third project titled “Midnight Explosion” in 1878 – produced by
Michael Kunze and arranged by John Davis (and The Monster
Orchestra). The single “Circle Of Fire” is the track which received
the attention with its Flamenco edge and the climbing chorus which
Penny brings to hilt with an effective delivery. The success of
Silver Convention and Penny also starred in the ensemble brought
this production into being. It is one of the disco-camp of the time
period and has that sophisticated polish that disco music was
formulated on. |
 |
|
• Love In Motion - Glenn Rivera ReStructure Mix - 1000 Ohm
1000 Ohms is a Belgium new-wave band consisting of Frank Van
Bogaert, Johan Van Herck, Koen Van Assche and Mien Van Bogaert as
members. Their 1984 self-produced single “Love In Motion” is a
syncopated pop track which pounds out sequencer bass patterns in a
percolating manner and along with their unique left-field vocal this
one becomes of interest to dance floors of the time and music
enthusiasts. It is a definite track that questions the motivations
we take when in love and the possible interferences. It is one of
the alternative sounds with a hardcore high energy electronic feel
covered with that 80’s vocal. |
 |
|
Bionic Boogie is disco producer, Gregg Diamond’s classic group and
ensemble which helped to formulate the disco edge of the mid-70s
with a mature and funky sound. His early work with Andrea True
Connection (“More, More, More”) was an early sign of his creativity
and masterful take on lyrics and the sound of a live band assisting
his compositions. “Tiger, Tiger (Feel Good For A While)” is from his
1979 project by the same name. This album is an awareness of the
changing of dance music from 1979 to the 80’s. His movements here
are much more glistening with a rock/nu-wave feel in segments.
Vocals are beautifully executed once again by Luther Vandross (an
original session singer for Bionic Boogie) and play out a mysterious
as this theme. |
 |
|
• Show You My Love - Glenn Rivera ReStructure Mix - Goldie Alexander
Goldie Alexander is a vocalist from Canada who released his single
“Show You My Love” in 1981 – produced by Tony Green. Goldie is also
known for his vocals on the 1979 album “U.N.” and the dance floor
hit, “Disco Power”. “Show You My Love” is a hard driving electronic
funk piece which throws punches left and right - beginning with
Goldie’s heartfelt vocals which always display a soulful and direct
approach to his material. The production is a groove which does not
let up from start to finish. It is one of the great releases in this
genre of that year and kept my dance floor packed during those peak
hours. |
 |
|
• Can't Stop - Glenn Rivera ReStructure Mix - Rick James
C.M. Lord (Catherine Mitchell Lord) is a soul vocalist, songwriter
and producer who began her recording career in 1976. “You’re The
Only One” is a single released in 1983 on a new dance label titled
Wave Records and produced by Pete Robinson and C.M. Lord. This is
one of the tracks from 1983 which encompass the power of disco music
and the move onto the electronic arrangements of the early 80’s: a
soulful synth-pop alternative. Vocals are the main point in this
piece and give Lord an opportunity to express in her hearty delivery
a love that is undeniable and ready. A big club record that has the
energy and soul that makes the 80’s dance floor once again stand out
as a unique experience to be discovered. |
 |
|
• You're The Only One - Glenn Rivera ReStructure Mix - C.M. Lord
C.M. Lord (Catherine Mitchell Lord) is a soul vocalist, songwriter
and producer who began her recording career in 1976. “You’re The
Only One” is a single released in 1983 on a new dance label titled
Wave Records and produced by Pete Robinson and C.M. Lord. This is
one of the tracks from 1983 which encompass the power of disco music
and the move onto the electronic arrangements of the early 80’s: a
soulful synth-pop alternative. Vocals are the main point in this
piece and give Lord an opportunity to express in her hearty delivery
a love that is undeniable and ready. A big club record that has the
energy and soul that makes the 80’s dance floor once again stand out
as a unique experience to be discovered. |
 |
|
• Come On - Glenn Rivera ReStructure Mix - Sweet Heat
Sweet Heat is an electronic disco project from Canadian producers
Johnny Dorazio and Tony Bentivegna – who also gave us Nightlife
Unlimited, Blue Laser, Motion and Ladies Choice. “Come On” is their
single from 1982 and from their album titled “Do You Like It, Like I
Do”. This is a fast moving piece with a slick vocal which resembles
the soulful edge of disco music and yet moves like a whirlpool with
the energy it creates. One of the releases of the time which helped
to create the “high energy” sound which became more evident in the
mid-80’s. |
 |
|
• Cry To Me - Glenn Rivera ReStructure Mix - Precious Wilson
Precious Wilson is known for her big disco hit “I Can’t Stand The
Rain” with Eruption from 1977. Her solo career continued her
fantastic vocal performances with a unique soulful edge and powerful
emotional delivery. “Cry To Me” is from her 1980 project titled “On
The Race Track” – produced by Frank Farian and also keyboards by
Michael Cretu. The song is a cover of the 1962 release by Solomon
Burke. Precious Wilson creates a new feel with this version and
along with Farian’s disco spectacle production this one is another
one of her memoirs which always play out. |
 |
|
• Disco Star - Glenn Rivera ReStructure Mix - Jackie Carter
Jackie Carter is a singer with her first project titled “Treat Me
Like A Woman” was released in 1976 – produced and arranged by Dieter
Dierks. The single “Disco Star” is a “boogie” track in the vein of
Silver Convention and the early formula of disco in the mid-70s. A
heavy bass track and light strings guide this dance number to a hip
shakin’ experience along with the male spoken riff which defines it.
The vocal from Jackie plays out well as she explains how to make you
on alive on the dance floor with her method. It is one of the early
disco tracks which make the traces of disco music easily understood
and also undeniably irresistible. |
 |
|
• Show Me - Glenn Rivera ReStructure Mix - The Cover Girls
The Cover Girls are Angel Clivilles, Caroline Jackson and Sunshine
Wright – a pop/freestyle trio who released their first single titled
“Show Me” in 1986 – produced by Andy Tripoli and The Latin Rascals.
This was the start of the trio’s success in the dance music
industry. “Show Me” is a beat driven piece with a fierce echo of
demand for proof of love in a relationship. The song did quite well
for their first release and brought an album release a year later
titled the same. The vocals play a tough part in the outline of the
freestyle sound and project with an exuberance of excitement. |
 |
|
• Only One Night - Glenn Rivera ReStructure Mix - The Hurricanes
The Hurricanes is a dance project from disco producer, Manfred Alois
who is also known as the group Fancy and Timerider. “Only One Night”
from 1988 is a concept single where Alois applies his keyboard work
and disco beats for a morning after awakening which rings out in
this piece. It has several riffs which define the track and is one
of the releases which helped to shift the late 80’s into a new
definition of dance music called “Asian Nu-wave”. The haunting edge
of this song is one that is somewhat hypnotic and makes a wonderful
early morning addition. |
 |
|
• Love's Gonna Get You - Glenn Rivera ReStructure Mix - Jocelyn Brown
Jocelyn Brown is the female voice of disco music as is Luther
Vandross the male counterpart. The many sessions that Brown has
participated in have helped to not only shape disco music but also
bring it back to life during the 80’s and throughout her continued
career. “Love’s Gonna Get You” is her single from 1985 and was
produced by John "Jellybean" Benitez. This track is pure New York
Garage with its street beats and sharp keyboard riffs – and if that
were not enough Brown revisits her classic cover of “Ain’t No
Mountain High Enough” with Inner Life – another Paradise Garage
classic. This one not only creates a new anthem but also pays homage
in many ways to club music from start to finish. It is also the
source of some highly influenced dance pieces from the 90’s. |
 |
|
• Give Me Your Love (Inch By Inch) - Glenn Rivera ReStructure Mix - The Buffets
The Buffets are Peter and Mary Buffet whose single “Give Me Your
Love (Inch By Inch)” appeared on the San Francisco based DJ
subscription label Hot Tracks (Series 1 Issue 9).This piece was
remixed by Mike Lewis and was in the early morning genre of dance
music with a fast paced bass sequencer pumping out a sensual message
along with some psychedelic breaks and segues which have a mystique
which belongs to the club period of the time. The track was one
which became an underground hit for cruise and after-hours dance
clubs since the feel of the song was an outline for this scene. It
was one that I would include in many mixed tapes with this aura and
also a personal favorite for that dark yet uplifting edge of club
music. |
 |
|
• Woman In Love - Glenn Rivera ReStructure Mix - Ariel
Ariel is a techno house production from Boris Inzhin, Doug Beck and
Mauro P. DeSantis – a New York based project released in 2000 on
Extreme Records. This cover of Barbra Streisand’s 1980 ballad
written by Barry and Robin Gibb is a transition to the fast
pulsating techno beats which were being formulated in the mid and
late 80’s and rave and techno-house. This arrangement focuses on the
ambient sound and gives our vocalist and opportunity to give a
performance that a disco version would yield lightly. Lots of drop
breaks and clever keyboard riffs make it a memorable track from
another period where the dance floor sound was regrouping. |
 |
|
• Dream Street - Glenn Rivera ReStructure Mix - Janet Jackson
Janet Jackson grew up physically and musically right in front of our
ears and eyes. Her second project titled “Dream Street” was produced
by Giorgio Moroder and Pete Bellotte – an odd pairing however there
was a connection since Moroder has worked with many 80’s artists
creating club hits in his own style. With Jackson here there is very
little connection however you do hear a touch of Moroder in some of
the keyboard tracks. Later, Janet became a full-fledged artist with
productions by Jimmy Jam and Terry Lewis where she was able to
emerge like a butterfly out of the Jackson clan to be herself.
“Dream Street” has the sound that Janet became in the early 80’s
which personified her young and sweet personality with dreams and
aspirations. It is a light production by Moroder and Bellotte but
still contains that young Janet we were all waiting to see arrive. |
 |
|
• Your Place Or Mine - Glenn Rivera ReStructure Mix - Quinella
Quinella is a disco project from producer Kenny Lehman (Lemon,
Rhetta Hughes) and Thomas Jones released in 1980. This teasingly
sensual track is a side of the nightlife which remains open until
the club doors shut and when this question arises. “Your Place Or
Mine” is a grinding piece of bass winding into a pattern that
creates a nice groove. The vocals are a light hearted disco edge
with the chorus girls demanding an answer since no other subject at
the time tops this offer. It plays out like a rolling wave that that
keeps on until the last chorus. |
 |
|
• Let's Hang On - Glenn Rivera ReStructure Mix - Salazar
Salazar is vocalist Pete Salazar and producer David Perry (Carrie
Laporte, The Redz) and released the first project in 1980 containing
a cover of Frankie Valli and The Four Season’s 1965 pop hit “Let’s
Hang On”. It is no surprise that Salazar as lead vocalist is a Valli
sound alike and brings this one not only home but keeps us warm all
over again. The song itself is a strong yearning to continue to work
with a relationship with so much promise. It is a great dance floor
rejuvenator in the disco realm since it has such a positive feel and
energy. The production is a post-disco sound with plenty of lite
percussion placed in segments where we can bring ourselves to
feeling the uplifting sound. |
 |
|
• Diamonds Never Made A Lady - Glenn Rivera ReStructure Mix - Lift Up
Lift Up is a studio synth-pop band from Dieter Bohlen – and is a
cover of Modern Talking’s song. It is executed in the classic
essence of the original band and the vocals are placed almost
identically. This more pulsating version is an addition to the
homage of a great duo as Dieter Bohlen and Thomas Anders. The
sacrificing story here of a woman who leaves those who love her for
a life of pretention and conceit make a point across in a romantic
air and gives to the lure of money over heart. The track is a
wonderful dance floor excursion and makes the bass pumping worth it
all. |
 |
|
• Illusion - Glenn Rivera ReStructure Mix - Luisa Fernandez and Peter Kent
Luisa Fernandez and Peter Kent released the track “Illusion” in 1991
– produced by Peter Kent and Peter Wesselmecking. This wonderful
song is the idea that love has two faces and you must understand the
illusion and well as the reality to make it last. It is a beautiful
synth-pop dance track in the vein of Modern Talking but with the
tantalizing vocals from Luisa and Peter. The build within the song
gives off a beautiful and airy sound that resonates in each chorus.
A nice production with some strings sections which sound like a
matador given homage in his arena. |
 |
|
• Megatrone Woman - Glenn Rivera ReStructure Mix - Native Love
Native Love is a disco project from disco producer Joe Long
(Midnight Rhythms) along with the influence of Patrick Cowley’s 1981
high energy hit “Megatron Man”. Long transforms the galaxy’s hero
into a female hero with a “native” overhaul giving off remnants of
the original “Megatron Man” arrangement with more of a tribal feel
along with funky plucking bass guitars. The new feel is a heavy beat
with more African drum rhythms pounding away for this new
mythological woman. More of the high energy influence is definitely
captured in this Salsoul Records release and may have been the
defining factor in a new dance sound emerging to a new dance floor. |
 |
|
• Paradise - Glenn Rivera ReStructure Mix - Dance Department
Dance Department is a German disco project from
producer/writer/arranger Andreas Drewling. “Paradise” is the single
released in 1986 and is in the Euro-disco flavor with keyboards
pointing to the message at hand. One of the downbeat tracks which
pounding the groove using the formula created by Bobby Orlando in
the early 80’s. The vocals are a bit of Modern Talking with more of
an edge and not so much harmony - however with the aggressive
downbeat they are appropriate. Synth-pop had emerged several periods
during the 80’s dance movement and this may have been the finale
execution with a bit to spare. A nice dance number and easy to
understand how it fits perfectly on the ZYX label. |
 |
|
• Pink Cadillac - Glenn Rivera ReStructure Mix - Natalie Cole
Natalie Cole is the daughter of Nat King Cole. She took the
seventies into her arms with many soulful hits and also her
charismatic persona. “Pink Cadillac” is from her 1987 project titled
“Everlasting” and was produced by Dennis Lambert and written by
Bruce Springsteen. This is track that invaded the clubs quickly and
made Natalie once again visible to the dance industry. One of the
catty and cleverest of her dance number she delivers this one with a
yearning and desire which is fitting as the song itself. A big
number in my club and took months to wear off. |
 |
|
• Encore - Glenn Rivera ReStructure Mix - Cheryl Lynn
Cheryl Lynn is a vocalist who leaves not only a string of hit
recordings but also brought a new edge to a soulful delivery.
“Encore” is from her 1983 project titled “Preppie” – produced by
Jimmy Jam and Terry Lewis. This funk number is one of the memorable
moments where Cheryl gives us more of her talent with what she does
best. Many of her tracks where she become playful with her vocal
arrangements we end of finding out what else she has been hiding.
The song initiates a reward to an outstanding partner who delivers
love like a hit show and the show is “live”. A great focus and makes
the electronic funk come to a mild hilt and then the next level is
like a rollercoaster ride. |
 |
|
• French Kiss - Glenn Rivera ReStructure Mix - Le Foxxe
Le Foxxe is a street-beat/freestyle track from producer Mitchil
Bechet and engineering assistance from Chris Barbosa (Shannon “Let
The Music Play”) and vocals by Janice Christie. This sexy track is a
statement of love and desire as these lovers confess what they like
best in the heat of the night – “french kiss”. The production here
is a beat box conglomeration of reverberating beats and kick tracks
that knock down walls. It is the sound of the New York street dance
from the early 80’s and undeniably sexy and hard mounting. The vocal
helps to keep this one on track with many references to the
suggestions which make everything alright. |
 |
|
• Baby, I Love You - Glenn Rivera ReStructure Mix - Easy Going
Easy Going is an Italian disco group from Giancarlo Meo and Claudio
Simonetti (Vivian Vee, Capricorn, Goblin) and released their first
project in 1978 titled “Easy Going” (which was the name of a
gay-club in Rome). This project featured Vivian Vee on backing
vocals – and she was later produced by Meo and Simonetti. The heavy
percussive arrangements are the disco magic of the era and make
these energetic tracks come to life. “Baby, I Love You” is a love
song that gives a lover the answer to a heartfelt question with a
bending verse that hits the point. It is one of the early signs of
Italo-disco becoming the next phase. |
 |
|
• Time Operator - Glenn Rivera ReStructure Mix - Off
Off is an electronic group from Germany and members are Sven Väth,
Michael Münzing and Luca Anzilotti. Their single titled “Electrica
Salsa (Baba Baba)” from 1986 gave them a recognized style and
execution which was a hit among many clubs which preferred an
alternative sound. “Time Operator” is from their 1988 project titled
“Organisation For Fun” and tells the story off a mythical entity
which controls the realm of reality through time in the universe. It
is quite the super-hero edge and Off uses a spoken dialogue to relay
the message. This track very mysterious and plays out with many
riffs which roll throughout the arrangement. |
 |
|
Paul Simpson is a house music producer and artist who released his
project in 1989 titled “One”. The project strongly focused on the
house music movement and the unity and love that it relayed to its
dancers. His single “Musical Freedom (You Got The Love)” is one of
the most popular of the singles and has been used in several shows
in media to reflect emotion or positive change. The vocal is
provided by disco artist, Candi Staton (“Victim”, “Young Hearts Run
Free”) who makes this track into an instant anthem with her soulful
and gospel traced performance. The elements in the arrangement are
the antidotes which were the most recognizable for the end of the
80s and present this track in an appropriate manner. |
 |
|
• Come Alive - Glenn Rivera ReStructure Mix - JB Orchestra
JB Orchestra is a project from musician/producer Jimmy Brown and
“Come Alive” from his 1991 album titled “Tambourine Fever”. This
beat driven track is ethereal and as close you can get to an outer
body experience on the dance floor – complete with chants and
positive suggestions to accompany this. The track has a foundation
much like the sound of the early hip-hop beats from tracks like “The
Power” from Snap. Using this base the aural feel gives this piece a
relaxing quality that is very pleasing. The unification of energy
seems to be pointed in the retro culture of the 60’s with a dose of
universal love injected. It is one of my favorite sleaze tracks and
still leads my mind in a calm and peaceful place. |
 |
|
• You'll Never Stop Me From Loving You - Glenn Rivera ReStructure Mix - Sonia
Sonia is a singer from the UK who was the latest artists for the hit
making trio, Stock, Aitken and Waterman in 1990. Her single “You’ll
Never Stop Me From Loving You” from 1989 became a club favorite
thanks to the formula on the synth-pop scene of the time. This
became her biggest hit and it also peaked at #1 on the UK charts.
The simple love song is the outline of a love which has no barriers
and end in sight for this track destroys any delay or disruption of
the affair. It plays out sweetly in the SAW manner where each verse
becomes more of a build for the chorus. |
 |
|
• I'm The One You Want - Glenn Rivera ReStructure Mix - Les Lee
Les Lee is a dance project from producers Rick Wake and Lou
Bolognese and is actually Taylor Dayne in this recording session
from 1985. “I’m The One You Want” is a stickler when it comes to
vocals thanks to Taylor and her soft rock edged delivery. There are
pieces of the acapella which have been sampled in many house, trance
and techno tracks following the 80’s. The production is a “garage”
feel with many breaks and raw drum beats pounding in segments
between choruses. Taylor Dayne’s move to recording stardom is not a
surprise when you hear the power she brings to this independent
dance release as well as the productions following by Rick Wake.
This single is a big start for a huge talent. |
 |
|
• I'll Be Good To You - Glenn Rivera ReStructure Mix - Hydro featuring Lorna
Hydro is a Canadian disco band whose self-titled project from 1979
was a big hit in many clubs now brings back the feel of “disco
band”. Produced by Joe La Greca who also gave us Kat Mandu, Vera,
Nancy Martinez and Jay Peel. This layout is a rhythm session with
lots of funk driven into the disco beat. “I’ll Be Good To You” is a
track from the project which is a groove that follows the formula of
disco music in its prime where the horns and percussion drive the
beat into a layer of solid riffs. The vocal from Lorna Di Fiore make
this one funky and raw as underground disco should be. Hydro is a
classic among the big year of disco music and the excitement can be
heard in a track like this. |
 |
|
• Reflections - Glenn Rivera ReStructure Mix - Evelyn Thomas
Evelyn Thomas is “high energy” music’s fuse which set the 80’s dance
floor on to a new trajectory. Her big 1984 anthem “High Energy” was
the official song to outline the new sound. In 1985 she released her
high energy cover of The Supremes 1967 hit “Reflections” – and done
with the vocals displaying energy and lasting resonance. This one
produced by Ian Levine and Fiachra Trench is a disco masterpiece of
electronic pulses and the original injected psychedelic edge updated
appropriately. The synthetic orchestra here strikes over and over as
Ms. Thomas gives us a helping of her magic over and over again. One
of my all-time favorites. |
 |
|
• Come To The Rainbow - Glenn Rivera ReStructure Mix - Rainbow Team
Rainbow Team is an Italian disco/funk band created by Luciana
Cirrillo and Michele Violante. Their first release was a single
titled “Come To The Rainbow” from 1979 and was produced by Maurice
Cavalieri and Tommy Cavalieri. The angle of this track is a jazz
feel with the horns dominating the build into a simple chorus which
defines the dance floor as a “rainbow”. It is one of the singles of
its time from Italy which received an honorable praise for it use of
a breakdown mix which incorporates the disco sound of the 70’s. The
energy level here resides around a more funk edge with lots of
percussion bring the rhythm into dance perspective. |
 |
|
• I'm So Hot For You - Glenn Rivera ReStructure Mix - Bobby "O"
Bobby Orlando took over dance floors in the early 80’s with his
unique sound and feel of his music which would help in the start of
the “high energy” movement. Heavy beats, percussion and retro 60’s
keyboards were a flair which lit like fire during a period where
disco music was an ensemble of instruments and now with the
electronic music period among us this new rhythm could find its
stage. “I’m So Hot For You” is Bobby “O”’s 1982 release on his “O”
Records label and quickly heard on playlists in clubs everywhere.
With the early success of his studio groups as The Flirts this set
him as a continued artist for dance floors. This track relies on a
flirtatious eye looking for action and laying the line right out. It
is one of his favorites among his fans and makes the 80’s dance
floor effect return almost immediately. |
 |
|
• Ritespot - Glenn Rivera ReStructure Mix - Blueprint
Blueprint is a high energy project from musician/producer Barry Blum
and disco pioneer, John Hedges and released their single, ”Ritespot”
in 1983. The track was fused with the magic which Blum provided with
prior artists Lisa, The Buffets, Jolo and Boys Town Gang. The
subject hears lets in on a new gamble on a romance which seems to
need that ‘ritespot’ to make it. The drum tracks on this dance track
were also interesting to hear drop out of the rolling bass as if it
were from another medium yet make the some much more interesting. It
was as if someone was rolling dice and the outcome as our love
interest here is unknown. The team of Blum and Hedges can also be
heard on the huge high energy hit, “Seclusion” by Shawn Benson. |
 |
|
• Love Is The Message - Glenn Rivera ReStructure Mix - MFSB featuring The Three Degrees
MFSB is the ensemble which created the evolution of soul to disco
during the early 80’s. Their 1973 project “Love Is The Message” was
a track written by Kenneth Gamble and Leon Huff – who also produced
this Philly dance anthem. The piece became the outline for the unity
and purpose for the underground dance circuit where disc jockeys
came into power by choosing their programs by dance floor approval.
It is a powerhouse recording which blends the jazz edge of soul
music into what would soon become the ‘The Salsoul Sound’ with
Vincent Montana Jr. working on this magic also. The Three Degrees
sprinkle their beautiful sound over this track as their affiliation
with the Philly movement is proven with their hit “When Will I See
You Again”. This recording brings the song a new feeling and is ear
candy for those who appreciate these ladies as they are. |
 |
|
• Caribbean Queen - Glenn Rivera ReStructure Mix - Billy Ocean
Billy Ocean is a singer from Trinidad and began his recording career
in 1976 and become one of the most recognized voices in dance music
and contemporary pop music of the 80’s. “Caribbean Queen” is a
pop-dance single released in 1984 and was produced by Keith Diamond.
The track became an instant radio and club hit and still echoes the
80’s dance structure to this day. The production hits the target for
club music with its heavy rolling bass and the segmentation of
percussion effects throughout the dance remix. It is one of the
infectious of male solo singles released in the 80’s and once again
gives Billy an opportunity to show his soulful and powerful vocals. |
 |
|
• Atomic - Glenn Rivera ReStructure Mix - Blondie
Blondie is Chris Stein, Deborah Harry, Clem Burke and Jimmy Destri –
a nu-wave turned pop-rock band who maintained their unique appeal in
the transition of disco taking over in the mid and late 70’s.
“Atomic” is from their 1979 project titled “Eat To The Beat” –
produced by Mike Chapman. The track is a powerful vocal approach in
the focus of keeping a hardcore edge with an arrangement similar to
“Heart Of Glass” – complete with percolating sequencers. The song
climbs into several crescendos where the main guitar riff becomes a
wonderful contender for a Bond film theme. It is a quite exciting
moment for Blondie and makes the message known that someone is
making the night explode. |
 |
|
• I Wanna Have Some Fun - Glenn Rivera ReStructure Mix - Samantha Fox
Charlie is an Italo-disco project from Giorgio Stefani and Maurice
Cavalieri – released in 1983. This innovative “beats” track combined
the sound of Italian electronic dance music which was evolving in
the early 80’s creating an audience who were faithful and always
waiting for the next release from the many talented musicians and
producers who were trying out many formulas in their creative
forces. “Spacer Woman” features a ghostly haunting vocal which
introduces her being as an alien intelligence who means no harm –
only to deliver love and peace. The beat wrap around the many
keyboard riffs in a street-beat box manner that is infectious and
somehow new to the pulsating rhythm. One of the big Italian disco
surprises of the time and most likely is around for those new
connoisseurs of this sound. |
 |
|
• Spacer Woman - Glenn Rivera ReStructure Mix - Charlie
Charlie is an Italo-disco project from Giorgio Stefani and Maurice
Cavalieri – released in 1983. This innovative “beats” track combined
the sound of Italian electronic dance music which was evolving in
the early 80’s creating an audience who were faithful and always
waiting for the next release from the many talented musicians and
producers who were trying out many formulas in their creative
forces. “Spacer Woman” features a ghostly haunting vocal which
introduces her being as an alien intelligence who means no harm –
only to deliver love and peace. The beat wrap around the many
keyboard riffs in a street-beat box manner that is infectious and
somehow new to the pulsating rhythm. One of the big Italian disco
surprises of the time and most likely is around for those new
connoisseurs of this sound. |
 |
|
• West End Girls - Glenn Rivera ReStructure Mix - Pet Shop Boys
Pet Shop Boys are Neil Tennant and Chris Lowe – this synth-pop duo
has created and produced some of the most incredible dance music
since their inception during the early 80’s. “West End Girls” is
their first memorable single from 1984 and released with a
production by high energy producer, Bobby Orlando. The track is a
definite dive into what these innovative men where all about.
Creating a mood and depiction of an imaginative substance by
tweaking familiar elements in a new way. The song became such a
dance floor hit and it was re-released later with a whole new
production. Pet Shop Boys can do no wrong and it is has been from
the start of their recording careers this has been evident. |
 |
|
• I've Been Thinking About You - Glenn Rivera ReStructure Mix - Londonbeat
Londonbeat is Jimmy Chambers, Jimmy Helms and George Chandler – a
British pop/dance band from the 90’s. Their big 1990 hit “I’ve Been
Thinking About You” has one of the most infectious rhythm guitar
riffs of the time and is also one of my favorite songs from the
period. It relies on the lead vocal yearning for a lover who was let
goes a bit too early and now is a memory which will not go away. The
piece was produced by Martyn Phillips and William Henshall and is
completely directed at the dance floor of this time period. There is
a haunting resonance from this track that gives out the pain of
heartbreak yet the excitement of a potential reunion of lovers. |
 |
|
• Eskimo Kiss - Glenn Rivera ReStructure Mix - Eskimo
Eskimo is an Italian high energy project from producers, Mauro
Farina, Giuliano Crivellente and Florian Fadinger. On this track
vocals were recorded by Alessandra Gatti and are the pinnacle of
this dance number. It is a fast moving number which gives our lady
here an opportunity to tell her man that the connection is too
distant and growing too weak. The arrangement is wound on a soft
bass keyboard which seems to catch up with the energy and yet makes
a subtle statement that is effective. However, the real star here is
the main vocal which plays out in the Italo-disco fantasy world
which was always nice to escape on during those hot sweaty nights of
the dance floor. |
 |
|
• Sophisticated Lady - Glenn Rivera ReStructure Mix - Natalie Cole
Natalie Cole is a soul/pop vocalist who began her recording career
in 1975 and continued onto 2013 and the passed in 2015. Her music is
a respectable catalogue of classics, dance tracks and standards.
“Sophisticated Lady” is from her 1976 project titled “Natalie” and
was produced by Gene Barge. This soul fantasy gives us the style of
a vibrant onlooker who describes a woman who brings attention to
herself with elegance. It is a nice early groove that gives an
introduction to a lady who eventually conquers the pop world with
ballads and dance floors with many soul/funk/disco tracks where she
adds her resonance. |
 |
|
• Rock-A-Lot - Glenn Rivera ReStructure Mix - Aretha Frankin
Aretha Franklin is undeniably “The Queen of Soul”. Her voice has
created many experiences for the ears and soul to bring into a whole
new definition of emotion in music. “Rock-A-Lot” is from her 1986
project titled “Aretha” – produced by Naratha Michael Walden. This
is the 80’s Aretha where she serenades the electronic funk of the
time and does it with all her might. The track is one of the
memorable pieces from the pop-dance period and contains some serious
ad-libs from our diva that knock even the “party” out of the water.
It is number that gave us another period of this very iconic woman
for more of her talent in a new arena. |
 |
|
• Symphonie Pour Danseurs - Glenn Rivera ReStructure Mix - Magnum
Magnum is a studio project from producer/artist Denis LePage of
Lime. The first edition of Lepage’s move to outline instrumentals
from his hit productions was in 1982 with his project Mother (F). In
this project he gives us studio instrumentals of tracks from his
group Voggue (“Dancing The Night Away”) and a new instrumental
titled “Symphonie Pour Danseurs” which is LePage’s signature
instrumental as he created in 1979 with “The Break” by Kat Mandu. A
layer of lush strings over a bubbling percussion foundation which
plays out as a television action show theme. A 70’s disco formulas
which began as a simple moment for the band to play out their wares
and became quite tuned and mature for dance floors at the end of the
disco era. |
 |
|
• Club Underworld - Glenn Rivera ReStructure Mix - Cerrone
Cerrone is master of Euro-disco and introduced the world to a sound
which defined an era of dance music. His 1983 project titled “Where
Are You Now” featured the track “Club Underworld” – which featured a
new element of “rap” and the street-beats of early 80’s formulated
by DJs. It was no wonder that Cerrone took a twist in this sound and
meshed it with his sensual elegance that he has been so well known
for during the mid and late 70s. This piece features an anthem
paying homage to the nightlife and all it was from the 70s and now
onto the 80s where it survived with a shift in dance music. Cerrone
takes another opportunity to give us a moment to stand back and
watch his genius take another shape. |
 |
|
• Shame - Glenn Rivera ReStructure Mix - Gaby Lang
Gaby Lang is a singer from Belgium who released several dance
singles during the mid and late 80’s – her last single from 1988 is
a cover of the Evelyn ‘Champagne’ King disco classic “Shame”. This
full on electronic arrangement works in a mellow and somewhat
enticing way. Gaby’s sweet and mild vocals provide a new take on the
disco/soul original. The production by Alan Dee takes on a house
groove/beat from the period with a lighter edge on the keyboards to
provide more of an aesthetic. A nice covers of a disco classic and
proves that there is more than one way to skin a cat. |
 |
|
• Superparadise - Glenn Rivera ReStructure Mix - Romy Haag
Romy Haag (Eduard Frans Verbaarsschott) is a nightclub performer and
artist from The Netherlands who released the single “Superparadise”
in 1978 - produced by Raymond Bacharach. This track is a fast
winding song with the feel of an opening number of a fabulous
nightclub act – in the tradition of “La Cage Aux Folles”. This
moving number describes a time in the past where all were welcome
and quite a menagerie of gods and partygoers would converge and mix.
The song moves fast as Romy takes the helm to make this sound as
exciting as it could be from the stage. |
 |
|
• The Kozak - Glenn Rivera ReStructure Mix - Oleksa
Oleksa is a Russian ensemble lead by Oleksa Martynovych. Their 1980
single “The Kozak” produced by Frank Previte and O. Martynovych is a
disco instrumental with several builds from a percussion base to a
blaring horn section. One of the rare disco pieces from 1980 which
follows the dance floor of the 70’s pattern where a series of drums,
percussion and rhythm guitars bring dancing feet to the hilt. A nice
arrangement with several breakdowns and some nice sensual play on
vocals. |
 |
|
• (Everything I Do) I Do It For You - Glenn Rivera ReStructure Mix - Astaire
Astaire is a Passion Records artist produced by Nigel Stock and
Nigel Wright. The high energy era of the 80’s would not have been
the same without Astaire and the many dance anthems that this group
has left behind. Some more powerful than others and some just
incredible – with vocals by Anita Astaire. Her 1991 cover of Bryan
Adams’ rock classic “(Everything I Do) I Do It For You” is no
exception and plays along the lines of recreating the mood and
energy of the original in a dance/high energy union. One of the most
played for me in my club during its release and many nights the last
song of the evening where dancers where still singing it as they
left. |
 |
|
• Urgent - Glenn Rivera ReStructure Mix - Shannon
Shannon is the goddess of dance music who brought back that dance
floor feeling in 1983 with her huge hit “Let The Music Play” –
produced by Chris Barbosa and Mark Liggett. Her follow up project in
1985 was “Do You Wanna Get Away” – where the title track was another
instant hit. “Urgent” is a cover of Foreigner’s 1981 song done in
Shannon’s slamming street sound. The track does well as an
electro-funk piece and Shannon delivers the vocals in an enticing
and sensual way. The deep bass sequencers convert the rock piece
into a well arranged dance track. |
 |
|
• Crank I Up - Glenn Rivera ReStructure Mix - Joyride
Joyride is a high energy project from producers Rory Slater and Hugh
Cooper during the late 80’s. This track is a cover of the Peter
Brown disco classic “Crank It Up (Funk Town)” from 1979 – one of the
anthems which helped to bring the disco era to an appropriate close.
This electronic production is a flowing version which utilizes
vocals from George St. Kitts which work well in the new arrangement.
This number has been transformed into a disco sequencer edge with
the song following closely. It is one of the nice covers of disco
classics where a whole new dosage of sounds and energy make it new
and complete. |
 |
|
• Crazy In The Night (Barking At Airplanes) - Glenn Rivera ReStructure Mix - Kim Carnes
Kim Carnes released her project titled “Barking At Airplanes” in
1985 – produced by Bill Cuomo and herself – it was a follow up to
more of her 80’s dance floor numbers with “Crazy In The Night
(Barking At Airplanes)”. The track is a hint of loneliness and
despair most likely after a split in a relationship where the night
becomes an uneasy spot alone. The production utilizes a pop-rock
edge with roaring guitars and Kim guiding us through this convincing
and scary place. The energy is quite low-key however the chants and
lead in to each chorus make it quite exciting. |
 |
|
• Backfired - Glenn Rivera ReStructure Mix -Debbie Harry
Debbie Harry introduced the pop-world to new-wave in 1978 with their
big project “Parallel Lines” – which also included their disco hit
“Heart Of Glass”. Debbie eventually began recording under her own
name and during the early 80’s her production was taken over by Nile
Rodgers and Bernard Edwards of Chic. The project titled “KooKoo” was
released in 1981 and featured the single “Backfired” – any heavy
bass guitar and horn arrangement driven piece. It was the 80’s
conversion from disco to a hardcore “Chic” edge. The story goes that
this romance goes astray from the start yet there is much to
ridicule about our outed man. “Backfired” is the word which Debbie
informs him that she has been no fool since his cards have been
flipped over from the start. |
 |
|
• Your Blue Eyes - Glenn Rivera ReStructure Mix - A Certain Ratio
A Certain Ratio is a British indie-band formed in the late 70’s and
featured |
 |
|
• Love's Unkind - Glenn Rivera ReStructure Mix - Sophie Lawrence
Sophie Lawrence is an English singer and actress who released 2
singles in 1991 one which is a cover of Donna Summer’s 1977 track
“Love’s Unkind”. This production from Pete Hammond captures the 50’s
edge with an electronic edge with bass pulsating and key sequencers.
It plays out with a distant feel of melodic parts echo through the
rolling bass. A complete update of the saxophone driven original
version. Sophie’s vocals are light and deliver the necessary love
forlorn heroine who seems to be caught in a defiant situation in a
much wanted relationship. The Summer version of course always rings
the best with Donna giving tribute to the Motown era in her own way
but this update plays a bit on the level of doing a masterful job at
recreating the fun of heartbreak. |
 |
|
• Sexy Dancer - Glenn Rivera ReStructure Mix - Prince
Prince is one of the artists who began his recording career in 1977
with the release of his project titled “For You” – which featured a
diverse sound of his edge on funk and disco music. It was the early
80’s when his music began to move into a fusion of funk and new wave
along with his hardcore messages and themes. “Sexy Dancer” is from
his 1979 self-titled album and is one of the tracks which outline a
sound which Prince has created from his own genius. The piece is a
rhythmic dance track and moves into his own arena with his stripped
down band sound and his funky guitars mainlining. |
 |
|
• Slave (For Your Desire) - Glenn Rivera ReStructure Mix - Tracy Ackerman
Tracy Ackerman is a high energy vocalist who worked on projects
under the name Astaire (“The Power Of Love”, “Love Trap”) and also
appeared on projects for Advance and Mirage during the 80’s. For
myself, I adored Tracy’s contributions to 80’s high energy dance
music from her first note. The sweet yearning that she delivers
always outlines the themes of love and heart break. Her most
recognized label is the British dance label Passion Records in which
she helped to give the label its own identifying sound in many
releases. “Slave (For Your Desire)” is a single released in 1987 and
produced by Nigel Stock and John Davies. |
 |
|
• Highway Runner - Glenn Rivera ReStructure Mix - Donna Summer
Donna Summer was featured on the soundtrack of the 1982 film “Fast
Times At Ridgemont High” with her track “Highway Runner”. I can
remember reading at the time where this track was originally was to
be released on “The Wanderer” project but was not as it was intended
to be a double album release. The track is one of the early 80’s
recordings where Donna moved her sound into the 80’s with a touch
more of a rock edge sound. This piece has the synth-pop edge with
the distorted guitars to deliver that promise and Donna’s vocals as
always are inventive and always surprising to discover new talents
over and over from this legend. |
 |
|
• Arena - Glenn Rivera ReStructure Mix - Soccer
Soccer is a disco project from producer Tony Valor and consisted of
Angelo Venuto, Carmello Venuto, Eve Arrio, Joe (Pepe) Tessuno,
Lawrence Venuto, Sal Cruella, Susan Fredo and Vincent Venuto. The
band has had several memorable hits including “Come And Get It On”
from 1979 and “Give Me Your Love” from 1980. Their self-titled
project included the instrumental track titled “Arena” which is a
Latin-flavored composition with Flamenco guitars and brass horns
serenaded throughout the arrangement. It is a nice production which
plays the energy very mellow yet brings out the flare of a dance
track. |
 |
|
• Double Action - Glenn Rivera ReStructure Mix - Sarr Band
Sarr Band is a disco ensemble from 1978 who released a single titled
“Magic Mandrake” and their project “Double Action” from 1979. The
titled track from “Double Action” is one of their memorable rhythm
pieces which loop an infectious guitar riff with a mellow groove.
The piece is more known as a cult number where its intent is to be
placed in the right spot at the right time. It has many elements
which make it seem like a small fire being fanned over and over. |
 |
|
• In Hollywood (Everybody Is A Star) - Glenn Rivera ReStructure Mix - Village People
Village People are Victor Willis, Alexander Briley, David (Scar)
Hodo, Felipe Rose, Glenn Hughes and Randy Jones – the brain-child of
disco producer Jacques Morali. “In Hollywood (Everybody Is A Star)”
is from their first project from 1977 and is one of the tracks which
helped to set these men on the main stage during the disco era. The
segment from the side one medley is an outline of the dream of
stardom and the worn out effect it sometimes creates. The production
here is pure disco during the formulation of a pop-like edge with a
club arrangement intact. Lots of strings and horns with heavy
percussion guiding us into the groove. |
 |
|
• Get Up And Boogie - Glenn Rivera ReStructure Mix - Silver Convention
Silver Convention is one of disco music’s golden girl groups. The
line-up for the 1976 project “Get Up And Boogie” include Linda G.
Thompson, Penny McLean and Ramona Wulf. These ladies paint their
lovely vocals over the chic strings and funky bass rhythms of
arranger Sylvester Levay and producer Michael Kunze. “Get Up And
Boogie” is a staple from the early days of disco music and creates
the aura of the excitement and lure of the dance floors as they
began to take notice and shape. The groove of this piece is one of
the memorable sounds of the rolling bass and the swirling strings. |
 |
|
• Fall Into A Trance - Glenn Rivera ReStructure Mix - Jimmy Ross
Jimmy Ross is a singer from Trinidad who became one of the early
80’s exciting Italo-disco artists and their ride from producers
Luciano Ninzatti and Stefano Pulga (both are members of Kano) is a
display of the full-on electronic dance sound. “Fall Into A Trance”
is a love song with a juice that keeps oozing more of the magic
which made the early 80’s another time for dance music to mature and
grow. The lyrics beg a potential lover to give in and let go of all
emotions, heart and soul – therefore “into a trance” of love. The
music here is a mainstay of power which made the band Kano a
forerunner for its time and lasting through time with the futuristic
edge – much as Moroder created in the mid-70’s for disco music. |
 |
|
• No More Illusions - Glenn Rivera ReStructure Mix - Eraora
Eraora is an Italian disco project with David Sabiu, Marco Sabiu and
Michele Centonze. “No More Illusions” is their 1987 single on Ibiza
Records and has the deep beats as a house track along with an 80’s
Stock Aitken Waterman build which makes it stand out. A track which
became an instant hit in my club and chorus riff which still fades
in and out of my memory. The vocals are a chorus of troubled voices
giving the surrender to a hopeless relationship for the night as
trouble ensues. The full on electronic production is a patch work of
breaks and rhythm guitars. One of the last of the Italian
productions which presented a veer in another direction. |
 |
|
• El Watusi / La Bamba - Glenn Rivera ReStructure Mix - Rags and Riches
Rags and Riches is a disco project from producers Vinny DePaola and
Bobby Ragona released in 1983 on Casablanca Records. This outline is
the dances of the past and outlining two of the most memorable
numbers with a Latin flair. “El Watusi” originally released by Ray
Barretto and the Ritchie Valens rock classic, “La Bamba” are segued
in this medley with a few clever segements added to make this one
sound like an instant festival. The spoken words are provided by
Barbara Norris and vocals from Chaz Jones in this powerhouse medley
of memories. |
 |
|
• Super Freak - Glenn Rivera ReStructure Mix - Rick James
Laura Branigan is a singer who brought the 80’s excitement with her
big dance hits “Gloria” and “Solitaire”. “Dim All The Lights” is her
1995 cover of Donna Summer’s self-penned hit from 1979 and her “Bad
Girls” project. Branigan gives the track her range of talent mildly
yet effectively with a production by Orville Brinsley Evans which
follows the late 80’s and 90’s pop-house outline. Light keyboards
and a kick-house rhythm are the transformation from the disco beats
of the original. The song itself is one of those which always sound
anthem-like and this cover helps keep it up to par as the song
deserves. |
 |
|
• Dim All The Lights - Glenn Rivera ReStructure Mix - Laura Branigan
Laura Branigan is a singer who brought the 80’s excitement with her
big dance hits “Gloria” and “Solitaire”. “Dim All The Lights” is her
1995 cover of Donna Summer’s self-penned hit from 1979 and her “Bad
Girls” project. Branigan gives the track her range of talent mildly
yet effectively with a production by Orville Brinsley Evans which
follows the late 80’s and 90’s pop-house outline. Light keyboards
and a kick-house rhythm are the transformation from the disco beats
of the original. The song itself is one of those which always sound
anthem-like and this cover helps keep it up to par as the song
deserves. |
 |
|
• She's Heavy - Glenn Rivera ReStructure Mix - V.I.S.A.
V.I.S.A. is an Italian disco project from producers Angelo & Felix
Piccarreda (Passengers, Nuggets) and arranged and directed by Mr.
Celso Valli. The production here is once again majestic thanks to
the talent of Mr. Valli and his layering of strings, horns and
percussion. His work here stands out with a few familiar riffs but
most sounding fresh and groovy. “She’s Heavy” is a cut from the 1979
project “San Francisco” and lends the chorus a stage to frame a
woman who brings the floor energy with her presence. The soulful and
tendered vocal is the magic of V.I.S.A. and unites that theory that
is “disco” music is soul music with a bow tie. |
 |
|
• Dancing Queen - Glenn Rivera ReStructure Mix - Kryptonite
Kryptonite is a disco project from Canadian producer Joe La Greca
(Hydro, Kat Mandu, MTL Express and Diva) and arranged by Denis
LePage (Lime). “Dancing Queen” is their single from 1982 which makes
a deep bass and drum groove come to life for the dance floors using
the formula which moved the early 80’s into what would become high
energy dance music. This one has several nice hooks which rotate in
and out of the lead vocal informing us of the moves that make the
‘queen’ in the club. It is infectious in many ways with the horns
blaring into the chorus and the heavy drums pumping out the disco
groove. |
 |
|
• Always Lookin' - Glenn Rivera ReStructure Mix - Lipps Inc.
Lipps Inc. is one of the disco bands who marked the era with dance
music which brought the end of the 70’s to a peak and the 80’s with
more possibilities. Their 1980 project “Pucker Up” is their follow
up to the “Funkytown” album titled “Mouth To Mouth” and utilizes the
talents of vocalist Cynthia Johnson and again the creative
arrangements and concepts of producer Steve Greenberg. “Always
Lookin’” is a track from the project which has the power of
Cynthia’s vocals belting out how old nightclubbing habits die hard.
It has a nice energy that is lifted with several riffs and a form
fitting vocal performance. |
 |
|
• I Don't Want To Be A Freak (But I Can't Help Myself) - Glenn Rivera ReStructure Mix - Dynasty
Dynasty is a disco/funk/soul ensemble featuring Kevin Spencer, Leon
Sylvers, Linda Carriere, Nidra Beard, Wardell Potts and William
Shelby. Co-produced by Solar Records president, Dick Griffey. “I
Don't Want To Be A Freak (But I Can't Help Myself)” is from their
1979 project titled “Your Piece Of the Rock” and is a tasty
disco/funk track which places the sweetness of disco music among the
groove of funk. The infectious chorus makes it difficult to believe
that this period would be the last of the disco themed songs. There
is a smooth transition from their soulful sound to the disco chorus
moments which make this an outline for an anthem. |
 |
|
• Menergy - Glenn Rivera ReStructure Mix - Mother F
Mother F is a high-energy project from Joe La Greca and Denis
LePage. Originally released as a double album of instrumentals from
hits by Carol Jiani, Chris Mills and Lime, this project was a must
and desire for DJs spinning in clubs which gave rotation to the
original hits. The following project featured their covers of
underground disco classics – “Welcome Aboard” by The Love Unlimited
Orchestra and “Menergy” by Patrick Cowley. The cover of Cowley’s
“Menergy” was released in 1981 and laid the track out in a layer of
reproduced in a thinner layer of sequencers remapping the original
in a tribute. The arrangement is credited to Kat Dyson which also
gives another pat on the back to the genius of Patrick’s imagination
and execution of musical thoughts. |
 |
|
• Lucky Star - Glenn Rivera ReStructure Mix - Madonna
Madonna is an artist/singer/actress whose career began as a back-up
dancer for disco artist, Patrick Hernandez (“Born To Be Alive”).
Madonna’s first album was one of the exciting moments in 80’s music
history as we were able to see her dedication and complexity to
dance music. Her long run as a celebrity and the never ending shift
in her reinvention of sound and essence of her stance have always
given us a new way of looking up to her. “Lucky Star” is a single
from the first self-titled album and was produced by Reggie Lucas.
This love song is in a nursery rhyme feel with a few new injections
of the electronic dance scene which was taking part in the early
80’s. The vocal from our diva is along the lines of being childlike
to flow with the aim of the tracks adoring desire. |
 |
|
• Diana - Glenn Rivera ReStructure Mix - Julius Brown
Julius Brown is a vocalist who was produced by Jacques Morali
(Village People, The Ritchie Family) in the early 80’s for two of
the periods powerful high-energy tracks – his first single “Party”
from 1983 was an immediate hit in clubs and “Diana” the second is an
anthem dedicated to the Motown Diva herself, Ms. Diana Ross. The
production is a full on electronic arrangement with pulsating bass
sequencers generating the energy. Along with Julius’ soulful vocals
and approach to each track there is a winning sound all together.
“Diana” has a beautiful and powerful chorus in which Brown makes use
with his ad-libs using titles from Motown classic from the lady. A
nice piece of high energy dance and a plus again for Morali who made
a successful transition into the 80’s as a high energy producer. |
 |
|
• Rackety Ride - Glenn Rivera ReStructure Mix - Candy Belle
Candy Belle is a high-energy project from German producer Christoph
Leis-Bendorff and features vocals from Karin Damen. “Rackety Ride”
is the single released in 1987 and is a pumping track with synthetic
horns and bass throughout the arrangement. The story here is plain
and simple where a weekend is quickly approaching and represents an
out of control experience. The energy here is at a mid-pace even
though it seems to strike more intense with the deep bass drums.
This one is the lead from the mid-80’s energy to a newly amended
Euro-energy which focuses more on the layering of the arrangement.
Candy Belle makes the end of the 80’s seem well worth dancing
through. |
 |
|
• The Dominatrix Sleeps Tonight - Glenn Rivera ReStructure Mix - Dominatrix
Dominatrix is Dominique Davalos and Stuart Argabright – an 80’s
group who released “The Dominatrix Sleeps Tonight” in 1984 –
produced by Kenneth Lockie. This track became an underground hit
immediately due to its alternative sound and theme. A full
electronic production with riffs which emphasize an unruly night for
some except for the mistress herself. The keyboards have a raw edge
which follows the new-wave movement yet with a definite New York
underground sound. One piece which resurfaces every once in a while
in circles where the cult music and dark edge are subscribed. |
 |
|
• Love Love Love - Glenn Rivera ReStructure Mix - Sinitta
Sinitta is a high energy singer who is actually the daughter of
Miquel Brown (“So Many Men, So Little Time”) and followed in her
mother’s footsteps in the dance music world by recording some of the
best energetic tracks. “Love Love Love” comes from her 1989 project
titled “Wicked” and produced by Ralf Rene Maue. This super track has
a melody that flows like a disco classic and builds as such. It is
force of music that pulls Sinitta out to honor a contender to give
up the love that can become more than just a fling. Some wonderful
keyboards and a roaring bass sequencer make this one hard not to
understand. |
 |
|
• Never Coming Back - Glenn Rivera ReStructure Mix - Shiver
Santa Esmeralda is one of the European disco groups which began a
movement in the sound of dance music in the late 70’s. “Seville
Nights” is an instrumental piece released on the soundtrack to
“Thank God It’s Friday” in 1978 in a double vinyl package. The track
was also featured in the film and was produced by Jean-Manuel de
Scarano and Nicolas Skorsky. The flamenco instrumental is an outline
of the Spanish themes which the band always projected in an
orchestral layout. Many of their tracks are disco classics in not
only the originality of their execution, but in the full
arrangements which Santa Esmeralda was known for. |
 |
|
• Seville Nights - Glenn Rivera ReStructure Mix - Santa Esmeralda
Santa Esmeralda is one of the European disco groups which began a
movement in the sound of dance music in the late 70’s. “Seville
Nights” is an instrumental piece released on the soundtrack to
“Thank God It’s Friday” in 1978 in a double vinyl package. The track
was also featured in the film and was produced by Jean-Manuel de
Scarano and Nicolas Skorsky. The flamenco instrumental is an outline
of the Spanish themes which the band always projected in an
orchestral layout. Many of their tracks are disco classics in not
only the originality of their execution, but in the full
arrangements which Santa Esmeralda was known for. |
 |
|
• Lazer Dance - Glenn Rivera ReStructure Mix - Laserdance
Laserdance is Erik van Vlie and Michiel Van Der Kuy – a Dutch
electronic duo who created a hard-edged dance sound using industrial
drums and keyboards along with the galactic themes. “Lazer Dance” is
their first single from 1984 and is a rotating synthesized piece
which has some clever riffs working over the sequencer bass
foundation. Much in the Italo-disco influence with a touch of their
own imagination which include a robotic-sounding lead taking us into
each adventure. |
 |
|
• Cha Cha Cha - Glenn Rivera ReStructure Mix - Finzy Kontini
Finzy Kontini is Bruno Rosellini, Claudia Colombi and Fabrizio
Baldoni – an Italian disco project from the late 80s. “Cha Cha Cha”
is their 1987 release which helped to keep the flow of disco music
filtering throughout the clubs with this magical sound. The piece
does exactly what the title says – it “cha cha cha’s”. The clever
use of striking keyboards and Latin percussion make this one a hard
one to keep still with. It has a sweet and lyrical lead vocal which
makes the 80’s a complete overhaul for high energy music. |
 |
|
• Finally - Glenn Rivera ReStructure Mix - Ce Ce Peniston
Ce Ce Peniston is soul/house/disco vocalist who took clubs hostage
in 1991 with her hit “Finally” – produced by David Morales. This
powerhouse track made the post-Top-10 Disco during its release and
made Peniston a welcomed standard to playlists and dance floors
everywhere. The staple became even more solid as it became one of
the current pieces played in several films following its release.
The outline is new found love and the excitement can be felt from
start to finish thanks to Ce Ce killer vocal delivery where she
makes and breaks her own “breaks”. A classic and now gold classic
since I am sure many followers are still igniting each time they
hear it played. |
 |
|
• If You Love Somebody - Glenn Rivera ReStructure Mix - Barbara Doust
Barbara Doust is a high-energy artist from Canada who is well-known
as the voice behind the track “My Forbidden Lover” by Tapps. Her
solo career from the late 80’s and into the late 90’s gave the dance
floor several memorable moments in the high-energy genre – including
“If You Love Somebody” from 1987 – produced by Vincent Degiorgio.
This piece began as an anthem and finishes that way. It begins with
a wall of heavy synths paving the way for a subtle and irresistible
delivery from Barbara who shares with us the wonders of ‘loving
somebody’. This one did quite well during a period of non-stop
releases in this genre and stands out with her fabulous sound
echoing throughout the mechanical rhythms. |
 |
|
Sandra (Sandra Ann Lauer) is a German pop-singer who took the edge
of the 80’s with her and her producer husband Michael Cretu (Cretu
And Thiers and Enigma) with a powerful electronic dance sound with
her subtle and soft delivery. “Secret Land” is a single from 1988
and is a dreamy dance track with rolling bass to bring it the top
layer of rhythm. It is one of her most memorable pieces with its
haunting and eerie keyboards creeping below the surface. This one is
from her project titled “Into A Secret Land” and has the full
elements of which sound Sandra made her own during the end of the
80’s. |
 |
|
Merge is C.J. "Blood" Johnson, Debbie A., Marc Reaux, Marlon Mathis,
Randy Alexander, Reg Morris and Walter Thigpen. The funk band from
Chicago released their project titled “Merge” in 1982 and featured
the single “Take It To The Top” produced by Carl Davis. The track
was a big hit on radio stations that featured the new releases of
80’s funk and their top chart dance hits. The energy here is a
non-stop barrage of vocoder chants which bring the energy up to
boiling at times. The vocals are a soulful and sassy demonstration
and help make this piece irresistible. This one would be one of the
underground dance pieces which made it on its own merit. |
 |
|
• Everybody's Got To Learn Sometime - Glenn Rivera ReStructure Mix - Brian Davis
Brian Davis is a singer who released a single titled “Everybody’s
Got To Learn Sometime” in 1991 – produced by Jean-Yves Galmiche and
F. Ferry. The track was produced in France and has a Euro-house feel
with the resonance of a Stock Aitken and Waterman project. A simple
groove that uses more of the breakdowns in percussion and keyboards
to build on the energy. The focus of the song relays the lessons
learned in a relationship which has gone astray. The single was
released as the lone release from Brian Davis and did well for the
club play in the proper programming. |
 |
|
• Looking For A New Love - Glenn Rivera ReStructure Mix - Jody Watley
Jody Watley began a recording career in a group titled Shalamar in
the late 70’s. Her talent, dedication and hard work gave her a solo
career in the mid-80s. Her 1987 self-titled project gave her a new
opportunity to take the music industry again with five releases from
the album becoming club hits. “Looking For A New Love” is the first
release and became a staple among many clubs and also pop-radio.
Produced by André Cymone and David B. Rivkin this piece made
electronic funk lives again on dance floors and airplay. A great
down beat and several riffs bring this number home with Jody right
alongside. One of that year’s big surprise hits and an opportunity
to give Jody the spotlight she deserved. |
|
|
• You're Not So Hot - Glenn Rivera ReStructure Mix - Carol Douglas
Carol Douglas is a disco diva who has given the disco era many
tracks to move on dance floors with including “Doctor’s Orders”,
“Night Fever” and “Midnight Love Affair”. Her 1983 project titled
“Love Zone” produced by Andy Barret, Eddie O'Loughlin, Ray Rock and
Richard Sher features her single “You’re Not So Hot” which is
definitive in its own right. This track gives us a Carol fed up with
a relationship that is currently challenging and now somewhat done.
This statement as the titled says, “You’re Not So Hot” is the end of
the romance which seems to bring only lies and pain. It is an early
80s dance floor hit that gives a new sound and a Carol who has moved
on both into the 80’s and in songs message. |
 |
|
• Sat-is-fac-tion - Glenn Rivera ReStructure Mix - Laura Lee
Laura Lee is a soul/gospel vocalist who began her recording career
in the late 60’s and reached the disco era where she recorded the
single “Sat-is-fac-tion” – produced by Don Davis and arranged by Mr.
Patrick Adams. The sensual disco number is a breathy and sexy
outline of just how a lover can leave someone when everything is
right. The saxophone segments are a deep in the sex appeal realm as
much as Laura’s very tender and sensual approach at this dance
tracks. It has many riffs that are memorable and make this 70’s diva
a stance up on her career into the late 70’s. |
 |
|
• Capricorn - Glenn Rivera ReStructure Mix - Capricorn
Capricorn is an Italian disco group led by producer Claudio
Simonetti – who also is a part of the band Goblin along with
Giancarlo Meo. This project was an early influence in Italian dance
music with an electronic dance sound fused with synthetic strings.
“Capricorn” is a beat-funky track which brings inhabitants from
‘Capricorn’ to find themselves an earth woman to return to their
galaxy where there are none. The keyboard riffs are which stand out
here much like a well-crafted 70’s funk song. Pulsating sounds and
plucking bass guitars unite with a raw-edged vocal which falls into
a soft chorus in a very effective manner. This release from 1980 is
definitely one for those who prefer funk and adventure in their
dance music. |
 |
|
• Proud Mary - Glenn Rivera ReStructure Mix - Chi Chi Liah
Chi Chi Liah is a Dutch disco project from Albert Boekholt and Chris
Pilgram. This is a cover of John Fogerty's "Proud Mary" - made a
rock staple from the recording by Ike and Tina Turner. The street
sound of the early 80's was heavily inspired by the DJs who would
utilize the turntables as instruments in early rap music. The
manipulation of each beat was accomplished by double beats infused
and layer below simple keyboard riffs. One of the innovated and
creative styles which impacted many tracks that were breakout hits
such as "Buffalo Gals" by Malcolm McLaren and "Rain Forest" by Paul
Hardcatle. A similar approach to Kraftwerk’s use of electric sounds
and pulses. |
 |
|
• Exotically - Glenn Rivera ReStructure Mix - Peter Jacques Band
Peter Jacques Band is a disco group formed in the late 70’s by
producer Jacques Fred Petrus and arranged by Mauro Malavasi. The
sound of this studio band began as a fast driving disco beat
accented by synthetic percussion and effects that would outline a
fireworks display. Their first album titled “Fire Night Dance”
became an instant hit with the four track release and made the late
70s begin to take note of what would become high energy music in the
early 80’s. “Welcome Back” is their 1980 release where the influence
on New York Disco began to shift a few gears in the project. Petrus
has branched out and produced a studio group called Change
(featuring vocals from Jocelyn Brown and Luther Vandross) and became
a disco art form of electronic pulses and disco strings. The sound
is much of what is heard on the track “Exotically” which features
again an ensemble of vocals outlining the perfection of a
relationship/romance. It has the magic that Malavasi adds many of
the production from Petrus and is obvious that the two were working
closely to formulate this sound. |
|
|
• Don Quichotte - Glenn Rivera ReStructure Mix - Magazine 60
Magazine 60 is a French disco project from producers Jean-Luc Drion
and Dominique Regiacorte. Their projects began as Stars On 45 medley
productions in the early 80s and later became a full-group ensemble
featuring Marc Delval, Pierre Mastro, Veronique Oliver and Yves
Delval. “Don Quichotte” is from their 1985 project titled “Costa Del
Sol” and was one of the club favorites of that year. The track has
several keyboard riffs which outline the theme in a somewhat
humorous yet direct mix-down where choruses and sampled sounds and
voices play out in the track. It is one of Magazine 60 and their
style from start to finish. |
 |
|
• Mighty High - Glenn Rivera ReStructure Mix - Mighty Clouds Of Joy
The Human League is the 80’s electronic band which created a new
lure to the dance floor in a simplistic yet well defined. Their big
hit “Don’t You Want Me Baby” from 1981 is the landmark of their
success yet the project which brings the complete sound of this band
is “Dare”. From this album comes the track “The Things That Dreams
Are Made Of” which once again strips down the electronic keyboards
and lays out a robotic-rhythm which gives the lead vocals of Philip
Oakey a syncopated finish. This combination is one of the 80’s
perfect moments. |
 |
|
• The Things That Dreams Are Made Of - Glenn Rivera ReStructure Mix - The Human League
The Human League is the 80’s electronic band which created a new
lure to the dance floor in a simplistic yet well defined. Their big
hit “Don’t You Want Me Baby” from 1981 is the landmark of their
success yet the project which brings the complete sound of this band
is “Dare”. From this album comes the track “The Things That Dreams
Are Made Of” which once again strips down the electronic keyboards
and lays out a robotic-rhythm which gives the lead vocals of Philip
Oakey a syncopated finish. This combination is one of the 80’s
perfect moments. |
 |
|
• Magic Carpet Ride - Glenn Rivera ReStructure Mix - Bardeux
Bardeux are a high-energy dance project from Jon St. James – who
gave us Stacy Q (“Two Of Hearts”). The vocals here are provided by
Acacia and Jaz – two harmonic voices who bring a charm to the sound
of Bardeux. “Magic Carpet Ride” is from their first project “Bold As
Love” from 1988. The track is a winding piece of rolling energy
which feeds into diversions of fantasy and love. One of the big
radio pieces in dance music at the time of its release. One of my
favorites when it comes to a lyrical phrase and the voices which can
carry it out. |
 |
|
• Don't Panic! - Glenn Rivera ReStructure Mix - Liquid Gold
Liquid Gold is a disco band from U.K. and was produced by Adrian
Baker. Their big disco hit “My Baby’s Baby” from 1979 was one of the
exciting releases to experience in a discotheque environment as it
contained all of the energy that disco had become. “Don’t Panic” is
a single released in 1980 which follows along the same lines as the
formula which made their sound work. This one is a fast paced song
of bewilderment and confusion as our lead vocalist, Ellie Hope goes
through a romance on the breaks. It has a dramatic string section
which always outlined the pop-disco tracks of the time and a fast
moving rhythm section which doesn’t seem to phase or heroine here
what so ever. |
 |
|
• Just Like You - Glenn Rivera ReStructure Mix - Heat
Heat is a soul/disco ensemble produced by David Wolfert and Tom
Saviano – featuring vocals from Ed Whiting, Jean Marie Arnold and
Tom Saviano. “Just Like You” is the single from their self-titled
1980 project and echoes the disco-funk sound of the late 70’s with a
jazz fusion. This powerful track has some great vocal as well as
rhythm guitars that administer the groove in more places than one.
The album displays the mellow grooves which follow more of a
contemporary jazz feel and gives off a nice and laid back yet
instinctive edge. |
 |
|
• Looking For Love - Glenn Rivera ReStructure Mix - The Three Degrees
The Three Degrees are the magic created by The Philly Sound of the
mid-70s and along with their big hits “When Will I See You Again”
and “TSOP” a landmark group was set. In 1978 a monumental session
was created when the girls were produced by disco producer/artist
Giorgio Moroder. The first release is “New Dimension” which
contained the second half of the side one medley, “Looking For Love”
– where this set begins as “Givin’ Up, Givin’ In” ends an unstable
relationship and “Looking For Love” sets forth the search for the
cure for a broken heart. This project contained The Three Degrees in
a motion which literally set them back on the map on dance floors
and for another spotlight on stages around the world. |
 |
|
• Baila - Glenn Rivera ReStructure Mix - Afro-Cuban Band
Afro-Cuban Band (originally Love Childs Afro Cuban Blues Band) is a
disco project from producer Michael Zager (Michael Zager Band) and
delivered three projects from 1975 – 1978. “Baila” comes from the
album titled “Rhythm Of Life” and features the Latin flair with a
disco ensemble backing it. The track was released as a single and
did very well in clubs where jocks were adding the rhythms of
Spanish sounds which were the essence of disco music. This was the
last album from the project and is still one of the great pieces of
work from Zager. |
 |
|
• Whenever You Need Somebody - Glenn Rivera ReStructure Mix - Ochi Brown
Ochi Brown is a disco/funk singer who released her third project
titled “Ochi” in 1986. The production is by Daize Washbourn, Stock,
Aitken & Waterman and Willi Morrison (THP Orchestra). “Whenever You
Need Somebody” is a track which was the big single and brought dance
floors a new love song with a groove that was unforgettable for the
time. The song was also covered by Rick Astley and is one of those
80’s pieces which bring to mind the dedication to dance floors as
well as a fond heart. |
 |
|
• Over The Rainbow - Glenn Rivera ReStructure Mix - Viola Wills
Viola Wills is a disco singer who made many marks during several
periods of dance music and its reign. Her big dance palace hit “Over
The Rainbow” from 1986 is from her project titled “Dare To Dream” –
produced by Billy Osborne IV, Mel Simpson and Paul Phillips. This
cover of Judy Garland’s classic from “The Wizard of Oz” is cleverly
disco-fied with a bass rhythm guitar plucking out a bass pattern
that is infectious and a touch of the 80’s dance floor headed into a
deeper and celestial arena. Viola again carries this cover in a way
that a seasoned disco-diva can. It is both a funky and soaring
experience. |
 |
|
• I Can't Wait - Glenn Rivera ReStructure Mix - Giorgio and Chris
Giorgio Moroder and Chris Bennett perform together on the project
“Love’s In You, Love’s In Me” from 1978 – featuring Munich Machine.
The side one title medley was always one of the delicate disco love
duets at a time where the sound of Moroder’s keyboards and
sequencers were in an experimental stage. This ballad like medley is
simple in execution and holds close the talent of Moroder and the
gentle vocals of Bennett and their place among disco music. I have
taken the segment “I Can’t Wait” and gave it a spotlight of its own
here as I always waited for each piece to come along for each one to
shine. |
 |
|
• The Power Of Love - Glenn Rivera ReStructure Mix - Deee-Lite
Deee-Lite is a house group with Ani Schempf, Kierin Kirby, Super DJ
Dmitry and Towa Tei. Their breakout in 1990 created a retro-dance
ignition which was homage to disco and funk music. “The Power Of
Love” is a single from their first project titled “World Clique” and
was another tale on the psychedelic trip meshed into the funky dance
scene of the 70’s. The track gave another chance for lead vocalist
Kierin Magenta Kirby to express her soulful dedication with the
bands assistance. It was one of the last tracks which truly outlined
the bands flavor and success. |
 |
|
• I Feel Love - Glenn Rivera ReStructure Mix - Devastation
Devastation is a techno/rave project from Dennis Pino and Joe Reina.
Their cover of Donna Summer/Giorgio Moroder’s “I Feel Love” from
1991 is a wiry and eclectic take on the disco classic. Arranged
using segments from the Patrick Cowley remix and a vocal by Laurie
Caban and utilizing the feel of the original as close as possible.
There are some new rave, acid house and techno elements pumping up
the energy. The release came when rave music was working its way
through the circuit so it is no wonder that the Moroder masterpiece
was thrown onto dance floors again with a then harsher edge. It is a
nice homage to the classic and along with Caban’s vocals it will
bring you right back to 1977. |
 |
|
• Bring On The Love - Glenn Rivera ReStructure Mix - Gloria Jones
Gloria Jones is a soul-vocalist who is best known for her 1964
recording of “Tainted Love” which was later recorded by Soft Cell.
Her 1978 project titled “Windstorm” – produced by Richard Jones
contained her single “Bring On The Love”. This beautiful piece was
released as a 12” disco single and made playlists for clubs
utilizing the softer edge of dance/disco music. The theme of this
number reunites estranged lovers who are ready to start over again –
this time, as friends. It is quite an emotional track and Gloria
creates a lovely narrative for the message. |
 |
|
• You and Me - Glenn Rivera ReStructure Mix - Spargo
Spargo is a Dutch disco group formed in 1975 and features |
 |
|
• Conga - Glenn Rivera ReStructure Mix - Miami Sound Machine
Miami Sound Machine is a Latin American band founded by band leader,
Emilio Estefan, Jr. in 1977 –the band went on to continue and soon
acquired lead vocalist Gloria Fajardo, later becoming Gloria Estefan
and branching off to a solo career. “Conga” is one of the first
major singles from 1985 their project titled “Primitive Love”. The
track became very popular in the club circuits and revived a Latin
dance edge that was missing in the pop realm. It is one of the
celebratory pieces which evolved in its own sound and is still one
of the staples of the dance era of the 80s. |
 |
|
• I Don't Wanna Lose You - Glenn Rivera ReStructure Mix - Radiorama
Radiorama is a Eurobeat from the mid-80’s founded by Aldo Martinelli
– with vocals from Mauro and Clara Moroni. “I Don’t Wanna Lose You”
is from their 1988 project titled “The Legend” and is produced by
Marco Bresciani and Paolo Gemma. This single was one of the low-bpm
pieces which became a staple in my club for its heavy drums and
pop-lyrical chorus. It has many of the elements which made Radiorama
a group which stood out during the transition from the European
disco sound becoming more evident in releases for club play. |
 |
|
• Touch Me - Glenn Rivera ReStructure Mix - New Baccara
New Baccara is a disco project from producers Luis Rodriguez and
Reinhardt Frantz – the group was originally known as “Baccara” and
added the prefix during the 90’s. Vocals in this single titled
“Touch Me” are from |
 |
|
• Harmony - Glenn Rivera ReStructure Mix - Suzy Q
Suzy Q is a Canadian disco project from producer Jerry Cucuzzella.
The studio work consisted of three separate lead vocalist
representing time periods and releases. The 1985 cover of Suzi
Lane’s “Harmony” (originally produced by Giorgio Moroder) is one of
the best disco reworks since the vocals come into a diva-like realm
and explode throughout this new arrangement. The lead vocal from
Angie Vileno are stamp in this production and make the track new all
over again. A great 80’s remake and also another example of high
energy taking the initiative to keep dance music alive. |
 |
|
• Up Where We Belong - Glenn Rivera ReStructure Mix - Deevotion
Deevotion is a Euro-house project from Germany – produced by Jens
Lissat and Ramon Zenker. Their 1992 single “Up Where We Belong” is a
cover of the Jennifer Warnes/Joe Cocker ballad from the film “An
Officer and A Gentleman” from 1982. This slick version and take on a
ballad is one of the big moments in Euro-house music as this
arrangement plays close to the feel of the original emotion and adds
yet a house groove without any regrets. One of the best of
conversions from ballad to dance floor stomper since many of the
anthem tracks that dominated during the late 80’s. |
 |
|
• Chinese Eyes - Glenn Rivera ReStructure Mix - Fancy
Fancy is Manfred Alois Segieth – a German producer who formulated
many dance projects that became the sound of the 80’s high energy
scene. “Chinese Eyes” is a single released in 1984 and is one of the
memorable pieces from Fancy as it hits hard with many heavy bass and
keyboard riffs. The 80’s dance scene was ready for this edge of
pulsating electronic beats and synthesizers and the formula became a
standard. The vocals are a mainstay of Fancy’s singles and give the
songs a momentous approach at building to a crescendo. A very
popular piece and one which I would have to program over and over
during the time it became a staple. |
 |
|
• The Desert Place - Glenn Rivera ReStructure Mix - The Twins
The Twins are Ronny Schreinzer and Sven Dohrow – a German
dance/synth-pop band who captured the early 80’s dance sound with a
mixture of magnetic keyboard riffs and a new-wave edge on vocals and
sound. “The Desert Place” from 1981 is their first big single from
the project titled “Passion Factory” – produced by The Twins. This
piece is heartbreak of yearning to where a past love takes us to a
lonely place when it is over. The sound of this one is ominous and
always makes the emotions stir along with the roof shaking. One of
the great electronic dance pieces of its time and a start for this
band that always seemed to get it right. |
 |
|
• The M.B.O. Theme - Glenn Rivera ReStructure Mix - Klein and M.B.O.
Klein and M.B.O. is Mario Boncaldo and Tony Carrasco – creating a
sound for the dance floors in the early 80’s which centers between
the street beat sound of New York combined with the Italo-disco
synth-edge. Their first release in 1982 was titled “Dirty Talk” and
played out with several electronic riffs which made their sound
recognizable. Their album followed soon after the success of the
single and featured more tracks in this laid back groove with a
percolating layer of percussion riffs. “The M.B.O. Theme” is a
keyboard piece opening up the project and uses the familiar guitar
riffs and keyboards to playout an overture for their tracks. |
 |
|
• Instant Love - Glenn Rivera ReStructure Mix - Sylvia Love
Sylvia Love (Chantal Pierre) is a singer who after 2 singles from
1979 became an underground sensation. Her sensual vocals floated
above her songs, “Instant Love” and “Extraterrestrial Lover” –
produced by Trevor Vallis and arranged by Craig Pruess. These
singles were a big part of the after-hours dance clubs which would
offer dancing until the sun came up with variations of songs that
would be dream-like states of dance conciseness. It was the area
which I was drawn to immediately since more of these styles and
productions were imaginative and heavily layered. The big track
“Instant Love” is an introduction to disco-cosmic recordings since
it practically takes off on its own with a galactic like edge. |
 |
|
• Rhythm Of the Night - Glenn Rivera ReStructure Mix - DeBarge
Digital Emotion is an electronic disco project from The Netherlands
– produced by Adams & Fleisner. The group is Cickie De Beer, Jean
François Colombo and Myrna Balrak. Their music from the mid-80’s and
onto the millennium brought a sound that was fully electronic yet
powerful and infectious. “Humanity” is a single from their 1984
self-titled project and is another example of the outline you can
find in this explosion of synths and roaring sci-fi effects. One of
the high energy periods that the 80’s made a classic stamp with the
energy projects as these brought to the dance floors. |
 |
|
• Humanity - Glenn Rivera ReStructure Mix - Digital Emotion
Digital Emotion is an electronic disco project from The Netherlands
– produced by Adams & Fleisner. The group is Cickie De Beer, Jean
François Colombo and Myrna Balrak. Their music from the mid-80’s and
onto the millennium brought a sound that was fully electronic yet
powerful and infectious. “Humanity” is a single from their 1984
self-titled project and is another example of the outline you can
find in this explosion of synths and roaring sci-fi effects. One of
the high energy periods that the 80’s made a classic stamp with the
energy projects as these brought to the dance floors. |
 |
|
• Tonights The Night (Good Time) - Glenn Rivera ReStructure Mix - Kleeer
Kleeer is a disco/funk band featuring Eric Rohrbaugh, Isabelle
Coles, Melanie Moore, Norman Durham, Paul Crutchfield, Richard Lee,
Terry Dolphin, Woody Cunningham and Yvette Flowers. Their big disco
hit “Keeep Your Body Workin'” from 1978 gave this ensemble a step
into the success of a single which crossed over between disco and
funk. The project titled “I Love To Dance” released in 1979
contained the track “Tonight's The Night (Good Time)” which
resonates with the grooves which were aimed with a nightlife anthem
in mind. |
 |
|
• Last Call - Glenn Rivera ReStructure Mix - Jolo
Jolo is Jo-Carol and Lauren Carter – previously The Patrick Cowley
Singers and a duo who delivered high-energy work throughout the
mid-80s. “Last Call” is their 1984 single produced by Barry Beam and
John Hedges on the Megatone Records label. This piece is an
extraordinary work of beautiful riffs and the longing desires of the
night world and playing the scene where the closing of the night
only begins after hours. One of the singles from that year which
plays out smoothly yet full of energy to pulsate over the dance
floor. The production is a keyboard and drum fantasy and work up to
a crescendo for the divas to build their notes to. |
 |
|
• Go Get It - Glenn Rivera ReStructure Mix - Metropolis
Metropolis is a 1978 disco project produced by Thor Baldursson and
Tom Moulton. It features the trio of Barbara Ingram, Carla Benson
and Evette Benton known as The Sweethearts Of Sigma – and also for
adoring man of disco music’s hits from the mid-to-late 70’s. “Go Get
It” is a funky disco track that uses the rhythm guitars as its main
groove and then builds with a horn section which takes over from
there. The piece is a track from their “The Greatest Show On Earth”
project and reflects the early sounds of disco maturing into a new
period of dance music. |
 |
|
• Potential New Boyfriend - Glenn Rivera ReStructure Mix - Dolly Parton
The Art Of Noise is a British experimental pop group featuring Anne
Dudley, Gary Langan, Paul Morley and Trevor Horn. Their music was an
excursion into the sampled street style of music taking on its own.
Their initial release titled “Who's Afraid Of The Art Of Noise” from
1984 contained their abstract title “Close (To The Edit)” which
became an instant underground hit. The arrangement consists of
pieces of recorded sounds (samples) being laid out a rhythmic parts
and segments of melodies. The track like their many aims to work
this new genre is infectious and leaves to mind an unfinished yet
satisfying experience. Their work is somewhat of a masterful touch
of engineering for the mixdown process. |
 |
|
• Close (To The Edit) - Glenn Rivera ReStructure Mix - Art Of Noise
The Art Of Noise is a British experimental pop group featuring Anne
Dudley, Gary Langan, Paul Morley and Trevor Horn. Their music was an
excursion into the sampled street style of music taking on its own.
Their initial release titled “Who's Afraid Of The Art Of Noise” from
1984 contained their abstract title “Close (To The Edit)” which
became an instant underground hit. The arrangement consists of
pieces of recorded sounds (samples) being laid out a rhythmic parts
and segments of melodies. The track like their many aims to work
this new genre is infectious and leaves to mind an unfinished yet
satisfying experience. Their work is somewhat of a masterful touch
of engineering for the mixdown process. |
 |
|
• I Love Men - Glenn Rivera ReStructure Mix - Cinema
Cinema is a high energy dance project from producer, Warren Schatz
who wrote, arranged and produced this disc. The 80’s high energy
scene was always giving the touch of disco a lingering sound on
dance floors. “I Love Men” is another take on the hedonism of the
male figure and taking it to heart with a love sonnet placed on a
fast dance track. This one plays out as a deep fantasy or desire for
thought that takes up much of her time. The production from Schatz
gives us plenty of the dramatic strings that sweeten this track and
also a very nice harpsichord sound for the majestic feel of the
dance theme. |
 |
|
• When Will I See You Again - Glenn Rivera ReStructure Mix - Magda Layna
Madga Layna is an artist who was a part of the resurgence of disco
music in the early 80’s via San Francisco producer, Bill Motley –
who also produced Boys Town Gang, Lisa and Margaret Reynolds. His
dedication to the sound of disco productions is a period where his
music created the lush strings of soaring dance tracks along with
the funky guitars and heavy percussion. Magda Layna’s cover of The
Three Degrees hit, “When Will I See You Again” is another feat where
Motley scored with a more downbeat version in 1983. The sweet
essence of the song remains intact along with the added synthesizers
and drum breaks to give it that dance floor feel. One of the San
Francisco disco classics from the classic Megatone Record label. |
 |
|
• Star - Glenn Rivera ReStructure Mix - Claudio Mingardi
Claudio Mingardi is an Italian singer who released his single “Star”
in 1983 – produced by Roberto Zanetti. The track is one if the
adventurous pieces with the energy which makes the 80’s reflect as
the high energy dance era. This track is more mid-tempo however the
rolling bass sequence accents the level of power it creates. The
theme is more of an imaginary hero who brings the sweetness in the
chorus to life. The single was always an early evening warm up for
me in my sets to bring on the energy as the evening progressed. A
very nice and melodic feel give this one a nice purpose to keep the
energy alive. |
 |
|
• Duri Duri (Baila Baila) - Glenn Rivera ReStructure Mix - click
click! is an 80’s synth-pop ensemble featuring Adriana Camacho,
Claudia Given and Rocio Sobrado – and produced by Alan Coelho
(Tapps) and Hernani Raposo. The theme of their music featured Latin
compositions to a synthesized dance pop beat. “Duri Duri (Baila
Baila)” is their 1987 single from their project “Con Amor Para Ti”.
A piece following the high energy sound of the mid and late 80’s
with the senoritas serenading us throughout the number. An
infectious vocal is the lead in of the song and brings to mind a
celebration from then on. One of the big hits in my club and a very
popular T-Dance song. |
 |
|
• I Won't Let Go - Glenn Rivera ReStructure Mix - The System
The System is David Frank and Mic Murphy – an 80’s duo who brought
to life the sexy and |
 |
|
• Fly Like An Eagle - Glenn Rivera ReStructure Mix - Habit
Habit is Nick Amour, Andy Carroll and Mick Martin. This trio created
a deep house sound which became the staple of many cover-songs
during the late 80’s. “Fly Like An Eagle” is their bass-driven
effort on the Steve Miller Band rock classic from 1976. This
production moves below the surface with a deep bass synth rolling
over the houses drums kicking away. It is an effective transition to
the dance floor of the early 90’s and brings back that fantasy edge
this song always produced. |
 |
|
• Angel You - Glenn Rivera ReStructure Mix - Primadonna
Primadonna is Giorgio Dolce, Miyuki Irie and Stefania Dal Pino – an
Italo-disco group from the mid-80s. The tempting sound of
Italo-disco made the 80s more of a lyrical place on dance floors.
“Angel You” is their 1986 single – produced by Giorgio Dolce and
living up to the soft and melodic delivery which brought dance
floors a sway and gentle release with this concoction of sound.
“Angel You” has several hooks that work the beauty into a nice
variation of love song meets a mystery. It has that vibrato lead
vocal which teases from the first note. This one was always of
favorite of mine and my dance floor. |
 |
|
• I Can't Wait - Glenn Rivera ReStructure Mix - Nu Shooz
Nu Shooz is Danny Schauffler, John Smith, Rick Waritz and Valerie
Day – an 80’s dance group whose big 1985 hit “I Can’t Wait” is one
of the most distinguishable songs from the time period. Thanks to
the sample riffs which are layered in this impatient theme of lovers
giving way to the excitement of love. The track produced by The
Drone Bros. is a slick r&b feel number that captures the groove from
the start. It is one of the classics which remain a memory of good
times and once again the delivery of dance music which only purpose
is to move your feet. |
 |
|
• Camino Al Destino (Wishbone) - Glenn Rivera ReStructure Mix - Tantra
Tantra is an Italian disco project from producer Quelli Del Castello
and Celso Valli arranging. This innovative studio project was
heavily influenced by the Euro-disco sound of the late 70’s and gave
Tantra the freedom to give their music hypnotic and morphing
arrangements. A year after their first project the 2 side long
tracks were released on a 12” and recorded in Spanish. These covers
of both “Hills Of Kat Mandu” and “Wishbone” were more of a
collector’s gift and the presence only signifies the creative
freedom Valli and producers unleashed. “Camino Al Destino
(Wishbone)” is the version of a song which resembles knowledge from
ones past soul and is placed with a mysterious sitar and Flamenco
rolling guitars. One of the intriguing pieces of this one where the
lyrics delve into a journey of a life here and after. |
 |
|
• Breakout - Glenn Rivera ReStructure Mix - Swing Out Sister
Swing Out Sister is Andy Connell and Corinne Drewery – an 80’s group
whom transferred the magic of beautiful jazz lounge into a dance
pill. Their big single “Breakout” from 1986 is one of the most
memorable and paints a picture of the ominous end-of-the-week
sensation that comes over us and delivers it in a lovely message.
Vocals are the main layer here with a resonance of Sade’s
introduction to pop and how they changed the map for music. This one
is a nice them song for that night out where you can refrain
yourself while letting go. |
 |
|
• Burn In His Hands - Glenn Rivera ReStructure Mix - P.Lion
P.Lion (Pietro Paolo Pelandi) is an Italo-disco artist whose career
began at the start of early Italo-disco sound. The early sounds of
his work were the portrayal of the uplifting and imaginative sound
of the early 80’s scene from Italy and gave him the chisel of the
electronic disco sound. In the 1991 Italo-house/techno piece “Burn
In His Hands” this artist releases a whole new energy onto the dance
floor in a new concept and placement. Using supposed vocal segments
from Mahalia Jackson’s “He’s Got The Whole World In His Hands”
(“burn in his hands”) he creates a fierce “carnival style piece that
builds and builds with only a few segments of sampled vocals. It is
one of my favorites and a lump of samples I could never get out of
my head after hearing for the first time. |
 |
|
• I Want A Man - Glenn Rivera ReStructure Mix - Bonnie Forman
Bonnie Forman is a high energy vocalist from the 80’s whose initial
success came with her productions with producer, Bobby Orlando (The
Flirts, Waterfront Home, Hotline, WOW, Oh! Romeo). Her 1984 release
“”I Want A Man” is one the most memorable of her HI-NRG tracks since
it is the perfect edge for her voice. Given the directness of her
desires we are commanded by this fast moving electronic dance piece.
It has all of the keyboard staples which Orlando created
specifically his brand and this one makes the floor move on its own. |
 |
|
• Gimme, Gimme, Gimme - Glenn Rivera ReStructure Mix - The Three Degrees
The Three Degrees and Stock, Aitken and Waterman in 1985 – “Gimme,
Gimme, Gimme”. The efforts of the trio of hit masters and the lovely
voice of this ensemble were a close return to the disco edge of “The
Runner” and their high-energy sassy delivery. The 80’s took the
piece into a more into the pop-synth arena yet the energy thanks to
the vocals gives off that magnificent disco era feel. The song is a
teasing promise of love with the delivery of the goods and has the
drive of a classic sexy disco classic. |
 |
|
• Miss Me Blind - Glenn Rivera ReStructure Mix - Culture Club
Culture Club is an iconic 80’s band and their music gave the scene
and the generation an identity. “Miss Me Blind” from their 1983
project titled “Colour By Numbers” – produced by Steve Levine. The
track is another one of lead singer, Boy George and his vocal
mysticism of the time. His gentle yet directed emotion always gave
these tracks a fullness that was more like a love anthem. The band
also includes Jon Moss, Michael Craig and Roy Hay – who along with
the outline of a new direction for music and the “culture”
formulated the 80’s into a memorable place that was uplifting and
yet provoking. |
 |
|
• The Age Of Love - Glenn Rivera ReStructure Mix - Age Of Love
Age Of Love is Bruno Sanchioni and Giuseppe Chierchia – an Italian
based techno project which their first single “The Age Of Love” from
1990 brought the attention to the techno and new trance movement.
The piece is eclectic in its formulation where many sounds and
vibrations play part in the rhythm. As experimental as Kraftwerk was
in the mid-70s. The track has mystic feel to its somewhat
claustrophobic groove yet plays out with a hypnotic effect – which
in turn became the sound of trance music throughout the 90’s. |
 |
|
• Dirty Looks - Glenn Rivera ReStructure Mix - Diana Ross
Diana Ross made Motown a classic sound for girl groups along with
The Supremes in the 60’s and throughout the 70s she found her new
title “The Boss” in disco music. In the 80’s her venture made a new
place for her move on 80’s pop-dance tracks. “Dirty Looks” is from
the project “Red Hot Rhythm and Blues” from 1987 and is produced by
Tom Dowd. This track plays with the sexy innuendo and gives our lady
a chance to use her vocals with a lure and sexy edge. It has the
heavy percussion which makes the dance floor the perfect landing and
as this number continues on it takes off with Diana’s sexy overture. |
 |
|
• Dolce Vita - Glenn Rivera ReStructure Mix - Ryan Paris
Ryan Paris is an Italian singer whose and one of the early voices of
early 80’s Italo-disco which gave the style an identity. His music
along with producer Pierluigi Giombini helped to set the stage for
the sound of dance music which would take a new place in dance
history. “Dolce Vita” is a single from 1983 and perhaps one of his
most haunting. This piece is a level of celebratory remembrance and
emotion which transforms itself into a majestic piano concerto at
times. It contains the 80’s dance feel and logic of the stamp that
Italo-disco would be proud and influence many new artists to take
the opportunity to be as creative. |
 |
|
• It All Comes Down To Love - Glenn Rivera ReStructure Mix - Stainless Steal
Stainless Steal is a disco project from producer Pete Bellotte
(Donna Summer, Trax) and arranger Geoff Bastow (K.I.D.) and features
a full-on orchestrated disco ensemble. The project is centered on a
disco version of “Can-Can” and in many ways a following of the disco
themed projects. More of the studio work here is layers and layers
of strings, horns along with the heavy disco beat and funky rhythm
guitars. “It All Comes Down To Love” is a segment of grooves with a
disco chorus enlightening a message that resonates throughout the
piece. The flowing strings make this one almost a symphonic
experience. It is another one of those dance numbers that pulls the
groove out and stretched it beyond its label. |
 |
|
• Love Thang - Glenn Rivera ReStructure Mix - First Choice
First Choice is a trio featuring Annette Guest, Debbie Martin and
Rochelle Fleming. Their 1978 album “Hold Your Horses” is one the
disco banquets of the time period. Produced by Tom Moulton, Norman
Harris and McKinley Jackson this project was a shining example of
who delivered during the peak of the disco music explosion. “Love
Thang” is the funky piece which plays out appropriately for the
ladies and their soulful pipes. It is a touch of the disco sound
bringing the elements that have been polished from the early 70’s.
|
 |
|
• Let Go - Glenn Rivera ReStructure Mix - France Joli
France Joli became of the disco music’s gem and the start of her
career became the flame that burned on in discotheques from the
release of her classic “Come To Me” in 1979. This powerhouse project
was produced by Tony Green and featured some of the best performers
of disco music from the near past, The Sweethearts of Sigma and
future bloomers including Denis LePage (Lime). “Let Go” is the
second cut from the project and is the girl-talk ad-libs of a bad
relationship and feeling early remorse over ending it. This one is
as outlined as disco music allows and gives of the power of the bass
and strings in the disco music genre. France also delivers a
wonderful vocal which gives of the pain that the theme is intended
to outline. |
 |
|
• Melting Pot - Glenn Rivera ReStructure Mix - Soundblast
Soundblast is a Canadian studio disco band who covers Booker T & The
MG's 1971 soul/psychedelic instrumental “Melting Pot”. The remake
released on Uniwave Records in 1980 is a groove with more downbeats
and a vocoder added for the technology advance effect. This one has
a true allegiance with more determination on the climbing bridge
which almost feels gospel backed with the keyboards blaring out
their refrain. It is a nice taste of the past roots of soul and
where the groove began to educate those involved with a more
underground dance experience. |
 |
|
• Into The Groove - Glenn Rivera ReStructure Mix - Madonna
Madonna released the single “Into The Groove” in 1985 and was
featuring in the soundtrack “Desperately Seeking Susan” – a film she
also starred in. The single was produced by Madonna and Steve Bray.
It is one of my favorite tracks from that year as it has an
infectious groove and also lifts the spirits with its positive
message. The song became one of the top dance chart entries and also
helped to give Madonna a new iconic track to her fans. This one has
the simple keyboard ruffs that echo the 80’s sound yet the
dedication that Madonna gives to her tracks makes it even more of a
dance floor move. |
 |
|
• I Need Love - Glenn Rivera ReStructure Mix - Novencento
Gazuzu is a production from Cat Music (Adams & Fleisner) a Dutch
electronic dance team. Their music is always in the realm of
lighthearted fantasy and play – and always with a heavy drum beat.
It is the lighter side to disco Calypso with an ensemble assisting
in the chorus and ad-libs. “Go Go Gorilla” is their 1984 track from
their self-titled album. The theme here is a zoo-keeper who returns
late at night to find the inhabitants partying on down in a funky
way. An escape in a way that disco music created in the late70’s
with a theme and concept. This one is only sheer fun with some kick
ass beats and claps programmed for dancing. |
 |
|
• Go Go Gorilla - Glenn Rivera ReStructure Mix - Gazuzu
Gazuzu is a production from Cat Music (Adams & Fleisner) a Dutch
electronic dance team. Their music is always in the realm of
lighthearted fantasy and play – and always with a heavy drum beat.
It is the lighter side to disco Calypso with an ensemble assisting
in the chorus and ad-libs. “Go Go Gorilla” is their 1984 track from
their self-titled album. The theme here is a zoo-keeper who returns
late at night to find the inhabitants partying on down in a funky
way. An escape in a way that disco music created in the late70’s
with a theme and concept. This one is only sheer fun with some kick
ass beats and claps programmed for dancing. |
 |
|
• D.J. I Wanna Be Your Record - Glenn Rivera ReStructure Mix - Moulin Rouge
Moulin Rouge is a Slovenian group whose sound follows the
Italo-disco fare of the early and mid-80’s. Their 1988 release “D.J.
I Wanna Be Your Record” is one of that years which so few were
successful high energy which were memorable. This uplifting track
has the rolling bass with a few breakdowns which work well in the
flow of Italo-disco and makes a mark of course with the titled
“D.J.” included. It does have several riffs that mark a memorable
dance experience for that peak set. Produced by Fabio Sparago, Kosi
Matiage and Riccardo Persi – the full-on electronic arrangement is
broken into parts with samples and catchy verse interactions. |
 |
|
• Love Hangover - Glenn Rivera ReStructure Mix - The Players Association
The Players Association is a disco/funk ensemble lead by producer,
Danny Weiss. One of the early signs of soul and funk emulating a new
sound that was fully dedicated to the dance floors of the time.
Similar to The Salsoul Orchestra with more of that jamming essence
in arrangements and production. “Love Hangover” is their
instrumental cover of Diana Ross’ big soul classic from 1976 a year
following its success. This recording is a full on instrumental as a
live band would project its sensual allure. The layout is identical
yet minus Ross’ sex appeal. It is from their first self-titled
release. The disco history is all contained in bands like The
Players Association and the lure of many who were curious of what
disco music was or was becoming is a big part of this sound. |
 |
|
• It's Inevitable - Glenn Rivera ReStructure Mix - Charlie
Charlie is rock band from London, England formed in 1971 and
released their seventh, self-titled album in 1983 – produced by
Kevin Beamish and Terry Thomas. “It’s Inevitable” is a single from
the project which was also released as a 12” dance single. With an
electronic path leading the rocked guitars into a dance arena this
track depends widely on the lead vocal which gives way to that 80’s
edge called DOR. It pulsates a vibration from the start and makes a
nice fusion for 80’s dance and rock combined. The powerful 12”
version makes for most the songs long and alluring qualities here
for the dance floor. A great crossover and fusion for the 80’s. |
 |
|
• Hungry For Love - Glenn Rivera ReStructure Mix - Bad Boys Blue
Bad Boys Blue is Andrew Thomas, Trevor Taylor and John McInerney – a
trio who started their fame in Europe in 1985. “Hungry For Love” is
a single released in 1988 – produced by Tony Hendrik & Karin
Hartmann. This love song is a yearning for a feel and emotion with a
touch of that club anthem energy. The orchestral strikes are the
introduction which makes this one feel like it is climbing the peaks
of the mirror balls above. It has always been a favorite of mine and
received allot of response from my dance floors during its release. |
 |
|
• Envy - Glenn Rivera ReStructure Mix - Rinder and Lewis
W. Michael Lewis and Laurin Rinder are pioneers of the disco sound
and may have been one of the deciding factors on relying on disc
jockeys and dance floors to help shape the sound of genre itself.
“Seven Deadly Sins” is their 1977 release which outlines exactly
what the title says in a disco fluent style that plays out in their
discotheque lounge style. “Envy” is the focus of this ReStructure
Mix and is replayed with an edit of the second part of this piece
titled “Animal Fire”. The flow of the instrumental parts remains the
sound that Lewis and Rinder were known for and became their unique
gift to disco history. |
 |
|
• Love Waves - Glenn Rivera ReStructure Mix - Patty Heart
Patty Heart is a German dance project from producers Andy Free and
Jozef Smits. This hard ponding piece has some nice electronic dance
qualities including the defiant lead vocal which at times reminded
me of an 80’s rock anthem on an imaginary theme. “Love Waves” is a
yearning for that last minute love opportunity as the night grows
older and the meaning become disturbing. This piece is laid out into
segments with pull on a keyboard riff and a male chorus shouts out
that echoes into the night. It is one of my favorite underground
early-morning songs and has a nice mystique about itself. |
 |
|
• Love Oasis - Glenn Rivera ReStructure Mix - Patris
Patris is an electronic dance project from producers Craig Peyton
and Nelson Cruz – and released on the New York dance label,
Emergency Records in 1985. The vocals by Patris here are soft and
subtle yet the beats pound out the ominous search for that “love
oasis” at the end of the day. One of the nice synth-pop pieces with
a direct hardcore club feel. This one compares to a Latin-free style
with more emphasis on the drop beats. Nice segments into a
rock-styled guitar break which bring the essence of a nice fusion on
board. |
 |
|
• Fancy Dancer - Glenn Rivera ReStructure Mix - Gregg Diamond's Star Cruiser
Star Cruiser is a studio project from producer Gregg Diamond (Andrea
True Connection, Bionic Boogie, Hardware) from 1978 and released on
Henry Stone’s Marlin Records label. The project highlights not only
Diamond’s studio magic in creating a slick sound for disco but also
features in this vocal ensemble, Diva Gray, Gordon Grody, Jocelyn
Brown and Zach Sanders. “Fancy Dancer” is the low groove which
Diamond created with his early production of “More, More, More” by
Andrea True Connection – a sound called “boogie music” and
eventually “disco”. Diva Gray is the lead on this one and gives off
the early injection of disco funk crossover in the chic-est sense.
It is not hard to understand how Gray was transformed into many
studio projects including Lemon, Oyster and he solo career. |
 |
|
• All Right Now - Glenn Rivera ReStructure Mix - Witch Queen
Two Minds Crack are David Hewson, Kevin Jones, Mark Davies and Pete
Martin – an 80’s synth-pop band who released their album titled “The
Victory Parade” in 1986. The project included a single “Cry Cry Cry”
which was a post killer 80’s dance track with many elements that
mark it as an unforgettable piece. The guitar and drum effects are
the slamming side of this dance track and the vocals are a subtle
New-Romantic edge leading the song into that soaring mode. The song
did quite well in clubs who favored the high energy sound and made
the band unforgettable even though there was never a follow-up
album. |
 |
|
• Cry Cry Cry - Glenn Rivera ReStructure Mix - Two Minds Crack
Two Minds Crack are David Hewson, Kevin Jones, Mark Davies and Pete
Martin – an 80’s synth-pop band who released their album titled “The
Victory Parade” in 1986. The project included a single “Cry Cry Cry”
which was a post killer 80’s dance track with many elements that
mark it as an unforgettable piece. The guitar and drum effects are
the slamming side of this dance track and the vocals are a subtle
New-Romantic edge leading the song into that soaring mode. The song
did quite well in clubs who favored the high energy sound and made
the band unforgettable even though there was never a follow-up
album. |
 |
|
• If You Love Somebody Set Them Free - Glenn Rivera ReStructure Mix - Sting
Sting is Gordon Matthew Thomas Sumner is a musician, songwriter and
singer who is also known at the start of his career with the band,
The Police. His solo ventures in the mid-and late 80’s includes his
single “If You Love Somebody Set Them Free” from 1985. Produced by
Pete Smith and Sting this track resonates as one of Sting’s profound
pieces with a dire message of love and life. This one made dance
floors take note with the 12” versions which brought the track an
immediate success. This one plays out just as a heartfelt message
which brings solace to the mind and feet. |
 |
|
• What's In It For Me - Glenn Rivera ReStructure Mix - Zalmac featuring Zulema
Zalmac is Al MacDowell along with Zulema Cusseaux (”Change”)
released in 1982 and defining a new period for dance music in the
early 80s in a New York soul depiction. Having soul-diva Zulema on
board is a big lift for the sound itself as she represented an
untapped soulful edge during her solo-career. “What’s In It For Me”
is a single from the project titled “Whatcha Gonna Do” and is one
piece that gives several surprises – the theme of a distant lover
assisting in survenlance to a secret love whose interest is
detained. Zulema performs this one with all of her power and mite
and helps bring this street-sound to a new level. It is one of my
favorite underground hits and always made my dance floor go “boom”
early in those evenings. |
 |
|
• Action Tonight - Glenn Rivera ReStructure Mix - V.I.S.A.
V.I.S.A. is an Italian disco project from producers Angelo
Piccarreta & Felix Music Production – with arranger Celso Valli
bringing his style to the project. This one is very reminiscent of
the 1979 session titled, Nuggets. Lots of disco orchestrations that
blare like a Village People number from the late 70’s. The album
titled “San Francisco” is one the complete Italian disco pieces
which encompass that celebratory edge which disco music thrived on.
“Action Tonight” is a cut from this album which has the feel of a
love song transformed into a Main Street parade. It gives way to the
wonderful chorus which is very reminiscent of Peter Jacques Band.
Disco gem this one shines as the memory and influence of disco
continues. |
|
|
• That's When (We'll Be Free) - Glenn Rivera ReStructure Mix - State Of Grace
State Of Grace is an 80’s synth-pop band consisting of Adrian
Thomas, David Inglesfield and Pat Thomas. Their 1982 single “That’s
When (We’ll Be Free)” is one of their memorable pieces which
utilizes a heavy bass beat and light spotty keyboard layers to
execute the rhythm. It was produced by Lawrence Burrage and the band
itself. This one gives way to a promise of freedom as the night
progresses and every in store is positive and momentum. A nice
crossover number for either early evening or early morning. |
 |
|
• Hold Me, Squeeze Me - Glenn Rivera ReStructure Mix - Michele
Michele is a studio project from producer, Pierre Jaubert –
featuring vocals by Chantal Sitruk (Chantal Curtis). The album
“Magic Love” is one of the early disco solutions to make the clubs
excited to worship that dance floor nightly. “Hold Me, Squeeze Me”
is a single from the project which caught my attention with the sexy
chorus riff that seemed to be all that disco music was an
interpretation for. The backup vocals are performed by The
Sweethearts of Sigma and are the staple of the 70’s not only as they
were heard on many studio sessions – but they were also so darn
perfect for the disco fling. This track was a single from the album
and I am sure had allot to do with the success of early disco music. |
 |
|
• Bahia - Glenn Rivera ReStructure Mix - El Coco
El Coco is W. Michael Lewis and Lauren Rinder - duo who began
working with disco music in 1975 with their first album titled
“Brazil”. A dance ode to the lounge sound of the 50’s with a
rhythmic beat enticing the sweet melodies and heavy percussion.
“Bahia” is a track from their first album and is a masterpiece of
wonderful “mall music” in its own formation. The tropical theme
explodes here with the flowing of keyboards and the drifting
percussion. It is a masterful take on the early disco sound where an
orchestra is being led on the dance floor once again in a new way.
One of my personal favorites from El Coco and one of the geniuses of
theirs from the start. |
 |
|
• Watch Your Step - Glenn Rivera ReStructure Mix - Anita Baker
Anita Baker is a blues/soul vocalist who brought a gift to the end
of the 80’s with her album “Rapture” – produced by Michael J.
Powell. The track “Watch Your Step” was always one of interest to
those club jocks who were enamored by this voice which became the
new artists that immediate demanded attention. The track is a
soulful r&b number that resonates thanks to Anita’s incredible vocal
style. It is one which brings to mind the crossover necessary for
artist to create a track for clubs at this time. |
 |
|
• Sister Power - Glenn Rivera ReStructure Mix - Sister Power
Sister Power is a disco project from producer Paul Sabu (Debbie
Jacobs, Sabu, Ann Margret) who takes the best of disco and brings it
to another level. The group is headed by vocalist Gwen Jonae who
also brings to mind the Sabu outline where a powerful female voice
works his music. The project from 1979 is one of the fabulous
concept groups for the play of disco all around. “Sister Power” is a
track that introduces the ensemble as they describe their direction
and funky means – it is a track that has layers of Sabu’s rock-edged
keyboards and guitar riffs that echo his style. This one has always
been a favorite with the strings leading my ears and heart and along
with Gwen’s vocals it is priceless. |
 |
|
• Seduction - Glenn Rivera ReStructure Mix - Val Young
Val Young (Valaria Marie Young) is an artist who worked with George
Clinton (Funkadelic), Roy Ayers and The Gap Band. Her solo career
began in 1985 with her project “Seduction” – produced by Rick James.
This electro-funk exercise is a laid out groove and offers the
enticing sound of Val’s breathy vocal. The keyboards are the sound
that Rick James uses in a push-and-pull style and is adapted well in
the 80’s funk piece. There is a cameo from Mr. James which plays out
to bring this song to the next level. |
 |
|
• The Dream - Glenn Rivera ReStructure Mix - Irene Cara
Irene Cara is a singer and actress who brought some big hits to
dance floors at the end of the 70’s ( ”Fame”) and the start of the
80’s (“Flashdance…What A Feelin’”). Her music along with disco
producer Giorgio Moroder is another shot at capturing that disco
anthem track as in “The Dream” from 1983. Along the lines of a
struggle to make one’s dreams come true with the soaring chorus and
the big lead-ins. This one was also featured in the film, “D.C. Cab”
from the same year. The Moroder/Cara blend is one that brings to
mind the 80’s in the spotlight sense. |
 |
|
• In The Sky - Glenn Rivera ReStructure Mix - Loose End
Loose End is a project from Eddie Amoo and Chris Amoo – a single
with a fusion of funk/soul and a touch of modern jazz. “In The Sky”
released in 1982 is an uplifting love song with a beautiful vocal
which flows as if it were lifted by a summer breeze. One of the
pieces which display a use of a jazz influence with funk rhythms. A
great after-hours number which surges the dance floor into a fantasy
world. Lead vocals are provided by Jane Eugene who made her star
shine in the projects with Loose Ends (with the ‘s’). |
 |
|
• Drives Me Crazy - Glenn Rivera ReStructure Mix - Peter Jacques Band
Peter Jacques Band are a piece of disco history that has a beginning
and an end. Their first release from 1978 is a project which helped
to shape disco music and prepare it for the electronic Fusion coming
at the end of the 70s .”Drives Me Crazy” is from their 1985 album
title “Dancing In The Streets” produced by Jacques Fred Petrus . The
production feels more of a mid-tempo energy but still have the hooks
that the Peter Jacques Band has been known for. It was a favorite of
mine during its release and a resurgence for the group to keep their
name in disco music alive . |
 |
|
• Livin' It Up (Friday Night) - Glenn Rivera ReStructure Mix - Bell and James
Leroy M. Bell and Casey James are a duo who released three projects.
Their debut album featured a single which became a dance floor hit
the instant it was laid down – “Livin’ It Up (Friday Night)” from
1978 is one of the iconic songs of the disco era. The production is
the stripped down funky arrangements which made the pop-edge of
disco music irresistible. This one has the vocals that also resonate
of the 70s male figure in disco and funk. The two also are credited
for writing the disco hit “This Time Baby” recorded by Jackie Moore
in 1979. |
 |
|
• The One - Glenn Rivera ReStructure Mix - Lipps Inc.
Lipps Inc. is producer Steve Greenberg and vocalist Cynthia
saved the 80s from a complete sanity. The feel of their music always
contained the dose of freeing the serious brain into a disco
insanity. “The One” comes from their third project from 1981 titled
“Designer Music” and is one of the hidden gems from this ensemble. A
killer thump bass riff makes this track hit the mark as soon as the
plucking begins. Cynthia Johnson takes the disco edge to a new side
of funk with endless energy. This one was always a favorite and
still makes me listen sometimes more than dance. |
 |
|
• Sea Hunt - Glenn Rivera ReStructure Mix - Patrick Cowley
Patrick Cowley is pioneer of mastering the layer of electronic
sounds over dance rhythms. It may have been Giorgio Moroder’ s
creation of “I Feel Love” which evoked Cowley’s journey to find the
center of the disco beat through swirling effects. In 1981 his
project, “Megatron Man” was a turning point for electronic dance
music and disco music in general. Included in this package is a
cover of the theme from the1958 television show “Sea Hunt”. The
composition by David Rose is disco-fied and given several new levels
of mystique as Cowley brings on Carol McMackin, Jo-Carol Block and
Lauren Carter (Jo-Lo) to create a haunting vocal that emulates the
wailing of the goddess of the sea. The disco version also integrates
an electronic castanet sound giving it a rather interesting fusion. |
 |
|
• Tonight - Glenn Rivera ReStructure Mix - Suzy Q
Suzy Q is Michelle Mills in 1981 project titled “With Your Love” and
is produced by Jerry Cucuzzella (Nightlife Unlimited). “Tonight” is
one of the singles which helps to set this set on fire as it
contains many of the hooks that make the electronic 80’s futuristic
and rhythmic as it can get. The piece gives Suzy Q an opportunity to
pour her heart to a lover who she is excited to reunite with on the
nightlife frontier. This one has the entire keyboard riffs move it
from one end of the dance floor to another. One of the hidden gems
of this project and now an outline for that 80’s electro-sound. |
 |
|
• Open Your Heart - Glenn Rivera ReStructure Mix - Madonna
Madonna’s 1986 project titled “True Blue” was perhaps her most
adorable in the synth-pop arena. “Open Your Heart” is an
irresistible track that has the yearning and appealing love call as
any of her recordings. The song is one of my favorites during the
Madonna 80’s rein and gives me to this time how her timing in music
has always been “on time” and “to the point”. |
 |
|
• Playing For Time - Glenn Rivera ReStructure Mix - Madleen Kane
Madleen Kane is the beauty behind many big disco hits. Her music has
always surprised as her talent and dedication to become involved in
creative process. “Playing For Time” is from Madleen’s 1981 project
produced by disco-pioneer and innovator, Giorgio Moroder. The early
80’s were a challenging time for disco artists heading their music
in a new direction. Madleen is one of the artists who seem to
overcome this hurdle and much of her 80’s productions were
successful in her iconic past and moved her following along with
her. The Moroder production on the project “Don’t Wanna Lose You”
gives Madleen the synth-pop edge which emanated success and proof
that the 80’s had not shifted dance floors far from home. |
 |
|
• To My Heart - Glenn Rivera ReStructure Mix - Mark Farina
Mark Farina (Mauro Farina) is an Italian producer/artist whose
recording career gave a new resurgence to the Italo-disco period of
the mid-80s. “To My Heart” is his single from 1988 and is one of the
most beautiful dance pieces to fade onto dance floors. The
production hits hard with the beats and percussion and there is more
layered in this one to bring it out above the rest. The lovely
guitar accompaniments add a nice feel which gives it a lasting
attraction. One of my favorites of that period and a fast
floor-packer for me. |
 |
|
• You Can Win If You Want - Glenn Rivera ReStructure Mix - Modern Talking
Modern Talking are Dieter Bohlen and Thomas Anders. Their music is
perhaps one of the golden moments in dance music. Their sound
utilizes heavy beat soften by a bass accompaniment which became the
80’s dance formula and magic. The sweetness of their songs is
another lure to their talents and even though the themes may be
quite simple they are delivered with a romantic edge on vocals. “You
Can Win If You Want” comes from their 1985 project titled, “The 1st
Album” – this one has their signature riff which is a chorus riff
and a nice supportive tale of a love who ventures off to discover
ones future. And even though the divide will be difficult there are
the positive words for success. |
 |
|
Kim Carnes’ is a singer who took a turn to dance floors following
her big pop-single “Bette Davis Eyes” from 1981. Her voice is
recognizable in her music and gives off a unique feel and genuine
edge. “You Make My Heart Beat Faster (And That’s All That Matters)”
comes from her 1983 album titled “Café Racers” – produced by Keith
Olsen. This fast paced synth-pop number is unforgettable with its
many hooks and the main console which is Kim’s vocal. It climbs with
the bass pumping out the energy and dedication to the romance here.
The 80’s has this sound plastered over the dance floors and this
track brings the best of it alive. |
 |
|
• I Will Find You - Glenn Rivera ReStructure Mix - Mohikana
Mohikana is a trance version of Clannad’s “I Will Find You” from
1992 and displays the power of 90’s electronic dance music. The
reiterating verses echo in a smooth and translucent feel throughout
this production. The vocal by Mohikana is a spiritual experience in
itself and with the pounding drums among this track is moving. A
nice transition for a ballad and adding enough energy to give the
new mode a satisfying effect. |
 |
|
• Somebody Tonight - Glenn Rivera ReStructure Mix - Alexis
Alexis is an Italian disco project from producer Giacomo Maiolini
and his 1991 single “Somebody Tonight” features vocals from Emanuela
'Taleesa' Gubinelli. This piece is a fast moving dance floor piece
which for its time created the continuum for the high energy or then
labeled Euro-dance stay alive. The outline on the hooks on this
track resembles Pet Shop Boys’ “Always On My Mind” with its crashing
symphonic pieces. The outline of this one is a night out on the town
knowing that somewhere – someone will be waiting to take the blues
from this heroine. |
 |
|
• I Don't Want To Be With Nobody Else - Glenn Rivera ReStructure Mix - Alton McClain and Destiny
Alton McClain and Destiny are D'Marie Warren, Robyrda Stiger and of
course, Alton. This trio brought a nice blend of soulful vocals to a
polished disco and r&b sound. Their second album titled “More Of
You” from 1979 is another supreme display of their beautiful
harmonies as well as Alton’s incredible play with phrases. It had
been since The Emotions burst onto the soul music scene that the
excitement was met. “I Don’t Want To Be With Somebody Else” is
another cut with gives the ladies another opportunity to work the
groove. It is a slick love song with a few of the best vocal
arrangements of these talented ladies. |
|
|
• Like An Old Time Melody - Glenn Rivera ReStructure Mix - Teresa
Teresa is a vocalist who is featured here along with producer, Sandy
Linzer (Cory Daye, Odyssey, Dr. Buzzard's Original "Savannah" Band)
and also Paul Shaffer arranging. The project titled “Class Reunion”
is a big-band retro feel project much like the “Savannah Band”
outline. “Like An Old Time Melody” is a dreamy torch number with a
flowing with saxophones and clarinets and along with the sultry
vocal it makes its mark. A beautiful touch with the layered backing
vocals which bring to life the smooth edge. |
 |
|
• State Of Independence - Glenn Rivera ReStructure Mix - Donna Summer
Donna Summer made the 70’s the disco era and also took the 80’s with
a new sound which she displays as natural as her ability to vocalize
her music. Along with Quincy Jones her 1982 album self-titled album
featured a more rhythm and blues pop sound on many tracks and a few
surprises – “State Of Independence” is a track written by Jon
Anderson and Vangelis. This world beat/new age song is rebuilt by
Donna and delivers the voice and energy in this percolating anthem.
The track has the touches which Quincy Jones is known for and also
gives Donna the opportunity to make this piece her own in many ways. |
 |
|
• Really Sayin' Somethin' - Glenn Rivera ReStructure Mix - Bananarama
Bananarama is Keren Woodward, Sarah Dallin and Siobhan Fahey – a
trio from the 80’s dance scene whose lasting aura exists even today.
The girl group with the 80’s appeal brought many dance floor hits in
the mid and late 80’s. “Really Sayin’ Somethin’” is their 1982
release produced by Dave Jordan and Fun Boy Three (who also
accompany the ladies on this single). This cover of The Velvelettes
1964 hit single is laid over a heavy tribal drum fare which makes
this piece a nice piece of 80’s dance. The vocals are light and
sweet and use each drum break as freshener. |
 |
|
• Blue Monday - Glenn Rivera ReStructure Mix - New Order
New Order is Bernard Sumner, Peter Hook, Stephen Morris and Gillian
Gilbert – a band from UK whose big dance hit “Blue Monday” from 1983
brought an innovative hard-edged groove to life in an underground
display of warped keyboards and thumping beats. The piece became an
instant hit and gave the band the notoriety and label as the
new-metal sound of dance music. The band created a new edge to dance
music with their sound as Depeche Mode and Yaz had pronounced. |
 |
|
• Love Me In The Moonlight (Lay Your Body Down) - Glenn Rivera ReStructure Mix - Valentine French
Valentine French is a disco project from Eugene Moule and John
Mealing – and features vocalist Patricia Snaric on sexually-fused
disco vocal. One of the disco pieces from the late 70’s which uses a
hook to play out a sexy urge to make love. It is the Euro-disco
formula which was formulated by tracks like “Love In ‘C’ Minor” and
“I Feel Love” and presented in a new raw form with percussion
pounding out the disco orgasm. The build on this one is quite
dramatic and gives of the ideal that “moonlight” is the place to be
for that moment in the night. |
 |
|
• Just How Sweet Is Your Love - Glenn Rivera ReStructure Mix - Rhyze
Rhyze is a disco/soul group from New Jersey from the early 80’s
produced by Paul Kyser. The ensemble included "Jojo" McKnight,
Charles Holmes, Ellsworth Anderson, Kenneth Hicks, Kevin Barbee,
Richard Menter, Roscoe Taylor and Vince Jackson. “Just How Sweet Is
Your Love” is their single from 1980 which became one of the
underground club hits almost immediately as the shift from disco to
New York funk hit. This piece makes a simple statement and the real
sound is the vocal edge of this arrangement. The soulful feel gives
their music more of a standing especially when more and more of the
New York disco began to slowly become less and less produced. This
piece remains a club classic to those who understand the music or
experienced it themselves. |
 |
|
• No Regrets - Glenn Rivera ReStructure Mix - Amanda Lear
Amanda Lear is a disco magnificent icon. Her music has always been
directed appropriately with the elegance and chic attitude which
disco music represented during its inception. The haunting allure of
her vocals has always been the focus of her sound and also the mood
in which she continues to create with each number. “No Regrets”
comes from her 1983 project titled “Tam Tam” – produced by Roberto
Cacciapaglia and features Amanda’s shift into the 80’s electronic
dance forum. This piece is a memorial to her near past which Amanda
gives us to apologies for any outrageous or questionable degree. It
is a mini-anthem and plays out with a musical outline as haunting as
her vocal. |
 |
|
• Crazy Over You - Glenn Rivera ReStructure Mix - Desire
Desire is an electronic high-energy project from producer Sabby
Rayas and Steve Galindo. Their 1986 release “Crazy Over You” is one
of the underground pieces which brings back the sound which makes
the 80’s exciting. The pumping bass and lyrical keyboards give off a
spark which made dance floors move with dedication to the beat/
Vocals are provided by Rae Flores and deliver the riff which make
this one so memorable. It is again one of the releases that make it
easy to understand high energy music and how it works. |
 |
|
• Hypnotic Tango - Glenn Rivera ReStructure Mix - My Mine
My Mine is Carlo Malatesta, Danilo Rosati, Darren Hatch and Stefano
Micheli – an early mark in Italo-disco during 1983. “Hypnotic Tango”
is the breath behind the dance genre which became the move into
electronic pulses and arrangements along with the melodic sweetness
of disco music aura. Italo-disco became a new edge from innovative
productions as this. The mild percolating sequencers guide the
chorus which makes another alley for 80’s dance music. This classic
does stand out in the execution which brings home the foundation for
the Italian disco machine of the time. |
 |
|
• It's My Turn - Glenn Rivera ReStructure Mix - Venus Dodson
Venus Dodson is a vocalist whose talent appeared in many disco
classics as they were in the making – including Herbie Mann’s
“Superman” and the project Phreek from 1978. Her first project
titled “Night Rider” is one of the disco transition pieces vocally
even though the sound of Patrick Adam’s resonates throughout each
song. Venus takes her voice into a more relaxed delivery and makes
each line a calming and assured verse. “Night Rider” is one of my
top 10 picks of all-time. It is one of the perfect moments in pure
disco music. “It’s My Turn” is from the same album and gives a
mature breakup some words for closure. It has some wonderful riffs
and also that calm and bluesy-like delivery which Venus makes her
own. |
 |
|
• Moody - Glenn Rivera ReStructure Mix - ESG
ESG is Marie Scroggins, Renee Scroggins and Valerie Scroggins – a
trio from South Bronx whose first album “Come Away With ESG”
released in 1983. More of an experimental recording with several
dance genres taking over their raw instrumental which present the
underground dance feel of its time. “Moody” is one of the more
recognizable pieces and is simply a drum groove with an early bass
line of the house sound. The faint and distant vocal has been used
in several house mixes and became one of the moments where a hall
full of dancers was place in a hypnotic trance on the floor. This
one truly has its own power and makes the point which the band
intended. |
 |
|
• Love Is On The Way - Glenn Rivera ReStructure Mix - The Duncan Sisters
Helen and Phyllis Duncan are The Duncan Sisters - an unforgettable
duo making the last days of disco memorable and hard to leave
behind. The production from Three Hat Productions (THP Orchestra)
recorded a rousing backdrop for these magic ladies powerful vocals.
They can also be heard of the “THP 2” and Sticky Fingers projects.
“Love Is On The Way” is a above the clouds number that not only
exclaims the joy but explains it with the ladies quite eloquent
performances – much that reminds us of the powerful of those groups
like The Three Degrees. The horn section here is a striking
celebration of a 20’s big band pounding out the energy. This one may
be a filler piece from the project but still unforgettable. |
 |
|
• Beat Of Love - Glenn Rivera ReStructure Mix - Chris Thompson
Chris Thompson is vocalist from New Zealand whose past work includes
Manfred Mann’s Earth Band and Alan Parsons Project. His single “Beat
Of Love” from 1991is one of the highlights of the early morning set
pieces. It was produced by Harold Faltermeyer of Munich disco
sessions and plays out in a whirlpool of love and admiration to a
relationship. The rock-edged vocal over the rolling bass sequencers
and haunting breaks made this one a part of my program for after
hours or simply a life-dance tape. It has Chris wailing a beautiful
masculine outline and brings up to an early sunrise on any dance
floor. |
 |
|
• All Of Me For All Of You - Glenn Rivera ReStructure Mix - 9.9
9.9 are Leslie Jones, Margo Thunder and Wanda Perry – an r&b trio
produced by Richard 'Dimples' Fields in the mid-80s. Their big
pop-dance hit “All Of Me For All Of You” from 1985 is a memorable
piece with the synthetic funk edge which slams vigorously along with
the vocals from these gals. It is a love song full of emotions and
also a few moments where the uplifting serenade takes on its own.
This one was always a nice number during a funk set or early evening
when the floor needed to be ignited. |
 |
|
• Funky Celebration - Glenn Rivera ReStructure Mix - Queen Samantha
Queen Samantha is producer Harry Chalkitis and vocalist Gloria
Brooks. The concept band began in 1978 with their first project
titled “The Letter” which included a cover of Box Tops 1967
rock-classic by the same name. The sound of Queen Samantha consisted
of the falsetto lead painting a mood over Euro-disco and electronic
arrangements. “Funky Celebration” is from the 1979 project “The
Queen Samantha” and is the eclectic sound of disco in its finale 70s
form. This one uses horns and a heavy percussion layer to move from
rhythmic sessions to the verses and acapella verses. One of the
iconic sounds for this fabulous group and another reason they will
always be remembered. |
 |
|
• Goddess Of Love - Glenn Rivera ReStructure Mix - Soif de la Vie
Soif de la Vie is Christian Krusch, Helmut Wittler, Leo Walter, and
Oliver Hardt – a German high energy project from 1984. Their single
“Goddess Of Love” became the staple for high energy dance music of
the period. The rolling syntheses and heavy jungle drum beats are
the pinnacle master of disco music. The theme is sung by vocalist
Rosary in a wicked delivery where she gives out the message from her
thrown. This one is a fast moving and rhythmic adventure and is no
wonder why it was such a favorite in the wee-hours of those big
dance palaces. |
 |
|
• Space - Glenn Rivera ReStructure Mix - Viola Wills
Viola Wills is a disco legend who made dance floors not only
recognize a fitting voice for the dance floor but also the number of
times she struck more than a chord. Her hits include many cover
versions with a dance arrangement including her big 1980 classic of
Gordon Lightfoot’s “If You Could Read My Mind”. Viola took many
different turns throughout her recording career but always remained
faithful to the dance floor. “Space” is a track from her 1983
project by the same name – it was produced by Viola and her husband
Robert Ashmun. The question here is how much we know of the
relationships we work at and a rule of law where time apart creates
growth also. The arrangement is much like a Broadway number which
reaches several heights and gives off a chorus of bold believers. |
 |
|
• Dancing Machine - Glenn Rivera ReStructure Mix - Jackson Five
Jackson Five are Jackie, Jermaine, Marlon, Michael, Randy and Tito
Jackson. Their career has spanned from the early 70’s throughout the
late 80’s first as family band and then as a force in pop music.
“Dancing Machine” is a track from their 1974 album by the same name
and was produced by Hal Davis and arranged by Arthur Wright. The
single is one of the group’s iconic pieces in that it introduced the
soulful sound of their music along with early signs of themed disco
song. The energy behind this piece is the riffs which drop in and
out as horn sections and bring the song to a higher level. |
 |
|
• Mamy Blue - Glenn Rivera ReStructure Mix - Claire Chevalier
Claire Chevalier is a memorable talent from the late 60’s to the
late 70’s whose music always gave way to her vocal performances.
There is a meek yet sensual approach to her lyrics and the true
essence of a stage magnet. “Mamy Blue” she recorded in in a
production by Gay Vaquer. Claire approaches this now classic piece
with no fear or holding back. The tale of an estranged mother and
child is delivered with the emotion the song was meant to deliver. |
 |
|
• Infatuation - Glenn Rivera ReStructure Mix - Midnight Passion
Midnight Passion is an Italian dance project from producer Shany
with arrangements by Romano Trevisani. “Infatuation” is their 1986
release with takes a basic street sample and blends it into a fierce
horn break and plenty of electronic riffs which flow together in a
challenge-like fashion. It is one of the crossover pieces which feel
like high energy yet leaves behind the energy which Italo-disco
presented a few years earlier. This is their second single and gives
out the same energy but with more of a stage for the instrumental. |
 |
|
• In The Name Of Love - Glenn Rivera ReStructure Mix - Thompson Twins
Thompson Twins are Tom Bailey, Alannah Currie and Chris Bell – one
of the many memorable groups from the 80’s. Their first dance floor
hit “in The Name Of Love” from 1982 was produced by Dennis Bovell,
Mike Howlett and Steve Lillywhite. This was a powerhouse single who
gave the band their identity with its nu-wave edged vocals, heavy
percussion and drums. It was the synth-pop sound of the early 80’s
exploding with a new direction. “In The Name Of Love” has several
riffs which keep the energ moving at a steady pace along with the
somewhat distorted groove. |
 |
|
• Temptation - Glenn Rivera ReStructure Mix - Corina
Corina (Corina Katt Ayala) is a freestyle artist who released her
1991 single “Temptation” to dance floors waiting for the next big
thang. This track immediately took off and became the top on club
playlists. Produced by Chris Paul and fed more beats than one song
can handle. This backbeat/freestyle dance release has been said to
have saved freestyle music at the time. These hard edged beats will
take the dance floor and pound out a new surface with its razor
sharp sound and ominous energy. One of the top picks from my club at
the time and gave the dance floor no empty spaces. |
 |
|
• Don't Go Breaking My Heart - Glenn Rivera ReStructure Mix - Ciao Ciao
Ciao Ciao is an Italian-disco project from producer Mauro Farina
(Alan Barry, Coo Coo) who worked in the transformation of
Italo-disco from the early 80’s to the high energy/girl twirl sound
of the mid and late 80’s. This duo consisted of Cristina Cucchi &
Rachel Fellini on vocals. “Don’t Go Breaking My Heart” is their
first single from 1988 – and on the classic Italian dance label,
Asia Records. This is one of the fluffy dance numbers that plays out
using the formula of rolling bass and soft pounding beats. The
essence of mid-80s Italian dance is all here and the melody even
flows closely to a Bananarama style (“Love In The First Degree”). It
is one of the memorable tracks from catalogue of Italo-dance with
the foundation which always works. |
 |
|
• Somebody Save The Night - Glenn Rivera ReStructure Mix - Sharon Redd
Sharon Redd defines an introduction to the New York funk/disco sound
emerging during the early 80s. Her dance floor hits “Beat The
Street”, “In The Name Of Love” and “Love How You Feel” were the
structure of this artist’s powerful delivery of funk-charged numbers
and anthems. Her legacy continues as many dance enthusiasts new and
old discover her unique sound and presence. “Somebody Save The
Night” is from her 1983 project “Love How You Feel” – produced by
Eric Matthew (Gary’s Gang). This number is an outline of the
Redd-experience where she takes a groove and lays out her song in a
streetwise yet sophisticated approach. This one is a promise of
being captured on a lonely rather than returning for the same for
longing over and over. |
 |
|
• Age Of Reason - Glenn Rivera ReStructure Mix - John Farnham
John Farnham is an Australian singer whose recording career began in
1968 and became a best-selling single in 1960. His career continued
through 2001 - including duets with Olivia Newton-John. In 1988 his
project titled “Age Of Reason” brought an anthem-like dance track
which became an underground classic in many clubs. This piece is one
of the powerful crossover recordings for the dance floor and stays
powerful from start to finish. The yearning for a movement of
understanding for humanity and a time where peace and serenity is
necessary are one that ring true throughout time and even more so
that this lesson gives us a challenge to use of minds along with our
hearts. The production id from Ross Frazer and plays out in a
several moving crescendos and a wonderful cool down into the rhythm
tracks. |
 |
|
• Down Down Romeo - Glenn Rivera ReStructure Mix - Meccano
Lime is one of the lasting flavors of disco/dance history. Denis
Lepage and Denyse Lepage brought to the dance floor a more
simplistic edge with plenty of percussion and colorful riffs to make
their style memorable and lasting. “Take My Heart Away” is from
their 1991 project titled “Caroline” and gives off a sensible energy
that Lime is known for – but also displays the longevity of Denis
Lepage genius with a full on electronic arrangement as he always
applied in his work. |
 |
|
• Take My Heart Away - Glenn Rivera ReStructure Mix - Lime
Lime is one of the lasting flavors of disco/dance history. Denis
Lepage and Denyse Lepage brought to the dance floor a more
simplistic edge with plenty of percussion and colorful riffs to make
their style memorable and lasting. “Take My Heart Away” is from
their 1991 project titled “Caroline” and gives off a sensible energy
that Lime is known for – but also displays the longevity of Denis
Lepage genius with a full on electronic arrangement as he always
applied in his work. |
 |
|
• Peeping Tom - Glenn Rivera ReStructure Mix -Rockwell
Rockwell (Kennedy William Gordy) released his second album titled
“Captured...By An Evil Mind” in 1985 – following the success of his
first single “Somebody’s Watching Me” from the prior year. “Peeping
Tom” was the single from the second project and caught my attention
immediately with the sheer string bridge which brings to mind the
disco effect. The theme of the track is clever once again as
Rockwell provides a story of eyes lured by an unknown force and
making this synth-pop number stand out with his vocal and touch.
Although the release was not as noticed as his first hit, it still
remains a hidden treasure from am 80’s artist who left an indelible
mark in dance music. |
 |
|
• Body Heat - Glenn Rivera ReStructure Mix - Partners
Kano began as an Italian-disco project featuring Luciano Ninzatti,
Stefano Pulga and Matteo Bonsanto. The edge of this dance music
centered on a powerful mystic influence from another universe
perhaps where the groove is the thing. Their big hit “I’m Ready”
from 1980 featured a B-side titled “Holly Dolly” which was not
included in their album release. The track was another futuristic
styled theme with a voice bringing the light on a female figure who
rules all during the night. It is one of the provoking pieces as
much as “I’m Ready” with familiar elements however; it flies on its
own. |
 |
|
• Holly Dolly - Glenn Rivera ReStructure Mix - Kano
Kano began as an Italian-disco project featuring Luciano Ninzatti,
Stefano Pulga and Matteo Bonsanto. The edge of this dance music
centered on a powerful mystic influence from another universe
perhaps where the groove is the thing. Their big hit “I’m Ready”
from 1980 featured a B-side titled “Holly Dolly” which was not
included in their album release. The track was another futuristic
styled theme with a voice bringing the light on a female figure who
rules all during the night. It is one of the provoking pieces as
much as “I’m Ready” with familiar elements however; it flies on its
own. |
 |
|
• Gonna Lose My Heart - Glenn Rivera ReStructure Mix - Thu Thuy
Thu Thuy (also known as Sher’e) is an 80’s dance music artist who
released a single in 1987 titled “Gonna Lose My Heart” – produced by
Skip Saylor. The single was one of the electronic dance productions
which were being labeled as Asian Nu-wave. This piece is a rolling
bass synth-pop outline with a nice catchy verse and execution with
Thu Thuy’s engaging vocal. It is a bittersweet remedy for those who
followed the Italo-disco fad of the early 80’s onto the late part of
the dance era. |
 |
|
• Get It Up For Love - Glenn Rivera ReStructure Mix - Tata Vega
Tata Vega is one of the talents of the 70s whose voice remains one
of the unique sounds in soul and R&B. Her career includes a
contribution to the disco era of 1978 with her classic song “I Just
Keep Thinking About You Baby” from her project “Try My Love”. The
flip side of this 12” disco single is “Get It Up For Love” which is
another delivery that is unforgettable and gives Tata another
opportunity to create a stage for her style and energy. The
production by Winston Monseque is disco/funk arrangement which
brings out the best of the beats. |
 |
|
• Everyman - Glenn Rivera ReStructure Mix - Double Exposure
Double Exposure is one of Salsoul Records early marks in dance
history. The group included Charles Whittington, Jimmy Williams, Joe
Harris, and Leonard Davis – and backing the ensemble were members of
the Salsoul Orchestra sessions. This brought the soulful edge of
vocals and gospel energy to disco music. As the strings wind into
each verse and chorus the funky basslines provide that bumpin’
rhythm base that later became house music in the 80s. “Everyman” is
from their 1976 project titled “Ten Percent” and gives a new shine
to disco music of the time. One of the great pieces and outlines on
the Salsoul label and now a classic. |
 |
|
• Fall In Love - Glenn Rivera ReStructure Mix - Ryan Paris
Ryan Paris (Fabio Roscioli) is an Italian singer whose first single
from 1983, “Dolce Vita” became a huge dance floor hit. Produced by
Pierluigi Giombini and John Bini this arrangement and sound became
an outline for Italo-disco produced in the early 80’s. It was a soft
and majestic edge that brought sophistication along with the disco
beats and claps. “Fall In Love” was his 1984 single which is another
beautiful love song with Ryan’s romantic delivery and the building
crescendos of lilting music. This one has always been a favorite of
mine and always brings to heart the soul of Italian disco music. |
 |
|
• Feel Your Way Around - Glenn Rivera ReStructure Mix - Ann Joy
Ann Joy (Anna Gioia) is a disco artist produced by Peter Dimilo from
1980 – the project titled “Love Dance”, as he achieved in his Erotic
Drum Band releases Mr. Dimilo brings a barrage of percussion which
outlines a sexy flavor in his music. The percussion makes love the
beat while Ms. Joy here gives us the sensual layering of soft
intimate vocals. This was one of my favorite singles of the dance
80’s period and makes the dance floor continue to move in and out as
the bongos do. |
 |
|
• It's Up To You - Glenn Rivera ReStructure Mix - Lian Ross
Lian Ross (Josephine Hiebel) is a German vocalist who became one of
the welcomed artists of the mid-80s on dance floors. Her big hit,
“Fantasy” from 1985 is one of the high energy releases which I
savored during the time period – it not only featured a great and
majestic electronic dance edge but also Lian’s beautiful vocals.
“It’s Up To You” is another single released in 1986 – produced by
Luis Rodríguez-Salazar. This lovely track is an uplifting and
haunting sound that resonates the beauty that high energy music can
sound right on the dance floor. There are angelic effects that make
the wind blow right on the dance floor. |
 |
|
• Superman - Glenn Rivera ReStructure MiX - C.K.B.
C.K.B. is a disco project from Luigi Ojival – who also gave us Diva
Gray and Oyster from 1979. “Superman” is their single from the “New
York City Women” project released in 1978. Another disco tribute to
the “Man of Steel” and even today maintains his spot in
entertainment. This fast moving dance track features some great
rhythm guitars and imaginative lyrics/vocals. An adoring chorus of
“Superman” fans gives the super-hero a life in a few statements and
makes the chorus uplifting and fun. |
 |
|
• You Blow Me Away - Glenn Rivera ReStructure Mix - Paul Lekakis
Paul Lekakis is an 80’s singer who brought an anthem to clubs in
1986 titled “Boom Boom (Let's Go Back To My Room)” – produced by
Miki Chieregato. The risqué track became an instant hit in many
clubs and gave Lekakis his head start in dance music. “You Blow Me
Away” is a single released in 1989 and produced by Shep Pettibone.
This piece gives way to a high energy love song with the classic
Pettibone sample tracks. This one was a popular pick on weekend
packed dance floors and gave another anthem riff to Paul’s
reputation. |
 |
|
• Ain't No Mountain High Enough - Glenn Rivera ReStructure Mix - Inner Life
Inner Life is a disco project from producers Patrick Adams and Greg
Carmichael and features Jocelyn Brown on vocals. Their big dance
floor hit “I'm Caught Up (In A One Night Love Affair)” from 1979
made an impact as an anthem for the end of the 70s disco era. Their
1981 project “Inner Life” features their fabulous cover of the
Motown classic “Ain't No Mountain High Enough”. One of the Garage
classics beautifully remixed by Larry Levan himself and along with
the incredible vocal from Jocelyn this one will live forever. One of
the great early revival pieces of the early 80s when the underground
scene again to prove that the dance floor was not yet closed. |
 |
|
• Express - Glenn Rivera ReStructure Mix - B.T. Express
B.T. Express is funk band from Brooklyn, New York and is well known
for their sexy 1974 hit, “Do It (‘Til Your Satisfied)”. Produced by
Jeff Lane and features early member, Billy Nichols (“Give Your Body
Up To The Music”). “Express” is a memorable track since there were a
few dance releases featuring the train theme as energy on the dance
floor. This one delivers the brass and horn section which makes the
early 70s funk scene jump start the disco era. The arrangement is a
smooth groove along with a breakdown of instrumentals along with the
popular chorus line. A piece of the funk and dance scene which makes
the 70s groovy. |
 |
|
• Party Light - Glenn Rivera ReStructure Mix - Munich Machine
Munich Machine is a staple disco project from producers, Giorgio
Moroder and Pete Bellotte. The fusion of Euro-disco and electronic
elements from Moroder’s early masterwork. Their big dance floor
track “Get On The Funk Train” has always given the disco elegance to
the nightlife and are an important part of the path of dance music.
“Party Light” is from the 1979 project titled “Body Shine” and gives
this session an anthem for the time period. It has several movements
pieced into a slick mover that takes the project into a new phase. |
 |
|
• Burn Me Up (With Your Love) - Glenn Rivera ReStructure Mix - Frisky
Frisky is a studio group from producers Moses Dillard and Jesse
Boyce – and features Joy Cannon and Lorraine Johnson on vocals. The
project simply titled “Frisky” is more of the New York disco/funk
which Boyce and Dillard made their own. On projects by Saturday
Night Band, Constellation Orchestra to the solo album from Lorraine
Johnson there is a groove which |
 |
|
• Makin' Music - Glenn Rivera ReStructure Mix - Gary's Gang
Gary’s Gang is Joe Tucci (Eric Matthew) and Gary Turnier – who also
marked a vital period in disco history with their 1978 dance floor
hit, “Keep On Dancing”. A lightly woven sound which encompassed a
soft disco edge with percussion and a few harmonies. Their 1983
release “Makin’ Music” is a return to that soft-disco feel with more
of the energy which dance music acquired from the late 70s and
became high energy in the 80s. This one is the same formula with a
touch more of that sweetness which makes Gary’s Gang a favorite in
the disco realm. |
 |
|
• Faith In You - Glenn Rivera ReStructure Mix - Kiss Like This
Kiss Like This is Richard Hennassey – a synth-pop project produced
by Robin Goodfellow. “Faith In You” is a 1990 love song which has
the anthem energy of the time and also brings to mind the Stock,
Aitken and Waterman period of the late 80s with the swirling chorus
and beautiful breaks. The winding feel of this magic has always been
one of my favorites and made the top of my playlists during a set
which demanded a touch of magic. |
 |
|
• You're All The Booge I Need - Glenn Rivera ReStructure Mix - Teena Marie
Teena Marie created a style of her own as many 80’s artists had the
freedom to rewrite for a whole new dance floor and sound. Her
funk-edged sound gave her the ability to send messages in a new way
for female artists; “You’re All The Boogie I Need” is from her
second album from 1980 titled “Lady T” – produced by Richard
Rudolph. This percolating piece is a great piece for Teena’s
exuberant delivery and sweetness combined. It plays out with energy
and also brings a nice funkiness to its own groove. |
 |
|
• You Can't Steal My Love - Glenn Rivera ReStructure Mix - Azure
Azure is hi-NRG producer Steven Schani and Mark Ligget (Shannon)
along with Jennifer Matthews on vocals. Their music from the late
80’s through the mid-90s was one of the welcomed high-energy sets on
the dance floor. The energy is pumping though their first three
releases and makes a sweeping sound on their catchy keyboard riffs
and Ms. Matthews' fantastic vocals. “Can’t Steal My Love” is their
first release from 1989 and was also released on San Francisco’s
Megatone Label. A fast moving statement from a worn-out relationship
where our divas asserts her final warning. One of the high energy
gems of the late 80s. |
 |
|
• Proud Mary - Glenn Rivera ReStructure Mix - Nuggets
Nuggets are disco project from Italian producer, Celso Valli who
also gave us Tantra, Passengers, Lama, Azoto and Future State. This
release from 1979 was a promise of many good things to come as he
ignites the early sound of disco building into a solid energy for
dancers. “Proud Mary” is his cover of the classic made most famous
by Ike and Tina Turner. This rendition is a Broadway spectacle with
fanfare and long drawn out breaks. It is his arrangements on horns
which make this one most noticeable. The power builds immediately
and continues throughout. |
 |
 |
|
|
• Beat My Drum - Glenn Rivera ReStructure Mix - Claudja Barry |
 |
|
•
Castro Boy - Glenn Rivera ReStructure Mix - Danny Boy and The
Serious Party Gods |
 |
|
• Stop! In The Name Of Love - Glenn Rivera ReStructure Mix -
Quantize |
 |
|
• If You Feel It - Glenn Rivera ReStructure Mix - Taffy |
 |
|
• Je T' aime - Glenn Rivera ReStructure Mix - Saint Tropez |
 |
|
• Loving You, Losing You - Glenn Rivera ReStructure Mix - Phyllis
Hyman |
 |
|
• Takin' A Chance On You - Glenn Rivera ReStructure Mix - Sticky
Fingers |
 |
|
• Midnight Music - Glenn Rivera ReStructure Mix - Martin Stevens |
 |
|
• Warm As Mamas Oven - Glenn Rivera ReStructure Mix - Teena Marie |
 |
|
• Little Bit Of Soap - Glenn Rivera ReStructure Mix - Nigel Olsson |
 |
|
• Let Go - Glenn Rivera ReStructure Mix - Sharon Bryant |
 |
|
• Village People - Glenn Rivera ReStructure Mix - Village People |
|
|
• Go Home - Glenn Rivera ReStructure Mix - Stevie Wonder |
 |
|
• Girls Cost Money - Glenn Rivera ReStructure Mix - Passengers |
 |
|
• Hello Superduper Star - Glenn Rivera ReStructure Mix - Sylvia Mason |
 |
|
• Whenever You Go - Glenn Rivera ReStructure Mix - Danuta |
 |
|
• 1,000 Ways - Glenn Rivera ReStructure Mix - Martin King |
 |
|
• Send Your Love - Glenn Rivera ReStructure Mix - Sharon Redd |
 |
|
• Autumn Love - Glenn Rivera ReStructure Mix - Electra |
 |
|
• Fantastic - Glenn Rivera ReStructure Mix - Meccano |
 |
|
•
Help! Help! - Glenn Rivera ReStructure Mix - Gilla |
 |
|
•
Something Ya Got Makes Me Hot - Glenn Rivera ReStructure Mix - El Coco |
 |
|
•
First Time Ever - Glenn Rivera ReStructure Mix - Joanna Law |
 |
|
•
Crystal World - Glenn Rivera ReStructure Mix - Crystal Grass |
 |
|
•
Music Makes My Night - Glenn Rivera ReStructure Mix - Madleen Kane |
 |
|
• High Above The Clouds - Glenn Rivera ReStructure Mix - Narada Michael Walden |
 |
|
• Jour de Neige - Glenn Rivera ReStructure Mix - Elsa |
 |
|
• I Like It - Glenn Rivera ReStructure Mix - D:Ream |
 |
|
• American Soviets - Glenn Rivera ReStructure Mix - C.C.C.P. |
 |
|
• Dirty Cash - Glenn Rivera ReStructure Mix - The Adventures of Stevie V. |
 |
|
• Motion - Glenn Rivera ReStructure Mix - Deodato |
 |
|
• You Are My Desire - Glenn Rivera ReStructure Mix - Shy Rose |
 |
|
•
I Feel Love - Glenn Rivera ReStructure Mix - Fax Yourself |
 |
|
•
I'll Be All You Ever Need - Glenn Rivera ReStructure Mix - Trinere |
 |
|
•
Magic - Glenn Rivera ReStructure Mix - Brian Soares |
 |
|
• High Energy/Reach Out, I'll Be There - Glenn Rivera ReStructure Mix - Sandy
Linton |
 |
|
• It's You - Glenn Rivera ReStructure Mix - Lime |
 |
|
• Sweet Drums - Glenn Rivera ReStructure Mix - Cerrone |
 |
|
• You Can't Run From My Love - Glenn Rivera ReStructure Mix - Stephanie Mills |
 |
|
• Get The Look - Glenn Rivera ReStructure Mix - New Paradise |
 |
|
• She's A Star - Glenn Rivera ReStructure Mix - Kano |
 |
|
• Cecilia - Glenn Rivera ReStructure Mix - Mike Mareen |
 |
|
• Don't
Leave Me This Way - Glenn Rivera ReStructure Mix - Slip |
 |
|
• Dr. Doo-Dah - Glenn Rivera ReStructure Mix - Kongas |
 |
|
• Las Colinas De Katmandu - Glenn Rivera ReStructure Mix - Tantra |
 |
|
• Jumpin (Get Hot, Hit The Spot) - Glenn Rivera ReStructure Mix - Vera |
 |
|
• San Salvador - Glenn Rivera ReStructure Mix - Azoto |
|
|
• Over You - Glenn Rivera ReStructure Mix - Wendy |
 |
|
• Enchanted Garden - Glenn Rivera ReStructure Mix - Giovanni Fenati / Madeline
Bell |
 |
|
• Let's Get It Together - Glenn Rivera ReStructure Mix - El Coco |
 |
|
• Escapade - Glenn Rivera ReStructure Mix - Janet Jackson |
 |
|
•
Tower Of Love - Glenn Rivera ReStructure Mix - Romance |
 |
|
•
Wind Beneath My Wings - Glenn Rivera ReStructure Mix - Menage |
 |
|
•
A Good Man (Is Hard To Find) - Glenn Rivera ReStructure Mix - Boys Town Gang |
 |
|
• Give It To Me Baby - Glenn Rivera ReStructure Mix - Cheri |
 |
|
• I Want A New Drug - Glenn Rivera ReStructure Mix - Huey Lewis and The News |
 |
|
• Doctor's Orders - Glenn Rivera ReStructure Mix - Sunny |
 |
|
• De Musique En Musique - Glenn Rivera ReStructure Mix - Caprice |
 |
|
• Take It Up - Glenn Rivera ReStructure Mix - Lime |
 |
|
•
Running Up That Hill - Glenn Rivera ReStructure Mix - Kate Bush |
 |
|
• Give Me You Love - Glenn Rivera ReStructure Mix - Soccer |
|
|
• Heaven - Glenn Rivera ReStructure Mix - Gibson Brothers |
 |
|
• Love Rescue - Glenn Rivera ReStructure Mix - Project |
 |
|
•
Can't You Feel It - Glenn Rivera ReStructure Mix - Time |
 |
|
•
Shine Up - Glenn Rivera ReStructure Mix - Doris and The Pins |
 |
|
• Suspicious Minds - Glenn Rivera ReStructure Mix - Thelma Houston |
 |
|
•
That's What Keeps 'Em Dancin' - Glenn Rivera ReStructure Mix - Persia |
 |
|
•
If You Wanna Get Back Yor Lady - Glenn Rivera ReStructure Mix - Pointer Sisters |
 |
|
•
Dealin' With The Boogie - Glenn Rivera ReStructure Mix - Westside Strutters |
 |
|
•
Boys - Glenn Rivera ReStructure Mix - Mary Jane Girls |
 |
|
•
I Just Died In Your Arms - Glenn Rivera ReStructure Mix - Savage |
 |
|
•
Full-Tilt Boogie - Glenn Rivera ReStructure Mix - Uncle Louie |
 |
|
•
I Don't Wanna Be Lonely - Glenn Rivera ReStructure Mix - Joan Orleans |
 |
|
•
Lip Service (Rumor Control) - Glenn Rivera ReStructure Mix - Jessica Williams |
 |
|
•
Danger - Glenn Rivera ReStructure Mix - The Flirts |
 |
|
•
It's Passion - Glenn Rivera ReStructure Mix - The System |
|
|
•
Spring, Summer, Autumn, Winter - Glenn Rivera ReStructure Mix - Moonstone |
 |
|
•
The One - Glenn Rivera ReStructure Mix - Crocodile Mark |
 |
|
•
Under Fire - Glenn Rivera ReStructure Mix - Jackie |
 |
|
•
Maneater - Glenn Rivera ReStructure Mix - Daryl Hall and John Oates |
 |
|
•
Break My Stride - Glenn Rivera ReStructure Mix - Matthew Wilder |
 |
|
•
Up The Ladder to The Roof - Glenn Rivera ReStructure Mix - John Kydd |
 |
|
•
Body Music - Glenn Rivera ReStructure Mix - Chris Rainbow |
 |
|
•
Boogie Nights - Glenn Rivera ReStructure Mix - Heatwave |
 |
|
•
Love Is Like An Itching In My Heart - Glenn Rivera ReStructure Mix - Lisa |
 |
|
•
Cuba - Glenn Rivera ReStructure Mix - Man 2 Man |
 |
|
•
Angel Eyes - Glenn Rivera ReStructure Mix - Lime |
 |
|
• Please Don't Go - Glenn Rivera ReStructure Mix - Digital Game |
 |
|
•
Who's Your Boyfriend - Glenn Rivera ReStructure Mix - Eric |
 |
|
•
Stand By Me - Glenn Rivera ReStructure Mix - Jam Tronik |
 |
|
•
French Kiss - Glenn Rivera ReStructure Mix - Lil' Louis |
 |
|
•
Band Of Gold - Glenn Rivera ReStructure Mix - Sylvester |
 |
|
•
On The Upside - Glenn Rivera ReStructure Mix - Xena |
 |
|
•
No Life Without Love - Glenn Rivera ReStructure Mix - Jeanne Dee |
 |
|
• I Can't Get Enough - Glenn Rivera ReStructure Mix - Chyp-Notic |
 |
|
• The Pleasure of The Music - Glenn Rivera ReStructure Mix - Ester B. |
 |
|
•
Haven't Stopped Dancing Yet - Glenn Rivera ReStructure Mix - Faces |
 |
|
•
Another Sleepless Night - Glenn Rivera ReStructure Mix - Shawn Christopher |
|
|
•
Certain Things Are Likely - Glenn Rivera ReStructure Mix - KTP |
 |
|
•
Daddy - Glenn Rivera ReStructure Mix - (212) |
 |
|
•
Requiem - Glenn Rivera ReStructure Mix - London Boys |
 |
|
•
Rock Me Tonight - Glenn Rivera ReStructure Mix - Chip Chip |
 |
|
• Daydream - Glenn Rivera ReStructure Mix -
Buckbeats |
 |
|
• Darling Forever - Glenn Rivera ReStructure Mix - Baiser |
 |
|
•
Chase 1985 - Glenn Rivera ReStructure Mix - Giorgio |
 |
|
•
The Louder - Glenn Rivera ReStructure Mix - Peter Jacques Band |
|
|
•
My Love - Glenn Rivera ReStructure Mix - Lime |
 |
|
•
The Roof Is On Fire - Glenn Rivera ReStructure Mix - Westbam |
 |
|
•
Love X Love - Glenn Rivera ReStructure Mix - George Benson |
 |
|
•
Nightlife - Glenn Rivera ReStructure Mix - Donna Summer |
 |
|
• Lost In A Dream - Glenn Rivera ReStructure Mix - Nick John |
 |
|
•
Don't Stop - Glenn Rivera ReStructure Mix - Digital Emotion |
|
|
•
Someday (I'm Coming Back) - Glenn Rivera ReStructure Mix - Lisa Stansfield |
 |
|
•
Under The Lights Of Montreal - Glenn Rivera ReStructure Mix - Montreal |
 |
|
•
Crisis - Glenn Rivera ReStructure Mix - Rhetta Hughes |
 |
|
• Love Queen Boogie - Glenn Rivera ReStructure Mix - Nonchalance |
 |
|
•
You'll Never Find (Another Love Like Mine) - Glenn Rivera ReStructure Mix - Bill
Fredericks |
 |
|
•
Love In 'C Minor - Glenn Rivera ReStructure Mix - Sphinx |
 |
|
•
Baby Gets High - Glenn Rivera ReStructure Mix - Peter Brown |
 |
|
•
Silent Morning - Glenn Rivera ReStructure Mix - Noel |
 |
|
•
Stop - Glenn Rivera ReStructure Mix - valery Allington |
 |
|
•
Love Will Find A Way - Glenn Rivera ReStructure Mix - Pablo Cruise |
 |
|
•
L'amour Toujours L'amour - Glenn Rivera ReStructure Mix - Leonore O'Malley |
 |
|
•
Exotic and Erotic - Glenn Rivera ReStructure Mix - Sandy Marton |
 |
|
•
Planet of Love - Glenn Rivera ReStructure Mix - Le Pamplemousse |
 |
|
• Just A Gigolo - Glenn Rivera ReStructure Mix - Village People |
 |
|
• Put A Little Love In Your Lovin' - Glenn Rivera ReStructure Mix - Gene
Page |
 |
|
•
Unexpected Lovers - Glenn Rivera ReStructure Mix - Pseudonym |
 |
|
•
Band On The Run - Glenn Rivera ReStructure Mix - Paul McCartney and Wings |
 |
|
• Free - Glenn Rivera ReStructure Mix - Kate B |
 |
|
•
More, More More - Glenn Rivera ReStructure Mix - Dayl |
 |
|
•
Take Away The Rain - Glenn Rivera ReStructure Mix - Sidewalk |
 |
|
•
Disco Darling - Glenn Rivera ReStructure Mix - Top Secret |
 |
|
•
Where's Your Love Gone - Glenn Rivera ReStructure Mix - Julie Stapleton |
 |
|
•
Keep It Up - Glenn Rivera ReStructure Mix - L.U.P.O. |
 |
|
•
Midnight Rhythm - Glenn Rivera ReStructure Mix - Midnight Rhythm |
 |
|
•
Work Hard - Glenn Rivera ReStructure Mix - Depeche Mode |
 |
|
•
Get Ready To Go - Glenn Rivera ReStructure Mix - Tantra |
 |
|
•
I Can't Live Without You - Glenn Rivera ReStructure Mix - Sean Taylor |
 |
|
•
Zero - Glenn Rivera ReStructure Mix - Gepy and Gepy |
 |
|
•
Barry White Medley - Glenn Rivera ReStructure Mix - Band of Gold |
 |
|
• I'll
Dance To That - Glenn Rivera ReStructure Mix - Sylvester |
 |
|
• I'm Your Boogie Man - Glenn Rivera ReStructure Mix - Digital Game |
 |
|
•
Burnin' Hot - Glenn Rivera ReStructure Mix - Jermaine Jackson |
 |
|
•
Freak Your Boom Boom - Glenn Rivera ReStructure Mix - Hank Ballard And The
Midnighters |
 |
|
•
Premintal - Glenn Rivera ReStructure Mix - D.A.N. |
 |
|
•
Catch Me (I'm Falling In Love) - Glenn Rivera ReStructure Mix - Marsha Raven |
 |
|
•
Love and Desire - Glenn Rivera ReStructure Mix - Gina Desire |
 |
|
•
The Promise - Glenn Rivera ReStructure Mix - When In Rome |
 |
|
•
Romance - Glenn Rivera ReStructure Mix - Billy Newton Davis |
 |
|
•
Rush Rush - Glenn Rivera ReStructure Mix - Debbie Harry |
 |
|
• Pump Up The Volume - Glenn Rivera ReStructure Mix - M|A|R|R|S |
 |
|
• We Must Believe In Magic - Glenn Rivera ReStructure Mix - Gregg Diamond
Bionic Boogie |
 |
|
• Everybody Wants To Rule The World - Glenn Rivera ReStructure Mix - Tears For
Fears |
 |
|
• Love On The Rocks - Glenn Rivera ReStructure Mix - Lama |
 |
|
•
Drums On Fire - Glenn Rivera ReStructure Mix - Gazuzu |
 |
|
•
Pilot Error - Glenn Rivera ReStructure Mix - Stephanie Mills |
 |
|
•
Music Box - Glenn Rivera ReStructure Mix - Evelyn "Champagne" King |
 |
|
• C'mon And Get My Love - Glenn Rivera ReStructure Mix - D Mob introducing
Cathy Dennis |
 |
|
• Love Comes Easy - Glenn Rivera ReStructure Mix - Vera |
 |
|
• In The Heat Of The Night - Glenn Rivera ReStructure Mix - Tapps |
 |
|
• Prison - Glenn Rivera ReStructure Mix - Space |
|
|
• Want Ads - Glenn Rivera ReStructure Mix - Ullanda |
 |
|
• Valley Of The Dolls - Glenn Rivera ReStructure Mix - Giorgio |
 |
|
•
On Hold - Glenn Rivera ReStructure Mix - Jolo |
 |
|
•
Beat Of The Night - Glenn Rivera ReStructure Mix - Maggie |
 |
|
•
High Energy - Glenn Rivera ReStructure Mix -Timbuli |
 |
|
•
Under The Boardwalk - Glenn Rivera ReStructure Mix - Tom Tom Club |
 |
|
•
Warlord Part 2 - Glenn Rivera ReStructure Mix - The Immortals |
 |
|
•
Tie U Up - Glenn Rivera ReStructure Mix - The Three Degrees |
 |
|
•
Together Forever - Glenn Rivera ReStructure Mix - Rick Astley |
 |
|
•
Rock City - Glenn Rivera ReStructure Mix - Roderick Falconer |
 |
|
•
You Can't Help (Sentimental Sunday) - Glenn Rivera ReStructure Mix - Flesh |
 |
|
•
Donna Rouge - Glenn Rivera ReStructure Mix - Fake |
 |
|
• Ending Up On A High - Glenn Rivera ReStructure Mix - Seventh Avenue |
 |
|
•
Stop In The Name Of Love - Glenn Rivera ReStructure Mix - Gloria Gaynor |
 |
|
• Money Runner - Glenn Rivera ReStructure Mix - Scotch |
 |
|
• What Have I Done To Deserve This? - Glenn Rivera ReStructure Mix - Pet
Shop Boys / Dusty Springfield |
 |
|
•
Too Hot To Stop The Rock - Glenn Rivera ReStructure Mix - Keith Zorros |
 |
|
•
Nasty Girl - Glenn Rivera ReStructure Mix - Vanity 6 |
 |
|
• Mind Over Matter - Glenn Rivera ReStructure Mix - E.G. Daily |
 |
|
• Runaway - Glenn Rivera ReStructure Mix - One-Two-Three
|
 |
|
•
Love Is Calling - Glenn Rivera ReStructure Mix - Ella Toy |
 |
|
•
It's A Way - Glenn Rivera ReStructure Mix - Lucrethia & The Azoto 14,008 |
 |
|
• Standing In The Shadows of Love - Glenn Rivera ReStructure Mix - Cerrone |
 |
|
• Over The Edge - Glenn Rivera ReStructure Mix - Fever |
 |
|
• Walk Like A Man - Glenn Rivera ReStructure Mix - Divine |
 |
|
• New York - Glenn Rivera ReStructure Mix - Flower |
 |
|
• Time Bomb - Glenn Rivera ReStructure Mix - Angie Gold |
 |
|
• Satisfied - Glenn Rivera ReStructure Mix - Madeleine Uzho |
 |
|
• Don't Let Me Down Again - Glenn Rivera ReStructure Mix - M.B.O. 99 |
 |
|
• Against All Odds - Glenn Rivera ReStructure Mix - Willie & Co. |
 |
|
• Together - Glenn Rivera ReStructure Mix - Lime |
|
|
• Fire - Glenn Rivera ReStructure Mix - Radiorama |
 |
|
• Calling All Boys - Glenn Rivera ReStructure Mix - The Flirts |
 |
|
• Always On My Mind - Glenn Rivera ReStructure Mix - Pet Shop Boys |
 |
|
• High - Glenn Rivera ReStructure Mix - Skyy |
 |
|
• Disco Squeeze - Glenn Rivera ReStructure Mix - Extensive Care |
 |
|
• Jealous Love - Glenn Rivera ReStructure Mix - Hazell Dean |
 |
|
•
The Rain - Glenn Rivera ReStructure Mix - Oran "Juice" Jones |
 |
|
•
Mind Warp - Glenn Rivera ReStructure Mix - Patrick Cowley |
 |
|
• Now That We Found Love - Glenn Rivera ReStructure Mix - Third World |
 |
|
• Can't Get Enough Of Your Love - Glenn Rivera ReStructure Mix - Taylor Dayne |
 |
|
• Get Ready For The Future - Glenn Rivera ReStructure Mix - Winners |
 |
|
• I Need Yoour Lovin' - Glenn Rivera ReStructure Mix - Teena Marie |
 |
|
• Popcorn - Glenn Rivera ReStructure Mix - Slotmachine featuring Gemini 7 |
 |
|
• In The Name of Love - Glenn Rivera ReStructure Mix - Astaire |
 |
|
• So Far, So Good - Glenn Rivera ReStructure Mix - Sheena Easton |
 |
|
• You Killed The Magic - Glenn Rivera ReStructure Mix - Arpeggio |
 |
|
• Shake It Up, Shake It Up - Glenn Rivera ReStructure Mix - The Managers |
 |
|
• Mar de la Tranquilidad - Glenn Rivera ReStructure Mix - Azul y Negro |
 |
|
• Dance - Glenn Rivera ReStructure Mix - Snoopy |
 |
|
• Follow Me - Glenn Rivera ReStructure Mix - Real Man |
 |
|
• Ooh, La La - Glenn Rivera ReStructure Mix - Princess Bay |
 |
|
• Can't Believe - Glenn Rivera ReStructure Mix - Nancy Martin |
 |
|
• Three Steps From True Love - Glenn Rivera ReStructure Mix - Margaret
Reynolds |
 |
|
•
Litterbug - Glenn Rivera ReStructure Mix - Gentle Persuasion |
 |
|
•
The Look of Love - Glenn Rivera ReStructure Mix - ABC |
 |
|
•
Valparaiso - Glenn Rivera ReStructure Mix - Paula Moore |
 |
|
•
Double Trouble - Glenn Rivera ReStructure Mix - Diva |
 |
|
• Tobacco Road - Glenn Rivera ReStructure Mix - Bob-a-Rela |
 |
|
• Disco Kicks - Glenn Rivera ReStructure Mix - The Original Mass |
 |
|
• Tell It To My Heart - Glenn Rivera ReStructure Mix - Taylor Dayne |
 |
|
•
Together - Glenn Rivera ReStructure Mix - Cameron |
|
|
•
I'm Leaving - Glenn Rivera ReStructure Mix - Joy |
 |
|
• Takin' It Straight - Glenn Rivera ReStructure Mix - Cori Josias |
 |
|
• California Dreaming - Glenn Rivera ReStructure Mix - The Midnight Shift |
 |
|
• Bahamas - Glenn Rivera ReStructure Mix - Kangaroo |
 |
|
• The Freeze - Glenn Rivera ReStructure Mix - Spandau Ballet |
 |
|
• Satisfied - Glenn Rivera ReStructure Mix - Donna Allen |
 |
|
• One Less Bell To Answer - Glenn Rivera ReStructure Mix - Pearly Gates |
 |
|
• Stars On 45 - Glenn Rivera ReStructure Mix - Stars On 45 |
 |
|
• I Only Have Eyews For You - Glenn Rivera ReStructure Mix - Bonnie Forman |
 |
|
• Can You Feel It - Glenn Rivera ReStructure Mix - Cindy and Roy |
 |
|
•
The Man With The 4-Way Hips - Glenn Rivera ReStructure Mix - The Tom Tom
Club |
 |
|
•
So Glad - Glenn Rivera ReStructure Mix - Pepper Watkins |
 |
|
• Cruising - Glenn Rivera ReStructure Mix - Sinitta |
 |
|
• Two Pillows - Glenn Rivera ReStructure Mix - Joanne King |
 |
|
•
Vision Love - Glenn Rivera ReStructure Mix - Topazz |
 |
|
• Flash - Glenn Rivera ReStructure Mix - The Flash Back Band |
 |
|
• You Make It Hard To Love You - Glenn Rivera ReStructure Mix - Abbe |
 |
|
• Charming Prince - Glenn Rivera ReStructure Mix - Sylvie Stone |
 |
|
•
Dancing With You - Glenn Rivera ReStructure Mix - PAX |
 |
|
• Wonderful City - Glenn Rivera ReStructure Mix - Marika |
 |
|
• Move This - Glenn Rivera ReStructure Mix - Technotronic |
 |
|
• Sweet Dreams - Glenn Rivera ReStructure Mix - Hip On Ice |
 |
|
•
Tokyo - Glenn Rivera ReStructure Mix - Donna Summer |
 |
|
•
Give Me Love - Glenn Rivera ReStructure Mix – Fun Fun |
 |
|
•
Ice Cream Castles - Glenn Rivera ReStructure Mix – The Time |
 |
|
•
Dance In America - Glenn Rivera ReStructure Mix – Boogie People |
 |
|
• Don't You Want Me - Glenn Rivera ReStructure Mix – Jody Watley |
|
|
• (I'm Not Your) Steppin' Stone
- Glenn Rivera ReStructure Mix – Modern Rocketry |
 |
|
•
Garden Of Love - Glenn Rivera ReStructure Mix – Don Ray |
 |
|
•
Mommie (Erotic) - Glenn Rivera ReStructure Mix – Kryptonite |
 |
|
•
Get Down Saturday Night - Glenn Rivera ReStructure Mix – Oliver
Cheatham |
 |
|
•
Jump Into My Life - Glenn Rivera ReStructure Mix – Stacy Lattisaw |
 |
|
•
Heroes - Glenn Rivera ReStructure Mix – Big Ben Tribe |
 |
|
•
Love and Fantasy - Glenn Rivera ReStructure Mix – Eskimo |
 |
|
•
Don’t You Want My Love - Glenn Rivera ReStructure Mix – Nicole |
 |
|
•
Sleepin' (Now
That You're Gone) - Glenn Rivera ReStructure Mix - Cabballero |
 |
|
• Hymn - Glenn
Rivera ReStructure Mix - Magna Charta |
 |
|
•
Too Late - Glenn
Rivera ReStructure Mix - Sylvester |
|
|
•
Loveline - Glenn Rivera ReStructure Mix - Shawne Jackon |
 |
|
•
On The Road Again - Glenn Rivera ReStructure Mix - Rockets |
 |
|
•
You Came 2 Me - Glenn Rivera ReStructure Mix - Susanne Jackson |
 |
|
•
Born To Be Alive - Glenn Rivera ReStructure Mix - Disco Connection |
 |
|
•
Midnight Lover - Glenn Rivera ReStructure Mix - People Like Us |
 |
|
•
You're The One - Glenn Rivera ReStructure Mix - Rory Block |
 |
|
•
You're My Heart, You're My Soul - Glenn Rivera ReStructure Mix - Creative
Connection |
 |
|
•
The Music Takes-U-Away - Glenn Rivera ReStructure Mix - Panthera |
 |
|
•
Electricity - Glenn Rivera ReStructure Mix - Ashaye |
 |
|
•
The Only Way Is Up - Glenn Rivera ReStructure Mix - Yazz |
 |
|
•
Get Up - Glenn Rivera ReStructure Mix - Maria Verano |
 |
|
• My Baby Holds The Key - Glenn Rivera ReStructure Mix - Moulin Rouge |
 |
|
•
(I Know) I'm Losing You - Glenn Rivera ReStructure Mix - Uptown |
 |
|
• New Toy - Glenn Rivera ReStructure Mix - The Flirts |
 |
|
•
No Good Boy - Glenn Rivera ReStructure Mix - Maxi Shannon |
 |
|
• Revelation Day - Glenn Rivera ReStructure Mix - First Vision |
 |
|
•
Total Eclipse Of The Heart - Glenn Rivera ReStructure Mix - Koffie |
 |
|
•
Backstreet - Glenn Rivera ReStructure Mix - Patti Whatley |
 |
|
•
Mandrill - Glenn Rivera ReStructure Mix - Patrick Colby |
 |
|
• Turn Me, Turn Me, Turn Me - Glenn Rivera ReStructure Mix - Mary Love |
 |
|
• Everything She Wants - Glenn Rivera ReStructure Mix - WHAM! |
 |
|
•
When The Fuel Runs Out - Glenn Rivera ReStructure Mix - Chuck Jackson |
 |
|
• The Blue Danube Hustle - Glenn Rivera ReStructure Mix - Rice and Beans
Orchestra |
 |
|
• Love Pains - Glenn Rivera ReStructure Mix - Lorenza Johnson |
 |
|
•
Party Boy - Glenn Rivera ReStructure Mix - Sean Heyden |
 |
|
• Thank God For Men - Glenn Rivera ReStructure Mix - Modern Rocketry |
 |
|
• Summer Love - Glenn Rivera ReStructure Mix - Lipstick |
 |
|
•
Magic Nights - Glenn Rivera ReStructure Mix - Zara-Thustra |
 |
|
• Gimme Love - Glenn Rivera ReStructure Mix – Shy Rose |
 |
|
• Baby I Don't Know - Glenn Rivera ReStructure Mix – Kryptonite |
 |
|
• Love Resurrection - Glenn Rivera ReStructure Mix - Alison Moyet |
|
|
• I Love You So - Glenn Rivera ReStructure Mix - Manny's |
 |
|
• Touch Me Baby - Glenn Rivera ReStructure Mix - Ultimate |
 |
|
• Let's Make Love To The Music - Glenn Rivera ReStructure Mix - Pattie
Brooks |
 |
|
• Thank You - Glenn Rivera ReStructure Mix - Judy B. |
 |
|
• Hot Feet - Glenn Rivera ReStructure Mix - Tschai Prender |
 |
|
• Hey,You Should Be Dancing - Glenn Rivera ReStructure Mix - Gene Farrow |
 |
|
• Leave That Boy Alone! - Glenn Rivera ReStructure Mix - Poussez! |
 |
|
• Out Of Control - Glenn Rivera ReStructure Mix - Evelyn "Champagne" King |
 |
|
•
We're The Right Combination - Glenn Rivera ReStructure Mix - French Kiss |
 |
|
•
He's A Pretender - Glenn Rivera ReStructure Mix - High Inergy |
 |
|
• Hot Lunch Jam - Glenn Rivera ReStructure Mix -Irene Cara |
 |
|
•
Get On Up - Glenn Rivera ReStructure Mix - Suzy Q |
|
|
•
Future Brain - Glenn Rivera ReStructure Mix - Den Harrow |
 |
|
•
Breakaway - Glenn Rivera ReStructure Mix - Pure Energy |
 |
|
•
Show Your Love - Glenn Rivera ReStructure Mix - Kiwi and Tess |
 |
|
• Ten Percent - Glenn Rivera ReStructure Mix - Double Exposure |
|
|
• Touch Me Now - Glenn Rivera ReStructure Mix - Bravo |
 |
|
• American Love - Glenn Rivera ReStructure Mix - Astaire |
 |
|
• Save Me - Glenn Rivera ReStructure Mix -
Say When! |
 |
|
• Maccaroni Radio - Glenn Rivera ReStructure Mix - Eddy Trauba & M.M. Greco |
 |
|
• I Got Love - Glenn Rivera ReStructure Mix - Peggie Blu |
 |
|
• Dim All The Lights - Glenn Rivera ReStructure Mix - Upfront |
 |
|
• Keep Doin' It - Glenn Rivera ReStructure Mix - Showdown |
 |
|
• Rain Forest - Glenn Rivera ReStructure Mix - Paul Hardcastle |
 |
|
•
You Made Me Believe - Glenn Rivera ReStructure Mix - Collins & Collins |
 |
|
•
Medley: I Don't Mind / Take Everything - Glenn Rivera ReStructure Mix - Eugene
Record |
 |
|
• You Set My Heart On Fire - Glenn Rivera ReStructure Mix - Evans and
Fisher |
 |
|
• Touch Me Baby - Glenn Rivera ReStructure Mix - O'Hara |
 |
|
• Pretty Woman - Glenn Rivera ReStructure Mix - Scott Allan |
 |
|
• Jackie - Glenn Rivera ReStructure Mix - Blue Zone U.K. |
 |
|
•
Infactuation - Glenn Rivera ReStructure Mix - Up Front |
 |
|
• Cannonball - Glenn Rivera ReStructure Mix - Supertramp |
 |
|
• Nobody Else - Glenn Rivera ReStructure Mix - Karen Silver |
 |
|
• Destiny - Glenn Rivera ReStructure Mix - Gwen Jonae |
 |
|
•
Frogs In Spain - Glenn Rivera ReStructure Mix - Fake |
 |
|
• Magnifique - Glenn Rivera ReStructure Mix - Jersy Devil Social Club |
 |
|
•
Edge Of The Razor - Glenn Rivera ReStructure Mix - Stephanie Mills |
 |
|
•
Dance Right Back Into Heaven - Glenn Rivera ReStructure Mix - Ernest Kohl |
 |
|
• I'm Your Boogie Man - Glenn Rivera ReStructure Mix - K.C. & The Sunshine
Band |
|
|
•
Try My Love On For Size - Glenn Rivera ReStructure Mix - Sharon Redd |
 |
|
•
(They Call Me The) Queen Of Fools - Glenn Rivera ReStructure Mix - Jessica
Williams |
 |
|
•
Say It Again - Glenn Rivera ReStructure Mix - Santana |
 |
|
•
Dancing In The Dark - Glenn Rivera ReStructure Mix - Bruce Springsteen |
 |
|
• Young Men Drive Fast - Glenn Rivera ReStructure Mix - The Quick |
 |
|
• I Believe - Glenn Rivera ReStructure Mix - Mko Mission |
 |
|
•
Exposed To Love - Glenn Rivera ReStructure Mix - Exposé |
|
|
• Shake What You Got - Glenn Rivera ReStructure Mix - Pulse |
 |
|
• Spend The Night - Glenn Rivera ReStructure Mix - Bob-A-Rela |
|
|
• Heaven Knows - Glenn Rivera ReStructure Mix - Donna Summer |
|
|
• Don't Challenge Me - Glenn Rivera
ReStructure Mix - Makers |
|
|
• Life's A Bitch - Glenn Rivera ReStructure Mix - Green Olives |
|
|
• Non-Stop - Glenn Rivera ReStructure Mix
- Tina Fabrik |
|
|
• Wanna Feel - Glenn Rivera ReStructure
Mix - Vivian Vee |
|
|
• Disco Train - Glenn Rivera
ReStructure Mix - Dance Reaction |
|
|
• Feel The Spin - Glenn Rivera
ReStructure Mix - Debbie Harry |
|
|
• Be My Lady - Glenn Rivera
ReStructure Mix - Vanessa |
|
|
• The Politics of Dancing - Glenn Rivera ReStructure Mix - Re-Flex Re-Flex is an 80’s band featuring Baxter, Paul Fishman, Roland
Vaughan Kerridge and Nigel Ross-Scott. In 1983 their track “The
Politics Of Dancing” became one of the alternative dance numbers
which fit into the 80’s with every sound in place. The production
by John Punter was on spot with rhythms that down-beat and a
filtered percussion accompaniment which added to the infectious
vocal. The 80’s became the period where nu-wave, punk, alternative
and rock were blended well with synth-pop and left a sound that
again, was mastered out of the elements of disco for the time
period. “The Politics Of Dancing” is a clever take on world
leaders and heads and the control on which they decide for all.
This number transforms the premise into a nice little “message”
which seems to glorify and detest the many effects – either
positive or negative. |
|
|
• Let's Make It - Glenn Rivera ReStructure Mix - Vallerie Allington Valerie Allington is an Italo-disco artist from the early 80’s who
was introduced with a track titles “Stop” released in 1982. This
experimental and innovative time was perfect for Italian producer
Sangy to work his 70’s influenced keyboards into the new Italian
disco sound. “Let’s Make It” is her second release from 1984 also
produced by Sangy and every bit as exciting and powerful. This is
an uplifting message of love put into a reverberating love song
that follows the edge of Kraftwerk with pieces of their hit
“Numbers”. This pretty much has it all for the time period as it
was always requested and I kept it alive throughout the year. |
|
|
• I Wanna Groove - Glenn Rivera ReStructure Mix - Arlene Duncan Arlene Duncan is a Canadian singer who also records under the name
of Kairene. Her single “I Wanna Groove” from 1982 was produced by
Ian Guenther and Willi Morrison who are better known as THP
Orchestra. This duo also produced The Duncan Sisters (no relation
to these ladies), Sticky Fingers, Southern Comfort and The Grand
Tour. THP move into the 80’s was a daring time since music was
morphing from a full scale disco production which these two men
helped to create, into am 80’s synth-pop sound. This track has a
heavy jamming beat which outlines the disco feel but the keyboards
and arrangements we simple I assume to test the waters of the
dance floors at the time. The track has a moving energy that
maintains THP’s reputation and is brought here again to remind us
of the 70’s to 8’s conversion of dance music. |
|
|
• Pick Me Up - Glenn Rivera ReStructure Mix - Marz Marz is an Italo-disco project from 1984 with Bill Pettaway,
Dwayne Herndon, Gerard Mackell, Gregory Mackell, Keith Rowel, and
Marvin Ennis. Their big track “Pick Me Up” is an unforgettable
song that echoes out a touch of sophisticated funk along with the
innovative feel of Italian disco which became its own brand of
funk during the early 80s with bands like Change and Bronx,
Brooklyn and Queens Band. “Pick Me Up” is a beautiful New York
funk stylized piece and has many qualities and riffs that stand
out to give a bravo at the closing. |
|
|
• Don't Stop The Train - Glenn Rivera ReStructure Mix - Kristeen (alias Viola Wills) Kristeen is a cover name for disco legend,
Viola Wills on a 1985 release of “Don’t Stop The Train” – a dance
floor hit released by Phyllis Nelson in 1981 and produced by Yves
Dessca – who also produced this Kristeen (Viola Wills) version.
Earlier in 1979 he recorded Viola on a track titled “You Will
Forget”. Another fantastic performance for Viola who seemed to top
every performance with the next thanks to her beautiful voice and
range – her big hit in 1980 with “If You Could Read My Mind” which
started another row of hits for her. In “Don’t Stop The Train”,
Viola performs this like a Shakespearean actor exuding the emotion
and drama nonstop – it is quite a feat and understandably why she
was brought in again as a session singer but then of course under
the alias Kristeen (even a photo of another woman on the 12”), But
all in all we know Viola and the tremendous talent we had pin the
dance floor and this is another reason to celebrate her magic. |
|
|
• Looking Out - Glenn Rivera ReStructure Mix - Oh, Romeo Oh Romeo is a studio group from
high-energy/disco producer Bobby Orlando. The sessions produced
several singles on Orlando’s Bobcat Records label including
“Looking Out” from 1983. This one is a roundup of the elements
that Orlando created in the early 80’s using heavy percussion and
rolling synthesizers to pull off the task. It was this sound that
helped the mid and late 80’s to continue the dancers to serenade
all over again and again. It was definitely a fusion of what
producers like Giorgio Moroder were bringing forth in the mid and
late 70’s. |
|
|
• Undercover Girl - Glenn Rivera ReStructure Mix - Sharon Redd Sharon Redd is the diva of the funk with a
disco groove following it. Her introduction onto the dance floor
was beautifully timed with a studio group called Front Page and
their huge single “Love Insurance” from 1979. Her solo recording
career began in 1980 with her big Prelude Records single “Can You
Handle It” – and following were big dance palace hits including
“In The Name of Love” and “Beat The Street”. “Undercover Girl” is
a single released in 1985 – produced by Michael Stokes. It was
close to the 80’s pop-funk sound that groups like Apollonia 6 and
Midnight Star were weaving. It is the Sharon Redd who plays it
street like a lady. One of the funk-fests for Redd and in her own
way she conquers this piece. |
|
|
• Slave To Love - Glenn Rivera ReStructure Mix - Sammy Allen Sammy Allen is a German Euro-dance artist
from the mid-80s who released 2 singles which helped to keep the
electronic dance aura alive. “Slave To Love” is a single released
in 1988 – produced by Alf Siol. This track follows the patterns of
a rock anthem which may had relevance in the early 80s. A simple
keyboard arrangement in the Asian-wave style of the late 80s dance
floor. This German production was featured on the Night’n Day
Records which has some major slick releases in the period. The
sheer ecstasy in the vocal makes this one a bit camp and as always
it worked on dance floors. |
|
|
• Unchained Melody/Need Your Love - Glenn Rivera ReStructure Mix - Clem Curtis Clem Curtis is a singer from Trinidad,
West Indies who was originally from a group called The Foundations
from 1966 through 1968. The disco era was fortunate enough to have
Clem record his cover version of The Righteous Brothers 1964 hit
produced by Phil Spector, “Unchained Melody” with a disco
arrangement produced by Tony Sadler. Clem’s single was released in
1979 on RCA Records and is one of the underground favorites among
those DJ’s who did not miss it due to over saturation of this big
disco year. This dance version allows Clem to deliver a wonderful
vocal over a 70’s funky arrangement with guitars and the sweet
strings sweeping across the groove. The titled “Unchained Melody”
comes from the film that the song was featured in titled
“Unchained” released in 1955. |
|
|
• Walking On The Floor - Glenn Rivera ReStructure Mix - Quartz Quartz is Didier Plus, Laurent Taieb, and
Patrick Langlade. A French disco band from 1978 originally founded
by Chris Quartz (Saint-Preux) and leading the period with a big
disco hit titled “Beyond The Clouds”. It was an innovative
instrumental with a new age feel to it along with the pumping bass
lines and breaks of disco energy. The style was one of the
starters for artists like Gino Soccio and Patrick Cowley. “Walking
On The Floor” is from their 1979 project “Camel In The City” – it
is another part of the process of creative disco with beats and
electronic pulses bringing energy to life.
|
|
|
• Looking For Clues - Glenn Rivera ReStructure Mix - Robert Palmer Robert Palmer is an interesting vocalist
and musician. A British pop-rock singer he recorded his own style
of music throughout 1974 to 1983 where he found a new stage for
himself recording pop-funk songs in his own appeal. He released
dance floor hits “You Are In My System”, “I Didn’t Mean To Turn
You On”, “Early In The Morning” and “Tell Me I’m Not Dreaming”
which were prior dance floor hits that he revived in his own
sound. “Looking For Clues” is from his 1980 project titled “Clues”
which bears the 80’s dance feel with an extreme and percussive
arrangement and a few small breaks. It was a big DOR (Dance
Oriented Rock) crossover and made its way on many dance floors. |
|
|
• This Must Be Heaven - Glenn Rivera ReStructure Mix - Jerry Carr Jerry Carr is one of the funk and soul
talents in the music industry who is a self-taught musician and
brings the 80’s a new brand of funk. His 1981 album “This Must Be
Heaven” produced by William Talbert (Shotgun) is a refreshing
piece of work for a period where dance music shifted from disco to
a soulful and funky groove. The title track is the big hit here
and plays out in a romance turned to a dance. It as the foundation
of a nice New York funk track with some catchy riffs throughout.
Jerry does a very nice job covering this one with a soulful and
dedicated performance which still plays out in its originality. |
|
|
• Electric Avenue - Glenn Rivera ReStructure Mix - Eddy Grant Eddy Grant is a musician and producer who
began his recording career in 1975 fusing a blend of reggae, funk
and soul. Into the 80’s he became an iconic figure with many of
his songs outlining current world events and status of the
struggles among people. “Electric Avenue” comes from his 1982
album “Killer On The Rampage” and plays out as a shout out to the
Brixton area which of the time was the first to be lit by
electricity yet remained violent, racist and many tensions. The
song itself is a landmark among the 80’s dance period thanks to
its electronic groove which plays out almost like a robotic groove
taking on an edgy sound. It moved many feet and also brought many
minds to think about awareness to find solutions to some of the
problems in society and the world. |
|
|
• It's Alright - Glenn Rivera ReStructure Mix - Peter Brown Peter Brown is one of disco music’s
greatest gifts. His music has always been innovative and funky
with a fusion of electronic grooves with soul. His introduction to
disco music in 1977 with “Fantasy Love Affair” was a signal to the
dance floor that a sound was emerging from soul and funk soon
assemble itself in a new way from Brown. “It’s Alright:” is from
his 1979 album “Stargazer” which big dance floor hit “Crank it
Up”. There is a sound within each of Peter Brown’s creations which
ring out in its own way and this piece is no exception. Even
though this song seems to relay a misinterpreted relationship it
plays out in an upbeat manner thanks to Brown’s masterful
keyboards and arrangements. |
|
|
• (You Got Me) In The Mood - Glenn Rivera ReStructure Mix - Puff Puff is a disco session from producers
Will Crittendon (Mantus), Brad Baker, Don Oriolo and Neil
Levenson. This is the ultimate underground sound with a touch of
the chic edge of disco. Complete with sensual femme ensemble and
swirling strings this one pulls out everything that the 70’s disco
dance floor exuded. It is a journey into the sexy and pulsating
beats that made hips move and shake. “(You Got Me) In The Mood”
was one of the big 1979 surprises but came at a time where the
music faded into a message of the dance backlash – however for me
it still represents good energy and uplifting energy – that is
what disco was all about. |
|
|
• Catch The Rhythm (Universal Mood) - Glenn Rivera ReStructure Mix - Caress Caress is a Euro-disco project from Boris
Midney – an innovative arranger, composer and producer. His
projects from the start were an experimental edge in the late 70’s
beginning with USA European Connection (“Come Into My Heart/Good
Loving”) which initially was overlooked on dance floors but soon
after became the new technical sound of disco music. He then
followed with Beautiful Bend which was a masterpiece of disco
elements with a swirling orchestra lifting the melodies and funky
accompaniment. It was his style which created a cult following and
this project called Caress where he began o shift his sound into a
new audience and period of dance music. |
|
|
• Love Fever - Glenn Rivera ReStructure Mix - Gayle Adams Gayle Adams is a funk/disco vocalist who
emerged in 1980 on the New York disco label Prelude Records.
Produced by Rodney Brown and Willie Lester who also gave us Sharon
Redd’s “Can You Handle it” and Bobby Thurston. This brand of New
York funk helped the 80’s to move into a new direction and also
kept the hardcore underground club feel intact. “Love Fever” was
released in 1982 and is a great outline of the Gayle Adams
delivery that made her a big dance floor favorite. |
|
|
• Bad Connection - Glenn Rivera ReStructure Mix - Strange Affair Strange Affair is an Italo-disco project
from producer Giuliano Salerni – who also gave us Ultimate’s “Love
Is The Ultimate”, Hi Gloss and Bonnie Boyer. His work was another
European disco venture which played out with full orchestrations
and funky rhythm and bass guitars. “Bad Connection” is from the
first medley on the project where a gay man dials in error a
lonely woman who is willing to have company during a lonely hour.
It is quite camp and plays out with the vocals of Brenda Hill,
Carolyn Mitchell, Joy Lober and Vaneese Thomas in a camp-like
chorus. The ladies also created the vocals for Ritchie Rome’s
African Suite project. |
|
|
• Fantasy - Glenn Rivera ReStructure Mix - The Ritchie Family The Ritchie Family project titled “All
Night All Right” from 1983 features Jacqui Smith-Lee, Linda James
and Vera Brown on vocals and was produced by Gavin Christopher and
Jimmy Douglas. “Fantasy” is a single that falls close to the work
in a prior project by Jacques Fred Petrus with a trickling techno
set as the girls lead a sexy and haunting refrain. It is one of
the pieces that I would use for afterhours sets that lead to such
an atmosphere. It is a different feel for The Ritchie Family and
has a nice airy quality. |
|
|
• Let Yourself Go - Glenn Rivera ReStructure Mix - The Supremes The Supremes in 1977 featured Mary Wilson,
Scherrie Payne and Susaye Greene as the trio. Their single “Let
Yourself Go” produced by Holland, Dozier and Holland was one of
the big records during the underground dance scene of Paradise
Garage which immediately gives this soul number a standing all of
its own. The girls serenade the atmosphere with a light and sweet
message of being who you are is a necessity for the moment so it
also becomes one of the early anthems of the dance floor. This one
shines throughout time with the nice groove pumping out the energy
for the trio to sing out and rejoice about the happiest times on
the dance floor. |
|
|
• Everything So Good About You - Glenn Rivera ReStructure Mix - Melba Moore Melba Moore is one of the true voices of
soul from the 70’s. She has always delivered a performance which
gives off the innocence of a child who blossoms with emotion and
knowledge. Her career in the late 70’s transformed her instantly
into a dance floor favorite. With big hits like “You Stepped Into
My Life” and “Pick Me up I’ll Dance” there was no keeping her
talent away from those who were ready to express it in dance form.
“Closer” is her 1980 project produced by Bruce Hawes, Victor
Carstarphen and Melba. The initial track titled “Everything So
Good About You” is a disco funk track that became an instant hit
on my dance floor at the time and gave me another opportunity to
program one of my favorite voices once again. |
|
|
• Let's Stay Together - Glenn Rivera ReStructure Mix - Richard Woods Richard Woods is artist from 1983 who
recorded a cover of Al Green’s soul classic “Let’s Stay Together”
with an electronic arrangement full of sharp slivers of beat and
handclaps. This version was released on Disconet Program Service
Volume 6 Program 8 and was always an alternative for myself during
early evening or after hour’s sets. It moves in a nice vibe and
takes the songs into a new arena that pumps it into a synth-pop
edge. It was never released following this issue so the version
here is as close as it gets. |
|
|
• Something About You - Glenn Rivera ReStructure Mix - Angela Bofill Angela Bofill is a vocalist who began as a
jazz influenced voice with many recordings that placed her in a
unique start. Following the direction of ballads which outlined a
love story of either new love or heartbreak her direction became
more of an r&b and funk take with her beautiful voice. The 80’s
brought her into a new arena of self-discovery and a new style put
forth by her new label Arista Records and the direction of being a
leading diva. “Something About You” is simply a take on the
pop-dance market with Angela serenading with her voice in a new
arena. She handles this love sonata with all of her sense of
displaying her goods effectively. Produced by Narada Michael
Walden in his prime of creating or rejuvenating talented voices
this one is merely a sweet love song that plays out plainly. One
of the factors which always caught my attention is the guest
musician – Mr. Patrick Cowley brought on board for this one
creates the sweeping hand claps. |
|
|
• Love Machine - Glenn Rivera ReStructure Mix - Thelma Houston Thelma Houston is a disco icon since her
big dance floor hit “Don’t Leave Me This Way” from 1976. Her 1979
album “Ride The Rainbow” featured a cover of The Miracles 1975 hit
“Love Machine”. Thelma takes the song into a new direction where
she directs her awe at her man who seems to know how to work her
in the right way. Produced by Hal Davis and tailored with a few
new riffs to give this soul classic a disco face lift. |
|
|
• High Rise - Glenn Rivera ReStructure
Mix - Ashford and Simpson Ashford and Simpson are musicians,
songwriters and performers who have made music history with songs
like “Ain’t No Mountain High Enough” and “I’m Every Woman”. Their
musical exploration has created a big impact in the industry which
helped to reshape and create paths for musical substance and
fusion of soul and disco music. “High Rise” is a single from their
1983 album by the same name and is a song that outlines a
relationship where the breaks are evident when one leaves for
opulence and a new life outside the mediocre. It was a big pick
for DJs for club play and makes another mark in their songwriting
and performance once again. |
|
|
• Breakdance - Glenn Rivera
ReStructure Mix - Irene Cara Irene Cara is best known for her dance
anthems “Fame” and “Flashdance...What A Felling” during the late
70’s and early 80’s. Her 1983 project with Giorgio Moroder
featured several tracks that became more fan adored with the
production of 80’s synth-pop more favored. “Breakdance” is a
single that became one of the tracks that emerged and is one of
the Moroder-esque sounds of the 80’s with his jittery sequencers
jumping all over the beats. It is a short but mentionable track
that celebrates the 80’s street dance that became one of the
visuals for a new brand of music of the time. Mostly inspired by
rap and street beats this electronic energy driven anthem plays
out like a cascade of keyboards pouring out the mood. It is a
Moroder project that echoes his work during the early 80’s where
he found himself quite busy on many projects. |
|
|
• Children Of The Sky - Glenn Rivera ReStructure Mix - Giorgia Morandi Giorgia Morandi is an Italo disco project
from producer Toni Verona and features Renata Giorgi on vocals for
this single, “Children Of The Sky”. This is a lovely piece of
Italo-disco with a beautiful instrumental and vocal. The soft and
gentle approach is one of the great sounds of early morning music
where the dance becomes closer to the soul. This one was released
in 1988 on the classic Flea Records label and is one of my
all-time favorite Italian disco songs. |
|
|
• Work Me - Glenn Rivera ReStructure Mix - Fever Fever is a band with Dale Reed,
Dennis Wadlington, and Joseph "Joe" Bomback. Their big LP “Fever”
from 1979 is one of the peaks of the disco era with its energy and
segued medleys of nightlife on wax. This was one of the huge DJ
plays of the time and both sides were equally played. Production
is a full on electronic production with a few insets of the teams
horn and percussion talents. Their first single from 1978 – a
disco cover of “Standing In The Shadows of Love” is another mark
in their music history as it was equally as successful and
innovative. “Work Me” is the second track from the medley and
always brought the appropriate energy to follow the first hit
“Beat Of The Night”. |
|
|
• Make Your Move - Glenn Rivera ReStructure Mix - Joe Thomas Joe Thomas is a 70’s soul jazz and funk
musician who began his recording career in 1964. His music was
accented by his very well-known flute talents which were always
the lure of each song as he always played with emotion and ease.
Joe’s music was also following the crossover of soul music to funk
which gave his flute performances a whole new stage. “Make Your
Move” is from the 1979 album by the same name and features vocals
by Gordon Grody (credited as Pleasure Palace) who may sound
familiar with Gregg Diamond’s sessions. This release was also a
12” single which moved quite well as a follow up to Joe’s 1978
disco hit “Plato’s Retreat” (featured Diva Gray). The arrangements
were laid out by Brad Baker who also worked on many successful
disco projects in the late 70’s. |
|
|
• Y.M.C.A. - Glenn Rivera ReStructure Mix - Glamorama Glamorama is a project on Almighty Records
from 1993 produced by Graham Wilcocks and Richard Cottie. This
project featured a cover of the Village People classic “Y.M.C.A.”
– done in complete camp featuring the vocals of high energy diva
Ms. Earlene Bentley. It is a wonderful twist with a whole lot of
essence on the disco diva stance and of course the disco era
itself. The production is laid out in the 1993 fashion with the
Euro-disco flair utilizing heavy bass (house) and plenty of
interjected pieces of orchestrations. It is much more uplifting
with Ms. Bentley at the helm and the play on words during this
arrangement is simply magnificent. This one always reminds me of a
great dear music friend (who left us) Mr. Marty Parriott who
always referred to this version as the Kate Smith version – as if
were here following the “Star Spangled Banner” salute. |
|
|
• What You Won't Do For Love - Glenn Rivera ReStructure Mix - Denie Corbett Denie Corbett is a vocalist from the disco
era whose first single from 1979 titled “Be What You Are” was
produced by Joe Bataan. Her second 12” single released that same
year is “What You Won’t Do For Love” which is one of the last
driving disco tracks at the end of the era. This one has an
ominous energy and drive and powerful disco-diva performance from
Denie. It was always one of those big gay male discotheque anthems
for me with its strong and powerful female vocal and the
underground rhythm tracks along with soaring strings. This was
return to the independent sound of pure disco –perhaps the first
time Grace Jones’ “Do Or Die” affected the dance floor! |
|
|
• It's A Love Thing - Glenn Rivera ReStructure Mix - The Whispers The Whispers are a soul group that was
formed in 1964 and recorded up to 2000. Their harmonies and
soulful vocal arrangements are the real advantage of the ensemble
and although time has moved and given their music a new sound the
essence are The Whispers themselves. “Imagination” is their album
from 1980 produced by Dick Griffey and The Whispers. “It’s A Love
Thing” is the funk touch of tight early 80’s dance grooves. It is
the old school that stands out among the class as most of the
music from Solar Records has. It is a love song that brings out
the men in a wonderful serenade that reaches peak after peak and
even throughout the verses gives them an opportunity to prove why
their lasting is evident. |
|
|
• Welcome Aboard - Glenn Rivera ReStructure Mix - Mother F Mother F is Denis LePage from Lime and
many dance projects including Diva, Kat Mandu, Voggue, Carol
Jiani, Chris Mills and Blush. His work as an arranger and producer
are the pinnacle pieces of the dance movement throughout the late
70’s through the late 90’s. Mother F is his project which
initially compiled instrumental versions of his big dance floor
hits of the early 80’s. “Welcome Aboard” is a single from this
project and is a wonderful cover of The Love Unlimited Orchestra
and Webster Lewis’ 1981 masterpiece. The electronic take and
execution are wonderfully created here and give the track more of
an underground feel. It is one of the great directions which
inform us of where LePage’s inspirations are generated – and this
is a wonderful place. |
|
|
• Dancin' In The Key Of Life - Glenn Rivera ReStructure Mix - Steve Arrington Steve Arrington is a soul/gospel artist
who began his recording career in 1978 with the band Slave – known
for his vocal on the track “Just A Touch Of Love”. His solo career
gave us an inspirational dance track from 1985 titled “Dancing in
The Key Of Life” which became a club favorite immediately.
Produced by Keg Johnson and Wilmer Raglin brought to the surface
the garage sound of soul crossing into the 80’s dance circuit.
This drum and percussion sound lead by house-like bass sounds was
an innovative style and helped to pave the wave for a new edge of
music for the dance floor. Arrington gives an incredible vocal on
“Dancing In The Key of Life” and has always made this one sound
like a standard. |
|
|
• Oxygen - Glenn Rivera ReStructure Mix - The Blue August Project The Blue August Project is dance project
from producer Phil Harding – who also gave us tracks from The
Technos, Norma Lewis, Jackson Moore and Nitzer Ebb. This 1987
release is a club classic in the anthem form. It brought a period
in the late 80’s where the high energy sound was once again
brought onto the spotlight with beauty and the true essence of
disco/dance. It was a breath of fresh air for the time and still
resonates nicely with its crescendos and peaks. |
|
|
• Morning Music - Glenn Rivera ReStructure Mix - St. Tropez St. Tropez is a disco ensemble produced by
W. Michael Lewis and Laurin Rinder which began as an outline for a
disco concept that was sensual and bold. And although the music
relayed a soft and sexy delivery the production from W. Michael
Lewis and Laurin Rinder played like an orchestral boom full of the
ingredients that disco would become in the late 70’s. “Morning
Music” is a cover of a track releases in 1978 by a cover band from
John Davis titled Siren. This new recording takes the disco energy
of the original and plays it out in a slow driving beat that would
later become a genre of dance music called sleaze. The ensemble
here consists of Mona Lisa Young, Phyllis Rhoades and Lyndie White
is a disco display of sensual drama – a bit over the top but isn’t
that disco music? |
|
|
• Big Fun - Glenn Rivera ReStructure Mix - Inner City Inner City is Kevin Saunderson and Paris
Grey (Shana Jackson) – an innovative dance group which began a new
fused sound of techno/electronic dance the heavy bass beats of
house music. The mid-80s were an experimental time for dance music
and the crossover of DJ remixes influenced by their styles became
a sound which utilized looping piano and bass over heavy bass
beats. “Pump Up The Volume” by M.A.R.R.S. being one of the big
radio and club tracks to make a mark in this genre in 1987. The
house sound began as an alternative remix on pop/dance singles
which yielded the underground sound. “Big Fun” was released in
1988 and although it had an extreme impact on the club shift to
house and techno the years prior were definitely a testy of this
formula. The track is simple and dedicated to the Chicago house
vibration with a touch of techno and later to add acid elements to
the mix. |
|
|
• Body Party - Glenn Rivera ReStructure Mix - Brenda Mitchell Brenda Mitchell is a project from French
disco producer Pierre Jaubert (Michelle, Chantal Curtis, Ice)
whose music played a vital part in the evolution of disco music.
His work became the link between soul and disco with his 1977 work
under the name Michele and the project which would be picked up by
West End Records and remixed by legendary Tom Moulton. The cross
became the disco that would catapult itself as the outline for the
dance floors of the mid and late 70s. “Body Party” is not just
another link in this direction but also a track that was remixed
by another player in disco history – Patrick Cowley. His remixed
version from 1978 displayed his electronic touches with his
keyboards and synthesizers to add energy and a new innovation as
he did with Sylvester’s “Dance (Disco Heat)” and “You Make Me Feel
Mighty Real”. “Body Party” is the early sound of his later
production with Michele titled “Disco Dance”. |
|
|
• This Happy Feeling - Glenn Rivera ReStructure Mix - GQ GQ is a disco/funk band - Emanuel "Rahiem"
LeBlanc, Herb Lane, Keith Crier, Paul Service and Steve Adorno.
Their huge disco hit “Disco Nights (Rock Freak)” from 1979 gave
them the golden opportunity to become one of the recognizable
faces of a time period of dance music. Disco was always defined
with a variation of funk and soul combined with a heavy bass drum
and accentuated strings. GQ is a great demonstration of the disco
sound fused with funk and soul. “This Happy Feeling” is a single
from their 1979 album “Disco Nights” and holds all of the magic
the band created with their talents. |
|
|
• Love Is Magic - Glenn Rivera ReStructure Mix - Midnight Gang Midnight Gang is an Italo-disco ensemble
produced by Jacques Fred Petrus and Mauro Malavasi both
responsible for disco classics by Macho, Peter Jacques Band, Rudy,
Change, B.B. & Q. Band and The Ritchie Family. The formula which
this pair created in the mid and late 70’s paved a way for a disco
music to achieve a peak and succeed. “Love Is Magic” is from the
Midnight Gang project which features players from various sessions
compiled by Petrus and Malavasi and once again focuses on the
celebratory feel of dance music where lyrics are placed for sound
rather than meaning. The concept is another disco orchestration
from Petrus’ Good Music Production group and includes his
signature style and dedication. |
|
|
• Tunnel Of Love - Glenn Rivera ReStructure Mix - Carol Cooper Carol Cooper is a vocalist who released an
80’s high energy piece in 1985 titled “Tunnel Of Love” – produced
by Guy Ruvolo. This number was a club favorite thanks to its
everlasting riff where a vulnerable heart is ready to give into
strangers attempts. This was rolls out a percussion riff that is
the club sound of the 80’s all in one. Carol’s vocals paint a
wonderfully sweet “Alice In Wonderland” character in club land
being tempted and eventually falling deep. |
|
|
• Where Is My Man - Glenn Rivera ReStructure Mix - Eartha Kitt Eartha Kitt is a legend in music history.
Her unique vocal and sound is one that helped to create a mystique
on her aura. Many of her years are spent in an arena of being
‘Eartha Kitt” in her own sense. In 1984 she joined forces with
disco producers Jacques Morali and Henri Belolo – better known as
Cant Stop Productions – responsible for projects from The Ritchie
Family, Village People, The Lovers and Phylicia Allen. This once
again camp take on disco music’s lasting edge takes on Eartha in
her own formula where the essence is in her sound and reputation.
“Where Is My Man” was one of the 80’s club favorites for many
reasons and one of them is that is a perfect fit for Ms. Kitt. It
is taking “How To Marry A Millionaire” into a new stage. This one
will always mark the 80’s disco revival successfully and in its
underground self. |
|
|
• 101 - Glenn Rivera ReStructure Mix - Sheena Easton Sheena Easton became one of the 80’s dance
floor buttons to move. Her track “101” from 1988 is a piece
written and produced by Prince. The song is one of the
transformations from pop-dance to an underground flavor thanks to
remixes by Def House and their use of house bass and kick drums.
This one was a big hit in my club and carried through for months
as it blended well with the Italo-house and Chicago bass house
numbers of the time. Sheena delivers one of her lusty performances
which give her the darkness and sensuality of what the dance floor
in a disco realm is all about. |
|
|
• Fire Fly - Glenn Rivera ReStructure Mix - Azoto Azoto is an Italo-disco project from
producer/arranger Celso Valli. The disco band was originally
called Lucrethia And The Azoto 14,008 on their first project from
1978 titled “Dance Skinsation” and brought Italo-disco into the
limelight with the uplifting tracks and electronic fused
arrangements. “Fire Fly” is a symbolic love song of a relationship
that only takes place at night – most likely at the club – and the
excitement brings the guidance of a light in dark. The flowing and
bass looping sound is the perfect edge for the oddness of the
Azoto chorus which always has a childlike sound.
|
|
|
• Sweet San Francisco - Glenn Rivera ReStructure Mix - Queen Samantha Queen Samantha is a disco project from
France along with producers Harry Chalkitis and Charles Ibgui. The
group vocalist Gloria Brooks is the falsetto diva with a haunting
delivery which always gave this band a somewhat mystical realm.
Their big hit “Take A Chance” from their album “Queen Samantha II”
from 1978 gave them the dance floor as it became one of the big DJ
favorites and dancers release numbers. “Sweet San Francisco” is
from the same project and gives the same edge as this band
promises. It is a flowing piece with a moving wind which brings it
into play as a journey of sorts on the dance floor. Chalkitis
plays a big part of this band as he contributes many instruments
and also arranges. |
|
|
• Love To The Limit - Glenn Rivera ReStructure Mix - Bridgett Grace Bridgett Grace is a vocalist from the late
80’s house singer with a voice that set a fashion for the genre
itself. Leading the way for 90’s house like vocalists Dina Carroll
– whose delivery was a lounge standard feel: sophisticated and
beautiful. “Love To The Limit” is one of the pinnacle moments for
Bridgett as this song encompasses the 90’s techno-house sound and
energy with elegance. Produced by Jeff Mills, Mike Banks and
Underground Resistance, which commonly encompassed the Detroit
house sound with other elements. The 1992 release was always one
of my favs and till this day brings back the lovely days of a
disco diva swooning over beats and energy.
|
|
|
• Love Take Me High - Glenn Rivera ReStructure Mix - Loverde Loverde is Frank Loverde, Linda Imperial and Peggy Gibson – one of
the first disco groups to enter 1980. Following the loss of
interest that major record labels and the “disco fever” that the
trend seekers who were only involved due to the hype and over
marketing of the word “disco”. Disco was always an underground
concept. The wave from 1977 – 1979 created an audience that were
only along for the ride and until the next trend they could find.
In my opinion the return to underground roots during the early
80’s was the best for the music as it kept those who truly
believed in the meaning and creativity behind the art of disco.
Loverde is one of the San Francisco community disco groups that
included Patrick Cowley and Don Miley. This trio has a bit club
hit in 1982 titled “Die Hard Lover” which remained true to the
disco environment but in a new electronic arrangement which was
more pleasing for a new era and audience. Those who always loved
disco music, unlike the followers were all drawn to projects like
Loverde. |
|
|
• Spotlight - Glenn Rivera ReStructure Mix - Elton John Elton John takes a turn onto the dance
floor in 1979 along with disco producer, Pete Bellotte (Donna
Summer, Trax, Roberta Kelly, Marsha Hunt, Munich Machine). His
project “Victim Of Love” has Elton’s touch on material including a
disco cover of “Johnny B. Goode” – and also includes some of the
Munich disco session minds like Thor Baldurson as arranger. The
cuts are segued as a disco long play mix and utilize the beat with
the hard pounding mechanism which brings the means for a disco
|
|
|
• Casino - Glenn Rivera ReStructure Mix - Passengers Passengers is an Italian disco group who
began their big spin on dance floors in 1979 with their album
“Girls Cost Money” produced by Angelo and Felix Piccarreda – and
more notably arranger and conductor Celso Valli (Tantra, Azoto,
Nuggets). “Casino” is from their 1981 project with the disco flair
of the new electronic dance period of the early 80’s and disco’s
reputable chic edge. The fast moving number is a gamblers arena
where one spin or dram may change your life. This production again
gives Valli an opportunity for a simple disco pump and the
vocalists Chuck Rolando, Elwanda Contreras, Gesualdo Arena and
Mary Shaw to deliver a chorus for the excitement and thrills of
their world. |
|
|
• Who Do You Love - Glenn Rivera ReStructure Mix - THP THP is producers Willi Morrison and Ian Guenther, writer Bruce Ley
along with conducting by Pete Pederson. The session group began as
a project in 1976 titled “Early Riser” featuring a disco version
of the Theme from the television show “S.W.A.T.” – covered by
Rhythm Heritage more successfully that same year. The second and
third projects from THP (Three Hats Productions) were more notable
with the disco-pulsed “Two Hot For Love” and the four piece 40’s
big band infused “Tender Is The Night”. The finale project from
THP is “Good To Me” from 1979 which is a disco-popish dance
extravaganza in the live band fusion meets disco engineering. “Who
Do You Love” is the last track on the album which features
vocalist Joyce Cobb. A wonderful closing to numbers which all
bears a recognizable feature and the bluesy and soulful vocal by
Cobb. THP pours all they have into this project and for one of the
last full-on disco orchestrations and arrangements make this a
memorable listening and dance experience. |
|
|
• Nasty Disposition - Glenn Rivera ReStructure Mix - Aurra Aurra is one of the early 80’s funk bands which consisted of
members of the band titled Slave. This session band began its
recording career in 1980 with lead vocals from Starlena Young
whose voice is most recognizable in the Slave track “Just A Touch
Of Love” from 1979. “Nasty Disposition” is from their 1981 album
titled “Send Your Love” produced by Steve Washington which gives
the funk and disco arrangement its proper blend. The crossover
between the disco era of the late 70’s and the funk edge injected
to save dance music is a big part of this period. Many productions
using the dance formula were lowering BPM’s and giving more
resonance to the 80’s new funk sound and its disco influence. |
|
|
• Bad Love - Glenn Rivera ReStructure Mix - Donna Allen Donna Allen is an incredible vocalist. Her career began as backing
vocals for Miami Sound Machine and eventually leads to her solo
recording career in 1986 and her project “Perfect Timing” produced
by Lou Pace (Timmy Thomas, Nicole). Her single “Bad Love” from
this album was always my choice for an early evening warm-up
following the success of “Serious” which caused a big impact both
in radio play and club dance floors. “Bad Love” is one of those
funk-fests that are powered by Donna’s soulful and powerful vocal.
The electronic street production play along with the tailored sass
and smooth rhythms. One of my favorite vocal performances in this
genre. |
|
|
• On The Beat - Glenn Rivera ReStructure Mix - D.F. & Pam D.F. and Pam are Daniele Francescon and Mauro Pilato. Their 1983
single “On The Beat” is one of the Italo-disco tracks which helped
me to identify the importance of this genre in the history of
dance music. This one has the feel of energy yet a mild and smooth
delivery of keyboards and synthesizers which give the continuance
of disco music in electronic form its reason. The cover artwork
always reminded me of the early venture from Jacques Fred Petrus
and his production of Change (“The Glow Of Love”) and the lent
title of his B.B. & Q Band track. It would have been robbery had
it been duplicated, but not since the production takes on a whole
new light. This one was always a tug of war on whether to pay the
“a” side vocal or give the dance floor a new experience with the
”b” side dub/instrumental. It is solved here by myself for me by
combining them both. |
|
|
• No Way Out - Glenn Rivera ReStructure Mix - Doris Jones Doris Jones is a vocalist who Ian Levine brought to the U.K.K. in
the mid-70’s to record his sound which became a powerful vocal
over his lush and orchestrated disco productions. This sound
became a unique and identifiable edge for Levine as his vocalist
always played to the hilt as the Broadway infused arrangements
were always a sensation on dance floors. “No Way Out:” is the
disco era of divas champion theme where love takes hold and never
let’s goes and the song displays the emotion with a resonating
emotion. It is released in 1977 and is one of the Levine and
Fiachra Trench steps to their eventual mastering of the disco
sound. |
|
|
• Pump Up The Jam - Glenn Rivera ReStructure Mix - Technotronic Technotronic is a Belgium group produced by Jo Bogaert and the big
club hit “Pump Up The Jam” became the sensation of 1989. Following
house music of the mid-and late 80’s came an experimental period
of beats and eclectic keyboards in many variations which brought
the rave and techno edge to life. Technotronic merged the obscure
sound of rap and acid house into a sound which brought the
elements to a maximum. “Pump Up The Jam” is the starter kit for
techno music and worked in the underground energy into a whole new
edge of music for the 90’s. |
|
|
• Handsome Man - Glenn Rivera ReStructure Mix - Sparkle Tuhran Sparkle Tuhran is a vocalist from an ensemble titled Friends who
in 1979 recorded the project titled “Trans Am Dancing” – produced
by Jean-Pierre Massiera, John Brown III and Mike Felder. The track
“Handsome Man” is the dance piece which has become a story on its
own when Larry Levan of Paradise Garage made it a classic by
identifying its raw soulful vocal and unique striped instrumental.
A genre which would later become “garage music” and then later
“house” music following synth-pop. The song was immediately a big
hit among those who following the disco wave returned to the
underground club sound and created a style of music for the early
80s which is now a part of music history. |
|
|
• Just Gotta Tell Her - Glenn Rivera ReStructure Mix - Hot & Cold Hot & Cold is an Italian disco project from Gianfranco Bortolotti
and Pieradis Rossini from the mid-80’s and following in the
footsteps of session groups like Fun Fun. Their outline is similar
in a synth-pop direction and common sweetness shared. “Just Gotta
Tell Her” is their single from 1987 which sweeps high and low with
a bombarding edge of percussion and synthetic orchestral
movements. The feel of this one is a memorable and melodic journey
which made it a favorite among those Italo-disco followers. The
studio ensemble consists of Angela Parisi, Antonella Pepe and
Ivana Spagna in the chorus giving Italian disco music another
charge of energy and sweetness. |
|
|
• Righteous Rhythm - Glenn Rivera ReStructure Mix - Rose Royce Rose Royce is a band formulated by legendary producer Norman
Whitfield for the soundtrack of the motion picture “Car Wash”. The
band existed prior to the soundtrack as Total Concept Unlimited
and then during the soundtrack work a new member – the only female
member, Ms. Gwen Dickey became the completion of Rose Royce. The
instrumental pieces of Whitfield’s control of the sessions are
truly the cross between soul and funk of the mid-70s and also a
lead into the disco realm of music bigger than a radio box
exploding in variations. |
|
|
• Central Park - Glenn Rivera ReStructure Mix - Martina Martina is a disco artist from La Drogueria Di Drugolo also known
as Kat Mandu Productions and the production team responsible for
Tantra (“Hills Of Kat Mandu”, “A Place Called Tarot”) and Lama
“Love On The Rocks”, This project titled “Disco Round The World”
was released in 1980 and featured several disco tracks with the
electronic pulse which became the 80’s merge of Italo-disco and
synth-pop. “Central Park” was a single from the album which sounds
more like a move on the high energy tracks with a touch of funky
guitars and some nice groove breaks. It is an obvious salute to
New York’s day and night playground and brings a mysterious feel
to life in this track from Martina. |
|
|
• Chinese Ways - Glenn Rivera ReStructure Mix - Secrets Of
China Secrets Of China is a Belgium Beat project from Herman Gillis, Jo
Casters, Roland and Beelen. Their track “Chinese Ways” from 1988
was a part of the new beat movement of the late 80s. A style that
was by legend, created by slowing down 45 disco electronic tracks
to lower BPMs and exploring the edge of the electronic groove. In
many of the selections from this genre you are only given segments
of rhythms and tracks that are heavily stamped with riffs and
samples. Some samples a bit racy and instigated a cult following.
“Chinese Ways” has a fantastic groove which always caught my ear
and the smooth looping keyboards always were a house-like
experience that was hypnotic. |
|
|
•
I Need A Man In My Life - Glenn Rivera ReStructure Mix - Katie
Kissoon |
|
|
•
Evolution - Glenn Rivera ReStructure Mix - Giorgio Moroder |
|
|
• Sex Appeal - Glenn Rivera ReStructure Mix - Sophie St. Laurent |
|
|
• Brazil - Glenn Rivera ReStructure Mix - The Ritchie Family |
|
|
•
Won't You Let Me Be The One - Glenn Rivera ReStructure Mix -
Michael McGloiry |
|
|
•
Nasty - Glenn Rivera ReStructure Mix - Janet Jackson |
|
|
• Voices In The Dark - Glenn Rivera ReStructure Mix - Mike
Cannon |
|
|
•
Dirty Talk - Glenn Rivera ReStructure Mix - Klein & MBO |
|
|
• No Credit Cards - Glenn Rivera ReStructure Mix - Amanda Lear |
|
|
•
Some People - Glenn Rivera ReStructure Mix - Cliff Richard |
|
|
•
Burn It Up, Mr. D.J. - Glenn Rivera ReStructure Mix - Risqué |
|
|
• Love Attack - Glenn Rivera ReStructure Mix -
Amber |
|
|
• On The Road To Mandalay - Glenn Rivera ReStructure Mix -
Harlow |
|
|
•
You Know I Like It - Glenn Rivera ReStructure Mix - Nick
Straker Band |
|
|
•
Perfect Fit - Glenn Rivera ReStructure Mix - Jerry Knight |
|
|
•
Fuego - Glenn Rivera ReStructure Mix - Mali Carvalho |
|
|
•
I'm In Too Deep - Glenn Rivera ReStructure Mix - James Bradley James Bradley is a soul/disco artist who was a part of Henry
Stone’s disco label Malaco Records. His self-titled album released
in 1979 was produced by Frederick Knight – who also gave us Anita
Ward’s “Ring My Bell”. The single “I’m In Too Deep” is one of the
12” releases from the project and received some play early on and
then vanished out of sight due to the many releases during this
peak year for disco music. This track had some wonderful elements
like many of the tracks on this album. The sequencer shooting
energy into this love song work well with the energy. This one is
a T.K. Records 12” classic and should bring to mind a touch of
soul with the hardcore disco punch. |
|
|
•
The Love I Lost - Glenn Rivera ReStructure Mix - Seventh
Avenue |
|
|
• Shine A Little Love - Glenn Rivera ReStructure Mix - Les Blues
Belles |
|
|
•
Another Life - Glenn Rivera ReStructure Mix - Kano |
|
|
•
Laser Light - Glenn Rivera ReStructure Mix - Latin Lover |
|
|
•
Can The Rhythm - Glenn Rivera ReStructure Mix - Girl Talk |
|
|
• Motown Review - Glenn Rivera ReStructure Mix -
Philly Cream |
|
|
• Everlasting Love - Glenn Rivera ReStructure Mix - Vicki Sue
Robinson |
|
|
• Burning Spear - Glenn Rivera ReStructure Mix - The Salsoul
Orchestra |
|
|
• Law Of The Land - Glenn Rivera ReStructure Mix - The Professionals “Law Of The Land” is a track recorded by The Temptations and The
Undisputed Truth in 1973 and produced by Norman Whitfield (Rose
Royce, Stargard, Gladys Knight and The Pips, Edwin Starr). The
song crossed into the realm of disco with it rhythmic edge and
rolling bass parts. It became one of the underground gems of the
dance community and is covered here by a studio group from Belgium
called The Professionals. This cover comes close to original with
an electronic production lifting it into the 80’s synth-pop arena.
It is close to what may have influenced Fancy’s “Come Inside” from
1984 as it shares similar bass and rhythm attributes. The
Professionals version also gives a female vocal that brings the sg
into more of a disco feel. Their version was released in 1985 and
was produced by J.P. Bulté. |
|
|
• Loveride - Glenn Rivera ReStructure Mix - Nuance featuring Vikki Love Nuance featuring Vikki Love is one of the freestyle headliners in
clubs during the mid-80s. Their 1984 freestyle classis “Loveride”
is one of the most unforgettable beat driven dance tracks of its
time. Vocals here are provided by Vikki Love and set the beats on
fire all over again as she tells of her deepest fantasy over and
over. It is a soulful rendition which gives an open gate to the
divas of the time for a challenge. It has always been one of my
top plays of the period and still today when I hear that chorus
riff I cannot get it out of my head |
|
|
• Take Me To The Top - Glenn Rivera ReStructure Mix - Advance Advance is an Italo-disco funk project from Italian producers
Alvaro Ugolini and Dario Raimondi – who also gave us Fun Fun and
Monkey Business. This piece is one of the New York funk crossover
productions closely immolating the edge that Jacques Fred Petrus
brought with Mauro Malavasi with the band Change. The
extraordinary and melodic feel of the song is captured by vocalist
Tracy Ackerman of studio high energy groups Astaire, Mirage and
Massivo. The keyboards are a longing for the crisp and emotional
effect where dance becomes more of a ritual. “Take Me To The Top”
is one of the hidden gems of Italo-disco in a shift from the
traditional 80’s high energy into an arena of emotions and funk. |
|
|
• Life At The Outpost - Glenn Rivera ReStructure Mix -Skatt Bros. Skatt Bros. are Craig Krampf, David Andez, Pieter Sweval, Richard
Martin-Ross, Richie Fontana and Sean Delaney. This band was
formulated by Sean Delaney and Ritchie Fontana at the tail end of
the 70’s and their first album titles “Strange Spirits” was a
production from the THP team Willi Morrison and Ian Guenther (THP
Orchestra, Grand Tour, The Duncan Sisters, Sticky Fingers,
Southern Exposure). The project included two dance floor hits –
“Walk The Night” and “Life At The Outpost”. The band had a rock
edge with a few remix ventures for the two tracks which caught on
to clubs. “Life At The Outpost” is a slight western flair piece
that has a catchy riff that will stick in your head with a roaring
guitar twang bridge. It was one of the big dance floor numbers in
many of the gay clubs and another shift for dance/disco music
during the late 70s. |
|
|
• Tempt Me - Glenn Rivera ReStructure Mix - Lisa Lisa (Lisa R. Fredenthal-Lee) is a singer/artist and high energy
80’s diva. Her big club hit “Jump Shout” from 1982 helped to
revive the dance community into a new era of movement and unity.
Her music was always uplifting and abstract as her persona teased
and delivered. “Tempt Me” is an electronic high energy track
produced by Ian Anthony Stephens and Paul Parker and was released
in 1985. A fast reverberating dance number that explodes
(literally) with excitement and a touch of tease from Lisa’s at
times sexy. |
|
|
• Touch by Touch - Glenn Rivera ReStructure Mix - Diana Ross Diana Ross released her 1984 album “Swept Away” in 1984 and proved
that this legend goes on and on. This album helped to continue her
iconic career as a pop-icon in the dance arena of the 80’s – a
much diversified time and place for dance music. The track "Touch
By Touch” has always been one of my favorites from the project
since it outlines and uplifting love anthem with a Calypso feel.
It was one that I would play directly from the album cut during
the early build of the evening. The track gives Diana an
opportunity to device her sexy vocals over a rolling dance rhythm
and plays out very well for both. |
|
|
• The Force - Glenn Rivera ReStructure Mix - Nancy Nova Nancy Nova is a unique dance artist whose big club hit “The Force”
from 1981 was a refreshing taste of experimental electronic music
with a wonderful strange edge. It was another return to the
innovation of disco music since the mid-70’s when Meco and Rhythm
Heritage were disco-fying popular film and television soundtracks.
In “The Force” Nancy brings here vocals into the memorizing sound
of a 50’s sci-fi flick with a host of thumping rhythm guitars and
a chorus of galactic aliens. One of the big “forces” of the club
underground club scene of the early 80’s. I personally preferred
this one as an after-hours introduction to a new set of dance
music for the imagination however it works in many areas. |
|
|
• You Keep Me Hangin' On - Glenn Rivera ReStructure Mix - Tata Vega Tata Vega is a Motown artist who began her solo career in 1976 on
Tamla Records. Her voice is recognizable with the soulful and funk
edge she creates with adlibs and delivery. Best known for her
vocals in the film “The Color Purple” where she sang under the
character Shug Avery – produced by Quincy Jones. Tata’s album “Try
My Love” from 1978 featured a classic disco hit “I Just Keep
Thinking About You Baby” and kept dance floors waiting for her
presence once again. “You Keep Me Hangin’ On” is her cover of The
Supremes Motown classic and is produced by Winston Monesque in
1980. The production is an electronic production with a light
touch of funk which supplies a wonderful foundation for Tata to
play out her style in this recording. More of her soulful talents
are drawn out and spotlighted throughout the arrangement. |
|
|
• Guilty - Glenn Rivera ReStructure Mix - Hotline Hotline is a studio project from producer Bobby Orlando and
outlines the synth-pop 80’s in a high energy light. Fast moving
and erratic sequencers percolate over heavy percussion and bongo
tracks are the production which brought this formula to its
greatest effect in the mid-80’s. Orlando’ Hotline began as a take
on his productions by The Flirts and his big hit with “Passion” –
and his own parody on his music created the formula which many
dancers will remember as infectious and hard to resist. “Guilty”
is another simple melody piece that has the confessions of a
cheating lover who turns themselves in with more resentment and in
this light “rhythm”. It was one of the big identifiers for Orlando
during the time and still a favorite among his followers and me. |
|
|
• Give It Up - Glenn Rivera ReStructure Mix - K.C. and the Sunshine Band K.C. and the Sunshine Band are the cream in a cup of disco. Their
music changed the sound of dance music during the mid-70 and
created what was known as the Miami Sound and then disco music.
Their classic songs “That’s The Way (I Like It)” and “(Shake,
Shake, Shake) Shake Your Booty” helped to pave the market for a
disco boom during the mid and late 70’s. “Give It Up” is a track
from 1982 and works within the 80’s shift in dance music for K.C.
since his iconic sound was a force within itself. His signature
rhythm guitars are the pulse of the music. |
|
|
• Vibes - Glenn Rivera ReStructure Mix - African Suite African Suite is a disco project from producer Ritchie Rome – who
also brought us The Ritchie Family, Westside Strutters and Flower.
His movement here is a theme in a mystical disco ream in a fantasy
in Africa. The title of the project speaks to itself. “Vibes” is a
piece from a medley where whispery femme narrators outline strange
phrases and mystical chants. One of the nice elements here are the
drums and percussion which were the building blocks of the late
70’s disco period. Although Rome created a very strange production
it plays out very well in the disco realm of adventure and
mystery. One of those early morning sounds that I always admired. |
|
|
• Give Me Back My Heart - Glenn Rivera ReStructure Mix - Robin Wright Robin Wright is one of the 80’s voices from the high energy genre
which marked a nice growth in dance music history. Along with
producers Ian Gant and Ian Anthony Stephens they created a blend
of deep house music and high energy which brought some of the
transition into the light. Under the title Midnight Shift several
singles in the high energy vein were released and began their
legacy on dance floors. “Give Me Back My Heart” is their single
from 1988 and is a song following heartbreak and realization. It
is an emotional piece that plays out with a production featuring
all of the elements of the high energy genre. The beauty of this
song is the production and the resonating keyboard riffs. |
|
|
• Hookey - Glenn Rivera ReStructure Mix - Sylvi Foster Sylvi Foster is Domenico Ricchini and is also known as Joe Yellow
(“Lover To Lover”) during the early 80’s when Italo-disco began to
take over dance floors. “Hookey” is his second single released in
1982 on Discomagic Records and one of the well-known progressive
tracks of the time utilizing heavy synth keyboards and a unique
vocal style. It was an expression of electronic bands like Yaz a
few years earlier from Vince Clarke where his experimental work
began a new era of dance music. The song as Sylvi plays out a
strange love sonnet for a romance with a “cat call” for her
affection. One of the big Italo-disco pieces that many progressive
DJs were able to program and make use of it’s originally. |
|
|
•
I Can Feel Your Heartbeat - Glenn Rivera ReStructure Mix - Chris
Rea |
|
|
•
Gloria - Glenn Rivera ReStructure Mix - Santa Esmeralda |
|
|
•
Chemical Romance - Glenn Rivera ReStructure Mix - X-Factor |
|
|
•
Nineteen Ninety Three - Glenn Rivera ReStructure Mix - Lama |
|
|
•
In The Middle - Glenn Rivera ReStructure Mix - Unlimited Touch |
|
|
•
Hold On To This Moment - Glenn Rivera ReStructure Mix - Mystery |
|
|
•
Doctor's Orders - Glenn Rivera ReStructure Mix - Maegan |
|
|
•
Freaky Behavior - Glenn Rivera ReStructure Mix - Bar-Kays |
|
|
•
The Big Hurt - Glenn Rivera ReStructure Mix - BearEssense |
|
|
• Tonight - Glenn Rivera ReStructure Mix - Nightlife Unlimited |
|
|
• Reincarnation (Coming Back For Love) - Glenn Rivera ReStructure
Mix - People Like Us |
|
|
• Red Hot Stuff - Glenn Rivera ReStructure Mix - Magic Lady |
|
|
• Yours And Yours Alone - Glenn Rivera ReStructure Mix - Esther
Williams |
|
|
• Body Talkin' - Glenn Rivera ReStructure Mix - Kathy Barnes |
|
|
• Love Is The Groove - Glenn Rivera ReStructure Mix - Betsy Cook |
|
|
• My Obsession - Glenn Rivera ReStructure Mix - Meri D. Marshall |
|
|
•
I Can Do It (Anyway You Want) - Glenn Rivera ReStructure Mix -
Final Edition |
|
|
• Shockwave - Glenn Rivera ReStructure Mix - David Knopfler |
|
|
• Be Yourself - Glenn Rivera ReStructure Mix - Air Power |
|
|
• Do You Know The Way To San José? - Glenn Rivera ReStructure Mix
- Croisette |
|
|
• Burnin' Alive - Glenn Rivera ReStructure Mix - Tony Rallo & The
Midnite Band |
|
|
• Heobah (Hey-O-Bah) - Glenn Rivera ReStructure Mix - Fonda
Rae |
|
|
• All The People In The World - Glenn Rivera ReStructure Mix -
Carol Jiani |
|
|
•
Let Go, Let Go (Let Love Be The Driver) - Glenn Rivera ReStructure
Mix - Kellee Patterson |
|
|
•
Let It Flow - Glenn Rivera ReStructure Mix - Tamiko Jones |
|
|
•
Waiting For A Train - Glenn Rivera ReStructure Mix - Moonbase |
|
|
•
Every Breath You Take - Glenn Rivera ReStructure Mix - Otis
Liggett Otis Liggett (Evan Rogers) is the artists responsible for
electrifying The Police’s 1983 rock-ballad, “Every Breath You
Take” – produced by Tom Coyne. This cover remained one of the
powerhouse street dance tracks of the early 80’s with an identity
close to the Shannon-sound (“Let The Music Play”) created earlier
in the year. This heavy beats version takes the melody into a
beatbox environment and plays it out in parts along with Evan
Rogers’ wonderful reggae like vocal. This one stands alone as a
true to the original with the bells and whistles of the dance
floor of the period. |
|
|
•
Satisfy - Glenn Rivera ReStructure Mix - Soif De La Vie featuring
Lyma Russel |
|
|
• Your Love Left It's Mark On Me - Glenn Rivera ReStructure Mix -
Sarah Dash |
|
|
• Jerky Rhythm - Glenn Rivera ReStructure Mix - Erotic Drum
Band |
|
|
•
In The Night - Glenn Rivera ReStructure Mix - Cheryl Lynn |
|
|
•
Have Fun (Again) - Glenn Rivera ReStructure Mix - Diana Ross |
|
|
•
In The Year 2525 - Glenn Rivera ReStructure Mix - The Act
featuring Clinton III |
|
|
• Gone With The Music - Glenn Rivera ReStructure Mix - Voyage |
|
|
• Magic - Glenn Rivera ReStructure Mix - Bella & Blue |
|
|
• Shake Me Up - Glenn Rivera ReStructure Mix - Cheryl Dilcher Cheryl Dilcher is a 70’s rock singer who began her recording career in 1970 singing psychedelic rock and folk music. Her career lead into the disco era where she was picked up by the dance label Butterfly Records – headed by A.J. Cervantes. During the disco boom many artist were attempting a comeback or break out by recording a disco track was customary and some were successful. “Shake Me Up” is a production from Jim Taylor who is known for his disco album from 1979 titled “ Bernadette” and also his affiliation with THP Orchestra and Blackwell. The love song sounds like early disco music with the swirling violins and heavy percussion elements. This may have been a safe play for a track that DJs would warm up to but during the release it was lost amidst many disco albums and singles pouring out onto dance floors and disc jockeys hands. It is one that holds a few irresistible hooks from Cheryl’s vocal delivery and the work on strong bongo fills. I have taken the 12” version of “Shake Me Up” and reworked a new ReStructure Mix with more of those bongos beating in and out of a new layer of percussion. The song has a new fade as well as more of the chorus that definitely feels like a disco riff more than it sounds. |
|
|
• Robot Is Systematic - Glenn Rivera ReStructure Mix - 'Lectric Worker ‘Lectric Workers are Franco Rago, Gigi Farina and X. Monneret – an Italo-disco project on Discomagic Records who released their first single, “Robot Is Systematic” in 1982. The single is one of the early Italo-disco tracks which became instrumental in both innovation and energy. It was picked up by San Francisco’s premiere DJ Subscription service and featured a remix by Steve Algozino (of Zino “Walk Away Satisfied”). The song uses a strange array of keyboard riffs and short interludes – very reminiscent of Trans-X’s “Living On Video”. An Italo-disco classic which one who desires the weaving of rolling bass sequencers and 50’s sci-fi scores a must. I have taken the 12” version of “Robot Is Systematic” and reworked a new programming for this ReStructure Mix. I have added a familiar 80’s riff to the foundation to lend a bit more excitement and also approached the arrangement in a whole new way. |
|
|
• Fools Are Friendly - Glenn Rivera ReStructure Mix - Xclusiv I have taken the 12” vocal and instrumental and recreated a new ReStructure Mix for a new act on this underground classic. More rhythms are added to bring the track and it’s EQ up to a slight more energy.
|
|
|
• You Fooled Me - Glenn Rivera ReStructure Mix - Grey and Hanks I have taken the 12” vocal and instrumental to recreate a new ReStructure Mix to outline this classic sound. More downbeats are added to give the new edit more drive and energy. |
|
|
• Non Stop - Glenn Rivera ReStructure Mix - Patrick Hernandez Patrick Hernandez became a household name is discotheques following his big 1979 disco anthem “Born To Be Alive”. Patrick performed his hot track in his unique and gentlemanly deliverance for audiences around the world bringing attention to his artistic approach to disco music. “Non Stop” is a single released in 1982 – produced by Jean Vanloo and parodies life as a pinball machine in a rhythmic sense. The impact is a bit less than his “home is where the heart is” message in “Born To Be Alive” but for the 70’s pinball craze it is a disco philosophy for dancing only. I have taken the 12” version of “Non Stop” and created a new ReStructure Mix using many of the riffs I found attractive. It pumps longer in the areas where the groove can work the song and gives way to a fade with new drums and effects. |
|
|
• Kiss Me Again - Glenn Rivera ReStructure Mix - Dinosaur Dinosaur isArthur Russell and Nicky Siano – a duo creating an alternative disco track titled “Kiss Me Again” from 1978. Vocals are provided by Myriam Valle who was a member of the band Desmond Child and Rouge (“Our Love Is Insane”). This one always reminded me of the 60’s Janis Joplin styled track that utilizes Russell’s cello solos and a guitar accompaniment from David Byrne. A heavy dose of dreamy and induced love where the desperation becomes the essence of a moody rock track or an early morning dance song. It plays out in a memorable fashion and has always been one of my favorites from the period which helped to create a new direction for alternative funk and disco. I have taken the 12” version of “Kiss Me Again” and created a new ReStructure Mix with a new intro and some pumped up bass lines. The dreaminess of the track is intact so that the original flow can work on its own again. |
|
|
• Thank You Baby - Glenn Rivera ReStructure Mix - Rudy I have taken the album version of “Thank You Baby” and recreated a new ReStructure Mix for this fabulous piece. I have focused more on the rhythm and breaks to provide an ample remix. Added drums and breaks are more of the challenge here. |
|
|
• I Love Everythng You Do - Glenn Rivera ReStructure Mix - Susan Stevens Susan Stevens is a Canadian dance music vocalist who was produced and created by Johnny Dorazio, Robert Brewster and Tony Bentivegna – who also worked on the Nightlife Unlimited project on Casablanca Records. This phase in the early 80’s was a retrospect of late 70’s disco with a full electronic production. The endearing melodies and strong female vocalist were still upfront as productions as this proved that dance floors were still clamoring for beautiful feel music to move to. “I Love Everything You Do” is a single released in1983 and uses whirling synths and light keyboard riffs to bring the love song to a crescendo. I have taken the 12” version of “I Love Everything You Do” and created new ReStructure Mix adding some new beats and breaks to give the song more of a dance floor edge. The works are still intact with a few new surprises. |
|
|
• Weekend - Glenn Rivera ReStructure Mix - Mick Jackson Mick Jackson (Michael George Jackson-Clark) is British artist, songwriter and singer who are best known for his composing “Blame It On The Boogie” – a song he recorded and also recorded by The Jacksons 1978 album “Destiny”. During the high point of disco music’s peak in 1978 marketing and releases were at their most celebrated and was a must for new, old and continuing singers and bands to release a single that was dance formulated for discotheques. “Weekend” is an anthem that shadows closely the funky sound of “Blame It On The Boogie” with a pop-effervescence that is truly the “disco single” of the time. I have taken the 12” vocal and instrumental of “Weekend” and reworked a new ReStructure Mix with a new outline on breaks and also a fade in. There is some new percussion to assist the groove and a longer exit. |
|
|
• Heat You Up (Melt You Down) - Glenn Rivera ReStructure Mix - Shirley Lites Shirley Lites is a West End Records artist who’s 1983 release “Heat You Up (Melt You Down)” made her a remedy for aching dance floors. The track was produced by Frank Fioravanti, Joe Parente and Lou Parente – and was one of the great tracks which helped to give clubs like Paradise Garage their iconic sound. The bass drums on a reverberating echo chamber are the deep hidden groove and help to bring out the sound of New York street music of the mid 80’s. The creation of a soulful diva waving her notes in and out of this melodic groove became one of this period of dance music its flair – similar to what Sharon Redd’s “Beat The Street” formulated in 1982. Shirley Lites plays out this night of exuberance like a pro with her wonderful accompaniment and soulful style. This is one of those dance floor moments that can only be explained when experienced however the lure is all about the mystique. I have taken the 12” vocal and “melt down mix” into a new ReStructure Mix experience and reworked this fire into another play. It uses those thumping beats and smooth keyboards to capture the sound which got away much too soon. |
|
|
• Save Yourself For Me - Glenn Rivera ReStructure Mix - Dee Dee Martin Dee Dee Martin is Jill Saward – a high energy project from producers Fred Bolero and Jeff Rivell. This is one of the early breakout projects from Passion Records in the early 80’s when their dedication to keeping the disco sound from the late 70’s alive. The edge of these productions followed closely a sound created by The Simon Orchestra – plenty strings (synthetic strings), a heavy bass synthesizer and pounding orchestral drums. This sound became the dance explosion once again during this period and soon became the driving force of high energy music. “Save Yourself For Me” is a lyrical love song with the Passion Records sound that echoes their big releases “Catch Me (I’m Falling In Love)” by Marsha Raven and “Got To Get To You” by Charade. The vocal from Jill Saward is one of the sweetest parts of the track and gives it the right edge for a love song. I have taken the 12” version of “Save Yourself For Me” and recreated a ReStructure Mix which takes the beat and rhythm tracks to a new foundation. It moves the verses around and gives way to some new breakdowns. |
|
|
• Love Is - Glenn Rivera ReStructure Mix - Thoty Thoty is Salvatore Vitale – an Italian vocalist who released the 1985 single “Love Is” produced by Paul and Peter Micioni (Gary Low, Klaudia, Bo Boss, Gazebo). This piece is an early morning gem that shines like a dance palace standard. It rings out the 80’s pop-rock sound with more of the Italo-disco elements guiding it along. Often mistaken as a number that may have been an 80’s band ala Cock Robin or of the sorts. “Love Is” is a flowing song that gives Thoty a nice arena to belt out in desperation just how much a romance means to his own. It is an effective number and wonderfully arranged by Micioni’s with the flair they have always given their projects. I have taken the 12” and club version of “Love Is” and reworked a new ReStructure Mix with a new edit and some new elements to assist in this new light. A few samples of another big 80’s icon take side stage to remind us of how a love song can make the floor shutter with delight. |
|
|
• Cold Turkey - Glenn Rivera ReStructure Mix - Chris Mills Chris Mills is a Canadian disco singer whose album from 1981 echoes the high energy sound that was created by Joe La Greca and Denis Lepage. This electronic production is similar to the big sound that was changing the face of dance music in the early 80s by artists like Vera, Carol Jiani and Lime. “Cold Turkey” is from the self-titled album and was written by Denis and Denyse Lepage and gives Chris an opportunity to display his soulful edge to heartbreak and his moments following the demise of a relationship. This one pumps out like an electronic street- track with a keyboard arrangement that gives way to the drama. A nice piece of synth-pop with the 80’s energy sound fused in. I have taken the 12” vocal and instrumental of “Cold Turkey” and reworked the beats, bongos and vocals into a ReStructure Mix. This re-edit adds a new bass beat to pound below the motorized percussion with more of the tracks instrumental used as breaks and to the songs layout. |
|
|
• What's She Got - Glenn Rivera ReStructure Mix - Liquid Gold Liquid Gold is a disco band from United Kingdom and includes Ellie Hope, Franco Morruzzi, Ray Knott, Syd Twynham and Wally Rothe. The production from Adrian Baker is one of the big sounds of the late 70’s disco era which united the pop-edge of dance music. Lead vocalist Ellie Hope is one of the definitive parts of the band and it’s magic. “What’s She Got” is a single released in 1983 and is produced by Rob Davis and Tony Taverner – this following the new era of disco/dance music where more of a down beat was being emphasized. The track was a popular one among many clubs that were still invigorating the disco sound as well as the new Italo-disco wave. I have taken the 12” vocal and instrumental of “What’s She Got” and re-pieced together the rhythm and percussion sections for this ReStructure Mix. It has been reedited with more of the drive and energy in mind. |
|
|
• Summernight City - Glenn Rivera ReStructure Mix - Astaire Astaire is one of the early high energy projects from Passion Records and producers John Davies, Nigel Stock and Robin Sellars. During an important period for dance music in the early 80’s this trio along with vocalist Tracy Ackerman created the sound of Passion Records with the symphonic high energy edge. Dance floors were still moving to the heavy disco beat but now in a new way. A hardcore blend of striking keyboards and heavy drum fills was the pace for dance music and soon became the recipe for high energy disco music. “Summer Night City” is a cover of the 1978 ABBA track and takes the pop-song into a heavy rolling house-feel. It plays out well as Tracy Ackerman’s familiar vocal is a touch of soulful beauty with the disco edge. It is a reminder of just how exciting the 70’s night was and how it affected our worlds. I have taken the 12” version of “Summer Night City” and reworked a bit of the rolling bass synths along with some new beats for this ReStructure Mix. There is more of a movement here more towards the dub sound although the verses remain intact. |
|
|
• Don't Let Your Chance Go Bye - Glenn Rivera ReStructure Mix - Watson Beasley Watson Beasley is Alfred Beasley and Gina Watson – a duo that fit into the early 80’s like new glove. Their soulful voices were pumped into a sound that crossed lightly into an 80’s nu-wave edge. Produced by Peter Alves (Witch Queen, Lafleur, and Soiree), Alfred Beasley and Gina Watson and recorded in Montreal this masterpiece is one of the projects which helped to keep the 80’s alive with the matured sound of disco music which many producers and artists from Canada had created and fed. “Don’t Let Your Chance Go By” is a nice pop-edged number that always reminded me of “What A Fool Believes” by The Doobie Brothers with a whole lot more of soulfulness and drive. It is one of the hidden gems of the period and always brought an early dance floor to me when included in my early evening sets. I have taken the album version of “Don’t Let Your Chance Go Bye” and reworked a new ReStructure Mix with more emphasis on rhythm and a new outline. More of the verses are set in motion with new percussion and a few samples from a Motown classic. This ReStructure Mix is dedicated to Alfred Endure Beasley – in thanks for his contribution to music history on the dance floor. |
|
|
• Peaks and Valleys - Glenn Rivera ReStructure Mix - Hott City! Hott City! Is a disco studio group from Jeffrey Steinberg and Jeffrey Parsons and features several vocalists on different tracks on the project “Ain’t Love Grand”. Released in 1979 this five track album was another one of the Butterfly Records gifts to the disco community with all of the trimmings that had evolved from the disco works of the late 70’s. “Peaks and Valleys” is the last number on the ride and is second track featuring vocalists Mildred Vaney and Ortheia Barnes – ho later became Cut Glass and recorded under the same producers the disco classic “Without Your Love” from 1980. “Peaks and Valleys” tells the story that the disco era simply was – a breath of fresh air for tired eyes and minds. It builds like an anthem which seemed the norm for these two wonderful ladies behind the vocals. I have taken the album version of “Peaks and Valleys” and recreated a new depth in this ReStructure Mix. There is longer intro and more breaks to remind us of what a lifesaver the dance floor was in the late 70’s. |
|
|
• Never Say Goodbye - Glenn Rivera ReStructure Mix - Chip Chip Chip Chip is an Italo-disco project from producer Michael Gordon and features
I have taken the 12” vocal and instrumental of “Never Say Goodbye” and recreated a new ReStructure Mix using the drums and percussion in a new display. More of the rolling keyboard loops and sequencers break the verses into new energy. |
|
|
• Make It Love - Glenn Rivera ReStructure Mix - Debbie Jacobs Debbie Jacobs is one of disco music’s powerful artists. Her voice is a force of energy and beauty among the bass and roaring disco arrangements. Her second album “High On Your Love” from 1980 is another production from Paul Sabu and plays out as the perfect follow up to her “Undercover Lover” from 1979. “Make It Love” is one of the tracks which always stood out to me since it promotes the arrangement of a light rock edge keyboards and guitars in a funky disco arrangement. The riff is an opportunity to feel Debbie’s contagious delivery which always made her music a part of disco dance floors. I have taken the album version of “Make It Love” and recreated a new ReStructure Mix to give these one another turn. More swing beats are added to brings it more of the pulse of the street beat sound |
|
|
• Sessomatto - Glenn Rivera ReStructure Mix - Sesso Matto Sesso Matto is Armando Trovaioli – an Italian film composer whose 1976 track titled “Sessomatto” is one of the classic disco pieces for West End Records. The song was a part of the soundtrack for “How Funny Sex Can Be”. The jazzy and sexy song also gives credit to early disco pioneers Barry Lederer and David Mancuso (The Loft). As one of the early releases as a disco singles and the European flavor and att8itude of chic disco music. It was this unation of funky elements which made disco music as sexy as it was. “Sessomatto” is a formula which brings together a funky groove and a few riffs that echo over and over. As this one plays out you can feel the early 70’s funk influencing a new genre of dance music that would become disco. I have taken the 12” version of “Sassomatto” and reworked the sensual elements into a new ReStructure Mix. There is more foreplay with drums and percussion along with a few classic samples of what really made disco feel sexy. |
|
|
• Germany Calling - Glenn Rivera ReStructure Mix - Tone Band Tone Band is Adrian Askew, Linda Anson and Mike Starrs. This trio followed electronic bands that became the sound of synth-pop and a mixture of nu-wave in the early 80’s. Very influenced and similar to projects like Telex and Kraftwerk. “Germany Calling” is their 1981 album with the title single being one of the rare finds for those jocks who were heading towards an alternative or early morning sound in their programs. It is the earliest sign of what emerged in the mid and late 80’s with groups like Silicon Dream, Departure, Mozart and RAF – later to capture the attention of music subscription services like Razormaid. The rolling synthesizer and sequencers are reminders of the disco influence that later became the high energy sound. I have taken the 12” version of “Germany Calling” and transferred the broadcast in a new way for this ReStructure Mix. The original displays a mixture of a tune from the musical “West Side Story” and a movement from Beethoven – this blend brings more of each into the fantasy. |
|
|
• Never Let A Day Go By - Glenn Rivera ReStructure Mix - Cerrone Cerrone is the man who developed disco into a European flavor that took he dance floor and music into a new realm. His work has always been respected from dance floors to connoisseurs of yesterday and even more so today. “Never Let A Day Go By” is a single from his 1989 album “Way In” and features Jeff Posseto on lead vocals. This lovely song has echoes of the Stock, Aitken and Waterman feel that was topping the lists of this period (ala Donna Summer’s “This Time I Know its For Real”). There is an irresistible flair to this one and does play out as a beautiful Cerrone piece and reminds us that talented artists survive in many arenas. I have taken the 12” vocal and instrumental of “Never Let A Day Go By” and created a new weaving ReStructure Mix using some of Cerrone’s well known past markers. A loop in and loop out edit are the chances I took on recreating a new experience. |
|
|
• Gimme Love - Glenn Rivera ReStructure Mix - Cellophane Cellophane is Alessandro Novaga and Giorgio Paganini. This Italo-disco project is from 1983 and 1984 and relays another progressive move in dance music. The synthetic sound of dance music during the early 80’s was an emulation of the disco was hearing in the late 70’s. As groups like Cellophane tweaked and reworked the electronics of Italo-disco their new edge was this abstract delivery in pieces and edits using vocoders and ecstatic riffs to color there canvas. It was much like what Art Of Noise did for the “beat street” sound of the 80’s. “Gimme Love” is their initial single from 1983 which evoked a hardcore delivery of their work. This one sounds like a Moroder piece from his experimental board on steroids and a dot of acid. A nice 80’s Italo-disco piece which marks a period where new hands rework the formula with glorious results. I have taken the 12” version of “Gimme Love” and transformed the original parts into a new ReStructure Mix. This homage to the Italo-disco of the 80’s plays out in a way that is familiar to Cellophane’s tradition. It is given a few new breaks and twists and tweaks. |
|
|
• She's A Groovy Freak - Glenn Rivera ReStructure Mix - Real Thing Real Thing is Chris Amoo, Dave Smith, Eddie Amoo, Kenny Davis and Ray Lake. This soul/funk/disco ensemble brought many tracks to the dance floor before, during and after the disco phase. Best known for their hits “Can You Feel The Force” from 1978 this band controlled their sound with a nice harmonic soulful sound. “She’s A Groovy Freak” is a single from 1980 which became one of the shifts in disco beats to funk – produced by James Mtume and Reggie Lucas who gave us disco classics by Phyllis Hyman, Stephanie Mills and their own group Mtume. I have taken the 12” version of “She’s A Groovy Freak” and reworked a new ReStructure Mix to give this one a longer life. It is one of the funk dance tracks that has some great riffs and always brings to mind that beat silence that took place in the early 80s. |
|
|
• Here Comes The Rain Again - Glenn Rivera ReStructure Mix - Eurythmics Annie Lennox and Dave Stewart are Eurhythmics. This 80’s band is one of the creative forces of their time with obscure vison and takes on love and heartbreak. Initially fused as a synth-pop sound from their big hit 1982 “Sweet Dreams” their sound merged a light rock edge with the dance arena of the 80’s. “Here Comes The Rain Again” is a single from 1983 which features The British Philharmonic Orchestra on symphonic strings. The track was another surprise from the duo as it retained their eerie play with heartbreak, exquisite writing as well as Annie Lennox’s masterful vocal. As a salute to the 80’s and the continuance of dance history I have created a new ReStructure Mix for “Here Comes The Rain Again” using the 12” extended version and instrumental. A more sweeping intro with the lush strings and a play with the synth-drums and passion of the song. |
|
|
• For Your Sweet Information - Glenn Rivera ReStructure Mix - P.J. Marcus P.J. Marcus is An Italo-disco artist who recorded on the Cruisin’ Records label from Ennio Tricomi. “For Your Sweet Information” is a 1985 single which is memorable for a beautiful period of melodic Italo-disco and the fusion of electronic dance music becoming high energy. This one uses synthetic horns to call on the energy and a fast moving percussion as well as a love note for a romance being resurrected. P.J.’s vocals ring out that 80’s synth-pop feel that we were familiar with in many Stock, Aitken and Waterman productions. It rings a nice sound for this rolling dance track and is another tribute to that Italo-disco period which kept feet moving throughout the 80’s. I have taken the 12” vocal and instrumental of “For Your Sweet Information” and created a new ReStructure Mix adding more intro and build to the opening and extending those wonderful chorus loops. This plays with the percussion and some of the vocals to give the song a break from the crescendo of the original. |
|
|
• L.O.V.E. Got A Hold Of Me - Glenn Rivera ReStructure Mix - Demis Roussos Demis Roussos is a Greek singer who began his recording career in 1971 which carried him through his lifetime when he passed in 2015. His distinctive vocals and style are the memory of this man’s incredible music journey. During the disco era his project with producer Freddie Perren brought his self-titled project which featured the single “L.O.V.E. Got A Hold On Me”. The track was popular among his fans and many disco audiophiles who were aware of the fondness of the blend of history of this talent along with the supreme touch from Perren. The song plays out with a touch of disco underground feel where the groove plays on as the arrangement takes its own control. I have taken the 12” version of “L.O.V.E. Got A Hold Of Me” and reworked a new ReStructure Mix of this hidden gem. It focuses more on the dub aspect of a new song utilizing the synth pieces as a foundation. More of the passionate feel of this one is placed into a new perspective. |
|
|
• Deliverance - Glenn Rivera ReStructure Mix - Space Space is French disco ensemble created by Didier Marouani and Roland Romanelli and helped to pave a new sound for not only disco but also reviving a new age and electronic arrangements. Their contributions to music in the disco realm are a force to themselves and when more of their talents are exposed there is more of a symphonic feel. “Deliverance” is from their 1977 album by the same name and features a powerful vocal by Madeline Bell. This one is an anthem in its own right. Powerful chorus backing and a haunting aura make this one a nice production. One of the great numbers from Space and a layout of their phenomenal sound. I have taken the album version of “Deliverance” and reworked a new ReStructure Mix for a tribute to this time in music and Space. There are more drums and percussion added to pull the original arrangement into a new world. |
|
|
• King Of Clubs - Glenn Rivera ReStructure Mix - Chocolat's Chocolat’s is a disco ensemble produced and founded by Marcel De Keukeleire. Their music was a celebration of dance and always moved to bring satisfaction to feet. “The King Of Clubs” is from their 1976 album and was one of the hidden treasures of the disco scene when it blasted throughout clubs igniting the complete sound of what the dance floor was all about at the time. It contains some of the funkiest rhythm guitar work and also a wonderful flowing chorus. This one is a classic in many senses and only reminds us of the unity and satisfaction of the disco dance floor. I have taken the album version of “The King Of Clubs” and created a new celebration in this ReStructure Mix. I have added a new beat track and some percussion to make this trip worthwhile. |
|
|
Loleatta Holloway is one of disco music’s golden moments. Her vocals are a powerful tool used along with the storming disco energy that reined in the late 70s. “I May Not Be There When You Want Me (But I'm Right On Time)” is from her 1978 album “Queen Of The Night” – produced by Norman Harris and written by Bunny Sigler. This mainliner is a true disco classic with its diva attitude and full throttle production. Everything that is "disco" is here from the rolling bass to the blaring horns. One of Loleatta’s great vocal performances again and with the flawless production this one deserves to keep moving on and on. I have taken the 12” version of “I May Not Be There When You Want Me (But I'm Right On Time)” and reworked the arrangement for this ReStructure Mix. A new layer of percussion guides this one along. |
|
|
• Open Mind - Glenn Rivera ReStructure Mix - Jean Luc Ponty Jean Luc Ponty is one of artists whose longevity in music beginning in 1964 led his talent to be shared on dance floors in 1984. His project titled “Open Mind” contained the title track which brings to mind an essence of new age and a connection to a dance fusion. His violin performance follows closely what tracks like “Bolero” did in the 70’s in a new way. There is an 80’s exuberance to the sound of this track which pieces together the jazz edge of Luc Ponty and the world as it was for the time. I have taken the album version of “Open Mind” and refused a new sound for this ReStructure Mix. I have added some familiar percussion tracks from Kat Mandu’s “The Break” and also some of the excitement of a great dance floor instrumental. It plays out again in a new way. |
|
|
• Spend The Night With Me - Glenn Rivera ReStructure Mix - Silver Convention Silver Convention is a disco ensemble created by Michael Kunze and Sylvester Levay. Their big disco hits are a unique sound above the mirror ball which projects the melodic strings and funky bass guitars. “Spend The Night With Me” is from their 1978 album “Love In A Sleeper” and features Ramona Wulf, Rhonda Heath and Zenda Jacks on vocals. This one is one of the outlines for the disco bassline and the yearning that a sensual feel for this genre was created by. It is one of the big tracks that dominated during the peak of the disco era. I have taken the 12” version of “Spend The Night With Me” and reworked the bass and rhythm guitars into a new frenzy for this ReStructure Mix. It has been stripped down and rearranged for a whole new trip. |
|
|
• You Could Have Been With Me Last Night - Glenn Rivera ReStructure Mix - Primitive Fire Primitive Fire is a 90’s house project from Mitch Kitz and Susan Davy. Their sound was the light touch of big band meets jazz fused with a bumping house bass beat. The melodic range of songs includes “You Could Have Been With Me Last Night” from 1993 and is one of those pieces that stand out as a club/dance palace classic. It is dreamy and flows with a catchy chorus build that almost brings us back to an era Glenn Miller classics. It was always one which reminded me of Dr. Buzzard’s Original Savannah Band material with a 90’s house groove. I have taken the 12” “Ballroom version” and dub of “You Could Have Been With Me Last Night “ and reworked it for this ReStructure Mix. It utilizes the atmospheric horns as an intro and more breaks using the samples from K.I.D.’s “Hupendi Muziki Wangu?! (You Don't Like My Music)”. |
|
|
• Human Nature - Glenn Rivera ReStructure Mix - Gino Soccio Gino Soccio brought a new face to disco music in the mid and late 70’s. His progressive sound during the late 70’s in projects by Kebekelektrek, Busta Jones, Radiah Frye, Karen Silver and Witch Queen included his electronic touch. His solo album in 1979 on Ray Caviano’s subsidiary label was a huge move for disco music when tracks like “Dancer” and “The Visitors” were sounds that began an ambient and new-age sound with disco electronics taking control. Soccio’s following project began growing into his newly created style and continues to memorize listeners and dancers. “Human Nature” is a single released in 1985 and features Michelle Sweeney on lead vocals. This powerful message is a message of attraction and the cause. Michelle’s vocals work well with the new age electronic sound and leave this Soccio piece, a classic. I have taken the 12” version of “Human Nature” and reworked the winding sequencers and riffs into a new ReStructure Mix. It was always a favorite of mine so I yearned for a new arrangement and change that would express what I could hear in Soccio’s magic. |
|
|
• Cocoon - Glenn Rivera ReStructure Mix -Timerider Timerider is an electronic disco project from Tess (alias Fancy or Manfred Alois Segieth) who takes his sound into a hardcore instrumental. “Cocoon” uses the logo from the 1985 film and although the composition has no affiliation to the soundtrack from the film this piece still soars as if we were missing a part of the film. The sequencers in this production give way to robotic sound that becomes invigorated with beautiful synthetic strings and horns. It was as if a new score had been recreated by Manfred for the films purpose. This track may remind you of the old disco movie soundtrack themes that either Barry White or Meco would have worked on with this arrangement using more electronic percussion and drums to pound out the melody. It is one of my favorite instrumentals from the time. I have taken the 12” version of “Cocoon” and recreated a new ReStructure Mix using the sequencer bass synths as a new riff throughout. It is a bit more of a dub version however the synthesized horns and strings remain intact. |
|
|
• Tell Me Something Good - Glenn Rivera ReStructure Mix - Rufas Rufus is a funk band who is best known for their lead vocal Ms. Chaka Khan and their brand of soul music with a funky edge. Music in the early 70’s became funky and a touch of those wah-wah guitars gave it a psychedelic feel. “Tell Me Something Good” comes from their 1974 project “Rags To Rufas” – written by Stevie Wonder and produced by Bob Monaco. It is one of the downright ‘funk-asized’ numbers of the time and one of the fabulous drawn vocals from our funk chanteuses, Ms. Chaka Khan. If you listen closely to her vocal here you will understand how her voice led her into the Queen of Funk. I have taken the album version of “Tell Me Something Good” and revived it for this ReStructure Mix. It is given a longer lead in to the funky riffs and breaks added. A tribute to the funk which lead to the grooves that later became disco. |
|
|
• Shake It Up - Glenn Rivera ReStructure Mix - Koxo Koxo is an Italo-disco project from Leonardo Re Cecconi, Anne Dattner and Mack Mc Kwaia. They released two singles during the early years when experimentation in a new style of dance music in 80’s began. “Shake It Up” is from 1983 and delivers nice mid-range energy with a dream like quality. It is the Italo-disco stamp of the time when energy was in the electronic flow rather than build. This one always stuck in my mind as the simple sound of feeling good as disco music left us in the late 70’s. The keyboards are performed in a mellow delivery and vocals are a combination of light hearted chorus riffs. An Italian disco moment which made the era of this music unique and effective. I have taken the 12” vocal and instrumental of “Shake It Up” and transformed it into a new ReStructure Mix adding more percussion to kick up the energy. More of the trickling keyboards lead the new arrangement into a slight drop out of bongos and tambourines. |
|
|
• At This Moment - Glenn Rivera ReStructure Mix - Menage Ménage is a studio group produced by disco pioneers Warren Schatz (Vicki Sure Robinson, The Brothers, Evelyn “Champagne” King, The New York Community Choir, Viola Wills, Koffie, Cinema) and Eric Matthew (Sharon Redd, Gary’s Gang) and covers tracks that ring out for the dance floor. Their 1983 cover from the Broadway show “Cats” is “Memory” and was one of the big floor packers of the time. “At This Moment” is their third release and a cover of Billy Vera’s track from 1981. This one is similar to the electronic/high energy disco songs of the early 80’s and is helped along by the soft and emotion vocal. It is a mention for the 80’s which still remained a place for disco covers of great pop-songs. I have taken the 12” vocal and instrumental of “At This Moment” and reworked a new ReStructure Mix with more of the space between the verses and intro to create a more dramatic flair. There is a longer draw on the instrumental and the bongo fills. |
|
|
• Puttin' On The Ritz - Glenn Rivera ReStructure Mix - Taco Taco (Taco Ockerse) is a Dutch singer who introduced himself in 1982 with an electronic rendition of the Irving Berlin song from 1927 – “Puttin’ On The Ritz” and is known to be one of the first songs in a film ever performed by an interracial ensemble. Taco treats this classic as a unique vehicle for his showmanship and delivers this number in a synth-pop deep zone with heavy beats and bass to waver in and out of the tapping and classic debonair. The track was produced by David Parker and became one of the spotted dance tracks from the early 80’s to bring a new style and air to the floor. I have taken the album version and instrumental of “Puttin’ On The Ritz” and created a new stage ensemble for this dance classic. More of the tap dance effects and beats are pumped up to give more attitudes to this performance. This ReStructure Mix is dedicated to Lee Bryant – thanks for the request Lee and good energy to you. |
|
|
• Looking From A Hilltop - Glenn Rivera ReStructure Mix - Section 25 Section 25 is an alternative electronic band formed by Lawrence and Vincent Cassidy and featured early work from Bernard Sumner of New Order. This experimental group created early sounds of acid house music which took over dance floors in the late 80’s accompanied by deep house and techno influences. “Looking From A Hilltop” is their 1984 single which uses electro-beats and hard hitting bass thumps to create a pattern of weaving music. More styled as music by groups like Cabaret Voltaire and which later became the Razormaid era of music. The track is one dub-like production that makes the beat feel like lashes from a whip. It was always a great after hours piece for me and many elements still keep the moment of creation alive. I have taken the 12” “Megamix” version of “Looking From A Hilltop” and recreated a mystic-like version for this ReStructure Mix. This piece plays homage to the ever changing sound of dance music throughout history and the many influences of its success. |
|
|
• Classic - Glenn Rivera ReStructure Mix - Chatelaine Chatelaine (Joyce Pruneau) is a Canadian vocalist who released a disco project in 1980 produced by Mr. Patrick Adams (Musique, Phreek, Center Stage, Inner Life, Wish, and Universal Robot Band). The project echoed the sound of the peak of the disco era when strings lead the drama onto the dance floor and the pulsating rhythm brought us to our feet. Done magnificently by Chatelaine and Adams – where her vocal keep the sweeping melody alive and Adams returns to his full disco arrangements that guide us to fantasy and love. “Classic” is the first single from the project which reflects the full experience of both of these wonderful talents. I have taken the album version of “Classic” and reworked a new ReStructure Mix with the emphasis on keeping the original flow and adding some new percussion and rhythm tracks to enhance the groove. It is one of Adam’s most beautiful work and has always reminded me of the cross between his arrangements and the lush sound of the early disco era with Barry White.
|
|
|
• Brand New Love - Glenn Rivera ReStructure Mix - Dead Or Alive Dead Or Alive is one of the iconic bands of the 80’s. Their success during a period when synth-pop dance music was at its peak and a new aura was taking over. Pete Burns is the driving force of Dead Or Alive along with the frenetic production from Stock, Aitken and Waterman and together this combination took the late 80’s. “Brand New Lover” is the single from their album “Mad, Bad And Dangerous To Know” from 1987 and maintains the facelift that dance music was becoming following the high energy mark of the early 80’s. This one places Burns in a situation of uncertainty and ready to become another subject of uncommon movement. A classic among Dead Or Alive followers and one hard not to consume completely. I have taken the 12” vocal and instrumental of “Brand New Lover” and reworked a ReStructure Mix with a winding intro and drop out exit. The new preface is only a salute to the band which made us all realize that a hard edge in dance music is only a gift. |
|
|
• Tight Pants - Glenn Rivera ReStructure Mix - Southern Exposure Southern Exposure is a disco project from producers Willi Morrison and Ian Guenther who also brought us THP Orchestra, The Duncan Sisters, American Fade, The Skatt Brothers, The Grand Tour, The Immortals and Sticky Fingers. This 1979 release is one of the familiar big disco arrangements as their THP #2 project which features a touch of rolling drums and a bit of big band horn sections in and out. “Tight Pants” is a flirty number that echoes the style of Morrison and Guenther to the line and also reminds us of the experimentation of the disco era and the magic it has left behind. I have taken the album version of “Tight Pants” and recovered the song with a new electro-beat accompaniment to deliver more attention to the slick edge. The chorus is the drop in on several breaks and makes this ReStructure Mix another homage to THP Productions. |
|
|
• Count On Me - Glenn Rivera ReStructure Mix - T. Ark T. Ark is Uwe Arkuszewski – a German singer who released several singles during the late 80’s and early 90’s. His vocals were definitive and always recognizable as a high-energy allure. “Count On Me” is his first release in 1987 and was produced by Cay Hume – one of the high energy tracks of the time with the riffs which paste themselves to dancing minds and feet. A similar style to Mike Mareen yet flows in its hardcore electronic dance edge. This one plays out with the chorus taking over the track from beginning to end and makes the high energy appeal more of an accompaniment. I have taken the 12” version of “Count On Me” and used the vocal and dub versions to recreate a more rolling ReStructure Mix with more of the sequencers and keyboard riffs as an outline. The vocals are extended to give the connection here more of an opportunity to create a love song. |
|
|
• Imagination - Glenn Rivera ReStructure Mix - Telekin Telekin is a synth-pop/electronic project from Castle Webb and Graig Leon from The Netherlands. The band is one of the synth bands who resonate their outline as the following of groups like Human League. A chorus of nu-wave sounding vocals and a hardcore electronic dance edge. “Imagination” is a brisk dance number that takes the rolling sequencers into a new sound for 1985 where the street beat and synth-pop dance sounds were more alive than ever. I have taken the 12” version of “Imagination” and recreated a new ReStructure Mix for this 80’s dance piece. It uses more of the breaks and hard drums to recoup the energy. |
|
|
• Never - Glenn Rivera ReStructure Mix - Center Stage Center Stage is a disco project produced by Christine Wiltshire (Poussez!, Musique, Revanche, Easy Going, DSK) and in the golden disco tradition of strings and lush arrangements she expresses her true intentions. “Never” is one of the Prelude singles from the early 80’s with the full disco production and a beautiful vocal from Christine which brings to mind that obvious stance to be understood both lyrically and these fantastic vocal layouts. One of my favorite vocalist here from the 70’s telling us in a way that cannot soon be forgotten. I have taken the 12” version of “Never” and created a new ReStructure Mix to retell the story here with more instrumental gusto. The vocal remains intact with a lengthier show and a few new breaks. |
|
|
• To The Boys In The Band - Glenn Rivera ReStructure Mix - La Flavour La Flavour is Craig DeBock, Gino Milchak, Pete Nervo, Rick Dotin, Rusty Bretz and Steve Nervo. Their big dance floor hit “Mandalay” from 1979 was a huge welcome their hard hitting energy of Latin percussion and Spanish guitar strumming. A nice combination of energy and excitement. Their second release from the album titled “To The Boys In The Band” is another number which brought many to the floor once again with its alluring Latin style percussion. I have taken the 12” version of “To The Boys In The Band” and created a new ReStructure Mix adding a few new elements to give it some new energy. More of that percussion to set the night on fire and a new sequencer to bring the beats alive. |
|
|
• Let Me Know (I Have A Right) - Glenn Rivera ReStructure Mix - Gloria Gaynor Gloria Gaynor built her stance in disco music on experience. Her first big dance floor hit from 1974 “Never Can Say Goodbye” is a classic which lays out the disco experience from the vocal and also technical end thanks to Tom Moulton’s endless mix. Her big follow up hit from 1978 was the anthem “I Will Survive” which is now a standard among others today. Her 1979 album produced by Dino Fekaris was a tough venture to the follow up on her previous hit but Gloria attains that challenge with another demand on taking on heartache and building a positive end. “Let Me Know (I Have A Right) is another anthem in a more subtle manner although Gloria’s performance stands true to the moment. I have taken the album version of “Let Me Know (I Have A Right)” and recreated a new ReStructure Mix with a new energy adding some drum and percussion. There is a bit more of the instrumental weaved in and out to outline the production of the original. |
|
|
• Windsurfing - Glenn Rivera ReStructure Mix - Lazer Lazer is an Italian-disco project from producer/arranger Celso Valli – who also brought us Passengers, Tantra, Azoto, Lama, Nuggets and Elite. “Windsurfing” is a track that follows closely as his Azoto project with the whispery vocals and sweeping electronic arrangements on a high energy curve. It was one of the early high energy tracks of 1982 and helped to keep the energy of disco music alive during the time period. The theme is one that follows the whimsical frolic of Italo-disco in a fun and simple layout. I have taken the 12” version of “Windsurfing” and recreated a ReStructure Mix to pay homage to this wonderful arranger and producer. The original elements including the percussion and bass lines are extended into new breaks and eventually a new breakdown. |
|
|
• Skin Tight - Glenn Rivera ReStructure Mix - Ohio Players Ohio Players are one of soul/funk bands of the 70’s which built the groove from the foundation of soul music in the early 70s. Their early presence in soul music helped to bring an extended groove to dance track. “Skin Tight” is from their 1974 album by the same title and relays their exploration of emotions and sexuality. This number is a sexy take on an appealing wear and groove. This one in its original state pulls a jazz take on the bass guitar groove. It is one of the soul classics that bring to mind the evolution of soul and dance music all together. I have taken the album version of “Skin Tight” and reworked a ReStructure Mix with a layer of new percussion and drops to pay tribute to The Ohio Players. The horns and bass are left intact and extended so that the outline is not lost. |
|
|
• Shame And Scandal In The Family - Glenn Rivera ReStructure Mix - Caprice Caprice is a project from legendary disco producer Jacques Fred Petrus and reflects a new sound for his repertoire with past projects Peter Jacques Band, Macho and Revanche. Arrangements on Caprice are a full Euro-disco sound with plenty of strings and lyrical vocals. A nice outline of Petrus’ ability to create with the changes in dance music as he did in the early 80’s with disco funk bands Change and B.B. and Q Band. “Shame and Scandal In The Family” is a song written in the 1940’s by a Calypso singer named Sir Lancelot and has since become a novelty standard throughout time. This disco cover remains full of the Calypso feel; with plenty of percussion and the new disco female ensemble to outline the dilemma. I have taken the album version of “Shame And Scandal In The Family” and have created a new ReStructure Mix using the existing percussion to break it into a new layout. There are a few new breaks and rearranging of segments.
|
|
|
• Nothing Compares 2 U - Glenn Rivera ReStructure Mix - Chyp-Notic Chyp-Notic is Euro-dance group from Germany whose 1990 cover of Sinead O’Connor’s “Nothing Compares 2 U” brought a new energy and groove to the moody heartbreak song. The band is Vlad Mint, Jan Erik and Walter Bee. The 90’s swing beat takes the energy into a melodic phase which was appropriate for the track and time period. The song did very well in clubs and received some radio play as well as set the group up for a readying follow up for dancers. I have taken the 12” vocal and instrumental of Chyp-Notic’s “Nothing Compares 2 U” and reworked the drums and airy keyboards into this new ReStructure Mix. It pulls more of the beats with a few edits and makes way to a touch of the original. |
|
|
• Super Trouper - Glenn Rivera ReStructure Mix - ABBA ABBA was the 70’s soundtrack on a level of pop-disco communication. Their existence in pop-culture during the period was a reflection of a new generation and their need to connect through music and the dance experience. Not only was the time a unique connection to a freedom of expression but also crescendo which eventually faded. Thanks to bands like ABBA the experience will never be repeated again even though it is imitated and renewed. This was a magic that the seventies holds to itself. “Super Trouper” is from ABBA’s 1980 project with the same name. The song has an eerie feel of a love growing weaker as the distance is expressed. It was a single that was a full-on ABBA experience and still remains one of their beautiful tracks. I have taken the album version of “Super Trouper” along with pieces of the instrumental and recreated a new ReStructure Mix for the bands nuance. There is more of a dub feel to the arrangement and flows to a fade out from the original opening chorus. |
|
|
• Love Me - Glenn Rivera ReStructure Mix - Punch Punch is a German synth-pop group from producer Rainer Streubel. Their 1985 single “Love Me” is one of the high energy favorites of the period and flows with heavy synthesizers and plenty of electronic percussion to work any dance floor waiting. The track has a sweet melodic chorus which plays off well to its all most nu-wave vocal during the verses. It is one high energy piece that pounds a “punch” if you will pardon the pun. I have taken the 12” versions of “Love Me” and recreated a new ReStructure Mix to bring this gem back to mind. The arrangement is looped in parts and the guts of the song are broken into new breaks. |
|
|
• Meat The Beat - Glenn Rivera ReStructure Mix - East Coast East Coast is a disco ensemble from producer Charlie Wallert from 1979. Their dance floor hit “The Rock:” from 1978 generated the album project and gave us a few new pieces to move to during the peak of disco. “Meat The Beat” is a smooth track very similar to “The Rock” with a bit more energy to its sound. The funky vocal is a disco must and the 40’s-esque riff is tasty. One of the numbers that I always wished to play yet the album version was engineered much too low so this new version levels it out for that purpose. I have taken the album version of “Meat The Beat” from East Coast and have given it a new ReStructure Mix. The hand claps are used in and out of this new mix and the excitement is prolonged. |
|
|
• Don't You Want To Feel It (For Yourself) - Glenn Rivera ReStructure Mix - Stacy Lattisaw Stacy Lattisaw is the answer to 80’s retro funk! Her music in the early 80’s sound was the will of producer Narada Michael Walden (“I Don’t Want Nobody Else (To Dance With You)”, “Tonight I’m Alright”) along with Stacy’s sweet child-like vocal are irresistible. “Don’t You Want To Feel It (For Yourself)” is a track from the 1980 album “Let Me Be Your Angel” and has some fantastic hooks and vocals from Lattisaw and Narada. It was one of the pieces I would play as an alternative to the huge hits “Dynamite” and “Jump To The Beat” from the same project. I have taken the album version of “Don’t You Want To Feel It (For Yourself)” and worked a new ReStructure Mix for an old-school homage which amended the disco legacy in the early 80s. |
|
|
• Like A Prayer - Glenn Rivera ReStructure Mix - Madonna Madonna set many paths on the dance floor and much controversy with intent for creativity and reaction. “Like A Prayer” is her 1989 track from the project by the same name – co-produced by Patrick Leonard. The track is one of the dance floor modifiers of its time thanks to remix alternatives from Shep Pettibone. The uplifting chorus is one of the driving factors in this classic and will continue to move souls and feet. I have taken the US 12” versions and created a new ReStructure Mix with more of each interpretation working itself with some new layering and looping. This mix gives an alternative intro and fades out. |
|
|
• Give It To Me - Glenn Rivera ReStructure Mix - Celi Bee Celi Bee is a disco artist from Puerto Rico who brought flight to disco music with her two albums “Fly Me On The Wings Of Love” and “Blow My Mind” – produced by Pepe Luis Soto. “Give It To Me” is her 1979 track from the “Blow My Mind” project and features the sound that Celi Bee was best performing and known for. A sweet and furious disco track which plays out with plenty of bongos and percussion along with Celi Bee’s irresistible vocal. I have taken the album version of “Give It To Me” and recreated a new ReStructure Mix with more drum and percussion added to make this little dessert sweeter. A slight mash up with the Mary Jane Girls in injected for fun. |
|
|
• Double Or Nothing - Glenn Rivera ReStructure Mix - Lani Hall Lani Hall is a vocalist who began a recording career in the early 70’s. She is also the wife of Herb Alpert and also appeared in the band Sergio Mendes & Brazil ’66. Her 1979 album “Double Or Nothing” contained the title track which was released as a disco single and did fairly well for the time where an over saturation of dance music was pumping out of record labels. The piece is a nice sultry number where Lani exclaims that one night stands are not where she is coming from. I have taken the 12” version of “Double Or Nothing” and created a new ReStructure Mix adding some new elements to give confidence to the track. The chorus is maintained in new segments to make this one as exciting as it was when released. |
|
|
• Into The Night - Glenn Rivera ReStructure Mix - Carol Hahn Carol Hahn is a vocalist who brought new hope to the early 80’s dance scene. Her vocal is the essential disco femme building the sultry sound of the nightlife into a fantasy realm of dancing. Her 1983 hit “Into The Night” marked a special moment for myself as disco music had shifted to electronic productions this one brought a heavy dose of percussion and a sweet calling from Carol’s wonderful vocal. It is the synth-pop era moving into a new disco era. I have taken the 12” version of “Into The Night” and utilized all four versions into a new ReStructure Mix with a new arrangement for the verses and Carol’s beautiful vocal performance. |
|
|
• Go Go Yellow Screen - Glenn Rivera ReStructure Mix - Digital Emotion Digital Emotion is a Dutch electronic dance group featuring Cickie De Beer, Jean François Colombo and Myrna Balrak. Produced by Adams & Fleisner (Geertjan Hessing, Aart Mol, Erwin van Prehn, Cees Bergman and Elmer Veerhoff also known as Cat Music on the Dutch dance label, Break Records. The early 80’s created a new flow of electronic productions following the disco era of full orchestral arrangements and layered band ensembles. The laid out groove was a hardcore keyboard with sequencers painting the rhythms. I have taken the 12” version of “Go Go Yellow Screen” and recreated a new soulful edition of this high-energy/electronic verse. Using pieces of Smokey Robinson and The Miracles soul classic to guide it. |
|
|
• I (Who Have Nothing) - Glenn Rivera ReStructure Mix - Sylvester Sylvester is a disco artist who helped pave the road to diversity and talent. His 1979 project “Stars” is a tour de force of this man’s aura and presence. In this project a cover of the Lieber and Stoller classic “I (Who Have Nothing)” is taken to new heights in a production by Harvey Fuqua and backing vocals from Ms. Martha Wash. This one is a blockbuster for the dance floor to take into a new emotion state and work from beginning to end. One of the most powerful experiences in the disco repertoire. I have taken the 12” long version and recreated a new ReStructure Mix for a salute to Sylvester and also a dedication to my husband, Ken Emmons who holds this one as a top favorite and also giving me the love and freedom to create. |
|
|
• Crazy Love - Glenn Rivera ReStructure Mix - Alton McClain & Destiny Alton McClain & Destiny is a trio from 1978 and features Alton McClain, D'Marie Warren and Robyrda Stiger. Their first project featured the big dance hit, “It Must Be Love” – produced by Frank Wilson (Four Tops, Diana Ross, Eddie Kendricks, Cheryl Barnes, Lenny Williams). “Crazy Love” is the second single from the project and displays a soulful harmony representing a romance which defies the rules of love and celebrates in the moment. It is one of the uplifting numbers which I have always admired and one which many find a milestone for this trio. I have taken the 12” version of “Crazy Love” which was remixed by Jim Burgess and in his monumental style. I have taken the bongo tracks and a few new samples to enhance this ReStructure Mix for a new experience. The beautiful strings play an important and extended play here. |
|
|
• Midnight Rendezvous - Glenn Rivera ReStructure Mix - Tasha Thomas Tasha Thomas is a singer/performer whose career includes backing recording sessions for Louis Armstrong, Stevie Wonder, Cat Stevens and Jim Croce. Her stage career includes the Broadway production of “The Wiz” where she played “Aunt Em” in the mid-70’s. “Midnight Rendezvous’ is her 1979 disco album produced by James R. Glazer and Peter Rugle. The title track is an oasis of sensual love set to a disco beat. One of genuine sounds of the disco era and a vocal that flows with a soulful whimsical edge. I have taken the 12” version of “Midnight Rendezvous” and recreated a new ReStructure Mix using the mysterious horns and percussion to drive this new piece. I have added a delayed drum track to give it a new pace in segments. |
|
|
• Theme from S.W.A.T. - Glenn Rivera ReStructure Mix - Rhythm Heritage Rhythm Heritage is funky/soul and disco ensemble lead by Steve Barri (“Love Pains” by Yvonne Elliman) and Michael Omartian (“Cats Without Claws” project by Donna Summer). Their big 1975 disco hit “Theme from S.W.A.T.” is reminiscent of a time when disco ruled the charts as many movie themes and television show themes were brought on to the dance floor. This one pounds out the composition by Barry De Vorzon in a tambourine shakin’ groove. A big classic and still makes the mirror ball shake! I have taken the album version of “Theme from S.W.A.T.” and beefed it up for this ReStructure Mix with some conga effects and more of those funky wah-wah guitars. It works over and over again with several new breaks. |
|
|
• Gonna Make You Sweat (Everybody Dance Now) - Glenn Rivera ReStructure Mix - C + C Music Factory C + C Music Factory is David Cole, Robert Clivillés, Freedom Williams, and Martha Wash in their initial prime with their big dance hit, “Gonna Make You Sweat (Everybody Dance Now)” from 1990. A transition from the deep house movement of the late 80’s to the hardcore street beats in celebration of dance floors and their purpose. A new era of dance music was beginning from where the disco groove of the early 70’s began. Innovative beats by Cole and Clivillés made the 90’s dance scene a new experience and continued the evolution of disco music once again. Featured vocals by Martha Wash (Two Tons ‘O Fun, Sylvester) make this one more than iconic. I have taken the 12” extended and instrumental versions of “Gonna Make You Sweat (Everybody Dance Now)” and reworked a new ReStructure Mix with a pattern that utilizes the riffs to a tea. It flows with some classic riffs from Chic – from one innovative disco sound to the new one of the 90’s. |
|
|
• Coco Kane - Glenn Rivera ReStructure Mix - El Coco El Coco is a studio disco project from W. Michael Lewis and Laurin Rinder who worked feverously in the mid and late 70’s to bring dance floors fascinating grooves. Their 1978 album “Dancing In Paradise” is an iconic project for Rinder and Lewis when all of their experience at creating music for dancers was achieved full-scale. “Coco Kane” is a track from the project and features on vocals – Alex Brown, Merria Ross and Mortonette Jenkins. This slight take on the high of the 70’s is one of the driving numbers with the classic El Coco sound featuring keyboards jumping in and out of strings and bass. I have taken the album version of “Coco Kane” and added a new ingredient of loop ology and samples to recreate this ReStructure Mix. The keyboard riffs are edited and reassembled to make this experience a new high! |
|
|
• Frisco Disco - Glenn Rivera ReStructure Mix - Eastside Connection Eastside Connection is a disco group produced by Eddie Davis and released several early projects from 1976 through 1979 and is one of the early bands creating underground disco music. “Frisco Disco” is their 1978 single which featured a colored spin-wheel vinyl. The song has a full disco arrangement along with a travel theme which moves though out the mix. A favorite among many disco audiophiles and a complete trip back to the sound of the early disco movement, I have taken the 12” version of “Frisco Disco” and used pieces of the groove to recreate a new ReStructure Mix. There is some added percussion from a classic by AKB to give the song a new dimension. |
|
|
• The Belle of St. Mark - Glenn Rivera ReStructure Mix - Sheila E. Sheila Escovedo is an 80’s performer who set dance floors on fire with her massive percussion and drum talents. Best known with her affiliation with the artist, Prince and their sound which is one that lasted throughout the 80’s. “The Belle of St. Mark” is a track from her 1984 album “In The Glamorous Life” and is one of the energy peaking songs of the time. It is one which swept dance floors with layers of bongos and assorted percussion with a fascinating turn on 80’s dance music. One of my favorites from Sheila E. and another mark in the time where dance music was a celebration. I have taken the 12” remix of “The Belle of St. Mark” and recreated a new ReStructure Mix with a long drawn out intro and fade. It is again the heavy percussion treat for those who like that Afro-Cuban sound. |
|
|
• System - Glenn Rivera ReStructure Mix - Force Legato Force Legato is Oliver Lieb and Torsten Fenslau. Their single from 1989 is a techno piece with some wonderful variations on several remixes and releases. The focus on “System” is the hardcore techno edge which works in and out like a factory at peak hour. The light feel of the number is much like the new age influence and ambient of the 90’s. I have taken the 12” versions of “System” from “The Remixes” edition and reworked the full techno version and funky street beat mix into a new ReStructure Mix. The hint of Amanda Lear in the original is taken to a new level with more of her classic “Follow Me” injected. |
|
|
• Let's Groove - Glenn Rivera ReStructure Mix - Earth, Wind and Fire EWF is a soul/funk band discovered by Maurice White in the early seventies and evolved as one of the innovative and a powerful musical presence. Their 1981 album titled “Raise” is one of the 80’s prized releases with the track “Let’s Groove” as its first single. The funk driven dance piece plays out with more of the pump and soul that disco music had moved into in the early 80’s. A big hit for EWF and also one that resonates like a party favor! I have taken the 12” remix version of “Let’s Groove” and recreated a funk-fest for this ReStructure Mix with more of the beats and horns exclaiming the best of this number. It has a longer duration and some loop effects to bring this type of energy back. |
|
|
• Give Me Your Body - Glenn Rivera ReStructure Mix - Dana Kay Dana Kay is a German disco artist who released a single titled “Give Me Your Body” in 1988 – produced by Jorg Schoch (Back To Fun). The track is an Italodance flavor with a full electronic production and the sensual vocals of Dana lifting the track into several crescendos. The single did well for me on several levels during early evening high energy sets and also a nice after hour mood. I have always enjoyed this song and the uplifting sensuality of its theme. I have taken the 12” vocal and instrumental of “Give Me Your Body” and reworked a ReStructure Mix for a revisit to the powerful Italo influence on dance music in the mid and late 80’s. It is still a breath of fresh air when doused with a classic rock vocal piece. |
|
|
• Down and Counting - Glenn Rivera ReStructure Mix - Claudja Barry What would disco music do without Claudja Barry? Her career has delivered the biggest dance floor movers and innovators in disco history. Along with producer Jurgen Korduletsh and Munich musicians of the disco era they created disco hits “Boogie Woogie Dancin’ Shoes”, “Sweet Dynamite”, “Work Me Over” (with Bobby Orlando), “Feel and Fire” and many more. “Down and Counting” is her 1986 release from her album “I, Claudja” and is one of the sample delicacies of the time period. Along with Claudja’s presence this one was always dangerous. I have taken the 12” vocal and dub to recreate a new ReStructure Mix for this classic. It maintains the feel of the original with a few new twists and turns – and a surprise visit from one of Claudja’s big disco hits. |
|
|
• I'll Be Holdin' On - Glenn Rivera ReStructure Mix - DSK with Christine Wiltshire DSK is a house project from Joe Stone, Larry Davis and Paul Klein of Hot Productions during the early 90’s house boom. The sound of heavy bass booming and that classic piano/keyboard riff emulating a chase was one fulfilling dance recipe. “I’ll Be Holdin’ On” is their single from 1992 and features the vocals of disco chanteuse Christine Wiltshire (Poussez!, Musique, Revanche, Phreek, Class Action, Center Stage, Aural Exciters). This love song is one of my all-time favorite house grooves and with Wiltshire’s sensual vocal this one is not only an anthem, but a must. It flows like Wiltshire’s classic “Summer Love” from Musique (Patrick Adams). I have taken the 12” vocal and dub to recreate a new ReStructure Mix of “I’ll Keep Holdin’ On” and mark this piece again. The rhythm plays out like the original house arrangement with a few new breaks and surprises. Thanks to the very talented and respected Christine Wiltshire for her energy and love and dedication to dance music throughout the years. |
|
|
• No Tengo Tiempo (Con Los Dedos De Una Mano) - Glenn Rivera ReStructure Mix - Azul y Negro Azul y Negro is Carlos García Vaso & Joaquín Montoya. A duo which brought the 80’s synth-pop dance movement into a hard hitting arena with their heavy disco beats and colorful keyboard compositions. “The Night” is one of their first big high energy tracks to introduce them in 1982 and from there on it was smooth sailing to hear their energy and somewhat distant themes and electronic numbers. “No Tengo Tiempo (Con los dedos de una mano)” is another fast moving high-energy piece that always worked my mind into a frenzy with the dub-like effects and rolling bass synthesizers. It is still a favorite and one that once it is heard – it is hard to get out of your head. I have taken the 12” version of “No Tengo Tiempo (Con los dedos de una mano)” and recreated a new ReStructure Mix with a new fade-in and fade out. There are longer movements to please both the feet and head. |
|
|
• Tenebre - Glenn Rivera ReStructure Mix - Simonetti / Pignatelli / Morante “Tenebre” is an 80’s horror film from Italian director Dario Argento (“Suspiria”) and one of the challenges of not only cinema but also soundtracks once again as he achieved with “Suspiria” with Goblln. Claudio Simonetti, Fabio Pignatelli and Massimo Morante the theme from Argento’s “Tenebre” is disco-fied for a heavy underground feel in this Italo-disco piece. It is full of creeps and chills as the focus of most of this masters projects. I have taken the 12” version of “Tenebre” along with beat pieces from the B-side titled “Flashing” and recreated a new ReStructure Mix for a new mix. It is drawn out into beats and those haunting keyboards. |
|
|
• A-Freak-A - Glenn Rivera ReStructure Mix - Lemon Lemon is a studio disco project from producer Kenny Lehman (Rhetta Hughes, Hi-Tension, Chic) and features Luther Vandross, David Lasley, Diva Gray and Gordon Grody on vocals. Their self-titled album was one of the big 1978 surprises as it gave a laid back groove of disco tracks with a funky flair. “A-Freak-A” is the second release from this project following “Freak On” and is one of the anthems of the late 70’s as the “freak” trend of motifs collected, I have taken the album version of “A-Freak-A” and transformed pieces of the groove and vocals into a new ReStructure Mix. The rhythm guitars are played out in many variations in this remix and new drums are added to bring it to a new climax. |
|
|
• God Don't Like Ugly - Glenn Rivera ReStructure Mix - Roberta Flack Roberta Flack is a soul angel. Her voice throughout the 70’s brought love, peace and comfort. Her track “God Don’t Like Ugly” is from her 1979 album “Roberta Flack featuring Donny Hathaway” produced by Eric Mercury and Roberta – and written by Gwen Guthrie. It is a wonderful piece with a valuable lesson about the light of right and wrong in love. It is also an opportunity to hear Roberta’s beautiful vocals in a dance number with her own essence. I have taken the album version of “God Don’t Like Ugly” and transformed the drama into a new ReStructure Mix. It is extended on both start and end and gives way to a more dub-like feel. |
|
|
• D.I.S.C.O. - Glenn Rivera ReStructure Mix - Anti Rock Anti Rock is a European Disco project from producer Jacques Fred Petrus (Peter Jacques Band, Revanche, Caprice, Change, B.B. & Q. Band, Macho). This cover of the 1979 anthem by Ottawan track “D.I.S.C.O.” brings the song into a full and rich percussion driven production with more of the Calypso flavor per beat. It is more like a Carnival celebration with the floats full of mirror balls and confetti. A nice cover with Jacques bringing his production genius again to the forefront. I have taken the 12” vocal, dub and radio versions of Anti Rock’s “D.I.S.C.O.” into a new sparkling ReStructure Mix with the pieces of the puzzle which make the song go boom. It is a wonderful opportunity again to pay tribute to Mr. Jacques Fred Petrus and the disco music he has left behind. |
|
|
• That Burning Love - Glenn Rivera ReStructure Mix - Edmund Sylvers Edmund Sylvers is a member of The Sylvers and provided the lead vocals for top hits “Hot Line” and “Boogie Fever”. His career lead into a solo album from 1980 with a track titled “That Burning Love” which is an outline for the retro-funk of today with artist like Bruno Mars. The album was released on Casablanca Records and produced by Benjamin F. Wright. Although the track did not receive much recognition in its time it still has some of the production and edge that bring to mind the mature funk of the time. I have taken the album version of “That Burning Love”: for this ReStructure Mix and set a new fire to this fantastic love song. It has samples of a classic 80’s Jackson number which help to bring out some of the natural elements. |
|
|
• Most Of All - Glenn Rivera ReStructure Mix - Gloria Gaynor Gloria Gaynor is the Queen of Discoland and made her mark in the mid and late 70’s with many albums and tracks which brought dancers into a kingdom of music and the groove. Her vocal presence is soulful and glamorous with the sparkle which made the 70’s a magical place. Along with disco producer Gregg Diamond who also presented us with classic disco tracks from his projects Bionic Boogie, Hardware, Starcruiser and Andrea True Connection another beautiful disco classic remains in the hall of fame: “Most Of All”. A swirling disco groove with a sound which Diamond created with early productions from Andrea True like “Fill Me Up (Heart To Heart)” which lay out a sweet funky edge with the sophisticated flavor of disco music. I have taken the 12” version of “Most Of All” and recreated a new ReStructure Mix to salute the sound of Gloria and Gregg Diamond together pacing the disco trend of the time into gold. This is one of those dedications to the eternal sound which made the 70’s come alive again with music. |
|
|
• It Takes Heart - Glenn Rivera ReStructure Mix - Greg Perry Greg Perry is a songwriter, producer and singer who began his recording career in the late 60’s. He eventually became one of Casablanca Records artists in the mid-70’s which lead him to a single from 1982 titled “It Takes Heart” which is an uplifting track about finding the strength within one’s self to overcome life’s obstacles. It was one of the powerful tracks I found for the time and still rings out a great message. I have taken the 12” vocal and instrumental of “It Takes Heart” and reworked a ReStructure Mix with an easier into to blend and a fade out. It is one of my favorite soul-building songs so much effort is retained in Greg’s wonderful vocals and lyrics. |
|
|
• Addicted To The Night - Glenn Rivera ReStructure Mix - Lipps Inc. Lipps Inc. is a disco band from producer and genius Steve Greenberg and the vocals of Cynthia Johnson – with the combination of both talents the classic “Funkytown” was created. One of the Casablanca Records legacies and great moments in music history. “Addicted To The Night” is from the 1983 album “4” which is their fourth project and features the vocals of Margaret Cox and Melanie Rosales. A fast spinning track that caused quite some motion on dance floors during the early 80’s. I have taken the 12” vocal and instrumental of “Addicted To The Night” and transformed the fast swirling number into new ReStructure Mix. I stretched out the mix into a slower pace of energy and played with the vocals to create a new edge. |
|
|
• Deep In The Night - Glenn Rivera ReStructure Mix - Stephanie Wells Stephanie Wells is a Canadian disco project from producers Gino D' Orazio and Tony Bentivegna who also gave us Motion, Nightlife Unlimited, Blue Laser and Ladies Choice. During the early 80’s the electronic disco sound became the leading edge on dance floors and a return to a more underground and simpler arrangement. “Deep In The Night” is a track from Stephanie Wells’ 1983 project “Fools In Love”. It is the concoction which flows throughout this project which is dreamlike and a focus on the love aspect of disco music. The track has always been a favorite of mine since it is more of an underground feel or after-hours set track. I have taken the album version of “Deep In The Night” and reworked a new street beat under this ReStructure Mix. It is transformed from a slight high energy mood into a hard hitting beat box number. |
|
|
• Dance Your Ass Off - Glenn Rivera ReStructure Mix - Bohannon Hamilton Bohannon is one of the early disco artists and producers who learned to talk to the disco beat. His music was a deeply infectious experience and continues to bring the 70’s feeling back with tracks like “Let’s Start The Dance” and “Dance Your Ass Off”. The 1976 album titled “Dance Your Ass Off” signaled a soulful side to disco music. The track became an instant hit on dance floors and has lasted till today. I have taken the album version of “Dance Your Ass Off” and play it out in the ReStructure Mix fashion for this remix. It uses “Let’s Start The Dance” to beef up the beat and remind us of the power of Bohannon. |
|
|
• Touch My Heart - Glenn Rivera ReStructure Mix - Danuta Danuta is a singer from Poland who recorded several Italo-disco tracks during the late 80’s. Her vocals project the sensual disco feel with the yearning of love and romance which placed a nice feel for this project titled “Touch My Heart” from 1987 – produced by Gerd Rochel. It is a climatic dance number in the Italo-disco style derived from the early 80’s and many German dance productions with a pounding bass beat and the rolling keyboards. I have taken the 12” version of “Touch My Heart”: and recreated the dreamy sound again with a new intro and some additional drums in this ReStructure Mix. The choruses still shimmer with the lovely voice of Danuta and the fade provides nice echoes to the emotion. |
|
|
• Knock Me Out - Glenn Rivera ReStructure Mix -Gary's Gang Gary’s Gang is a disco group lead by Joe Tucci (Eric Matthew) and Joseph Tucci and is one of the disco bands of the moment when it comes to their arrival. Their huge hit “Keep On Dancing” from 1978 is one of the statements made on the dance floor which helped to create all of the excitement that disco music was. “Knock Me Out” is their single from 1982 and continues their sound in a hard hitting manner. One of the nice dance numbers with their mellow but rhythmic edge. I have taken the 12” vocal and instrumental versions of “Knock Me Out” and reworked a ReStructure Mix with a taste of their classic track “Keep On Dancing” and also a new re-arrangement. It blends the beats with the infectious disco sound that Gary’s Gang is. |
|
|
• Together Forever - Glenn Rivera ReStructure Mix - Jennifer Bell Jennifer Bell (Anya Mahnken) is a vocalist who reprised the 1988 Rick Astley dance classic later the same year along with producer Patic Perquee (Nicky Onidis, Hot Shot). This version is quite identical to the Stock, Aitken and Waterman production with the exception of Jennifer’s very sweet and direct vocal. A big surprise for many who loved the original and always a floor packer for me. I have taken the 12” version of Jennifer Bell’s “Together Forever” and reworked a ReStructure Mix with a surprise from a classic musical added. It is sheer fun and fantasy this time around in “dub-time”. |
|
|
• Don't Give Your Love (So Easily) - Glenn Rivera ReStructure Mix - Kimyla Kimyla is a high energy disco project from producers Bobby Orlando and Don Oriolo and features the rolling synthesizer work and heavy drum percussion that made a statement for Orlando in the 80’s. It was his new formula that put the break before the chorus or verse and dance floors of the time period ate it up. “Don’t Give Your Love (So Easily)” is one of the most powerful pieces from Orlando and pulses out over and over with the begging female chorus with such distinction and emotion. It is one of my favorites of the dance period and brings back memories of crowded dance floors moving furiously to catch up with the rhythm. I have taken the 12” vocal and instrumental of “Don’t Give Your Love (So Easily)” and reworked a ReStructure Mix with more of that percussion divided into more parts and the chorus chopped and served into more breaks. |
|
|
• Malagueña - Glenn Rivera ReStructure Mix - Pico Pico is a disco project from producer Mort Garson and on the classic disco label West End Records from 1979. This disco-fied take on the Mexican classic is an underground feel with the mix by Studio 54 DJ Manny Slali. A nice and clever arrangement with the Latin sound intact with much of Garson’s electronic vibe accompanying the glide along. Many may remember Mort Garson’s “Disco UFO” from 1978 by Captain D.J. where he placed his heavy sequencers to the test along with a funky rap – this is a further journey onto the disco dance floors for his talent. I have taken the 12” version of “Malagueña” and recreated a ReStructure Mix for the flamenco dancer in us all. It plays out with a touch of the version by Western Horizon for a real dive into the Latin edge. |
|
|
• I'm Not In Love - Glenn Rivera ReStructure Mix - George Monroe George Monroe is a German artist produced by Theo Werdin (Hubert Kah, Scott Marlowe) with a cover of 10cc’s rock classic “I’m Not In Love”. This single from 1987 is done in a high energy fashion that is dreamy and moody – the way the original transpires. A wonderful lead vocal brings this 80’s dance track to the top as it follows closely the 10cc version with a dance rhythm added. It was one of the big hits for my club for high energy sets and remains one of my favorites for the time period. I have taken the 12” version of George Monroe’s “I’m Not In Love” and recreated a ReStructure Mix for a new spin on this underground classic. A under beat is added which is from a Ritchie Family disco classic to give more of a light energy. |
|
|
• My Man - Glenn Rivera ReStructure Mix - Cruisin' Gang Cruisin’ Gang is an Italo-disco project from Cruisin' Records and are one of the unique sounds of the Italo-disco period of the early 80’s. “My Man” is their single from 1983 from the project titled “Chinatown” and is one of the loveliest dance tracks set to a pumping beat. The synthetic mandolin strings are a romantic interlude and along with the dreamy vocals of Laura Fadinger, Sabrina Morroya and Ombretta Marsigli this piece is a beautiful sensation. A great early evening or after hours number it always seems to create its own ambiance. I have taken the 12” version of “My Man” and reweaved a ReStructure Mix using the pumping beats and bass with some new arrangement and breaks. There is some percussion fills added to fade out with more of a dance legato. |
|
|
• City of Night - Glenn Rivera ReStructure Mix - Rational Youth Rational Youth is Kevin Komoda, Bill Vorn, and Tracy Howe – a synth-pop band from the 80’s who were influenced by the electronic sound of bands like Kraftwerk. Their 1982 album titled “Cold War Night Life” was produced by disco producer Pat Deserio who also gave us Bombers, Bob-A-Rella, Kebekelektrek and Dogs of War. The single “City Of Night” is the big release and dance floor hit from the project which created a fast paced move into a high energy/electronic feel. It is a nice demonstration of the nu-wave influence on the dance scene of the early 80’s yet following closely the club sound with more emphasis on the dance edge. I have taken the 12” version of “City Of Night” and reweaved a fast paced ReStructure Mix utilizing the 2 part keyboard sequencer and the vocoder effects. A small touch of a Donna Summer classic is added to give the “night” more excitement. |
|
|
• Get Here - Glenn Rivera ReStructure Mix - Linda Imperial Linda Imperial moved into the dance music scene with the group Loverde (“Die Hard Lover”) in 1982 and moved onto a solo career in 1985 with her club hit “Stranger”. Since then Linda has given dance floors many opportunities to share her beautiful vocals in many flavors of high energy dance music including her tracks “Fire”, “Killing Me Softly”, and a fabulous cover of “Where The Boys Are” in 1998. On the classic San Francisco label Megatone Records and along with pioneer disco artist and producer Ernest Kohl (“Follow Your Heart”) brought a roaring translation of Oleta Adams “Get Here” in 1993. This one is an amazing arrangement and placement for Linda’s always beautiful delivery into a fascination of love and desire. It was one of the big hits for my club for months and remained one of my personal favorites. It is high energy taking a transition to a look back at what made dance music great – a wonderful full production and a fabulous diva. I have taken the 12” version of Linda’s “Get Here” and weaved a new ReStructure Mix and focused on breaking down the lovely lyrics for a tease in and out. There is a new rhythm track to outline the melodic feel of the song and a fade. This ReStructure Mix is dedicated to Ms. Linda Imperial and the incredible Mr. Ernest Kohl for the contributions to dance music throughout the years. |
|
|
• Movie Queen - Glenn Rivera ReStructure Mix - Harlow Harlow is Joanne Perica, Johanna Vanderkley and Linda Hanchar – a trio whose early 80’s projects helped to keep the disco chorus arrangement alive. Their big club hit “Take Off” from the album “Taking Off” from 1980 is a classic beyond the disco era and contains all of the magic that is disco music. “Movie Queen” is another track from the project which was produced by Alex Alexander, Bertch Alyanak and Mike Alyanak. This piece is another touch of disco fantasy which weaves the dream of the Hollywood fame and fortune with all of the struggle and power. It was another number from the album that outlines this ensemble created so beautifully. I have taken the album version of “Movie Queen” and reworked a ReStructure Mix with more of a downbeat and a few percussion effects to give it a boost. It remains true to the original with more of a lengthy feel and a fade out. |
|
|
• I'm So Excited - Glenn Rivera ReStructure Mix - Pointer Sisters Pointer Sisters are Anita Pointer, June Pointer and Ruth Pointer – a trio who set the 80’s on fire with their music and exciting stage presence. It was a festive 80’s which brought tracks like “I’m So Excited” alive from their 1982 album by the same name. Produced by Richard Perry and delivered with their soulful and motivated vocals. I have taken the 12” version of “I’m So Excited” and recreated a new ReStructure Mix to bring back the colorful 80’s and the uplifting feel of the music. |
|
|
• Let's Go On Vacation - Glenn Rivera ReStructure Mix - Sister Sledge Sister Sledge are Debbie Sledge, Joni Sledge, Kathy Sledge and Kim Sledge – and best known for their huge 1978 dance floor hit “We Are Family” brought them success in club land. Their production moved into the arena of Nile Rogers and Bernard Edwards of Chic success and gave the girls a new sound and image. Their 1980 album “Love Somebody Today” featured the track “Let’s Go On Vacation” which plays out in the easy groove of the Chic-sound with the ladies serenading a love in need of some time to grow from subtle lull. It is a beautiful piece and becomes more and more alluring with the melody and sweetness. I have taken the album version of “Let’s Go On Vacation” and reworked a ReStructure Mix with a new Calypso percussion outline. The trip here is a new destination and plays out with the same energy with just a new adjustment for the hips and feet. |
|
|
• Discoland - Glenn Rivera ReStructure Mix - Quartz Quartz is Didier Plus, Laurent Taieb and Patrick Langlade – a trio whose two projects from the late 70’s brought an alternative electronic new-age feel to the disco beat. Their big disco classic “Beyond The Clouds” from 1978 is one of the innovative sounds that echo this disco machine. “Discoland” is from their 1979 follow up album “Camel In The City” which plays out the familiar sound of keyboards accenting a sequencer of rolling bass and trickling arpeggios. One of the familiar sounds created also from the band Space from the same period – these projects are the early techno sounds of dance music. I have taken the album version of “Discoland” and created a frantic ReStructure Mix with added percussion and a verge of extended breaks and effects. The trip here is more of an ear experience however a dance floor with love for the edge of electronics may find it hard to remain still. |
|
|
• Theme from Shaft - Glenn Rivera ReStructure Mix - Isaac Hayes Isaac Hayes is one of soul/funk and disco music’s leading talents. His productions have given way to a sound which helped to provide a gateway to a full orchestration of dance music along with the touch of funk and soul which made the 70’s the “disco era”. His 1971 score to the film “Shaft” is a classic among audiophiles around the world with its funky “wah-wah” guitar riff and its striking string arrangement. It lives on today on its own merit by taking the movement of the time and making it his own. I have taken the album version of “Theme from Shaft” and rewired a ReStructure Mix making a mild new escapade for the classic. Adding a new drum track and looping some of the familiar pieces which make this one an icon for the 70’s. |
|
|
• Beat It - Glenn Rivera ReStructure Mix - Michael Jackson Michael Jackson’s huge 1982 album “Thriller” is the symbol of pop-supreme achievements. Produced by Quincy Jones and outlined by some the industry’s most talented musicians and writers this project made Michael an icon in his own time. “Beat It” is a self-penned number from Jackson who performs this one like a rock-classic and makes a pop-explosion in the process. One of the 80’s most memorable moments is this marker and it lives on as the legacy of this talented man is constantly recovered. I have taken the album and instrumental version of “Beat It” and reassembled a new ReStructure Mix in a new fashion to pull it together in a whole new way. There a few new breaks and breakdowns to give the stage again that glimmer that Jackson presented. |
|
|
• Nervous - Glenn Rivera ReStructure Mix - Triple G Triple G is an electronic dance project from producer Cay Hume – who also gave us K.B. Caps, Margie M., T. Ark and Fantasy Ten. His project of Triple G incorporates vocals from high energy artist Mike Mareen (“Love Spy”) and a touch of “Funkytown”-like riffs. This one pulsates in and out like a factory working the beat into a frenzy. The light and fantasy edge to the vocals are much like a dream-like state that the music pulls you into. This one was always a favorite of mine and displays the direction of a new beat deep bass line with the Italo-disco sound. I have taken the vocal and dub of “Nervous” 12” single and recreated a shaky ReStructure Mix assisted by a sample from Susan Hayward from “Valley Of The Dolls”. The rewinding of this one gives way to more energy and looping to bring it all together in a new way. |
|
|
• Kiss Me - Glenn Rivera ReStructure Mix - Tin Tin Tin Tin is a band formed by Stephen Duffy (formerly of Dexy's Midnight Runners). His 1982 single “Kiss Me” was an 80’s dance hit when it was placed under the stylus’ in DJ booths. The synth-pop track is one of the big surprises during the early 80’s when a shift in the sound of dance floors began. Tin Tin is the drop line for the sound of electronic music phase of the time period and makes a strong statement with drums and synthesizers. I have taken the 12” remixes of “Kiss Me” and reworked the nard hitting drums into a new ReStructure Mix for a tribute to the 80’s sound. More of the master phrase is planted and the keyboards climb higher as the original. |
|
|
• Popcorn - Glenn Rivera ReStructure Mix - Pop Cycles Pop Cycles is an electronic disco project from producer Dominic Sciullo who transforms the 1972 pop-classic “Popcorn” by Hot Butter into an 80’s dance gem. This production emphasizes its work on the rolling synthesizers and adds a touch of galactic scenes to add to the mystic of this hypnotic number. It is executed as an Italo-disco arrangement in the early 80’s would lay out with a touch more. I have taken the 12” version and dub of Pop Cycles cover of “Popcorn” and segments of the original to create this ReStructure Mix to keep this classic alive. It uses more looping and flash-edits to recreate a new treat. |
|
|
• Disco's My Life - Glenn Rivera ReStructure Mix - Boogie People Boogie People is a Canadian disco ensemble lead by producers Dominic Sciullo (Montreal, Nancy Martin) and Vincent Clambrone (Tamara Lorninz, Claudia Hart) – and was a new breed of disco music during the early 80’s. Their album titled “Boogie People” from 1979 is one of the classic shifts from the funk-groove of mid-70’s dance music to a more high energy flowing sound. “Disco’s My Life” is a mini-anthem which projects the time and place of dance floor during the peak of the late 70’s where disco music reined and made many feet happy. It is sung by Silvie Doucet and Tiziana Bibbo in a fashion that plays out in every way that disco music spoke. I have taken the 12” version of “Disco’s My Life” and played out another dub-like ReStructure Mix. There is more of the fantasy of the disco dance floor where many were lost in during the wave.
|
|
|
• Tonite - Glenn Rivera ReStructure Mix - Sho Nuff Sho Nuff is Al Bell III, Bruce Means, Freddie Young, James Lewis, Lawrence Lewis and Lyn Chambers – a funk/disco band from the late 70’s throughout the mid-80’s. Their music is a definite move from the disco cream to a new brand of 80’s dance with more of a band feel. “Tonite” is from their 1980 album by the same name and is a memorable piece that is a touch of that dreamy groove with a nice underground feel. The song was recorded again by Fern Kinney under the title “Love Me Tonite” the following year which is the version that many disco audiophiles may remember most. A beautiful piece done here with a lovely arrangement and production. I have taken the album version along with the reprise track of “Tonite” and reworked a ReStructure Mix for those who clamor for that funky mood with a love injection. I have worked more of the drums into the verse along with a few new breaks. |
|
|
• Pillow Talk - Glenn Rivera ReStructure Mix - Lustt Lustt is a disco project from producers Anand Maharajh and Paul Klein who gave us many high energy and electronic funk tracks during the early and mid-80’s. This cover of Sylvia’s disco/soul classic from 1973 is a high energy must. It captures the sensuality and erotic sound of the original with the electronic pulsing of a new sound for the 80’s. With the original version possibly a light influence on Donna Summer’s “Love To Love You Baby” this one pulsates as closely to it. The production keeps a close interpretation with only a few new throbbing synthesizers and a percussion break. An exciting cover of a classic. I have taken the 12” vocal and dub of Lustt’s “Pillow Talk” and reworked a new ReStructure Mix that plays out more in a playful manner. More edits with the verses and also a couple of new bongo breaks. |
|
|
• Under My Thumb - Glenn Rivera ReStructure Mix - Fast Radio Fast Radio is a dance project from Guy Ruvolo who also gave us Carol Cooper (“Tunnel Of Love”) and TGB. This early high energy cover of The Rolling Stones rock-classic is a fast moving disco electro number. Vocals sound a bit like a chorus of sassy chorus gals from the 50’s rock n’ roll period in full camp. The rolling synthesizers and hard hitting choruses make this one quite fun. I have taken the 12” vocal and dub to recreate another ReStructure Mix to feed those high energy fans a new recipe. A touch of the original is added to give this one a new road to rock heaven! |
|
|
• Desire - Glenn Rivera ReStructure Mix – Randy Crawford Randy Crawford is a jazz/soul vocalist who made the 1979 track “Street Life” by The Crusaders an instant classic with her emotional and unique vocal. Her contributions to the dance floor scene also include “Nightline” from 1983 and “Desire” from 1986 which is produced and written by Reggie Lucas who also gave us great dance pieces from Stephanie Mills, Mtume and Phyllis Hyman. “Desire” is a yearning love song put to a heavy percussive and funk bass track which is more of what dance floors were moving to during the early 80’s. This one was always a favorite as Randy always sets my heart in the right direction with her emotion and aura. I have taken the 12” vocal, instrumental and drum beats of “Desire” to set a new ReStructure Mix afire. It has a synthesized into for the fantasy and need portrayed in the song. It leaves Randy in a clear stage of diva power where she belongs. |
|
|
• In The Night - Glenn Rivera ReStructure Mix – Daydream Daydream is an Italo-disco project from Spain on Blanco Y Negro Records from 1986 and features members Irene César, Mónica Cesar and Pedro Morales. A delivery in the classic Italo-disco sound with a light touch of energy. “In The Night” is a serenade with a sweetness that captures the disco aura with a nice resonance and rolling power. It is one during the mid-80’s which drew my heart back into the early days of Italo-disco where the fantasy is captured nicely and takes the dance floor into an almost dreamy stage. I have taken the 12” vocal and instrumental of “In The Night” and have worked a ReStructure Mix which extends those powerful and deep keyboard bass riffs and the light hearted edge of keyboards. It is truly one of those 80’s dance numbers that takes the mind into a new realm. |
|
|
• Is It In - Glenn Rivera ReStructure Mix – Jimmy "Bo" Horne Jimmy “Bo” Horne is one of the funkiest disco experiences around! “Dance Across The Floor” from 1978 began his career on the dance floor with the help of Harry Wayne Casey and Richard Finch (of K.C. and The Sunshine Band) fame. His music is the groove which unites the soulful edge of disco and funk into an infectious sound. “Is It In” is a single from 1980 which rings out that Miami Disco Sound created by K.C. and his club sound. This one is a classic as it was during its release and promises a mark in history that will always bring to mind the power that disco made in its nights of rein. I have taken the 12” version of “Is It In” and reunited that awesome bassline with some new beats to recreate the Jimmy “Bo” Horne piece in a ReStructure Mix draw. It is a new “in and out” flavor for those who love disco music and also this number. |
|
|
• Sugar Pie, Honey Bunch - Glenn Rivera ReStructure Mix – Tapps Tapps is a high energy disco group featuring Allan Coelho, Candy Berthiaume and Tony DaCosta. A big smash in the early, mid and late 80’s with their high energy hits “My Forbidden Lover”, “Runaway (With My Love)”, “Hurricane” and “Don’t Pretend To Know”. It was shift during the early 80’s to a full electronic arrangement with lots of keyboard magic weaving a rhythmic sound into a dancing force. Tapps had the female lead that presented that sweet and yearning that disco music created with the disco diva at bay. “Sugar Pie, Honey Bunch” is their high energy cover of The Four Tops 1965 hit and it is a rolling tribute with a nice power and execution. For the high energy dance floor this one is quite a cooker. A reminder of the power of dance music when presented in its full flavor. I have taken the 12” vocal and instrumental of Tapps’ “Sugar Pie, Honey Bunch” and reworked a ReStructure Mix to give way to some new energy. The new intro and breaks are an addition to the existing classic edge. |
|
|
• Superlove - Glenn Rivera ReStructure Mix – SKYY Skyy is Anibal "Butch" Sierra, Bonny Dunning, Delores Dunning Milligan, Denise Dunning Crawford, Gerald Lebon, Larry Greenburg, Solomon Roberts Jr., Tommy McConnell, Wayne Wilentz and producer Randy Muller of Brass Construction. This band is one of Salsoul Records’ early New York Disco/Funk bands of the late 70’s. Many bands followed in this genre on the Prelude Records label and a new brand of dance music with the flair of the New York disco sound. Randy Mueller who gave us Funk Deluxe, the classic by Tamiko Jones (“Can’t Live Without Your Love”) and his work with Brass Construction continues his journey of inspirational funk sounds here and on with all future Skyy-work. I have taken the 12” version of “Superlove” –which has one of those contagious riffs that make the soul “worm” and reworked a ReStructure Mix adding more sugar to the mix. There is an intro to introduce this groove and more breaks to make it “super”-licious! |
|
|
• On Fire - Glenn Rivera ReStructure Mix – T-Connection T-Connection is Anthony "Monks" Flowers, Berkley Van Byrd, David Mackey, Kirkwood Coakley, Monty Brown and Theophilus Coakley. The 70’s funk and soul is extremely united with the disco edge with this talented group. Their first dance hit from 1977 titled “Do What You Wanna Do” is a monstrous piece which places their heavy percussion over a groove which is infectious in a way that disco music was clamoring for in the mid and late 70’s. It is an experience that sounds almost ethereal to those who know and use disco music the right way. Produced by Alex Sadkin and Cory Wade and on the classic Henry Stone label Dash Records/TK Records. I have taken their 1977 dance floor hit “On Fire” into the ReStructure Mix realm and reworked another workout for this classic disco mover. Using more of those killer breaks as segue to the action here there are more reasons to understand the power of T-Connection. |
|
|
• Uptown Festival - Glenn Rivera ReStructure Mix – Shalamar Shalamar is one of disco music’s majestic pinnacles of sound. From their first album titled “Uptown Festival” produced by Simon Soussan (Arpeggio, French Kiss, Romance, Pattie Brooks) to their disco/funk recordings of the 80s and of course the solo careers of Jody Watley and Howard Hewitt. This pure disco medley with the title “Uptown Festival” features a Motown-classic packed disco gem. It features the lead vocals of Gary Mumford and lots of that Soussan-treatment meaning lots of disco-power. It is one of the great disco classics and should always be addressed so. I have taken the album version of “Uptown Festival” and have given it a few new twists and turns in this ReStructure Mix. Only a few of the Motown hits are a part of this new mix but the resonance of the great toppers are evident and still create a stir. |
|
|
• Red Light Lover - Glenn Rivera ReStructure Mix – Gwen Jonae Gwen Jonae is a high energy artist produced by Paul Sabu (Debbie Jacobs, Sabu, Sister Power, Ann Margret) during the early 80’s. Her big club hit titled “Destiny” from 1983 is also one of her well-known tracks as well as her work with Sister Power and the big disco hit “Gimme Back My Love Affair” from 1979. Her powerful vocals were the incantation of a pure disco diva of her time. Many club performances proved that live and along with Paul Sabu’s rockin’ disco production her work was a much welcomed talent to dance floors. I have taken the 12” vocal and instrumental of “Red Light Lover” and recreated a new ReStructure Mix with a new intro for the blaring high- energy track. It is a more powerful take on the “Lady Marmalade” fix and works like a slick dance piece that keeps pumping and pumping. |
|
|
• Club Tropicana - Glenn Rivera ReStructure Mix –WHAM! WHAM! are George Michael and Andrew Ridgeley who made a big splash in the early 80’s with their blend of pop-dance tracks and stage performances. “Club Tropicana” comes from their 1983 project “Fantastic” – produced by George Michael and Steve Brown. This Calypso-feel dance number blares out like a Carnival celebration with its percussion driven rhythms and hot vocal stimulation. It is one of their memorable numbers and keeps the magic of WHAM! alive today. I have taken the 12” vocal and instrumental of “Club Tropicana” and re-assembled a ReStructure Mix which not only extends parts of the dreamy melodies but also adds a couple of new breaks to give the party a lasting feel. |
|
|
• Together We Are Beautiful - Glenn Rivera ReStructure Mix – Fern Kinney Fern Kinney is a disco artist with a big disco cover of King Floyd’s “Groove Me” from 1979 – produced by Carson Whitsett, Tommy Couch and Wolf Stephenson. The single on Henry Stone’s label T.K. Records is a classic. From the same project titled “Groove Me” is a second single titled “Together We Are Beautiful” which is an elegant sounding love song with a lilting melody and haunting vocal from Fern Kinney. This one is an early evening and after-hours must with the swirling disco strings and lovely production. A favorite of mine and one which stands alone when it comes to beautiful disco music. I have taken the album version and used snippets of the single-like version of “Together We Are Beautiful” to create a looping and more dub-like ReStructure Mix. The beauty is still intact within the lovely strings and that sensual vocal. |
|
|
• A Few Good Men - Glenn Rivera ReStructure Mix - Tara Jans Tara Jans is a high-energy artist whose single “A Few Good Men” from 1985 fits the mold of the-“So Many Men, So Little Time” genre of the 80’s. Produced by Daniel Japlin, Fred Munao and Gary Posner and released on Select Records during the peak of high energy music. This one shoots off a barrage of synthetic horns with a kicking groove that plays out well with Tara’s defined vocal. A nice underground hit for me and one that made the floor see hands raised after a few choruses. I have taken the 12” of “A Few Good Men” and used all three version to recreate and recruit a new ReStructure Mix with a few new surprises and extended use of that kickin’ guitar track. |
|
|
• Where Did Our Love Go - Glenn Rivera ReStructure Mix – Amii Stewart Amii Stewart is one of disco music’s premier performers and with her big disco hit “Knock On Wood” from 1978 she is an elite part of music history. Her 1981 album “I’m Gonna Get Your Love” features a cover of The Supremes classic “Where Did Our Love Go” – produced by Narada Michael Walden. This piece was featured on the first 12” single from the project and has the edge which we remember best as Amii steers her way through a mass of disco electronics weaving in and out. It is also a nice slick cover of the Motown classic and nice sensual vocal approach for Amii. Always a nice blend for me during afterhour’s moments where a nice reminder of disco ingenuity works. I have taken the 12” version and recreated a new ReStructure Mix working those drum tracks and the jittery synthesizers into a new question for Amii. This one also contains a rolling fade for perhaps more energy. |
|
|
• Cherry Pie - Glenn Rivera ReStructure Mix – Sade Sade is Sade Adu, Paul S. Denman, Andrew Hale and Stuart Matthewman – their first album titled “Diamond Life” from 1984 contained a unique blend of lounge rhythms and jazz funk which made them a continued band even through today. “Cherry Pie” is a track from the project which also became a standard for their playlists even though it never official was a single release. The rolling bass and rhythms make this one an infectious heartbreak tale which satisfies from start to finish. Along with Sade’s vocals this one is an absolute classic. I have taken the album version of “Cherry Pie” and reapplied a new arrangement and ReStructure Mix formula to create a new arena for the song. It has a longer intro, new break and a nice fade for those who can’t get lost deep enough. |
|
|
• Ahjia - Glenn Rivera ReStructure Mix – Kano I have taken the album version of “Ahjia” and re-edited and reworked a new ReStructure Mix to give way to another burst of energy in a new way. This remix works heavily on the keyboard elements and a new arrangement. |
|
|
• Disco Dancing - Glenn Rivera ReStructure Mix – Rice and Beans Orchestra Rice and Beans Orchestra is a disco group from producer Pepe Luis Soto, who also produced Celi Bee and The Buzzy Bunch. The foundation of disco music is based on the reaction from DJs and dance floors – this piece titled “Disco Dancing” from 1977 is an example of how the disco craze caught fire thanks to this feedback. The track sounds like a take-off on The Ritchie Family’s “The Best Disco In Town” and this is what makes it great. It was the disco sound in its exploration and assemblage. A great rhythm piece with some classic disco percussion and guitar work. I have taken the 12” version of “Disco Dancing” on the classic T.K. Records label and reassembled the groove for this ReStructure Mix. I have added some new beats and effects to give this “disco” piece a new lift. |
|
|
• 3,000,000 Synths - Glenn Rivera ReStructure Mix – Chas Jankel I have taken the album version of “3,000,000 Synths” and have given it a new ReStructure Mix paying homage to Jankel’s usage of ears and rhythm with this track. It always found its way onto my early morning playlists and kept many moving during those moments of intense nights out. |
|
|
• Love Is You - Glenn Rivera ReStructure Mix - Carol Williams Carol Williams is one of the golden voices of disco music. Her appeal has always been one of sweetness and sophistication as dance music was headed into a new orchestral sound. “Love Is You” is from her 1976 album “’Lectric Lady” – produced and conducted by Vincent Montana, Jr. and is a classic among the world of disco. The lasting effect of the drums, bass guitars, percussion and Carol’s fabulous performance is obvious for reasons while the foot is tapping and the mind is free – the true effect of great disco music. I have taken the 12” version of “Love Is You” and reworked a ReStructure Mix to pay tribute to the fantastic production from Montana and the vocal beauty of Ms. Williams. I have added a new arrangement to play and some new breaks for another new experience. |
|
|
• Rotation - Glenn Rivera ReStructure Mix - Herb Alpert Herb Alpert burst upon the disco/dance scene in 1979 with his big album “Rise” – the title track served for a crossover in his own style. Another notable track from the project is “Rise” which also was released as a 12” dance single. This one is a hypnotic piece which gives Alpert’s magic trumpet an opportunity to shine among the rolling synthesizers and bongo fills. A big after-hours hit for me or for those early evenings where dancers were free to express themselves with their bodies. I have taken the 12” of “Rotation” and recreated a new techno-hypnotic ReStructure Mix to complete the circle here. It adds more percussion and a funk-beat to guide the number to its destination. |
|
|
• Good-bye Bad Times - Glenn Rivera ReStructure Mix - Philip Oakey and Giorgio Moroder Philip Oakey of Human League moved onto a solo career along with disco producer Giorgio Moroder in 1984 with the title track to the film “Electric Dreams”. The track was a club hit and now a classic. In 1985 a project featuring the vocals of Oakey and production of Moroder was released and featured the single “Good-bye Bad Times” which is a promising look at tomorrow. A nice club song which is known well by followers of both talented musicians. I have taken the 12” vocal and instrumental of “Good-bye Bad Times” and reworked a ReStructure Mix to play out this uplifting anthem once again. More emphasis on the great synth work from Moroder and keeping intact the magic by Oakey. |
|
|
• I'm Gonna Get You - Glenn Rivera ReStructure Mix - Bizarre Inc. Bizarre Inc. is Andrew Meecham, Cameron Danté, Carl Turner, Dean Meredith, Mark Archer and Yvonne Yanney. A 90’s house/techno ensemble from England whose big hit from 1992 caused some hoppin’ and happinin’ on dance floors. “I’m Gonna Get You” featured Angie Brown and also a now classic sample from Jocelyn Brown’s 1985 track, “Love’s Gonna Get You”. This one is the evolution of Italo-house and techno barreled into one ominous groove. The nineties made way for this combination and soon all that was surrounding dance floors was this fantastic groove for the early and mid-90’s. A huge hit for myself and many other jocks this one still rings loud and clear. I have taken the 12” of “I’m Gonna Get You” and utilized pieces of the Todd Terry Mix and dub to rework a ReStructure Mix into another frenzy dance moment. This one uses the best of the mixes and also adds more of Jocelyn’s fabulous rap and vocals. |
|
|
• Boys - Glenn Rivera ReStructure Mix - Leah Landis Leah Landis is a high energy dance artist from early 80’s. Her 1986 release “Boys” is a cover of The Shirelles hit from 1960. This rolling energy track makes it easy for Leah to let her heart loose and make it well known that those boys are her desire. A bit more outward and every bit as fitting for a high energy track. This one was a surprise hit for my club and kept many on the floor moving onto the morning. I have taken the 12” vocal, dub and instrumental of “Boys” and reworked a ReStructure Mix which adds a classic Donna Summer snippet to bring the synthesizers alive with another tribute to disco and high energy. |
|
|
• Under Construction - Glenn Rivera ReStructure Mix - El Coco El Coco is the magic of W. Michael Lewis and Laurin Rinder – a duo which brought the first wave of underground disco to the mid-70’s. Their music was a deep groove of 50’s band along with disco strings and percussion. “Under Construction” is from their third album from 1976 titled “Let’s Get It Together” – another tailored project for the dance floors craving a sound for the growing disco sound. This anthem is one of the statements which work well with the downbeat groove and uplifting chorus. It brings promise to an ongoing and troubled world. I have taken the album version of “Under Construction” and rebuilt a ReStructure Mix adding more percussion and a lengthier play. The bass pieces are the play for the intro and the drop out at the end only shows a greater promise for this focus. |
|
|
• Love Flight 109 - Glenn Rivera ReStructure Mix - Sonia Grier Sonia Grier is a soul/dance vocalist who released a surprise hit in 1986 titled “Love Flight 109” – produced by Bill Bradford (Shock). This one was a big stomper with its Motown feel and a touch of that pop 50’s edge. An uplifting love song about an imaginary airport where promised love takes off into the skies. One of the big dance floor packers of it day and a big Sonia Grier moment. I have taken the 12” extended version, dub and pieces of the original of “Love Flight 109” to depart onto a new trip in this ReStructure Mix. I have used pieces of the dub and instrumental to add some new breaks and effects to this magnificent dance song. |
|
|
• Love Is A Stranger - Glenn Rivera ReStructure Mix - Eurythmics Eurythmics is Dave Stewart and Annie Lennox – perhaps one of the most innovative and exciting groups of the 80’s. Their music was a mystical experience that worked about the synth-pop sound of this period. Most of the recognition was due to the unique style and aura of each artist. “Love Is A Stranger” is from their 1983 project titled “Sweet Dreams (Are Made Of This)” which introduced their pulse driven music into a new generation of dancers. The song is their most haunting and mystical number and has echoes of the 60’s psychedelic feel in a light feel. One of my favorites from the duo and one of Annie Lennox’s most intriguing performances. I have taken the album version of “Love Is A Stranger” and re-casted a new spell for this ReStructure Mix. Many new breaks are placed within the wonderful original production and more of that dreamy effect is focused on. |
|
|
• Rushin' Roulette - Glenn Rivera ReStructure Mix - Gregg Diamond's Bionic Boogie Bionic Boogie is a studio ensemble created and produced by Gregg Diamond (Andrea True Connection, Star Cruiser, Hardware). Diamond’s disco extroirdiinaire is based on a soft-rock edge a sweet disco aura at times blended where you are lost in hidden messages and intricate grooves. “Rushin’ Roulette” is from his “Tiger, Tiger” project from 1979 where his focus was on a stripped away feel with more of an edge as the 80’s were bringing a more nu-wave and rock sound to dance floors. This was a genius move on Diamond’s sessions as he did a similar touch on his project titled Hardware. I have taken the album version of “Rushin’ Roulette” and focused more on the fabulous vocal riffs from Luther Vandross, Jocelyn Brown, Janet Wright and Lani Groves. An added cameo from John Lennon brings this underground sound into a more celebratory light. |
|
|
• I Can Dream About You - Glenn Rivera ReStructure Mix - Dan Hartman Dan Hartman brought a new magic to disco music in 1978 with his big hit “Instant Replay” and following many memorable dance classics including “Relight My Fire” with Loleatta Holloway. His venture from the 70’s to the 80’s was successful with his 1984 album “I Can Dream About You” with the title track being featured in the film “Streets Of Fire”. This love groove is one of the best 80’s dance numbers with the right amount of heart and soul to haunt your feet. It was a huge track for me as I reverted to playing it during peak hours with many dancers lost in its hypnotic groove. I have taken the 12” vocal and instrumental of “I Can Dream About You” and moved the song into a ReStructure Mix mood. More of the dream feels with some extensive looping to emphasize the yearning. It is a fade out which I can only want more of this one. |
|
|
• We Can Make It - Glenn Rivera ReStructure Mix - Evans and Fisher Danny Fisher and Tommy Evans brought the third generation of Italo-disco to dance floors in the mid-80s. Their electronic productions were as lush and swirling as the Euro-disco of the late 70’s and helped to preserve the disco edge. “:We Can Make It” is their 1988 release which is a breath of disco air, This number sweeps and sways like a fabulous Fred Astaire dance number on a disco high. It contains their signature heavy percussion foundation with the beautiful electronic strings and sweet vocal reminding us of the early days of European disco music. A beautiful piece that deserves to be honored as most of their productions, I have taken the 12” vocal and instrumental of “We Can Make It” and reworked a ReStructure Mix to give another disco trance like moment alive. It adds a sample from the Larry Page Orchestra to add to those incredible drum-fills. This ReStructure Mix is dedicated to Denni Demaldè – thank you for the request and being so kind. |
|
|
• Don't Lose Your Heart Tonight - Glenn Rivera ReStructure Mix - Joy Peters Joy Peters is an Austrian Euro-dance artist who released a big Italo-disco hit titled “Don’t Lose Your Heart Tonight” in 1986 – produced by Bert Mayer. A big hit in my club and one of the haunting tracks which always resurfaces for me time after time. It has a powerful hook and some of the most hard-hitting keyboards for the time. IU have taken the 12” vocal and instrumental of “Don’t Lose Your Heart Tonight” and re-visited the song in the ReStructure Mix vein. It has samples of another classic by Hugh Masakela which helps to emphasize the longing for this love. |
|
|
• Jeremy - Glenn Rivera ReStructure Mix -Donna Summer Donna Summer released her twelfth project titled “Cats Without Claws” in 1984 – produced by Michael Omartian. The list of tracks in this package resembled the pop-synth dance tracks of the period and also some material which emphasized Donna’s rock and blues edge and what she aspired to be following the disco era. Her voice was always powerful and with tracks like “Jeremy” which follows the rock ballad theme of the 60’s it gave Donna the sound which made her stand apart and shine in her own light. The ballad was a beautiful piece which I always loved and taking it to a new canvas is a tribute to this part of Donna. I have taken the album version of “Jeremy” as a ballad and added some new percussion tracks to transform it into a dreamy early morning dance experience. Another composition added by composer Pino Donaggio from his “Body Double” soundtrack to emphasize again the sexy and yearning side of Donna in the “Love To Love You Baby” tradition. CORRECTION: "Jeremy" is from Donna's "All Systems Go" project from 1987 - Thanks to Troy Westrick for reminding me |
|
|
• Talk About - Glenn Rivera ReStructure Mix – Phaeax Phaeax is an Italo-disco session from Claudio Fiorentino and Massimo Gabutti – also known as Fenix. Their 1983 single “Talk About” is an odd dance single which hit dance floors towards the electronic dance music peak. High energy became the next step towards movement on innovation. This hard hitting and strange number is one of the Italo-disco tracks which contain some catchy riffs and the hardcore keyboard plays. The airy sounds behind the chorus always reminded me of “Go Go Yellow Screen”: by Digital Emotion. I have taken the 12” vocal and instrumental of “Talk About” and reassembled a ReStructure Mix which keeps the energy alive and adds some new breaks. The cause behind this track is mysterious yet the energy is undoubtedly forward. |
|
|
• Flamethrower - Glenn Rivera ReStructure Mix - The J. Geils Band The J. Geils Band is one of the 70’s rock super groups with 11 albums to their credit during the time period. “Freeze-Frame” is their 1981 project and features several hit singles including “Flamethrower” which gave the crew a crossover dance number that also became an instrumental for a rap song from Felix & Jarvis in 1982. This piece used a hard pounding drum to give the rock edged song a hardcore rhythmic sound. It is one of the nice elements as well as the story of a woman so hot and sexy she leaves flames wherever she goes. A big crossover dance number for The J. Geils Band and a piece of 80’s dance history. I have taken the album version of “Flamethrower” and pounded out a new ReStructure Mix with more of the energy for the dancers who stills can take the heat. There are a few more breaks and breakdowns for this story of a siren that makes head spin. |
|
|
• American Man - Glenn Rivera ReStructure Mix - Ladies Choice Ladies Choice is an electronic dance project from Gino D’ Orazio and Tony Bentivegna of Nightlife Unlimited. One of the big Canadian disco singles of the early 80’s and a huge dance floor packer for me. This one uses all of the keyboard power to generate a rolling dance track that has more power to it than a protein drink. It reverberates back and forth as the Lime hits of the time and features their vocalist from Motion (“Don’t Stop”) – an earlier hit project. I have taken the 12” version of “American Man” and recharged the experience in this ReStructure Mix using the syn-drum riffs and keyboards in a new arrangement. A sexy break is added to explain just what those “American Men” can do. |
|
|
• Do You Really Want To Hurt Me - Glenn Rivera ReStructure Mix - Culture Club Culture Club is George O’Dowd, Jon Moss, Roy Hay, and Michael Craig. The early 80’s were the place for this band and their music contains the sound which brought dance floors back into the dance mode. “Do You Really Want To Hurt Me” is a reggae based track which is one their first big hits both on radio and dance floors. It remains one of the permanent fixtures of the 80’s generation and also a sound which echoes a past momentum of dance music history, I have taken the 12” vocal and dub version to recapture “Do You Really Want To Hurt Me” in the Restructure Mix vein. More of an early morning feel with more Afro-Cuban bongos and a downbeat. The essence of the song remains and only echoes more of that club atmosphere. |
|
|
• Leavin' The Good Life Behind - Glenn Rivera ReStructure Mix -Phyllis Hyman Phyllis Hyman is a vocalist whom brought to dance music sweetness and unique soulful rendition which paints experience and emotion. Her 1975 initial release is a single titled “Leavin' The Good Life Behind” – wonderfully produced by George Kerr (The O'Jays, Florence Ballard, Linda Jones) and gives way to the soulful connection of soul and disco in its early stages. The single was mixed by the legendary Mr. Tom Moulton and displays that instrumental insert which so many dancer s adored during these club years. Phyllis plays out this romance gone wrong as an anthem-like track and once again makes heartache feel so real – as her vocals relay so well. A great retro piece and another powerful statement for the early sound of dance music. I have taken the long version from the 7” single and have given it the ReStructure Mix treatment making it a new emotional dance piece. The rolling ball and rhythm guitars are made more evident and play out as new breaks and riffs. |
|
|
• La Nuit Blanche - Glenn Rivera ReStructure Mix - Munich Machine Munich Machine is a project from disco producer, Giorgio Moroder and was a major release for disco music. The production is one of the majestic blends of Euro-disco with new elements of electronic wizardry from Moroder. The second album which featured a disco-fied cover of Procol Harum’s “A Whiter Shade of Pale” in a clever format with vocals from Chris Bennett is also a continuum of Moroder’s instrumental genius weaving his keyboards and synthesizers into dance floor gems. “La Nuit Blanche” which translates into “a sleepless night” blends “Also Sprach Zarathustra” and takes the classical piece created by Richard Strauss into the disco futurism in a dramatic interlude. A must for any fan of Moroder or Munich Machine. I have taken the album version of “La Nuit Blanche” and pieces of Vienna Philharmonic’s recording of “Also Sprach Zarathustra” and reworked a ReStructure Mix for a new voyage into discos magic. There are more of the wonderful sequencers and rolling synthesizers Moroder brought to the history of dance and of course “drama”! |
|
|
• I Want It To Be Real - Glenn Rivera ReStructure Mix - John Rocca John Rocca is an innovator of 80’s electronic music. His talent helped to bring a new light to street, funk and dance music in the early 80s. His affiliation with the group Freeze (“I.O.U.”, “Pop Goes My Love”) are the sounds which helped to make New York another point of interest for music breaking molds and concepts. The electronic wave during the early 80’s been and is an important factor in today’s pop-dance and hip-hop scene. The rhythm and melodic tones may be played a bit off but the innovation is the same. “I Want It To Be Real” is one of the 80’s pieces which set a futuristic edge on video games and VHS tapes the way disco created for films like “Star Wars” and “Close Encounters…” did in the 70’s. A breakout number and even today brings a fresh sound out in the dance arena. I have taken the 12” vocal and dub to recreate homage to street-beat music in this ReStructure Mix. The intro is given a straight out flat beat with some reverberation to accompany the build and John’s message is delivered with more intent. |
|
|
• Puerto Rico - Glenn Rivera ReStructure Mix - Découpage Découpage is an 80’s dance band assembled by producers Tony Swain and Steve Jolley. Their first single from 1982 titled “Puerto Rico” is a track which brings a funk-Latin feel to celebrate a country where dance and music is a part of history. The song was well received during a period where disco had shifted into a more funk infused sound. This one helped to blend the theme into a dance number with a slick production. I have taken the 12” vocal and instrumental and reworked the percussion and melody into a new ReStructure Mix. The melodic chorus and verses are intact with a few more drops to make this new version last longer. |
|
|
• Melody of Love (Wanna Be Loved) - Glenn Rivera ReStructure Mix - Donna Summer “Melody of Love” is Donna Summer’s 1994 track from her “Endless Summer (Donna Summer’s Greatest Hits)” project. Produced by Donna, Bienvenue and Robert Welcome this house piece is another sound blaster from Summer in the 90’s. Her vocal places the song up on top from start to finish. It is a Donna-fan masterpiece when the chorus strikes and leaves us with no wonder why this woman dominated the charts and dance floors for years. I have taken the 12” “Classic Club Mix” of “Melody of Love” and sliced up a new ReStructure Mix to homage to this “First Lady of Love” and her talent. A riff from her classic “Once Upon A Time” project gives us a slight touch of the classic disco memories and the fade is one of the wonderful Summer moments. |
|
|
• Young Hearts Run Free - Glenn Rivera ReStructure Mix -Nana McLean Nana McLean is a Jamaican born singer who began her recording career in Canada in 1979 with her album “Dream Of Life”. Her voice eventually lead her into the disco realm and more of an effort to cover Candi Staton’s disco classic/anthem “Young Hearts Run Free” – with her softer approach and the electronic production by John Forbes in 1985 this one is a nice breath of fresh dance air. It blends a heavy beat with the tinkling percussion to give the classic a new lift and with Nana’s sweet and lovely vocal it is a welcome cover. I have taken the 12” vocal and instrumental of Nana’s “Young Hearts Run Free” to recreate a new stage for a ReStructure Mix. A few new breaks and re-arranging are infused to add more of the dance hall feel. It is a wonderful track to work with and the fade out is one which can bring out the flag dancers to serenade it. |
|
|
• Standing In The Shadows of Love - Glenn Rivera ReStructure Mix - Deborah Washington Deborah Washington is one of the early talents of disco music with several big dance floor hits to her arsenal. “Standing In The Shadows of Love” is Deborah’s cover of The Four Tops – Motown classic in disco chic exuberance. The opening of the original is a piece titled “Love Shadow” which is a segue into the excitement. Most disco productions which focused their attention to the dance found and created an introduction to the big main dance number which was as exciting as the drop out in techno music was in the 90’s. The production by George Tobin (Tiffany, Kenny Rogers, Thelma Houston and Tina Turner) and Mike Piccirillo (Robert John, Kim Carnes, Smokey Robinson) is a deep dive into the disco pool and as deep as the edge. A nice track that echoes the sound of a pounding beat creating bodies that just could not stop moving. I have taken the album version of “Standing In The Shadows of Love” using only a segment of “Love Shadows” as a breakdown in this new ReStructure Mix. A new beat and percussion track is added to beef up this classic remake and keep the feet moving as this one did when it was released.
|
|
|
• The Fever Rock - Glenn Rivera ReStructure Mix - Fever Fever is Dale Reed, Dennis Wadlington and Joseph “Joe” Bomback – a band who became one of the resonating memories of the biggest disco projects in history for clubs. “Beat Of The Night” is one of the big cuts from the project and self-titled album from 1979. The session featured assistance from Patrick Cowley on synthesizers, vocals by Clydene Jackson, Julian Tilman Waters and Maxine Willard Waters, along with production guidance by John Hedges and Megatone’s Marty Blechman. “The Fever Rock” is the fourth track from the 2-sided segued disco energized project. Always a favorite of mine and a wonderful fantasy for the disco floor and another anthem-like piece from Fever. Those who remember their first single “Standing In The Shadows Of Love” know what I am talking about. I have taken the album version of “The Fever Rock” and broke the beat into pounding 4 beat drums for this ReStructure Mix. The rolling energy is stopped for few new breaks where the “rock” takes on a new beat-feel. This one is one of my favorites and again marks a giant moment when “disco ruled the world”! |
|
|
• Bring On The Man - Glenn Rivera ReStructure Mix - WOW WOW is one of Bobby Orlando’s hardcore and underground disco/high energy sessions which helped to ignite dance floors in the 80’s. His approach to the dance floor was a heavy layer of drums and percussion – close to influence the tribal sound of the late 80’s and early 90’s. “Bring On The Man” is a release from 1984 and gives us the full-on treatment of lyrical female vocals over a hardcore drum fantasy. One of the many favorites for myself during a transition period of dance music and also the style of Orlando’s underground disco feel. I have taken the 12” vocal and instrumental of “Bring On The Man” and re-patterned a new ReStructure Mix which gives us more of those pounding drums and keyboards. It is a new play on this classic Memo Records release for another retro look at high energy and its roots. |
|
|
• Sexcrime (Nineteen Eighty Four) - Glenn Rivera ReStructure Mix - Eurythmics Annie Lennox and Dave Stewart are Eurythmics. Their creative minds and display of innovation in use of synthesizers and keyboards brought a new layer of sound to the 80’s. Their single “Sexcrime (Nineteen Eighty Four)” from 1984 is from the soundtrack for the film “1984” and displays an edge of rock and synth-pop fusion. It is one of their most memorable tracks and plays out as a masterpiece of their incredible catalogue. I have taken the 12” version of “Sexcrime (Nineteen Eighty Four)” and moved the recording into a lengthier intro and play with arrangements in this ReStructure Mix. It is the most powerful syncopated bass lines of the 80’s and works wonderfully now in a new way. |
|
|
• This Girl's Back In Town - Glenn Rivera ReStructure Mix - Raquel Welch Raquel Welch is one of the lasting beauties that Hollywood gave us. Her career is best known for the iconic sex symbol yet there is more to this woman when learn of her ambition and drive. In the late 70’s Raquel paired up with 2 of the music industries innovative producers and musicians – Mr. Bob Esty and Michael Zager. Both gave the 70’s its stamp on dance music with their many successful projects both on and off the dance floor. “This Girl’s Back In Town” is a stance for Raquel and plays out with more than a return to a broken romance but also her force and dedication to her career. The song is written by Bob Esty and the late Paul Jabara (“Last Dance”) and is another example of disco/dance music’s transition from the orchestral and funky arrangements to a full electronic powerhouse. I have taken the 12” vocal and “Rhythm Remix” of “This Girl’s Back In Town” and reworked a new stage number in this ReStructure Mix. A few reminders of disco’s history are added and Raquel is still in the right place along with the genius minds of Mr. Zager and Mr. Esty. |
|
|
• Memory - Glenn Rivera ReStructure Mix - Diva Diva Gray is a voice that is well known in dance music since the mid-70’s as she performed in many disco sessions including Change, Gregg Diamond’s Starcruiser and Bionic Boogie, Chic, Joe Thomas, Soiree, Lemon and her album Diva Gray and Oyster. Many riffs from classic vocal pieces belong to this incredible voice. Her 1983 recording of “Memory” (the theme from the Broadway Show “Cats”) takes the song to a new extreme. It is one of the great examples of the power of Ms. Gray’s vocals. The soulful and ‘diva” (pardon the pun) performance is one of my favorite 80’s pieces and the production from Jacques Morali (The Ritchie Family, Village People, Julius Brown, Eartha Kitt) is amazing. It is another mark for excellence on the Prelude Records label. I have taken 12” vocal and instrumental and created a new ReStructure Mix with more of the Broadway feel in mind. It is extended with some new drum tracks and percussion to kick up the drama. |
|
|
• Elevator - Glenn Rivera ReStructure Mix - Joanne Spain Joanne Spain is a disco artist who released her single “Elevator” in 1975 – produced by Clayton Ivey and Terry Woodford. This one is a “boogie” dance track which takes us to the sound of Silver Convention ala strings. It has some wonderful riffs and a sexy vocal which is what disco music was made of in the mid-70’s. The theme is obviously pointed at creating a new dance – most likely called “the elevator”, but it is sheer fun here. I have taken the 12” version of “Elevator” and reworked that rolling bass and sheer strings into a new ReStructure Mix. It has some new percussion elements that kick up the energy and also gives that sweet disco sound move hip motion. |
|
|
• Moving Your Hips - Glenn Rivera ReStructure Mix - Squash Gang Squash Gang is Cristina Manzano, Francisco Quijada and José Quijada. The ensemble from Sabadell, Spain released several electronic dance tracks from 1986 through 2009 – their most notable being “Moving Your Hips” from 1987. In the Italo-disco vein this tracks is heavily pounding with cathedral-like keyboards and a few scratch riffs. It is a bit haunting and resonates as an 80’s electronic dance piece should. I have taken the 12” vocal and instrumental of “Moving Your Hips” and recreated a new ReStructure Mix to pay homage not only to the trio but also the lasting feel of Italo-disco. The song was one of the big hits in my club and one of my fondest memories of it is watching a crowded dance floor get lost in it. |
|
|
• Hot Sun On Video - Glenn Rivera ReStructure Mix - Venus Venus is a German disco ensemble produced by Tony Hendrik and Karin Hartmann. Their 1985 single “Hot Sun On Video:” is an 80’s Euro-dance track which follows the period home video explosion and the trend of creating dance music which followed the trend of video bars and clubs in this outline. The mainframe here is the formulation of high energy music and the force behind the electronic production. The mid-80’s took the lead on this type of dance number and made the sound complete. Vocals are enticing and a bit erotic here which leads from the disco sound of the seventies. I have taken the 12” version “Hot Sun On Video” and reedited a ReStructure Mix using the keyboards and beats as the reference to a new excitement. This one heats up and then pours it on heavily. A salute to the German dance innovation of the early 80’s. |
|
|
• The Main's So Real - Glenn Rivera ReStructure Mix - Mimi Mimi is a high-energy/disco artist who recorded several dance singles in the early and mid-80’s. “The Man’s So Real” is a single from 1984 and was produced by Andy Sojka and Richard de Jongh who also brought us electronic productions from Magic Bullets, Contact-U, Ashaye, Atmosfear and Distance. During an early experimental period and the creation of high energy their heavy keyboard and percussion tracks became more notable for jocks that would use even parts of the tracks in instrumental parts as mixable tracks. Mimi’s single caught my attention as it closely followed the “So Many Men, So Little Time” formula with the heavy cowbell and cosmic-like breaks. A nice little fantasy and dance track of a woman’s dream of the perfect man. I have taken the 12” vocal and instrumental of “The Man’s So Real” and recreated a flowing ReStructure Mix using my favorite parts of the song. It brings in the chorus with more of the rolling arpeggio and new breaks using the original percussion fills. |
|
|
• Let It Be - Glenn Rivera ReStructure Mix - Top Secret Top Secret is an Italo-disco consisting of Cay Hume and Christof Scheibe. Their only release is from 1988 titled “Let It Be” – it follows closely to Pet Shop Boys cover of Willie Nelson’s “Always On My Mind” from 1987 with the rolling bass synths and orchestral strikes. This one is just as beautiful as a dance track can be and is one which immediately caught my attention. It was a big dance floor hit in my club and during mobile gigs and one I remember fondly as ‘lyrical Italo-disco”. I have taken the 12” vocal and instrumental of “Let It Be” to recreate the dramatic emphasis of this love song for a new ReStructure Mix. It is a bit extended with those lovely chorus echoes and the wonderful loving mood it weaves. |
|
|
• Ain't Love Grand - Glenn Rivera ReStructure Mix - Hott City Hott City is a classic disco production from 1979 from producer/musicians Jeffrey Parsons and Jeffrey Steinberg – and features a couple of tracks with vocalists Mildred Vaney and Ortheia Barnes who later became Cut Glass (“Without Your Love”) under the same production. “Ain’t Love Grand” is the titled track from the album by the same name and was originally released under the artist Graffiti. It is a fast moving disco number that teases and bends with excitement. Released on the classic disco label Butterfly Records. I have taken the album version of “Ain’t Love Grand” and reedited and reworked a new ReStructure Mix. It features some new percussion and extended pieces of the fabulous keyboard riffs. A disco classic is back! |
|
|
• Dance Up - Glenn Rivera ReStructure Mix - The Service The Service is an 80’s dance project from Mystery Host Productions and released their only single “Dance Up” in 1983. The track was written by Gui who worked with David Bowie in 1974. This electronic piece is a funk driven production with a light nu-wave twist. It has always been an early morning or early evening weapon for me in my 80’s sets and even today keeps a nice groove moving. I have taken the 12” vocal and instrumental versions of “Dance Up” to rework this ReStructure Mix into a new groove. Some of the subtle keyboards riffs are answered with samples from a classic Motown number by Smokey Robinson. Dance up! |
|
|
• Dance Forever - Glenn Rivera ReStructure Mix - Gaucho Gaucho is an Italo-disco project from Bruno Bergonzi, and two of the boys from the group Kano – Luciano Ninzatti and Stefano Pulga. “Dance Forever” was released in 1983 on System Music Records in Italy and became one of the exciting electronic dance pieces of the year. A touch of Calypso flair in the keyboards and percussion give this track a lift to an uplifting celebration. This one lasted for quite a while and was known for the electronic steel drum play and those fantastic breaks. It is one of the great examples of Italo-disco in the early 80s and the innovative twists and turns the musicians and productions were not shy of. I have taken the 12” version along with the “DJ version” drum side and created a ReStructure Mix which takes a few Calypso tracks into the excitement. This playful remix is for those who just can’t get enough of that Italo-disco flavor or that Calypso or Carnival excitement. |
|
|
• You Keep Me Hanging On - Glenn Rivera ReStructure Mix - Zina O' Zina O’ is a French singer who released a cover of Diana Ross and The Supremes classic “You Keep Me Hanging On” in 1982. The production by Albert Verrechia is a vibrant synth and percussion dance track which allows Zina O’ to lay out her own style of rock edged yearning in this version. In the early 80’s there was a hunt for tracks that offered this formula and it caught my attention in the storm of many releases of the time. It has its wonderful moments where the chorus and drop outs play a great rhythmic point for the song. I have taken the original 12” version of Zina O’s “You Keep Me Hanging On” and recreated a new arrangement and extension in this ReStructure Mix. More of the elements which matter is here again and outwardly played. |
|
|
Alec R. Costandinos added another layer onto the fantasy elements of disco music in the mid and late 70’s. Bringing to dance floors disco-fied concepts of “Romeo and Juliet” and in this project “The Hunchback of Notre Dame”. The fully orchestrated productions were also a part of his band Love and Kisses with the help of Don Ray. I was a new genre titled Euro-disco. The strings, horns, and stylized touched that Costandinos created were a force which was exciting and gave disco music purpose another important movement. “The Hunchback of Notre Dame” is a production which displays the creativity and innovation that the disco music producers were completely at the reins of. I have taken the second movement of “The Hunchback of Notre Dame” and used the beautiful sounds to ReStructure the “La Esmeralda” character and purpose. It is another tribute to Euro-disco and the man himself, Alec R. Costandinos. |
|
|
• Shotgun - Glenn Rivera ReStructure Mix - Paul Sabu Paul Sabu placed the cherry u-top the disco sundae. His productions with Debbie Jacobs, Sister Power, Gwen Jonae and Ann Margret are the most complete sound which is disco music in the late 70’s. The funky guitars and sweeping strings bring the disco fantasy to life. His solo projects are arranged and positioned as a rock-disco production and they play out in that glam rock edge in a disco finale. “Shotgun” is a single Paul wrote, arranged and performs in his power and unforgettable appeal. A disco dance floor at 4 am I can remember not only feeling but coming to life again after a long night of dancing. I have taken the 12” vocal and instrumental of “Shotgun” and created this stage-explosion for a new ReStructure Mix. Using that rolling bass and Paul’s rhythm and lead guitars to lead us on once again, another journey. |
|
|
• Night Fever - Glenn Rivera ReStructure Mix - Carol Douglas Carol Douglas is one of disco music’s darling diva. Her big dance floor hit “Doctor’s Orders” from 1974 immediately became the outline for a new disco sound. From there on Carol became a disco queen in her own right where she transformed strobe lights and pin spots into mysterious and loving places. In 1978 Carol’s album titled “Burnin’” featured a cover of the Bee Gees big hit “Night Fever” – produced by John Davis. This gave the song a whole new perspective with Carol’s sweet chords guiding us into the night’s energy. A nice and distinctive take on the big club track. I have taken the album version of “Night Fever” and rewired the message in this ReStructure Mix. The new formula only lends to the mystique of disco music and the control disc jockey would work for. |
|
|
• Move Up - Glenn Rivera ReStructure Mix - Margie M. Marie M. is an Italo-disco artist who released her only 12” single in 1987 where the A-side was a melodic dance track titled “China Boy” and the B-side a mystifying and moody number titled “Move Up”. The production by Cay Hume echoes the dance scene of the mid 80’s with the rolling bass and light keyboards. I focused more on the track “Move Up” since I enjoyed the early morning sound that emerges from it. I have always wanted to give it more of the fantasy it deserves. I have taken the 12” version of “Move Up” and reworked this lengthier and more destined journey in this ReStructure Mix. A familiar chant and some percussion are added from a classic which follows the same mood. |
|
|
• If You'd Only Come Back - Glenn Rivera ReStructure Mix - Claire Claire Chevalier began her recording career in 1965 and become one of the voices in the disco era which outlined the sound from where it begins and matured. Many of the breakthrough artists in the US club scene were artists from France, Europe and producers who knew the dance formula all too well. This gave an advantage to Claire and a sexy yet outward power in her music. “If You’d Only Come Back” is a single from 1978 on the New York disco label Prelude Records. The B-side to her disco hit “High On Love” – which is one of my favorite disco sounds with sex appeal and striking builds lyrics of uncontrollable desire. Produced by Thomas Noton and arranged by Ray Khenestsky (Black Light Orchestra, Paris Connection). Claire is a disco chanteuse would not only play out the formula well but also gives off a believable apology in this track. I have taken the 12” version of “If You’d Only Come Back” and focused on the excitement of the chorus and breaking it down with a few new riffs and the ReStructure Mix direction. The full orchestration is in the pop tradition of disco music and allows a nice retro reflection on the 70’s its powerful influence. |
|
|
• I Got A Dream - Glenn Rivera ReStructure Mix - Betty Brown Betty Brown is a soul vocalist who was a member of a New York band titled Mystic Merlin. Her recording career lead her voice into a hardcore dance palace anthem from 1986 titled “I Got A Dream” – produced by Peter Barradell. This pounding dance number is formulated as dance floor classic from the blaring electronic trumpets to the wonderful sound of Betty reminding us once again on the dance floor that love conquers all. That is another reason it stands out as a disco anthem from the 80’s. I have taken the 12” vocal and instrumental of “I Got A Dream” and reshaped this rejoicing arrangement into a new ReStructure Mix. The flow is a bit more separated but the energy and excitement is still intact. |
|
|
• Rock It - Glenn Rivera ReStructure Mix - Herbie Hancock Herbie Hancock is one of the artists who created and composed one of the most important song overlooked from the 80’s. “Rock It” is a disco break in a street-razor-electro hype with some of Hancock’s many influences with his music. This track was a big innovation and marked every piece of New York Street and early scratching scene of the turntables into an anthem that plays out like a new discovery in human emotion. Along with a video work to express this movement in another new way the Hancock playout is magic. If you are not and were not fond of the street dub sound at least listen to what the music is saying in parts. It was an innovative time for dance music. I have taken the 12” version of “Rock It” and worked a more mystic ReStructure Mix to piece Hancock’s jam sections into a new mover. A play on the title is assisted by Lipps Inc. and more of that rolling bass is used till the bass screams.
|
|
|
• High On Tech - Glenn Rivera ReStructure Mix - Roboterwerke Roboterwerke is a German electronic/synth-pop project from the early 80’s and members included Dieter Kolb and Franz Aumuller. Their sound followed the tracks of Kraftwerk with more of an energy luster to this edge of computer-sized musique. The somewhat comedic approach to covers is somewhat lovely and hilarious at the same time with their electric powered “The Lion Sleeps Tonight” A bit like Max Hedroom syndrum. Their 1981 single “High On Tech” is one of the jittery energy pieces I enjoyed fitting into a program as such and felt the vibe the band was portraying. It is a glam-rock-electronic pulsating anthem and a bit pulse of what these guys were doing. I have taken the original 12” version of “High On Tech” and reworked the bass synths and arrangement to a simpler ReStructure Mix. This adds a few new riffs to give it some undercurrent and brings the rolling intro back as a fading close. |
|
|
• Love Attack - Glenn Rivera ReStructure Mix - Tony Caso Tony Caso is a vocalist known as many voices in Bobby Orlando projects – including Waterfront Home, One-Two-Three and Hotline. During the shift to electronic dance music in the early 80’s Orlando made his mark with productions which stood out on dance floors from Divine and The Flirts. The new underground sound was accepted as if a return to the club haven was beginning all over again. “Love Attack” from 1987 is again a parody of a percussion driven sound he created in the early 80’s. A fast moving vehicle for a return to the extended disco break with vocals. Tony’s vocals are more evident in this take as I see it, of Ferrara’s disco classic by the same name from 1979 – which I am assuming is the all-powerful disco enchantment to lure dancers in a frenzy of desire. In all good fun this one is one of the many Orlando releases which made his sound a major element of the 80’s high energy movement. I have taken the 12” vocal and dub of “Love Attack” and reworked a HI-NRG ReStructure Mix into a new recipe. It pays more attention to those rolling bass synths that Bobby laid out for us to follow and again, the heavy percussion that gives the hips a workout! |
|
|
• The Sun Aint Gonna Shine Anymore - Glenn Rivera ReStructure Mix - Quantize Quantize is a high energy dance project from the UK produced by Nick Lyne and Rod Warren. Their 1988 release of a high energy cover of The Walker Brothers 1965 classic “The Sun Ain’t Gonna Shine Anymore” is like maple syrup on disco pancakes. The heavy beats and rolling bass are delivered as the finished product of high energy music as it progressed from the early 80s up this period. Also intact in the lyrical disco melody which makes no apologies at being beautiful to sway to. The production is one of my favorites and stands out even today as a pivotal moment in dance music. I have taken the 12” vocal and instrumental of “The Sun Ain’t Gonna Shine Anymore” and broke the angelic chorus into pieces. This ReStructure Mix is one of another tributes to a great shift in dance floors pawning for more of that beautiful high energy and early morn |
|
|
• Baby, I Love You - Glenn Rivera ReStructure Mix - Nicky Onidis Nicky Onidis is a German entertainer who released two dance singles in the early 80s’s in the synth-pop sound which seemed to awaken dance floors following soundtracks like “Flashdance”. A soft pop-rock edge was always evident in most of these tracks as well and the hard hitting syn-drums. Nicky’s second single from 1982 was produced by Patric Perquee and is a cover of The Ronnettes 1964 song “Baby, I Love You”. This version is the synthesized disco-pop style which pours out the sound as Phil Spector worked in his music. Nicky Onidis takes her falsetto into the classic and makes it sweet and a bit camp. It was a single that was released as a 3:28 version 12” single so it missed the extended mix market. It caught my ear for the after-hours moments when the crowd was ready for a little surprise. I have taken the short 12” version of “Baby, I Love You” and worked the keyboards and drums into new ReStructure Mix. Since the chorus stands out as it originally did I worked a few breaks and dub moments to break this extended version into more parts. |
|
|
• Love In The Shadows - Glenn Rivera ReStructure Mix - E.G. Daily E.G. Daily is an actress and singer whose career began as a “valley girl” in a film by the same name. Her dedication to make a career in pop music became realistic in 1985 with the release of her album “Wild Child”. Her vocal gave dance music a strong female edge with the rough feel of her vocals yet on tracks like “Love In The Shadows” there is a calming and sweet resonance. Produced by Munich producer and Giorgio Moroder studio collaborator, Harold Faltermeyer (you can hear his name in Moroder’s “E=Mc2” track) the electronic production is much like the 80’s anthems where a powerful female voice takes us through mystery and heartbreak. This one was a huge dance palace number and always reminded me of the disco edge remaining intact yet emerging as a whole new sound. I have taken the vocal and dub from the 12” of “Love In The Shadows” and re-casted more of the magic in this ReStructure Mix. As I hear it, once again this ‘anthem’ is more about its beauty and dance floors could never capture the movement of this emotion. |
|
|
• I Do Believe (I've Fallin' In Love) - Glenn Rivera ReStructure Mix - Donna Summer Donna Summer made the seventies a place for dreamers and lovers. Those who became with Donna had a secret affair with her amazing vocal range and versatility. From her first project in 1975 there was a soft and sensual edge to her voice although at times even early in her recording career you always knew there was a force building. “(I Do Believe) I Fell In Love” from Donna’s 1983 “She Works Hard For The Money” is one of the tracks that deliver her full essence. The song is more of a ballad which becomes a beat driven stage for Donna’s sensual, lyrical and wonderful vocal range. Produced by Michael Omartian. I have taken the album version of ““(I Do Believe) I Fell In Love” and worked a dreamy dub-like ReStructure Mix that flows with phasing and echoes. This fantasy is more of Donna’s lure as her voice is transformed throughout the song in many ways. |
|
|
• Saturday Night - Glenn Rivera ReStructure Mix - Lauren Grey Lauren Grey is an 80’s high energy artist from Chicago who released several dance singles on Dice Records. “Saturday Night” is Lauren’s 1986 release – produced by Tom Weisser. The 80’s dance sound moved in a full electronic production and many independent artists had the ability to hit the stage with more of the underground dance energy. “Saturday Night” is a funkier track from Lauren and gave a new appeal for this high energy chanteuse. I have taken the 12” single version of “Saturday Night” and worked some of the components which ring out in this funky mechanism. This ReStructure Mix uses a familiar rhythm track to bring out more of the weekend that is calling us to release all we’ve got. |
|
|
• Be My Life - Glenn Rivera ReStructure Mix - Cruisin' Gang Cruisin’ Gang is one of the top Italo-disco projects during the early 80’s when much experimentation was taking place in the arena. “Be My Life” from 1987 is their single which gives every sound that the vocals of Laura Fadinger, Sabrina Morroya and Ombretta Marsigli play out. There has always been a sweetness to the vocals and delivery in Cruisin’ Gang’s tracks and this one towers like an anthem. Produced by Ennio Manuel. This one is a favorite and gives a wonderful chorus that rings out like a nice underground ABBA song. I have taken the 12” of “Be My Life” and replayed the magic with a touch of percussion from a classic to lead this ReStructure Mix. I have used the same formula and only reedited a few segments to give the song a new feel. |
|
|
• If I Were Venus - Glenn Rivera ReStructure Mix - Touch-N-Go Touch-N-Go is a high energy/electronic project from producer Elario and features a beautiful vocal from Shannon Callahan. This 1990 track was released on Patrick Cowley’s San Francisco dance label Megatone Records. This one holds several nice elements which cross between techno and ambient. It flows smoothly with emotion thanks to Shannon’s soaring vocal. The high energy period of the late 80’s brought this concoction together and it is pieced magnificently. A huge dance floor filler for me and always one where a blended program could speak with more of mood than energy. I have taken the “Club Mix” of the 12” version to recreate a new trip for this ReStructure Mix of “If I Were Venus”. A build using more of the dreamy vocals and jittery keyboards in a new arrangement are created. |
|
|
• I Don't Know If It's Right - Glenn Rivera ReStructure Mix - Evelyn "Champagne" King Evelyn “Champagne” King is one of voices in disco history that brought a nuance and promise to this genre of music. Her classic dance track, “Shame” from 1977 was a pivotal moment for dance floors. A soulful and young sound was created with Evelyn’s fabulous vocals and the production from Theid9ire Life. “I Don’t Know If It’s Right” is the follow up single from the project and brings another nice feel to this disco number. This track made many cool down after “Shame” but never give on this exciting new performer. I have taken the 12” version of “I Don’t Know If It’s Right” and made a new environment for this ReStructure Mix. A touch more of that killer bass-line in many new reassignments and also a new fade for the song which leaves only a question of love, not rhythm. |
|
|
• Just Wanna Make You Dance - Glenn Rivera ReStructure Mix - The J.B.'s The J.B.’s are the musicians who backed The King Of Soul – Mr. James Brown. The band recorded albums under their name from 1971 through 1999. The soulful horns and funky wah-wah guitars created a style of dance music which helped move onto further chapters including disco in the late 70’s. It was all music tailored to move the hips. “Just Wanna Make You Dance” comes from their 1979 album “Groove Machine” and is the completeness of soul becoming the interpretive disco sound for the mid and latter parts of the 70’s. This bouncy piece has a sassy chorus reminding the crowd to keep moving with the music and try to refrain from the sexy lure of dance floors of the time. It was one of the big hits in my club and always reminded me of the Stargard’s of the 70’s and the Klymaxx’s of the 80’s. I have taken the album version of “Just Wanna Make You Dance” and added a line from “The King” himself to bring this ReStructure Mix the homage to the crossover of soul to disco music. The drums and bongos are sliced and reassembled as more than breaks and are attempted to bring the party back again. |
|
|
• The Letter - Glenn Rivera ReStructure Mix - Amii Stewart Amii Stewart is best known for her huge disco hit from 1978 “Knock On Wood” – a cover of Eddie Floyd’s 1967 soul classic. Her transformation of the song into a disco powerhouse event is thanks to producer Barry Leng. This formula is repeated again with Amii’s 1979 release of “The Letter” – yet another transformed pop classic into “disco heaven”. This track from her album “Paradise Bird” gives off a rock edged electronic arrangement with the same level of disco magic. Lots of heavy drums and bass-lines that roll out each part of Amii’s incredible vocal delivery. This is again one of the big assets in disco history which never grows out of fashion for this genre. I have taken the album version of “The Letter” and moved it into a new phase of the underground feel for this ReStructure Mix. Pulling the ominous bass tracks and pounding drums into an ethereal environment. More of that fading off for the big finish into oblivion – but with that idea that it is not quite over yet. |
|
|
• I Want You - Glenn Rivera ReStructure Mix - Gary Low Italo-disco began to shine in the early 80’s when a definite need for fantasy and escape on dance floors were still needed. The alternative sound of disco in an electronic form with much of the same beauty. Gary Low’s “I Want You” from 1983 became one of the big Italian dance hits thanks to the production from Paul Micioni and Peter Micioni. An echo of pianos and light dancing keyboards are the lure in this, one of my favorites from Gary. The romantic edge is one which many who recall falling in love with as love at first site. A break record also with lots of percussion and bongos to stir the way. I have taken the 12” vocal and instrumental of “I Want You” and worked a new ReStructure Mix which focuses on the beautiful melody. This outline plays more of the accompaniment which speaks the most in this tune. A salute to Italo-disco again! |
|
|
• Tossing, Turning and Swinging - Glenn Rivera ReStructure Mix - Shalamar Shalamar is one of early disco-soul ensembles to emerge with hits medley from 1977 titled “Uptown Festival” – produced by Simon Soussan. The track consisted of Motown dance hits blended into a tight disco song with a colorful arrangement and great inception for Shalamar. Their disco years were defiantly their notable time with “Take That To The Bank” and “Tossing, Turning and Swinging”. The group made a move into the arena of soul glazed disco with the soulful vocals and electronic funk being devised by Dick Griffey. I have taken the album version of “Tossing, Turning and Swinging” and recreated a new ReStructure Mix adding some beats and percussion to play along. The great Motown-esque song brings back that shimmy-shimmy feel and a soulful touch that only Shalamar can create. |
|
|
• Illusion - Glenn Rivera ReStructure Mix - Illusion Illusion is an Italo-disco project from Dutch producer Bert Ruiter from 1984. This sharp beat driven track follows closely the Miami-freestyle sound coming from the club scene. This sound used a Latin-flair to accentuate the beat box stylized drum arrangements. “Illusion” uses this technique along with the Italo-disco sound to create a heartbreak tune with a sweetness which most of the female groups of freestyle were containing as a staple. This one works as the Italo-disco drums inhabit parts of the mix and rolling percussion adds to the new rhythm. The vocal has a sweetness that cannot be ignored. A nice piece of dance music from 1984 and floor filler for me. I have taken the 12” vocal and “drum mix” elements to create this ReStructure Mix which adds some new freestyle beats to give it a lift and make it move more than the hips. |
|
|
• Funky Bee Bop - Glenn Rivera ReStructure Mix - Vin Zee Vin Zee Is an Italian project from Luciano Ninzatti and Stefano Pulga – both worked on projects from Kano (“I’m Ready”. “Another Life”). Their work in the early 80’s helped to create a path for Italo-disco as a progressive dance genre for its time. “Funky Bee Bop” is a slick electronic dance number that echoes a touch of rap-like vocals in a course of vocoders and funky keyboards. The use of heavy bass and synthesizers outlining the arrangement are the familiar use which gives it an identifiable sound as Kano and many projects of the time period. This one is a sharp twist from the fantasy and space themes of the time and makes more of a street statement for the Italo-disco team. I have taken the 12” vocal and dub of “Funky Bee Bop” and re-used the pieces that tick here into a new ReStructure Mix. This time around the vocals are placed within a space which breaks down the groove into more of a surprise for those like to move. The Italian disco edge is taken in with a dub feel and used as it is. |
|
|
• Boys Do Fall In Love - Glenn Rivera ReStructure Mix - Robin Gibb Robin Gibb is one of the voices of the Bee Gees phenomena of the 70’s were funk reared a new face with songs like “Jive Talkin’”. Robin Gibb released his third solo album in 1984 titled “Secret Agent” which included tracks produced by Mark Liggett and Chris Barbosa creators of The Shannon Sound (“Let The Music Play”). “Boys Do Fall In Love” is a track with the stamp of these innovators of electronic-street-funk and along with Gibb’s 50’s edge vocal delivery gives this one a unique feel. The track did extremely well as a pop-dance track in many clubs and welcomed the one of the most talented songwriters, producers and artists of the 70’s. I have taken the 12” version of “Boys Do Fall In Love” and blew out the street-edge and worked more of a dub-underground dance palace feel in this ReStructure Mix. More of the groovy vocal pieces are extended to make this one bring back the return of Robin Gibb on his solo efforts which has always been one of my favorites. |
|
|
• Shake It Up, Shake Your Body - Glenn Rivera ReStructure Mix - Suzy Q Suzy Q is a Canadian disco project which began from a 1981 single titled “Get On Up and Do It Again” – which featured the vocal of Carol Jiani. The success of the single brought a continuance of high energy tracks throughout the end of the 80’s. “Shake It Up, Shake Your Body” is the electronic sound which Suzy Q is formulated as with a touch of electro-funk and the voice encouraging body movement. Produced by Jerry Cucuzella whose electronic dance productions created a new underground sound for Canadian music. Suzy Q under vocalist Michelle Mills in this session works her charming vocals with that disco-femme-funk touch appropriately. I have taken the 12” version of “Shake It Up, Shake Your Body” and placed the bouncy dance track in a ReStructure Mix adding some new electro-beats below to bring this version alive. More of Suzy Q and her haunting vocals are sprinkled around the new arrangement. |
|
|
• What's Love Got To Do With...Two People - Glenn Rivera ReStructure Mix - Tina Turner Tina Turner is one of the artists of the 60’s and 70’s whose energy seemed to never falter. Through a career in rock n’ roll, country, soul, and a dabble in disco she managed to pull upfront in the 80’s with her 1984 album “Private Dancer” made waves bigger than ever. A return to the stage brought respect and several pop and club hits during the 80’s and gave us more of Tina’s unique vocal delivery and a more sensitive edge. “What’s Love Got To Do With It” is the track which became an anthem for Tina’s life is one of the tracks which brings us a whole new side and along with “Two People” from 1986 displays a sensitive feel. Both were accepted well by fans and even today give a new side of long career and its shifting throughout time. I have taken “What’s Love Got To Do With It” and “Two People” to create a ReStructure Mix using parts of these songs which outline this double pairing in a new way. Both were great songs for me and I enjoyed spinning them for early evening crowds and afterhours. |
|
|
• In-A-Gadda-Da-Vida - Glenn Rivera ReStructure Mix - Mighty Pope Mighty Pope (Earl Heedram) is a Jamaican-Canadian singer who began his recording career in 1970 and in 1979 the disco community was fortunate enough to receive a project from this talent vocalist and also the best of the Canadian disco team: John Driscol, Gino Soccio and Denis Le Page. Released on Ray Caviano’s disco label RFC, this album hit at the peak of disco fever. The tracks echoed more of the work from both Soccio and Driscol and similar to recent dance projects from their magic. Denis Le Page of Lime fame is also added here programming synthesizers as another great touch from the Canadian line-up. Mighty Pope’s cover of Iron Butterfly’s “In-A-Gadda-Da-Vida” is one of the songs which immediately caught my curiosity since the realm of one-sided/extended disco recordings were most likely influenced by the original release of Iron Butterfly’s classic, which was a side long rock movement. The eerie feel of the song was a perfect spot for disco music to inject its cause. I have taken the LP version of “In-A-Gadda-Da-Vida” and also pieces of the original rock classic to blend a ReStructure Mix paying tribute to both. A build on the intro is intended to relay the familiar edge of what I had experienced in dance music from the 70s and the psychedelic rock scene of the 60s. Rearranging each part of the disco version is placed for the outcome of the emotion and lasting experience. |
|
|
• What Is Love - Glenn Rivera ReStructure Mix - Haddaway Haddaway is Alexander Nestor Haddaway and producer Dee Dee Halligan – creating a 90’s anthem in the techno-house tradition. The song was released in 1992 and brought the sound which was building at the end of the 80’s into a fashionable dance edge. “What Is Love” is the track which brought back the crossover dance song and more longevity to the disco/dance historical blend. Many dancers were lost in the emotional tug of war which the title brings to life in a rhythmic and anthem-like delivery. This is homage to the 90’s which continued to keep dance music alive with sincerity with elements of the past and future. I have taken the US 12” version of “What Is Love” and refocused on the mood of the song which takes this ReStructure Mix over a long and wandering path. More of the high peaks and stripping away the beat |
|
|
• Live It Up - Glenn Rivera ReStructure Mix - Time Bandits Time Bandits are a disco/funk and synth-pop band from The Netherlands who began their recording career in 1982. The band consists of Åke Danielson, Alides Hidding, Carl Buskohl and Dave van den Dries. Their music was immediately a hit on dance floors especially those who worked the hardcore dance palace tracks during the early 80’s. Their big single from 1981 titled “Live It Up” became one of the big sleepers of the period and many jocks that were spinning innovative dance playlists were on board. The eerie feel of this one which accelerates into an uplifting power chorus is a wonderful example of this bands achievement. I placed this one on peak hour playlists to crowded dance floors as a personal favorite and one which I could always be sure to stir the crowd. I have taken the 12” version of “Live It Up” and recreated a new ReStructure Mix adding more of the percussion elements sprinkled around to bring new life. The intro plays out a bit more dramatic as the new climax does but all around the original feel is still intact. |
|
|
• Anthem - Glenn Rivera ReStructure Mix - N-Joi Techno and trance music of the 80’s were a statement to disco music. It helped uncover all of the electronic sounds and grooves created by those disco producers who used a touch of electronics to create a mood or innovation in music. Giorgio Moroder, Boris Midney, Voyage, Jacques Fred Petrus, Alec R. Costandinos, Tantra and many others brought to the forefront a stream of electronic chords which brought a whole new life to music. “Anthem” by N-Joi is a techno/house track which brought 1990 into an age of dance music using pieces and variations of techniques. The track is unforgettable when it strikes what it delivers – a simple use of sampled yet emotional pieces along with hardcore bass and a neo-classical piano insert. A very notable time for dance music and again for bands like N-Joi who broke the mold once again. I have taken the 12” version of “Anthem” and stripped away the sampled bit (which took allot of persuasion to do so) and left this ReStructure Mix bare. Using only parts of the monumental bass parts and the beautiful piano chords. It brings a whole new life to a wonderful piece of techno dance music. |
|
|
• Sugar Walls - Glenn Rivera ReStructure Mix - Sheena Easton Sheena Easton became one of pop music’s surprises as she went from mild ballads to the off-set funk edge created by Prince. The sound which emulates a sort of twisted sound and almost fairy tale oriented in its vision. “Sugar Walls” is undoubtedly one of the pieces from her “A Private Heaven” album which created a stir of controversy from the oozing sensuality and suggestive lyrics. However, the Prince-funk edge brings it to an irresistible place. A big dance floor hit and one which uses Sheena in a whole new way as she uses this track as freedom for a new audience and era. I have taken the vocal and instrumental of “Sugar Walls” 12” single and reworked this ReStructure Mix with the fantasy of this imaginary place. More of the beats and clap tracks are accentuated for a deeper part of this funky piece of 80’s dance. |
|
|
• Let Yourself Go - Glenn Rivera ReStructure Mix - T-Connection T-Connection is one of disco music’s great innovative bands from the mid-70’s. The band used a hardcore percussion section along with rocking guitars to create pounding disco numbers for the perfect soulful achievement. Their first big disco hit titled “Do What You Wanna Do” is a disco classic and has been covered several times. “Let Yourself Go” comes from the album “On Fire” from 1977 and is the sound of disco evolving from soul and funk to a hardcore disco arrangement. Their use of drums, percussions and at times whistles is one of the big assets. This band is probably one of the most original for their time. I have taken the 12” version of “Let Yourself Go” and recreated a ReStructure Mix using the great guitar break for more of the basis of the mix. The congas and bongos are also broken into segments for more of this celebration of freedom and music innovation. |
|
|
• Midnight - Glenn Rivera ReStructure Mix - Passengers Passengers are an Italo-disco group who is best known for their big dance floor hit “Hot Leather” from 1979. The group consists of Chuck Rolando, Elwanda Contreras, Gesualdo Arena and Kathleen Flynn on vocals and arrangements by Celso Valli (Tantra, Lama, V.I.S.A., and Nuggets). “Midnight” is a single released in 1981 and is pure Italo-disco laid out – produced by Angelo and Felix Piccarreda. This one is more of an early morning sound with the synths rolling in a hypnotic arrangement and keyboards sparkling the sound of magic throughout. A different edge than more of their high energy pieces but more of a deeper feel for their uplifting vocals. I have taken the 12” single of “Midnight” and reworked parts of the song to make this ReStructure Mix which uses more percussion to pump the energy up. It remains as the original as far as vocal arrangements and just a few effects and loops added to the instrumental arrangement to make it last longer. |
|
|
• Up Your Bum - Glenn Rivera ReStructure Mix - Edwards and Armani New Beat music is a dissection of the disco synthesizer placed in format which presents each pulse and edge in a simple arrangement. The end of the 80’s brought various styles of dance music including techno, house, acid house and new/Belgium beat. “Up Your Bum” by Edwards and Armani is a prime example of the use of several elements blended to create an underground sound. Many artists and producers of this new wave of music were obsessed with the deep synthesizer integration. Most tracks contained the heavy disco beat along with chords of a bass line which echoed throughout each track. Edwards and Armani create a sound which is a raw version of tracks like “Pump Up The Volume” with the bass taking complete control. This is one piece which I enjoyed injecting as a dub relief in many sets that kept the floor moving over and over to the instrumental play which would soon become the emphasis of rave and 90’s techno. I have taken the 12” of “Up Your Bum” – using both “Desert” and “Acid Control” Mixes to complete a new layout for this ReStructure Mix. It uses a few new samples to place it back into the proper channel and breaks pieces of it into a whole new arrangement. A salute to the New Beat/Belgium Beat sound of the 80’s and 90’s. |
|
|
• Do It Again - Glenn Rivera ReStructure Mix - Voyage Voyage is one of the big disco productions whom took the disco theme and made it an art form. Their first two projects were appropriately along the subject of their name where the non-stop music took dancers around the world and back with subjects related to places and travel. In the early 80’s the project took a new edge with more of a funky sound in several tracks and synth-pop/new wave pieces. The funk treatment was performed well and left another classic from Voyage titled “I Love You Dancer”. However another groove from the project titled “Do It Again” is one which had an infectious chorus riff which kept solid in my mind at the time and throughout this ReStructure Mix. The track is the work of Marc Chantereau, Pierre-Alain Dahan and Slim Pezin who are original players from the sessions. They create a memorable sound that takes the “voyage” off of the original sound and makes it their own thanks to their talent and dedication to dance music. I have taken the album version of “Do It Again” and created a new ReStructure Mix which outlines this nice funk song with more beats and phasing effects. The lengthier and beat driven version are a tribute to Voyage and the dance floors of the 80’s which proved that dancing was not yet over. |
|
|
• Never Can Say Goodbye - Glenn Rivera ReStructure Mix - Sonia & Nancy “Never Can Say Goodbye” is a classic soul song originally recorded by The Jackson Five in 1971 and released on their “Maybe Tomorrow”. The song has since been covered by many artists and groups – in the disco realm more notably by Gloria Gaynor in the 70s and The Communards in the 80’s. High energy music brought a synth-pop version in 1986 and produced by high-energy extraordinaire, Mr. Fonny De Wulf who sprinkled the 80’s with the sound of this new sensational dance floor recipe. Sonia and Nancy recorded this single as their one and only release which made many playlist for jocks who were spinning to the crowds who could not get enough of the rolling energy. The production by De Wulf is the flowing feel of the song of heartbreak along with more percussion and synthesizers. I have taken the 12” version of Sonia and Nancy’s “Never Can Say Goodbye” and used pieces of the deep hardcore elements to recreate this ReStructure Mix. It pays homage to this sound of the 80’s which kept many dancing throughout the period and even today. |
|
|
• You're Lying - Glenn Rivera ReStructure Mix - Linx Linx is a U.K. funk band with David Grant and Peter Martin. Their recordings include two albums both released in 1981. “Intuition” is the first project and contained the single “You’re Lying” which made a nice impact on dance floors. A compromised relationship is finally confronted in this song where a worn half confronts the second with the facts which are dishonesty and a line drawn. This one worked wonders for me in my club for a time when dance music was shifting and more of a slick pop-funk attitude is expressed. I have taken the 12” vocal and instrumental of “You’re Lying” and worked the groove into a ReStructure Mix which extends more of the underlying bass and rhythm for a complete dance experience. A new percussion layer is added throughout the edit from Kraze Moonfou’s “Voodoo Sun” for a lift of energy. |
|
|
• Burnin' Up - Glenn Rivera ReStructure Mix - Madonna Madonna released her first album in 1983 following two 12” releases a year earlier. One of the singles released prior to her self-titled project was a pumping synth-pop track titled “Burning Up” written by Madonna and labeled “Fast Side” on the vinyl. Produced by Reggie Lucas – who also co-produced songs by Phyllis Hyman (“You Know How To Love Me”) and Stephanie Mills (“Put Your Body In It”). He was also the second talent in a duo called Mtume. “Burning Up” is one of the electronic dance pieces of the time which had a big impact on the return to high energy dance with the synth-pop edge. The song is a great opportunity for Madonna to give a hard-edged rock delivery with her unique touch of sweetness that turns to fire in a flash. The success of the single along with “Physical Attraction” brought an anxious to dance floors and disc-jockeys everywhere. I have taken the 12” version of “Burning Up” along with a rare instrumental to re-weave Madonna’s classic into a hardcore ReStructure Mix. There is more of a teasing intro and sustained looping to make this pumping energy give its load again. I can remember using two 12” singles to remix this one over and over when it was released so an extended and revised version has always been the direction for me. |
|
|
• Magic - Glenn Rivera ReStructure Mix - Five Sinners Italo-disco was a guiding force in dance music during the early 80’s. Many of the producers and artists worked at stripping away the large production ensemble and create a raw and simple sound based on the bass synthesizers and keyboard elements. It was a return to the early formula of disco music during its formulation in the early and mid-70’s. Five Sinners is a project from Giuliano Saglia and Silvio Trisolino from 1982 – and along with writer and arranger Celso Valli created a dance hall classic. During the late 70s when disco was rejected by major labels in the US many of the big hardcore dance tracks were becoming more of Italian, German and small label releases. “Magic” is one of the deep sounding tracks that resonate this period. It may have been influenced by groups like Change – yet the influence created its own sound. I have taken the 12” version of “Magic” and created a dreamier version using parts of two big 70’s pop-hits in this ReStructure Mix. There are a few DJ mix elements used to bring back that early morning feeling of being lost in the song and also some phasing and rearranging. |
|
|
• Dance And Leave It All Behind You - Glenn Rivera ReStructure Mix - Sumeria Sumeria is a disco project from disco producer, Alec R. Costandinos. This project reflects his earlier work with Love and Kisses and Sphinx. A fully orchestrated production and pieces of a disco journey of a woman who following a torrid break from a bad relationship meets a mysterious stranger who we learn is from another galaxy. They fall in love and it seems as the time comes to return and his own and leaving his new love brings heartache and “golden tears”. Costandinos makes this disco symphony every moment worth the dance and storyline that he creates beautifully. One of the great moments in disco history is these Euro-disco productions that enabled many dance floors to transform into a stage for feet and imagination. I have taken segments of “Dance And Leave It All Behind You” along with pieces of tracks from this tale and transformed them into a new ReStructure Mix. The bassline has been amended to give this new version a slow fade in and out. More of the powerful chorus is worked and the orchestrations are built as they were intended to outline our journey. |
|
|
• Celebration - Glenn Rivera ReStructure Mix - Kool and The Gang Kool and The Gang took the dance floor in 1970 when they released their first album. Their dedication to soul music and the eventual transformation of it into many genres and style throughout the 70’s, 80’s and even today. ”Celebration” is their big 1980 hit which made an impact from its release and is now an old school classic. Co-produced by Eumir Deodato and displays his signature keyboard riffs and play. The song has made dance floors feel the excitement that is an ingredient here and in many of Kool and The Gangs soulful club records. I have taken the album version – both vocal and instrumental to recreate the peak of the “Celebration” in this ReStructure Mix. It moves into a whole new realm of execution and is most definitely a play of the songs content. |
|
|
• Don't Make Me Wait - Glenn Rivera ReStructure Mix - N.Y.C. Peech Boys N.Y.C. Peech Boys are an experimental electronic dance project from 1982 whose moves were influenced by the aura of an underground club called Paradise Garage. Along with Larry Levan this early sound began a phase of electronic house and funk using a brand of soulful chorus leading to a new vocal sound. This sound became the brand for the Paradise Garage sound in the early 80’s and eventually lead into a style called house. “Don’t Make Me Wait” is a mysteriously ominous track that begins teasingly and then leads to a crescendo of soulful male harmonies. It is one of the pieces which made the disco label West End Records the tribute record company of the dance era. It seemed that the excitement this one created was welcomed from the fallout of disco music in the late 70’s. I have taken the vocal and the dub of the 12” of “Don’t Make Me Wait” and worked this ReStructure Mix into a whole new form. Where many of the beats are void throughout the original arrangement there is now a constant rhythm to pulse the orgasmic track. This one is a tribute to the Paradise Garage and Mr. Larry Levan. |
|
|
• Rain - Glenn Rivera ReStructure Mix - Goombay Dance Band Goombay Dance Band is a German dance band whose single “Rain” from 1980 brought the hardcore disco/club scene to life once again. Recreating the sound of disco music for the 80’s with a full on take on fantasy and stage presence – very similar to bands like Boney M. The band released projects with their Caribbean sound echoing throughout tracks which many fit the direction in where dance music was becoming empowered once again. The production by Jochen Petersen is also assisted by Michael Cretu (Sandra, Enigma) here and work with nice results as displayed in “Rain”. I have taken the 12” version of “Rain” and focused on a dub/instrumental take for this ReStructure Mix. The pounding drums and heavy synth and chorus parts are still intact here even through the original is stretched into a new arrangement. |
|
|
• One Night Lover Man - Glenn Rivera ReStructure Mix - Lenore O'Malley Lenore O’Malley is disco singer who released her first project in 1979 titled “First Be A Woman” – produced by Michaele/Lana and Paul Sebastian (who also produced Theo Vaness and Madleen Kane). The album is one of the last during the disco era with the Euro-disco sound and features a production which echoes that of Voyage and Alec R. Costandinos. “One Night Lover Man” is a single from the album which is a club record right from the start. It plays out with a nice guitar riff that flows into a defiant Lenore informing her male onlookers that she is out for love. It is a fun and bouncy track that I always found as a treasure that fit the essence of European club music. It is one of the nice parts of this project and gives Lenore a nice opportunity to play the club chanteuse in a clever way. I have taken the album version of “One Night Light Lover Man” and created a ReStructure Mix which gives the rhythm tracks more power with some added drum beats and new phasing effects. It is a lengthier version than the album and has a few segments that are placed to extend the energy. |
|
|
• Vision Of The Future - Glenn Rivera ReStructure Mix - Segue Segue is a high-energy dance project from producer Kevin Anthony Roberts – who also gave us projects from Simone (“It’s Too Late”), Shirley Lewis (“Didn’t Say A Word”), Linda Lewis (“You Turned My Bitter Into Sweet”), Kofi and The Lovetones (“Countdown”) and Thing (“Alien Attack”). “Vision Of The Future” was released in 1984 as medley and tribute to alternative electronic/synth-pop dance music and featured pieces of “Blue Monday” by New Order, “Kiss Me” by Tin Tin, and “Lucifer’s Friend” by Vision. The flowing energy has always captured my attention and a desire to capture this growing sound called high-energy. The pieces of the works in the medley are the shining example of the power of the 80’s takeover of the electronic keyboard and sequencers. Homage to that period and the creative edge of the artists. I have taken the 12” long version of “Vision Of The Future” and recreated a ReStructure Mix which pulls out parts of the medley which work to create its own. Much of the thumping beats from “Blue Monday” are included along with the jittery percussion elements and rolling bass sequencers. This one plays out with a few breaks and revitalized segments. |
|
|
• Love's Theme - Glenn Rivera ReStructure Mix - Love Unlimited Orchestra Barry White and his Love Unlimited Orchestra are the backbone of disco music. His orchestrations over bass guitars, drums and percussion created a need for beautiful music with rhythm and soul enhancing the edge. “Love’s Theme” from 1974 is one of the funky tracks with the soaring strings and horns which bring to mind the Philadelphia sound as it matured into disco music the mid-70s. One of the biggest records in soul music during the time and an influence on music to come. A big radio and club track and a piece of disco history worth shouting about. I have taken the album version of “Love’s Theme” and created a ReStructure Mix which uses the strings to an advantage for more of that flowing magic. There are a few breaks along the way added and a fade that is only more enticing to hear more. |
|
|
• Coming From The Dark - Glenn Rivera ReStructure Mix - Gary Gary is a new beat styled piece from K Productions – a group who began releasing alternative electronic dance singles in the late 80’s. It was the impact of the New Beat sound which came from the industrial side of dance music along with an edge that was raw and at times more of a dub excursion. A deep focus on the EQ of each synthesizer was also a trait in this genre. “Coming From The Dark” is a mysterious track that follows the house influence with a piano pounding in the distance of many deep bass keyboards and sequencers. This deep dark underground feel is the heart and soul of what Belgium Beat was all about. It is one of the hardcore pieces which would work on my dance floor afterhours or during a New Beat set. I have taken the 12” vocal and instrumental to recreate again “Coming From The Dark” in the ReStructure Mix vein. It has a few added effects and drum fills to accent the rolling and ominous sound and also plays out a bit more break wise. |
|
|
• Love Come Down - Glenn Rivera ReStructure Mix - Evelyn King Evelyn “Champagne” King is one of the divas from the disco era who made the dance floor feels like home. Her big 1977 disco hit “Shame” was a union of soul and disco which made a big mark during its release and in time. Her career throughout the early 80’s gave the new disco-funk more of her fantastic vocal performances. “Love Come Down” is from her 1982 album, “Get Loose” and produced by Kashif and Morrie Brown. This love song is one of the greatest pieces from Ms. King and the production lives up to the old school tradition. It was one of the biggest dance floor packers for me and I can only remember extending this one over and over. The magic of the sound which Kashif created at this time was a frame for King’s talent. I have taken the 12” vocal and instrumental to recreate a new ReStructure Mix with some edits and looping to bring those deep grooves to life again. This revisit makes the breaks more of the opulence of what disco-funk is. |
|
|
• Fire Me Up - Glenn Rivera ReStructure Mix - Astaire Astaire is one of the early studio groups in the high energy genre during the early 80’s. From the classic UK high energy label Passion Records and producers Nigel Stock and John Davies who helped again to revive the dance community with a new catalogue of artists and songs and a few remixed or reissued disco classics. “Fire Me Up” is sung by vocalist Tracy Ackerman who is one of the beautiful and powerful voices of the time in dance music. This teasing love song is set with a strong desire to start a new romance with impact beyond control. The title says it all. The production is the high-end keyboard echoing throughout pounding drums and percussion – always reminding me of a haunting “disco-Phantom of the Opera” sound. This is a single from 1986 where the energy was still alive and the sound was bringing dancers back to the floor again. I have taken the 12” vocal and instrumental of “Fire Me Up” and reedited a ReStructure Mix using a few tag-lines from the verses to bring a new intro and some breaks to life. The rolling deep synths and striking keyboards are still intact so that the original form is again appreciated. |
|
|
• Get A Little - Glenn Rivera ReStructure Mix - Patrick Cowley Patrick Cowley has taken the legacy of Giorgio Moroder from the mid-70’s and transformed the gadgetry of electronics and applied them with his heart and mind. Cowley’s use of keyboards and synthesizers were applied as if a 50’s sci-fi flick was in use of an extreme soundtrack. In the underground tradition of disco and club music this was again a return to the basics and the stripped production. “Get A Little” is from the album “Megatron Man” from 1981 which catapulted his dance floor fame to a higher plane than his earlier “Menergy” project. It was obvious that the 80’s were still a place for adventurous dance music. This track features the vocals of Carol McMackin, Jo-Carol Block and Lauren Carter also known as Jo-Lo. I have taken the album version of “Get A Little” and worked some swirling effects into a new psychedelic ReStructure Mix. It is where I feel Cowley was directing his sound. There are more looped effects and drop-ins to give the song a new feel. |
|
|
• I'm Ready For Love - Glenn Rivera ReStructure Mix - Melody Stewart Melody Stewart is a Canadian vocalist whose disco career began in 1980 with the help of producers Joe La Greca and Joe Marandola – her first album “Action Satisfaction” is one of the high energy sound beginning during the early 80’s. Another single from the album titled “Get Down, Get Down” is marked as another classic with DJs and dancers. The following year Melody’s single, a cover of Martha & The Vandellas 1966 soul classic “I’m Ready For Love” was released as a single produced by Bill Hill and John Farley. This single was a fine example of transposing a song from one genre to another with a new production sound. More of a mid-tempo early morning piece with much of the electronic effects that made the prior production with a studio group titled Hydro. This gem is one of my all-time favorite genres and singles in this style. I have taken the 12” version of Melody Stewart’s “I’m Ready For Love” along with the original and pieced a ReStructure Mix for a tribute to both. Melody’s wonderful yearning and sultry delivery give this number its mark and I have left it all intact but in new segments. A great Canadian release from the producers who saved the dance floors in the early 80’s. |
|
|
• Get On Up And Do It Again - Glenn Rivera ReStructure Mix - Suzy Q Suzy Q began as a studio group with the lead vocals of Ms. Carol Jiani (“Mercy”, “Hit ‘N Run Lover”) upfront in this electronic funk ride. One of the big early 80’s downbeat dance hits from Canada and producers Jerry Cucuzella. This bass driven number delivers a groove that is contagious and fills in non-stop energy. Later the vocals of Suzy Q were filled by Michelle Mills and many hits later we know Suzy Q as one of those unforgettable disco acts that deliver more than one punch. I have taken the original 12” version of “Get On Up And Do It Again” with Carol Jiani on vocals and reworked a new ReStructure Mix. The funky bass lines are dotted with more percussion and Carol’s sexy ad-libs to deliver a new level of funk. |
|
|
• Fly On U.F.O. - Glenn Rivera ReStructure Mix - Chromium Chromium is a disco studio project from producer Trevor Horn – and features Alma Thibou, Anne Dudley, Geoff Downes, Linda Allen, and Vikki Spence. Their 1979 album “Star To Star” is one of the centerpiece productions of the disco era which explores the space theme with the singles “Fly On U.F.O.” and “Caribbean Air Control”. A galactic adventure with the uplifting disco edge which came along with many bands like The Rockets, Mc Lane Explosion and Space. Even though this project makes a few detours into themes outside of the 70’s space episodes it does create the mood with the imagery and keyboards utilized throughout the production. I have taken the 12” version of “Fly On U.F.O.” and used bass segments from several breaks to recreate a new blend for this ReStructure Mix. The disco track always reminded me of the closing titles to a space adventure film. It plays out with more of the chorus through filters and broken into several instrumental additions here. |
|
|
• It's Just Begun - Glenn Rivera ReStructure Mix - The Jimmy Castor Bunch The Jimmy Castor Bunch released their first album titled “It’s Just Begun” in 1972 and began a new funk edge which dominated the growth of the music from this period on. The wah-wah guitars which started the energy in funk as the emphasis in the title track which we are focused on here. It is a cult classic among many who have started with this inception of the groove or later who researched and discovered the magic of it. “It’s Just Begun” is a positive and uplifting number which tells the story of the start of a world of peace and prosperity. The sound of Jimmy Castor is written from start to finish in this number and makes it a monumental dance piece throughout time. I have taken the album version of “It’s Just Begun” and the instrumental groove to recreate a new ReStructure Mix in homage to the Jimmy Castor sound. There is a beat driven intro with phasing to kick up the excitement and a fade that gives the positive message a ringing end. |
|
|
• Spys - Glenn Rivera ReStructure Mix - Roni Griffith Roni Griffith is a performer who began a musical career with August Darnell’s ensemble, Kid Creole and The Coconuts. Her solo career began with a dance floor hit – a cover of the 1967 song by The Symbols – “(The Best Part Of) Breaking Up”. Roni along with producer Bobby Orlando transformed the original heavy downbeat psychedelic track into a disco hit. The song helped during its release in 1982 to rejuvenate dance floors once again for a full disco sound with a heavy percussion drive that Orlando is well known for. “Spys” is a single from the self-titled album from Roni from the same year and displays once again the Bobby Orlando method with a rolling synthesizer pattern and Roni emphasizing an addition to a romance. In Orlando’s original mix there are samples that inflict a bit of the New Beat realm that was soon to come and may have given the initial influence. The song is a bit haunting and always reminded me of a deep afterhours feel. I have taken the album version of “Spys” and transformed the hardcore piece into a darker mix in this ReStructure interlude. Adding a few percussion sprinkles to give it more of a rhythmic edge. It delves a bit more in the tangled web of the original and plays out to those hardcore dance floor periods. |
|
|
• House of The Rising Sun - Glenn Rivera ReStructure Mix - Bona-Riah Bona-Riah is a disco/high energy project from 1987 produced by disco singer, Hazell Dean and Pete Ware (also produced tracks for Divine). This tail end of the 80’s feature is a morphing of the Stock, Aitken and Waterman sound which made dance floors flourish again with projects from Rick Astley, Kylie Minogue, Bananarama and many more. The high end percussion and jittery hand claps were a prominent staple in the rhythmic qualities as used here in there 12” of “House Of The Rising Sun” – a cover of The Animals classic. Another version was needed and a rolling energy like this was welcomed during the high energy 80’s dance movement. The thumping street beats which stomp out the breaks are another traditional piece used. Vocals are a bit distant and strange but work with the chorus as it creates that haunting feel this song is remembered by. I have taken the 12” version of Bona-Riah’s “House Of The Rising Sun” and took the song deeper into retro with pieces of the original and also breaking the vocal up so that it flows fast and furious. This ReStructure Mix is another tribute to the high energy period which helped to keep the “disco spirit” alive. Thank you, Hazell Dean and Pete Ware. |
|
|
• Love's Comin' At Ya - Glenn Rivera ReStructure Mix - Melba Moore Melba Moore is one of the true disco artists who came at the inception of the disco era boom. Her big singles “You Stepped Into My Life” and “Pick Me I’ll Dance” are placemats for a dance floor and are now dance classics. Melba’s 1982 album “The Other Side Of The Rainbow” gave us another opportunity to hear her power in a new electronic-funk sound produced by Kashif. It was a new groove created with a morphed keyboard playing out like a Jimmy Hendrix guitar. The single “Love’s Comin’ At Ya” is one of the tracks that I would play out for packed dance floors using two copies to extend for a wanting crowd. It is also one of my favorite moments when Melba’s vocals take a song and make it more lyrical and sweet. I have taken the 12” vocal and instrumental of “Love’s Comin’ At Ya” to recreate this ReStructure Mix and add a touch more of a dub and dreamy feel to the original soul. It has a longer take off and a smooth fade. It is a great feeling to hear that 80’s funk sound exploding all over again. |
|
|
• Midnight In Manhattan - Glenn Rivera ReStructure Mix - Seventh Avenue Seventh Avenue is a disco ensemble from producer Ian Levine and arranger Fiachra Trench. Released in 1979 on AVI Records this production had a listing of more musicians and players to create this lush and beautiful adventure. “Midnight In Manhattan” is the title track which begins a journey on the dance floor to key points where disco was fired up on the round. The group resurfaced again in the early and mid-80’s as a high energy band with the same genius, Mr. Ian Levine creating a similar yet new sound for the dance period. It was quite an exciting transition and one that marked a whole new row of hits for Seventh Avenue and even though the group members may have changed the energy remained. “Midnight In Manhattan” is the stamp of the disco nightlife where the energy takes over as the feel of New York’s intensity would. A great piece to research for the big disco/orchestral production. I have taken the album version of “Midnight In Manhattan” and used the segments with the crisscross rhythms to recreate the track in this ReStructure Mix. The breaks are the centerpiece as disco history is known for. The long album version is consolidated for a new trip once again into the disco era. |
|
|
• Don't Cry For Me Argentina - Glenn Rivera ReStructure Mix - Festival Festival is another project from Boris Midney – an innovative producer, writer and arranger who transformed Philly disco into a new art form. His colors consisted of the percussion which he placed over disco beats and electronic interludes and swirling disco strings. His projects are all cult pieces which are respected and viewed as the framing of where disco music made its finale statement in the late 70’s. Festival is a mature production from Midney where he transforms parts of the Broadway musical “Evita” into a disco celebration. “Don’t Cry For Me Argentina” was the first focus of the project and created quite a stir on dance floors and continues to relay the best of the disco Evita series to today. The production is still an art form where Midney creates a unique feel which brings us to another place on the dance floor that is sheer fantasy. I have taken the album version of “Don’t Cry For Me Argentina” and recreated a new phase for both the song and the disco version in this ReStructure Mix. More dub-like parts are generated from the original production. A new intro and fade are added to make the experience more of a journey. |
|
|
• Sia-Sioù (Breakin' Up) - Glenn Rivera ReStructure Mix - Esavu Esavu is an Italo-disco project from Paolo Granelli. One of the tracks from this genre of music which relayed the sound which the 80’s took note of on many dance floors. The rolling synthesizers which brought the electronic sound of disco alive following the footsteps of Giorgio Moroder and his genius. Their first release “Sia-Sioù (Breakin' Up)” is an odd piece that flows infectiously to the mind and feet. Lots of lyrical riffs and the statements that keyboards and synthesizers made which marked dance history. One of those Italian singles which to me always looked forward to blending into one of those intense sets. I have taken the 12” vocal and instrumental of “Sia-Sioù (Breakin' Up)” and worked with the pieces of this track to recreate the magic of Italo-disco in this ReStructure Mix. The elements that are important to the song are left intact and used in new ways to play out this nice melody over again. |
|
|
• Mi Corazón - Glenn Rivera ReStructure Mix - Kat Mandu I have taken the album version of “Mi Corazón” and reworked the percussion into a new ReStructure Mix which points towards the full-force percussion and the sweetness of the theme and vocals. |
|
|
• Don't Beat Around The Bush - Glenn Rivera ReStructure Mix - The Sasoul Orchestra The Salsoul Orchestra is the landmark ensemble featuring players who blended a beautiful sound from Philly-soul, Latin percussion and the new arrangement of dance music called Salsoul Disco. The story is well told as the tracks from their 1975 disco album play out the message and groove. “Don’t Beat Around The Bush” is a piece from their 1976 album “Nice ‘N Nasty” which was produced, arranged and conducted by Vincent Montana Jr. It is another slick piece of music which brings to mind the disco touch dancing period. There is a similarity in each of this orchestra’s numbers although each stands out on its own with the sexy innuendos and alluring Latin percussion. The pounding drums in “Don’t Beat Around The Bush” are like a powerful tribal edge that is infectious. I have taken the album version of “Don’t Beat Around The Bush” and placed the drums into a new take in this ReStructure Mix. More edits and loops give a more open feel to the groove. It is a salute to The Salsoul Orchestra and the master Mr. Vincent Montana Jr. |
|
|
• Megatron Man - Glenn Rivera ReStructure Mix - Deadline Deadline is a disco project from producer Phillipe Renaux – a man whose innovative touch during the late 70’s was a big part of what is now known as “space disco” – with projects Chris Craft, Soft Energy and Toni Van Duyne. It is this project Deadline that he pays homage to another master of the aural sounds of the outer universe, Mr. Patrick Cowley. “Megatron Man” is a track which Cowley released in 1981 which helped to keep disco music alive in a new edge of electronic and psychedelic like moods. It was the early signs of disco morphing again into another style called high energy. Phillipe’s project Deadline is a more downbeat feel yet contributes a proper cover of the Cowley classic. Is an alternative play for those who follow Cowley’s work as a cult sound and also another great moment in 80’s dance history all together. I have taken the 12” version of Deadline’s “Megatron Man” and changed the mood once again in this ReStructure Mix. More emphasis on the abstract keyboards and the mystical mood of the theme of this San Francisco disco classic. |
|
|
• I Wanna Be Your Love - Glenn Rivera ReStructure Mix - Rose Rose is Elena Ferretti and a disco project from Italo-disco producer Giacomo Maiolini. The Italo-disco movement was one which helped to preserve the disco dance floor feel as well as create several new facets of dance music. High energy music soon became to being as this style of music morphed into a new influence. “I Wanna Be Your Love” is the fifth single by Rose and is one of the most beautiful. It is lyrical and also pumps enough synth and keyboard expertise to make a dance floor take notice. The vocal is a sweetness that is one of the assets of Italo-disco which made its own success. I have taken the original import 12” vocal version of “I Wanna Be Your Love” and created a new blossoming ReStructure Mix. This one uses parts of the original to make a new statement in a dub-like manner. More breaks and flowing edits make it an new dance experience. |
|
|
• Manhunt - Glenn Rivera ReStructure Mix - Silhouette with Jeanie Tracy Silhouette is an 80’s high energy project from producer Tip Wirrick – who was Sylvester’s guitarist during his reign. Tip went onto many dance projects including Loverde. Silhouette is a high energy concept with fabulous vocals by Jeanie Tracy who takes this number into a rousing call for excitement. “Manhunt” is one of the 80’s songs which made the high energy scene via San Francisco a place worth dancing to. This one was always a favorite of mine since the energy takes a whole emphasis in the tradition of disco music. I have taken the 12” vocal and instrumental of “Manhunt” and reworked the monster track into a new ReStructure Mix. A longer intro in fade-in ready and the rolling breaks are used as the departure. The vocal remains where it needs to be, as Jeanie works the heck out of this number. |
|
|
• You Got It - Glenn Rivera ReStructure Mix - Kumano Kumano is a band lead by Randy Kumano and released their first album on Prelude Records in 1980 and also featured the big dance floor hit, “I’ll Cry For You”. The lead singer, Stuart Peterson has one of the most haunting and emotional masculine voices in disco music – as heard in the first album. The sound is a 70’s soft rock edge with a disco beat. “You Got It” is from the album and is another nice piece of music from the early 80’s which gives off the Prelude/New York disco sound in full energy. It was always a second choice for my sets which needed a smooth breakdown or just a break from rolling energy into more of an emotional climb. I have taken the album version of “You Got It” and worked it into a new ReStructure Mix adding more drums, percussion and a new arrangement. This new take is a tribute to the manifested disco sound of the late 70’s and also a great musician as Randy Kumano whose blues and R&B dedication is broken here to deliver a wonderful disco project. |
|
|
• Fake - Glenn Rivera ReStructure Mix - Karen Silver Karen Silver is a disco singer from Canada who worked with producer Gino Soccio on several projects including her first solo album with the single “Hold On I’m Comin’” – an electronic cover of Sam and Dave’s soul classic. This brought Karen to the forefront during this important period in disco history where stars were emerging and taking their place as fixtures on club playlists and disco radio shows. Karen’s single “Fake” is also from this project and features much of the experimental work which Gino Soccio was taking into his hands and making successful tracks for the dance floor with. This number is a simple line drawn for a relationship that failed to last in Karen’s eyes and now takes on a touch of bitterness. It has the flowing edge that works well with Karen’s unique vocal style and comes alive with Soccio’s magic. I have taken the 12” remix of “Fake” and worked a new ReStructure Mix using the same emphasis which worked on the original – focusing on the echo and flanging effects to recreate a new electric foreground. It plays out a touch more dub-like and keeps Karen as the main stage star again, of this track. nd music in its creative force, |
|
|
• Locomotion - Glenn Rivera ReStructure Mix - Ritz Ritz is Kofi Missah, Ruby James and Tony Jackson – a disco project from producer Ken Gold who also brought us music from Delegation and The Real Thing. Their 1979 album “Puttin’ On The Ritz” is one of the disco projects which were released before the disco wave began to take a shift. The album included a cover of Little Eva’s 1962 hit. “Locomotion” which is produced in the electronic disco fashion which blossomed to its full extent at the end of the 70s. This jittery syncopated version is successful thanks to its vocals from Ritz and the sharp production. A favorite of mine and also one of those songs which marks a generation and music in its creative force, I have taken the 12” of “Locomotion” and recreated a new trip for this ReStructure Mix. The original path of the song has been broken into parts and reedited to accompany more of the rolling locomotive feel with more of a dub edge. It is a departure from the original with more stops for those who can’t get enough synth and percussion. |
|
|
• Heart Beat - Glenn Rivera ReStructure Mix - Vivian Vee Vivian Vee made a wonderful transition into the late 80’s club music scene in 1987 with her high-energy hit “Heart Beat”. This time under the production of Alvaro Ugolini and Darlo Raimondi (of Fun Fun) and with more of the power that the dance floors required. The track begins with a strong percussion baseline and climbs level by level to a range where Vivian’s soft and childlike voice becomes a presence we have never heard before. It is one of the high-energy favs among those who followed the Italo-disco scene and knew what it was morphing into at the time. I have taken the 12” vocal and instrumental version of “Heart Beat” and translated the long song into a new ReStructure Mix. Using more of the instrumental to create a new flowing edge for this powerhouse song. |
|
|
• Get Off - Glenn Rivera ReStructure Mix - Foxy Foxy is Ish Ledesma, Arnold Paseiro, Charlie Murciano, Joe Galdo and Richie Puente. The funk was brought to the hilt with bands like Foxy during the disco years. The blend of slamming beats and the aural essence of the club scene made this sound a new edge. “Get Off” is from their second album from 1978 with the same title. This track is now an old school and disco classic and maintains it funkiness with its party atmosphere and kickin’ rhythm. A huge shift for both dance floors and disco in the late 70s and perhaps one of the big influences on soon to emerge 80’s punk funk. I have taken the 12” version of “Get Off” and re-chopped and assembled the groove into a ReStructure Mix to pay tribute to this monster. It works into a mere frenzy with more of the parts that make it one of those hard to not move and forget numbers. |
|
|
• Why - Glenn Rivera ReStructure Mix - Carly Simon Carly Simon is one of the voices of the 70’s which marked the era with some amazing recordings including “You’re So Vain” and “That’s The Way I’ve Always Heard It Should Be”. Her departure from contemporary 70’s ballads to dance music in 1982 was a single produced by Nile Rogers and Bernard Edwards titled “Why”. One of the big surprises of the period with more of a reggae/ska feel but in every sense the work of the disco masters Chic. The song fared well with disco fans and those who followed the success of the men from Chic. The lasting edge on this track is the haunting riff that somehow creates a lasting movement for the mind and heart. I have taken the 12” vocal and instrumental of “Why” and placed it in the ReStructure Mix realm. Adding more of the intro and breaks to give this song of heartbreak more of a lasting groove in that reggae style. |
|
|
• Sunset People - Glenn Rivera ReStructure Mix - E.G. Daily E.G. Daily is a singer/actress who released her first album “Wild Child” in 1985 which featured a cover of Donna Summer’s “Sunset People” – produced by Harold Faltermeyer who also assisted in the original production. The rough edge in E.G.’s vocal style helps to give the new version a slight rock edge in the 80’s feel. It is noteworthy that this new artist who took a few dance singles on the charts and to clubs gave a tribute to the great song which Donna made a classic dance number. It was another sign that the 80’s still signaled more dancing for the upcoming years. I have taken the album version of “Sunset People” and slightly pitched it down for this ReStructure Mix and also sliced the synthesizers and keyboards to give the new version a new edge. It also adds some deep bass moog and hit hat as a new foundation for the energy. |
|
|
• Maybe (We Should Call It A Day) - Glenn Rivera ReStructure Mix - Hazell Dean Hazell Dean is best known for her high energy anthems which always took center stage thanks to her magnifying and emotional delivery. Her tracks always captured the heart of the matter along with the transformation of a ballad like song with a dance beat. “Maybe (We Should Call It A Day)” is one of Hazell’s most touching dance numbers since it deals with the end of a troubled romance and echoes the pain and heartache with a stirring disco arrangement thanks to the production team of Stock Aitken and Waterman. This track was always one of my favorites for many reasons and one of the main attractions is Hazell’s ability to make pain sound so beautiful. I have taken the 12” vocal and instrumental and worked a new ReStructure Mix for a tribute to this mini-anthem. More of the percussion is used as the new punch and a few new verses added to give this new version more of the same emotion and energy. |
|
|
• To Hell With Him - Glenn Rivera ReStructure Mix - Taka Boom Taka Boom is a soul diva who made each track she touches a force. Her powerful voice is one of the most recognized from many of the top dance tracks of the late seventies including “You + Me = Love” with Undisputed Truth, “Mr. DJ, You Know How To Make Me Dance” with Glass Family, and her big disco hit, “Night Dancin’” from her solo album. “To Hell With Him” is from her 1983 project “Boomerang” – produced by disco producer extraordinaire, Mr. Bob Esty. The track is a crossover from the 70’s disco arrangements to the new hard-hitting electronic dance 80’s – and both dot his successfully. The song was as big as “It’s Raining Men” in my club and made dancers shout along with Taka. The production plays out with a chorus of upset and defiance yet the song is a dark celebration that is irresistible. A great piece of 80’s dance from two of disco’s best. I have taken the 12” vocal and instrumental of “To Hell With Him” and used the sharp edged production in parts to recreate this ReStructure Mix. More of the beats and slams are incorporated as the energy and some samples of Taka as we previously knew her are added. |
|
|
• Everybdy Is Dancing - Glenn Rivera ReStructure Mix - Ken Laslo Ken Laslo is one of the Italo-disco artists who made the 80’s mysterious and exciting. His first single “Hey Hey Guy” from 1984 was one of the tracks that helped to recreate a flowing energy on dance floors and more points in the Italo-disco music arena. “Everybody Is Dancing” is his 1989 single that was one of my all-time favorites from that year. An uplifting and energetic piece that roars quietly but effectively. Another big dance floor generator for me and a reason to place Ken Laslo once again in the realm of the true Italo-disco sound. I have taken the vocal and instrumental from the 12” of “Everybody Is Dancing” and used the recognizable riffs and hooks to make this ReStructure Mix pull some new tricks to the surface. The uplifting keyboards are extended and played into a new arrangement. |
|
|
• Livin' Thing - Glenn Rivera ReStructure Mix - Electric Liught Orchestra Electric Light Orchestra is the 70’s band which made pop radio a pleasant place to lend an ear. Their music has given the period a new edge in execution and energy. Their 1976 track “Livin’ Thing” is one of the contagious songs by this landmark band and the gypsy violins are the added points. More of a rock-edged pop number this one I always wanted to display on a crowded dance floor as a retro set. It is one of the 70’s treasures and will leave the band as the maker of a sound of a generation. I have taken the album version and transformed the original into a rousing ReStructure Mix using beats and claps to pace it out for a stomping workout. The strings and guitars are lengthened to create a forceful remix and the intro and fade are for the excitement in general. |
|
|
• I Love New York - Glenn Rivera ReStructure Mix - Metropolis featuring The Sweethearts of Sigma Metropolis is a disco project from Pete Bellotte, Thor Baldursson and Salsoul Records. The album titled “The Greatest Show On Earth” was released in 1978 and featured a big band and full orchestrated disco arrangement. This project also featured the well-known ensemble The Sweethearts of Sigma who were found backing many, many disco artists and studio sessions. The power of their vocals is felt in this recording where each track gives the group a moment to harmonize and take the most out of the disco sound. “I Love New York” was the first successful single and is now regarded as a Salsoul disco classic. I have taken the 12” version of “I Love New York” and repainted the town in a dub-feel ReStructure Mix. Much of the moog and keyboard riffs are separated and then reapplied. It is the big band sound meets beat street. |
|
|
• Could It Be Magic - Glenn Rivera ReStructure Mix - Dante's Inferno Paradise Express is Herb Jimmerson and Vi Ann. Their first big dance floor hit from 1978 was a cover of Paul Jabara’s “Dance” and created a fascination with Herb’s amazing keyboard work and Vi Ann’s fantastic vocals. It was a blend that disco music had waited for during the last years of the era. “Nowhere To Run” is from their second project titled “Let’s Fly” and is a cover of Martha and The Vandella’s Motown classic. This interpretation is one that brings the electronic arrangement into a realm of deep underground gratification. It gives off the essence of a Patrick Cowley Mega-mix that was a sound that exploded in the early 80s. A nice dream-like edge is one that gives the classic a new stage, |
|
|
• Nowhere To Run - Glenn Rivera ReStructure Mix - Paradise Express Paradise Express is Herb Jimmerson and Vi Ann. Their first big dance floor hit from 1978 was a cover of Paul Jabara’s “Dance” and created a fascination with Herb’s amazing keyboard work and Vi Ann’s fantastic vocals. It was a blend that disco music had waited for during the last years of the era. “Nowhere To Run” is from their second project titled “Let’s Fly” and is a cover of Martha and The Vandella’s Motown classic. This interpretation is one that brings the electronic arrangement into a realm of deep underground gratification. It gives off the essence of a Patrick Cowley Mega-mix that was a sound that exploded in the early 80s. A nice dream-like edge is one that gives the classic a new stage, I have taken the album version of “Nowhere To Run” and worked the synthesizer and keyboards again as if it were 3 AM on a dance floor that is sliding into an afterhour’s mode. There are more of the keyboards that created that feeling of another dimension taking over the senses and a lengthy exit to bring it to a close. |
|
|
• Do Me Right - Glenn Rivera ReStructure Mix - Dynasty Dynasty is a funk-disco band created by Leon Sylvers of The Sylvers (“Boogie Fever”) and Dick Griffey. This ensemble including Kevin Spencer, Leon Sylvers, Linda Carriere, Nidra Beard, Wardell Potts and William Shelby helped to keep the disco vibe alive in the early 80’s. Their big disco hit from 1979 titled “I Don't Want To Be A Freak (But I Can't Help Myself)” help to move this group into a trust with dance floors and those thriving for 80’s funk. “Do Me Right” is from their second project titled “Adventures In The Land Of Music” and is one of the pieces I would save for that inner crowd during peak hour at my club. One of the tracks that make Dynasty feels like a breath of fresh grooves and excitement. I have taken the 12” version of “Do Me Right” and created a ReStructure Mix to pound more of this funk into a new groove. A new intro brings the promise of love with determination to the head and some new percussion. |
|
|
• Summer Dream - Glenn Rivera ReStructure Mix - Sergio Mendes Brazill '88 Sergio Mendes is a Brazilian artist and composer who created a unique style of Bossa Nova and Latin Rhythms and moving onto the 70s fused a touch of funk and eventually disco. His 1979 album “Magic Lady” along with Brazil ’88 featured several dance numbers that invaded club dance floors thanks to the execution of tracks like “I’ll Tell You” and “Summer Dream”. The Latin influence has the funk edge of each dance number alive with percussion and energy. “Summer Dream” is a flowing disco track that brings to mind a tropical island full of pleasure – as the song plays on you can almost feel the breeze. It is a favorite for anyone who loves Mendes and knows the effect that disco music creates when used the right way. I have taken the short 3:36 album version of “Summer Dream” and recreated an escape for the ears, feet and mind in this ReStructure Mix. The rolling bass line is the subject of encouragement here as it becomes a few breakdowns. The beautiful lyrics and vocals are the wonder and those saxophone breaks are magnificent. |
|
|
• Do Me A Favor - Glenn Rivera ReStructure Mix - Amy Bolton Amy Bolton is one of the artists in 1980 that helped excitement and promise to a new era of dance music. “Do Me A Favor” is her first single release produced by Jimmy Bralower and Jimmy Ryan. This funky rock-edged piece was heavily promoted by many involved in the DJ subscription service Disconet and released on their label Importe/12. The track has a nice vocal hook and gives Amy an opportunity to let her vein and most likely flirtatious love interest to take it down a notch. This early shift in dance music introduced the alternative dance floors to where disco left off. The direction was an exciting twist for DJs and dancers. I have taken the 12” version of “Do Me A Favor” and moved the alternative track into a ReStructure Mix with more emphasis on the synth-edge of the production. This was indeed one of the early possible Razormaid or Ultamix as an 80’s dance contenders setting a new layout for dance floors. |
|
|
• Square Biz - Glenn Rivera ReStructure Mix - Teena Marie Teena Marie (alias ‘Vanilla Child’) is one of the Motown artists whom helped to create a new landscape for funk, soul and pop music. “Square Biz” is a single from Teena’s 1981 self-produced project titled “It Must Be Magic”. This magnificent piece of funk and groove is a display of the power of this artist’s ability to capture the essence with her talent and dedication to her genre. Not only has Teena been able to move a soulful ballad along with Mr. Rick James, but also create an original groove which plays out on its own. This single was a shift in the early 80s towards a new dance/funk direction and even today as old school continues to bring back the “magic” that only Teena could bring. I have taken the 12” vocal and instrumental of “Square Biz” and worked the funky groove into a more underground downbeat edge in portions. The original groove is kept intact and move breakdowns are a new element for this old school classic. “Everybody get up!”
|
|
|
• Do It At The Disco - Glenn Rivera ReStructure Mix - Gary's Gang Gary’s Gang is Gary Turnier, Eric Matthew (later producing Sharon Redd and Fast Radio), Jay Leon, Bob Forman, Rino Minetti, Al Lauricella and Bill Catalano. Their huge disco hit “Keep on Dancing” from 1978 made the band a permanent sound on dance floors everywhere. “Do It At The Disco” is another dynamite single from the group and features a Latin-Salsa feel with their strong percussion layout and “party” attitude. It was one of the fast moving energy tracks which helped to bring disco music to life not only in the fast growing club circuit but also radio stations that began to experiment with the successful disco format. A great piece to remember the band for and also one of the classics which give the period it deserved memory. I have taken the album version of “Do It At The Disco” a new overhaul for this ReStructure Mix and have utilized the Salsa elements more to the extreme. The Latin percussion is extended to bring more power to the message which holds out till the fade. |
|
|
• Piano Dancing - Glenn Rivera ReStructure Mix - George Fischoff George Fischoff is a composer who moved into the disco movement in 1977 with the single “Piano Dancing” – a new move from Columbia Records when disco was becoming the underground and experimental trend on major labels. Most of Columbia’s artists of the time were funk, jazz and bands attempting to break out with a club dance single. “Piano Dancing” takes the formula made pop by taking a disco edge and symphonic or orchestral elements into the groove. This one plays out with a few sections which may be the most sweeping of this style. It has a light chorus of disco ensemble repeating the riff over and over as the disco sound laid out early on in soul music. A nice retro piece and return to the beginning of disco music and its pop roots. I have taken the 12” version of “Piano Dancing” and created more of that orchestral meets funk groove in this ReStructure Mix. More of the percussion is outlined as the emphasis for the hips and the breakdowns are placed in several more places. |
|
|
• Do You Like The Way That It Feels - Glenn Rivera ReStructure Mix - Tempest Trio Tempest Trio is Mike Theodore and Dennis Coffey – two of dance music most prized talents. Both Theodore and Coffey were ahead of the funk long before it hit the dance floors of the late 70’s. Mike Theodore had made his “Cosmic Wind” production an event for the dance floor and along with Coffey had made projects from C.C. and Company, King Errisson and The Mike Theodore Orchestra top of the disco chain. “Do You Like The Way That It Feels” comes from their project for Marlin Records from 1979 – Tempest Trio. The funk-disco track plays out like Bootsy Collins hit the disco scene with more funk and relish. A great piece of late 70’s disco music with the flair that only Theodore and Coffey were able to assemble. I have taken the album version of “Do You Like The Way That It Feels” and reedited a ReStructure Mix to pay tribute to this magic pair of musicians in Tempest Trio. It uses more of the riffs that jump in and out of a rhythmic vibration and proves once again that disco and funk were meant to collide. |
|
|
• Lay Love On You - Glenn Rivera ReStructure Mix - Luisa Fernandez Luisa Fernandez is a disco artist from Spain and released her first album, “Disco Darling” in 1978. The project was produced by David Parker and featured a hardcore disco selection of dance tracks at the height of the disco era. “Lay Love On You” is the number that is most memorable from this collection and echoes with heavy percussion and Luisa’s dreamy vocal. This one rings out with the power of a disco anthem with its hooks upfront and the vocal echoing like a fantasy. It was more of an underground hit for those deejays who dug deep into the bins and worked the breaks as if they were dessert. I have taken the album version of “Lay Love On You” and created a ReStructure Mix which plays out to the bongo riffs and more of peak hour remix. Luisa still remains as breathy and disco immersed with more breaks and drop outs. |
|
|
• Hooked On Your Love - Glenn Rivera ReStructure Mix - Aleem Aleem are Taharqa Aleem and Tunde Ra Aleem and along with producer Leroy Burgess in the late 70’s helped to shape the destination of dance music. “Hooked On Your Love” is a garage classic that plays out as the story was told. A soulful vocal rendition on a stripped disco production where less was better. The independent label release began a new surge of funk/disco projects following the disco backlash of the late seventies breathing a continuance into the 80’s of new sounds and creativity with a funk/soul edge. Backing vocals are provided by Luther Vandross and Ullanda McCullough. A nice ringing song which brings to mind the Paradise Garage and the Larry Levan sound which began a new section in dance music history. I have taken the original 12” version of “Hooked On Your Love” and worked out the percussion and drums to create a new ReStructure Mix. More of the vocal is used to pull a dub-play on this new extension of this fantastic release. As the song exclaims, “sing it loud!” |
|
|
• Only Star - Glenn Rivera ReStructure Mix - Aretha Franklin Aretha Franklin released her album “La Diva” in 1979 which featured the self-written track “Only Star” produced by Van McCoy. This album was a disco promise which many artists and producers made a move on when disco music was at its peak. “Only Star” spells out what made disco an extreme period of time. Being the star on the dance floor became the escape for many who found pleasure and excitement under the flashing lights – it was a Broadway play with “you” as the star. This track feels like the pop-edge of disco music and features Sharon Brown, Zulema Cusseaux and Van McCoy on backing vocals. A nice little diversion from the Queen of Soul and a nice way to hear that powerful and moving voice in a disco arrangement. I have taken the album version of “Only Star” and transformed Aretha’s composition into a ReStructure Mix with a touch of electronic help. A heavy new percussion track and some synth effects bring the rhythm down to a dub-like feel. The Queen Lives On! |
|
|
• Power Hungry - Glenn Rivera ReStructure Mix - Radiah Frye Radiah Frye is a vocalist from France who was also a member of the disco group New Paradise. Her recording career started in 1975 and spanned throughout 1980 when she recorded with disco producer Gino Soccio with the single “Power Hungry” – co-produced by Marco Juniore. There is Soccio’s magic all over this electronic and pulsating track. The title gives a great description although Radiah sings about an arrogant lover who gives insecurity as well as unfulfilling love. Released in 1980 this was one of the last pumping disco tracks of the time which helped to revive the energy of the late 70’s disco feel. I have taken the 12” of “Power Hungry” and re-energized the pumping synths and pop-rock edge into a new ReStructure Mix. The looping and rearranged pieces give way to an alternate version for Soccio fans and also those who can’t get enough of the early synth-pop sound of the 80s. |
|
|
• Supernatural Love - Glenn Rivera ReStructure Mix - Donna Summer Donna Summer made the 70’s an exciting place. Her career spanned through this era when music was shaped by a generation. Her place among disco music is well known yet her continuance in pop music throughout the 80’s is another incredible feat. Many of her 80’s productions were meant to somehow shake off the disco edge yet Donna’s voice always brought tracks in a dance genre back to the magic she was known for. “Supernatural Love” comes from her 1984 album “Cats Without Claws” produced by Michael Omartian. One of the powerhouse dance numbers from Donna with that heavy emphasis on dance floors and a dramatic flair. The song brings us into a realm of a love that is never ending and over powering. A great synth-pop production and one of Donna’s lovely deliveries which is memorable. I have taken the 12” version of “Supernatural Love” and worked a dub-like play in this ReStructure Mix. I brought in two of Donna’s greatest disco hits to accent the drama and also remind us of how the magic of her voice and style are still alive. |
|
|
• Torture - Glenn Rivera ReStructure Mix - The Jacksons The Jacksons released their 1984 project titled “Victory” at the peak of Michael and Jermaine Jackson’s careers and also a time when 80’s music was in top form. Many albums and singles have proven the Jackson’s not only talented but also a move in the music scene which set precedence for a sound for dance floors and radio. “Torture” is a track produced by Jackie Jackson and plays out the drama of a relationship gone awry and it remnants creating a painful memory. This one not only worked with a place with the 80’s video movement of the time but also in the tradition of pop-rock and synth-dance. It features some of Michael’s memorable and best vocal riffs and also a mystical edge which drew me into it immediately. I have taken the 12” vocal and instrumental of “Torture” and recreated a new and darker ReStructure Mix which keeps the flow of the underground feel. I have added a few new percussion elements to lift segments of the new arrangement and also utilized pieces of the original to give this extended play a stage for more drama. |
|
|
• Jungle Fever - Glenn Rivera ReStructure Mix – Chakachas Chakachas is a Latin soul ensemble lead by Gaston Bogaert and Tito Madinez. Their 1970 track “Jungle Fever” is one of the well-known Afro-funk pieces which have lead into an underground disco and a fusion of tribal-like rhythm arena. It is quite sensual and erotic as the female moans and breaths keep moving with the pace of the haunting bongo riffs. It is an early take off with a lounge-esque feel of experimental dance music. I have taken the album version of “Jungle Fever” and have taken the track into a ReStructure Mix with new focus on the underground feel. Adding a new beat piece from Opium Monks and a classic by Instant Funk this new journey is more of a dub outline for the Chakachas classic. |
|
|
• Expressway To Your Heart - Glenn Rivera ReStructure Mix –Karen Young Karen Young is one of the disco artists of the late 70s which shaped the final stage of disco evolution with her big 1978 dance floor classic “Hot Shot”. The impact of this formulation of soul, funk and the style which emerged from an underground dance movement and its participants. “Expressway To You Heart” is a single from 1982 produced by Walter Kahn – who also brought us disco projects Mizz and Cindy and Roy. This cover of the Soul Survivors 1967 psychedelic/funk number is a juicy 80s electronic dance number which gives Karen another chance to give her voice a run-down with disco. One of the early 80s domestic releases which I admired and played out during its release. I have taken the 12” single which features a medley including another segment titled “No U Turn”. I separated the medley and focused on “Expressway To Your Heart” and extended and rejoined the pieces of this nice production. It is given some drum loops to enhance the groove and also some pieces of the original to remind us how ingenious this composition by Philly’s Gamble and Huff really is. |
|
|
• Let’s Go Dancing - Glenn Rivera ReStructure Mix – Rocky Mizell Rocky Mizell is an artist who was released on the Miami
label Drive Records during the late 70’s. His first album from 1977 featured The
Sugar Rock Band and is the disco groove which made the sound of the time work so
well. A nice edge of soul polished dance numbers with a club edge. “Let’s Go
Dancing” is his 1980 single which is another example of his direct connection to
the Miami sound of dance music - quite similar to K.C. and The Sunshine Band.
This number was always one of my favorites and s like candy to a dancer. A nice
vocal riff which echoes the disco fever that was playing out in the clubs during
the late 70’s. |
|
|
• Only Music Survives - Glenn Rivera ReStructure Mix – Alba Alba is an Italo-disco singer with her first single “Only Music Survives” from 1985 being one of the iconic moments of disco, fantasy and art are beautifully combined. The production and arrangement from Roberto Gasparini and Pino Nicolosi are my motivation to salute this arena of Italo-disco and hardcore club anthems. This mystical track brings the feel of early morning melodic beats and a lovely performance by our chanteuse is haunting. The music is credited to Dora Carofiglio (Suzanne Meals, Valerie Dore, Novecento) who has always given a wonderful and touching sound to any affiliated project. “Only Music Survives” is a must for any Italo-disco connoisseur and or students of this magnificent period in dance music history. I have taken the 12” of “Only Music Survives” using both mixes to recreate a rolling and sweeping ReStructure Mix to pay tribute to the wonderful players and Alba Parietti in continuing the torch and creating this lovely style of dance music. A bit more effects are added along with some looping which emphasizes the feeling on a deeper level. |
|
|
• Hot Lava - Glenn Rivera ReStructure Mix – Disco Tex and The Sex-O-Lettes Disco Tex and The Sex-o-Lettes are best known for their funky 1975 release, “Get Dancin’” with its rousing and at times outrageous flamboyant directness. It was one of the first spoofs of “boogie” music to my knowledge when the term disco was shortly waiting in the wings. Produced by Bob Crewe and fantastic arrangements by Kenny Nolan and Denny Randell. This began a whole side to funky/boogie music for an introduction to the club scene on AM radio and also for those steppin’ out without experience. “Hot Lava” is from their second album from 1976 titled “Manhattan Millionaire” which follows in the familiar style of funk excess with a flute solo gettin’ to the groove. This number plays out as each beat and clap is accentuated appropriately and flawlessly. This is one of the early tracks that many were movin' fiercely to at a Mancuso Party. Hot! I have taken the 3:49 album version and extended and added a few elements to play this “Hot Lava” flowing to another ReStructure Mix. It is played out as the original with a few new breaks and pieces that stand plain funky to be repeated. |
|
|
• Miss You - Glenn Rivera ReStructure Mix – The Rolling Stones The Rolling Stones are rock history in their own right. The English rock group was formed in 1962 and has yet to cease performing and bringing the meaning behind the term “rock and roll”. Throughout their recording career music has always spoken for the members and their talent. In 1976 when disco music was emerging into the scene it was their hit “Miss You” which outlined the downbeat for dance floors in a rock essence. Never giving up their sound yet building it on a new foundation. The single was one of the biggest surprises for many fans as the realization that a crossover hit was barely even noticed as sound The Rolling Stones could adapt to. It was a moment of pleasure for dancers and also for many rock groups who followed a dip into the disco realm of the time. I have taken the 12” single of “Miss You” and added percussion and looped feel to create a ReStructure Mix to pay homage to this iconic band. It flairs out in an after-hours peak which is what I felt the original long disco play was giving to the period. Another moment in shaping disco music and rock history. |
|
|
• Feel The Need - Glenn Rivera ReStructure Mix – Forrest Forrest is vocalist Forrest M. Thomas Jr. and Dutch disco producer John Tilly (who also gave us Risqué’ and Telekin). His single “Feel The Need” from 1983 is a cover of the Detroit Emeralds 1972 soul number which was re-released again in 1977 with a dynamite disco production by Abrim Tilmon. The song was then covered by rock-pop singer Leif Garrett in 1978. The song has a resonance of pure desire and drive as it has lasted to the 80s and even today has that rhyme and reason of love. Forrest performs this version over a simple electronic keyboard and percussion track which takes the early 80s transition into heart. It does have the heart although and plays out with the same effect – which a great song always does. I have taken the 12” version of “Feel The Need” and recreated a ReStructure Mix working back and forth with the vocals, percussion and keyboard riffs. A lengthier pull for the song and another opportunity to make this gem last. |
|
|
Eva’s Theme – Lady Woman - Glenn Rivera ReStructure Mix – Festival Festival is a disco ensemble produced by Boris Midney who was an innovative producer in the late 70’s whose creative movement was to blend electronic segments, classic Philly disco pieces and a symphonic orchestral sound into a disco beat. There was always an imaginative state in his arrangements where a flush of strings could suddenly brake and a conga break would take its place. His style evolved throughout his work in the late 70’s and in many projects and made him one of the landmark producers and sounds in disco music. His disco production of the Broadway musical “Evita” was a big hit on dance floors and made his interpretation an indelible one. “Eva’s Theme: Lady Woman” is the finale in his movement and is an additional piece he added and wrote himself to give the disco opera some new flair. It has some of the great haunting power of the play itself. I have taken the album version of “Eva’s Theme: Lady Woman” and used a few new points of my own interpretation of Midney’s masterpiece in this ReStructure Mix. There is a funk-beat effect added to a new intro with some samples from the Broadway album to give a new mystique to the track. |
|
|
• The Garden - Glenn Rivera ReStructure Mix – ‘Lectric Workers ‘Lectric Workers is a 1982 Italo-disco project from Franco Rago, Gigi Farina and X. Monneret – a band of producers who gave us the monolith Italian dance track “Robot Is Systematic”. This phase in Italo-disco was a transformation of the disco production to an electronic format with a new edge of energy and sound. “The Garden” is an early high energy piece that points to later songs like “Light A Light” by Peppermint. “Feel good” energy with an uplifting and simple chorus line which gives the groove more of a memorable experience. ‘Lectric Workers created “The Break” in 1982 with their electronic percussion number “Robot Is Systematic” and in “The Garden” takes innovation in the 80’s high energy dance scene to come. A nice bubbly number that plays out like a sweaty night of dancing non-stop to music which is what disco was intended to be. I have taken the 12” vocal and dub of “The Garden” and realigned the energy for this new ReStructure Mix. The synthesizer B-side dub is played out here with a continuous looping of its intent to make us feel good. |
|
|
• New Beginning - Glenn Rivera ReStructure Mix – Buck’s Fizz Buck’s Fizz is an English pop group with Bobby G, Cheryl Baker, David Van Day, Jay Aston, Lianna Lee, Mike Nolan, Sally Jacks, Shelley Preston. Their 1986 anthem “New Beginning” is produced by Andy Hill and was a great uplifting chorus-driven dance number. A positive look at the world’s future in taking care in the youth for a great cause. It was one of the songs which worked for me during peak hours since it broke out of the norm for the time and also brought a spark of enlightenment to a program. One of my personal favorite for the high energy period of the time. I have taken the US 12” – extended version and dub remixed by Ian Levine and created a new ReStructure Mix to keep this wonderful anthem alive. It gives more attention to the synthesizer and percussion and also leads in with a tribal fest. |
|
|
• I Want That Man - Glenn Rivera ReStructure Mix – Deborah Harry Deborah Harry is an American-pop icon. From heading one of the 70’s top punk bands, then taking on disco and a short movie career this woman has made an alternative stake at the most original. With the band Blondie she took over the pop-dance world with tracks like “Rapture”, “Heart Of Glass” and with disco producer Giorgio Moroder hits like “Call Me”. Her continuing recording career in 1989 featured a hit dance single titled “I Want That Man” produced by Ben Grosse and Eric Throngren – written by Alannah Currie and Tom Bailey of Thompson Twins. The single is another dreamy vocal from Deborah in her own style desiring all of the greatest in life including a love with that special guy. It is one of her most powerful dance tracks and brings to mind once again the awesome span of her career in her own light. I have taken the 12” vocal and instrumental of “I Want That Man” and reedited and reworked a new ReStructure Mix. There are a few samples of Deborah’s hits with Blondie accenting the foreground and a new arrangement. A favorite or mine since the beginning and now a classic Deborah Harry moment. |
|
|
• Happiness - Glenn Rivera ReStructure Mix – Christopher Street Christopher Street is a disco/high energy project from vocalist Albane Alcalay and producers Brian Springstill, Charlie Cohen and Michel Jullien. “Happiness” is from 1984 and follows closely the high energy vein of its UK label, ERC Records. This rare but effectively beautiful number relays a nice message with the high energy fanfare made popular in the early and mid-80’s. This one was an after-hours gem for me as it woke up a dance or stand-up crowd for a morning of leftover emotions and energy. I have always loved the majestic feel and odd vocal in this one. I have taken the 12” vocal and instrumental to recreate a new focus on this anthem in this ReStructure Mix. More of the rolling synths are extended and displayed again for an edit and reformation of the vocals by Albane. An anthem always delivers like this one. |
|
|
• Rock With You - Glenn Rivera ReStructure Mix – Michael Jackson Michael Jackson is a world performer who has taken many opportunities throughout his career to give more than music. He has created gifts for the soul. Much like his talent focused on a deeper look into the world and the good existing within. His love songs always delivered a soulful and exquisite beauty thanks to a vocal style which yearns for understanding. “Rock With You” is from Michael’s 1979 album “Off The Wall” and is one of the great numbers in his repertoire. This sweet and funky piece was written by Rod Temperton and marks a great time for Michael’s solo career. I have taken the album version of “Rock With You” and the rare instrumental and string versions to rework another groove for this ReStructure Mix. More dub movements are placed to give an underground feel with more mystic. I have reworked the arrangement to bring a new start to this classic piece. |
|
|
• Good, Good Tequila - Glenn Rivera ReStructure Mix – Diva Gray and Oyster Diva Gray is one of the finest voices in disco, soul and funk music. You may recall the early peak of disco music with session bands like Bionic Boogie, Change, Lemon where Ms. Gray gave these projects a lift with her vocal talent and range. Oyster is a session group produced by Luigi Ojival who also produced C.K.B. and 1er Discopera. The project where he features Diva as the lead in a fantasy-like chorus of uplifting disco tracks is “Hotel Paradise” from 1979. Several cuts from the album were successful in clubs and one of the winding energetic pieces titled “Good, Good Tequila” is one of my favorites thanks to Ms. Gray’s tantalizing performance. This one has the feel of a high energy anthem which unleashes a pulsating sound and ravishing lead vocal. This track is one of the peak disco numbers that reminds me of the best of disco when disco was on top on the world. I have taken the album version of “Good, Good Tequila” and reworked the elements which have made it memorable for me in this ReStructure Mix. It gives way to a longer intro where the keyboards are laid out for a new excitement and more of Diva Gray and that “yummy juice”! |
|
|
• The Real Thing - Glenn Rivera ReStructure Mix – Daddy Dewdrop Daddy Dewdrop (Richard Monda) is an artist whose career spanned throughout the late 80s and eventually placed him into the disco genre on T.K. Records with his single “The Real Thing” – a flip side of his single “Nanu, Nanu (I Wanna Funky Wich You)”. The 12” single is one of the T.K. 12” singles which came at the peak of the disco era when everything was coming up disco. “The Real Thing” was remixed by Randy Sills and was given a feel similar to Donna Summer’s “I Feel Love” – where a percolating and hypnotic bathe of synthesizers roll over like a whirlpool – as Daddy Dewdrop performs a love song which always reminded me of “Venus” by Frankie Avalon. The effect was quite a nice one and had me playing this one during after parties and after hour sets for years. I have taken the 12” version of “The Real Thing” (the original version) and created a new ReStructure Mix to give this one another spotlight. It works on the sequencers a bit more and extends them to create a whole new “thing”. |
|
|
• Send Me An Angel - Glenn Rivera ReStructure Mix – Real Life Real Life is Allan Johnson, Danny Simcic, David Sterry, George Pappas, Richard Zatorski and Steve Williams – an Australian 80’s synth-pop group. Their big 1983 hit “Send Me An Angel” is one of the icons of the dance scene of the period. The heavy synthesizers working alongside the bands play is a sound which reminded me of Eurhythmics style. All in all in this single it plays out on its own. The track was one which rings out as a haunting request for a change of life and heart for this hero. A big dance floor hit and a nice intro to Real Life who continued recording on to 2004. I have taken the 1988 12” remix of “Send Me An Angel” and recreated a new play for this magnificent dance piece. It is a bit more rolling with the synthesizers playing a major part and some of the “Cloud Nine Mix” – which is the house dub – plays into this new ReStructure Mix. A nice homage to the 80s dance scene and the band. |
|
|
• Hangin’ - Glenn Rivera ReStructure Mix – Chic Chic is one of disco music’s connections between funk/soul and the distinctive sound of the 70s. A groove which made the disco era what it is and was. The masters of this machine were Nile Rogers and Bernard Edwards who played out the music which took dance floors and audio connoisseurs into a new realm. “Hangin’” is a single from their 1982 album “Tongue In Cheek” which moves the band from the sound they created in the mid 70’s which outlined a funkier and sophisticated disco edge to a new period of funk and electro-dance during the early 80’s. With this track you can hear that the band had no problem with the shift. All of the ammunition that was inspired during their inception is brought to the hilt in this finger-poppin’ dance number. It is the nightlife again in a new manner where Chic again pulls it off with sophistication for a new era of dance music. I have taken the album version of “Hangin’” and recreated a ReStructure Mix with a new energy injected. Some pumping drums add some excitement to this new trip. The guitars which paint the picture are extended and looped for control again and the chorus used to emphasize the meaning. |
|
|
• Oh Que Calor - Glenn Rivera ReStructure Mix – Primero Primeo is an electronic dance project from Dutch producers Erik Van Vliet and Michiel Van Der Kuy. Van Vliet had started his new dance label Hotsound Records in Rotterdam in 1981 and featured a synth-dance format where keyboards and electronics were the foundation of many productions. It was another shift from disco to electronica during the 80s. “Oh Que Calor” is the debut release for their project titled Primero which outlines a Latin style flair along with the heavy percussion tracks and light and airy arrangements. The track is one which became a hit immediately in my club where peak hours would become a celebration. It has the mild delivery that hits hard when its chorus strikes and builds from thereon. A nice addition to their catalogue which is a must for those who admire a little adventure in their dance music. I have taken the 12” vocal and instrumental versions of “Oh Que Calor” and recreated a new ReStructure Mix focusing more on the intense percussion track. I have laid out a new intro which spotlights a hardcore morning of hip shaking to the percussion and bass synth elements. This new arrangement adds more effects to give way to the excitement of the number that is now evident. |
|
|
• Magic - Glenn Rivera ReStructure Mix – Gino Soccio Gino Soccio is one of the pioneers and innovators of electronic disco music. His work with session bands Kebekelektrik, Bombers, Gotham Flasher and Witch Queen and also solo artists Radiah Frye and Karen Silver have made his work some of the most respected dance music in its history so far. The single “Magic” was released in 1986 and is formulated in Soccio’s style in forming a dance track out of segments of tech-grooves and light ambient effects. The effect is always a mystical experience in dance music. “Magic” is centered in the techno genre with Soccio’s rolling bass synths providing the disco groove. Vocals are much like a shout out of short verses which give way to the imagination – where in this track it is a love affair in its peak identity. A less noticed piece for the time yet for those who know dance music and Soccio’s music, it is a gem. I have taken the 12” vocal and instrumental of “Magic” and have rearranged the original layout in a new ReStructure Mix. The climbing intro is a path to the wonderful sparkling of Soccio’s elegant dance music and by extending it as an intro I have worked to provide a higher dive into this wonderful piece of dance music. |
|
|
• Watch Out! - Glenn Rivera ReStructure Mix – Doctor’s Cat Doctor’s Cat is an Italo-disco project lead by producers Aldo Martinelli and Fabrizio Gatto and features Simona Zanini on vocals. The early 80’s and during the innovative and formative years of Italian disco music projects like Doctor’s Cat help to bring a fresh edge to dance music. Utilizing the electronic production to create a full orchestrated sound and like this more of a stamp of airy keyboards and jittery sequencers. “Watch Out!” is the second single from Doctor’s Cat from 1983 and is one of those numbers which pull your mind into the phasing and rolling electronics. Vocals are a bit haunting and can be classified as an alternative chorus of childlike and at time ominous. The effect together, both music and vocals are as effective as Italo-disco can get. I have taken the 12” vocal and instrumental of “Watch Out!” to work the maze of this production into a new ReStructure Mix. This new outline places some hardcore street beats under the wobbly sequencer pieces and breaks the original flow into parts. This one caught my ear immediately and for the time many of the dancers in my clubs |
|
|
• I Want You - Glenn Rivera ReStructure Mix – Rofo Rofo is an electronic dance project from producer Fonny De Wulf whose work in the early 80s brought on a whole new message and sound to dance music. In 1982 their work began utilizing their talents on electronic savvy with singles for clubs. “I Want You” is a single from 1984 which blends a dream-like essence for this love stomper. The team of Ronny Verrept and Fonny De Wulf are played out with the power of what Rofo is all encompasses. One of the big tracks for me to bring high energy to dance floors and environments in the 80s in a manner I admired. I have taken the 12” of “I Want You” and using both the vocal and instrumental reform a ReStructure Mix in this formula. It retains the outline of the keyboards play on the dreamlike state and adds a few pieces of drum patterns to pound out more of its energy. |
|
|
• Stop On By - Glenn Rivera ReStructure Mix – Rufus featuring Chaka Khan Rufus and Chaka Khan are the Chicago funk/soul group which made funk music a natural experience. Even though Chaka’s career became the forefront at certain periods of their performing and recording years their combination always rang out with the best they could offer. Their 1974 album “Rufusized” as their first offered the track “Stop On By” (co-written by Bobby Womack) produced by Bob Monaco. This early display of the bands ability to take a song and play it into a funk rendition which displayed a unique and satisfying groove. Chaka is at her most effective in tracks as this where her voice fills in the emotion that feeds the sound of soul becoming funk. A great number and an early sign of where Chaka and Rufus were headed in the 70s. I have taken the album version of “Stop On By” and re-introduced the song with this ReStructure Mix which takes more advantage of the jazz feel of the base and uses the funk to accentuate it. More percussion floats along to build more of a groove and the pieces of both the band and Ms. Khan left where they made history. |
|
|
• You Turned My Bitter Into Sweet - Glenn Rivera ReStructure Mix – Linda Lewis Linda Lewis is a vocalist from West Ham, London and began a recording career in 1967 with a string of ballads and pop hits to follow. Her first single “You Turned My Bitter Into Sweet” is transformed in 1984 into a high energy love song by producer Kevin Anthony Roberts. A nice transformation from the bebop/Motown-esque feels of the original into a pulsating and still “sweet” number. Linda also does a nice job working the song all over again for a new audience and a stomping dance floor. I have taken the 12” single Megamix created by Ian Levine and worked the Lewis classic into a new ReStructure Mix. The essence of this love anthem is accentuated into a new format with more of the climbing from verse to choruses of testifying true love. It gives a tribute to the original with a few sampled pieces. |
|
|
• Give Me Your Body While We're Dancin' - Glenn Rivera ReStructure Mix – Jesse Towers Jesse Towers is a disco artist who released “Give Me Your Body While We’re Dancin’” in 1979. Originally pressed and released in Canada on Attic Records the single caught on in clubs during the peak of disco and its production pointed towards the energy of disco music and the excitement it had stirred. This single was a powerhouse hit with clubs who were building the energy to that peak featuring songs like “Love Attack” by Ferrara and “The Break” by Kat Mandu – this one rolled along the same energy. The vocals as Mr. Towers presents have a sweet delivery which rings out with the accompanying disco chants. A true disco track with the echoes of a dance floor with the disco roller skating feel. I have taken the 12” extended and radio version of “Give Me Your Body While We’re Dancin’” to rework the hand clap riffs and fabulous mod-keyboards into a new ReStructure Mix. This play not only extends the pulsating disco energy but also gives it a strip down at the fade. |
|
|
• Woman - Glenn Rivera ReStructure Mix – Snob Snob is a disco project from Philip Walter, Patrick Barbero and Philippe Renaux – formerly titled Black Sun. Their 1979 project titled “Are Women Snobs?” is one of the disco variations on the Italo-disco craze taking over in the late 70s and early 80s. “Women” is a single from the album which is known by hardcore disco connoisseurs as a slice of that disco pie. The number uses heavy synthesizers and guitar riffs in the pure disco sound and weaves a hypnotic foundation for the light and elf-like chorus singing of those ladies in the club that drive onlookers to question just where they come from. The theme alone follows the Italo-disco exploration of alternative and unique compositions. The drum tracks are the main force here and they never leave short a space where a break can benefit. I have taken the 12” version of “Women” on the Canadian disco label P.B.I. Records and took those grooves which formulate that hardcore disco edge in a ReStructure Mix. More of the winding pieces which make this song an underground sensation. It also signifies the movement of disco music which even today continues to influence artists and dancers everywhere. |
|
|
• Special Delivery - Glenn Rivera ReStructure Mix – Angela Bofill Angie Bofill is a soul, jazz and rhythm and blues vocalist whose work it best known for her work in the late 70s and pop-dance tracks in the early 80s. Even though most of her memorable tracks are ballads I became focused on Angela’s music thanks to the sweetness of her voice and unique phrasing. “Special Delivery” is from her 1983 album “Teaser” and is produced by Narada Michael Walden who also gave a great effort in many dance productions of the time including Aretha Franklin, Sister Sledge, Stacy Lattisaw, Amii Stewart and Phyllis Hyman. This number is a nice pop-soul mover that incorporates a definitive announcement to a love who is unsuspecting. A nice dance track for Angela and again her voice powers this song into gear with her power yet subtle tease. I have taken the 12” vocal and instrumental of “Special Delivery” and re-delivered this ReStructure Mix with new play with the existing beats. It works like a surprise in many ways with a few breakdowns and more of the bridge which echoes a 60s flair. |
|
|
• Cuba Libre! - Glenn Rivera ReStructure Mix – Modern Rocketry Modern Rocketry is a high energy project from San Francisco’s disco resurgence during the early 80s. The studio ensemble began in 1983 with their singles “I’m Not Your Steppin’ Stone” and “The Right Stuff” – both produced by Ken Kessie and Morey Goldstein. The sound of dance music began a new shift in dance music in the early 80s was immensely driven by electronics which brought the energy level higher. Tracks like “Cuba Libre!” are the essence of the 80s high energy scene where the rolling sequencers delivered the power and energy that dancers were looking for. I have taken the 12” version of “Cuba Libre!” from the Megatone Record label – remixed by Marty Blecman and have given it a new ReStructure Mix lift. More of the celebration is extended by the chorus being ignited in many new ways along with some extending of those climactic keyboards and play on edits. A classic disco number is added by The Gibson Brothers to add to the excitement. |
|
|
• Yoda’s Theme - Glenn Rivera ReStructure Mix – Boris Midney Boris Midney is one of the earliest innovators of disco/dance music in the late 70s. His approach with disco music in his first two projects USA European Connection and Beautiful Bend were a blend of female chorus in Philly style along with a futuristic and electronic orchestra. His style was one which perplexed many whose ideas and rhythm were following the standard. It was not long before this underground disco style became a classic among itself and influenced many producers and artists in the upcoming disco arena. “Yoda’s Theme” is from Boris Midney’s 1980 album which featured “Music From The Empire Strikes Back” scored by John Williams. Midney had already progressed into a new rhythmic and jazz fused edge which was heard in his projects Festival, Masquerade and Caress. With “Yoda’s Theme” Midney does not hold back from using what imagination brought along with score. I have taken the album version of “Yoda’s Theme” and gave it a new ReStructure Mix and took pieces of the composition from Boris Midney to play out in a new and soaring version. More of the swirling pieces of Midney’s majestic orchestral snippets are intact and at times are created in a new way. |
|
|
• 7th Heaven - Glenn Rivera ReStructure Mix – Vanity Vanity is Denise Mathews and is best known for her performances with group Vanity 6 and her music affiliation with artist, Prince. Her solo career following the Prince Triage ensemble began in 1984 where her singles featured her luscious vocals pawing at funk rhythms like a cat teasing its prey. “7th Heaven” is a 1985 single which was produced by Bill Wolfer and was featured on the Motown soundtrack to the film “The Last Dragon”. The track is very similar to her single “Pretty Mess” yet the rhythm funk grooves make it unique and stand on its own. The sexy vocal again lures us into Vanity’s style and play land where the height of the song never ends. I have taken the soundtrack version of 3:28 into a ReStructure Mix as a portion fixer to extend and work with more beats and street drums to enhance this number. “7th Heaven” has the alluring quality which makes Vanity’s style stand out and obvious and this extension works on completing it in a new suggestive way. This ReStructure Mix is dedicated to Ray Duran Jr. for his request to bring this piece onto the floor again with more ‘heaven’ for our ears and feet. |
|
|
• My Love Is Hot (Caliente) - Glenn Rivera ReStructure Mix – Lalomie Washburn Lalomie Washburn is a soul and funk singer from the early 70s also from featured in bands High Voltage and Love Craft. Her solo recording began in 1977 with her album “My Music Is Hot” on disco music’s Parachute Records. The project was produced by Sye Mitchell and took Lalomie into a disco funk arena with a perfect landing for her soulful and sexy delivery. “My Love Is Hot (Caliente)” is the single which I caught onto with its Latin percussion outline and standard lounge male chorus adlibs. It is one of the great funk fares of the mid-70s and also features The Waters on backup vocals. A driving number that is one of the remnants of a great era of funk to disco. I have taken the album version of “My Love Is Hot (Caliente)” and rearranged the hot track with a new ReStructure Mix for a deeper layout. It features a riff from an earlier recording produced by Sye Mitchell titled “Everybody Must Pay” by Swede. This new rework is a treatment of the loops and additions to give Lalomie another chance to lure us into the “hot” music these two have left us with. |
|
|
• Give Me - Glenn Rivera ReStructure Mix – Range Range is an Italo-disco project from Paul Mazzolini – a producer also known as Gazebo, Paul Micioni who produced projects by Easy Going, Gary Low, Amii Stewart and Twilight and Natasha King who is also the vocalist on the track “AM/FM” under Natasha. “Give Me” is the only 12” single released by this ensemble in 1981 yet the single lays out Italo-disco in its most creative and influential time period. The magic keyboards from Mazzolini are a galactic swirl that sounds as if they could have existed in an early work from Boris Midney. The song has a sweet taste of the Italian disco chorus which extends a delivery that is harmony at a falsetto range in a whisper. One of the memorable moments in disco history where the artists play the majestic elements of dance music with flair and a funky bass under tone. I have taken the 12” of “Give Me” and created a ReStructure Mix to pay tribute to both Mazzolini and Micioni and their wonderful contributions to dance music. This slick piece is one where you can hear the talent and creative sense play. It has always been a favorite of mine from the echoes of that keyboard riff in a dance hall. This reworking is a touch of tribal drums meet outer space. |
|
|
• Am I Normal - Glenn Rivera ReStructure Mix – Eye To Eye I have taken the 12” version of “Am I Normal” and gave it an homage not only to the track itself but also the 80s transition of disco music to a new dance style in many variations. This song always gave me the escape that the dance floor offered with its piecing keyboards and sequencers following the mood. It is presented in this ReStructure Mix as another example of great imagination of talent from Eye To Eye. |
|
|
• Don’t Turn Your Love Away - Glenn Rivera ReStructure Mix – Viva Viva is a high energy disco project from producer by Kevin Mason and arranged and conducted by Mike Durandt. The aerobics pump in this one makes it light and sweet as the male vocal croons in a sexy 60s flair. One of the releases of the time that stands out with its original airy feel. High energy began speaking its true voice with tracks as this and made the mid-80s once again a rejuvenation period for disco music. I have taken the 12” versions to weave this new ReStructure Mix and adding more of a shallow percussion assist to work along this pumping energy. More detours are taken into new breaks and a new way of listening and dancing to this little gem. |
|
|
• When You Walk In The Room - Glenn Rivera ReStructure Mix – Ramming Speed I have taken the 12” and utilized the three versions to recreate a ReStructure Mix with hints of the original from the 1964 original. The drums and percussion are pieces of the original only being brought to the front like a cannonball. More of the Morrison and Guenther work which continued to leave me in awe of their magic in the 80s and just as successful on the dance floors. |
|
|
• Some Kind Of Love - Glenn Rivera ReStructure Mix – Billy Always Billy Always (William Lewis Moore) is a soul vocalist whose talent led him under the direction of Aretha Franklin in the 50s at the age of nine. His solo recording career includes the 1980 single “Some Kind of Love” which was released under Canada’s dance label V.S. Records. A funk arrangement a mild energy yet quite contagious thanks to the magic of Billy’s vocals. The blaring horns create a nice layer of serious throwing down in this one. I have taken the 12” of “Some Kind of Love” and recreated a looser and funk driven groove with some pieces of the bongo riffs and horn parts. The existing groove makes this ReStructure Mix only a rekindling of arrangement in parts and pieces. |
|
|
• From Here To Eternity - Glenn Rivera ReStructure Mix – Colby Colby is an Italo-disco project from producer Servero Lombardoni along with Marcello Catalano arranging this classic Giorgio Moroder instrumentation. Released in 1987 this single placed the space disco epic into a new time zone with a hard hitting beat and use of the elements from original pieced into a new journey into the sound of electronic disco during its creation. This one pours more of the mystic with heart and soul which Moroder may have given this project during his brainstorms – it is the classic Italo-disco emulating the master with respect and the same imagination. I have taken the 12” dance mix and “Pippo” mix into this ReStructure Mix to pay tribute to Moroder’s original as well as the Italo-disco counterpart so well executed. I have added a few of the original elements to piece this journey into a completeness that will give the ride a pleasing familiarity. |
|
|
• You Make Me Feel Brand New - Glenn Rivera ReStructure Mix – Lorraine McKane Lorraine McKane is known for her big dance track “Let The Night Take The Blame” from 1984. A track which revitalized the high energy movement with its direct target for the night life and its disco diva spotlight allowing the lure of the night lights to point the fault for a short but sweet relationship. It was that disco magic rolled into a song. “You Make Me Feel Brand New” from 1990 is Lorraine’s fabulous high energy cover of The Stylistics 1974 soul classic ballad. It gives the piece a wonderful pitch into disco space with its sweet yet defined vocal from Ms. McKane and the high energy production from Steve O’Donnell who gave us work from David Boydell, The Salsoul Orchestra and Tracy Ullman and Pete Ware who also gave us in the dance arena tracks by Bona-Riah, Divine, and Hazell Dean. I have taken the original 12” version and focused on taking the existing energy and extending it. The beauty of the original is still intact and only pieces and parts of the rolling bass synths and climactic keyboards are given more opportunity to relay the magic of the song. Lorraine’s vocals are rearranged in spots and given a layered fade out. |
|
|
• The Beast In Me - Glenn Rivera ReStructure Mix – Silence 2 featuring Gordon Grody Silence 2 is an 80s dance project from Italo-disco’s most essential producer, Mr. Jacques Fred Petrus and arranger Celso Valli – paired along with longtime vocalist Gordon Grody who performed in many sessions including disco groups Lemon, Gregg Diamond’s Starcruiser and Bionic Boogie, Change and B.B. & Q Band. “The Beast In Me” is a track released in 1984 twice. This version by Gordon Grody and the Italo-disco duo Petrus and Valli is an electronic version in the synth-pop mode where the release by Bonnie Pointer in the same vein with more of a rock edge poured into the mix. Grody’s vocal bring a 80s male rock flair with his Steve Perry flair and style. It is one of early morning weapons I would reach for when those eerie playlist call for the deeper mood of energy. A must for those moments for me when a little jolt was needed early in the AM. I have taken the 12” vocal and instrumental into the ReStructure Mix phase to create a blend for the heart of the song. In the early morning arrangement when the mood stays where it is haunting and eerie. A few elements of percussion are added to peak the breaks and chorus spots for more push. |
|
|
• Skydancer - Glenn Rivera ReStructure Mix – Android Android is an electronic disco project from The Netherlands featuring Imro Van Hetten and Marc Hartman. Their first single from 1986 followed in the Italo-disco sound with a keyboard instrumental journey titled “Skydancer”. The track utilizes the heavy down beat with rolling sequencers providing the foundation for a short interlude. Many of Italo-disco music’s instrumental pieces crossed over into a wider audience in the mid-80s gave the high energy theme a direction. “Skywalker” is pieces of keyboard which emulate a space or futuristic feel. May sound like a motion picture theme cut down to a dance track. It is one of the periods of dance music where once again a sound influenced another change in direction. I have taken the 12” and dub versions of “Skydancer” and created a new layout in this ReStructure Mix. It uses more of the keyboard parts as the flow along with a riff from a familiar composition from Giorgio Moroder which helped to bring about this sound all together. |
|
|
• It’s Hot - Glenn Rivera ReStructure Mix – Unyque Unyque is a disco ensemble from 1979 produced by Britt Britton and Freida Nerangis of Crown Heights Affair. The project introduces an array of funk and disco tracks that emphasize the best fusion of soul and funk into the disco arrangement. Heavy on the horns and the content of both disco numbers and funk are fitting in vocal delivery and energy. “It’s Hot” is a track from the project which caught my ear for its slick lyrics and tight horn sections. This one feels like the Crown Heights Affair that helped to influence soul to disco music in the mid-70s. A nice dance track that fills the shoes of uplifting dance floor themes like “In The Bush” with the same sensuality blended in. I have taken the album version of “It’s Hot” and recreated the energy in a 80s form by adding a familiar synth-edge. This ReStructure Mix extends the chorus mainlines into more of what makes it what this set out to relay in disco music. A play with beats and the existing percussion and congas make it more of a dance floor event. |
|
|
I have taken the 12” instrumental and vocal versions of “Green Onions” and reframed this underground piece into a new ReStructure Mix. It uses some of the original effects from Soft Cell’s influential track and also pulls more of the rhythm into a new arrangement. |
|
|
• Got Got Money (and I moo) - Glenn Rivera ReStructure Mix – Five Letters Five Letters is Claude Vallois and Denis Desrouvres – a duo who explored the abstract sound of dance music using the French language as an instrumental piece of many of their recordings. Their 1979 album “Got Got Money” is their disco/high energy Tour de Force which helped to make disco music a powerful outline during a period where the direction took a new step. This percussion filled project is much like a hardcore project as studio pieces from Erotic Drum Band created earlier on. It left the imagination open for anything as we find here. “Got Got Money (and I moo)” is a fast moving track with some of the most infectious keyboard and drum fills in a dance track. The chorus line leaves a curious mind entertained throughout a transition of funky keyboard sounds that emulate a 60s psychedelic trip. This one was an instant draw for me since my programs often built them to a top level of this energy. I have taken the 12” version of “Got Got Money (and I moo)” and in tribute to a track as such released during a transition of disco peaking and fading as a pinnacle. It is broken down in segments for this ReStructure Mix to present a new flow from the original arrangement to bring more of the energy to the track. The bongo and drum fills are still the hit here and always remind me of a dance floor entranced in disco energy. |
|
|
• I Strip You - Glenn Rivera ReStructure Mix – Easy Going Easy Going is an Italo-disco project from Paul Micioni, Giancarlo Meo and Claudio Simonetti. At the creation of a new genre of dance music this trio brought a new light to dance floors in a cutting edge style. Their first big dance floor hit, “Baby I Love You” combined the work which producers like Giorgio Moroder were formulating with an electronic production and intent. “Fear” is from their 1979 project and displays a new layering and attitude for not only the Italo-disco genre but also a breath of freedom for its creators. A rush of energy just as Peter Jacques Band’s “Fire Night Dance” brought a few years earlier. “I Strip You” is a wonderful journey into a denial of gay sexuality between our bands vocalist who eventually exclaims in a sexual situation that a female suitor is barking up the wrong tree. A definite move forward from the Village People and their prior attempts at making the Y.M.C.A. a cruising stop. This track is powered by pure disco energy and the elements of the time poured in buckets. I have taken the album version of “I Strip You” and focused on breaking down the electronic production into layers and then applying a ReStructure Mix touch to its greatness. It plays out in bits and pieces yet gives a new work for those who want to hear it new and completely unlike the original – yet it is what it is – Italo disco! |
|
|
• Funk Encounters - Glenn Rivera ReStructure Mix - Constellation Orchestra Constellation Orchestra is a disco project from 1978 and produced by Jesse Boyce and Moses Dillard – the duo that also delivered Saturday Night Band, Lorraine Johnson, and Frisky. This is New York Disco at its finest. A true blend of the soulful and funk elements of the early 70s and the smooth and chic edge of this new music fashion called disco. Jesse Boyce and Moses Dillard have captured the period in their music beginning with their classics, “Come On, Dance, Dance” by Saturday Night Band and “Feed The Flame” by Lorraine Johnson – here with “Funk Encounters” they work another trip to the disco galactic world of the time period. Funky bass guitars play out the time travel with lots of their synthetic effects to take the dance floor on another journey. I have taken the album version of “Funk Encounters” and worked on the rhythmic pieces of this dynamite number for this ReStructure Mix. More of that infectious bass is roaring throughout this new arrangement and the horns are the centerpiece for the energy. More loops create a few new breaks and moments where this track plays us to another level. |
|
|
• Underfire - Glenn Rivera ReStructure Mix - Debra Dejean Debra Dejean is a disco artist who released one album in 1981 produced by Bo Bohannon and Carl Marsh. The project featured a few hardcore dance tracks with a rock edge appropriate for the early 80s and a high energy cover of Smokey Robinson’s “You Really Got A Hold On Me”. This album also featured a cover of a 1979 track from an artist titled Jackie called “Underfire”. The original in synth-pop format was produced by Terry Britten. Debra’s version takes the soft original and transforms it with a kickin’ rock feel giving it a new funk-like energy. A nice vocal performance by Debra on this project leaves many of the tracks memorable as this version of “Underfire”. I have taken the 12” version of “Underfire” and transformed the rhythm force into a new ReStructure Mix completing it with a new into and bounce induced fade. The original is cut and pasted into a new arrangement and I focused on the elements which made it most favorable to me throughout the years and during its release. This ReStructure Mix is dedicated to Ms. Debra Dejean who passed in June 2015 – leaving behind a memorable album for those who danced in the 80s. |
|
|
• Come On - Glenn Rivera ReStructure Mix - Jules Tropicana Jules Tropicana is a disco project from Barcelona and features Ritchie Rauet, Sergio Oca and Jules Nikoko. “Come On” is their first single from 1983 and lays out the high energy sound which would soon become a standard in the mid-80s. It was the transition to electronic music and the energy it created from start to finish on many projects as this. The smooth rolling synthesizers here and the nice calm vocal create an ominous effect. One of the big hits of my club and a wonderful marking point for the soon to become dance floor sensation of high energy music. I have taken the vocal and instrumental version from the 12” of “Come On” to rework the energy into a new ReStructure Mix. I have used pieces of the fabulous original mix only to add to the mechanism of already existing power. |
|
|
• Shattered Glass - Glenn Rivera ReStructure Mix - Laura Branigan Laura Branigan is a performer who took dance floors higher with her 1982 vocal performance on “Gloria”. A rejuvenation of dance floors with just a touch of Laura’s yearning rock edged high end. “Shattered Glass” is a 1987 single from her “Touch” album and was produced by Stock, Aitken and Waterman of Rick Astley, Mel and Kim, and Kylie Minogue success. Another emotional heartbreak number with the flavor of Laura’s vocals which always are effective. This one pulled dance floors into the beat and clap house fills that SAW used in many of their productions along with the rolling guitar bass for the energy. It is one of her powerful messages and a favorite of the die-hard fans of Ms. Branigan. I have taken the 12” version of “Shattered Glass” and broke down pieces of the percussion and beat tracks to overlap some new energy to this ReStructure Mix. Once again the arrangement is completely overhauled for a new dance and heartfelt experience. A fade out again is given to echo the drama and excitement of this number. |
|
|
• Time To Get Down - Glenn Rivera ReStructure Mix - Kat Mandu Kat Mandu is a disco project from producers Denis Lepage (Lime) and Joe Le Greca with one of the landmark disco tracks from 1979, “The Break”. The group also featured Ritchie Rome (The Ritchie Family, African Suite) on orchestrations and arrangements as well as Cissy Houston on backing vocals. “Time To Get Down” comes from their second album titled “Get Crackin’” from 1980 – it is light groove with lots of the percussion that this ensemble is known for. Jimmy Ray performs the lead vocals as he did in the first album with a distinctive sound and delivery which is soothing and yet lay back and funky. A nice early evening piece that brings a touch of mild energy to the feet and reminds the floor what they are doing. I have taken the album version of “Time To Get Down” and revamped a new version for this ReStructure Mix. Taking the deep bass guitar riff and building around it and the heavy drums and percussion. It has much of the extended elements and editing to break the song up from its original layout. |
|
|
• People Say It's In The Air - Glenn Rivera ReStructure Mix - Herrey's Herrey’s are a trio of three brothers: Louis, Per and Richard Herrey who were a pop recording group during the mid-80s throughout the mid-90s. “People Say It’s In The Air” is a single released in 1985 and produced by Anders Engberg and caught the attention of the dance clubs and music enthusiasts whom were taken by anthem songs. This one was a big mover for hardcore dance clubs which takes on a new meaning with big tracks which reach more than the feet as this one does. It is a beautiful and melodic love song with a chorus of hope and celebration. The Herrey’s are one of the parts of this anthem category for this number and many who danced all night to songs like “Hang On To My Love” by Jimmy Ruffin and “No Regrets” by Quartzlock know this mood well. I have taken the 12” ‘Red, White and Blue Remix’ – vocal and instrumental and reworked a ReStructure Mix which adds more to the celebration with a longer intro and a fading chorus. I have added a far off percussion riff to give this one a haunting edge and keep the mystery of this genre of dance music rare and energetic. |
|
|
• Down To The Wire - Glenn Rivera ReStructure Mix - Bob McGilpin Bob McGilpin is a musician and artist who are best known in the club walls for his big inspirational hit “Superstar” from 1978. One of the only disco singles of the time to feature 2 remixes since its rein was on top as a Top 10 disco hit. Bob also brought to disco music a unique sound of funk and his nice vocal presence. “Down To The Wire” is from Bob’s 1980 album on Casablanca Records and is produced once again by Norman B. Ratner – who also produced Lou Rawls, Lola Falana and Gene Page projects. This 1980 release is a wonderful dance track which features the lush strings of the 70s disco sound and another uplifting proposition from Bob. One of the favorites of the time when Bob’s refreshing sound gave dancing the freedom it needed. I have taken the album version of “Down To The Wire” and focused on the same formula which made “Superstar” one of my favorites. Adding some new rhythm elements to bring out the groove and the beauty of the disco arrangement. More of Bob is brought to the surface and the rolling bass hidden in the original recording. |
|
|
• For Your Love - Glenn Rivera ReStructure Mix - Discotheque Discotheque is a project from Bart Van De Laar (Night Force) and François Weyer formed in 1979. Their single “For Your Love” is a high energy cover of 1965 The Yardbirds rock classic. This version follows the disco formula stripped down and raw. Bass and rhythm guitars are the formula behind the groove of this disco track. It follows the last of the big disco productions which were built into the sound of the late 70s. Most clubs who found this version memorable are the big afterhours dance palaces who began to shift more to a progressive 80s dance format. The vocals are echoes of the male 60s bands with a touch what the song calls for. I have taken the 12” version of “For Your Love” and created this ReStructure Mix adding more percussion to give it the shake down which it deserves. A new arrangement focusing around the main content is expressed here and of course it is tailored to the original afterhours feel. |
|
|
• I'm A Dancer - Glenn Rivera ReStructure Mix - V.I.S.A. V.I.S.A. is an Italo-disco project from 1979 produced by Angelo Piccarreta and arranged by Celso Valli. This four cut album is the blend of Italo-disco changing the landscape of disco music which we knew from the late 70s. The energy became more of the focus and electronics were the solution for the sound of this continuum. “I’m A Dancer” is from the album titled “San Francisco” and it is one of the perfect club records of its time. It takes the dance floors on a trip back to the underground feel of disco music where the beat was only there for the chorus and remained light and almost unnoticed though the story of a man so in love with losing himself on the dance floor he compares it to his romance. One of the great works of arranged/producer Celso Valli as he relies on horns, rolling bass and disco syndrum effects to cast an almost moody and dark energy. A favorite project of mine and one which took me back into the basics of disco once again. I have taken the album version of “I’m A Dancer” and choreographed a new phase for this song. It has more of the top layer of percussion with claps and high end to give it more power. The vocals are left intact as they are the message that the 80s brought from Italo-disco as many still yearned to express themselves as a ‘dancer’. |
|
|
• Nighttime Heaven - Glenn Rivera ReStructure Mix - The Technos The Technos are Bev Sage and Steve Fairnie – originally titled The Techno Twins on their first releases. The duo created a synth-pop dance sound which used a touch of the nu-wave edge to give their music a 80s feel. Their 1984 single “Nighttime Heaven” is one of their most memorable of the club scene and was produced by Phil Harding. It is a beat pounding rhythm with a challenge from our lead vocalist to create the celebration that their music weaved. It was a huge hit for me during its release and always brings to mind the power of electronic dance music and the fusion it was discovering during the early and mid-80s. I have taken the 12” version of “Nighttime Heaven” and did some sharp cutting to recreate this ReStructure Mix. It is more of an arrangement which focuses on the heavy parts of the rhythm and chorus pieces of the song. It is another tribute to the electronic and synth-pop influence on disco music during a new era. |
|
|
• Discomania - Glenn Rivera ReStructure Mix - The Lovers The Lovers is a studio project from disco producer, Jacques Morali who began the success of the disco medley. His production of The Ritchie Family’s “The Best Disco In Town” from 1976 was a take on the mid-70s disco influence and where it was headed. The success of the medley both in clubs and radio brought the following of the mash up of hits tracks in the disco medley form. “Discomania” by The Lovers is another similar piece using the big dance floor movers of the time. Jacques Morali also produced The Ritchie Family’s big disco era hits as well as Village People, Patrick Juvet, Phylicia Allen, Eartha Kitt and Julius Brown. “Discomania” is a time piece and reflects the excitement that this genre of music brought to the world. I have taken the vocal medley and instrumental versions from the 12” of “Discomania” and created a new ReStructure Mix which takes the pieces of the medley into a new arrangement. The chorus has been amended to fit into a more ambient and current dub feel and the bass is still pumpin’! |
|
|
• Can You Do It Forever - Glenn Rivera ReStructure Mix - Virgin Virgin is an Italo-disco project featuring vocalist Emanuela Gubinelli on “Can You Do It Forever” from 1992. The production by Giacomo Maiolini was the turning point in Italo-disco and the once again influenced by the high energy movement. “Can You Do It Forever” is a beautiful and melodic love song with a punch thanks to the sweet yet lovely harmonies created by Emanuela. Almost haunting at times when the sweeping keyboard movements slide into a new verse or chorus. One of the big high energy hits for my dance floor on weekends and another need to build up to that momentum that fast paced dance records would mold in a set. I have taken the 12” extended, accapella, instrumental and ‘last version” from the Time Records release and rearranged the song with a longer intro to ready your senses for the rolling bass sequencers and added high end percussion. |
|
|
• Shinin' - Glenn Rivera ReStructure Mix - Gregg Diamond's Hardware Gregg Diamond is a pioneer of disco music. His productions combined the funky sound of pop-rock and a fusion of disco. Much of his work including projects by Bionic Boogie, Starcruiser, Andrea True Connection and Gloria Gaynor have always been considered classic and the best always. Hardware is a disco ensemble from 1979 for Mercury Records where he creates the disco edge with more of a rock feel. The pounding of the disco beat still moves his rhythms and his chorus includes Zach Sanders, Diva Gray, Gordon Grody and Jocelyn Brown. “Shinin’” is another great example how Diamond takes a phrase and creates many innuendos with both music and his presentation. An attribute which always made his music unique. I have taken the album version of “Shinin’” and worked it into frenzy in this ReStructure Mix. It blends out several parts into a main focal groove of segments in this new mix. A new intro and fade are plays for a method that always seems adequate for a classic groove as this. |
|
|
• Space Ranger
- Glenn Rivera ReStructure Mix - Araxis Araxis is a disco project from producer Jurgen Korduletsch – a progressive producer, arranger, writer and musician who also gave us Claudja Barry, Disco Circus, Lipstique, Ronnie Jones and Gaz. His 1982 single “Space Ranger” is a memorizing dance track which echoes the 70s galactic theme with the electronic work that was being formulated with his 1979 band Disco Circus. This one sounds like a theme from a television show with a Star Wars theme and a hardcore club percussion layer that literally ‘taps’ into the soul. Another piece that follows the experimental and imaginative projects which were being released by Giorgio Moroder during the same period. This 12” single was one of the singles which found its way into many afterhours dance playlists during that lingering dance hall experience. It is one of my underground favorites and always brings me back to the mature disco sound of electronics with a simple outline. I have taken the 12” single version of “Space Ranger” and recreated a new exploration of this imaginative piece. There are some new raging elements put into place to bring out more of the drama which is light yet effective in this rolling number. A few breaks are added to continue the space journey of this hero. |
|
|
• Heartbeat
- Glenn Rivera ReStructure Mix - Taana Gardner Taana Gardner is the one of the disco artists that brought the deeper side of funk out within disco music. Her first album released in 1979 included the big Paradise Garage hit “Work That Body” and also the follow up “When You Touch Me” both iconic for both Taana’s sound and also the underground dance sound soon to become house music as disco music evolved. “Heartbeat” is a single released in 1981 and is another production by Kenton Nix with an exploration of the electro-funk edge in dance music during the early 80s. The track was a huge hit and gave hope to a new era of dancing in clubs and radio program that specialized in bringing the new edge disco to the airwaves. I have taken the 12” version of “Heartbeat” and reworked the ‘heartbeats’ and funky rhythm tracks into a new ReStructure Mix. More of the underground is injected into this mix with more breaks aimed at striping away at the motion. Taana is again here to let us know how a heart can feel when under a new sensation with love and a funky groove. |
|
|
• Born To Be Alive
- Glenn Rivera ReStructure Mix - Kelly Marie Kelly Marie is one of the voices of dance/disco music whose power is always felt. Her achievements have been her versatile approach to each song. Her big hit “Feels Like I’m In Love” from 1979 is one of the tracks which became not only a landmark on the dance floor but also helped to give the end of the disco era a great send off. Kelly released a tribute to one of the great disco tracks from the golden age of disco – 1978 and the classic, “Born To Be Alice” by Patrick Hernandez. This cover is exciting as Kelly’s enticing vocals create the sensation of freedom all over again. Produced by John Davies and Nigel Stock of the Passion Records high energy machine. This rolling version is a great vehicle for Ms. Marie and she surely takes advantage of the stage once again. I have taken the 12” vocal of “Born To Be Alive” and transformed the key elements into a new ReStructure Mix which beefs up the energy like a hoe-down at the disco corral. I have reworked the original with the emphasis of an all-night party breaking loose and Kelly is right there…once again! |
|
|
• Perfume of Love
- Glenn Rivera ReStructure Mix - Scala Scala is an Italo-disco project from 1985 whose first single “Macchina Nera” was featured on an issue of Razormaid giving it the stamp of alternative dance. Their heavy use of pounding beats and heavy bass along with themes that follow another realm are the encompassing addiction to Italo disco. Produced by Joseph Angelli and Renzo Luchetta – this all electronic production is a fierce deep pounding 80s dance number that resonates. The sensual vocals are wonderful throughout the song even in spoken verses. I big hit for me during the high energy period and one of my favorites for those afterhours programs and a big leap for Italo-disco. I have taken the 12” vocal and instrumental versions to create this ReStructure Mix and accentuated those drums into their further riff. It is a longer and more use of those vocal tracks and sharp keyboard pieces are one which I also imagined. |
|
|
• Hold Me Touch Me
- Glenn Rivera ReStructure Mix - Carolyne Bernier Carolyne Bernier is a Canadian disco artist who made the mid-70s dance floors a beautiful place to be. Her first single “Hold Me, Touch Me” is one of the loveliest dance tracks from 1977 and brings the early signs of disco music’s new direction for the time. Produced by Tony Green who also gave us France Joli, U.N., Freddie James, Geraldine Hunt and Goldie Alexander. This production is the essence of the touch disco period. It is one of Carolyn’s memorable tracks and gives a European flare an easy play for those who admire the lush sound of disco music. I have taken the 12” vocal and instrumental of “Hold Me, Touch Me” and reworked the elements of both versions into this new ReStructure Mix. There is a longer intro and fade out to allow the dreamy and sexy sound another opportunity to make its way back into the heart. |
|
|
• Dr. Sex
- Glenn Rivera ReStructure Mix - Pleasure and The Beast Pleasure and The Beat is one of the bands from the early 80s which played a role in shifting the synth-pop/alternative dance sound into high energy. Their 1983 single “Dr. Sex” is one of the alluring pieces of electronic music. An alternative edge with backing from many radio stations dedicated to the 80s nu-wave dance market. Produced by Jimmie O’ Neill and played out in a mystical arena with a female vocal which embodies the Siouxsie and The Banshees mood. A heavy layer of make vocals give it a sleaze feel with a touch of punk. One of the memorable pieces of the 80s and the open creative field for producers and artists. I have taken the 12” version of “Dr. Sex” and layered those pumping bass key notes into a new ReStructure Mix. Focusing on the spell that the lead vocals seem to work and making every turn a new one. |
|
|
• Here Comes The Night
- Glenn Rivera ReStructure Mix - The Beach Boys The Beach Boys are one of the iconic sounds in music history. Their music brought on the reflection of a time and place. As disco mirrored balls and dance floors were brought to life by disco, The Beach Boys sound gave an outline of the Southern California surfer scene on the shore. Their harmonies were the immediate lure of their music along with the smooth rockin sound of their guitars. In 1979, as most artists and bands did The Beach Boys release a disco single titled “Here Comes The Night”. It was brought to life with the magic of disco producer Bob Esty who took the song and gave it the feel of what disco music and dance floors were feeling. I can remember the excitement of this single when it was released and the cornerstone of disco music it represented. A great bouncy number with the vocals which make The Beach Boys just how they are remembered. I have taken Bob Esty’s 12” marvel using both the vocal and instrumental to recreate the “night” once again in this ReStructure Mix. It is laid out with more of Bob’s electronic outline and focuses on the wonderful past of this band’s music. |
|
|
• I Need You
- Glenn Rivera ReStructure Mix - Claudia Hart (with Mix Up) Claudia Hart is the vocalist on “I Need You” – a track produced by Mix Up (Biagio Farina, G. Gioia and J.P. De Blasio). This release from the Canadian dance label Uniwave Records from 1979 is a hint of the changing face of disco music as it moved into a full electronic production. The music here sounds like early Italo-disco and our lead vocalist Claudia Hart performs this love song in the same vein. A sexy and yearning number for a lover who needs to know how much desire is involved. Heavy on the percussion and bass synthesizers for one of those 80s disco moments. One of the sweetest 12” singles with the Canadian dance movement intact. I have taken the 12” disco and rock versions to recreate a new ReStructure Mix which smooths out the arrangement with more of the pumping bass and keyboards between our delicate vocal. I have also attempted to take the BPM of this song under control and a new bongo pattern is overlaid throughout this new version. |
|
|
• Gimme Love
- Glenn Rivera ReStructure Mix - Harry Chalkitis Harry Chalkitis is best known for his work with the disco group Queen Samantha. His production along with Charles Ibgui made the single “Take A Chance” a disco classic along with Chalkitis’ arranging and conducting. The sound he creates is that European pop disco flavor and also with tracks like “Take A Chance” an eerie underground feel. Harry Chalkitis released his first solo album in 1975 titled “Marita” and in 1981 a follow up project titled “So Long” – “Gimme Love” is from this album and is that sound which Chalkitis weaves very well. A bit more on the pop edge yet this style is still as satisfying as the hardcore dance numbers of the time. I have taken the album version of “Gimme Love” and transformed the short radio version into an extended ReStructure Mix. A few new elements have been added to insure the beats make ever second worth it and some breaks to mesmerize this great dance number. |
|
|
• Follow The Brightest Star
- Glenn Rivera ReStructure Mix - Voyage Voyage is a band from France whose dance music shaped disco music for the finale of anthems. Their big hits “From East To West” and “Souvenirs” are perhaps the most uplifting and memorable dance floor classics of the late seventies. The finale album from Voyage in 1982 titled “One Step Higher” contained a wonderful closing to their odyssey of dance music celebrating our world – “Follow The Brightest Star”. This one plays out like a 70s Euro-disco track with a beautiful resonance. It defines their sound in its entirety with the beautiful lyrics, sweet chorus and uplifting rhythms. One of the most wonderful sounds for the end of the disco era. I have taken the 12” of “Follow The Brightest Star” and reworked another journey to a great place in this ReStructure Mix. The intro and chorus parts are dissected to give more of what this song brings alive. More of the song is better and a fade out with the chorus is the curtain call you may have been waiting for. |
|
|
• Whatcha' Gonna Do
- Glenn Rivera ReStructure Mix - Stephanie Wells Stephanie Wells is a Canadian disco artists from producers Gino D’ Orazio and Tony Bentivegna (Nightlife Unlimited) and released one album titled “Fools In Love”. A big stamp on the Canadian disco import label Tojo Records in 1983 where much of the electronic dance tracks were creating a stir again on dance floors. This was the dawning of high energy music which was given its name since the electronic sound produced a nonstop rolling edge. “Whatcha’ Gonna Do” is that disco vein where the beautiful vocal is the top of level of the track and the swirling sounds created with keyboards and sequencers are the orchestral foundation. It is the return to the underground feel of disco music where the rhythm was the true essence. I have taken the 12” version of “Whatcha’ Gonna Do” and worked a new ReStructure Mix not only extending the beauty of its lyrical verses but adding a new intro and breaks. The keyboard synth is extended the way I hear it in my head and the chorus still shines. A great track that helped to save the dance floors again in the early 80s with a return to the disco passion that had not yet ended. |
|
|
• Sex Dance
- Glenn Rivera ReStructure Mix - Lisa Lisa R. Fredenthal-Lee is a disco singer who brought the early 80s alive once again with her single “Jump Shout” – produced by Barry Blum and John Hedges. The song was one of the 12” releases that helped make San Francisco’s disco based label Moby Dick Records a standard. Lisa released her debut album titled “Lisa” which featured more electronic dance tracks displaying more of this artists colors in an 80s flair. “Sex Dance” is the third release on the second 12” from the project. This one is aimed at a somewhat suggestive idea that moving to dance music brings on the need for intimacy and release. A bit more could only enhance the feeling that we have all been experiencing for years. It is one of the sleepers from the project yet it still presents that sound which Lisa brought alive in the early 80s. I have taken the album version and 12” of “Sex Dance” and recreated a new lesson for this ReStructure Mix. It holds more breaks and surprises where my aim was to go deeper into the moves as it promises more. |
|
|
• Street Talk
- Glenn Rivera ReStructure Mix - Gino Soccio Gino Soccio made the end of the disco era a need for an ambient and abstract sound which was only beginning on his first project, “Outline”. The early 80s were the movement towards an electronic dance sound which Soccio embraced in his own creative mind. “Street Talk” is from his 1981 album titled “Closer” and follows a synthesized metal sound with a touch of the nu-wave lightly sprinkled with distorted sounds joining a funky vocal from Erma Shaw. The track is a notable one since it gives his percolating and ambient feel a full on effect. One of the hidden gems from his many genius productions. I have taken the album version of “Street Talk” and revamped the outline with a new arrangement and accenting the ticking percussion which keeps the rap here moving. The dreaminess is embraced with a few drop out breaks and some phasing. One of my favorite styles of Soccio in a new package. |
|
|
• Hot Love In Spain / Porompompero
- Glenn Rivera ReStructure Mix - Crystal Grass Crystal Grass is a French disco group created by Lee Hallyday. Their 1974 self-titled album contains their classic “Crystal World” which displays a mysterious side to disco music as it emerged from soul. Their second album, “Dance Up A Storm” features singer Leroy Gomez (Santa Esmeralda) on saxophones. “The Love Train” from 1978 displays the theme which European disco used music from the past and themes segued into a medley. Most of DJs the clubs allowed for long play. Kristi Barton is the guest vocalist on this project and takes us around the world with standards and a few pop disco covers with a Cerrone-like chorus alongside. Much like the Voyage concept from Roger Tokarz. Our stop in Spain features “Hot Love In Spain/Porompompero” which features some great Spanish guitar work and authentic vocal serenading our diva as she passes through. A nice full orchestrated disco number that is by all means sophisticated as most emerging French disco was. I have taken the album version of “Hot Love In Spain/Porompompero and recreated a new ReStructure Mix. I have added an intro to bring in the transition of this mood and also lots of claps and new beats to pound out that “hot love”. |
|
|
• The Fruit Song
- Glenn Rivera ReStructure Mix - Jeannie Reynolds Jeannie Reynolds is a soul singer from the mid-70s who joined the Casablanca Records roster in 1976 with her first album titled, “Cherries, Bananas and Other Fine Things”. “The Fruit Song” was produced by Don Davis and being one of those sexy and alluring records which gave the feel of disco music the mood lighting it needed. This one plays out with bongos and congas beating a sexy pattern for Jeannie to express her love for passion fruit and her lover. A nice soul and sexy disco number with soaring strings and some moans and sounds that may bring to mind romance to the hilt. I have taken the album version of “The Fruit Song” and laid out the basic percussion track to recreate this ReStructure Mix. It plays out much like the original with only a couple of new breaks and some nice fruity percussion pieces to accent this sexy song. |
|
|
• Beat Street Strut
- Glenn Rivera ReStructure Mix - Juicy Juicy are a brother and sister duo featuring Katreese and Jerry Barnes. Their 1984 track “Beat Street Strut” from the soundtrack of the film “Beat Street” is one of producer, Eumir Deodato’s electro funk masterpieces. The rolling bass and jittery keyboards create a contagious rhythm that moves the mind and feet. Juicy lends their vocals in that disco chorus feel where a celebration is obvious and shouting is done with excitement. One of the big moments for me where the rhythm became the set during its release and those playlists following. I have taken the 12” vocal and instrumental to recreate this bumpin’ street ReStructure Mix. More effects are added and several pieces from the original are sampled and looped to give more challenge to your energy. A special appearance from Sharon Redd finished this remix with more for your moves. |
|
|
• Fantasy
- Glenn Rivera ReStructure Mix - Hotline Hotline is a project from Bobby Orlando who took the underground feel of disco music back to the basics of rhythm with his heavy percussion and beats emulated in a street fashion. A new sound which would soon become the high energy music of the 80s. “Fantasy” from 1982 is a spoof of Orlando’s own production “Passion” from his studio group The Flirts from the same year. The instrumental plays out identically with a few changes in EQ and lyrics. This one is for the dancers who discovered the underground feel of Orlando’s early sound irresistible. I have taken the Italian Import 12” version of “Fantasy” and created a new ReStructure Mix with a new chopping job to reconstruct this version into a mystical experience. A sample from Clint Eastwood’s “Play Misty For Me” helps to give it that erotic sound. |
|
|
• Brown Sugar
- Glenn Rivera ReStructure Mix - Man Parrish Man Parrish is one of the New York artists who took an early part of the 80s to rejuvenate electronic dance music. His first album introduced a fierce blend of street-beats, electro-vibes and an early high energy sound to dance floors. “Hip Hop Be Bop” is now a classic dance piece which helped to bring the street sound to many dance floors that many have been reluctant to feel the power behind this new concept. Man also produced many artists and continues to make dance floors his art form for club goers and dancers. “Brown Sugar” is a single released in 1987 and layers the sounds of percussion and Man Parrish’s style of keyboards which often bring back the innovation he created. This cover of The Rolling Stones classic is a dance intelligent move for a work which follows anything but standard. I have taken the 12” version of “Brown Sugar” using both vocal and instrumental to transform this cover into a semi-mashup with The Rolling Stones. It keeps the magic beats that Parrish has created and honors them in a new way. |
|
|
• Darkness and Light
- Glenn Rivera ReStructure Mix - Amanda Lear Amanda Lear has taken disco music literally throughout her career. Her material has always been of the abstract and of the strange and dark edge of life. Throughout the material Amanda has always remained true to her talent to perform and her persona. “Darkness and Light” is a single released in 1983 – produced by Peter Ludemann. This 12” single also contained “Love Your Body” which was a big hit on many dance floors as it followed the heavy bass synth which helped to culminate the upcoming high energy scene. The news on “Darkness and Light” looks at the world situation as a bit bleak yet there is hope in her heart and soul. More of an early morning feel and worked for me during many sets at that time. I have taken the 12” version of “Darkness and Light” and repaved a ReStructure Mix which breaks the dark and light into two parts. It blends many parts and loops to recreate the transition and also re-works those heavy bass beats and synths. |
|
|
• Cool
- Glenn Rivera ReStructure Mix - The Time The Time is the Jimmy “Jam” Harris, Terry Lewis and Morris Day – who set the 80s on fire with their brand of electro-funk during the early 80s. “Cool” is from their first album which displays the brand and style of what Prince was weaving during his reign as a new artist. This one plays out with the exaggerated appeal of the persona which Morris Day reflected in play. The keyboards are the 80s style of funk and punk rolled into one yet the vocals are as funky as possible. This one stands out for me since it created quite a stir every Friday and Saturday night on my dance floor. I have taken the 12” version of “Cool” and recreated a new attitude ReStructure Mix with some new elements to beef up the power of its funky ed |
|
|
• Tonight
- Glenn Rivera ReStructure Mix - Ronnie Jones Ronnie Jones has always been the Motown voice of disco music. His smooth and sweet delivery has always brought to mind the sound of a generation of the 70s which brought soul music to the disco curve. “Tonight” is a single from Ronnie’s 1980 project titled “Games” – produced by Jurgen Korduletsch. The track is an exciting dive into the night where the spotlights are aimed at a good time. This track was a winner for my club at the time as the build from early evening to high energy music was taking place. A very nice and alluring chorus is the center stage of this song and it lingers on with Ronnie’s appealing performance takes over. I have taken the 12” version of “Tonight” and played out a bit more of the fantasy in this ReStructure Mix. The wonderful Jurgen Korduletsch electronic sound that gives off the disco power of the 70s still works like magic here. A few more break inserts and played out choruses give it a new edge. |
|
|
• Oh, Don't Lose Your Heart Tonight
- Glenn Rivera ReStructure Mix - Silent Circle Silent Circle is a German synth-pop band that was formed in 1985. Their sound gently took the edge of bands like Modern Talking with the gentle love themes and rolling bass synthesizers. Silent Circle fits into the 80s dance scene perfectly as its vocal play out in a somewhat alternative fashion. “Oh, Don’t Lose Your Heart Tonight” is a song which caught my ear with the beautiful chords and verse which lead to the familiar call in the chorus. It is one of their most memorable and one which provided a nice transition from early evening to peak hour music for me. I have taken the 12” vocal and instrumental of “Oh, Don’t Lose Your Heart Tonight” and created a new ReStructure Mix using more of the synthesizer and percussion work as the means. The extended feel gives way to more of the instrumental yet the vocal hook closes it quietly. |
|
|
• If My Friends Could See Me Now
- Glenn Rivera ReStructure Mix - Linda Clifford Linda Clifford is one diva who was on top of the world in 1978. Her big disco hit, “If My Friends Could See Me Now” is one of the songs that made nightlife in the late 70s worth living for. This cover of the Cy Coleman and Dorothy Fields song from the Broadway musical, “Sweet Charity” was given a second life with this flawless disco cover and production. Linda set a precedence for disco music with this recording with her sophisticated soulful interpretation which reflects the late 70s female persona. Above and beyond the pop music sound this disco performance still represents a stylish and slick edge. Produced by Gil Askey and features The Jones Girls on backup. I have taken the album version of “If My Friends Can See Me Now” and restaged a 3 act ReStructure Mix taking the energy from rhythm guitar to the full on orchestrated sections with those sweet disco strings. Along with Linda’s fabulous vocal this re-edit makes was for a new arrangement and fade out to the monstrous sound of this great disco number. |
|
|
• Pistol In My Pocket
- Glenn Rivera ReStructure Mix - Lana Pellay Lana Pellay is a high energy artist in the vein of the successful band Dead Or Alive with the help of P.W.L. Productions – with Phil Harding engineering. This camp number is a take of Mae West’s so-called classic line from “She Done Him Wrong”. “Pistol In My Pocket” is fast and furiously means and roars out as the beats and percussion remind our feet that high energy is its own style. The lyrics are fun and a bit mild although Lana’s performance is fun and a bit tame for what I would imagine as a transsexual performer. I have taken the 12” vocal and instrumental of “Pistol In My Pocket” and reworked a ReStructure Mix with some new bullets and loops to make the fierce number come alive again. It uses some bits of Ms. West at the intro and a touch of what made it all happen at the end. |
|
|
• It Takes Me Higher
- Glenn Rivera ReStructure Mix - Ganymed Ganymed is an Austrian disco band who took the futuristic feel of the 70s a step further and displayed their music as a group of space aliens and a hippie-esque lead singer. Produced by Wolf Rene Reitz and executed in a style which soon became known as ‘cosmic disco’? This underground sound uses keyboards and synthesizers the way Giorgio Moroder aimed his project “From Here To Eternity” by taking the imagination process along with the compositions and theme. “It Takes Me Higher” plays out as one of the creatures from the band and another galaxy admit to the disco addiction. It is somewhat moody but every bit as disco music is. The deep beats resonate with a pounding that echoes the feel of another time. Keyboards help to place this one in that realm of the 70s galactic feel – something that CGI could not produce. I have taken the 12” version of “It Takes Me Higher” and pulled out the syn-drums and cymbal effects to a new level with this ReStructure Mix. It takes a new trip for those who find that 9 minutes passes quickly when you are in hyperspace. One of my favorites of the late 70s and indeed one of the most unique bands in disco music. |
|
|
• Feelin' Lucky Lately
- Glenn Rivera ReStructure Mix - High Fashion High Fashion is an electronic-funk band produced by Jacques Fred Petrus whose past projects included solidifying the energy of disco music with Peter Jacques Band and the beginnings of a New York funk sound with Change. Along with arranger and conductor Mauro Malavasi and musician Davide Romani the music of High Fashion once again brought the sound of New York alive as with Petrus’ past B.B. and Q Band and The Ritchie Family in the early 80s. “Feelin’ Lucky Lately” is once again a positive and uplifting force of dance music to embrace the dance floor. Along with vocals including Diva Gray, Gordon Grody, Philip Balou, Fonzi Thornton and Melissa Morgan this masterpiece is complete. I have taken the 12” version of “Feelin’ Lucky Lately” and reworked a ReStructure Mix using segments of those sharp keyboards and funky beats. I have added a few new pieces to enhance the new mix and also a fade out to make the feeling last longer. This ReStructure Mix is dedicated to Erik De Hodge – thanks for the kind words and the request. |
|
|
• Love Is Finally Coming My Way
- Glenn Rivera ReStructure Mix - True Example True Example is one of Salsoul Records hidden gems with their disco archives. This single is the disco era outlined by Salsoul and influenced by the Philly groove and perfected by dance floors. “Love Is Finally Coming My Way” is a testimonial song about love finding itself in the heart of a needing soul. The vocals are reminiscent of classics by Harold Melvin and The Blue Notes and feature the beautiful tones of The Sweethearts of Sigma. The production by T.G. Conway lays out the Salsoul disco era in one piece. Always a favorite of mine when that “gold mind” label came into heart. I have taken the Walter Gibbons 12” version of “Love Is Finally Coming My Way” and rearranged the song to give it an ambient build and onto the gospel and soul feel of the climax. For those who like to fade along with the music there is also an ambient fade out. The song has been given a ReStructure Mix where pieces of the sounds that make it memorable are used in edits and loops to create lasting power. |
|
|
• Love System
- Glenn Rivera ReStructure Mix - The Twins The Twins are Ronny Schreinzer and Sven Dohrow – a German synth-pop band who took dance floors into a new phase of energy with their big hits “The Desert Place”, “Face To Face – Heart To Heart” and “Not Of The Loving Kind”. The early 80s was a whole new layout for dance music as many genres of rhythmic music were fused to recreate the disco aura. The Twins were a dance sound which mimicked the nu-wave feel on vocals and sharp edged synthesizers as pop bands like Duran Duran used sparingly. Soon to become high-energy in the mid-80s with the help of bands like The Twins and their influence. “Love System” is from their 1983 album “A Wild Romance” which is a continuum of their powerful synth touch and the vocal riffs that make their sound linger. It is perhaps one of the most innovative in this genre of the time where beats were often accented with percussion and unique auto-effects. I have taken the 12” version of “Love System” and worked a new ReStructure Mix which takes the rolling drums from the bridge and places them in parts of this new mix to enhance the energy. It is a new celebration of what The Twins call “Love System” and we call a crowded dance floor united in rhythm. |
|
|
• Relax
- Glenn Rivera ReStructure Mix - Frankie Goes To Hollywood F.G.T.H. is one of the most unforgettable sounds and bands of the 80s. Produced by Trevor Horn (Chrome, Buggles, ABC, Malcolm McLaren, Yes, Propaganda) who took the bank onto his new label, ZZT Records along with Paul Morley. “Relax” comes from their 1984 album “Welcome To The Pleasuredome” – it is perhaps one of the kindest fusions of rock and dance synth-pop of the time. A big move as bands like Dead or Alive were participating in. The single “Relax” is and has been highly controversial due to the lyric and suggestive theme – yet the music still powers over all and art is the finale decision here. A huge dance floor hit and the start for this great 80s band that also sparked the careers of Holly Johnson and Paul Rutherford. I have taken the 12” long, radio and instrumental to recreate a new ReStructure Mix which takes off where the fantasy leads the feet and mind. A lot more of the bump and grind bass which reminds many of the big high energy hit “High Energy” by Evelyn Thomas – yet each presents itself in a unique way. |
|
|
• Take A Chance
- Glenn Rivera ReStructure Mix - Mr. Flagio
Mr. Flagio is an Italo-disco project from “Fla”vio Vidulich and “Gio”rgio Bacco. This track from 1983 is one of the early Italian recordings which marked the success of this genre of dance music around the globe. The extensive use of the sequencer and keyboards are not a hint of disco music – but a statement. The productions of the early 80s became streamlining and more acceptable in the electronic form – since synth-pop had become the new arena for dance music. “Take A Chance” is a heavy piece in which a simple line: “Let’s break away, come take a chance with me…” is an obvious pick up line. Inserted between the vocoder chorus and dramatic backing vocals which are somewhat operatic is the electronic cowbell which many may recognize as a staple of Klein and MBO. Mr. Flagio released only two single and their focus is definitely the deep Italian disco edge along with the more pop-street edge in a light dosage. I have taken the 12” of “Take A Chance” – using both the vocal and instrumental to combine both for a new ReStructure Mix experience. This one plays out with more with the synthesizer loops and chorus build which made it one of the classics of Italo-disco that it is today. |
|
|
• Freeway Of Love
- Glenn Rivera ReStructure Mix - Aretha Franklin Aretha Franklin is the talent of soul music history. Her voice has released so many deep emotions in a soulful and somewhat operatic delivery. The strength of this voice has marked many moments in history and even today ignites a feeling of freedom and cause. Her recent passing has given me a moment to reflect not only on the power of music – but also the strength of the human spirit. Aretha has given that spirit many times around and I believe that her legacy will be one of the last of true soul. “Freeway Of Love” is a dance track from 1985 produced by Narada Michael Walden. This pop-funk number speaks of the work in a loving relationship and in many ways expresses the freedom once again of love and emotions. Spoken with Aretha’s own instrument – her voice. This ReStructure Mix is a salute to this talent and to keep reminding me that the loss of this woman is more than anyone or I could ever conceive. I have taken the US 12” single remixed by Michael Brauer and gave a ReStructure Mix tune-up for this salute. It is weaved a bit more like a dance floor piece yet the message is always clear thanks to Aretha. |
|
|
• Devil's Run
- Glenn Rivera ReStructure Mix - Peter Jacques Band Peter Jacques Band is a disco group produced by Jacques Fred Petrus and compositions composed and arranged by Mauro Malavasi – both responsible for Macho, Change and Midnight Gang. This blend of fast and frantic rhythms with plenty of swirling electronic keyboards and disco horns and strings is one of the innovative albums of its time. Soon to become the sound of the late 70s disco era this play is more of what the dance floor was feeling during the peak. “Devil’s Gun” is a single from the “Fire Night Dance” and is another example of the power of this disco concept and sound. It is the now the hardcore classic disco/high energy outline for enthusiasts and the dancers who never forgot the sweat that incurred with songs like this. I have taken the album version of “Devil’s Run” and used much of the pieces of energy from the production to create another burst of disco power in this ReStructure Mix. It is laid out in a new way and looping provides a new angle for the basslines and powerful vocals lead by Leroy Burgess. |
|
|
• I Wanna Believe
- Glenn Rivera ReStructure Mix - Gina and The Flexix Gina and The Flexix is an Italo-disco project from 1985 – produced by Giancarlo Bigazzi and Giampiero Bigazzi. The project was featured on a compilation/EP album titled “Fuzz Dance” and along with three additional electronic and innovative pieces gave a new angle to Italian disco music. It was the street beat of the early 80s which influenced electronic beats and formulation of a new kick beat and groove. This production, like the EP takes the electronic sound of Italo-disco and blends it with street beats and the 80s nu-wave/rock/alternative edge in a dance friendly manner. “I Wanna Believe” plays out as a synth-pop ala Pretenders style of dance music. The female vocal announces in a defiant manner a need for a romance to materialize. It is one of the tracks that I would love to play either warming up the floor or casting it at 4 am into another world. A great innovative approach for the mid-80s and a mark in Italo-disco that is quite memorable. I have taken the EP version along with pieces the 12” “D.J. Service Mix” and “AM/FM Service Mix” to recreate a new outline for this ReStructure Mix. A 90s classic vocal riff from Cher is added to rekindle that feeling of “believing”. |
|
|
• Another One Bites The Dust
- Glenn Rivera ReStructure Mix - Queen Queen is one of the 70’s rock bands whose innovative creative process paved their success in the early 80s in a new genre of pop music. Their past rock operatic numbers are the highlight of Queen and the fabulous lead vocal from Freddie Mercury. “Another One Bites The Dust” comes from their 1980 album “The Game” which began another trend of an intricate bass loop bringing a song to its higher life. This one plays out as a heartbreak number vs. an Old West shootout. It is the true rock edge played out in full. I have taken the album version, instrumental and accapella to recreate this standoff in ReStructure Mix format. There is a new arrangement and use of the classic lead and bass guitar riffs. A bit of play with Freddie’s vocal is another opportunity to hear the power and control of a great vocalist. |
|
|
• Love Masterpiece
- Glenn Rivera ReStructure Mix - Jessica Williams Jessica Williams is one of the true divas of disco music. Her vocals gave many nights of dancing and celebration an experience that would soon become a high energy form of dance music. “Love Masterpiece” is a cover of the 1978 Thelma Houston disco track which was featured on the soundtrack of “Thank God It’s Friday”. Jessica along with The Simon Orchestra (Simon Soussan) give the track a new life and also a unique feel which only a powerful voice as Jessica’s could accommodate. She creates a whole new prescience for the song as she towers above the disco orchestral sound of this production. It is one of the moments in disco music where one can be truly grateful. I have taken the album version of “Love Masterpiece” from Jessica’s “Queen Of Fools” project and worked it into a new ReStructure Mix. A new intro with a back beat driven rhythm gives us another passage into Jessica’s outstanding performance. This one proves that a voice like this can bring disco music to its knees. |
|
|
• Your Love Is A Lifesaver
- Glenn Rivera ReStructure Mix - Gayle Adams Gayle Adams is an important artist from the Prelude Records roster. In the mid and late 70s Prelude was focused on bringing the new sounds of disco music to the clubs and dedicated their artists in this direction. As the close of the disco era became more of a reality the label focused their touch on the funk dance scene and in their own flavor became the New York funk sound in the early 80s with singers like Gayle and bands like Unlimited Touch and Secret Weapon. “Your Love Is A Lifesaver” gave this artist an opportunity to display the beauty of her soulful and slick sound. This anthem became quite the stir of a new and funk driven sound being produced by Willie Lester and Rodney Brown. The track has the sweetness of essence of disco with a funk infused rhythm. One of the big shifts in dance music during the early 80s. I have taken the album version of “Your Love Is A Lifesaver” and retraced the funk mix from Kiss FM into this ReStructure Mix. Making the message more of a reassurance to Gayle’s beautiful vocal there are edits and loops which are elements to pump more energy into this funk-tastic number. |
|
|
• Thank God It's Friday
- Glenn Rivera ReStructure Mix - Love and Kisses Love & Kisses is a Euro-disco project from Alec R. Costandinos whose early work in disco’s fame is penning the Cerrone hit “Love In ‘C’ Minor” in 1976. His work as The Disco Syncophonic Orchestra includes his classic “Romeo and Juliet” the project Sphinx. The sound of soul music began its early shift with Barry White brining the full orchestra into the funky grooves and interludes – where the disco connection to European dance music began its full orchestral production. It was indeed another big moment for music in its history. “Thank God It’s Friday” is the theme from the Casablanca/Motown Records 1978 film. This piece took Alec’s group Love and Kisses who have had great success with their first two albums into a more pop-feel with the disco edge. The track plays out in sweetness with a touch of lighthearted comedy as the film did. Love and Kisses featured vocalists from many sessions from the Trident Recording Studios in London who became the sound of Euro-disco in the late 70s. I have taken the 12” version of “Thank God It’s Friday” which was a lengthier version from the soundtrack and reworked pieces and parts for this ReStructure Mix. A new bottom beat and clap are added to pump the energy into a Friday Night feel. More loops are added to remind us of the disco concept which was a powerhouse for the late 70s. |
|
|
• Disco '78
- Glenn Rivera ReStructure Mix - Ennio Morricone Ennio Morricone is An Italian composer whose work is best known in films. The most haunting of his compositions is from the 1967 western, “A Fistful Of Dollars” and most recent being his electronic score from John Carpenters “The Thing”. In 1978 his score for the Italian film “Cosi Come Sei” brought a single that follows closely his haunting and always somewhat sensual to the soul. The 12” was re-titled “Disco ‘78” and plays out like a soundtrack with many beautiful qualities – which is most likely where the fusion of a disco single is placed. Much like Morricone’s work there is always a wonderful riff which rings out as this little has. I have taken the 12” of “Disco ‘78” and worked on the main pieces of the theme and its movement as a new ReStructure Mix. Adding a deeper beat to accentuate the rhythm and a few electronic effects to make this ambient flowing beauty into a listening experience as well as a nice early morning awakening. |
|
|
• Baby Love
- Glenn Rivera ReStructure Mix - C. orchestra C. orchestra is a production from Jean Marc Cerrone from 1983. This cover of The Supremes’ 1964 hit “Baby Love” transforms the Motown sound into a bouncy disco bubble gum mode. It is clever in the use of a harmonica to bring out the saucy lead vocal which sounds like an over the top lovelorn teen. It is fun and has some of the great brass that Cerrone is known for. It is also one of his plays during the early 80s where he was being experimental to find where the disco sound was heading on dance floors that were not quite done moving to new rhythms. I have taken the 12” vocal into the ReStructure Mix arena and used more edits and loops to rework this one again. It has more of the keyboards that weave a whole new feel to this song for an intense disco-fied experience.
|
|
|
• His Name Is Charly
- Glenn Rivera ReStructure Mix - Laser Laser is a disco concept album from producer Wolfgang Hermes (Fox & Promes) with an electronic dance direction. The early 80s were soon to become the synth-pop era once this sound was exposed to dance floors with the expression and creative possibilities. “His Name Is Charly” is a spoof on a situation in a make believe western where a fugitive named ‘Charly’ is on the run to Mexico – obviously to escape the law. The light synthesized keyboard riffs help to play out this rolling dance track in an effective and mysterious manner. It was released on Moby Dick Records in the US during the early 80s as proof that disco was quickly becoming high energy soon. I have taken the 12” on Moby Dick Records and the original album version to weave this ReStructure Mix into a whole new drama. Using more of the rolling sequencers to outline the pulse of the song. More Charly is added to outline the title and of course play out this play. |
|
|
• Freedom
- Glenn Rivera ReStructure Mix - Thanya Thanya is an Italo-disco project from producers Robert Masala (Gloves), Massimiliano Di Carlo (Konner), and Paul Micioni (Trilogy). This 1983 track is one of the innovative electronic pieces which was responsible for the success of this new edge of disco music highly influenced by the work of 70s pioneers as Giorgio Moroder. “Freedom” is an eerie dance song which gives out heroine a moment to project her need to escape the pressure of life. There is a touch of fantasy in the lyrics however the music reflects a moody and underground feel. The stage for this one is indeed a well-deserved moment. Time has proven the success of Italo-disco in the 80s is indeed due to productions as this. I have taken the 12” vocal and dub versions of “Freedom” and used the jittery keyboards and eerie sweeps in a new play for this ReStructure Mix. One of the pure adventures for a disc jockey is a 12” which uses the original content of the song and gives a dub version with a new punch. The new round here is again my interpretation of a somewhat soaring afterhour’s song that “Freedom” – the claustrophobic edge gives it the direction which is unique. |
|
|
• Shazam
- Glenn Rivera ReStructure Mix - Deodato Eumir Deodato released his project “Knights Of Fantasy” in 1979. The composer and musician had focused on jazz and a fusion of rhythms, Latin and Brazilian style. His venture into the dance realm was well accepted with this project which produced classic tracks, "Whistle Bump", "Space Dust" and "Shazam". The high energy instrumental feel of "Shazam" is what drew me to the album. Its string section reminding me of disco tracks like "I'm Okay, You're Okay" by American Gypsy. This was a nice percussion and bongo dance number that lays itself out in several sections of rhythm guitars, bongo fills, horns and eventually the 70s string sweep. “Shazam” was always nice to watch an early morning dance floor come alive with. I have taken the album version of “Shazam” and reworked a ReStructure Mix to celebrate the disco instrumental with the touch of Deodato’s magic. The Captain Marvel shout adds a focus on the “fantasy” and more breakdowns give just another chance to work the adventurous feet on the dance floor, again! |
|
|
Thelma Houston has one of the fiercest reputations on disco dance floors since her 1976 blockbuster hit “Don’t Leave Me This Way” – a song that changed radio and clubs forever. Thelma made the disco era a home with many tracks which outlined not only the scene but a fusion her soulful voice bringing a layer of emotions to life in an era of great disco music. Thelma’s project from 1984 titled “Qualifying Heat” is a street-beat production influenced by the New York beat-box sound and features tracks produced by Jimmy Jam and Terry Lewis – who later became the powerhouse duo creating hits for Klymaxx, Cheryl Lynn, S.O.S. Band and Janet Jackson. “I'd Rather Spend The Bad Times With You Than Spend The Good Times With Someone New)” is an uplifting beat stomping dance number that outlines the “break dance” scene of the early 80s. It uses a powerful and innovative sound that works well with Thelma’s troubled but romantic message. A nice reminder of how dancers and the club energy created the sounds which topped the 80s dance scene as it did in the disco 70s. The progression of disco and dance music continued even though the industry and critics claimed it was dead. I have taken the 12” vocal and dub version of “I'd Rather Spend The Bad Times With You Than Spend The Good Times With Someone New)” to work this ReStructure Mix with more of the dreamy keyboards outlining the mood. It plays out in a new way along with a piece of Thelma’s classic hit aiding the excitement.
|
|
|
• Boom Boom (Let's Go Back To My Room) - Glenn Rivera ReStructure Mix - Paul Lekakis Paul Lekakis gave us one of the high energy classics of the 80’s – “Boom Boom (Let’s Go Back To My Room)”. This sexy number is an enticing and fast paced dance track which follows closely the sound created by Dead Or Alive but in a new package. The production by Italian disco producers Miki Chieregato and Roberto Turatti is another time when Italo-disco used a fusion of the dance floor elements of the time and transforming it into a sound of its own. This one was a big dance floor favorite and made Paul Lekakis a welcomed star to the dance floors for his later hits, “You Blow Me Away” and “My House”. I have taken the original 12” vocal of “Boom Boom (Let’s Go Back To My Room and played out a new proposition from Mr. Lekakis in this ReStructure Mix. There is more real “boom boom” and allot of fun with the original keyboards and that chorus that we all loved to pound and jump to! |
|
|
• I'm Your Man - Glenn Rivera ReStructure Mix - WHAM! WHAM! Are George Michael and Andrew Ridgeley who began in the early 80s as a pop duo bringing a funk and synth edge to radio music. Their success began the solo career of George who later became one of the biggest selling artists of the late 80s. Their single “I’m Your Man” from their album “Music From The Edge Of Heaven” from 1986 brought more of their be-bop-pop sound to the forefront. With George’s vocal upfront and as creatively affected by this love song it was a great pop dance single of the time. I have taken the 12” versions including the “Extended Simulation”, “Instrumental” and “Accapella” to recreate a deep down disco ReStructure Mix. Using more emphasis on the “man” theme and another disco classic by Macho – uniting the two for a new feel. This one was always a favorite since it delivers that sound which WHAM! conquered the early 80s with. |
|
|
• Lump - Glenn Rivera ReStructure Mix - Mutiny Mutiny is a funk band with members from both innovative groups Funkadelic and Parliament – sounds created in the early 80s moving soul music into a new edge called funk. This sound used the fusion of hard-rock guitars and funky grooves moving over a new focus of themes in a bit of distortion. “Lump” is from their 1979 album “Mutiny On The Mamaship” – produced by Jerome Brailey. The track was also featured in the then-controversial film, “Cruising”. The blaring chorus is a take on the sound that Funkadelic made use of to create Parliament. The wah-wah guitars and deep bass grooves are the elegance of hardcore techno soon to come. The piece has always stood out as one of the forerunners of taking the late 70s disco dance floor again into a hardcore state. I have taken the album version of “Lump” and worked on this ReStructure Mix as another underground state. There is more instrumental provided by the guitar distortion pieces and a classic key riff from Herbie Hancock. The full mix is lengthier and for those who can’t get enough funk and dance it should make the edge sharper. |
|
|
• Love Is A Strange Affair - Glenn Rivera ReStructure Mix - Strange Affair Strange Affair is a disco project from producer Giuliano Salerni who also created the European-disco phase in the US with his group Ultimate (“Touch Me Baby”, “Ritmo De Brazil”) in 1978. His beautiful strings with a disco lullaby edge are always accentuated by a chorus of alluring females in a frame of disco ecstasy. One of the producers of disco music, Salerni was able to transform his style into a European flair as he does with Strange Affair, Ultimate and Tangerue and then a funk edge with his band Hi-Gloss (“You’ll Never Know”). “Love Is A Strange Affair” explores the albums ménage a trois theme with the chorus exclaiming the excitement of sexual exploration. It eventually sounds out in an operatic arrangement that is everything that European disco promised us from the start. The funky guitars and groove is the perfect layer for the strings, horns and percussion. I have taken the album version of “Love Is A Strange Affair” and placed the bill into a ReStructure Mix phase with more of the guitars licking away at the disco beat. More of the sensual feel is played out and extended. |
|
|
• Joey, Joey - Glenn Rivera ReStructure Mix - Vera Vera is Patti Masi – a high energy dance project from producer Louis Toteda who worked on classic disco projects as Nightlife Unlimited and Nite Life from 1978. “Joey, Joey” is from Vera’s 1983 album “Joey”. The soft synthesized arrangement always left the sweet vocal delivery very haunting. The piece falls under the early 80s dance movement where many new wave tracks were emerging and high energy music created its own fusion of both. This one pulls out the “girl-group” sound of the 50s and uses the simple chorus hook as such. A nice electronic piece and another moment for Patti Masi to give dance floors that dreamy yet darling sound. I have taken the 12” vocal and instrumental of “Joey, Joey” and replanted the go-go feel along with sample from The Ronettes. This time around it is the sock hop with the appropriate edge. |
|
|
• I'm Glad That You're Here - Glenn Rivera ReStructure Mix - Alphonse Mouzon Alphonse Mouzon is producer, arranger, and drummer who worked from the early 70s creating his brand of fusion-jazz. During the late 70s he is known on dance floors as the force behind the disco band, Poussez! – Which features Christine Wiltshire (Musique, Phreek, Center Stage, Revanche) on lead vocals. The project has become one of the hardcore classics in the disco arena as well as his single “Everybody Get Down” from his project Mouzon’s Electric Band. From the depths of his jazz creations to the hardcore disco grooves Alphonse shows his diversity and use of drummer/percussion talents. “I’m Glad That You’re Here” come from his 1981 project “Morning Sun” which returns to Mouzon’s jazz roots with a touch of UK funk. One of the beautiful numbers that reminds me of a sweet ballad from Barry White and his great ensemble. I have taken the 12” vocal and instrumental versions of “I’m Glad That You’re Here” and blended the electronic flutes and sweeping strings into a new ReStructure Mix. I have taken the outline of the original mix and moved its mood into a more underground-early morning feel with some new bass synths and drum patterns. |
|
|
• Can You Feel It - Glenn Rivera ReStructure Mix - The Jacksons The Jacksons took the 80s in their grip with the album “Triumph”- containing the single “Can You Feel It”. This anthem written by Jackie and Michael Jackson not only gave the world promise and hope – but it also brought the dance floor to its knees with a stomping rhythm and ringing message. The Jacksons not only brought the disco era to completeness in 1978 with “Blame It On The Boogie” and “Shake Your Body (Down To The Ground)” – they also delivered the 80s a reminder that dance floors were just winding up. I have taken the album version of “Can You Feel It” along with a few sample pieces of the “video” version to work this new ReStructure Mix in a new “triumph. The opening presents the strings as the video does and into a new arrangement and rhythmic edit to continue this powerful message. |
|
|
• Activate My Heart - Glenn Rivera ReStructure Mix - Meccano Mecanno is an Italo-disco band lead by Walter Bassani and vocals by Nadia Bani. Their 1987 album “Extrameccano” featured two big high-energy tracks which dominated club dance floors – “Down Down Romeo” and “Activate My Heart”. Dance music was becoming a roaring wall of electronic sound in the mid-80s transforming dance into a fast moving sweat factory. Meccano took a light jazz fusion and layered it along with this energy. “Activate My Heart” is a sweet love ballad with sweeping hand claps and jewel box keyboards creating a heartwarming track which echoes on and on. Arranged by Celso Valli, Paolo Gianolio and Meccano. I have taken the 12” high energy mix and “London Mix” and blended them into a new ReStructure Mix for another opportunity to hear this one again. The mix itself is extended for more play with some of the haunting elements and more of the sweetness if given more chances to lure hearts and feet. |
|
|
• What Cha' Gonna Do For Me - Glenn Rivera ReStructure Mix - Chaka Khan Chaka Khan is the voice of 70s funk. In the early 70s during her work with Rufus an introduction to a new layer of funk and soul was created with the extensive and outward delivery of her voice. Harmonies became a new piece of songs which were delivered as anthems with Chaka’s power. “What Cha’ Gonna Do For Me” is from her 1981 album by the same name and also another excellent example of the diverse material which her producer Arif Mardin would create for this wonderful talent. This funky and rhythmic injected tune has the sound of Chaka that made her voice the sweetness and the power of funk that we all know today. I have taken the album version of “What Cha’ Do For Me” and created a new ReStructure Mix for a dance floor that needs more of the bottom base for moving. It has a new arrangement using the original instrumentation in loops and edits for a new experience and a new rolling drum track to give more push for the hips. |
|
|
• Tears Run Rings - Glenn Rivera ReStructure Mix - Marc Almond Marc Almond is a performer and songwriter who are also known for his work with a project titled Soft Cell – which had a huge hit in 1981 with an electronic cover of “Tainted Love” merging into “Where Did Our Love Go” by The Supremes. His work later became quite iconic as “Tears Run Rings” was a statement for the world to look closely at what is socially relevant as he also explores the loss of his relationship in comparison. A dark but great anthem for clubs and huge dance floor filler. This one had my attention from the start and the mood still sets a spark in the genius of Almond’s talent. I have taken the 12” version and “house dub” of “Tears Run Rings” and took this one into a ReStructure Mix which plays out like a wild peak moment where slaps and kicks make more excitement. I have kept the flow in a new arrangement and also working that rolling sequencer into frenzy at the close. |
|
|
• If You Should Ever Be Lonely - Glenn Rivera ReStructure Mix - Val Young Val Young is a soul-funk vocalist who released her first solo album in 1985 titled “Seduction”. She worked as back up with The Gap Band and Roy Ayers recordings where her front position was a welcoming sound for tracks like “If You Should Ever Be Lonely”. This single is an emotional piece that yanks at a broken heart when a relationship creates a separation. Val delivers her performance like a 50s heartbreak song can be haunting. Produced by Fred Jenkins and Levi Ruffin, Jr. with a beat and clap echo chamber that works it in a nice rhythmic fashion. I have taken the 12” of “If You Should Ever Be Lonely” and used the “club” and “street mix” to recreate a ReStructure Mix with a lengthier intro and several spots where a delayed response to lyrics are intended for more of that emotional impact. Always a favorite of mine in the early evening build up sets. |
|
|
•
You Don't Have Dancing On Your Mind - Glenn Rivera ReStructure Mix - Inner Life Inner Life is a disco project from Patrick Adams, Greg Carmichael and Debbie Haynes – along with the vocals of Jocelyn Brown, Janet Wright, Krystal Davis and Dennis Collins. Released on the New York disco label Prelude Records in 1979 and one of the best disco arrangements in the Patrick Adams and Ken Mazur style. This formula is the finale innovation of years of adhering to the disc jockeys and their dancing throughout the mid and late 70s. “You Don’t Have Dancing On Your Mind” is a track from the album “I’m Caught Up (In A One Night Love Affair)” and plays out with the energy of Adams’ classic Musique album “Keep On Jumpin’” with the female ensemble playing a game with dancing and its sexual connection with disco music. A sweet disco number with all of the bells and whistles that make dancing fun and exhausting in the late 70s. I have taken the album version of “You Don’t Have Dancing On Your Mind” and reworked the powerhouse song into a new ReStructure Mix. Adding a touch of a 80s house classic drum pattern and of course a play at those teasing lyrics and the fantastic breaks. |
|
|
• Hey Hey Guy - Glenn Rivera ReStructure Mix - Ken Lazslo Ken Laszlo (Gianni Laszlo Coraini) is an iconic Italo-disco act. His work includes many of the elements which made Italian disco soar in the 80s. The electronic work that took over where Giorgio Moroder left off is written all over this period. A bit more experimental perhaps but even with the simple keyboard riffs there is an element of energy to this sound. “Hey Hey Guy” is Laszlo’s 1984 hit which leaves a bit of imagination hanging musically and fantasy wise. A great synthesizer work leads this one into a somewhat dark and eerie passage. However the energy is high with the performances. A great 80s dance piece and proudly from the Italo-disco catalogue. I have taken the original 12” vocal and dub along with the “Nunk” remixes and mixed elements into this version in ReStructure Mix fashion. Still as rolling and more hidden messages to pull you in with headphones or on the dance floor! |
|
|
• Black Brothers - Glenn Rivera ReStructure Mix - Black Soul Black Soul is a disco/afro-beat sound from the mid-70s. Al Blamo and Francisco Wallace are the predominant members and their recordings from 1975 – 1981 are the underground drum movement which added to the Afro-Cuban sound of disco music’s notoriety. “Black Brother” comes from their 1977 album which also features Mr. Tom Moulton taking the tracks into a deeper dance floor level. The track is a soul anthem which unites “brothers” to celebrate their roots and the current sound. One of the chants that quickly caught my ears at the time thanks to the many riffs and the cleaver remix by Mr. Moulton. I have taken the 12” of “Black Brother” and reworked a ReStructure Mix to honor this underground piece which if you were lucky enough to have heard it at the time – it was quite a stomper. The new drums and percussion added are to give the disco beat in the afro sound more of a powerful presence. |
|
|
• Do It Again - Glenn Rivera ReStructure Mix - Paulette Reeves Paulette Reaves is a soul-funk singer who began her recording career in 1976. Her single “Do It Again” from 1981 and produced by Willie Clarke (Betty Wright, Jimmy “Bo” Horne, and Funky Nassau) is one of the big funk-disco tracks that maintained the feel of an underground club recording. It has the arrangements that made soul music and funk a piece of the disco era. Paulette performs here in a teasing and convincing enough to make that move. One of the big early 80s tracks I can remember luring the fans of soul and that Miami sound onto the dance floors. I have taken the 12” version of “Do It Again” and reedited a ReStructure Mix adding only stripped pieces of the production to parts of this tribute. The vocal is the key here so a repeat is added to give Ms. Reaves her stage once again. |
|
|
• Kings Of Castles - Glenn Rivera ReStructure Mix - Vera featuring Patti Masi Vera is a vocalist who brought the sweet melodic feel back to dance music in the early 80s with her wonderful falsetto delivery. Her first single “Take Me To The Bridge” from 1980 – produced by Louis Toteda was an instant classic in dance palaces. Her beautiful vocals along with the hardcore electronic dance production which gave the 80s hope and later high energy music a new found hope. “Kings Of Castles” is her follow up single from 1981 which was originally released with a reggae-like dance feel and then remixed and rereleased in 1982 by Louis and Michel Gendreau. The remix was an instant hit and dubbed one of the top “sleaze” or “early morning” hits of the time. A great number where Patti Masi (Vera) sings about the new generation taking over the time and at times over stepping and wanting more. I have taken the 12” remix of “Kings Of Castles” and worked the magical breakdown elements into a new ReStructure Mix. This is an opportunity to salute both Patti Masi for her lovely vocal talents and Louis Toteda for an array of wonderful dance productions aimed at the discotheques and the dedicated dancers. |
|
|
• The Calling - Glenn Rivera ReStructure Mix - Ken Heaven Ken Heaven is a 80s artist whom followed closely on the falsetto delivery of Bronski Beat’s Jimmy Sommerville of a couple of years earlier. The success of the band Bronski Beat brought many sound-alike vocalists like Ken Heaven and Italo-disco’s Kinky Go who brought their high energy sound with a tribute to the energy and vocal of Sommerville. Ken had a great success in 1986 with his single “The Calling” and although his voice sounding familiar was still refreshing to an audience of dancers desiring that rolling electronic high energy edge. This track is a perfect love track where “the calling” is romance and a promise of content. It is a bit haunting yet the energy builds over and over with the chorus. A big part of my peak hour program of the time. I have taken the 12” vocal and instrumental to the ReStructure Mix cutting board to pay tribute to the high energy 80s sound. The intro and arrangement are given some new breaks and kick to give the energy more of a challenge. A few winding electric breaks are added to give the track more of an underground message. |
|
|
• For Your Love - Glenn Rivera ReStructure Mix - Klaudia Klaudia is an Italo-disco project from masters of Italo-disco Peter Micioni and Paul Micioni. The track titled “For Your Love” is a haunting love song that rings mysteriously and emotionally with a strong yearning. The production team gives this one a similar flavor as their work with Gary Low (“I Want You”) with some great riffs. The vocal is written in several places that may be Dora Carofiglio – where many of these Italo-disco projects were studio projects with artist creation aimed at the songs mood itself. In any wonder, this one is a beauty. One of my favorite Italo-disco numbers and performances. I have taken the 12” vocal and instrumental to recreate a lengthier and airy-like environment for this ReStructure Mix. The difference in the instrumental EQ is worked to preserve the weight of the moody feeling brought on by the vocals and keyboards which tend to be a bit more emotional on both ends. It is slim re-edit with some of the loops and effects to bring on a new trip. |
|
|
• Disco Break - Glenn Rivera ReStructure Mix - Hemlock Hemlock is a disco band produced by Jerry Styner – the music here was featured in the 1979 comedy “Swap Meet”. The Miami band recorded several singles in 1979 and were one of the bands which outlined the disco feel in real time. Their single “Disco Break” is one of their biggest dance floor hits and displays the bands ability to play funky disco to a beat that is smooth and sweet for hustling or freestyle. The track has that Miami flavor and gives the final days of disco music’s rein a great model in its style. I have taken the 12” version of “Disco Break” and re-edited the original in a new attempt to bring this one to a ReStructure Mix format. It borrows a recognizable riff from another “break” and also used those hard end drum rolls in a new arrangement. |
|
|
• Super Jock - Glenn Rivera ReStructure Mix - Goody Goody Goody Goody is a Vincent Montana, Jr. project from 1978 where he unleashes his sound in a much more laid back groove – unlike his former creation: The Salsoul Orchestra where in 1974 a blend of funk, Philly, and Latin percussion were booming to the disco beat. Goody Goody also features the lovely voice of his daughter, Denise Montana who gives one of the most memorable of disco recordings starting with the powerhouse and classic track “#1 Dee Jay”. “Super Jock” is a vibe oriented piece that uses heavy rhythm guitars to blend this one into an unstoppable production. It was a crossover again for disco as the producer could command the mood and edge of a themed project. This one definitely is one of the most memorable. I have taken the album version of “Super Jock” and transformed this salute to the man behind the turntables with more of the percussion using the rhythm track. The bongos are the element which brings the top layer of this disco track its lure. More of Denise is added in new loops and edits to give a new part of this celebration her identity again. |
|
|
• Welcome Back - Glenn Rivera ReStructure Mix - Peter Jacques Band Peter Jacques Band is a disco project from producer Jacques Fred Petrus. Petrus was a master at assembling a recording studio full of musicians whom played the heck out of the new period of dance music as disco progressed through it final years. His credits include Change, Macho, Revanche, B.B. and Q. Band, High Fashion and his assemblage band Goody Music Orchestra. “Welcome Back” is the follow up project from 1980 – where the first album titled “Fire Night Dance” set an innovative take on high energy disco music. In this second project we hear the same in many different areas. “Welcome Back” features Luther Vandross on vocals and also arranger Mauro Malavasi once again. A great title track is presented in a hypnotic yet patterned beat that stomps out of the disco beat in a new way. It is one of the moments where Petrus again delivers another masterpiece of disco innovation. I have taken the album version of “Welcome Back” and worked a new ReStructure Mix which adds more percussion and beats to level out the rhythm. It is a great keyboard performance so the original is left intact and only re-looped to give it new life. |
|
|
• I'll Be The Music - Glenn Rivera ReStructure Mix - Bonnie Boyer Bonnie Boyer is a singer who fit the sound of disco quite well with her album from 1979 titled “Give In To Love” – produced by Giuliano Salerni – who also gave us Hi-Gloss, Ultimate, and Strange Affair. Her first single “Got To Give In To Love” was a big dance floor hit and gave way for her sophisticated, yet sassy delivery. The sensuality of disco music can be felt in her words as the European disco artists did so well. “I’ll Be The Music” is another dance single from the project which emulates that stage disco production that would fit in well in a Las Vegas revue. It is a “femme disco” track that gives Bonnie the stage her voice allows. One of the last of the big disco production songs I can remember on a US label. I have taken the album version of “I’ll Be The Music” and reworked this disco piece into a new ReStructure Mix with more bongos to guide the rhythm and longer arrangement broken down into the funky guitar riff. A nice return to the big disco sound that made dance floors excited with the spotlights and glamour. |
|
|
• Forever Lovers - Glenn Rivera ReStructure Mix - Italian Boys Italian Boys are Lucio Manfredini and Stefano Francesconi – an Italo-disco project produced by Gianni Salvaton and Florian Fadinger. This beautiful mid-tempo love ballad is a touch of the beauty that disco music brought with sweeping strings and horns in an arrangement. This synth-pop built piece has a melodic chorus along with a touch of Italian-rap that is also as simple and sweet. One of my favorites of the time and one of the tracks I would love to build a program at the start of a weekend night. I have taken the 12” vocal and house versions to recreate a ReStructure Mix to pay homage to those Italo-disco producers and artists who kept the magic alive with their great touches and talent. This new edit gives the track a new arrangement and a long fading exit. It will haunt the hearts of those who love that Italo-disco direction and also give another twirl to those who love romance on the dance floor. |
|
|
• Tonight I'm Gonna Make You A Star - Glenn Rivera ReStructure Mix - Brenda Jones Brenda Jones is a soul vocalist from the group The Jones Girls and made an impression on DJs and dance floors in the early 80s. Her 1982 dance track “My Hearts Not In It” produced by C.M. Lord and Mark S. Berry brought dance floors into an emotionally charged funk experience. Brenda was one of the soulful female artists of the time worthy of attention. “Tonight I’m Gonna Make You A Star” is her follow up single from 1983 produced by Steve Jerome and remixed by Mark S. Berry. Another powerful ballad-like dance number with a build that feels like a winner on “Star Search” reaching high. It is one of the r&b dance tracks that I favored for early evening programming or easy listening lists. |
|
|
• Alisand - Glenn Rivera ReStructure Mix - Hugh Bullen Hugh Bullen is a funk-soul-disco artist whose recording career spanned the late 70s throughout the late 80s. His Italo-disco track from 1985 titled “Alisand” is interesting in theme and execution. It rolls heavily with synthesizers and keyboards which remind me of early work from Kano. Hugh plays out his vocals in spoken verses which add to the mystique of the words and edge. Keyboards play out most of the energy here and give this Italo-disco number produced by Stefano Scalera a wall of energy. One of the pieces I would use for the afterhours programming when 2 am was the beginning of a new mood. I have taken the 12” vocal and instrumental versions to play out this ReStructure Mix in a more segmented fashion and allowing the rolling sequencers a new stage. The original 12” version is a great variation mix – this take is lengthier reedit however the focus in this ReStructure Mix are to keep the dance track in the adventurous mode. |
|
|
• Love Chant - Glenn Rivera ReStructure Mix - Eli's Second Coming Eli’s Second Coming is a project from producer/arranger Bobby Eli. This sweet and sexy project features The Sweethearts of Sigma on vocals where the night light is the only trace in this sector. “Love Chant” from 1977 is a sensual orchestrated number which brings to mind that the guest appearance from Vince Montana, Jr. is the cherry on top of this disco monument. It has that Salsoul sound in between the sexy moments the chorus introduces us to its power. A great disco spotlight with the late70s focus in mind |
|
|
• Turn It Around - Glenn Rivera ReStructure Mix - Gino Soccio Gino Soccio is a disco artist who was far ahead of the sound in electronic elements. His early work was displayed with many of his touches adding a modern-esque feel to disco music as well as some of the earliest techno and ambient dance arrangements. “Turn It Around” is a single from Gino Soccio released in 1984 and is another example of Soccio’s innovative edge. An electronic take on the disco beat allowing funk and ambient like sounds in a dance piece. It is one of my favorite productions from Soccio as it is a dream-like sound and also features his own recognizable vocal. I have taken the 12” vocal and instrumental versions and blended them as they play out originally with a few edit marks to play this one “around” another way. It is a moment where I stopped and realized that messing with a master was not easy – so the solution was utilizing more of the deejay aspect to recreate another experience. Thank you, Gino Soccio! |
|
|
• Circuits Overloaded - Glenn Rivera ReStructure Mix - Inez Foxx Inez Foxx (Inez Johnston) is an r&b singer who began her recording career in the early 60s. Her 1974 single “Circuits Overloaded” produced by Randy Stewart and Willie Hall is one of the early funk-disco tracks that followed closely the Miami sound where tambourines and blaring horns set the rhythm. This one is funk classic for me as I recall seeing this number bring a party to life as a young child. It was the start of the fascination with the dance floor and the music which moves it. Inez does one incredible job at convincing us that something is missing in her relationship – however she has it all in this performance. I have taken the 7” version of “Circuits Overloaded” and chopped the fantastic rhythm tracks to pieces for this ReStructure Mix. A percussion foundation has been added to pump up this recording and also extended to give more power to this dying story from Inez Foxx. A funk-disco classic in all means. |
|
|
• I Love America - Glenn Rivera ReStructure Mix - Patrick Juvet Patrick Juvet is a Swiss singer who became a disco sensation in the late 70s with his project “Got A Feeling” – co-produced by Jacques Morali who also brought us Village People, The Ritchie Family and the return of Earth Kitt in the early 80s. “I Love America” is the single which received a great welcome on many dance floors and gained Patrick a new audience. The song emphasizes the excitement of the disco movement in the late 70s and its effect on the big city. It plays out like an anthem and pieces of this big hit have been sampled in house and techno tracks. It is a big uplifting number a gives the dance floor a good reason to celebrate again. I have taken the album version of “I Love America” and reworked this ReStructure Mix focusing on that haunting chorus which seems to swirl even after it is gone. The original piece does not track well as the bpm races up and down so this edit attempts to tame parts with more care. The original production is a definite Morali masterpiece so more of an insert for breaks is more of the difference. |
|
|
• Again and Again - Glenn Rivera ReStructure Mix - Nikki Lauren Nikki Lauren is a 80s artist who was featured on Disconet Vol. 5 Program 9 from 1983 and is a production from Mark S. Berry who worked on classic productions with Poussez!, Frisky, Roni Griffith and Carol Williams. “Again and Again” is an uplifting dance number which features the synth-pop edge that became the new sound of dance floors in the early 80s. This one is an ecstatic jump into the excitement of the dance floor left over from the end of the 70s. The new interpretation along with Nikki’s vocals creates an anthem dance number. I have taken the 12” vocal and instrumental of “Again and Again” and worked a ReStructure Mix which pulls out more of the drums and synths into a more afterhour’s mood. The soft feel of the beats are intact and extended for this new experience. A tribute to the music of the early 80s and producer Mr. Mark S. Berry. |
|
|
• Embraceable You - Glenn Rivera ReStructure Mix - Westside Strutters Westside Strutters are a disco project from producer Ross Salome whose venture into the music of George and Ira Gershwin in a disco realm. The production is a sweet air of standards to a disco beat with funky guitars and a fabulous vocal by Carmen Twillie and Sue Raney. “Embraceable You” is part of the first movement from the album titled “Gershwin ‘79” – it is added to a medley including “The Man I Love”. The guitar riff in this arrangement moves the track as a hardcore disco number yet the vocal from Carmen Twillie gives the song its deserved sweetness. I have taken the album version of “Embraceable You” from the opening medley and transformed it into a ReStructure Mix to keep it unique. I have added new percussion to give the fast paced disco number to a lovely hypnotic piece. It is a great concept of what disco what know for best – transforming classic music into a renewed vehicle to introduce to a new audience and keep it alive. |
|
|
• Dance Party - Glenn Rivera ReStructure Mix - Blue Lazer Blue Lazer is an electronic dance project from Canada – featuring Tony Bentivegna (of Nightlife Unlimited) and Giovanni D’Orazio. The mid-80s welcomed the light and focused arena of dancing again and justifiably so when many still worked for that night on the dance floor. “Dance Party” is a single from Blue Lazer released in 1984 with the uplifting feel of disco music as it left us. This one pours the elements of bass synthesizers playing out the pounding disco beat as the boys direct the attention to the whole purpose the night is here. It was one of the big dance floor movers for me and continues to remind me of the shift into high energy music as dance music became more underground once again.
|
|
|
• Disco King - Glenn Rivera ReStructure Mix - Carrara Carrara is Alberto Carrara an Italian producer and artist who moved the Italo-disco scene in the early and mid-80s with his bouncy and lovely melodies. His direction has always been the coordination of keyboards and guitar speaking to each other along with the disco beat. “Disco King” is from 1983 and one of his most memorable pieces. It has always brought to my mind the Meco disco version of “Star Wars” and its brief visit to the Cantina where the bass is rolling along with the big band horn blaring. A nice imaginative twist into an Italo-disco anthem. His use of riffs and melodies always satisfies the heart and feet. I have taken the 12” instrumental version of “Disco King” and transformed parts of Carrara’s great number along with a sample of Meco’s production to create this ReStructure Mix. It breaks the original into pieces and reassembles it into a new experience. One of my favorite bass lines here is worked into a new timeline. |
|
|
• Castles In The Sky - Glenn Rivera ReStructure Mix - Destination Destination is one of the leads in great disco. Their 1979 project “From Beginning To End” produced and arranged by Elton Ahi is one of disco music’s finest moments. The orchestrations set to a disco groove are the perfection from which earlier conductors like Barry White and Vincent Montana were striving to create in a maturity of its time. “Castles In The Sky” is a track from the second movement of this disco trip and tells the story of dreams fabricated out of desires which may not last longer than a glance. Another great vocal performance from lead singer from the group, Mr. Danny Lugo and the music painted by Mr. Ahi is indeed the sound which Butterfly Records worked to press as the top line of disco of its time. I have taken the album version of “Castles In The Sky” and recreated a journey for this pipe dream. A new ReStructure Mix only adds a few elements and edits to give this gem a new lift to remind us of what disco fantasy gave the dance floor at the end of the 70s. It is the genius of those producers and minds like Elton Ahi who worked these concepts with the imagination and groove that stamps the essence of disco very well on it. |
|
|
• Yellow Pearl - Glenn Rivera ReStructure Mix - Phillip Lynott Phillip Lynott is a bass player whose career with rock band Thin Lizzy in the 70s helped to launch a solo career in 1980 with his project “Solo In Soho”. The single “Yellow Pearl” is co-written and remixed by Midge Ure of Ultravox another big innovative project from the 80s. The heavy synth layers on this big 80s dance track dominate it well and play out over the heavy drum patterns pounding at the foundation. It is one of my favorite crossover dance tracks from 1980 also give an opportunity for Lynott to crossover into 80s synth-pop pool. The track I also featured as a theme to the 80s dance show “Top Of The Pops” at the time. I have taken the 12” import version of “Yellow Pearl” and recreated a ReStructure Mix to extended and make play on those heavy drum beats. The heavy bass synthesizers are accentuated for a more durable energy. This one has always been a weapon of mine for afterhour’s playlists and always worked well for me at 3 am. |
|
|
• Never Give You Up - Glenn Rivera ReStructure Mix - Sharon Redd Sharon Redd is one of the voices in dance music which completed many arenas of funk and energy. Her most memorable of parts is the fusion of New York funk created in the early 80s namely on the recording label Prelude Records. Sharon’s second project titled “Redd Hott” – produced by Eric Matthew and Darryl Payne is one of the magnificent pieces of dance vinyl of its time. Featuring the hit singles “Beat The Street”, “In The Name Of Love” and “Never Give You Up”. The arrangements here are easy to forget the disco era was entering a new phase of synth-pop venturing from the full production of dance music. This project claimed both the street-funk edge and the high energy anthem feel. “Never Give You Up” is an electronic funk love song that rings out loud with Sharon’s style of vocal appeal. It is one of the best of the Prelude catalogue and is still a favorite. I have taken the promo 12” of “Never Give You Up” – using the vocal and dub to recreate a new direction for this diva’s classic track. I have given pieces of the tracks a heavy beat to bounce over what already uses the rhythm at most. It is a tribute to the Prelude sound and the producers Eric Matthew and Darryl Payne for giving the dance floor a reason to believe and keep dancing. |
|
|
• Dance (Whoever You Are) - Glenn Rivera ReStructure Mix - Partners I have taken the 12” version of “Dance (Whoever You Are)” from the T.K. Records label and remastered and reworked this ReStructure Mix as a sweet as it could be. The original 12” remix from Richie Rivera was pressed a bit muddy and low on volume. I have over laid some of the re-equalized percussion tracks below portions of the song to bring out more of the energy. It is still one of the nice disco hustle pieces I have heard from the time and this ReStructure Mix is a tribute to the end of the TK Disco and disco music era of the 70s. |
|
|
• Cover Me - Glenn Rivera ReStructure Mix - Anita Ward Anita Ward brought the end of the 70s disco era one of the most memorable songs – it was “Ring My Bell” from 1979 produced by Frederick Knight. The 12” remix featured by Ritchie Rivera gave the track an extensive sound which later became the songs lure. “Cover Me” is from Anita’s follow up album titled “Sweet Surrender” and is another song with a light groove and sound. Anita has always had a soothing falsetto edge to her delivery and this one works well with these elements. I have taken the 12” version of “Cover Me” and worked some of the percussion and groove parts of “Ring My Bell” into the foundation to bring it more punch. This love song has always been a favorite and this ReStructure Mix places it again in a loving place. |
|
|
• Leaving On The Midnight Train - Glenn Rivera ReStructure Mix - Nick Straker Band Nick Straker Band is a U.K. band whose recording career began in 1979. Their fusion of synth-pop developed a style which became a new phase in the early 80s. A blend of jazz and light disco melodies. “Leaving On The Midnight Train” is an electronic dance track which was best known for a return to the new disco energy of the 80s. This one rolls along with several recognizable elements and a percussion track that stands out as the high energy intro of the period. A nice dance number that always made my dance floor come alive again. I have taken the 12” version of “Leaving On The Midnight Train” and worked this ReStructure Mix using the guitar break in several places to bring this one to mind again. I have added some new percussion to make it sound off even more so. A trip back to the early 80s when disco once again morphed into a new exciting phase. |
|
|
• Do You Wanna Lover - Glenn Rivera ReStructure Mix - Hotbox Hotbox is a 80s street-beat project from Jon Morales, Mary Berry and Rick Tarbox. The early 80s was another experimental period for dance music as the beat took on many drop kicks to move into a whole new realm of energy. New York street beat is a style created by breaking up the beats into a rhythmic stomp. Morphed from the scratching techniques used by innovative producers and DJs. “Do You Wanna Lover” is a track from Hotbox released in 1983 which uses this technique to its extreme where a whole new arena called Latin freestyle took off in Miami. Many bands like The System are in the same genre and sound. I have taken the 12” of “Do You Wanna Lover” using the “club”, “beats” and “dub” to recreate a “Latin” lover with a touch of disco classic pieces from Voyage. This ReStructure Mix drags out the percussion from Hotbox’s fierce layout and takes it into a new desire for that dance floor energy of the early 80s. |
|
|
• Crazy Family - Glenn Rivera ReStructure Mix - Jock Hattle Jock Hattle is a disco project from producer and singer Alberto Carpani (also known as A.C. One and Albert One) – his work helped to bring Italo-disco to the front lines in the early 80s. Jock Hattle is a studio band which he performed in 1983 along with producers Miki Chieregato, Roberto Turatti and Giuseppe Mincioni. “Crazy Family” is their first single – an electronic and fierce disco track. It pours out a factory of rolling keyboards and makes its way into one of the most memorable of the time period for Italo-disco. The odd vocal and number-chants are unique and quite interesting as silly as they may sound. I have taken the 12” of “Crazy Family” – using the “Yes No Family” side which is the roaring instrumental to create this new ReStructure Mix. I have edited the pieces of the solid synth tracks and added a new arrangement and feel to the fantastic dance number. Another salute to the Italo-disco 80s movement and the power it created. |
|
|
• Give Up The Funk (Tear The Roof Off The Sucker) - Glenn Rivera ReStructure Mix - Parliament Parliament is a funk capital band led by producer and musician George Clinton. A step forward in the innovation and creation of funk using a hardcore edge in sound and delivery. The band began its recording career in 1970 and has since been admired as the start of a funk-regime. “Give Up The Funk (Tear The Roof Off The Sucker)” comes from their 1975 album “Mothership Connection” which explores the outline for an introduction to “the funk”. It has since become an old-school classic and gives an essence to the period where dance music began its journey into a whole new era. I have taken the album version of “Give Up The Funk (Tear The Roof Off The Sucker)” and recreated a funk-fest of loops and edits for this ReStructure Mix. Using all of the pieces that make it time out into funk and added a few breaks with intensity in mind. |
|
|
• Trouble In Paradise - Glenn Rivera ReStructure Mix - Sylvester Sylvester is one of disco music’s unique and fabulous artists. His first album in 1977 introduced not only a new persona of a disco artist with a blend of soul and gospel with funk-driven disco music. His classic “Dance (Disco Heat)” from 1978 is the turn of the disco era into its success. Sylvester never stopped giving his audience and dance floors a delivery which endured dedication to the art of music and performance. “Trouble In Paradise” comes from his album “Call Me” from 1983 which is the sound from San Francisco during the early 80s when disco producers continued disco music’s legacy. This anthem of failing love leaves questions to the romance in question and never a doubt that Sylvester gives his emotion and heart again. A great production by from James “Tip” Wirrick and Marty Blechman on the Megatone Records label and during a time where dance music continues to mature and progress. I have taken the album version and the 12” versions of “Trouble In Paradise” and worked the two versions into a new chapter for this track. Taking the elements from both and placing them into an arena for Sylvester to tell us how it is done. The new phasing and rearranging are the new part of this ReStructure Mix. |
|
|
• Disco People - Glenn Rivera ReStructure Mix - The Mike Theordore Orchestra The Mike Theodore Orchestra from producer, arranger and writer Mike Theodore who created many disco studio projects including productions for King Erisson, C.J. & Co., Jim Gold, Detroit Emeralds, Carlis Monroe and Tempest Trio. The essence of funk always rang true in Theodore’s music as his disco years proved. “Disco People” comes from his group The Mike Theodore Orchestra from 1979 and features the sound of discos evolution from the early 70s to the end. Full orchestration on this production bring it into a realm of the soundtrack disco era where dramatic motion picture scores or funky tracks from b-movies were disco-fied for the pop-arena. Mike Theodore brings to life the sound that disco music brought to the hilt of its greatness and influenced many of the later part of the producers in the latter part of the disco era. I have taken the beat pumping album version of “Disco People” from The Mike Theodore Orchestra album “High On Mad Mountain” (which I always believed was the influence of “Hills Of Kat Mandu” by Tantra) and moved the smooth disco-funk into this ReStructure Mix. More of the percussion that Theodore made his weapon for dancers and the sweet disco feel that the late 70s was all about. |
|
|
• Tie Me Down - Glenn Rivera ReStructure Mix - Jessica Williams Jessica Williams is the icon of divas in disco music. Her work in the disco arena along with producer Simon Soussan and her husband John B. Williams are some of the period’s magic. Featured in the studio groups Arpeggio, Romance, The Simon Orchestra and French Kiss give Jessica a range of vocal approaches with her best always upfront. In 1979 her solo album "Queen Of Fools" was one of the most energy fused projects which eventually lead to the high energy movement in the early 80s. "Tie Me Down" is a single from Jessica released in 1984. A full electronic arrangement from Simon Soussan which works as well as the disco orchestrated work with Jessica in the 70s. I have taken the 12” version of “Tie Me Down” and gave it an overhaul for this ReStructure Mix. Adding a few elements to pump the energy up a bit and using Jessica’s powerful diva pipes as another layer of fun and a good reason to visit this high energy classic again. Dedicated to Jessica Williams – who is the best of disco music and a fantastic lady. Thank you Jessica for your friendship and love. |
|
|
• Sex Appeal - Glenn Rivera ReStructure Mix - Vivian Vee Vivian Vee is an Italo-disco artist who took the dance world over with her first album “Give Me A Break” produced by Claudio Simonetti and Giancarlo Meo in 1979. The project seemed to ignite the sweep of Italian disco productions in the coming years. “Sex Appeal” is a single from 1982 and uses a bass guitar lick to bring more of a sleaze feel to Vivian’s sexy performance. A great early morning track with the feel of the great sound of Simonetti and Meo leading the way into a use of synths, drums and keyboards in a whole new package. I have taken the 12” of “Sex Appeal” and created a laid back ReStructure Mix which takes edits and loops of the hypnotic bass to use. This reworking gives the original another opportunity to display the best of the early 80s in that underground feel. |
|
|
• Little Lies - Glenn Rivera ReStructure Mix - Fleetwood Mac Fleetwood Mac is a definite air for soft rock in the 70s. Their music has moved throughout the period as magic. Their return to the music industry in 1987 welcomed a new edge with a pop-dance feel. “Little Lies” is the single which caught my heart as the group uses all of their familiar music curves to bring this one to live. It features a nice chorus which ignites the bands flavor. One of the great movements in the 80s where a soft rock classic returns in a new suit. I have taken the 12” vocal and dub of “Little Lies” and played out the elements which evoked the sweetness of Fleetwood Mac and a new ReStructure Mix focus. This one uses the percussion to the hilt along with most of the charm. The 80s again marks dance history as an influence for time. |
|
|
• In The Heat Of The Night - Glenn Rivera ReStructure Mix - Debbie Jacobs Debbie Jacobs is a performer among the late 70s whose voice paved success on dance floors with an elegance and style. Her first album “Undercover Lover” from 1979 gave several tracks that dominated dance floors and made producer Paul Sabu and Debbie a very welcomed pair. “In The Heat Of The Night” is a single released in 1985 and produced by Ian Anthony Stephens and Paul Parker. A high energy mover that is everything that is 80s nightlife. Another great shot from Debbie and another chance to hear her wonderful voice bringing a dance floor together in unity and celebration. I have taken the 12” vocal and instrumental of “In The Heat Of The Night” and reworked a ReStructure Mix for this number to bring that feeling back. More of the instrumental in worked into the mix with lots of play on Debbie vocals and those wonderful backing vocals by Jo-Lo. |
|
|
• Dirty Ol' Man - Glenn Rivera ReStructure Mix - The Three Degrees The Three Degrees brought the Philly Sound into a new realm with their 1973 self-titled album – including the timeless ballad “When Will I See You Again”, “Year Of Decision” and “Dirty Ol’ Man” - a Kenneth Gamble and Leon Huff gem with all of the poise perfect for these ladies. “Dirty Ol’ Man” is a play on tiresome advances from an interested party who doesn’t seem to get the message these ladies are giving. It is sweet indiscretion for the focus of our little drama and appropriate for the time. I have taken the 12” version remixed by Tom Moulton and played out a drum filled ReStructure Mix with a “dirty” synth pattern borrowed from Patrick Cowley’s production of Sarah Dash’s “Low Down Dirty Rhythm”. This one is layered and layered with more of the groove that makes it a Philly classic. Intended for fun and a new take. |
|
|
• Dragon's Legend - Glenn Rivera ReStructure Mix - Koto Koto is Anfrando Maiola and Stephano Cundari – an Italo-disco group who began during the early creative years in the early 80s. Many of their projects were electronic pieces which played out like a synthetic version of the Euro-disco productions of the disco era. “Dragon’s Legend” is from 1986 and is based on the 1983 laserdisc game “Dragon’s Lair”. The sequencers complete this instrumental piece with the short keyboard interludes bringing us into the adventure. It is one of the Italo-disco forerunners style with Koto bringing to us again a dance floor movement. I have taken the 12” version and the dub to create this replay for a ReStructure Mix – new beats and a new arrangement make this one fun once again. |
|
|
• Dancing In Heaven (Orbital Be-Bop) - Glenn Rivera ReStructure Mix - Q-Feel Q-Feel is Brian Fairweather, Chris Richardson, Martin Page, and Trevor Thornton. Their 1982 dance floor hit “Dancing In Heaven (Orbital Be-Bop)” is the 80s synth-pop explosion and caught on throughout the mid-80s as the New Romantic scene began to blend their vocal style along with synth-pop. The song brought them success both on radio and many sweaty nights in dance clubs. I have taken the 12” vocal and instrumental to work a new ReStructure Mix paying tribute to the uplifting sound of 80s dance music. A new set of drums are added to the intro from a pop-rock track that you may recognize and a new insert of International dance feel. |
|
|
• Pretty Mess - Glenn Rivera ReStructure Mix - Vanity Vanity is Denise Katrina Smith and is one of the musical acts produced by 80’s icon, Prince. Originally from a trio called Vanity 6 with over-sexed approach at loosely committed dance tracks. A touch of Prince’s controversial ingredients of racy lyrics and street beats with a tweak on rhythm and percussion. Vanity released her first solo album in 1984 titled “Wild Animal”. The dance single “Pretty Mess” is another sexual fantasy brought out into the light using parts of a romantic interlude compared to getting closer to “going all the way”. The champagne plays a double entendre for the title and also made the striking beats and Vanity’s whispery sexy purrs more of a lure. I have taken the 12” vocal and instrumental of “Pretty Mess” and re-cycled every moan and pant of Vanity’s exercise here. A new layer of effects using the original pieces are added to bring a new life to this one. It is one of the 80s numbers that I always saved for that peak hour when sweat and throbbing bodies were in abundance. |
|
|
• Don'tcha Hear Me Callin' To Ya - Glenn Rivera ReStructure Mix - The Fifth Dimension The Fifth Dimension is one of the soul-pop groups of the late 60s and early 70s that made a spot in music history that is sweet and adventurous. Their 1969 album “The Age Of Aquarius” is one of the mod-60s treats which brings the hippie culture and soul harmonies to a classic recording. “Don’t’cha Hear Me Callin’ Ya” is another single from the project which shares the vocal layers of Billy Davis, Jr., Florence LaRue, Lamonte McLemore, Marilyn McCoo and Ron Townson. The track rings out a calling to a distant lover who is needed for making it alright. A nice little slice of The Fifth Dimension in a pop-soul flavor with that 60s hip-groove. This ReStructure Mix pulls the guitar groove into a drum beat from Arthur Baker’s File 13 80s dance hit “Taste So Good”. A recalling in a new direction if you read between the beats and street drums. This number was requested by Jim Bass and gladly executed in a new manner with some drop outs and help from the 80s street drums. |
|
|
• Not Tonight - Glenn Rivera ReStructure Mix - Macho Macho is a disco sound from producer Jacques Fred Petrus, Marzio Vincenzi on lead vocals along with arranger Mauro Malavasi and Celso Valli. In 1978 Macho released a disco version of Steve Winwood’s “I’m A Man” with an electronic overhaul which made an innovative move for disco music. “Roll” is the second project from Macho from 1980 and set a mode where these studio masters created the essence for disco music with a rock edge. “Not Tonight” from the second album follows closely on this sound. The roaring guitars and rolling bass are the magic of this fantastic production. I have taken the album version of “Not Tonight” and recreated a ReStructure Mix breaking down the powerful riffs – drums beats – bass – synthesizers into an extended piece. This one always held my heart since it captures the disco sound in a new package and also the theme is created with complete album graphics and musically. |
|
|
• Good and Plenty Lover - Glenn Rivera ReStructure Mix - Musique Musique is a disco group from the funky minds of producers Patrick Adams and Ken Mazur. This sound is the New York disco feel with a touch of funk and euro-disco lightly accented. Vocals are the key part of Musique and features Christine Wiltshire, Jocelyn Brown, Gina Taylor, Denise Edwards and Mary Seymour. “Keep On Jumpin’” is the first project which helped to formulate a sexy disco outline with the touches of Patrick’s masterful arrangement. This follow up LP titled “Love Massage” followed closely in the familiar theme where a sexy and breathy delivery brought the groove just what it needed. A disco formula which took dance floors to that non-stop dancing rage. I have taken the single “Good and Plenty Lover” from the album and recreated a new ReStructure Mix with a few riffs from a Harvey Fuqua soul classic. This one is a funk extravaganza with the disco magic of both Adams and Mazur making it complete. This remix is pumped a few more levels and gives way to those sensual chorus girl tracks. |
|
|
• Disco Power - Glenn Rivera ReStructure Mix - U.N. U.N. is a disco project from producer Tony Green who also delivered classic by France Joli, Freddie James, Norma Lewis, Geraldine Hunt, Caroline Bernier and many early disco and high energy projects. This production features the lead vocals of Goldie Alexander (“Show You My Love”) and backing are The Sweethearts of Sigma (Barbra Ingram, Carla Benson and Evette Benton). “Disco Power” is the first release and pulls a punch with its tribute to the music of the time which created a unity and lasting feeling of good energy and celebration. This one is the essence of the energy which disco music became from the mid and late 70s. I have taken the album version of “Disco Power” and reworked a new ReStructure Mix which adds more of the riffs in places where it pumps more energy out of this geyser of disco percussion, handclaps and bass. It is a tribute to Tony Green and Denis Le Page who arranged this powerhouse album. |
|
|
• Gotta Be Love - Glenn Rivera ReStructure Mix - Tiffany Tiffany is singer joining the pop-dance era of the 80s. Her popularity was started on a pop-dance cover of “I Think We’re Alone Now" – a hit from Tommy James and The Shondells from 1967. Her music included an array of teen love ballads and some playful dance numbers to follow up on her claim to fame. “Gotta Be Love” is a single which was featured on a 12” of her 1988 single “I Saw Him Standing There” – it was featured on this single exclusively. The high energy feel is much like an Italo-disco production with lots of gadgetry and an out in the front singer taking a ride on it. It was a big peak hour mover for the NRG playlists and I still find Tiffany’s performance loving sweet. I have taken the 12” version of “Gotta Be Love” and reworked a ReStructure Mix to pay tribute to those 80s producers, artists and dancers who kept dance music history moving both on the floor and in pop culture, More percussion and an extended arrangement are also in this one. |
|
|
• There's A Woman - Glenn Rivera ReStructure Mix - Gino Soccio Gino Soccio is a disco producer, musician and artist with an innovative touch in many of the projects he has performed in. His work includes disco groups Kebekelektrek, Bombers, Gotham Flasher, Witch Queen and his four solo albums. “There’s A Woman” comes from his first titled “Outline” which features an abstract and electronic approach at dance music. Many of his touches are early signs of techno and ambient music where keyboards transform into a hypnotic feel. A modern approach from the earlier movements and experimental pieces from producers like Giorgio Moroder. “There’s A Woman” in its original form is a memorizing track. There are sounds used behind the electronic force that are strange yet intriguing. I have always heard this as a light hippy rock edge sound that is sucked into a disco vortex. It is a sound that Soccio brings in his own creation and this track has all of the elements at its best. I have taken the album version of “There’s A Woman” and focused more on an energy driven ReStructure Mix where the light keyboards are working to the extreme. More of the vocal is exposed and replayed throughout this remix and several new percussion and drum effects are placed to give the hypnotic edge more of a stage. |
|
|
• Fade To Gray - Glenn Rivera ReStructure Mix - Visage Visage is synth-pop project formed in 1978 and also enlightening a new style of music known as “new romantic”. Their 1980 self-titled project contained their mystic-synth hit “Fade To Grey” which gave them a following for the new 80s sound and adaption using elements of the disco era. A flattened arrangement where keyboards and sequencers replaced drums, guitars and percussion. This track plays out with a heavy rolling synthesizer which brings us warmth and reminder of how breaking down elements which were used in the disco perfection of the late 70s heavily influenced new artists as it still does today. I have taken the 12” version of “Fade To Grey” and focused on the underground feel of the song and added a drum track from another project from Midge Ure to give the intro and foundation more pump. The ghostly vocals and eerie keyboards still tell this story and this ReStructure Mix simply adds a new chapter. |
|
|
• The Glamorous Life - Glenn Rivera ReStructure Mix - Sheila E. Sheila E. brought a wall of percussion into her brand of synth-funk. Her album “In The Glamorous Life” released in 1984 was a great entrance for the former Prince band member. “The Glamorous Life” is one of the big dance floor movers of the time and the horn riffs and rhythmic bells, drums and congas make it an infectious move. This was another turning point in dance music in the pop arena. Sheila E. has peaked with Prince and The Revolution entourage with a great energy and dedication. The mid 80s were made for the ever-changing sound of dance music especially as you can feel here. I have taken the 12” vocal and “Part II” of “The Glamorous Life” and reworked a new layout for this event. More of the loops and edit create more of the dub feel and deliver a new stage for this number. |
|
|
• Move Me With Your Love - Glenn Rivera ReStructure Mix - Madleen Kane Madleen Kane is disco purrr-fection! Her first album “Rough Diamond” from 1978 is a marker in dance history. Her blend of sexuality and a very subtle yet effective delivery works as discos engineers had intended. It was Euro-disco in a new package with a beautiful face and amazing sensuality to perform disco music as it was intended. “Move Me With Your Love” is a single from Madleen’s album “Sounds Of Love” from 1980 and produced by Paul and Lana Sebastian and Jean-Claude Friederich. Her third project and during a sensitive time for disco releases Madleen maintained her style, talent and confidence in this recording. The sweet rolling track is alluring and one of my favorites from Ms. Kane. I have taken the album version of “Move Me With Your Love” and pieced and played out a more driven version for this ReStructure Mix. I have left all of Madleen’s fantastic vocal parts intact and poured more energy into the arrangement with some funky breaks. A true disco number is played out in full here not only in the recording but with my experiencing Madleen performing live I have seen the talent play out as beautiful as the woman herself. |
|
|
• Why Me - Glenn Rivera ReStructure Mix - Irene Cara Irene Cara is one of the voices which made the 70s a notable with her closing in the 80s with “Fame” and “What A Feelin’ (Flashdance)”. It was straight to the top with these two tracks for Irene. “Why Me” comes from her 1983 album “What A Feelin’” produced by Giorgio Moroder. This marks the phasing of Moroder’s work into the 80s pop-synth arena where a less futuristic in the conceptual layout. This project is one of the lessors of his and Irene’s numbers yet it does bring the synthesizer blend out in with the entire Munich feel. I have taken the 12” vocal and dub of “Why Me” and reworked a new ReStructure Mix to give the bouncy number a bit more edge using the vibrations and rolling sequencers to play more of an underground groove feel. It does have Irene’s troubles scattered here and there with only a touch of the drama. |
|
|
• Step Into The Love Line - Glenn Rivera ReStructure Mix - Amii Stewart Amii Stewart burst onto dance floors in 1979 with her huge disco hit “Knock On Wood” – a remake of Eddie Floyd’s 1966 hit song. It was like a blast of disco energy and a formation of things to come for discotheques. Her album “Paradise Bird” from the same year contained a formula similar to the beats and powerful electronic drums and sequencers layering overhead. Produced by Barry Leng and along Amii’s sweet falsetto sound this one was once again a disco treat. “Step Into The Love Line” was always a favorite in the segued B-side of this project. It is slick and moody track played out as Amii tells her suitors that love is out of the question following a one night affair. She weights out that will play the lover. A great track that displays her voice in a beautiful way. I have taken the album version of “Step Into The Love Line” and played out a lengthier version with some use of the pounding syn-drums and flowing mystical energy of Barry Leng’s production. This is one of those tracks I could hear for an hour and perhaps want more. A one night affair for this song also that may last forever. |
|
|
• Top Shot - Glenn Rivera ReStructure Mix - Tantra Tantra is an Italian disco project from producers La Drogeuria Di Drugolo and Quelli Del Castello and arranger/conductor Celso Valli. Best known for the transformation of the big disco orchestral arrangement to the new electronic 80s dance era. “Top Shot” is a dark song about success in the music industry and the demise of ones soul after the demands bring on drugs and confusion. Its high end however is the use of this tale in a quirky manner. A great rock-edged guitar paints the picture of a Janis Joplin or Jim Morrison type story. It was one of the releases from the US release album by Tantra titled “The Double Album”. I have taken the album version of “Top Shot” and reworked this eerie sounding dance track adding a familiar clap track from Gino Soccio’s production of Witch Queen. I have lifted more of the rhythmic parts of this piece and give it a new stage. Thanks to Celso Valli’s flawless arrangements this one was always a favorite. |
|
|
• It's Broken - Glenn Rivera ReStructure Mix - Bob Chance Bob Chance recorded his project “It’s Broken” in 1980 with an absolute disco underground feel at the focus of the title track. A lengthy and swirling electronic production which is on the cusp of apartment recordings in an abstract way. Much of his direction follows the likes of the Patrick Cowley’s created in the wake of past Giorgio Moroder electronic masterpieces. The disco underground is a definite place for exploration when you hear the original traveling into many areas and dreamy electronics. I have taken the album version of “It’s Broken” and used more of the rhythmic elements to bring the pale vocal into a new arena. The simple lyrics are now accentuated with some hardcore 80s energy samples and mood. I must thank Jussi Kantonen for bringing this one to my attention as the disco flash with the right amount of underground to make an dance floor "phreek" take note and dance. |
|
|
• Paradise - Glenn Rivera ReStructure Mix - Sade Sade is a band with Sade Adu upfront bringing a fusion of world music to the 80s with an excitement that the jazz and swing era may have created at its time. The British group became a shift in adult contemporary music, jazz and rhythms. “Paradise” is from their third album titled “Stronger Than Pride”. A rolling bass keeps the story of the perfect love between two in sync. The crossover of 80s dance music is heavily influenced by disco music and the sound is here in a new formula. A great number which makes swaying on the dance floor an experience. I have taken the 12” vocal and bonus beats tracks to take this “Paradise” into a new ReStructure Mix. It is more of a dreamy feel with more surprise detours. It is intended to drive this piece into more of an underground arena. |
|
|
• Victim Of Love - Glenn Rivera ReStructure Mix - Elton John Elton John worked with producer Pete Bellotte who is best known for his work with Donna Summer along with Giorgio Moroder – and also disco projects from Melba Moore, Joy Fleming, and his own band Trax. “Victim Of Love” is the title track and electronic disco full on movement here with Elton bringing his 70s-rock flair to the dance floor. This one is somewhat mysterious and moving. The keyboards work well throughout the segued dance cuts in this Bellotte beauty for Mr. John. I have taken the album version of “Victim Of Love” and played it out in a new direction for this ReStructure Mix – not only playing with edits of those fierce keyboards – also adding a touch of classic Elton John to bring back the magic of his talent. An all-time favorite of mine and one of the last great markers of the disco era. |
|
|
• Let's Go All The Way (Down) - Glenn Rivera ReStructure Mix - Brenda and The Tabulations Brenda and The Tabulations are a rhythm and blues vocal group whom began recording in the late 60s with Brenda Payton, Eddie Jackson, Jerry Jones and Maurice Coates. Their 1977 album “I Keep Coming Back For More” features productions from Bobby Eli, John Davis, Ron Tyson and Norman Harris. The project guided the group onto the soulful disco arena. “Let’s Go All The Way (Down)” is a single from the project –produced by Bobby Eli and Gilda C. Woods. This sexy-funk classic is one that proves its creators were watching dance floors carefully. A full on groove with a sensual vocal and approach by Brenda along with Bobby’s magic which later brought us Eli’s Second Coming with the same flavor. A great dance track and a major classic stamp for those who know the in-and-outs of disco’s history. I have taken the 12” version of “Let’s Go All The Way (Down)” and added some new drums to awaken this gem. More pieces of Brenda reaching for the groove are looped and rearranged to bring another hot sweaty night to life. A great moment for those who can never get enough of a good thang. |
|
|
• If All We're Gonna Do Is Dance - Glenn Rivera ReStructure Mix - Hott City! Hott City! Is a disco project from producers Jeffrey Parsons and Jeffrey Steinberg – the project featured vocals from Sherry Fox, Mildred Vaney, Ortheia Barnes and Bluejay. The disco feel here is the last of the sophisticated sound of New York disco. Keyboards, percussion and electronic ambient touches create a mature and dreamy aura. “If All We’re Gonna Do Is Dance” is a classic disco sound from this band and the time – it is the closing of an era of dancing and for the hardcore followers indeed. Vocals are from Sherry Fox here and paint an obvious ultimatum. A great band who later with Mildred and Ortheia and producers became Cut Glass – who gave us the big hit “Without Your Love”. I have taken the album version of “If All We’re Gonna Do Is Dance” and played out a new ReStructure Mix with some new elements to further the mood and use all of those sequencer and drum effects to the hilt. This is a salute to New York disco and those who have made it all the biggest part of the mid and late 70s. |
|
|
• You're A Beat - Glenn Rivera ReStructure Mix - Eastbound Expressway Eastbound Expressway is a disco group created by producers Ian Levine and Fiachra Trench from 1979 featuring the disco orchestration which these two genius minds created for dance floors. The group began as disco chorus on their first album and during the high energy period of the early 80s became a trio for an electronic drum and keyboard edge which many productions were using. “You’re A Beat” is the high energy peak for Eastbound Expressway in the 80s full-on synthetic disco production. It features Jocelyn Phillips and Karen Freeman on vocals and explodes from start to finish. It is a mark for high energy and the Levine and Trench sound which kept many feet and hearts moving in the 80s. I have taken the vocal and dub version of “You’re A Beat” from the 12” single and revamped a ReStructure Mix adding a few new elements to lift the energy again. There is a new arrangement for the new percussion loops to play out through the fading finish. A salute to high energy again! |
|
|
• Who's Zoomin' Who - Glenn Rivera ReStructure Mix - Aretha Franklin Aretha Franklin took the dance floor in the mid-80s with her album “Who’s Zoomin’ Who” – produced by Narada Michael Walden, Dave Stewart and Aretha. The title track is the focus of this ReStructure Mix where the pop-dance world surrenders to the beat and rhythm of hardcore dance music with help from Steve Thompson and Michael Barbiero at the helm. Slick handclaps and pounding street beats make this 12” single a big win along with Aretha’s soulful rendition. I have taken the vocal and dub of the 12” single and worked a new ReStructure Mix to pay tribute to The Queen of Soul and her transition to the 80s dance scene. A bit more effects and transition build this one into a more energy filled mix |
|
|
• I Love Your Beat (Play It Again Sam) - Glenn Rivera ReStructure Mix - Rena Rena Feeney is a disco artist working under the production of Billy Nichols (“Give Your Body Up To The Music”) and the sound of New York Disco of the late 70s. The progression of disco music during the night life explosion of the mid and late 70s was the reshaping of funk and soul. A touch of more of percussion and the lush strings along with some lighter melodies and sensual breath. “I Love Your Beat (Play It Again Sam)” is one of those swinging disco tracks with a horn segment which brings a 40s feel alive. It is one of those sexy disco tracks where breathy vocals make perfect sense. This release from 1980 is one of the finales of the underground disco era. I have taken the 12” vocal and instrumental of “I Love Your Beat (Play It Again Sam)” to create a new ReStructure Mix to bring back that mirror ball trance of the 70s. There is a new intro and arrangement using the sexy feel of Rena’s vocal as the opening and closing of this sexy number. |
|
|
• Lightning Strikes - Glenn Rivera ReStructure Mix - SFX SFX is a band from San Francisco and produced by disco producer Marty Blechman who also brought us work from Sylvester, Patrick Cowley and Modern Rocketry. The sound of San Francisco disco is here with all of the attributes which made a disco renaissance possible in the early 80s. It was obvious dance floors were still on fire. SFX takes Lou Christie’s classic “Lightning Strikes” and revamps it with the swirling synthesizers and bass beats with a light rendition which fits perfectly into the 80s high energy feel. This one was placed behind others from the Megatone label in a time where many were crossing over to a pop-rock edge. It still points to a great period for me and the music which kept the beat alive. I have taken the 12” version of “Lightning Strikes” and reworked a ReStructure Mix using parts of the original by Mr. Lou Christie and also reshaping the synthesizers into a new arrangement. It is a tribute to the birth of high energy out of disco’s ashes. |
|
|
• Make That Move - Glenn Rivera ReStructure Mix - Shalamar Shalamar is Jody Watley, Howard Hewett and Jeffrey Daniel. Their disco hits “Uptown Festival” and “Second Time Around” are classics from the disco era and their 1980 project titled “Three For Love” delivered a new sound for the trio. Produced by Leon Sylvers, III and portrays the sound of 80s funk in a polished manner. “Make That Move” is the single which follows closely to “Second Time Around” as the electronic funk edge pulls the trios lovely voices. Shalamar brings the 80s into a fresh new sound and also maintains the respect that is deserved. I have taken the 12” single of “Make That Move” and edited a ReStructure Mix for a tribute to Shalamar and the 80s funk scene. The guitar elements are reworked in several parts of this new arrangement keeping intact the original groove with just a touch of drop-outs and breaks for a new option. |
|
|
• Walking In The Neon - Glenn Rivera ReStructure Mix - Peter Richard Peter Richard is an Italo-disco artist with one of the 80s most hypnotic and experimental pieces of its time. The project is arranged by Celso Valli who is responsible for many classic Italian dance tracks from Tantra, VISA, Lama and Azoto. This one weaves a sci-fi feel with a deep bass loop which brings to mind the genius of Giorgio Moroder when placed in the electronic dance arena. Percussion is pounding out an ethereal space journey which takes place on the dance floor. A masterpiece from the Italo-disco catalogue. I have taken the 12” version of “Walking In The Neon” and recreated another trip into disco heaven. More percussion is lightly added to the underground feel of this track and of course it is extended to give the followers of such a long lasting high. |
|
|
• Your Good Lovin' - Glenn Rivera ReStructure Mix - France Joli France Joli is the one disco music’s most exciting voices. Her big dance hit “Come To Me” from 1979 gave the closing of the disco era a crescendo. Her 1980 album “Now!” and her third was a turn for France to the sound which her label, Prelude Records was creating for the 80s – New York Funk. The production by Ray Reid and William Anderson (Crown Heights Affair) gave us an opportunity to hear France and her lovely vocals in a funky setting. “Your Good Lovin’” is the second single from the project following “Gonna Get Over You”. It is another great love song which gives us some slick keyboards and funk beats and was produced by Darryl Payne and Eric Matthew (Sharon Redd. Gary’s Gang) and features an arrangement by Giuliano Salerni (Ultimate, Strange Affair, Bonnie Boyer). I have taken the original album version and recreated a ReStructure Mix using the loop edits for a new approach. I have extended it for more of France’s outstanding performance and of course the backing vocals of Fonzi Thornton and Dolette McDonald. A funk fest made in New York and branded the same! |
|
|
• Mother, Look What They've Done To Me - Glenn Rivera ReStructure Mix - Amanda Lear Amanda Lear’s “Sweet Revenge” project from 1978 is a disco-opera of our heroine whose soul is taken by the dark side for the fortune and fame of a Hollywood career. A touch of modern day Faust set to disco beats and rolling synthesizers. The production by Anthony Monn is an innovative twist for the mysterious tale being weaved through songs where Amanda gives a hypnotic performance of lusty, temptation and regret. This one is ahead of its time as it portrays an early morning dance feel with the main tracks, “Follow Me” which is a classic. I have taken the album version from the side one medley of “Sweet Revenge” – where obviously the title exclaims that Amanda has over shadowed the grip of evil in this tale. The original is extended in this ReStructure Mix and contains pieces of those in the lead of the tale and following to complete the fantasy. It is one of the pieces from Amanda which make her aura as tempting as Faust. |
|
|
• Come Back - Glenn Rivera ReStructure Mix - Vivian Vee Vivian Vee is an Italo-disco artist who worked with producers Claudio Simonetti and Giancarlo Meo. Their work in the late 70s and early 80s helped to bring Italo-disco to the forefront and lead the way for the high energy explosion. “Come Back” is the third single from her 1979 album “Give Me A Break” – where the title track dominated the clubs in early 80s. This single a love song begging an estranged lover to return for more love or closure. It is a similar sound as the electronic work which Simonetti and Meo helped to launch in the Italo-disco genre early on. Vivian has a melodic performance again here and although her words at times are not so clear it is still a pleasant experience in her delivery. I have taken the 12” version of “Come Back” and redesigned the flow of the song for this ReStructure Mix. Taking the percussion from breaks and segments of the track to enhance others. This is great piece not only for the breakdown of recreating disco music electronically but also for the thrill of its energy and direction. |
|
|
• Bustin' Loose - Glenn Rivera ReStructure Mix - Chuck Brown and The Soul Searchers Soul Searchers began their recording career in 1972 and expressed the funk in an early description of guitars and horns. Their shift in 1979 as Chuck Brown and The Soul Searchers became one of the biggest moves to disco-funk in the early 80s. Their big hit “Bustin’ Loose” was an early path for funk following the close of pop-disco during the late 70s. This funky excursion into a realm of freedom of moving ones assets to the groove became one of the soul anthems of the time. I have taken the 12” vocal and instrumental of “Bustin’ Loose” and re-vamped a funk-fest using the bass lines which echo into the bongo breaks for more of disco-funk edge. The chorus is still intact as it calls out the first dancers to break out of their molds and get loose. This is a tribute to the funk and its part in dance music history. |
|
|
• Nights Of Arabia - Glenn Rivera ReStructure Mix - Miro Miroe Miro Miroe is a 80s synth-pop duo whom were a shift into a new era of dance music. Berenice Nally and Ian Ritchie create the Arabic feel in “Nights Of Arabia” from 1982 and weave an adventure into a desert romance. This track is their second single and was one of the synth-dance numbers which roll over and over a hypnotic rhythm which interplays with a force that is powerful and move the feet and mind. I have taken the US 12” version of “Nights Of Arabia” and created a ReStructure Mix which plays on the pulsating bass synths and keyboards which interlock and then reverse to a new adventure. It is one of the new wave infused pieces that I recall serving to a packed dance floor so this reworking is a dedication to the 80s synth-pop sound and the power it brought to help introduce high energy music. |
|
|
Nina Schiller is one of the voices of the early 80s from the San Francisco disco resurgence movement whom brought a beauty to dance music. It was producer, Bill Motley who also created Boys Town Gang (“Ain’t No Mountain High Enough”) in the wake of period where a lack of high energy dance music was missing. Not only were the pounding disco drums scarce but the beautiful string and horn arrangements also. Motley created that feel once again with a single from Crystal & The Team in 1981 along with DJs Craig Morley and Mike Lewis. The single “(Won’t You) Dance With Me” was a fast rolling dance number which featured vocalist Nina Schiller on lead vocals. Her delivery was a great move for the number and created an underground audience for this swirling sound. I have taken the original 12” vocal and instrumental versions on Moby Dick Records and weaved a new lengthier ReStructure Mix with a few new touches to make this classic another event. The beautiful and operatic vocal is still intact with Nina’s fabulous delivery. |
|
|
• I Wanna Dance With Somebody (Who Loves Me) - Glenn Rivera ReStructure Mix - Whitney Houston Whitney Houston took the 80s in her hands and heart with many of her ballads and pop-dance tracks. Not long after her first recording with Michael Zager Band on his “Life’s A Party” album did the voice of this chanteuse let the world know of its power. Her second album was another big surprise featuring the pop dance single “I Wanna Dance With Somebody (Who Loves Me)” – produced by Narada Michael Walden. A smash for Whitney and those many fans that were becoming dependent on her music. I have taken the 12” versions of “I Wanna Dance With Somebody (Who Loves Me)” and took the pop-edge deeper into the percussion and beats. The dub was one of the echoing of the house movement where the beats became the foundation for a mix. This ReStructure Mix is a part of the 80s edition to celebrate the period which continued to keep the disco aura alive. |
|
|
• Take A Chance - Glenn Rivera ReStructure Mix - Jackie Moore Jackie Moore is a soul singer who began her recording career in 1973 and later found herself in 1979 with a huge disco hit titled “This Time Baby” written by Leroy M. Bell and Casey James (Bell & James “Livin’ It Up (Friday Night)”. Jackie is well known for her soulful recordings from the early 70s display the heart and soul of this woman where these disco hits give us more. “Take A Stand” is once again an emotional performance from Jackie where love that was once warm is now fighting to stay alive. The follow-up is from “This Time Baby” is appropriate however timing on release prevented it from having the success. Fans of Jackie and great soul divas will make it this one a personal hit. The production, arrangement and reality are from the genius of Bobby Eli (Eli’s Second Coming, MFSB, The Salsoul Orchestra and John Davis and the Monster Orchestra.) I have taken the album version of “Take A Stand” and worked to keep this one alive with the existing emotion and a few new percussion touches and extending the bass guitars licking at the beat and its percussion pattern – which I have added a few extra pieces to. A tribute to the powerful sound of Bobby Eli and Jackie Moore. |
|
|
• And The Beat Hoes On - Glenn Rivera ReStructure Mix - Orbit featuring Carol Hall Orbit is an electronic studio group produced by Don Was, Jack Tann and John Lewis. A beat box tribute to the pop classic “The Beat Goes On” by Sonny and Cher from 1967 is the first single to bring Orbit into the dance floor. This cover features Carol Hall on lead vocals as a successful transition from the original to a slick new electronic feel. Dance floors were surprised by the creative edge used in this track and its echoes brought two more covers of classic pop and rock tracks in the early 80s. This one always worked for me as a dub or peak funk number on any night. I have taken the 12” vocal, dub and acapella to pound out a street wise ReStructure Mix using the Sonny and Cher original to wrap this mix into a complete effort. The beat box syncopation and fabulous vocal from Carol Hall recap this dance floor gem from the early 80s for another banging dance. |
|
|
• Lisa, Lisa - Glenn Rivera ReStructure Mix - Body Heat Body Heat is a disco project from producer Teneen Ali. Their 1982 single “Lisa, Lisa” is one of the high energy pieces on Canadian label J.C. Records (for Jerry Cucuzella) which was an early sign of high energy music be coming of age. This piece has a sensual femme overtone of voices and sexy chorus innuendos. A disco approach with the right formula of rhythm and percussion. I have taken the 12” version of “Lisa, Lisa” and reworked a ReStructure Mix using the fast paced rhythm segments to a new pace. More of the sensual elements are placed in breakdowns and build-ups to energy. One of the big opportunities here are the excitement which high energy and disco music create. |
|
|
• I Wanna Be Your Lover - Glenn Rivera ReStructure Mix - La Bionda La Bionda is Angelo and Carmelo La Bionda – a duo who helped to formulate Italo-disco in the early 70s. Their music has always displayed a dramatic flair or a simple yet effective sound and always fun to move to. La Bionda released their project “I Wanna Be Your Lover” in 1980 with a definite move towards a full electronic sound. The title track is a single in a realm that hits hard with the keyboard elements that operate in a robotic manner. The somewhat space adventure seems to point at the fear of connecting to a lovelorn admirer and comparing it to unknown and fearful territory. A light and more comedic edge. I have taken the 12” version of “I Wanna Be Your Lover” and moved deeper in “the depths of space” with a few new sample from a Kraftwerk classic and using bits of pieces of the song to form a new blast off. Since the theme here is a bit of comedic riffs I took the closing into my own hands. It is a touch of Azul Y Negro on La Bionda. |
|
|
• Restless - Glenn Rivera ReStructure Mix - Starpoint Starpoint is a funk and r & b group founded in 1978 and recording through the early 90s. The brand of electronic dance funk is remedied by bands like Starpoint in the 80s and its shift to a soulful and pop diverse demand. Their 1985 release “Restless” is a slick love song which plays out like the lasting romance of the bands energy and excitement. Lead vocals by Renee Diggs are top form here and reach the success that they deserve backing up this band. I have taken the 12” vocal and instrumental version to recreate a ReStructure Mix with the electro funk pumping in new segmentations. This version plays out in a lengthier mix and more play with the theme of sleepless nights wondering what the next move for romance shall be. This ReStructure Mix is dedicated to Michael Cigich – thank you for requesting this great number and more thanks for always being a wonderful friend. |
|
|
• Love Potion - Glenn Rivera ReStructure Mix - Sister Power Sister Power is a disco group created by producer Paul Sabu who gave us iconic dance tracks from Debbie Jacobs, Ann Margret and his own solo releases from 1979 through 2012. His work has been the peak of disco music in the late 70s as he accentuates on the soaring strings, funky guitars and heavy percussion. It is sheer heaven for disco connesseuers and the proof is in the sound itself. Lead vocals on Sister Power are provided by Gwen Jonae who wears this project out. Her powerful dedication and soulful edge are an experience that lasts with time. “Love Potion” is another release from the album which I always made a spot for during peak hours of hardcore dancing. It is one of those disco tracks that play out like an explosive groove that will not stop raging. Another classic for Paul Sabu and Sister Power. I have taken the album version of “Love Potion” and gave tribute to Mr. Sabu in this ReStructure Mix which takes those wild guitar riffs and translates them into another ride. The vocal is another spotlight moment so I have arranged many breakdowns and builds with the best of the experience. |
|
|
• Blue Savannah - Glenn Rivera ReStructure Mix - Erasure Erasure is Vince Clarke and Andy Bell – a synth-pop band formed in 1985. Their music brought the mid and late 80s a string of dance floor hits and unforgettable performances. “Blue Savannah” comes from their 1989 album “Wild” – produced by Gareth Jones, Mark Saunders and Erasure. This piece is a beautiful rolling dance track that became one of my favorites since it plays out melodically as well as racing with energy. It was an instant hit with fans and remains one of their memorable moments. I have taken the original 12” version – both vocal and dub and repaved a new trip to this emotional and heartwarming place. This ReStructure Mix is a play on the keyboard riffs and the main tie line from the song. A heroine who we all know makes a brief cameo to remind us again as Erasure does, there is that place called home where we are given and give the most. |
|
|
• Africa - Glenn Rivera ReStructure Mix - Key Of Dreams Key Of Dreams is Italian vocalist Maurizio Vandelli. His cover of Toto’s 1982 song “Africa” which was written by David Paich and Jeff Pocaro. The idea of the song based on the continent itself and the love for its aura. Key Of Dreams takes the song and plays it close to the original where new drums and percussion are added in heavy layered segments. This Italo-disco production is more of a tribute and along with the similar vocals by Maurizio. I have taken the 12” from Zanza Records to rework a new version for a ReStructure Mix and focused on the drums and the keyboard riffs that build into the chorus. I have used more pieces of the percussion and a few riffs to build this one into a new adventure. |
|
|
• I Still Love You (Je Ne Sais Pas Pourquoi) - Glenn Rivera ReStructure Mix - Kylie Minogue Kylie Minogue is a sensational pop-dance artist from Australia who made 1988 another landmark periods for dance music. Her productions were mastered by the trio Stock, Aitken and Waterman who were taking dance floors by lead with their innovative use of bass sequencer patterns and the soaring strings ala-disco arrangements. Rick Astley being their big win in their corner of this success. Kylie has become one of the top pop-artists of today and looking back it is no wonder. “I Still Love You (Je Ne Sais Pas Pourquoi)” is a single from her first album from 1988 – it is a beautiful love song that was a favorite among many dancers of the time as it brings out the sweetness of a questionable affair. The meaning on the French tern (“I don’t know why”) is an emotional tug of war in this piece. It most likely is one of the favs for any Kylie fan. I have taken the 12” versions including pieces of “The Revolutionary Mix” house bass line and cut the two phases in "I Still Love You (Je Ne Sais Pas Pourquoi)” into separate pieces of this ReStructure Mix. Using the percussion and bass synths to weave a whole new delivery. It plays out with a classic element from Love Unlimited’s classic “Walking In The Rain” in a whole bringing another tug at the heart. |
|
|
• Light Up My Heart - Glenn Rivera ReStructure Mix - Angie St. Phillip Angie St. Phillip is an Italo-disco artist who worked with Theo Spagna on backup vocals for several projects including Fun Fun and Hold Cold. Her 2 singles “Light Up My Heart” and “Physical” were produced by Theo and Ivanna Spagna and is in the tradition of Ivanna’s own Fun Fun sound. This uplifting and embracing edge brought the high energy sound to the forefront in the mid-80s. “Light Up My Life” was released in 1985 and gave the dance floor another return to “Colour My Love” and “Happy Station”. Angie has a soft and gentle vocal and brings each chorus to a sweet serenade. I have taken the 12” vocal and dub to recreate a ReStructure Mix paying tribute to Italo-disco and this melodic style of disco which always makes a heart warm. There is a new arrangement which more breakdowns and some play edits with the synthesizer tracks. Allot of great 80s memories are bound to be awaken. |
|
|
• If I Do It To You - Glenn Rivera ReStructure Mix - Claudja Barry Claudja Barry is the flame of the disco – she has set many nights into hot dance sessions with many of her classic dance tracks. Her unique voice and delivery were always the lure for me. A touch of operatic and falsetto with a sexy lure. Her first album from 1976 titled “Sweet Dynamite” was a tug on the disco scene at the time. This released a new diva to feel the dance floors sexy lure and the power of a woman behind the microphone. “If I Do It To You” is a 12” single release from 1982 and is produced by Jurgen Korduletsch and in the alluring feel that Claudja delivers so well. This transition period brought the funk and synth-pop style into a new light and this single is a funk number with a lower BPM which happened in the early 80s. A great early evening song or those wet early morning revitalization moments. I have taken the 12” of “If I Do It To You” and worked in a new ReStructure Mix to bring this one back to drum punching experiencing. Drums from a recent pop hip-hop hit pound out the message again and Claudja oversees our mood once again. This one may be “too sexy” to handle. Work it! |
|
|
• It's A Holiday - Glenn Rivera ReStructure Mix - Material with Nona Hendryx Material is a 80s studio band used for sessions with Herbie Hancock, Afrika Bambaataa and Nona Hendryx. Formed in 1978 and covering variations of punk, jazz and experimental funk. Along with Nona Hendryx in the early 80s the band placed some great music on dance floors including “Bustin’ Out” and “It’s A Holiday” which give us the Nona Hendryx in full form and so welcomed again for the time. “It’s A Holiday” has always been a favorite of mine and has the feel of noise funk which Material delivers so well. Nona adds the mystique and uplifting soul emphasis in the song and makes it very memorable. I have taken the 12” version of “It’s A Holiday” and included it in the 80s Edition for this new ReStructure Mix which plays out not only lengthier but also uses those conga drums to lay down the excitement. This is a definite outbreak of party noise for those early morning revivals and reminds me of a night that never ends. |
|
|
• What's On Your Mind - Glenn Rivera ReStructure Mix - Nite Life Nite Life is a Canadian disco project from 1978 produced by Tony Green (France Joli, Freddie James, U.N., Norma Lewis, Caroline Bernier). This early band sound is accompanied by Johnny Dorazio, Louis Todeda and Tony Bentivegna – who went on to form Nightlife Unlimited in 1979. “What’s On Your Mind” is a teasing early evening track that shifts attention on stares from across the club and an enticing invitation. Laid out as a live band feel and gentle on beats and percussion – it is light and airy. One of the sounds of disco in the early years which became a formula for pop disco. I have taken the 7 inch version of “What’s On Your Mind” and pumped up the rhythm with percussion from a later Nightlife Unlimited classic. The vocal is a nice and gentle touch with a few chorus girls bringing the dream back down to reality. This disco rare pick is one that always looked to as a touch of disco magic. |
|
|
• Midas Touch - Glenn Rivera ReStructure Mix - Midnight Star Midnight Star is an r&b and funk band created in the early 80s by The Calloway Brothers (Reggie and Vincent Calloway). Their brand of dance music was the deep driving electronic feel of 80s funk. Many of their tracks dominated the changing style of dance music including the new page of funk which they branded. “Midas Touch” comes from their 1986 album “Headlines” which is to date one of their most electric love-sonic pieces. It is a smooth piece of their soul given in a clever take on the old fable in love sonnets. A big hit for me and a sure old-school classic as it is today. I have taken the 12” vocal, instrumental and vocal dub to re-touch this funk masterpiece with a ReStructure Mix. Giving it a new intro and flow with the verses breaking into parts only to expose more grooves. It is a salute to the ever changing dance sound of the 80s and a band that helped to make it happen. |
|
|
• Moonlight - Glenn Rivera ReStructure Mix - Harlow Harlow is a Canadian high energy ensemble featuring Johanna VanDerkley (also known for her lead vocal on Crystal In The Pink’s “Back To You” and Boiling Point’s “Starstruck Lover”), Joanne Perica and Linda Hanchar. This production from 1980 is a return to the disco sound of the late 70s also outlines the title track “Take Off” which is a high energy salutes to points of travel with disco alongside. A familiar theme that Voyage gave us in the late seventies. The female ensemble is also a return to the disco chorus girl feel where the energy is lifted and then brought to a sexy serenade. “Moonlight” is a track from the album which plays out as the band `wondering again without a care and justifying the musician’s carefree life in the disco realm. It is a nice number that salutes as aspects of disco music. The album was produced by Alex Alexander, Bertch Alyanak and Mike Alyanak. I have taken the album version of “Moonlight” and extended the excitement enhancing the disco groove and lovely vocals with pieces and parts of the original. There are two breakdowns for the anthem feel of this song. The violin parts are placed here again to give the disco edge a landing. |
|
|
• Rock Your Baby - Glenn Rivera ReStructure Mix - George McCrae George McCrae has the song from 1974 which changed soul and dance music from this moment on. The feel of Marvin Gaye and the new sound of Miami disco with H.W. Casey (K.C. and The Sunshine Band) and Richard Finch leading the production. The funkiest guitar licks have started here and kept K.C. and The Sunshine Band alive throughout the 70s. “Rock Your Baby” is a classic not only because it is unique for its time – but also it is haunting as well as rhythmic. A disco gem and a marker in music history. I have taken the album version of “Rock Your Baby” and applied the ReStructure Mix formula to this number to give it more of that hip moving action as well much play on George’s outstanding and memorable performance. It is a bit lengthier outlines the groove in a new direction. |
|
|
• Time After Time - Glenn Rivera ReStructure Mix - Paul Parker Paul Parker is a talent who emerged during a disco revival in the early 80s in San Francisco. With artists like Sylvester who brought the city to the disco world map around the world even during a time when disco music slowly lessoned in the market place and became an underground art once again. Paul worked closely with producer and artist Patrick Cowley during the late 70s and early 80s during the electronic high energy movement when dance music was overhauled and repackaged for a new period. “Time After Time” is a cover of Cyndi Lauper’s 1983 ballad with a high energy focus. Produced by high energy producer Ian Anthony Stephens who made the 80s high energy movement works with many of his productions by Marsha Raven, The Flirtations and Hazell Dean. This cover was a nice touch for dance floors to remember disco/dance history of years prior. I have taken the 12” vocal and instrumental to recreate a fantasy-form of ReStructure Mix with Paul’s wonder vocal and Ian’s simple yet effective production. It is laid out with looping and more vocals from the original. Grab a fan and stand on the sidelines and you may understand how high energy became beautiful and energetic. |
|
|
• Daddy Cool - Glenn Rivera ReStructure Mix - Boney M. Boney M. is Maizie Williams, Marcia Barrett, Liz Mitchell and Bobby Farrell – a studio project from producer Frank Farian. This ensemble brought dance floors a disco formula that would mark several periods in music history. “Daddy Cool” is from their first album in 1976 titled “Take The Heat Off Me” and echoes with a bass riff which gave the beat a best friend. This early powerhouse disco hit is a classic today and reminds us of how playful and funky the dance floor once was. I have taken the 12” extended version and re-worked a ReStructure Mix which plays out with more added breaks and a couple of samples which blend in with the energy rolling in this number. A favorite from Boney M. of many disco connoisseurs and by all means another opportunity to feel that disco spark again. |
|
|
• Life In Tokyo - Glenn Rivera ReStructure Mix - Japan Japan is an art rock band from the late-70s bringing a touch of glam to their music and unique. In 1979 the band was paired with disco producer Giorgio Moroder for a single titled “Life In Tokyo” which is one of the pieces that followers of Moroder’s work will find a detour in theme and vocals yet close to the computer age sound of disco which he brought to life. Deeply moody and slightly uplifting this piece has always been one of genius as touches of the disco electronic pulses bring a new sound to new life. I have taken the 12” single version of “Life In Tokyo” and used the synths and some familiar parts of Moroder’s “E=Mc2” album into this ReStructure Mix. More of the soft jittery synthesizers are transformed into long breaks for a long adventure into this glam-disco number. |
|
|
• Burnin' With Fire - Glenn Rivera ReStructure Mix - Tapps Tapps is a high energy group started by club DJ, Allan Coleho – using his experience to help create a new style of dance music for the 80s and continuing the disco feel. “My Forbidden Lover” from 1983 is their first single that along with songs like “Your Love” by Lime helped to pave a new road for clubs who desired more of the rolling disco bass and more percussion than ever. “Burnin’ With Fire” is their second 12” release from the same year and features Candy Berthiaume on lead vocals. Her voice creates the same mode as Barbara Doust on their first single but more of a haunting refrain. It plays out with a sparkling energy that is fast and furious and has always been one of the high energy babies that I always admired from this band. I have taken the 12” version of “Burnin’ With Fire” and remapped the sensation with more of the original pumping energy assisted with a sample from a rock classic by AC/DC to give the underground feel a layer more. The arrangement is a bit more spread out and gives more time to get lost in the arpeggios which flow like a “hurricane”. |
|
|
• Stay With Me Tonight - Glenn Rivera ReStructure Mix - Jeffrey Obsborne Jeffrey Osborne has a distinct sound that helped to make the 1977 disco song “(Every Time I Turn Around) Back In Love Again” an instant discotheque favorite. The growing funk situation in the mid-70s was merging with a freedom that only disco could guide. He sang with the band L.T.D. until 1980 and then emerged as a solo male artist and it did not take long for his talent to pave a new future. “Baby Stay With Me Tonight” is from his 1983 project by the same title. Produced by Cheryl R. Brown and George Duke. This 80s synth pop number has that charm which Jeffrey brings to many recordings. His smooth and soulful delivery works emotions each time. The song was in the fore front of another big dance period starting to catch dance floors on fire again. I have taken the 12” vocal and dub version to give “Stay With Me Tonight” a ReStructure Mix – using some riffs both surface and hidden to lay down a new playful theme. There are some great parts to this 80s dance gem and always made me feel the energy immediately long before I saw the crowded dance floor. |
|
|
• Ladies Night - Glenn Rivera ReStructure Mix - Kool and The Gang Kool and The Gang are the funk behind the disco groove. Their big hit from 1976 “Open Sesame” transformed their blaring horns and wah-wah guitars into the dance floors movement from 70s soul and funk into disco with more reasons to be on the dance floor. The band has always focused on providing an upbeat rhythmic and percussive movement in its formula throughout the funk years and the disco wave is accented by the masterful touches of jazz and funk of producer Eumir Deodato. A whole new life and groove was opened for Kool and The Gang – beginning with “Ladies Night”. A big disco funk record which was released and stamped with old school classic. The vocal layering is spread evenly and for slickness. A nice peak for funk during the disco boom. I have taken the album version of “Ladies Night” and placed it on the ReStructure Mix work bench to give this party a new door to enter. This time around the party is on with more percussion and heavy heels stomping with excitement. Thanks to Donato’s keyboards there is always that breakdown where a simple riff is like gold. This one is homage to that sound that made dance floors feel like together we move – divided, the parties over. |
|
|
• Just Can't Get Enough - Glenn Rivera ReStructure Mix - Depeche Mode Depeche Mode is an electronic band from 1980 which took on a whole sound and meaning as a rare to be expected from such a band. Depeche Mode created a moody and sometimes dreary social outline which feel under the nu-wave (prior punk without electronics) could become celebrated tracks. “Just Can’t Get Enough” is one of their finest with the keyboard sounds of Vince Clarke echoing up and down and throughout this simple love song. From a period where dance music was in search of new direction this formula was igniting excitement which continued throughout the 80s, 90s, and onto the millennium. I have taken the alum version of “Just Can’t Get Enough” and rewired the circuits for this ReStructure Mix for another shot at this racing heart full of emotion. The keyboards are unmistakable as always however I attempted to make a few new marks with them in various locations to give the classic another feel with that disco confetti feeling. |
|
|
• Rub-A-Dub - Glenn Rivera ReStructure Mix - Passport Passport is a jazz ensemble by Klaus Doldinger in 1971. The group uses a jazz fusion along with pop elements to plant a venture into a sometime rock-edged feel. Their 1980 album “Oceanliner” featured a single titled “Rub-A-Dub” which caught my attention with its energetic kick track and playful riffs that blend out of their unique style. This one always used during tea dances at the right time had the dance floor jumping in the air. It was a nice piece that never did any dance charting but is nice to hear as an underground choice and now remix. I have taken the original 12” version and reworked this piece into an extended ReStructure Mix which strips away much of the instrumentation to make way for the foundation of electronic and percussive effects which rock out in a jazz sense as well as give this a nice instrumental for those all-nighters who want to be awaken again when the sun comes up again. |
|
|
• Let's Hear It For The Boy - Glenn Rivera ReStructure Mix - Deniece Williams I have taken the 12” vocal and instrumental and used pieces and parts to recreate this anthem into a ReStructure Mix. The original John “Jellybean” Benitez trip is classic enough so this remix is an homage to his genius and another time to get lost in this uplifting number. |
|
|
• Roller Skatin' Mate - Glenn Rivera ReStructure Mix - Peaches and Herb Peaches and Herb are duo who began recording in 1967 and in 1978 had one of the big disco hits of the year with “Shake Your Groove Thing” – produced by Freddie Perren. The album “2 Hot!” also contained one of that years’ biggest ballads, “Reunited” which is still an old school favorite. Their follow up album titled “Twice The Fire” in 1979 followed a similar edge in dance tracks as “Roller Skatin’ Mate” was a dead ringer – melody wise for “Shake Your Groove Thing” – however the identity crisis is was great to hear from this duo again and play their upbeat dancing thang. The New York disco roller skatin’ trend which continued to keep disco music in the limelight is the focus here along with Perren’s production. I have taken the 12” version of “Roller Skatin’ Mate” and played with the percussion break and reworked a new ReStructure Mix dividing up the verses and choruses into a new celebratory moment. It is one of the tracks from disco music’s biggest duos so keeping them here is what was rolling by. |
|
|
• You Are In My System - Glenn Rivera ReStructure Mix - Robert Palmer Robert Palmer is an artist and performer who delivered a unique brand of pop-rock to music history. Tracks like “Johnny and Mary” and “Addicted To Love” are the pieces that will always bring his masterful sound to mind and his movement throughout the end of his career till his death in 2003. “You Are In My System” is one of the surprises of Palmer’s career from 1983 – where the original by a band titled The System recorded it originally a year prior yet Palmer made it his own. This was a turn to electronic funk in the 80s for this talented man. His version of “You Are In My System” is haunting and one of the street kicking beat tracks of the period. A classic in his vocal career and also one of the most memorable times in dance music. I have taken the 12” version of “You Are In My System” and recreated a reprogrammed and edited ReStructure Mix which plays with the original concept. I have stripped down some of the effects which give the song its computerized vibe and added some new beat tracks to separate and give the new version a twist. |
|
|
• Bad Luck - Glenn Rivera ReStructure Mix - Harold Melvin and The Blue Notes I have taken the album version of “Bad Luck” and re-edited and reworked parts of the classic for a ReStructure Mix with all of the looping and fast-phasing to make this one a whole new play. It uses the piano riffs which soon became the house music of the 80s to pull move rhythm and moves from this dance event. |
|
|
• Sky Diver - Glenn Rivera ReStructure Mix - Ben Richardson Ben Richardson is an Italo-disco project from producers Drogueria Di Druggio and Quelli Del Castello – who also brought us Tantra (“Hills Of Kat Mandu”) and Martina (“Central Park”) in 1979 and the early 80s. “Sky Diver” is the single which was also released under the name of Neon as the band in 1981. This nice rolling number has several qualities which make it palatable for those who love hardcore Italo-disco or the sound that is now classic disco from the band Tantra. The percussion and guitars are very similar as well as the rolling sequencers which accentuate this little gem. The vocal has a 70s pop sound yet flows very well with the soaring Italo-disco arrangement. One of those pieces that always satisfies and thanks to Di Druggio and Del Castello you know you are in good hands. I have taken the original 12” versions of both vocal and instrumental and recreated this adventurous love song in a new ReStructure Mix. A small sample of Tantra’s classic is placed to remind you of that rolling story telling in disco beats that tracks like these create. The levels percussion, bass and keyboards break down into a smooth segue for a beautiful adventure. It is Italo-disco at its finest. |
|
|
• Jump To The Beat - Glenn Rivera ReStructure Mix - Stacy Lattisaw I have taken the album version of “Jump To The Beat” and created a ReStructure Mix which is a continuum of the party. A few areas are touched up with samples from a classic by House of Pain – in the same theme but different time. This one was requested by my brother in-law Vidal Sisneros and it is dedicated to him. |
|
|
• (Keep Feeling) Fascination - Glenn Rivera ReStructure Mix - Human League Human League was there when a new take on synthesized music was desired. Their interpretation of dance music helped to create a synth-pop frenzy on dance floors with their blend of a light new wave edge and a mid-range disco beat. It was an exciting time to get lost in the wizardry of weaving keyboards and sequencers again as Giorgio Moroder created in the disco era. “(Keep Feeling) Fascination” is from their 1983 project titled “Fascination” which featured again their style infused with a new edge of soulful vocals. Philip Oakey takes this track to the level of genuine classic when his voice plays with this outline of making love exciting once again. A huge hit with both radio and club as I remember holding this one for that special moment in my program when the floor needed to be splashed with more energy during a meltdown. I have taken the album version of “(Keep Feeling) Fascination” and recreated a maze of the sharp keyboard riffs and bass guitar licks. This ReStructure Mix gives the song a longer play and more of that dub-like edge where even the slightest ‘click’ can sound like a rolling drum. |
|
|
• You're Like - Glenn Rivera ReStructure Mix - Afro-Cuban Band I have taken the short 3:44 track and moved to create not only a lengthier mix but also a more percussion driven love song. I have used the riffs which always stood out to my ear and also worked them in a new way. The original Zager production is a lovely on to have worked with. |
|
|
I have taken the album version of “Lovin’ You Is A Pleasure” and created a ReStructure Mix for a trip back down funk lane. This edit uses more of the bongos and percussion to their limit and extends the track for a more satisfying experience. |
|
|
• Rapture - Glenn Rivera ReStructure Mix - Blondie Blondie is a band from the early 70s who took over in 1979 with their album “Parallel Lines” which featured their first disco single “Heart Of Glass”. “Rapture” is from their 1980 album “AutoAmerican” produced by Mike Chapman. This classic features a rap which is one of the first to hit airwaves from a female and in a pop track. The dreamy song is a lure for Deborah Harry’s sensual vocals and also a persona of street sense. The crossover pop tracks from Blondie always relayed the edge which the band created and works very well again in “Rapture” I have taken the 12” remix of “Rapture” and re-funked and ReStructured a more rap based version with a surprise from the Sugarhill rap ensemble The Sequence. It is a mild rap attack and flows with the nice flow of bells and guitars. Special thanks to YouTube user ‘User B’ for requesting a Restructure Mix of this great dance tune. |
|
|
• Get Down On It - Glenn Rivera ReStructure Mix - Kool and The Gang Kool and The Gang began as a jazz ensemble and then becoming a funk band when their recording career began in 1970. Known for the hardcore funk of the early 70s with sings like “Hollywood Swinging” and “Jungle Boogie” which were each statement and are now classics. The transition of funk to a disco appeal was no problem with this group which took their music to a pop-dance status during the early 80s.”Get Down On It” is a formula which follows their work with legendary artist and producer Emuir Deodato who took the disco beat and worked a new brand of funk. This one is now a standard among radio and dance music enthusiast. I have taken the 12” remix version of “Get Down On It” and directed the groove at a more dub-like and underground feel using segment and new beats in this ReStructure Mix. The transformation is completed with use of the stomping groove which Deodato works out like the disco formula keeping the funk alive. |
|
|
• Body Language - Glenn Rivera ReStructure Mix - Joel Diamond Experience Joel Diamond Experience is a project from the man himself who helped to bring the sophisticated production to the dance floor. There is a fine resonance of American Music history in his music along with the non-stop party feel of disco. “Body Language” is from his 1979 project Joel Diamond Experience, which is the finale of full flavored disco magic in the US. This track features the mighty Jocelyn Brown (credited as Jocelyn Shaw) on lead vocals and the performance brings this disco number to a powerful level. It is a hidden gem on the album where I always dreamed of a nice 12” version to frame Jocelyn and Joel’s genius. I have taken the album version of “Body Language” and moved the arrangement into several breakdowns along with new percussion. It is a ReStructure Mix to pay homage to the last breaths of the disco market placing some memorable and exciting pieces to remember the great rein of disco music in its place. |
|
|
• Trans Europa Express - Glenn Rivera ReStructure Mix - Kraftwek Kraftwerk is an electronic machine making sounds and rhythm work together in a new genre of both composition and influence. Their sounds have moved throughout the early 70s and to current as an outline for synthesizers and experimental modes. “Trans Europa Express” is from the album by the same titled released in 1977. It is obvious that the approach was not only a challenge for a new audience for the time but also an obvious reflection of music to come. I have taken the album version of “Trans Europa Express” and re-electrified a ReStructure Mix to pay tribute to Kraftwerk and their genius. A movement in music and the dance genre which continues to reflect itself in dance history and current trends. |
|
|
• When The Rain Begins To Fall - Glenn Rivera ReStructure Mix - Jermaine Jackson and Pia Zadora The 80s were a time of pop anthems in both rock and dance music. One of the most dramatic of which was formed with Jermaine Jackson and celebrity singer Pia Zadora – “When The Rain Begins To Fall” – produced by Jack White who also gave us Laura Branigan’s “Gloria”. This one is a video number that is played out like an adventure in a desert land where two lovers are destined to overcome all obstacles to be together. With Jermaine’s yearning and Pia’s sultry delivery this one powers more drama with a thumping electronic soundtrack. It is the 80s dance scene on fire. I have taken the 12” remix version and reapplied this play into a ReStructure Mix with more high energy riffs and segments to play out with more exaggerated emotion. Thunder claps and rolling sequencers make this remix a stage powerhouse. The duet has not lost its stars – Pia and Jermaine are clinging to each other throughout this number still. |
|
|
• Sentimental Lover - Glenn Rivera ReStructure Mix - Milou Milou (Michaela Schultz) is a German singer who released several synth-pop dance single from the late 80s and early 90s. This pulsating style of German pop was labeled “Asian New Wave” in the late 80s. The heavy bass synthesizers and melodic vocals were a factor in these tracks and many artists like Milou helped to keep the dance beat pounding throughout this period. “Sentimental Lover” is from 1987 and is a dreamy love song that flows in beautiful way. This one always fit into an afterhours set or early morning program. I have taken the 12” German release using the vocal and pieces of the instrumental to layer the effective riffs into a new arrangement for this ReStructure Mix. It will fit into the Italo-disco feel of the time also – however I have always identified the deeper bass and heavy beats as its own genre much like Modern Talking. |
|
|
• Bon Bon Vie - Glenn Rivera ReStructure Mix - T.S. Monk T.S. Monk is funk band lead by Thelonius Sphere Monk, III and released their first project titled “House Of Music” in 1980. The project was produced by the legendary Sandy Linzer who also gave us Dr. Buzzard’s Original Savannah Band, Odyssey, Cory Daye and Teresa. “Bon Bon Vie” is a single from the album that is slick and plays out as one of the remnants of the funk and disco era of the late 70s. A big band sound is injected as a level of nuance from Linzer’s production. This one is the early 80s again in transition and fills that funky space which took dance floors into another chapter of dance music. I have taken the album version of “Bon Bon Vie” and recreated a funkier ReStructure Mix with more of the breaks and riff discoveries that make this one so irresistible. An homage to that early 80s period and finding the funk all over again in a new way. |
|
|
• Caught In The Act - Glenn Rivera ReStructure Mix - Earlene Bentley Earlene Bentley brought the dance floor to its knees in 1983 with her high energy hit “The Boys Come To Town” which was produced by the iconic team of Ian Levine and Fiachra Trench. This was the big period where disco music was being reborn again in a new genre called high energy. Lots of percussion and heavy beats were the formula and not a shy use of the disco elements that made dance floors feel free. The productions were electronic but not less symphonic. The voices used in this new formula were powerful divas with a roaring edge to their delivery. Earlene Bentley always took hold of the energy and made it her own and it is no exception here in “Caught In The Act” from 1984 when she finds her lover in an expose. I have taken the vocal and dub from the Record Shack 12” and discovered a new situation for “Caught In The Act”. Many of the keyboard hooks are the high energy pieces we all grew to love and move to. Here they are spaced apart and used sparingly to lay down a whole new piece for high energy fans. |
|
|
• Remone - Glenn Rivera ReStructure Mix - Kocky Kocky is B.J. Watkins, Eddie Watkins Jr., Greg Moore and Gregg Field. Their album “Post No Bills” from 1979 is reminiscent of the disco band Machine in where the title track is a focus on the social injustice laid upon those less fortunate. Horns are provided by Arthur G. Wright on this project. “Remone” is the dance single that was also released as a 12” single and was quite popular at the end of the disco era with deejay and clubs working to keep the disco sound alive during a period where many releases saturated the market. The song has a percussion track which helps motivate the energy and a great vocal by B.J.. I have taken the 12” single and worked this ReStructure Mix to pull more out of the fantastic arrangement which includes disco strings. I added a few more spots for a breakdown and build of the energy. |
|
|
• Quick Slick - Glenn Rivera ReStructure Mix - Syreeta Syreeta is a Motown Records artist from the early 70s with one of the most beautiful voices in adult contemporary and soul. Her ballads have always painted wonderful pictures of love and promise and into the early 80s her venture into a pop-funk with producer Hal Davis. “Quick Slick” is a single from her 1981 album “Set My Love In Motion” which reached radio stations and dance floors with Syreeta’s sexy lure. The track describes a male figure that uses his charm and manly attributes to keep her always waiting for more. The song has always been a favorite of mine due to its sexy underground feel and the deep funky keyboards playing out the rhythm. It is a nice reminder of the electronic funk takeover of the early 80s following the big disco production takedown of the late 70s. I have taken the 12” version of “Quick Slick” and aimed at the street-edit feel in this ReStructure Mix. A play with the keyboards introduces the mode for Syreeta’s playful vocals and works in and out of the original to give a new breath of funk-edits to life. It is another opportunity to feel that funky 80s period where “slick” was in – especially here. |
|
|
• Eyes Without A Face - Glenn Rivera ReStructure Mix - Alan Jones Alan Jones is an Italo-disco singer and producer who covers Billy Idol’s “Eyes Without A Face” in 1990. During the late 80s Italo-disco was also growing in many directions and one was taking pop and rock songs and conforming them into a street beat synth arrangement with the swing samples of the dance period. This cover always caught my attention since the original has a haunting early morning quality and the Italo mix here captures it in a new way with the percolating synthesizers upfront and heavy beats. The vocal works well with the new arrangement and gives this dance cover more likeness. I have taken the import 12” vocal, instrumental and dub versions to work a new ReStructure Mix which plays out more like an early morning mix supplement. It is geared more as a dub with extracts from the original to create an eerie and funky edge. One of the genres of dance music closest to my heart, this ReStructure is a salute to the 80s pop-rock dance era and the underground club sound which reverberates at 3 am. |
|
|
• Somebody To Love - Glenn Rivera ReStructure Mix - Cafe Society Café Society is a South African band whose 1984 high energy hit on Passion Records is a cover of Jefferson Airplane’s “Somebody To Love” from 1967. This psychedelic rock classic is transformed into a robotic high energy stomper thanks to the production by Costa Anadiotis. This one is an underground classic and a number from a high energy set from the mid-80s that is hard to forget. Café Society recorded one album for the high energy stage and this number stands out as the electronic pulse of high energy music. I have taken the 12” of “Somebody To Love” by Café Society and the original from Jefferson Starship along with Grace Slick and transformed this ReStructure Mix into a salute to high energy and the original rock version. There are more breaks and some synth looping that not only extend the original 12’ but also pump it up to another level. |
|
|
• I Need You Tonight - Glenn Rivera ReStructure Mix - INXS INXS is an Australian rock band that took the rock-funk title with their 1987 single “I Need You Tonight/Mediate” from the album “Kick”. It was 1980 when Queen’s “Another One Bites The Dust” took the stage with their rock and disco-funk arrangement and hardcore reputation for bringing an anthem to life in their own way. “I Need You Tonight/Mediate” was a big track for dance floors during its release and always brings to mind the bridge between rock and dance music which evolved again in the 80s. This number is a success with Michael Hutchence and his breathy and sexy vocal. I have taken the 12” version on “I Need You Tonight/Mediate” and gave the segments of the track that echo the sexual energy and reworked this ReStructure Mix. Taking “Mediate” to the intro gives this rework a full underground overhaul. The fade uses the piece again to close the mystical swooning of messages from the lyrics making their new places. |
|
|
• Put Your Pants On - Glenn Rivera ReStructure Mix - Slick Slick is a disco project from 1979, the peak of disco music production – and features studio musicians who also formed Fat Larry’s Band, singer Brandi Wells and The Sweethearts of Sigma in the chorus ensemble. The production from Butch Ingram is familiar with his studio group Philly Cream whose single “Motown Review” received radio and club success in 1979 also. “Put Your Pants On” is a track from the Slick album and was also featured on the B-side to their big hit “Space Bass” – which became an underground club hit and maintained its disc jockey status throughout the early 80s. It is a play on a sexy situation and uses a parody of sounds to play out its almost vaudevillian humor. It is an infectious rhythm however and one that I always found creative and fun from this project. I have taken the album version (also 12”) of “Put Your Pants On” and purposely directed a ReStructure Mix at playing with the tinkling cowbells and funky backing guitar riffs. It is not only extended, but also some added punch gives this track another life. |
|
|
• Time - Glenn Rivera ReStructure Mix - Stone Stone is a funk-disco project released on West End Records in 1981. The project was produced by Auvil Gilchrist and mixed by Tee Scott. A sound that was familiar with Randy Mueller’s work with Skyy this kickin’ track captures the dreamy feel of a deep garage sound. The emphasis on the theme pulls into the song in a creative edge throughout this dance number. It has always stood out as a New York funk track and became a part of the Prelude Records take over in the early 80s. It is easy to understand why once you get into the feel of this track. I have taken the 12” vocal and instrumental to piece this ReStructure Mix into a whole new experience. The “tic toc” effect keeps time once again with a few new breaks and areas where the vocals help again to bring it new life. |
|
|
• High Flying, Adored - Glenn Rivera ReStructure Mix - Festival Festival is a disco project from disco innovator, Boris Midney – who also gave us U.S.A. European Connection, Caress, Beautiful Bend, Masquerade and Companion. His early projects blended a European sound, a soulful Philly female ensemble and Midney’s space age approach to keyboard sound effects and classical disco strings swirling in and out of arrangements. This is a beautiful flow of underground disco which became Midney’s own sound. Robert Stigwood (RSO Records) hired Midney to create a disco-fied version of the monumental Andrew Lloyd Webber show “Evita”. The finished results are now a disco classic which evokes not only the Broadway production in a new phase but also keeps Midney’s magic alive. I have taken the album version of “High Flying, Adored” and recreated a lengthier and re-edited version for this ReStructure Mix. It brings the Latin rhythms further into the dance foundation of the song and uses pieces of the Broadway version as homage. |
|
|
• Goddess Of Love - Glenn Rivera ReStructure Mix - Phyllis Hyman Phyllis Hyman is one of the promising voices of soul, disco, jazz and r&b during the mid-70s onto the 90s. Her vocal is recognizable unlike many today where the emotion is immediate and deeply moving. This style brought her success not only in the disco years of her career, but also the jazz and r&b movement with her years of the great Philadelphia International label along with producers Kenny Gamble and Leon Huff. “Goddess Of Love” is a project from 1983 and is produced by Narada Michael Walden – who was turning many vocalists into dance floor sensations during the early 80s including Aretha Franklin, Sister Sledge and Stacy Latttisaw. The title track follows the theme of Phyllis taking her enchantment into a mythical jungle chanteuse – The Goddess of Love. The song works with her strong vocal play and the help of Narada’s creative production abilities. It is one that I would love to break in with an early evening set and always proved to start the dance floor moving to a new rhythm. I have taken the album version of “Goddess Of Love” and edited and reworked a whole new adventure with several acts and breakdowns. It was early to leave Phyllis’ fabulous vocal intact and add a few new elements to give this tribal feel beat a new reason to hail this great lady of song. A percussion riff from a high energy track by the same name (not the same song) is added for the mystique of those who are familiar and are ready to move to the next level. |
|
|
• Sans Contrefaçon - Glenn Rivera ReStructure Mix - Mylene Farmer Mylene Farmer is a French Canadian singer who released several dance tracks which found their way into a crossover phase for many disc jockeys searching for alternative dance music in the late 80s. Her album “Ansi Soit Je” from 1988 contains the single "Sans Contrefaçon” which I placed into many tea dance programs and during progressive evenings a peak set. The 12” single has a nice European feel with a melodic build along with the pounding high energy-street beat sound. One of the French songs of the time which lured me into an admiration for singers as Rose Laurens, Desireless, Jaki Quartz, Matia Bazar and Elsa. Great dance tracks with a nice stylish production alongside the dance beats for hardcore dance palaces. I have taken the 12” “Boy Remix” and reassembled the arrangement in this ReStructure Mix to keep this wonderful track out in the open for those who appreciate the flavor of this dance genre. The pieces of this original remix are pulled out into the open in lengthier segments. Mylene’s beautiful vocal is the real focus here however and it is left intact. |
|
|
• Woman - Glenn Rivera ReStructure Mix - Mirage Mirage is an Italo-Disco project from Ivana Spagna (vocals), Renzo Zannoni and Sebastiano Simonini. This early electronic production from 1983 is one of the sounds of the early pieces of experimental dance tracks which helped to make Italo-Disco the promising sound for dance floors. Creating a heavy layer of sequencers and keyboards in a robotic, yet smooth and melodic trance for vocals like Spagna’s who also helped to create the sound of Italo-Disco bands like Fun Fun. “Woman” is a simple piece with many great riffs which helped to make it one which stood out for the time. It is now considered a classic and still holds true to that feel which Italo-Disco makes it mark. I have taken the 12” vocal and instrumental to recreate a street-edged version for this ReStructure Mix. I have placed a familiar electro-street beat from Paul Hardcastle into the new mix to push out the rhythms and also remind those followers of just how diversified and progressive Italo-Disco is and was. |
|
|
• Love Dance - Glenn Rivera ReStructure Mix - Playmate Playmate is a German disco project from producers Christian Bensch, Peter Wagner and Uli Roever (also known as Cup Productions). “Love Dance” is a single which was originally recorded in 1978 by an artist, Isabel and produced by the same group in 1978. This one is a classic disco sound blended with Spanish guitars, percussion and a sexy chorus – everything that disco music claimed to be in the late 70s. This one echoes over and over what chorus implies. I have taken the 12” single version on Salsoul Records – originally remixed by Bobby “DJ” Guttadaro and recreated a ReStructure Mix with more overlaid percussion and guitar riffs to please every couple moving and swaying to this number. Always a favorite as an early evening charmer or an afterhours treat. |
|
|
• Magnum - Glenn Rivera ReStructure Mix - Denis LePage Denis LePage is one of the pioneers from the disco period who had his talent in many projects and his own genius. His own disco group Lime who along with Denyse LePage created a new style of disco music evolving from a single titled “Your Love” from 1980 – paving the direction for high energy music. This was an exciting period and many of Denis’ affiliation with past productions were one its own merit. “Magnum” is from a 12” single and was the flip side to “Hot Wax” – it plays out in the genre of a hit Denis wrote and arranged by Kat Mandu titled “The Break”. An instrumental with sweeping strings and heavy percussion which topped the disco era like a cherry on a sundae. “Magnum” is similar yet with LePage’s work there is always a new feel and electricity to his arrangements. I have taken the 12” of “Magnum” and reworked the percussion and synthesizer parts to a new ReStructure Mix. A few looping elements provide some new breaks and take on the original arrangement. This new piece is homage to the wonderful period of Denis LePage and his sound which today is more than a classic. |
|
|
• Freakin' Time - Glenn Rivera ReStructure Mix - Asphalt Jungle Asphalt Jungle is a disco/funk project from drummer/producer Keith Benson (MFSB) who creates a path for jazz, funk and disco to merge. This period of 1979 brought a return to the soulful elements of soul from which disco evolved. “Freakin’ Time” is a dream-like piece with the fusion of horns and the funk keyboards and sensual vocals which bring on more of a contemporary dance atmosphere. A big early evening and also afterhours must for those sleaze programs. Asphalt Jungle is one of those Paradise Garage records which you may stand in awe of for setting the pace for a new energy on the dance floor rejuvenated for the time. I have taken the 12” single (Part1 and Part 2) to work this extended blend of both in this ReStructure Mix. A new bass sequencer pounds the intro to give more of the early morning sleaze feel. A favorite of mine and now using those funky riffs that I watched dance floors move to as they gave it up. |
|
|
• The Stranger/Believe In Magic - Glenn Rivera ReStructure Mix - Shining Star Shining Star is a disco project from producer Orlando Mazzoli who previously created several tracks under the title Hot City Simphony. “The Stranger” is one odd instrumental from 1979 falling under a sub category of psychedelic rock and underground club. The mood of this instrumental is eerie and is one which I considered the perfect after-hours instrumental track. It has always bro9ught to mind a spaghetti western soundtrack – much like “The Good Bad and The Ugly” – with a new chant riff. The conga breakdowns give it funky edge which the Paradise Garage would get lost in and blending into the psychedelic keyboards parts only brings it deeper into an underground dance realm. “Believe In Magic” is an earlier release by Shining Star from 1978 which sounds like a 60’s hippie track meets disco. It is pieced together much like “The Stranger” with more of a life band production. Some nice guitar and keyboard riffs make it one for hardcore connoisseurs to take immediate notice. I have taken the 12” versions of both “The Stranger” and “Believe In Magic” and created a ReStructure Mix to pay homage to one of my favorite genres of disco music – the early morning sound. Blending parts of both in layers to give them a stage for both movements in one. |
|
|
• Are You Ready - Glenn Rivera ReStructure Mix - Billy Ocean Billy Ocean is a voice from the 80s which is fitting in both dance music and adult contemporary genres. His voice is a gentle and yearning effect which always brings each of his songs to a new level of emotion. In his years of taking dance floors by storm which began with his 1980 album “City Lights” there was a mature groove being set for a sophisticated dance floor. “Are You Ready” is a single which was produced by Ken Gold has the finesse that Michael Jackson’s “Wanna Be Startin’ Something” from 1982 resembled. This piece is the funk of the 80s with a flawless production which displays a great memory in time and another to appreciate this great artist. I have taken the US 12” of “Are You Ready” and recreated a new dance step and answer for the question. A sample from an obvious Italo-disco classic is inserted as a teaser and play on this ReStructure Mix. The outline is set for a trip back to the early 80s with more of the excitement that is created for those of us who were there. |
|
|
• Star In My Life - Glenn Rivera ReStructure Mix - Paradise Express Herb Jimmerson and Vi Ann are Paradise Express – perhaps one of the most perfect disco bands of the disco era during the late 70s. With Vi Ann’s distinct bluesy vocal and Herb’s adventurous electronic production they made dancers feel as though they could fly. “Star In My Life” is from the first album and is a cover of a track from 1976 recorded by Humble Pie. This is a grand example of a disco cover taking a rock ballad to another level. It features Martha Wash and Izora Rhodes (The Weather Girls, Two Tons ‘O Fun) on backup and is a small revival. One of my favorite recordings of the disco era that stand out away from the dance floor. I have taken the album version of “Star In My Life” and recreated a lengthier and pumped up ReStructure Mix to give the song a new message. It is homage to the duo – Herb Jimmerson and Ms. Vi Ann for their glorious contributions to disco music. |
|
|
• Fingers - Glenn Rivera ReStructure Mix - Lea Lea is a disco artist who released two singles in the early 80s. “Fingers” from 1985 is produced by Bobby Orlando, Don Oriolo and Jurgen S. Korduletsch. This is a camp piece that explores the anatomical piece of the body which explores Lea’s sexy body. She describes every part of her lovers’ hands right on down to the ‘fingers’. It is a sexy camp high number that you expect to hear maybe Ann Margret sing with a dancing all-male chorus backup. The synthesizers resemble much of Bobby Orlando’s high energy work and are the power behind this track. It was later re-released under the name Ronny Goes To Liverpool and titled “Trust” with news snippets sampled. Lea creates a saucy and sexy performance that is everything that disco camp is. |
|
|
• Without You - Glenn Rivera ReStructure Mix - Chaz Jankel Chas Jankel is a British musician whose career in the early 80s began with the band Ian Dury and The Blockheads (“Hit Me With Your Rhythm Sticks”) and then led to a solo career in the electronic dance arena. His style I always considered very abstract following the 80s trends of work by Herbie Hancock (“Rock It”) and innovative keyboard and synthesizer lead studio groups. “Without You” comes from Chas’ third album titled “Chazblanca” and was also featured in the film, “Mike’s Murder” from 1984. The track is a bittersweet love song of two lovers who strive to make it work yet lack some of the tools for a relationship. It is a bit more synth-pop than his prior hit “Glad To Know You” but still contains the erratic and maze-like keyboards that Jankel marked as his style. I have taken the 12” single and reworked it into homage to the electronic age of the 80s in this ReStructure Mix. The importance of these artists blending a new period of dance music with very few barriers was an exciting time. Chas Jankel created work that will always be a stamp of this time – either as pop radio crossovers or the continuing work of masters like Giorgio Moroder. |
|
|
• Carry On - Glenn Rivera ReStructure Mix - El Coco W. Michael Lewis and Laurin Rinder is El Coco. A studio concept group whose aim has always been experimental with an underground feel. During the mid-70s prior to the disco explosion there was a world of night life that was yet to be discovered. El Coco was the one of the focal directions where disco music was headed. Rinder and Lewis were the pioneers of dance music discovery and worked it properly to satisfy dance floors and the upcoming connoisseurs of this sound. Their brand has always been a sounding of syncopated electronics with a live band groove. “Carry Me” comes from their 1980 project titled “Revolución” and features vocals by Joy Cannon – who was also a part of a disco group titled Frisky (produced by Moses Dillard and Jesse Boyce). This track is another bright light for El Coco as it plays out as an anthem long before they were even known. It has a positive uplifting chorus along with loving and soul supporting lyrics. And of course that disco diva who gives it all and then some. I have taken the album version of “Carry Me” and transported the mood into a new ReStructure Mix with more punch that it deserves. The flanging and rolling arpeggios are the outline for this tribute to the best of disco: W. Michael Lewis and Laurin Rinder. |
|
|
• Flowers - Glenn Rivera ReStructure Mix - The Emotions The Emotions brought hope, love and peace to the world in 1976 with their single “Flowers” from the album by the same name. Produced by Charles Stepney and Maurice White (Earth Wind and Fire) – this movement for these ladies plays an important part of dance music history. “I Don’t Wanna Lose Your Love” is a part of this package and also lays out the soulful groove along with funk which quickly became a part of discotheques and radio playlists. “Flowers” is also a light and cha-cha infused groove that always brings to mind the effectiveness of a sweet soulful choir over a dance rhythm. One of the most powerful pieces from these lovely ladies: Jeanette Hawes, Sheila Hutchinson and Wanda Hutchinson. I have taken the 12”/ album version of “Flowers” and have given this beautiful number a ReStructure Mix which uses the lovely vocals to the benefit of an alternative early morning mix. It gives way to the nice rhythm which exists and adds a few more percussion parts to add more of a dip to that stride. |
|
|
• My Hearts Divided - Glenn Rivera ReStructure Mix - Shannon Shannon (Brenda Shannon Greene) is a name that was embedded into disco history in 1983 when her hit, “Let The Music Play” introduced a new sound for dance floors. It was a funk drizzled with pulsating electro-vibes along with the sweet sound of Shannon. Producers Mark Liggett and Chris Barbosa were capturing the new street sound with a coat of electronic magic. “My Hearts Divided” is from the album “Let The Music Play” and echoes the infectious sound that is known as “The Shannon Sound”. This tug a war love song is a powerful moment in a relationship where the decision to stay or leave is given a funky alternative. One of the great follow up tracks by Shannon and a definite classic. I have taken the original 12” version and created a ReStructure Mix using parts and pieces of genius from Barbosa and Liggett to outline an extended version with more emphasize on words and sounds. It is truly a wonderland for anyone who may desire this 80s street sound or those who may wonder what was going on at the time. |
|
|
• I Close My Eyes And Count To Ten - Glenn Rivera ReStructure Mix - The Simon Orchestra The Simon Orchestra is a studio project from producer Simon Soussan – who also founded early 70s labels Soul Fox Records and Soul Galore which produced a Northern Soul sound. His work in disco include the first Shalamar single, “Uptown Festival”, Pattie Brooks’ “After Dark” and “Love and Desire” by Arpeggio. His sound was always a step ahead on the blend of electronics and orchestral disco. It was a sound that displayed in The Simon Orchestra album was a stamp for the British disco sound from Passion Records that became “high energy” in the early 80s. The rolling drums and swirling strings were emulated by session bands Charade, Marsha Raven and many projects in the mid-80s. “I Close My Eyes And Count To Ten” is one of the four tracks from “Mr. Big Shot” from 1979. The project featured Lamarr Stevens, Jessica Williams and Alex Brown on vocals where Alex sings lead on “I Close My Eyes And Count To Ten”. The full impact of Soussan’s sound can be felt in this song. I have taken the album version of “I Close My Eyes And Count To Ten” and reworked the sweet vocal of Alex Brown and the powerful disco orchestral production for this ReStructure Mix. It plays out very similarly with a few more breaks and some accentuating the disco slam of Simon Soussan’s sound. |
|
|
• Too Through - Glenn Rivera ReStructure Mix - Jocelyn Brown with Bad Girls Bad Girls is a disco/funk project from producer Began Cekic (Brooklyn Express, Common Sense, Hi Voltage, and Francine Simone). There single “Too Through” released in 1981 is a classic among the New York funk releases of that period. This one uses Latin percussion tapping across a funky bass guitar to accent Jocelyn’s major performance. It is a quite gem. Another number which thanks to Jocelyn Brown’s touch on vocals creates an unforgettable moment. I have taken the 12” vocal, instrumental and single version to create a new ReStructure Mix and groove for this soulful light. The percussion is highlighted once again in many segments and used in other ways to bring out verses and some new breaks. |
|
|
• I Will Follow Him - Glenn Rivera ReStructure Mix - Claudja Barry Claudja Barry is one of the icons of the disco era. Her music has always been aimed at the dance floor and we are so grateful. A unique falsetto voice with a sensual lure is not the only asset this diva possesses – her stage presence is always powerful and dull of energy. A few of her big hits include, “Sweet Dynamite”, “Boogie Woogie Dancin’ Shoes”, “Johnny, Johnny Please Come Home”, and “Dancin’ Fever”. The 70s was truly an event thanks to Claudja and her music. In the early 80s she stood her ground for her dance fans and maintained more hits and plenty of diversity among their production and her vocal performances. “I Will Follow Him” is one of Claudja’s 1982 releases and was produced by legendary Jurgen Kordulesch (Disco Circus, Araxis, Lipstique) and is a cover of 1953 pop track from Little Peggy March. Claudja hits the spot with this 80s electro-disco version. Her vocal and the hard hitting vibe make this one a beautiful and invigorating version. I have taken the 12” version of “I Will Follow Him” and pieces of the original to recreate a new ReStructure Mix to pay homage to Claudja and Jurgen for their wonderful contributions to the dance floor and our hearts. This remix plays out with more effects and some new play with Claudja’s vocal. |
|
|
• I Love Men - Glenn Rivera ReStructure Mix - Eartha Kitt Eartha Kitt is a star whose presence was not only a mystique but also much like the 50s own Grace Jones figure. Her music was accented with her unique sound. It was only a short amount of time into the 70s when disco producer Jacques Morali (Village People, The Ritchie Family) brought Eartha into the club arena for a dance album and so appropriate. “I Love Men” is the title single which brings an outward and fitting version of her odyssey with men as partners. It is fun and dramatic track which fills the room with an electric symphony of celebration. I have taken the 12” on Record Shack and transformed the 2 version into a new ReStructure Mix experience. Just as celebratory and fun as Eartha would present. A tribute to both Eartha Kitt and Mr. Jacques Morali! |
|
|
• Oriental Eyes - Glenn Rivera ReStructure Mix -Rewind Rewind is a German produced disco project from 1985. Produced by Two ‘N’ You and features vocalist Camilia Hüther on their single “Oriental Eyes”. This Euro-dance track is an adventure with Arabic touches to give the theme of “Lawrence of Arabia” a dance soundtrack. The lyrics focus on a love affair where the passion is brought to life with the glimpse of our eyes through the raging desert. The beats pound out a tight rhythm throughout the chants which follow the early 80s Bobby O and pop-songs like “Self Control”. It was always a favorite of mine to use for nights where the program was painting a picture as well as moving the soul. I have taken the 12” vocal and instrumental to work on this ReStructure Mix to give this song another piece of that romance in the hot sand. I have extended the intro with the fantastic beats and have given this story a long fading departure with the sitar playing mysteriously. It is a salute to those 80s Euro-disco productions that returned us to the disco productions where a symphonic approach was powerful and beautiful. |
|
|
• Lift Off - Glenn Rivera ReStructure Mix - Patrick Cowley Patrick Cowley is a disco pioneer in production and mind. His music has always represented the fantasy and adventure which hardcore dance music meant to deliver. His work with keyboards and synthesizers gave another era of electronic magic to disco music from the late 70s to the late 80s. More of his music is based on psychedelic moods and soaring motors of sound. His productions include many artists from the San Francisco disco movement in the early 80s like Sylvester, Paul Parker and Sarah Dash. His album “Megatron Man” is a classic in its entirety. Each track is a ‘mind trip’ which contains Cowley’s touch throughout in an originally production. “Lift Off” is a blasting adventure of traveling through a dance mind warp to ecstasy – always one of my favorites. I have taken the album version of “Lift Off” and recreated a new voyage in this ReStructure Mix. A whole new edit that reworks the original elements to bring out the excitement once again. |
|
|
• Head To Toe - Glenn Rivera ReStructure Mix - Lisa Lisa and Cult Jam Lisa Lisa and Cult Jam are Lisa Velez, Mike Hughes and Alex “Spanador” Moseley – a group which brought the mid-80s a new street r&b sound with a touch of Miami Freestyle on the edges. Their single “Head To Toe” from 1987 was produced by Full Force and has the funky beats and rhythm that set their vocals which echo an oldies shoo-bop feel on fire. It is one of pinnacle singles from the group and reminds me of a time when pop-dance engaged traditions of disco music. I have taken the 12” vocal and dub (“Foot Mix”) into a ReStructure Mix play which gives the track a playful dub feel with more of the bridge which raises the love from Lisa to sweetness. I have no idea why Rosie and The Originals’ “Angel Baby” got caught up in this mix – it was always in the background of my mind when placing this song |
|
|
• Chinese Magic - Glenn Rivera ReStructure Mix - Jessica Jessica is Malaika Trümper – a German disco singer who recorded several dance singles during the mid and late 80s. The music produced by Bernd Dietrich and Engelbert Simons is a high energy feel which was labeled ‘Asian New Wave”. This was a bright and uplifting sound similar to groups like Modern Talking. “Chinese Magic” is a small celebration with a rolling chorus which brings to mind fan dancers for me. This one always had a melodic feel which I loved to use during tea dances or programs with an uplifting feel. It is simple and Jessica’s soft and breathy vocals bring to mind a disco period where happiness was the mood of the music. I have taken the vocal and instrumental from the 12” single and recreated a deeper edged ReStructure Mix using the rolling bass synths on a down beat. The uplifting chorus is accentuated with more of an underground lead into this mystical sound I have also rearranged the original to give it not only a longer act but also add a few breaks with a classic sample from Led Zeppelin which came to mind somewhere in the creative process. |
|
|
• Love Light - Glenn Rivera ReStructure Mix - Jerney Jerney Kaagman is a singer from The Netherlands who started her recording career in the early 70s with a band titled Earth and Fire. He solo career began in 1984 with her album “Made On Earth” which features the disco track “Love Light” – a beautiful early morning track which remained as an underground single for disc jockeys and music connoisseurs who were fortunate enough to acquire the 12” version with a fabulous Robbie Leslie remix focused at the big after-hours dance palaces. It follows the formula of many bands and vocalists of the time who were crossing over to an alternative and moody sound – much like Cock Robin’s “When Your Heart Is Weak”. “Love Light” is a lovely piece that suits Jerney to the end of the magic which plays out as complete from start to end. I have taken the Robbie Leslie 12” remix released in 1986 and created a dreamier version for this ReStructure Mix entry. The original 12” version by Leslie is a gem and this touch only gives it another “spotlight” for those ears and feet which may either remember and treasure it or discover and be in awe of it. |
|
|
• Blow Up The D.J. - Glenn Rivera ReStructure Mix - TNT Clan TNT Clan is a new beat/Belgium Beat project from the masters of the genre – Herman Gillis, Jo Casters and Roland Beelen – better known as Morton Sherman Bellucci. This style of dance music rejuvenated the artistic and rhythmic edge of dance music and may have been inspired by “Pump Up The Volume” by M.A.R.R.S. from 1987. Many of the pieces that are a conglomerate of New Beat feature simple yet heavy bass beat riffs – disco, hip-hop, street, rock or house and transformed into a sample foundation for various hidden or strange messages. Many are sexual and are to the extreme of sampling porn film sounds or sexually suggestive phrases. The overhaul of the mixes are the success of New Beat as many were stripped down and EQ’ed with the sharp and deep recording that presented a polished product. “Blow Up The D.J.” is one of my favorite tracks in the New Beat genre not only the usage of the classic disco track by Kiss (“I Was Made For Loving You”) but it also signifies the “Pump Up The Volume” influence. This ReStructure Mix is to pay homage to this style of dance music which I followed by ear with dedication but also found it as a rejuvenation of dance music in the late 80s and its influence during the early 90s dance scene. |
|
|
• Love Is Alive - Glenn Rivera ReStructure Mix - Gary Wright Gary Wright is a 70s artist who became one of the most widely used musicians in session recordings throughout the early millennium. His 1975 album “The Dream Weaver” is one of the markings of rock which brings the pop edge into blend electronic and experimental sounds. “Love Is Alive” is a single from the album which in the 80s, 90s and today can be a nice sleaze piece for a crossover club sound. A unifying anthem of with that 70s edge which always made the radio rock. I have taken the album version of “Love Is Alive” and worked this ReStructure Mix for an alternative sleaze remix using all of the patterned beats with new percussion and bass. This version is another tribute to the 70s rock era and its influence on many disco producers minds and focus in the music industry. Dedicated to David Woodruff who has requested a ReStructure Mix of this rock classic – and thanks for keeping the vinyl meaning alive in his blog posts. |
|
|
• Give It To Me Baby - Glenn Rivera ReStructure Mix - Rick James Rick James began a recording career in 1978 with his group Stone City Band and soon became the new face and sound of funk. A hard hitting style of dance music which incorporated a touch of the deep percussion of disco and his “punk funk” edged guitars and grooves. His 1981 album “Street Songs” was his sixth release and one of his more memorable with two dance tracks, “Super Freak” and “Give It To Me Baby” which played out on dance floors as a return to the sound which James is known for. “Give It To Me” is a bass driven dance track which emulates a riff from Kleeer’s “Keep Your Body Workin’” – but with some new elements which make it its own. I have taken the 12” vocal and instrumental of “Give It To Me Baby” and created a new ReStructure Mix with a psychedelic disco wah-wah guitar leading the mix. The extension of all that is great in this song are the focus and some play on words and of course Rick James’ genius. |
|
|
• Major Tom (Coming Home) - Glenn Rivera ReStructure Mix - Peter Schilling Peter Schilling is a German singer who marked the early 80s with a synth-pop track titled “Major Tom (Coming Home)” from 1982. The song is a memorable piece which contains elements of trance and techno in the nu-wave rhythm. Major Tom being the focus of a 1969 David Bowie song, “Space Oddity” replaying as a dissecting of the character. Peter Schilling later went on in 1989 to record with producer Michael Cretu (producer and husband of German dance artist Sandra). I have taken the US 12” version of “Major Tom (Coming Home)” with the remixes by John Luongo and took the dreamy feel of the song into a new extension as well as using beats and rhythm over the drop out verses of the original. It is a non-stop ReStructure Mix that uses pieces and parts of the great Luongo remix and reassemble it into a whole new journey. |
|
|
• Space Movin' - Glenn Rivera ReStructure Mix - Candy Darling and The Viscounts Candy Darling is known as an American transgender actress who was titled “Warhol Superstar” following her role in Warhol’s 1968 film, “Flesh”. A crossover performance in a few films including “Klute” and “Silent Night, Bloody Night” gave this performer a rated career in a limited market for Darling. A 1978 disco single which utilized the image and essence of the deceased performer was released titled “Space Movin’” which is a funky space-disco instrumental number and the flip side titled “Beautiful Sunday”. The instrumental became an underground DJ classic and is the focus of this entry. It is produced by Bob Race. I have taken the 12” version of “Space Movin’” and worked this ReStructure Mix with an extended arrangement and some new base percussion. I have transformed the simple keyboard arrangements into a “lost in space” aura for those who hold this one as an underground gem. |
|
|
• Took Me So Long
- Glenn Rivera ReStructure Mix - Cerrone Cerrone not only brought European disco to the US in the mid-70s and in the early 80s used his genius to construct an exciting fusion of his horns, drums and energy for a new period of disco/dance music. “You Are The One” is from 1980 and crosses the dance bridge to another style for Cerrone along with vocalists Jocelyn Brown, Kristal Davis and Ullanda McCullough. “Took Me So Long” is one of the first singles that I got immediate response from my dance floor and it soon became one of those funk/disco songs that always sound fresh. Jocelyn Brown on lead vocals gives Cerrone a new sound and effect in his creation. I have taken the album version of “Took Me So Long” and extended the keyboard riffs to a new ReStructure Mix. This mix plays out as a peak our number that may have added another fire to clubs like Paradise Garage on a Saturday night. One of the payments to the great Cerrone who never let us down. |
|
|
• In The Navy
- Glenn Rivera ReStructure Mix - Village People I have taken the album and 12” versions of “In The Navy” and worked this ReStructure Mix to pay homage to Village People and Jacques Morali. This dub-edge version makes use of the disco bass, claps and percussion which are the essence of the 70s. I have rearranged the verses and laid them out in a new mix to bring a new “adventure” to life for those die-hard fans. |
|
|
• Body Heat
- Glenn Rivera ReStructure Mix - Rufus and Chaka Khan Rufus is a band from Chicago who also brought vocalist Chaka Khan to the front of the stage along with the sound which gave her the “Queen of Funk” edge. Their music in 1979 took the direction of super-producer Quincy Jones – and their project “Masterjam” reminded dancers that the beat and funk plays on. “Body Heat” is a dance track from the album which stood out for me since it has not only the Quincy Jones touch but it also gives Chaka a disco-funk playground to deliver what she does best. This wonderful track has the wind-up that ignites the disco flame from a nice groove with a sensual aura. Horns and bass roll out like a magic carpet. I have taken the album version of “Body Heat” and recreated a ReStructure Mix with a phasing to boom into using the rolling bass chorus piece. The intro is a more of a high energy focus while the funk essence remains intact with more separation on verses and added bongos and percussion. |
|
|
• I Need You
- Glenn Rivera ReStructure Mix - Precious Wilson Precious Wilson gives her music the unforgettable experience of emotion and enthusiasm with her vocal performances. In noted tracks the soft delivery which she lays out builds to soulful diva climax and resolution. As the voice of the disco band Eruption from 1977 – 1979 where their hits “I Can’t Stand The Rain”, “One Way Ticket” and “Party, Party” delivered satisfaction to dance floors. Her solo career in 1982 incudes a cover of Solomon Burke’s 1964 r&b classic “Everybody Needs Somebody To Love” in a new capsule titled “I Need You” – produced by Frank Farian. This 80s dance piece takes on the song with a new guitar riff which echoes throughout sweet and haunting verses into the celebratory chorus. It is a fine transformation from soul to disco and another stage for Precious Wilson’s style and sound. I have taken the 12” version of “I Need You” and worked a new ReStructure Mix which aims more at a dreamy-dub-like mix. The 3:25 version pressed was also too short I during peak hour so I focused on a longer and deeper experience. Taking pieces of the vocals and some instrumental riffs into a whole new realm for this much loved dance number that I always had the best of luck playing. |
|
|
• Harmony/I Got It
- Glenn Rivera ReStructure Mix - Jayne Edwards Jayne Edwards is one of the divas of the early 80s who brought an excitement to dance floors in transition from disco to high energy. Her first single produced by Rick Gianatos who is one of the genius minds of the late 70s in disco production and remixes. “Harmony/I Got It” is a gospel powerhouse track that wears out every tambourine and every heart and set of feet in the house. This rousing number plays out like flood of good feeling and a spirit of belief in living in the spirit. Always a wonderful Sunday tea-dance favorite and a great 80s dance piece. This ReStructure Mix takes the two parts – “Harmony” and “I Got It” and blends them into one shakin’ down mix. Jayne’s soulful vocals still play witness to this great song and with Rick Gianatos it is no wonder this one is a classic. |
|
|
•
Chains - Glenn Rivera ReStructure Mix - Teena Marie Teena Marie is a soul, funk and disco artist whose presence in the music world of 1979 brought a whole new light. Known as the “Ivory Queen of Soul” and paired with Rick James on her first album, “Wild and Peaceful” this talent was headed for a revitalized group of funk followers. Not only was Teena’s voice a break into a new sound but her low down on the funk was another order for her brand of music. “Chains” is from her 1980 album “Irons In The Fire” which was self-produced and arranged. This piece is a funk masterpiece of horns and guitar racing that wears out not so easily. One of the tracks that I would rely during the cross to funk and disco during the period. Also a theme that expresses that cross reference of a tough love that we all know. I have taken the album version of “Chains” and recreated a new phase for the song yet maintained the original intent. Lots of hard hitting drums are still the focus with a bit of dropping of some disco pounding moments to give it a ReStructure Mix feeling. |
|
|
•
Automatic - Glenn Rivera ReStructure Mix - Pointer Sister Pointer Sisters rejuvenated themselves in the 80s with their album “Break Out” in 1983 – with four major dance floor hits including “Jump”, “Baby Come And Get It”, “Neutron Dance” and “Automatic”. A big lift for these talented ladies and their dedication to recreate themselves appropriately. “Automatic” is ReStructured her with an extended play on both verses and the pop-funk energy it creates. Along with the powerhouse vocals this one is sure to bring back that 80s feeling that the dance floor delivered. |
|
|
•
Reach For Me (Can't You See Lovin' Me) - Glenn Rivera ReStructure Mix - Elite Elite is an Italo-disco project from producer Tony Carrasco and is conducted and arranged by Celso Valli. One of the great moments in club music where the undercurrent of disco is accented with a unique blend of vocals and an outstanding production. Hardcore in its execution, the album titled “Premiere” contains four disco tracks that playout more as an adult contemporary sound of dance music. One of the great Italian disco pieces of 1980 when dance music in the US was manuerving towards pop and funk. “Reach For Me (Can’t You See Lovin’ Me)” is a deep edged and moody early morning energy track that contains a bit of sleaze. It is one that I always moved towards in an afterhours program. One of my favorites in this genre. Vocals are provided by Jon Pickett, Michelle Wilson and David Vinson. I have taken the album version that is a Celso Valli masterpiece and recreated a new ReStructure Mix to pay homage to this track. More percussion is added and a play on the introduction is added as well as more of that swirling and dreamy interlude that Valli works so well as he did in “Hills Of Kat Mandu”. |
|
|
•
Don't You Want My Love - Glenn Rivera ReStructure Mix - Vera Vera is Patti Masi – a Canadian disco artist who helped the club scene during a transition from disco to electronic dance productions. Her beautiful vocal is one of the key elements to the disco magic of the late 70s. Her first big hit from 1981 “Take Me To The Bridge” is one of the best of its time for club records. Produced by Louis Toteda and beautifully arranged and executed. A start for this artist to become an addition and long waited follow up for hardcore jocks everywhere. “Don’t You Want My Love” is a single from Vera released in 1982 and from her second album. A nice love sonnet in an early morning package or sleaze feel. The beautiful vocals from Vera are like warmth that brings a promise to love. This is one of my favorite forms of dance music and this one was a favorite and a part of many of my afterhour’s programs. I have taken the 12” of “Don’t You Want My Love” and recreated a new ReStructure Mix with more instrumental segues to give a nice introduction to Vera’s lovely vocal. A few breaks are added to give it more of that after hours feel. This ReStructure Mix is dedicated to Patti Masi (Vera) and Louis Toteda – thanks for sharing your talent with the world. |
|
|
•
Love The One You're With - Glenn Rivera ReStructure Mix - Gino Soccio Gino Soccio brought to disco music a whole new realm of electronic dance music into the late 70s. His work in the dance music began long before his cutting edge solo-project “Outline” in 1979. His prior work included session groups Kebekektrek, Gotham Flasher, Lafleur, Witch Queen, Busta Jones, Karen Silver and Shelbra Dance. “Love The One You’re With” is Soccio’s beat-box cover of Stephen Stills 1970 rock/folk song which was influenced by Billy Preston. This cover is sprinkled with touches of Soccio’s trance-like arrangement in a more pop-oriented arrangement. Rolling keyboards and some looping vibes assure us it is Soccio and again his choice and delivery are always welcome. I have taken the 12” release of “Love The One You’re With” and reworked this ReStructure Mix to stretch the beats and kick drums out into a more lengthy and make shift version. Many of the nice kick drums fill in on an extended revisit and a little fun with looping and play with the vocal tracks. |
|
|
•
Emotion - Glenn Rivera ReStructure Mix - Samantha Sang Samantha Sang has one of the iconic songs of the late 70s – “Emotion” from 1978 was produced by Albhy Galuten, Barry Gibb and Karl Richardson. This tender ballad feels like the period thanks to the accompaniment from the Bee Gees bringing the chorus alive along with Samantha’s soft and silky vocal. This one marks a pop-radio sound polished to perfection for this new Australian vocalist. I have taken the album version of “Emotion” and gave it a hardcore ReStructure Mix by working it into a more predominant dance beat and rhythm. It still incorporates the original feel with a few new breakdowns and an extended time for Samantha to express her loss of that great love we all know about. |
|
|
•
I Feel For You - Glenn Rivera ReStructure Mix - Chaka Khan Chaka Khan is a voice which powers the black funk culture. Her presences in many tracks are immediately a force that is memorable and a statement to the recording. Throughout the early 70s her work with a band titled Rufus always gave Chaka the front stage and her solo album “I’m Every Woman” in 1978 marked a pinnacle moment for fans and music history. “I Feel For You” comes from Chaka’s 1984 album and blends the 80s street beat with the pop-dance movement of the period. The song was written by Prince and featured originally on his second album and a cameo from Stevie Wonder on harmonica and a few rap ends from Grandmaster Melle Mel make this one a classic and another reason to honor Ms. Khan as one of the artists who add to the dance repertoire of time. I have taken the 12” remix of “I Feel For You” and worked this ReStructure Mix giving it a longer moment for Chaka’s words of love and affection. A play with the beats and percussion outline more play on the track with a few loops to make her statement obvious and this remix more fun to remind us of the beat street period of dance music and its influence. |
|
|
•
Thank God There's Music - Glenn Rivera ReStructure Mix - Theo Vaness Theo Vaness is a disco singer from The Netherlands who was sang with a Dutch band called The Shoes. His first album featured a medley of classic pop hits in a disco medley and appropriately titled “Back To Music”. The productions provided by Michael, Lana and Paul Sebastian reflected the Euro influence on disco music with a New York feel. “Thank God For Music” is from Theo’s third album and one of my favorites as it brings the disco era to a wonderful close in celebrating the music. It is an anthem that plays out well again for Theo as his vocals create a unique feel and energy. |
|
|
•
Blame It On The Boogie - Glenn Rivera ReStructure Mix - The Jacksons The Jackson’s recorded “Blame It On The Boogie” in 1978 – from their album “Destiny”. A package that brought the group into the disco realm once again with the touch of soul and boogie blended to perfection. The song was co-written by Mick Jackson who recorded a big disco single in 1979 titled “Weekend”. It is another one of Michael Jackson’s vocals where he takes the song and makes it work in more ways than one. It is a classic Jackson recording and also has been remade several times as it is notable as a disco statement. |
|
|
•
It's My Life - Glenn Rivera ReStructure Mix - Talk Talk Talk Talk brought a 80s synth-pop masterpiece titled “It’s My Life” in 1984 – produced by Tim Friese- Greene. The mid-80s was an experimental period where disco/dance beats became the foundation in a new delivery and state. Electronic music was becoming the efficient and effective nature to release a track in lesser the time. Talk Talk had formed in 1981 and this single became the echo of the bands and its sound. A very moody and dream-like sound with lyrics that suggest a realization of life and the love that beckons for appreciation.
|
|
|
•
Shoot Your Shot - Glenn Rivera ReStructure Mix - Divine Divine is a disco “must”. His persona is what cult disco is all about. A combination of camp, glitter, outrageousness and fabulous beats make these recordings a classic piece of disco history. Producer Bobby Orlando painted a raw and edgy backdrop for Divine and let the glam go. “Native Love (Step By Step)” from 1982 is the first single I can remember hearing for the first time and never let go of this sound. It was the start of high energy and a hold on the disco sound. “Shoot Your Shot” is more like the dreamy feel of disco with the 2 elements – drums and synthesizer – like fire and water. |
|
|
•
Take My Heart - Glenn Rivera ReStructure Mix - Joe Yellow Joe Yellow (Domenico Ricchini) is an Italo-disco artist that had a big 1983 single “Lover To Lover” which brought the sound of this dance music to a needy dance floor. It was the heavy synthesizer arrangements along with the dramatic air in vocals that began a new disco power among this period. It was heaven for those who followed and adored disco artist like Giorgio Moroder. “Take My Heart” is his single from 1984 and pulls more of a moody feel with his breathy vocals and yearning chorus. A nice mid-tempo love song with a haunting resonance. |
|
|
•
Party. Party - Glenn Rivera ReStructure Mix - Eruption Eruption is a disco band formed in the early 70s and during the mid-70s became one of the defining sounds of the club scene. Their first project contained a disco cover of Ann Peebles’ “I Can’t Stand The Rain” which worked the speakers with some of Frank Farian’s magic. Heavy bass guitars and bongos beating the rhythm into the floor were the elements that enimate heavily into the formula. “Party, Party” is a single released as a 12” single following the first single and is one of the early disco party anthems I can remember hearing club patrons chanting on their way out of the discos. A big stomper and along with Precious Wilson’s recognizable vocal leading the floor into a dance frenzy this one is unforgettable. |
|
|
•
Every 1's A Winner - Glenn Rivera ReStructure Mix - Hot Chocolate Hot Chocolate is a band formed in 1969 whom became one of the recognizable recordings and appropriate for the pop and funk fusion of the period. “You Sexy Thing” from 1975 poured their sound into a wall of success and gave this band the stage they so deserved. Their 1978 album “Every 1’s A Winner” brought an even success with the title track once again delivering the sound of funk played out with a raw but polished production. It is one of the early tracks I can recall defining as a disco and since then have referred to it for a mind trip back to the funky 70s. |
|
|
•
Soup For One - Glenn Rivera ReStructure Mix - Chic Chic is a funk/disco ensemble from Nile Rogers and Bernard Edwards whose 1977 track, “Dance, Dance, Dance” became a whole new sound for dance floors. Their polish and sophisticated brand of dance music is properly themed as ‘chic’. The band also featured the voices of Norma Jean Wright, Alfa Anderson and in later projects Diva Gray, Luther Vandross, Kimberly Davis, Luci Martin and Tony Thompson. Guitars and strings always resonated from their arrangements along with great themes and poetic lyrics. “Soup For One” is a song released in 1982 and was featuring in the soundtrack from a film by the same name. This one is Chic at their highest performance level. A great song which emphasizes loneliness and regret for a lost love. It has many elements that make it a great dance number and in the Chic tradition plays out with a polished edge. |
|
|
•
Come Go With Me - Glenn Rivera ReStructure Mix - Exposé Exposé is a trio performing a powerhouse stage appeal and 80s dance tracks in the Miami-Freestyle arena. This was the pop move into a new 80s sound that gave us a fresh new opportunity to pound the disco beat in patterns never heard before. “Come Go With Me” is there big 1987 hit that always made my dance floor transform into an energy that was infectious. The group features Ann Curless, Jeanette Jurado and Gioia Bruno. A slick ensemble that made the music more than a club sound. |
|
|
• Just Be Yourself
- Glenn Rivera ReStructure Mix - Nightlife Unlimited Nightlife Unlimited is a disco project from Tony Bentivegna, Johnny D’Orazio, Louis Toteda and Peter Sciascia – produced originally by Peter Di Milo and George Cucuzzella (“Disco Choo Choo”). The start of the 80s and the end of the big disco studio productions brought a new raw edge along with a touch of rock/new wave feel as “Just Be Yourself” from 1980 replays. It was the lead for many independent productions from producers, artists and performers to keep the mood of disco music alive. “Just Be Yourself” is a hard hitting track which sounds like a pop-rock Top 10 hit at times and then yanks us right back to the disco underground feel with the pulsating bass synths and cowbells. A great dance that is considered one of the dance classics from Canada. |
|
|
• Automatically Yours
- Glenn Rivera ReStructure Mix - Brenda Cochrane Brenda Cochrane is a vocalist who works “Automatically Yours” from 1988 – an electronic dance single which plays out with a pleading to escape a bad relationship with some dignity. One of my favorite high energy dance singles from the period and also a great vocal performance from Brenda who also covered Odyssey’s “Native New Yorker” in 1999. The fast and quick to drop and roll arrangement worked very well for my dance floor and became a favorite for tea dances. |
|
|
• Deshabille Moi
- Glenn Rivera ReStructure Mix - Louis Lesther Louis Lesther is a disco artist from 1979 produced by Dutch drummer/producer Shell Schellekens (Brainbox, Rainbow Train). The tantalizing single “Deshabille Moi” (meaning “Undress Me”) is one of the rare tracks that play out like a fabulous drag show perhaps in “The Bird Cage”. It is a fierce production that outlines the play on words and also a synthesizer with old-school power. The 12” was released in Germany on the Hansa International label and then picked up by Shadybrook Records in the US and was always one of those pieces that if caught on the dance floor at the right time you may have been lost in a fantasy of ‘Rocky Horror’-like adventure. One of my favorites from the end of the disco era and always believed this were the caliber of Grace Jones’ aura. |
|
|
• UnderThe Influence Of Love
- Glenn Rivera ReStructure Mix - Love Unlimited Love Unlimited is the backing group for the disco magic created by Barry White in the early 70s. A smooth trio of voices which created a lush symphony of dance music shifting from soul to a new genre titled disco. The members are Glodean James, Linda James and Diane Taylor – three sisters. Their 1973 track “ence of Love” is from the album by the same title and creates the beauty of Barry White with a lush string section grooving to soulful bass and guitars. It is truly one of the landmark times for the pre-disco period and offers again the celebration of dance and love. I have taken the album version of “Under The Influence of Love” and recreated this ReStructure Mix giving the greatest of the original an alternative disco DJ hand. More of the strings and powerful intro are given a new placement and assistance with some her drum elements. |
|
|
• Disco Circus
- Glenn Rivera ReStructure Mix - Martin Circus |
|
|
• Take No Prisoners (In The Game Of Love)
- Glenn Rivera ReStructure Mix - Peabo Bryson |
|
|
• Dance The Night (Voit la Nuit)
- Glenn Rivera ReStructure Mix - France Harlow |
|
|
• Boogie Walk
- Glenn Rivera ReStructure Mix - Susan Stevens |
|
|
• Dance In Your Pants
- Glenn Rivera ReStructure Mix - Erotic Drum Band |
|
|
• Heartquake
- Glenn Rivera ReStructure Mix - Love Affair |
|
|
• Don't Stop
- Glenn Rivera ReStructure Mix - Ish |
|
|
• Wake Up
- Glenn Rivera ReStructure Mix - Stop |
|
|
• I'm Totally Yours
- Glenn Rivera ReStructure Mix - Hi-Gloss |
|
|
• All Night Long
- Glenn Rivera ReStructure Mix - B.B. and Band |
|
|
• Bring Your Love Down (Didn't I)
- Glenn Rivera ReStructure Mix - Yazoo |
|
|
• Obesseion
- Glenn Rivera ReStructure Mix - Animotion |
|
|
• Livin' In The Life
- Glenn Rivera ReStructure Mix - The Isley Brothers |
|
|
• In My Fantasy (I Want You, I Need You)
- Glenn Rivera ReStructure Mix - Sylvester |
|
|
• This House Is Rockin'
- Glenn Rivera ReStructure Mix - Bobby Caldwell |
|
|
• No Frills Love
- Glenn Rivera ReStructure Mix - Jennifer Holliday |
|
|
• Step By Step
- Glenn Rivera ReStructure Mix - Peter Griffin Peter Griffin is German singer whose disco hit from 1979 titled “Spiderman” put him on upcoming playlists into the 80s. His follow up single “Step By Step” from 1980 was a refreshing taste of high energy during a time where energy was missing from the US dance market following the disco fade. The single was released on the independent label Moby Dick Records which kept the energy of disco music alive. The song is fast moving love song of a growing affection of advice and hard hitting measures to make it last. A great piece from Peter Griffin and produced Christian Bensch. |
|
|
• Turn Me Up
- Glenn Rivera ReStructure Mix - Keith Barrow Keith Barrow is a soul/funk singer who gave 1978 its first glimpse into the sound of The Paradise Garage and the concept of underground club music. “Turn Me Up” is from 1978 album “Physical Attraction” and pulls out the drums and keyboard edge of soul into a disco arena – and along with Barrow’s soulful falsetto this sound became the start of Larry Levan’s outline for dance unity. The track was produced and co-written by Michael Stokes who later produced tracks by Magic Lady and Shirley Caesar. This one is a classic in its own right and continues to bring the feel of what disco and house music had in common. |
|
|
• Vicious Games
- Glenn Rivera ReStructure Mix - Yello Yello is Boris Blank and Dieter Meier – an electronic/synth band from the late 70s whose music is known for a moody and sometimes haunting edge. The group emerged from a period where music was making innovative turns in the alternative genre. Yello is a landmark band and their work spans many themes and also productions with vocalists like Shirley Bassey. Love songs are aimed at the aftermath of heartbreak or the difficulty of coping in the usual manner. I have always loved Yello since I heard their music in 1980 and like anyone who knows the players and sound well enough have been taken on mystic trips that are almost psychedelic in the synth-pop/rock sound. “Vicious Games” comes from their 1985 album “Stella” and is a song about lovers who tease and challenge their connection out of a need to hold onto independence. A great 80s dance number and contains all of Yello’s most exciting elements and surprises. |
|
|
• I Wanna Be Your Lover
- Glenn Rivera ReStructure Mix - Prince Prince brought the 80s into a funk restoration phase with style of guitar and soulful falsetto vocals. His second project from 1979 is a self-titled album with opened with the club hit, “I Wanna Be Your Lover” which gave this talented artist attention for his legacy. The track is played out in an electronic arrangement with a funky guitar accompaniment. The play lines of Prince tracks throughout the early 80s were at times a sexual play but this track stood out a one of his hard hitting love songs.
|
|
|
• Tomorrow
- Glenn Rivera ReStructure Mix - The New Company The New Company is an Italo-disco project from Giuseppe “Pino” Nicolosi and Lino Nicolosi – and featuring vocals by Dora Carofiglio (Novecento, Suzanne Meals, and Valerie Dore) and Pier Michele Bozzetti. This piece is an electronic stance into a robotic rhythmic track with a melodic anthem vocal. It is gently an experimental recording from this group to piece the beauty of those 80s love songs where this one outlines a dreamy dedication to love and harmony in a lasting relationship. It has always been one that I enjoyed programming into an early morning setting or an afterhour’s breakdown. It contains a wonderful chorus that transpires above the beat and clap drum track and jittery sequencer layer. One of my favorite arenas of dance music is a big part of this track.
|
|
|
• Born Bad
- Glenn Rivera ReStructure Mix - Elton John Elton John is one of the pop-rock artists of the 70s who remained on of stars who paved his own road (“yellow brick”) to fame and a classic songbook. His disco venture is one that I welcomed with open arms. It was great to hear his rock edged vocal in a disco arrangement that is produced by Pete Bellotte. The production is similar to the slick Munich-disco sound which was developed by Pete along with Giorgio Moroder in projects by Donna Summer, Robert Kelly, Chris Bennett and Suzi Lane among others. It was a refreshing moment to have Elton’s talent in this project. The track “Born Bad” is one that I played regularly and received a great reception. |
|
|
• The Fighter
- Glenn Rivera ReStructure Mix - Arpeggio Arpeggio is one of the many disco projects from producer Simon Soussan who also co-produced the first albums and club hit “Uptown Festival”. The group also features vocalist Jessica Williams, Fred Sawyers, Jerry Scott and Lamarr Stevens (Quartario). Their first album in 1978 was an outline for the fusion of electronic sounds and effects to be used heavily in disco music. “Love and Desire” is the big hit that gave this project many ears and feet the attention that would keep them as a classic disco project. “The Fighter” is the dance single released in 1985 and one of the finale known works of Soussan. The 80s brought most of the big-productions of disco music to a more simple production process where keyboards were power and desire of dance floors. “The Fighter” is a female empowerment song written by Terry Steele which fits the similar 80s movement with songs “She Works Hard For The Money” and “The Fight (For The Single Family)”. A nice pulsating bass arrangement with electronic steel-drums echoing throughout the homage to our heroine.
|
|
|
• One More Shot
- Glenn Rivera ReStructure Mix - Oh, Romeo Bobby Orlando took the 80s into his concept of a full on electronic dance production and with his heavy percussion accenting his heavy beats this sound became a necessity. Oh, Romeo is one of the projects from Bobby Orlando with a wall of keyboards and upfront percussion. “One More Shot” is their single from 1985 and plays out as one of the most energetic numbers of the time as a high energy track. The vocals are always somewhat familiar and lyrics are unimportant. This music is for dancing where the only thing understood should be the bass line and drum fills.
|
|
|
• Love Eyes
- Glenn Rivera ReStructure Mix - Ferrara John Ferrara is a disco producer who worked at the peak of disco music to move into an electronic stage of dance music. Much of the album “Wuthering Heights” is an experimental recording and listed in credits percussion player with ‘traps’ – which may have been those sharp slap effects in “Shake It Baby Love”. “Love Eyes” is the last cut on side two before the reprise of the big club hit, “Love Attack”. Even today “Love Attack” remains a great piece of disco work summoning the high energy era of the early and mid-80s. The opera-like chorus in most of the album is reminiscent of a theme project from Alec R. Costandinos where a story is being told disco/Broadway style. “Love Eyes” is a simple and somewhat crowded piece in the side two medleys – yet the yearning and melodic vocals have always drawn me and others who may have been enchanted by the project. This one may have been the rough draft for later electronic disco recordings like “Shanghaied” – also from Ferrara as you can hear many new features in the production that rely on new ideas. |
|
|
• I Know You Will
- Glenn Rivera ReStructure Mix - Logg Logg is a project from producers Greg Carmichael and Leroy Burgess – a duo who knew the direction of disco music in the late 70s onto the 80s. A funk-edge was taking over much of the underground sound in clubs like Paradise Garage with DJs like Larry Levan at the controls. A soulful vocal and a slick rhythm arrangement brought a new excitement to dance floors that were searching for yet another curve in the music. It was progression that later became house/garage music. “I Know You Will” is one of the garage-feel songs that I latched onto early and found myself building a segment in my playlist of this new sound. Lead vocal from Leroy Burgess bring back his unforgettable performances in The Fantastic Aleems. |
|
|
• You Can't Stop This Game
- Glenn Rivera ReStructure Mix - Tokio Tokio is an Italo-disco project from producers Miguel Dega and Ricardo Gomez. Their first single titled “You Can’t Stop This Game” from 1986 is one of the electronic numbers that follow the early mood of Italian disco music with a strong connection to an early morning edge. Tracks released in this mode including tracks by Gazebo, Valerie Dore and Klaudia are moody and dream-like. “You Can’t Stop This Game” has a touch of high energy with some nice keyboard riffs that blare out energy yet the haunting vocals take over throughout the song. It is one that worked in several playlist formats during the late 80s electronic rein. |
|
|
• Rocket In The Pocket
- Glenn Rivera ReStructure Mix - Cerrone Cerrone’s project “The Golden Touch” is one of the great Euro-disco recordings from the master of disco released in 1978. The project featured the track “Rocket In The Pocket” which plays out not as a theme for the nightlife but also the music that brought to life a hardcore club world. The session includes many familiar players including Don Ray, Mo Foster, Slim Pezin, Marc Chantereau and vocalists Kay Garner, Sue Glover and Sony Leslie. Cerrone gives the original album version a live feel and also a breakdown for the band to live out their talent. |
|
|
• Far Too Hard
- Glenn Rivera ReStructure Mix - Dead or Alive Dead Or Alive is one of the unforgettable 80s dance bands thanks to the presence of Pete Burns. Their single “You Spin Me Round (Like A Record)” from second album released in 1985 was a huge breakout in radio, video and clubs around the world. “Far Too Hard” is from the 1984 album “Sophisticated Boom Boom” and was co-produced by Zeus B. Held. This track is a haunting piece that I always admired along with Burns’ melodically and intriguing vocal. It has that early morning feel with the pluck of guitars to create a nice rhythm. The swirling strings give this number the perfect touch for a moving experience.
|
|
|
• White & Black
- Glenn Rivera ReStructure Mix - Taffy Taffy is an Italo-disco project with British vocalist Katherine Quayle as lead vocalist. The group is best known for their big 1985 hit “I Love My Radio (Midnight Radio)” which gave the colorful sound of Italian disco productions another deserved spot to influence dance music. “White and Black” is a single from Taffy released in 1982 and produced by Pellegrino and Rossi. The number seems to play out an odd sounding Harlequin type vocal that expresses a proud stance as a multi-cultural person. It is the early 80s brought to life in the creative arena when Italo-disco was being added to many charts and club playlists along with the electronic funk of the early 80s. |
|
|
• Abracadabra
- Glenn Rivera ReStructure Mix - Steve Miller Band Steve Miller Band joined the 80s dance bandstand with the 1982 single “Abracadabra”. It was the sound of the bands rock edge with past hits like “The Joker” , “Fly Like An Eagle” and “Rock ‘N’ Me” from the top of the rock charts. This fusion of simply mixing the track down in the dance floor format is the simplest and most effective. The 70s rock keyboards stand out most of all – besides the catchy chorus riffs. “Abracadabra” was on my playlist quite a while since the pop/radio crowd was out in full form. It was also fun to see a classic rock group reach into the dance scope and imagine. |
|
|
• Love Explosion
- Glenn Rivera ReStructure Mix - Chris Mills Chris Mills is one of the great moments of the 80s transition from electronic dance to high energy. Produced by Joe La Greca – the Canadian producer who brought us projects by Hydro, Lime, Nancy Martinez, Diva, Kryptonite, Kat Mandu and MTL Express. Keyboards and arrangements are incredibly laid out by Denis Le Page of Lime who seems to have begun his own following and style with his unique bass and percussion sound. “Love Explosion” is the single which I can remember having to play over and over during its release a few patrons swore it was Michael Jackson. Chris Mills has a soulful and stylish sound that falls into a nice disco pop category as well as defining a funk edge to La Greca and Le Page’s sound. A big one which always brought me to a nice trance light energy. |
|
|
• Disco Fantasy/Medley
- Glenn Rivera ReStructure Mix - Thomas 'Coke' Escovedo Thomas “Coke” Escovedo is a performer who painted disco, soul, funk and Latin experiences. His influence was passed onto his niece, Ms. Sheila E. and her dedication to keep percussion alive and where it belongs – dance music. “Disco Fantasy” is the 1977 project from Escovedo and hits the disco bell with a hard mallet. A production with soul and funk fused loosely as an underground disco sound was being formed. This one always reminded me of the Van McCoy style with a touch more of Latin percussion in this musician’s style. A big disco sound with the funky underground flavor. |
|
|
• Body Language
- Glenn Rivera ReStructure Mix - Patti Austin Patti Austin is a jazz vocalist whose venture into dance/disco music in the early 80s brought new life to a new period of music. “Body Language” is Patti’s 1980 project produced by legendary jazz producer Creed Taylor. This album gave a new spirit to this vocalists sound. The title cut is a nice jazz/sleaze track that is sensual and teasing appropriately with Patti purring on and on about romantic physics. It has always been one of my favorites and a surprise number that I used many times in early morning sets for years. A great vocal piece from Patti and a great full arrangement as this album is laid out. |
|
|
• The Sun Goes Down On Milky Way
- Glenn Rivera ReStructure Mix - Gazebo Gazebo is Paul Mazzolini on an Italo-disco stage. The early 80s shift in dance music was saved for those who continued to clamor the melodic sounds of disco in an electronic format – it was Italo-disco. Tracks like “Masterpiece” by Gazebo in 1982 brought a splash of the adventure of disco music with the new production consisting of a keyboard mainframe. Throughout the 80s this venture of creative and various faucets of styles made dance floors move all over again. Gazebo’s “The Sun Goes Down On Milky Way” from 1986 is another one of the poetic love songs put to the electro vibe of Italo-disco. A great piece that I always loved to add to a tea dance playlist or a set of beautiful dance music. |
|
|
• Oo-La-La Too Soon
- Glenn Rivera ReStructure Mix - Sarah Dash Sarah Dash is known for her role in the trio LaBelle (previously known as Patti LaBelle and The Bluebells) – a futuristic funk ensemble along with Pattie LaBelle and Nona Hendryx. Each of these ladies proclaiming a style of soul and funk fitting for the lineup and also solo careers. Sarah is known for her soulful delivery which hits levels of Patti’s power and demand for center stage. “Sinner Man” is her big disco hit from 1978 and mixed by Mr. Tom Moulton and produced by Gary Knight, Gene Allan, Jay Siegel and Wally Gold – also featured on Don Kirshner's subsidiary label Kirshner Records of CBS. The track is a gem of a disco recording and is now a classic piece to hold onto its resonating production and Sarah’s fabulous vocal performance. “Oo-La-La Too Soon” is from Sarah’s second follow up album which unfortunately trailed behind the disco movement into 1980 – and although the title single has the flawless disco production it received less attention. It uses the tie line from a well-known Sassoon Jeans commercial with the disco flavor or the time, Sarah’s take is struggle to maintain control over a powerful urge. |
|
|
• Nobody But You
- Glenn Rivera ReStructure Mix - Theo Vaness Theo Vaness (Theo van Es) is a Dutch singer who is also known for his vocal with the band The Shoes from the late 60s and early 70s. His appearance as a disco artist in 1978 with his project “Back To Music” – produced by Boona Music (Michaéle, Lana and Paul Sebastian). Theo’s unique sound brought a new distinction to the Euro-disco sound which began a new wave of club music and helping to ignite the disco fusion of the mid and late 70s. “Nobody But You” is a single from the “Back To Music” album and is one of his most beautiful love songs. The production follows the strip down disco format which soon became the norm for dance music. |
|
|
• It's Alright
- Glenn Rivera ReStructure Mix - Gino Soccio Gino Soccio is one of the creative forces who brought a heavy influence on disco music as it matured in the late 70s. His credits include many session groups including Witch Queen, Gotham Flasher, Lafleur and artists Karen Silver and Busta Jones. His keyboards and synthesizer work is a new age touch to the electronic edge of disco. “Outline” was his first solo album from 1979 where the single “Dancer” became one of the innovative recording sessions of its time. Later Gino proved his creative edge brought together a slick techno-new age feel that would set a presence during the early and late 80s. |
|
|
• Boogie With Me
- Glenn Rivera ReStructure Mix - Poussez! Poussez! Is a disco project from Alphonse Mouzon and features the incredible vocals of Christine Wiltshire – also known for Musique, Aural Exciters, Phreek, Revanche, DSK and Class Action as well as various backing sessions in soul, funk and disco music. This dance project is brought to life with the lead vocals of Christine along with Holly Oas and Ruderial Blackwell. “Boogie With Me” is one of the sweetest disco tracks with the syncopated rhythms to move it along with the funky keyboards and soaring disco strings. A favorite of mine and another project which I grew to love Christine Wiltshire’s talent even more. |
|
|
• Another Boy In Town
- Glenn Rivera ReStructure Mix - Two Girls Two Girls is a high energy project from producer Anthony Monn – also known for his creative force of Magnifique, ORS, and projects by Judy Cheeks and Amanda Lear. “Another Boy In Town” is an electronic/high energy number that gives a delivery similar to Fancy in a rolling serenade of these girls taking notice of the potential catch on the dance floor. This one pours every ounce of energy out of the thumping synthesizers and the erotic female vocals that echo throughout the club as the dance floor worships its manifesto. A nice change for Anthony Monn who also gave us a similar trip with “Magnifique” in the early 80’s. |
|
|
• Dance Turned To A Romance
- Glenn Rivera ReStructure Mix - The Jones Girls The Jones Girls are Brenda Elaine Jones, Shirley Yvonne Jones and Valorie Denise Jones – a trio which joined the disco ranks in 1979 with their hit, “You Gonna Make Me Love Somebody Else” . The production from the Philadelphia International duo of Kenneth Gamble and Leon Huff gave the dance floors a return to the soul edge of their talents along with the disco formula of the period. Their second album from 1980 titled “At Peace With Woman” contained their second radio and club hit “Dance Turned To A Romance” which is the perfect morning after track with their beautiful harmonies and the romantic interlude which leads to love and happiness. |
|
|
• I Need Love
- Glenn Rivera ReStructure Mix - Capricorn Capricorn is an Italo-disco project from Claudio Simonetti who also produced projects by Kasso, Easy Going and Vivian Vee. His work with keyboards and an innovative approach to a new style of dance music gives him a unique flavor and sound. “I Need Love” is the third single from Capricorn from 1982 and a track that worked for me in the electronic dance transition. A nice funky bass line over fast rhythmic hand clap loops. The vocals work in the funk-punk arena reciting a love song with a yearning for physical attention. One of my favorite Italo-disco songs that I always refer to once I bring my mind to the early 80s. |
|
|
• Dancing At The Disco
- Glenn Rivera ReStructure Mix - L.A.X. L.A.X. is one of the leading funk-disco projects to lead the 80s into a New York Funk frenzy thanks to projects from the Prelude Records label and success with groups like Change (“A Lover’s Holiday”). Produced by Ralph Benatar and Biram Benelux. “Dancing At The Disco” was the first single from the first album and is a nice funk edged disco track that pours our layers of horns, percussion, bass and the sexy female disco riff. It was a huge shift in the Euro-disco presence of releases prior which were big hits for many major club/disco labels. The early 80s shifted to a lesser bpm and a more funk driven format in many playlists urging a new brand of dance music. |
|
|
• Too Damn Hot
- Glenn Rivera ReStructure Mix - The Duncans The Duncans are Phyllis and Helen Duncan – also known as The Duncan Sisters. Their vocals have successfully lightened disco projects from Ian Guenther and Willi Morrisson – also known as THP Orchestra (Three Hats Productions). Several of the productions better known are also Sticky as well as the THP #2 project. In 1981 the duo released “Gonna Stay In Love” an album which contained the single “Too Damn Hot”. This single was left out following the fading of top notch disco singles and an appropriate version for clubs to desire. It is the blaring horns of THP and the fabulous vocals of their wonderful gals. |
|
|
• Take It Slowly
- Glenn Rivera ReStructure Mix - Nancy Martinez Nancy Martinez is a Canadian singer who is also known as Jade and Nancy Martin under several successful dance singles. Her 1983 album “Lay It Down” (produced by Joe La Greca) is one of the 80s artists whom brought back the beautiful sound of disco music with her vocal style. “Take It Slowly” is one of my favorite high energy tracks of the period since it flows like a lilting disco love song along with the full force electronic production. It is a return the pure disco edge and always makes one feel that positive energy that the disco dance floor is known for. |
|
|
• Disco Jam
- Glenn Rivera ReStructure Mix - Eddie Drennon Eddie Drennon is a violinist and producer who released a dance album in 1978 titled “It Don’t Mean A Thing” co-produced by Joe Bana (of Friends and Co. Records). The project is one of the Casablanca Records releases which takes disco music along a new area and features Latin bandleader, Tito Puente on percussion. “Disco Jam” is one of the big tracks that use layers of percussion to move in string breaks and a disco ensemble pouting out the funk. It is a rare number for many unless one of your club stops had a disc jockey who delved deeper into the disco charts. |
|
|
• Love Boat
- Glenn Rivera ReStructure Mix - Amanda Lear Amanda Lear is one of disco music’s greatest acts from the late 70s. Her music always filled the mystique that was needed in this space where fantasy and sexuality were sometimes more than ones imagination. In 2001 Amanda released a disco-house version of the 70s television show theme “Love Boat” – a track covered many times in the disco arena. This bouncy version was one that fit perfectly with the heavy breathy sound of her sexy vocals. It is one of the rare millennial pieces that I will include in a ReStructure Mix but as homage to this stage diva it is provided. |
|
|
• Young Guns (Go For It)
- Glenn Rivera ReStructure Mix - Wham! Wham! is one of the pop-groups of the 80s consisting of George Michael and Andrew Ridgeley. Their influence on the new dance movement of the 80s took the NY funk and gave it a lighter edge. “Young Guns (Go For It)” is from their 1983 album “Fantastic” – produced by Steve Brown and fits into a breaking of best friends as time moves on. It is one of the sounds of the 80s pop dance scene which explores a whole new audience and message. Pieces of a familiar Prelude classic add to its unique edge. |
|
|
• You Got To Move It On
- Glenn Rivera ReStructure Mix - Rofo Rofo is a disco project from producer Fonny De Wulf and Ronny Verrept. The high energy explosion in the early 80s brought on a deep and pulsating sound of keyboards and synthesizers pounding out a dance beat. “You Got To Move It On” is the third single from Rofo and begins a love song with a dreamy energy. Much of what this studio project set out to represent. Dance floors came alive with tracks like this and made the transition from synth-pop to a more definitive club sound. |
|
|
• Let Me Down Easy
- Glenn Rivera ReStructure Mix - First Choice First Choice holds a record as the pure sound of disco from beginning to end. An extreme blend of soulful vocals on a disco stage. Their 1978 album “Hold Your Horses” – produced by Tom Moulton, Thor Baldursson, and McKinley Jackson is the top of disco peaks with so many tracks that pair out as winning. “Let Me Down Easy” is from the side one medley and starts out like a bang and continues with chorus and chorus of definitive vocals and reason. This cover of the Rare Pleasure classic from 1976 stays close to the original adding only a powerful jazz and drum session to give it the disco edge of its time. |
|
|
• Baby, Won't You Dance With Me
- Glenn Rivera ReStructure Mix - Vera Vera is a Patti Masi who brought the mystique of disco music alive in the early 80s. Her big club hit “Take Me To The Bridge” from 1981 –produced by Louis Toteda was one the most talked about release in dance circles. It was also my cure for my own desire to hear a beautiful disco arrangement brought up to date at the time. Following this single a flood gate of hits followed bringing Vera a stand on dance floors everywhere. “Baby, Won’t You Dance With Me” is from 1983 and Vera’s album titled “Joey” which became the resource for this ladies beautiful vocal and connection to dance floors.
|
|
|
• Close Your Eyes
- Glenn Rivera ReStructure Mix - Queen Samantha Queen Samantha is Gloria Brooks on vocals and disco arrangements from Harry Chalkitis. The group is best known for a blend of Euro-disco with a mystique feel. “Take A Chance” is their big hit from 1979 which became one of the favorable moods from dance floors of the time as it weaved layer on layer of disco syrup heavily. “Close Your Eyes” is from the 1979 album titled “Queen Samantha” and plays out like a high energy love letter. The release was a delayed on US release with a remix on Megatone Records in 1982 – remixed by Bernie Bernthaier. It brings to mind that lingering of the classic disco sound becoming a new style titled ‘high energy’. |
|
|
• Carry On
- Glenn Rivera ReStructure Mix - Giorgio Moroder featuring Donna Summer “Carry On” is a single from 1992 that unites Donna Summer and Giorgio Moroder in an uplifting and haunting track that follows a melodic journey. It is a familiar sound that Moroder created in the early 80s with the feel of “Never Ending Story”. This one gives Donna another opportunity to echo her beautiful vocals into a dance song where they work so well. The release is one of the last of Donna’s true dream disco performances and although it is simple it stills pulls us into that fantasy world of the dance floor. |
|
|
• Disco Stuff / If You Love Me
- Glenn Rivera ReStructure Mix - Claire Claire Chevalier (Claire Thérése Ferullo) is a French recording artist who brought the disco sound a wave of Euro sweetness. A true chanteuse where the melody becomes the identity of disco as one of its styles originated from the chic dance floors of Paris. Full of orchestration and the love which became the identity of European disco as Cerrone and Alec R. Costandinos penned. Claire’s 1978 single, “If You Love Me” was arranged by Jean Pierre Goussaud and produced by Thomas Nonton. The arrangement gave of segments of the “boogie breakdowns” titled “Disco Stuff”. A nice love song with a feel of that Salsoul Orchestra arrangement that became a disco staple of the time. “High On Love” was another single from Claire which I played for packed floors with the US release on Prelude Records.
|
|
|
• New Attitude
- Glenn Rivera ReStructure Mix - Patti LaBelle Patti LaBelle began her solo recording career in 1977 following a memorable place in the soul/funk trio LaBelle along with Sarah Dash and Nona Hendryx. Many of her recordings with LaBelle gave this songbird an opportunity to blend her powerful vocals over the talents of the ensemble. As a solo artist Patti is undeniably one of the most influential figures in soul music. “New Attitude” gives Patti a moment to step into the 80s synth-pop arena with a track that is most fitting. It delivers a positive message and allows this voice to carry us into a roaring anthem. The song was produced for a soundtrack project for the 1984 film, “Beverly Hills Cop” – produced by Howie Rice, Peter Bunetta and Rick Chudacoff. I have taken the 12” version of “New Attitude” remixed by Louil Silas Jr. and reworked a ReStructure Mix with more of a beat-dub ‘attitude’ bringing more space into the heavy production. More of the vocal is broken into pieces to give us the positive message again, in a new way. |
|
|
• Sweet Sensations
- Glenn Rivera ReStructure Mix - L'ectric Funk |
|
|
• Shining Star
- Glenn Rivera ReStructure Mix - Earth Wind and Fire |
|
|
• Life Dance - Glenn Rivera ReStructure Mix - Sonia Belolo |
|
|
• Three Time Lover
- Glenn Rivera ReStructure Mix - Bardeux |
|
|
• C'mon Baby
- Glenn Rivera ReStructure Mix - Chilly Chilly is a German disco band created by producer Bernt Möhrle whose debut single “For Your Love” paved a unique sound for disco in 1978. A deeper and rich sounding cover of The Yard bird’s classic rock song is one of the hardcore pieces of a nice transition production to disco. From the same album is a track I always found intriguing with the powerful soulful male vocal and the rock-edged female lead together titled “C’mon Baby”. The short 3 minute version from the LP was always set in my mind for a lengthier remix. |
|
|
• Another Night
- Glenn Rivera ReStructure Mix - Aretha Franklin The Queen of Soul has another moving moment in the 1986 dance track “Another Night” – produced by Naratha Michael Walden. This piece was released during the house music explosion of the mid-80s where a taste of sampling and heavy bass dominated the remix and execution of many dance numbers. A big influence here with a 12” remix from Steve Thompson and Michael Barbiero where the sampled pushed to the vocal level to enhance the rhythm and pump the beats. Most of this done in the dub and instrumental parts yet outlined in the vocal remixes. This lonely yet positive and strong song emphasizes survival after a painful breakup gives Aretha more of the emotion as many of her past soul hits did. A great song for dance floors and a ReStructure Mix. |
|
|
• Destiny
- Glenn Rivera ReStructure Mix - Two Sisters Two Sisters are Theresa and Tracey Pesco and an electronic production with a blend of hip-hop, Latin and disco touches. The New York sound during the early 80s being polished by many of the dee-jays, engineers and producers of the Disconet era became one the progressive faucets of dance music and tracks like “Destiny” brought a blend of various styles together in the new tradition. This piece produced by Mark Berry who also gave us numbers from Amy Bolton, Roni Griffith, Poussez!, Bonnie Forman and more. His touch was more of the sound of underground dance music with a pop flair – a perfect blend for the early 80s. |
|
|
• Like A Virgin
- Glenn Rivera ReStructure Mix - Madonna Madonna’s career not only spans a creative path from the simplicity of 80s synth-pop to complex ballads and dance floor anthems. “Like A Virgin” is Madonna’s play with upbeat electronic dance music and along with producer Nile Rogers began a new journey for her talent. This 1984 number was also Madonna’s start with a controversial stage performance igniting the imagination of both the lyrics and her iconic style. |
|
|
• Keep On
- Glenn Rivera ReStructure Mix - D-Train New York Funk is a sound filling dance floors with a mixture of electronic funk and a soulful vocal ensemble. D-Train is one of the leading bands to bring the shift from full-orchestrated disco to this New York sound. James Williams and Hubert Eaves III released their first album “You’re The One For Me” in 1982 and along with the powerhouse remix assistance from Mr. François Kevorkian their sound became the leading force in disco label, Prelude Records new focus. “Keep On” is the second single from the album and offers a similar dose of funk with an uplifting message and choir bringing more to a willing dance floor. |
|
|
• La Cage Aux Folles
- Glenn Rivera ReStructure Mix - Le Jetè Le Jeté is a studio band produced by Ken Kessie, Marty Blecman and Morey Goldstein on the high energy label Megatone Records. Their only single “La Cage Aux Folles” from 1983 is a disco version of a song from the Broadway Musical which is based on the 1978 Italian comedy. This production follows the high energy pace set my tracks like “So Many Men, So Little Time” and “The Boys Come To Town” which give disco music a new facelift with the electronic percussion and heavy synthesizers. A big hit in many clubs either as a vocal or the flip-side instrumental. Lots of the breaks and flowing energy that made the early and mid-80s a great place to dance. |
|
|
• So Emotional
- Glenn Rivera ReStructure Mix - Whitney Houston Whitney Houston is a voice that brings back the 80s with the excitement of a new dance era and artists keeping the dance movement alive. Whitney’s big pop dance song, “So Emotional” is from her 1987 album “Whitney” produced by Narada Michael Walden. This one was as exciting as the arrival of Houston’s presence in 1985. This is a love song overflowing with the juicy pieces of Whitney’s voice and attitude which helped to make her the pop-princess of her time. I can remember having to play this one more than once and with the help of the 12” magic by Shep Pettibone and Junior Vasquez it was easy. |
|
|
• Summing Up
- Glenn Rivera ReStructure Mix - Electric Mind Luciana Cirrillo and Michele Violante are the Italian group Electric Mind. Along with producer Andrea Candelora a venture to bring a New York funk edge to Italo-disco began its ringing throughout clubs. Inspired by bands like Change and Chic there is an electronic take on the funky guitars and electro vibe here. “Summing Up” from 1982 is their first release and a big long time floor packer in my club. This one has the smooth piano riffs that many tracks were incorporating and Electric Mind placed them to complete a jazz air.
|
|
|
• Call Me
- Glenn Rivera ReStructure Mix - Skyy Skyy is a disco-funk band which filled the gap between funky and disco. Produced by Randy Mueller of B.T. Express and Brass Construction this sound was the 80s new dance groove. The band members included Anibal "Butch" Sierra, Bonny Dunning, Delores Dunning Milligan, Denise Dunning Crawford, Gerald Lebon, Larry Greenburg, Randy Muller, Solomon Roberts Jr., Tommy McConnell and Wayne Wilentz. Skyy’s 1981 album “Skyy Line” featured the single “Call Me” that is an old school classic at its best. The song topped club lists and radio play during its release and even today brings it all back properly. |
|
|
• Love Kills
- Glenn Rivera ReStructure Mix - Freddie Mercury Freddie Mercury has a voice which brings emotion and power to each performance. Many of his recordings both solo and along with the rock band Queen have given a fulfilling legacy to music history. In 1984 Freddie released a solo album titled “Mr. Bad Guy” with a few tracks which celebrate the 80s dance edge. “Love Kills” is another powerful single which was produced by Mercury and Giorgio Moroder for a re-release of the 1926 Fritz Lang cinema-classic “Metropolis”. The new soundtrack from the film featured 80s vocalist recapturing the film with new synth-pop atmosphere. The song is another memorable vocal from Mercury that is powerful and haunting. |
|
|
• Baby Love
- Glenn Rivera ReStructure Mix - Regina Regina Richards is a singer whose 1986 single “Baby Love” that reached Billboards Top 10 and became her classic 80s dance number. The song was written by Regina and Stephen Bray and after Madonna passed on recording it she decided to record it herself. It is a sound that is close to Madonna’s of the period and even production and Regina’s vocals it is sharp resemblance. The song was big on my dance floor and was requested frequently. It is that pop-edge from the 80s that fits into the stage dominated by gals like Kylie Minoque and Debbie Gibson. |
|
|
• Hurricane
- Glenn Rivera ReStructure Mix - Tapps Tapps is a high energy project with Candy Berthiaume, Allan Coelho and Tony DaCosta. One of the big 80s disco projects which helped to bring on the new layer of dance music history labeled “high energy”. An electronic production with the percussion and beats of disco along with the 80s synth-pop touch echoing throughout. “Hurricane” is from their 1987 album “Turn It On” – produced by Alan Coelho and John Forbes. This one is a powerful heartbreak number that was a big hit following their previous double hits “My Forbidden Lover” and “Runaway (With My Love)”. A big hit on my playlists and one which brought many nights of non-stop energy to a peak. |
|
|
• Can't Be Love - Do It To Me Anyway
- Glenn Rivera ReStructure Mix - Peter Brown Peter Brown is a talented artist and an innovative force during a strong focus on night life and a mew sound which was formulated and created on dance floors. Peter’s first album “Fantasy Love Affair” from 1977 is a classic among the blend of soul, funk and electronics which became the stamp of the underground sound of disco. “Can’t Be Love – Do It To Me Anyway” is a single which was released in 1979 as a B-side to a track from his project “Stargazer”. It was released again with a new remix in 1980. The song has a unique edge and interesting beat tracks that stomp out the message of genuine sparks in a new love affair. A big hit and one of Peter’s best dance tracks. It also gives a new example of his genius. |
|
|
• Sexy Thrills
- Glenn Rivera ReStructure Mix - Extensive Care Extensive Care is a Canadian disco project from producer, arranger and innovator of the heavy drums of disco music in the late 70s – Mr. Peter Di Milo. His classic band Erotic Drum Band is one of the big events of the underground club scene and one of the hardcore disco projects which helped to move dance music in a new direction. “Sexy Thrills” is a 1980 track from the album by the same name which gave the dance floor another dose of a flavor which used his trademark percussion along with an ensemble which brings a funky edge. His use of horns in a classic riff which brings a big band stand calling out dancers is fabulous. |
|
|
• We Don't Have To Take Our Clothes Off
- Glenn Rivera ReStructure Mix - Jermaine Stewart Jermaine Stewart is a singer from the mi-80s who appeared with a big dance floor hit titled “We Don’t Have To Take Our Clothes Off”. This was a fun-male romp piece that played out well with the pop-dance of the time. It was a bit campy but fun with enough beats and kicks to move shoulders and hips. One of the big tracks of my club at the time and probably the most requested. |
|
|
• I'm In Love
- Glenn Rivera ReStructure Mix - Evelyn King Evelyn King (formerly “Champagne” King) is a voice in disco music that transcends the soulful edge of the dance floor in the late 70s. The direction of soul music and it’s influence on disco’s growth was attributed to this sound. “I’m In Love” is from Evelyn’s 1981 album by the same title – produced by Kashif. The early pop years of dance music was a search for a more funk driven sound and this is one of the leading moments. An electronic pulse of bass and funky keyboard accents along with a soulful vocal gave dance floors a whole new experience similar to what New York Disco was building on with labels like Prelude Records. It was a new journey for dance music. |
|
|
• Wood Beez (Pray Like Aretha Franklin)
- Glenn Rivera ReStructure Mix - Scritti Politti Scritti Politti is a synth-pop ensemble formed in 1977 and giving the 80s a brighter and solid electronic groove. Lead singer, Green Garlside stands out with his whispery and somewhat teasing vocal in tracks like “Wood Beez” from the album “Cupid * Psyche 85” – produced by Arif Mardin. The group also feature Dave Gamson who released an electronic cover of The Archie’s “Sugar, Sugar” in the “funky town” beat box feel – released as Learners Permit. His keyboard play and execution in Scritti Polliti touches a bit of an alternative edge and is haunting.
|
|
|
• Seclusion - Glenn Rivera ReStructure Mix - Shawn Benson Shawn Benson is one of the artist of the mid 80s high energy scene with a hit dance track titled “Seclusion” – produced by Barry (Beam) Blum and Johnny Hedges. This one is a fast moving piece of soulful vocals and an electric arrangement that jumps out in every direction. It was one of my favorites and holds that place in high energy history that makes us all glad we were a part of it. |
|
|
• Everybody - Glenn Rivera ReStructure Mix - Madonna Madonna began her dance career as a dancer for Patrick Hernandez (“Born To Be Alive”) and eventually led to an incredible recording, performing and film career. The first clue we ever heard of this was a single released in 1982 titled “Everybody” produced by Mark Kamins and featured no image of Madonna on the sleeve. If her title was not provoking enough for more there was a bigger force heading our way. The track was a simple electronic dance number which scored very high with dancers and DJs. Learning more about this 80s talent was an experience for all. “Everybody” became one of the street dance hits to help dance floors prepare for another decade of pop-synth dance music with more attached. |
|
|
• Baby, You Ain't Nothing Without Me - Glenn Rivera ReStructure Mix - Karen Young Karen Young is one of disco music’s ferocious voices and well handled in her 1978 album, “Hot Shot”. The title track is the biggest sound to hit dance floors during its release. The production by Andy Kahn and Kurt Borusiewicz along with Walter Kahn contains the precursor to club sound that a touch of jazz and hardcore dance beats stomp out a few anthems in Karen’s style and ominous voice demands. “Baby You Ain’t Nothing Without Me” is one of the follow up singles which brought dance floors another piece to worship this lady to. This one I could remember hearing shouting over this one from dancers who could not contain the excitement of this number. |
|
|
• I Don't Wanna Lose It - Glenn Rivera ReStructure Mix - Bambu' Bambu’ is a disco project from 1979 produced by Jorge Barreiro who also worked on projects by Black Ivory, J.O.B. Orchestra and J.R. Funk and The Love Machine. Bambu’ is the disco production that hustle clubs clamored for. A distinct layer of Afro-Cuban percussion and swirling strings which blend as a Euro-disco piece but with a live band feel. ““I Don't Wanna Lose It” is a sweet love song that brings a short and simple message that gives his lover security and gratitude. The mid 70s 12” market was tailored for this style of disco music with the sound created for and by dancers in the club environment. This was essentially the hardcore underground dance music of its time. |
|
|
• Soft and Wet - Glenn Rivera ReStructure Mix - Prince Prince released his first solo album “For You” in 1977 in the early period of his style and experimental edge on funk and dance music. “Soft and Wet” is the single that speaks out with the sexuality that pours through Prince’s approach to attitude and themes. This number has the keyboards that play out with the sensual yet tweaked funk approach. It is one which caught my ear and imagination immediately. For a debut this one has the Prince we grew to know in the 80s during the height of creativity and pop culture. I have taken the album version of “Soft and Wet” and played it out with more of the great riffs and worked in some new elements to take the undercurrent and make it a title wave. The original is a great number and this ReStructure Mix makes the voice for a deeper and private dance. |
|
|
• All Day, All Night - Glenn Rivera ReStructure Mix - Margaret Reynolds Margaret Reynolds is one of the voices of disco music which brings soul and a dance palace aura to feet and mind. Her music from 1979 throughout the 80s is a direct hit with many of the themes using nightlife as the center stage for love, heartbreak and romance. “All Day, All Night” is from her 1982 album “Keep On Holdin’ On” and was produced by Beverly Champion and Horus Jack Tolson – with the album remixed by the legendary Bill Motley of Boys Town Gang. This track is one of the echoes of the club sound with a hardcore feel. One of my favorites that even today gives me the understanding of how love can make us or break us. |
|
|
• Boys (Summertime Love) - Glenn Rivera ReStructure Mix - Sabrina Sabrina is an Italo-disco artists who well known for not only her 1987 dance floor hit, “Boys (Summertime Love)” but also her cleavage from the video. A great summer Italo track that uses a deep bump beat to power out the excitement on the beach for a single girl as she summons the “boys” for frolic on the sand. Produced by Claudio Cecchetto who also produced a few Italo-disco classic including Bizzy & Co., Taffy and Tracy Spencer. This song made radio playlists during its release and gave the weekend airwaves a taste of uplifting Italian disco music. I have taken the 12” mix and the instrumental to recreate the beach balls, boys and cleavage once again for this ReStructure Mix. A drawn out arrangement with a special cameo from Connie Francis and a blend of her classic boy song along with “Summertime Love”. A new celebration and feel here. |
|
|
• Object Of My Desire - Glenn Rivera ReStructure Mix - Starpoint Starpoint is a soul/funk/disco band from Annapolis, Maryland whose influence on the dance floor made the funk end of a dance program complete. Their big hit from 1985, “Object Of My Desire” produced by Keith Diamond and Lionel Job helped to place them upfront on radio and dance floor programs. One of the most irresistible vocals from Renee Diggs and kick beat productions which bring a hard edged and mean message to gentle words. It was a huge hit for my playlists and helped to breakdown the high energy and 80s alternative dance tracks into a funk arena quickly. I have taken the 12” version – both vocal and instrumental to recreate a ReStructure Mix which would play out in a whole new direction – without taking the original intent away. With kick beats and keyboards playing out like a rock anthem this one is well deserved to be celebrated as a giant 80s influence. Anyone who has ever felt its groove knows just what it is all about. |
|
|
• The Heart Is A Lonely Hunter - Glenn Rivera ReStructure Mix - Bonnie Bianco Bonnie Bianco is a singer and actress whose recording career began in 1983 and lead to an anthem track tiled “The Heart Is A Lonely Hunter” in 1987. A number that was one of the top dance floor hits in my club at the time. Much like a production by Laura Branigan and a touch of the 80s rock heartbreak themes of the period. This one was produced by Christian De Walden and Steve Singer and packs quite a wallop with a power vocal and roaring electronic arrangement. One of my favorites among its class. I have taken the German 12” version mixed by John Pace and applied the ReStructure Mix feel to this dramatic number. Adding more length and breakdowns as well as a few effects to bring more height to the message. It is one of the projects which I worked to create a new open effect with. A great song to begin with this is a new issue. |
|
|
• Eye Contact - Glenn Rivera ReStructure Mix - Casanova Casanova is a disco project from 1983 from Sheila E. Washington (Amuka Kelly) and Stephen C. Washington. The electronic force behind this one forms well with the robotic voice that bellows out the eyes watching from the sidelines – catching the energy and excitement of a dance floor in full force. This one was always on my playlist during its release and creates a mechanical syndrum feel with fast moving keyboards, beats and the pulsating energy. A great blend of the 80s dance allure with high energy. The vocals which are featured though a vocoder are the club diva Amuka Kelly which plays out well with this theme as well as ticket to a completely new sound than their project Civil Attack, also on Salsoul Records. I have taken the 12” versions Part 1 & 2 to create this ReStructure Mix which outlines the electronic sound with more of what makes it work. I have added a new surprise from a classic Moroder/Summer track to help brand a new edge. This one has always been a favorite and I am happy to keep it alive. |
|
|
• Good To Me - Glenn Rivera ReStructure Mix - THP THP is Ian Guenther and Willi Morrison – two producers and song writers who formed Three Hat Productions during the underground disco movement of the mid-70s. Their aim was as any producer who was aware that the nightlife was bringing a new genre of music that was gaining notoriety and sales. THP Orchestra released projects which were a blend of the soulful orchestrations set to a new pulsating beat and drums. THP is one of the classic disco groups formulated for the dance floor – by the dance floor. “Good To Me” is the title cut from the finale album from THP in 1979 and features vocalist Joyce Cobb on lead. This session is one of the most memorable for the band where each track is a disco hit with the growth of this ensemble reaching a new and exciting level. I have taken the album version of “Good To Me” and created a ReStructure Mix to keep the track in the ears and minds of those of us who were fortunate enough to have felt this one pounding out over a crowded dance floor. Many of the riffs created by the fabulous vocal by Joyce Cobb are rearranged and set up for a new dub-like experience. I have added some phasing and filtering of parts of this gem to give this new version a few more peaks and enhanced energy. |
|
|
• Cupid - Glenn Rivera ReStructure Mix - Spinners Spinners joined the disco train in 1979 with the production from Michael Zager and his classic disco arrangement and use of their soulful vocals. This project titled “Love Trippin’” features a cover of the 1961 song “Cupid” written and recorded by Sam Cooke. The song has a touch of a Latin rhythm along with the r&b outline. Spinners take the track and sweeten it even more with their flowing harmonies and along with Zager’s disco groove this one hits the same mark as their previous disco hit, “Working My Way Back To You” from 1979, also produced by Michael Zager and Jerry Love. I have taken the album version of “Cupid” and striped away the Medley piece “I’ve Loved You For A Long Time” to give this track the spotlight for a new ReStructure Mix. A few looping parts of the disco rhythms and some new drums to enhance the 50s Latin touch of this little gem. It plays out with more of “Cupid” using drop segments and effects to communicate true love. |
|
|
• Showdown - Glenn Rivera ReStructure Mix - Carol Lloyd Carol Lloyd is singer who recorded her first album titled “Score” with the studio screw who also gave us the disco project Ultimate (“Touch Me Baby”, “Ritmo de Brazil”). The crew recreated the sound of Euro-disco with a touch of the Philly edge with Bruce Weeden producing along with Juliano Salerni. Carol’s album has the feel of that Philly production with the mature sound of disco that it reached in 1979. Each song here is a great one thanks to Carol’s tough vocals which bring on a new feel for the sweet disco arrangements. Backing this session is the trios who were Boris Midney’s ensemble on the first U.S.A. European Connection project (Leza Holmes, Renee Johnson and Sharon Williams) and earlier were Gentle Persuasion. “Showdown” is one of the energetic tracks from this session which play out like an Ann Margret number with the tough and sassy motivation and campy direction. I have taken the album version of “Showdown” and recreated a new ReStructure Mix to display once again that classic disco is always alive with a full orchestra arrangement and the soulful Philly giving it rhythm. A full re-working of the track using all of the elements which make this one a fun listening experience. Dedicated to Nick Bunning and Lindsay Smith – the boys who give me so much inspiration to keep this music alive. And I can understand why they requested this one since it has one of the great voices that make disco music what it is. |
|
|
• You Came - Glenn Rivera ReStructure Mix - Kim Wilde Kim Wilde began her solo recording career in 1981 with her new wave pop hit, “Kids In America” – a project produced by her brother Ricky Wilde. A career which began with a rock n’ roll focus which later became one of the synth-pop dance artist to attract my attention with her 1985 dance track “Go For It”. It was a great pairing of Kim’s vocal which has a child-like feel along with blaring 80s keyboards. The following year her cover of The Supremes “You Keep Me Hanging On” made her a dance floor regular. “Close” is her 1988 super mover project with several big dance floor tracks including “You Came” which was a regular on radio programs and a big club hit. I have taken the US 12” of “You Came” with the fabulous remix by Shep Pettibone and Steve Peck using the Shep Mix and the additional 2 dubs to create a ReStructure Mix which plays out with the same energy and a different approach. It is one of those love songs that somehow rocks with the smoothness and power of Kim’s performance. This remix is placed to give the original another boost or play for those who love the 80s and the synth-pop sweeteners which made dancing more of a memory. |
|
|
• In My House - Glenn Rivera ReStructure Mix - Mary Jane Girls Mary Jane Girls are Joanna McDuffie, Candice Ghant, Maxi (Kim Wuletich) and Corvette (Yvette Marine – also daughter of disco diva, Pattie Brooks). A group was originally hired as back-up singers for Rick James and later was spun off as a new female funk quartet. Mary Jane Girls are most known in the 80s for their sexy and powerful productions by Rick James which included his punk fuck bass and guitar work. “In My House” is the big dance floor track from the second album titled, “Only Four You”. This one is a groove driven piece and very much owned by these ladies. I have taken the 12” vocal and instrumental to bring a ReStructure Mix into light and once again remind us of how fun and contagious the 80s dance scene was. A bit of new drums were added to bring another sexy layer to the sound and feel. |
|
|
• Only In My Dreams - Glenn Rivera ReStructure Mix - Debbie Gibson Debbie Gibson starred in a 80s dance arena that was formulated for youth – a new generation of club goers and music idol worship. Her first album “Out Of The Blue” is a production from Debbie and Fred Zarr who worked with many 80s dance artist and groups. This brand of dance music was a sweet and beat driven sound which formulated alongside the remixes and culture of the early 80s street scene. “Only In My Dreams” is a crossover genius like many of Debbie’s early dance numbers which also fell into the Adult Contemporary and love song categories. A bit of the 60s girl scene on an updated stage and new audience. I have taken the 12” of “Only In My Dreams” using the vocal and beat mixes to recreate a new ReStructure Mix to place it in a whole new light. I have taken many of the infectious pieces to reboot the arrangement and feel without taking from the original energy. A new experience for the Debbie Gibson fans and those of us who spent allot of time dancing as songs flashed by. |
|
|
• Don't Go Breaking My Heart - Glenn Rivera ReStructure Mix - Elton John & Kiki Dee Elton John and Bernie Taupin wrote the pop-disco hit, “Don’t Go Breaking My Heart” from 1976 – the track was originally intended as a duet for Elton and Dusty Springfield. It was recorded with English singer Kiki Dee who’s 1974 hit “I’ve Got The Music In Me” made her a familiar name. The success of “Don’t Go Breaking My Heart” made it #1 in the UK for six weeks. The track always reminded me of a fluffy disco number with the simple love notes and the orchestral strings soaring throughout the beats and rhythms. A great pop 70s song that I gave a moment with a ReStructure Mix to pay homage to its own. I have taken the single version of “Don’t Go Breaking My Heart” along with an anonymous karaoke version to tie this ReStructure Mix with some looping and new arrangements allowing more of the sweetness to linger on. One of my favorite radio hits and a definite disco emulation. |
|
|
• I Love You - Glenn Rivera ReStructure Mix - Yello Yello is Boris Blank and Dieter Meier – an alternative electronic band formed in 1979. This new brand of music comes across as haunting and terrifying at moments where their blend of drums and keyboards play out hidden and mysterious messages. The bands heavy sequencers along with tribal drums beating out a disco rhythm to bizarre themes that at times seem like a ritual. Yello reached mainstream in 1985 with the success of their single “Oh Yeah” – featured in the 80s film, “Ferris Bueller’s Day Off”. Also, their work with Dame Shirley Bassey provides an orchestral touch to their unique and alternative sound. “I Love You” is an extreme example of Yello’s energy. It is from the project, “You Gotta Say Yes To Another Excess” from 1983 and feels like a nightmarish love song. A great example of how Yello plays out. I have taken the original 12” of “I Love You” and recreated another dreamlike ReStructure Mix which takes the elements of this pounding number and places in a new arena. The group has always been one of the desired edges for those moody early morning sets and it was easy to apply a remix to one of their roller coaster ride dance tracks. |
|
|
• Walking On Sunshine - Glenn Rivera ReStructure Mix - Rocker's Revenge Rocker’s Revenge is Donnie Calvin, Dwight Hawkes and Tina B – and another landmark piece from producer, Arthur Baker. The electro-beats masterpiece which shifted dance floors into another phase of 80s dance music. The 1978 track “Walking On Sunshine” by Eddy Grant is one of those underground dance records which give a unique edge to a disco and alternative programming. This cover, “Walking On Sunshine ‘82” is a marking point for the electronic genre – giving it the sub-title electro beats. The project features John “Jellybean” Benitez working on the finale mix along with Baker. I have taken the 12” long version and the ‘rockin’’ version to recreate a new ReStructure Mix in honor of this single which opened my eyes and ears to the New York street beat sound exploding in the early 80s. A surprise from 1969 is planted within this new mix to give a strange mashup for this memorizing electronic play. It is truly one of the 80s dance floor hits to feel good about. |
|
|
• He's A Saint, He's A Sinner - Glenn Rivera ReStructure Mix - Miquel Brown Miquel Brown is a singer who took on disco music in 1979 with her album “Symphony Of Love” – produced by Alan Hawkshaw. The title track became a favorite of the Euro-disco lovers with the lyrical sound of sensual femme disco accompaniment. Later in 1983 Miquel scored a huge hit along with producers Ian Levine and Fiachra Trench with the single, “So Many Men, So Little Time” – another statement that the disco era had not quite finished its business. In a new form called ‘high energy’. The album released the same year featured another dance single titled, “He’s A Saint, He’s A Sinner” – another light and playful portrayal of the hedonism of hardcore club dance music. I have taken the 12” vocal and instrumental re-mix to create a new play for Miquel’s operatic-like delivery and the rolling pianos and crashing disco beats. This new ReStructure Mix takes pieces of the breaks and pianos and mixes them up like martini. It is a version that salutes the early 80s club sound and its influence on the path disco music took unexpectedly. |
|
|
• Gluttony - Glenn Rivera ReStructure Mix - Rinder and Lewis Rinder and Lewis are the pioneers of the underground disco movement of the mid-70s. Their music ranges from a simple synthesizer and keyboard arrangement to a full disco orchestration with lush strings. Much of their work is hailed as disco gems. “Seven Deadly Sins” is their first solo/duo album from 1977 and is an instrumental trip through the disco-fied themes. Each belonging to an individual ‘sin’ and its audio mood. An interesting concept and arranged quite well for one of their early experimental pieces. “Gluttony” is one of the whirling bass sequencer tracks that play out as a moody and hypnotic number with slashes of sounds and instruments. The bass sequencer is reminiscent of rolling disco sound later becoming one of the most alluring of technical productions. I have taken the album version of “Gluttony” and created a ReStructure Mix which takes the key parts of the movement and rearranged it for a new lure. New percussion and effects are added to give more punch to the deep edge. One of the mystical disco numbers from W. Michael Lewis and Laurin Rinder and many disco audiophiles know it well from their own temptation of this classic project. |
|
|
• First True Love Affair - Glenn Rivera ReStructure Mix - Jimmy Ross Jimmy Ross (James Albert Ross) is a singer from Trinidad who became one of the voices behind the Italo-disco scene in the early 80s. “First True Love Affair” became a garage hit thanks to a fantastic remix from resident DJ Larry Levan. The track is from the album produced by Luciano Ninzatti, Stefano Pulga and Matteo Bonsanto – alias Kano. The heavy synthesizer outlines work well as a funk groove in the pieces relayed by Italian projects during this period. It was an obvious influence from bands like Change and Chic. A heavy guitar presence brings the outline a breath of fresh air. I have taken the 12” version of “First True Love Affair” and have given it a ReStructure Mix environment where the verses and chorus parts end up between new breaks and rhythm loop segments. The song is quite beautiful in its disco-funk flavor and with Jimmy’s unique vocal is a nice experience. The arrangement was directed at a more experimental chance and is offered here as an homage. |
|
|
• Que Rico Vacilon - Glenn Rivera ReStructure Mix - Love Childs Afro Cuban Blues Band |
|
|
• Burn This Disco Out - Glenn Rivera ReStructure Mix - Michael Jackson Michael Jackson’s project “Off The Wall” from 1979 is one of the unforgettable moments in music history. The production by Quincy Jones created a sound for Jackson which placed him in another incredible stage for a career that was endless, even today. The track “Burn This Disco Out” from the album is one of the pieces which define Michael’s control over a groove and the emphasis he plays to the “boogie”. A nice smooth arrangement by Rod Temperton makes this one again a piece of Jackson’s legacy that will always be looked at with tribute. I have taken the album version which times out at a little over three minutes and worked a ReStructure Mix to lay out another place for the horns and rhythm to play on. A new intro gives more fade in to the energy and excitement. Some new breaks and effects have been pieced in to create a finale mood that should make Jackson fans happier to attempt that “moon walk” number. |
|
|
• These Memories - Glenn Rivera ReStructure Mix - Oh Romeo Oh Romeo is a high energy project from producer, Bobby Orlando that paints the sound of the 80s dance floor with a touch of emotion and drama. “These Memories” became a dance floor hit when it was released in 1983. The emotional tug with all of the elements of high energy – the percussion, the heavy synths and driving message. One of my dance floor favorites and another reason why dance music survived throughout the 80s. I have taken the original Bobcat Records 12” to recreate a new ReStructure Mix for a return to the dance floors most contagious periods. The rolling synthesizers are still intact with more play. The anthem gets a new feeling with a sample of a ‘memory’ from the 70s. |
|
|
• Give Me Action - Glenn Rivera ReStructure Mix - Queen Samantha Queen Samantha is a disco group produced by Charles Ibgui and Harry Chalkitis – also featuring the vocals of Gloria Brooks. “Take A Chance” is the single from 1979 that is most remembered from this project - the TK Records 12” single remixed by Steve Thompson and Michael Arato made it an instant dance floor classic. The angelic and haunting vocals are the mystery behind Queen Samantha during the early projects and later a more predominant lead is brought to the forefront by Gloria Brooks. “Give Me Action” is the single from 1982 and plays out with an R&B flavor accented with horns and a funky bass line. One of the big hits of my dance floor during its release. I have taken the 12” version of “Give Me Action” and worked a new ReStructure Mix with more of the groovy elements in place with a new arrangement and touch. It is one of the great disco conversions pieces for a disco band shifting to the 80s dance crowd and not failing to keep the original groups feel alive. This one is much more extended and gives the play a bit more space to feel the message. |
|
|
• I Wanna Dance - Glenn Rivera ReStructure Mix - Marathon Marathon is a disco project from producer, Pete Bellotte – who also produced Donna Summer, Joy Fleming, Trax, Roberta Kelly and Marsha Hunt. The studio project was featured in the 1978 film soundtrack, “Thank God It’s Friday” with the many Casablanca artists who made the disco scene colorful with their sounds which matured from the mid to late 70s. Marathon plays out like the disco chorus groups which were more of an ensemble used to create the sound each producer envisioned. Here with the only single from the group is “I Wanna Dance” – which you can imagine was conceived to outline the excitement of the films homage to disco and Friday nights. The emotion and energy is certainly alive here and plays out with the syncopated horns blaring out a Spanish feel with plenty of percussion leading the way. I have taken the soundtrack version and recreated a new ReStructure Mix which plays more into the hands of a breakdown mix. Using many of the riffs to fill in a new arrangement for this new remix. The chorus and lush strings are a bit more controlled and placed in segments to bring the breaks another breath of fresh air. |
|
|
• Swept Away - Glenn Rivera ReStructure Mix - Diana Ross Diana Ross was focused on keeping our eyes, mind and ears moving in many adventurous moves with productions and material. In 1984 the album “Swept Away” features a pop, funk, and soul offering by various producers including the late Bernard Edwards of Chic. The title track utilizes the bass and beat club sound produced by the man who brought it into the light, Mr. Arthur Baker. The track was co-written and co-produced by Daryl Hall of Hall & Oates. The song transforms Ms. Ross in a fantasy of exciting love and eventually the painful demise of it. This one was one of the top played tracks of the time for me thanks to a 12” single mixed by Arthur Baker and edited by The Latin Rascals. Diana sounds soft and subtle with her sexy delivery and eventually takes the song into the dangerous waters of this love. I have taken the 12” long and instrumental version into the ReStructure Mix arena with a bit more use of the beats, synths and open feel of the adventurous sound. The awesome drum beats are hard to ignore here and along with Diana portraying the femme fatale in her own style. A tribute to Mr. Baker here and also a dedication for the talent and work her has given us in dance music. |
|
|
• That Old Black Magic - Glenn Rivera ReStructure Mix - Jeanne Shy Jeanne Shy and Bob Esty together are sheer disco ecstasy! The 1979 release of “Night Dancer” and a cover of the lounge classic “That Old Black Magic” are the excitement which disco reached during a year of many productions and the complete sound which the dance floors and clubs influenced. Jeanne Shy brings a whole new feel to the Bob Esty production that is full of emotion and jazz/soul feel which rings like magic dust sprinkled over a lush and beautiful disco orchestration. This one was always on my turntable and continues to haunt my memory of nights where the mood was captivating and oh so exciting. I have taken the 12” version of “That Old Black Magic” and reworked Bob Esty’s flawless production in that ReStructure Mix angle. It gives more play for a long intro to Jeanne’s statement and more breaks to give your heart and feet a break. This ReStructure Mix is dedicated to Ms. Jeanne Shy and Mr. Bob Esty |
|
|
• Too Hot To Trot - Glenn Rivera ReStructure Mix - Commodores Commodores released “Too Hot Ta Trot” in 1977 – from their “Live!” album – produced by James Anthony Carmichael and Commodores. The song was an instant hit and became one of the tracks to appear in the film, “Thank God It’s Friday” in 1978 along with their performance live from the discotheque. The Zoo. This funk masterpiece has all of the riffs that their previous hit, “Brick House” contained and more. This one set this band up for a roll in the funk, soul and disco scene and charts. I have taken the long version of “Too Hot Ta Trot” and worked a new ReStructure Mix to give more of those groovy guitars and the funky brass. I played a great deal with the original to create a more underground and surprise experience for those used to moving their hips to this one! |
|
|
• Bit By Bit (Theme from "Fletch") - Glenn Rivera ReStructure Mix - Stephanie Mills Stephanie Mills took dance floors immediately with her 1979 album “What Cha Gonna Do With My Lovin’”. This was a new sound for this vocalist which would present a whole stage in the disco and dance arena. Her ballads and adult contemporary singles from her projects also placed her in many classic love songs which even today are on rotation. “Bit By Bit” is a single from 1985 produced by Harold Faltermeyer and is from the soundtrack of the Chevy Chase comedy “Fletch”. This piece is one of the electronic disco pieces that we had the opportunity to hear Stephanie complement with her soulful and energetic sound. The production follows the success of Harold Faltermeyer’s former soundtrack of “Beverly Hills Cop” and his single “Axel F” – a whole new sound for the 80s pop dance scene. I have taken the 12” vocal and instrumental to work on this ReStructure Mix which simply plays out with more of the dub sounds and reworking the simple keyboard riffs and slamming kicks. It is a lengthier piece that gives way to more of the excitement and fun of hearing Stephanie deliver a high energy number again. |
|
|
• Pieces Of Ice - Glenn Rivera ReStructure Mix - Diana Ross Diana Ross moved into an abstract realm with her 1983 track, “Pieces Of Ice” along with producer Gary Katz. The song resembles a deep early morning number which brings a mysterious feel. It is obvious that a relationship is ending and a note is translated with an artistic mind. It was always a brave move for Ross in my ears and one of my favorite moods. From the album titled “Ross” and one of the most creative and clever video movements. The instrumental pulls out a rendering of the disco synthesizer into the 80s which is a perfect foundation for Diana’s moody and fearful vocal. I have taken the 12” vocal and instrumental to create this ReStructure Mix which ventures off into several journeys using the synthetic ‘pieces’. I used more of the instrumental and several effects to complete Diana’s imaginative tune into a new side of the dance floor. Always a favorite and waited for the time when this remix could be taken into a reality. |
|
|
• Xanadu - Glenn Rivera ReStructure Mix - Olivia Newton-John Olivia Newton-John starred in the 1980 musical fantasy film, “Xanadu” along with Gene Kelly and music provided by Jeff Lynne and Electric Light Orchestra. The story of an Olympian muse returning to bring music and romance to an aspiring artist here on earth. The music is well remembered as we hear Olivia singing the title track and a few ballads that reached radio play charts. “Xanadu” is performed by Electric Light Orchestra along with Olivia’s sweet and promising vocal creating a lovely dance track. It is one of the classic among the stars fans and a good taste of 80s. I have taken the soundtrack version of “Xanadu” to sprinkle a bit of ReStructure Mix feel to the production. The intro rolls in slowly with a few new elements and a new way of keeping the overture in place with some new breakdowns. More of Olivia is featured here with more of the magic which should have been displayed earlier in a remix since the song itself is a great theme for this escape. |
|
|
• Automatic Lover - Glenn Rivera ReStructure Mix - Dee D. Jackson Dee D. Jackson released her worldwide disco hit, “Automatic Lover” in 1977 – produced by Patty Unwin and Gary Unwin. The single plays out a futuristic love call in a time where robots have replaced human companionship. One of the unique songs of its kind and produced with the electronic edge of disco to frame it perfectly. Dee D. performed on stage with a 60s sci-fi robot figure moving around her adorning space princess attire which made this number quite the camp piece. I have taken the 1988 re-release of “Automatic Lover” featuring additional production by Michael Cretu and Frank Peter. This ReStructure Mix works more a space dub approach as I pieced the keyboards and sequencers into new parts for a more extreme feel. Dee D. is given a few more spots to work her vocal riffs along with the abstract groove in this version. |
|
|
• Tic Toc - Glenn Rivera ReStructure Mix - Carrie Lucas Carrie Lucas released her first solo album in 1977 titled “Simply Carrie” that contained the original version of her classic “I Gotta Keep Dancin’” (remixed, re-released and titled “Keep Smilin’” in 1980. Carrie in a voice in disco music which helped to bridge the connection of soul and the new club sound. “Tic Toc” is a track from her second project, “Street Corner Symphony” produced by Dick Griffey and The Whispers. The theme on several tracks has a touch of do-wop and the street sounds of soul. The final production brought out the disco club sound. “Tic Toc” is one of the bouncy numbers which reminds me of Dr. Buzzards Original Savannah Band with Carrie on the mic. I have taken the album version of “Tic Toc” and gave the track a touch of the ReStructure Mix edge. A bit more of the big band/jazz with drums added and more that do wop sound with The Whispers. This one was requested by Nick and Lindsay as they always find the secret gems to transform into a new listening experience. |
|
|
• It's Time To Party Now - Glenn Rivera ReStructure Mix - Ray Parker Jr. and Raydio Ray Parker Jr. is a producer, musician and songwriter from Detroit, Michigan whose work in the 70s dance arena included Love Unlimited Orchestra. His blend of funk, disco and pop is the sound which helped the early 80s to appreciate a groove and slick arrangements he created. His four albums with Raydio from the late 70s are a funk venture with the groove which helped to move a new era of electronic dance music to life in the early 80s. “It’s Time To Party Now” is from the album “Two Places At The Same Time” and became one of the anthems of disco-funk. I have taken the album version of “It’s Time To Party Now” is taken into the ReStructure Mix arena and chopped and rearranged with the elements that stood out for me. This was a great segue into a funk set and lower bpm dance tracks. A whole new reason to celebrate that 80s period of sheer purpose to hit the dance floor. |
|
|
• You Know How To Love Me - Glenn Rivera ReStructure Mix - Phyllis Hyman Phyllis Hyman is one of the most unforgettable voices of the 70s. Her solo recording debut in 1977 marked the start of many variations of soul, jazz, disco and rhythm and blues which haunt minds and hearts. “You Know How To Love Me” is Phyllis’ 1979 album produced by James Mtume and Reggie Lucas – who just finished launching a new disco career for Stephanie Mills (“What Cha Gonna Do With My Lovin’”). The album is one of the most beautiful of the time period and features the title track which is a dance classic. I have taken the album version of “You Know How To Love Me” and worked a new ReStructure Mix to mark the excitement of the track and stripping down some of the basic rhythms. It is more of a tribute and an alternative way of hearing Phyllis express the undying love and dedication which many of us have felt from the start. |
|
|
• Where Are You Now - Glenn Rivera ReStructure Mix - Cerrone I have taken the 12” vocal and instrumental of “Where Are You Now” and worked a new part in the yearning of the song. The lead vocals by J.J. Fairlight and Mary Carewe give the sound of his original female ensemble the same flair with a whole new stage. This ReStructure Mix gives the intro more of layered and mysterious sound. Some looping of the soaring keyboards takes a new groove on. Always a favorite of mine and another reason I am always at awe of this man’s music and imagination – even today. |
|
|
• Lovemachine - Glenn Rivera ReStructure Mix - Supermax Supermax is a German band created by Kurt Hauenstein. The band played a fusion of rock and disco which is best understood through “Lovemachine” from 1977. A recording which brings an underground 60s feel to disco music. It is a masterpiece of dance music as the groove builds as each instrument layers itself over the dream—like sensual mood. It was always a popular track for me during early morning sets or trance disco playlists. I have taken the album version of “Lovemachine” and imagined a ritual of drums pounding new energy into this moody piece. I have added more riffs using the existing parts along with some imaginative edits. This ReStructure Mix is played out as it was originally intended with a new facelift. Dedicated to Herbert Gruber and the memory of Kurt Hauenstein (1949 – 2011) |
|
|
• Shout It Out - Glenn Rivera ReStructure Mix - Astaire Astaire is a high energy project from producers Nigel Stock and John Davies and on the UK high energy label Passion Records. The success of this sound of a pounding beat and keyboards that feel like a classical instrument are only the start here. Vocals for Astaire are provided early on by Tracy Ackerman and later Jill Saward. Many of the songs by Astaire are focused on the old disco concept of love, life and dancing. The massive impact of high energy music can be attributed to projects as this. I have taken the song “Shout It Out” which is the B-side to the 1985 release of “In The Name Of Love” – both wonderful dance tracks that bring to mind a whole new feeling and excitement of dance floors in the early 80s. I used much of the keyboard riffs and layered over pieces to not only lengthen the song but also work a deeper experience that could only happen in a discotheque. |
|
|
• I Believed - Glenn Rivera ReStructure Mix - Alma Faye Alma Faye is a disco artist who brought a soulful sound to discotheques with her style and delivery. Her first dance single “Stop, I Don’t Need No Sympathy” from 1977 is a classic in the early period of disco music’s formulation and creative mind. Many of the tracks from her album “Doin’ It” from 1979 are either classic productions or worthy of something memorable. This is one of those voices that I found exciting and a sound that was close to the soulful edge of Philly with more. “Don’t Fall In Love” is one of the recordings that I hold dear to my heart and all-time playlists – the production by Dominic Sciscente and Michel Daigle is one of the best using the disco formula. I have focused this issue of ReStructure Mixes to a request from Nick and Lindsay who always seem to bring out the rare and underground tracks for suggestions. “I Believed” is one of the tracks from “Doin’ It” which plays out once again with a bittersweet emotions with a lush and soulful touch. The arrangement takes on a new feel and musical satisfaction. I have taken the album version and touched up the original with more beats and effects along with a whole new length. It was great fun to take this one onto the chopping block and then assemble it again with an early morning dance floor in mind. |
|
|
• The Rumor - Glenn Rivera ReStructure Mix - Olivia Newton-John Olivia Newton-John is one of the iconic female singers of the 70s music era. Her recording career plays out from the early 70s throughout 2015. Two of the memorable works of Olivia’s career are her tracks from “Grease” and “Xanadu” where her own performances in both motion pictures and their soundtracks elated the pop world. The early 80s carried Olivia into the pop dance scene with hits like “Physical” and “Twist Of Fate” where her voice was welcomed and celebrated by dance floors around the world. “The Rumor” comes from the same-titled album from 1988 – produced by Elton John and James Newton Howard. The track was a great addition for the high energy dance scene of the mid-80s. I have taken the 12” vocal, instrumental and dub expertly produced by Shep Pettibone and worked over the recording for a new ReStructure Mix. It gives more of the energy and pulsating keyboard layers more opportunity to spotlight the mood and Olivia’s wonderfully soft yet determined vocals a lift. Keeping this one on the turntable was no problem for me during its release and even more so now as I learn to appreciate the uplifting edge of dance music once again. This ReStructure Mix is dedicated to Shahn Perkins |
|
|
• Don't Give It Up - Glenn Rivera ReStructure Mix - Linda Clifford Linda Clifford is the voice of disco/soul and funk with an Uptown sound and a flawless stage presence. Feeling the energy from Linda has always been through her music and the firm stance she makes in her delivery. One the divas of disco music who truly made a mark and set it in place with pure talent. Her third album “Let Me Be Your Woman” was a double vinyl project featuring a disco-fied version of Simon and Garfunkel’s “Bridge Over Troubled Water” and also the big dance floor hit, “Don’t Give It Up” – which features a vocal and rap which Linda created for a timeline of disco history. I have taken the 12” version of “Don’t Give It Up” and created a ReStructure Mix to give the chorus and verses the lead here and saved pieces of the rap for a closing edge. This one was always one where the dance floor packed so tightly none of the tile was visible. It is a stomper and one where the rhythm and Linda’s vocal becomes infectious. This ReStructure Mix is lovingly dedicated to the lady herself – Linda Clifford! |
|
|
• Somebody Should Have Told Me - Glenn Rivera ReStructure Mix - Cissy Houston Cissy Houston is gospel singer turned disco artist leaving a trail of dance hits in her unique soulful sound and the magic of producers, Michael Zager and Jerry Love. “Think It Over” from 1978 is the big single and album title which made disco music exciting during a big surge of dance fever around the world. “Somebody Should Have Told Me” is another single from the album which made as much sense as a dance hit as “Think It Over”- another big performance and Zager/Love foundation. I have taken the version of “Somebody Should Have Told Me” from the 1979 album “Warning-Danger” – which featured an extended remix. This new ReStructure Mix is a work in dedication to Nick and Lindsay who are true lovers of the disco diva and music. Their request is fulfilled here in a new arrangement and added pieces of breaks and surprises. Thank you boys – you are inspirations! |
|
|
• Capsicum - Glenn Rivera ReStructure Mix - Stargo Stargo is an Italo-disco project with Alberto Parodi, Andrea Tenerani and Roberto Zanetti. One of the early electronic dance tracks from 1983 which marked the raw sound of keyboards and accompanying choruses with a strange uplifting feel. The song titled “Capsicum” is named after a pepper which is obviously a theme for the love here who would like to be chewed like bubble gum with this flavor. A bit strange and the choruses sound like a jingle for a potential commercial for toothpaste with this flavor. It does have the robotic sequencer feel which roared at this time and was a big hit in my club at the time. I have taken the 12” vocal and instrumental on FlashBack Production Records from Italy and recreated a ReStructure Mix adding a new intro and fade which uses the keyboard riffs sparingly. It is one of those catchy tracks and a classic for Stargo and Italo-disco! |
|
|
• Boogie To The Bop - Glenn Rivera ReStructure Mix - Mantus Mantus is Billy Armendola, Frank DeCrescenzo, Jimmy Maer and Kenny Bee – a New York City based band who took over dance floors with their big disco project, “Midnight Energy” in 1979. The big hits were “(Dance It) Freestyle Rhythm” and “Rock It To The Top” – the production by Will Crittendon was a force of percussion and funky disco grooves. One of the albums which every cut was playable and packed dance floors. The second album titled “Mantus” was released in 1980 and contained the big dance floor jammer, “Boogie To The Bop” which was one of the big hits in my club at the time. I have taken the album version of “Boogie To The Bop” and recreated a new ReStructure Mix to bring the slight rap-piece into a new sound. Using pieces of a classic rap gem and also breaking the percussion into bits and pieces. It is has a longer play than the original and much more of the parts which make this one a hit. |
|
|
• Love Sensation - Glenn Rivera ReStructure Mix - Loleatta Holloway Loleatta Holloway and producer Dan Hartman (“Instant Replay”) bring to life one of the most influential disco tracks of all time: “Love Sensation”. From the album by the same name of 1980, this track has the power which was injected into Hartman’s “Relight My Fire” featuring Loleatta Holloway. A garage classic and one which makes disco music live on and on in a timeless effort unite soul and fusion into a stylish dance landmark. I have taken the original album version to recreate a ReStructure Mix and give dance floors and mind another opportunity to bring this masterpiece a new stage. It uses the same element of Loleatta’s voice to relay the powerful message of love and the undying disco beat. One of my all-time favorites and one that never lets up! |
|
|
• Savin' Myself - Glenn Rivera ReStructure Mix - Eria Fachin Eria Fachin is a Canadian high energy artist with a big dance floor hit produced by Vincent Degiorgio. “Savin’ Myself” was an instant classic in the high energy community and became one of the memorable tracks of 1986. A melodic song of heartbreak and the rejection of an ex-lover wanting to return to Eria who has since moved on. It is an outline for the healing of heart and the satisfaction of rejecting inevitable emotion pain. The production is a nice touch of the light keyboards and rolling bass laying a nice stage for Eria’s convincing vocal performance. It is one that upon hearing it for the first time knew it would impact both ears and feet on my dance floor. I have taken the domestic 12” vocal and instrumental versions on Critique Records and reworked it into a ReStructure Mix giving the basics of the song a new edge. More percussion effects are added for a bit of emphasizing the energy and some play with pieces of the chorus lyrics. More of the synthesizer parts are pumped here to bring it more of a dub and underground feel. |
|
|
• Agent Of Liberty - Glenn Rivera ReStructure Mix - Mike Mareen Mike Mareen is a former drummer who began a career as an electronic dance music artist in the late 70s and then became a favorite in the mid-80s with his big hits “Dancing in the Dark” and “Agent Of Liberty”. His style was a simple blend of hard edged synthesizers pounding out the beat and bass of a disco for the 80s. Many clubs favored his somewhat underground feel and the rolling sound of the heavy bass. This may have been another artist influenced by former masters, Giorgio Moroder and Patrick Cowley. I have taken the 12” vocal and instrumental of “Agent Of Liberty” to rework a new sound for this heavy duty keyboard dance piece. Using notes and loops from the original sound I have worked on a whole new mission here. It brings the sound back clearly when high energy dance music was taking over dance floors again. |
|
|
• Touch Me (All Night Long) - Glenn Rivera ReStructure Mix - Wish featuring Fonda Rae Wish is Greg Carmichael and Patrick Adams. A venture into a new sound of dance music during the early 80s when a transition to electronic dance was being formulated. A true New York flavor with a touch of the magic that this duo brought to disco in the 70s. On vocals we get a nice sensual treatment from Ms. Fonda Rae who lit a fire with her track “Deputy Of Love” with Don Armando's 2nd Avenue Rhumba Band in 1979 and “You’re Too Late” with Fantasy in 1980. The voice brings this powerhouse funk-vibe to several climatic moments. Quite delicious. I have taken the 12” single vocal and dub to recreate another moment to find that need which Ms. Rae begs so right for. More of the arrangement is re-segmented to give a new stage to this great production and performance by Fonda. This ReStructure is merely another layer of the groove in a new dance floor blend. |
|
|
• Starknight - Glenn Rivera ReStructure Mix - Bob Salton Bob Salton who is Italian producer and disc jockey Domenico Ricchini gave us one of the Italo-disco classic’s titled “Starknight” in 1982. The feel of this rolling piece helped to introduce the wall-of- sequencers and keyboards taking over in disco music during the early 80s. It was an innovative period and many of these numbers helped to keep dance floors alive and also influence high energy music. “Starknight” has the edge of both Moroder and Cowley in a new dose. I have taken the 12” vocal and instrumental of “Starknight” and created a new ReStructure Mix with a new breakdown of the exciting elements of this Italo-disco mover. The original arrangement is quite fierce however I braved several breakdowns to not only give the new remix some cool down breaks and deliver it in a new way. |
|
|
• Good Morning Midnight - Glenn Rivera ReStructure Mix -First Choice First Choice set the furious disco era a fire with their 1978 album “Hold Your Horses” which featured a six set program. Each track produced by various producers including Norman Harris, Thor Baldursson and Tom Moulton. The girls, Annette Guest, Debbie Martin and Rochelle Fleming delivered the sound of First Choice in a classic, yet new way. “Good Morning Midnight” is a beautiful disco serenade from the side A medley and is one of the full Salsoul Orchestra sound. It is an exciting number that has a touch of Latin flavor along with a 40s Broadway celebration feel. I have taken the album version of “Good Morning Midnight” and worked it into a new ReStructure Mix to give myself a longer version and a more underground feel with the fabulous arrangements intact. It is one of those songs that make you feel good and paints a damn good picture of what dance floors were in the 70s! |
|
|
• And The Beat Goes On - Glenn Rivera ReStructure Mix - The Whispers The Whispers are a soul group from the late 60s and throughout the 70s who left a string of ballads to keep any romance alive and in 1979 their anthem “And The Beat Goes On” did the same for dance floors. A big funk record and one big Dick Griffey transitional song for a group taking part in the disco and dance phenomena of the period. This one makes it seem easy for groove to take over and relay the intended message. I have taken the 12” version of “And The Beat Goes On” to replay the beats and groove in a new way for this ReStructure Mix. It is a bit more adventurous in looping and breaks and is intended to move it into a whole new realm. One of the big dance floor hits on my club and another reason why disco/soul and dance music has been so lasting. |
|
|
• You Got Something For Me - Glenn Rivera ReStructure Mix - Zulema Zulema is one of the voices of the 70s which brought the sound of soul and the power of disco’s funky edge to a peak. “Z-licious” is her 1978 album produced by Van McCoy and contained some of the material which helped to make underground disco music exciting. “You’ve Got Something For Me” is one of the tracks which contained the energy of a developing disco sound and the touch that Zulema brings to her music that lasts and lasts. I have taken the 12” version of “You’ve Got Something For Me” and re-worked a ReStructure Mix to bring this gem to the forefront again. The flowing music is accented with Zulema’s powerful voice and then given a dance twist with the Latin touch. It has always been one of the pieces that I found for the dance floor who knew what they wanted. This ReStructure Mix is dedicated to Nick and Lindsay – and thanks for requesting this fabulous piece. You boys know your disco music and the women who make it turn! Thank you. |
|
|
• Theme from Star Trek - Glenn Rivera ReStructure Mix - Van McCoy Van McCoy is a singer, songwriter, arranger and producer whose work spans further beyond disco music. However the big focus for us dance fans remains with his classics such as “The Hustle”, “Soul Cha Cha” and “Love Is The Answer”. His 1976 album “The Real McCoy” featured a funky version of “Theme from Star Trek” which follows the funki-fied formula of transferring a hit sound or score with rhythm and the disco strings which made the mid-70s explode. I have taken the album version of McCoy’s “Theme from Star Trek” and dressed up a ReStructure Mix to create not only a lengthier version, but also bring more of the crescendo of the original theme by Alexander Courage (co-written by Gene Roddenberry). This brings the intro back a few times to meet the melody over and over and adds some slight techno effects to once again bring that disco drama to life. |
|
|
• Too Blind To See It - Glenn Rivera ReStructure Mix - Kym Sims Kym Sims took the lead in house music’s peak of pop-crossover tracks with “Too Blind To See It” in 1992. Produced by Steve ‘Silk’ Hurley and polished with the elements which shifted dance music in the mid-80s with earlier influence of the Paradise Garage sound and feel. A catchy number from start to finish and framed perfectly with a sampled riff from the ladies First Choice and their garage classic. This salutes to 90’s dance music gives Kym’s classic another chance to display what it is and was. I have taken the 12” “Hurley House” vocal and instrumental to weave a ReStructure Mix with a touch more of the stomping feel of an underground disco piece and yet holding onto the original sound. This one has that catchy chorus and of course that Hurley production which made us believe again that dance music was and will always be here to stay! |
|
|
• Grand Illusion - Glenn Rivera ReStructure Mix - Donna Summer Donna Summer introduced a new side of her vocal talents in 1980 with her project “The Wanderer”. Donna along with Giorgio Moroder moved her sound into the 80s with an electronic dance rock edge. Many of the tracks from the session are the 80s transition from disco music to a new pop-rock feel. “Grand Illusion” is one of Donna’s creative moments where Moroder accompanied her incredible range with a strange but alluring moog and synthesizer treatment. An early morning or slight rock-new age feel and along with Donna’s experimental touch makes a statement. I have always wanted to bring “Grand Illusion” into a new arrangement and direction. This ReStructure Mix brings it to a new level with Donna’s mystique sound and Moroder’s electric fantasy. I have added a few new elements to even out the rhythm and beat and focused on keeping the original feel intact. |
|
|
• Tale Of Three Cities - Glenn Rivera ReStructure Mix - The Salsoul Orchestra The Salsoul Orchestra is the movement in disco music which provided a transition from soul and funk into a phenomenon. Lead by Vincent Montana Jr. and many of the players from Philly recordings (Bobby Eli, Ron Baker, Norman Harris, Earl Young, and John Davis) this studio session became the mark of a new era of dance floor excitement. “Tale Of Three Cities” is a piece from the first album released in 1975 and plays out much like jazz slowing over a disco beat. One of the big moments for the ensemble and disco music to lure those who were searching for something to look and feel up to. I have taken the original album version of “Tale Of Three Cities” and re-worked a ReStructure Mix to place this funky arrangement in a new form. Lots of drum pattern effects and lasting strings. It is a beautiful number which deserves another opportunity to play out what good rhythms sound like. This ReStructure Mix is dedicated to D.C. LaRue – thank you David for all of your talent and work…and for requesting this quiet giant for remixing. |
|
|
• Grazing In The Grass - Glenn Rivera ReStructure Mix - Meco Meco Monardo is one of the big sounds of the disco ball on any dance floor. His big dance hit from 1977 was the orchestrated disco version of “Star Wars” which remains one of the exciting moments in pop culture where pop music met film with a new attitude and sound. His fifth album “Moondancer” from 1979 is one of the quiet pieces but not for any reasons of its content. This one remains true to the galactic theme with a funky edge, jazz feel and heavy disco rhythms. I have taken the short album version of Meco’s cover of Hugh Masekela S 1968 hit. This is a nice trumpet blaring dance call with lots of the original feel and some great drum work. This ReStructure Mix not only extends this nice work – but also gives it a touch of the original. |
|
|
• Get Another Love - Glenn Rivera ReStructure Mix - Chantal Curtis Chantal Curtis is a French vocalist who also known as Michele in an earlier recording session from 1977 is titled “Magic Love” from producer Pierre Jaubert. This was the voice of mature disco pf the late seventies as it polished itself into a chic nightclub feel and formula. “Get Another Love” was released in 1979 and hit at a time when disco music had reached a peak and also saturated the market with so many new artists and acts it was easy to get lost or overlooked. The single from the same titled album is a classic among many disco collectors and fans. It was a bold yet sweet piece that also is rare to find a home for a harmonica among the groovy keyboards, bass, beats and Chantal. I have taken the 12” vocal mix to recreate a ReStructure Mix of “Get Another Love” and applying the chop and paste arrangement to give it a new overhaul and experience. The song still holds my heart and feet hostage and I was happy to re-frame this one! |
|
|
• Planet Of Love - Glenn Rivera ReStructure Mix - Stephanie Wells Stephanie Wells is a Canadian disco project from producers Gino D’ Orazio and Tony Bentivegna. The early 80s was an experimental period for the use of electronics in dance music since productions were scaled down from the disco recording sessions of the late seventies. Stephanie’s “Planet Of Love” from the album “Fools In Love” from 1983 was a welcome sound on dance floors yearning for more of the pulsating sound of disco. It has a chorus which makes the climb worth it. Much of the arrangement is based on bass sequencers and keyboards which fit in well with the 80s dance era and its transitioning path. I have taken the 12” single version of “Planet Of Love” and lifted some of the pieces of the pulsating bass to loop and rework the song. Along with some new drops in edits and new breaks. This is a longer voyage into a disco fantasy and another moment to understand this period of dance music at its best. |
|
|
• Stay With Me - Glenn Rivera ReStructure Mix - India India is an electronic dance project from disco producer Jacques Morali – who also gave us Village People, The Ritchie Family, Dennis Parker, The Lovers, Patrick Juvet and Phylicia Allen during climb and peak of disco music. This stripped down production is a great transition for Morali whose past work always featured arrangements layered with strings, horns and rhythm sections. The 80s brought a new challenge since major labors no longer supplied the budget for such work. India always reminded me of the 80s rock edge scene with a Steve Perry vocal and pulsating aerobics rhythm. It does however have the sweetness of the disco feel and the wonderful light rock edge with added synthesizers work very well. I have taken the 12” long version (originally mixed by Mr. Steve Thompson) and created a lengthier and flowing ReStructure Mix using more of the bridge and breaks as a piece of the new arrangement. It has a few new surprises and those filled in spots that bring the fantasy of disco music alive again. |
|
|
• Disco Connection - Glenn Rivera ReStructure Mix - Issac Hayes The Isaac Hayes Movement is a session produced, arranged and engineered by Isaac Hayes. The second album titled “Disco Connection” contained the title track - one of the mid-70s exciting tracks that were more of an underground sensation. “Disco Connection” follows the bass line that disco music endured throughout the late seventies along with dramatic sweeping strings which also became one of hardcore disco’s elements. It is quite a mover and still brings back that period of experimental dance music which shifted from soul to disco. I have taken the album version of “Disco Connection” and recreated a new ReStructure Mix by request of Pivaral Jorge of Facebook. I have stripped down the track and used some of the elements that click the most. More of the excitement and a few more breakdowns to give the body a break from that “disco connection”. This ReStructure Mix is dedicated to Pivaral Jorge – thanks for keeping disco music alive and your dedication to making it a daily dose. |
|
|
• Baby Love, Sweet Sweet Love - Glenn Rivera ReStructure Mix - Wilton Place Street Band Wilton Place Street Band is a disco project from 1976 from producer Trevor Lawrence. The first single from Wilton Place Street Band created a stir on radio and discotheques with a funky-disco arrangement of “I Love Lucy Theme” – appropriately titled, “Disco Lucy”. It was one of the big novelty tracks of that year. “Baby Love, Sweet Sweet Love” is the follow up single in 1977 which plays out in the “Disco Lucy” arrangement with a romantic affair taking stage. One of the great productions which defines the evolution of disco music from the early 70’s to the mid and later late 70’s the disco boom. I have taken the original 12” version of “Baby Love, Sweet Sweet Love” and created a ReStructure Mix adding a new disco-techno intro into the lush strings, horns and funky guitars. More of the track is exposed in some minor looping to create some new breaks to pick up on the groove and then more of the disco sugar. |
|
|
• Girl In The 80s - Glenn Rivera ReStructure Mix - France Joli France Joli released her fourth album in 1983 “Attitude” – produced by Pete Bellotte and Giorgio Moroder. It was a new transition from the disco of the late 70s and the funk feel of her “Now!” of the previous year. A new pop age of dance music was taking Moroder’s keyboards and sequencers into a pulsating aerobics sound. “Girl In The 80’s” is the first single which follows the formula of many of the 80’s anthem like dance songs. France plays well in the song with her yearning vocals and ability to make her tracks sweet and alluring. The production plays out Moroder’s 80s sound and gives a simple display of the time period. I have taken the 12” remixed by Brian Reeves and reworked a lengthier version of “Girl In The 80’s” and segued more of the intro effects throughout the ReStructure Mix. A simple reworking of the energy and theme. France completes more of her verses here in a new way. |
|
|
• Helping Myself - Glenn Rivera ReStructure Mix - Kendra Kendra is a studio session from Canadian disco producer, Jerry Cucuzzella whose work also includes projects by Suzy Q. Sandy Steele, Sweet Brandy and Plastic Surprise. The early 80s electronic disco sound was the continuation of those dance floors that could not get their feel of the rolling sequencers and the nightlife themes to move to. “Helping Myself” was released in 1983 as a single and shared a bit of success with the disc jockeys that were programming the Canadian disco genre. It was later included on the 12” cover of Suzi Lane’s “Harmony” by Suzy Q in 1985. This ReStructure Mix of “Helping Myself” takes pieces from both the original 12” vocal and instrumental. I have delayed the intro with more of the fast and robotic keyboards and reset some of the chorus into a new arrangement and a more flowing version. It was a favorite of mine with a great “whistle” effect riff that always caught my attention, as well as my packed dance floor. |
|
|
• Hold Tight - Glenn Rivera ReStructure Mix - Vicki Sue Robinson Vicki Sue Robinson’s third album “Half and Half” from 1978 contained the dance track, “Hold Tight” - a follow up single from her big 1976 classic, “Turn The Beat Around”. Vicki had already set a stage in clubs for herself as a voice which would deliver the promise of a great dance experience. “Hold Tight” brought the layer of disco music alive with a heavy dose of percussion and swirling disco strings. I have taken the 12” inch version of “Hold Tight” to work on this ReStructure Mix with a new intro and reassembling the arrangement. It plays out with more of the softness from the lush string breaks. The original production gives the raw feel of the club scene with many breakdowns and this period was the last before electronic era. A great piece of work and one which I still cannot let go once started. |
|
|
• Let You Come Into My Life - Glenn Rivera ReStructure Mix - Carol Douglas Carol Douglas began a career in disco music in 1975 with her classic hit, “Doctor’s Orders” from “The Carol Douglas Album”. Following this club favorite in a time when dance floors were audiences and direction of pop music, her sound was never short of the soulful sweetness which gave disco music songs that still bring the uplifting and simple message of love. “Let You Come Into My Life” is a track from Carol’s 1978 project “Burnin’” - produced by Ed O’Loughlin and John Davis and also conducted and arranged by Michael Zager. It was always one of my favorite dance numbers from the album since it speaks out with a melodic tone of a love gone wrong and speaks as an after though of lessons learned in love. A bit scorn but very uplifting. I have taken the extended album version of “Let You Come Into My Life” and have created a ReStructure Mix pulling the beautiful disco and soul arrangement to a new stage. I have taken instrumental breaks and scattered them with new breaks among Carol’s beautiful confession. The lengthier version gives way to more rearranging of the original created by three of disco music most incredible talents: Carol Douglas, Eddie O’Loughlin, John Davis and Michael Zager. |
|
|
• Ler's Make Love - Glenn Rivera ReStructure Mix - Madleen Kane Madleen Kane is one of the most exciting bodies of the disco sound. Her music personifies a sensual and alluring edge and creates an ethereal experience. Her debut album “Rough Diamond” from 1978 exploded on dance floors everywhere and filled dance floors with a driving disco groove and Madleen’s unique sexy approach. One which captured my heart and also turntables during her rein throughout the late 70s and 80s. “Let’s Make Love” is a track from the project which pours our Madleen’s heart to a lover whom she gives her heart freely. This one was always a favorite of mine and plays out with the funky guitars, beat and those sweeping strings which made disco its own in the mid-70s. I have taken the album version of “Let’s Make Love” and have worked a ReStructure Mix to take this invitation from Madleen deeper and also more playful with the help of the sex symbol of film in a cameo. This remix plays with the breaks and exceptional horns a bit more as well as adds a few new breaks. A great new fun way to lure your feet back into Madleen’s magic. Dedicated to Ms. Madleen Kane – thank you for being as wonderful as I always imagined you would be. |
|
|
• Never Gonna Give You Up - Glenn Rivera ReStructure Mix - Rick Astley Rick Astley is a pop-singer from the mid-80s produced by the hit machine, Stock, Aitken and Waterman. His first single “Never Gonna Give You Up” solidified the singer as the period’s big dance floor favorites as well as a voice that worked the formula of the producers like a glove in hand. It was dance music as exciting as it gets. The hit single was instantly shadowed by several tracks from the first album, “Whenever You Need Somebody” which gave dance floors a non-stop parade of great hits. I have taken the “Cake Mix” and “Instrumental” from the original promo 12” and recreated a new ReStructure Mix to mark this hit in a new way. A new use of the chorus and those pure sounding synthesized bass of Stock, Aitken and Waterman. It is a salute to this sound and also a continuance of my own love for this artist and the nights of crowded dance floors and happy faces. |
|
|
• Que Sera Mi Vida (If You Should Go) - Glenn Rivera ReStructure Mix - Gibson Brothers Gibson Brothers are Alex, Chris and Patrick Gibson a Latin disco group formed in France. Their big hit “Que Sera Mi Vida (If You Should Go)” is a disco classic celebrated as one of the most uplifting and genuine disco sounds of the late 70s. It has truly survived not only the test of time with the energy and rhythms of disco music, but it also has their unique vocals which make the experience lasting and worthwhile. I have taken the 12” disco version onto the ReStructure Mix sound for another rekindle of this disco magic. I have taken parts of the wonderful original and have given it a new spin. A whole new arrangement moves this one even more than intended. There is plenty of looping to give that lasting essence on some of those fantastic hooks. Dedicated to all of the fans of disco music who not only groove to it – but more importantly ‘love it’! |
|
|
• Upside Down - Glenn Rivera ReStructure Mix - Coo Coo Coo Coo is an Italian high energy disco project from Max Coo and Steve Coo – produced by Mauro Farina, Guiliano Crivellente and Florian Fadinger. An uplifting and happy sound that exceeded the late 80s into a few new genres of dance music all focusing on a lighter edge of disco music. “Upside Down” is their first single from 1988 which is a stomping good time with some light fare and a rolling synthesizer pulsating energy and a happy refrain. One of my favorite periods during the house music boom as it helped to keep a lighter side of dance floors alive. I have taken the 12” “Full Power D.J. Mix” and pieces of the “M.Y.O.M. Version” into the ReStructure Mix arena and created a new version to bring back the joyful sound of Italian high energy. There are some new breaks and looping effects to make a dance moment last longer and some accentuated percussion to bring the track again some showcase. |
|
|
• Hot Jungle - Glenn Rivera ReStructure Mix - Slip Slip is a disco project from German producer Tess (Fancy, Timerider) from 1983 whose memorable tracks were covers of disco classics “Don’t Leave Me This Way” and “Harmony” – their single “Hot Jungle” was always a favorite of mine. It is a simple electronic piece that uses a simple chorus riff surrounded by keyboard takes. It has the emphasis on the sexy cover and theme of woman’s apparel piece, ‘slip’. I have taken the piece “Hot Jungle” from the “The Slip EP” and created a new ReStructure Mix to celebrate the high energy period of disco history and also the great Manfred Alois Segieth (Fancy) and his wonderful contribution to disco and Italo-disco music. |
|
|
• Don't Wanna Lose You - Glenn Rivera ReStructure Mix - Madleen Kane Madleen Kane (Madleen Frings) is one of disco music’s true originals. From the start of her career in club music in 1978 with “Rough Diamond” a persona of a new disco model was born. Her breathy and appropriate vocals are the sound which “people fall in love to in discotheques” – as Madleen once said herself in an interview. Many of her fans hold her dear to their hearts and souls as her music and talent has never failed to bring the true feeling of what disco music is all about: freedom and savvy. I have taken the title track to the album “Don’t Wanna Lose You” from 19881 produced by Giorgio Moroder which was another big thrill for disco and dance fans everywhere. The piece always reminded me of a love song with a light country feel and of course Madleen wonderful vocals. I have created a new ReStructure Mix to bring this one back into the spotlight. The album version was the only mix available and a fade in intro made it difficult to spin unless it began a set. This ReStructure Mix gives a new riff driven version with more of Madleen! Who could want more? |
|
|
• Summer Breeze - Glenn Rivera ReStructure Mix - Baiser Baiser is a disco project from producer Francois L'Herbier - who also worked on the follow up album from Voggue ("Love Buzz"). "Summer Breeze" is the single released in 1983 which is one of the most beautiful pieces from this year. It is a love affair starting in the summer sun and hoping for a promise of lasting emotion. A favorite among many connoisseurs of early morning music or a blend of electronic dance with a touch of contemporary jazz fusion. This piece also contains a lovely vocal from an uncredited studio singer which brings the song to another great level. I have taken the 12” vocal and instrumental into the ReStructure Mix realm to give the song a more underground feel and break up some of the wonderful keyboard and percussion. It was nice time spent also breaking the vocal into pieces and placing them into another romantic gesture for a whole new experience. |
|
|
• I Feel Love (The Live Version) - Glenn Rivera ReStructure Mix - Donna Summer Donna Summer released “Live and More” at the height of her career and also the highest raging flames of disco nightlife. The 1978 release gave us a “live” performance of Donna at the Universal Amphitheatre on stage with her greatest hit up to this point. “I Feel Love” featured a dynamite live arrangement – and Donna purring those sensual chants over and over at her best. The three sided “live” recording is probably the best of any artist – Donna at her best. I have taken the “live” track of “I Feel Love” from the “Live and More” double album to recreate a new ReStructure Mix that plays out the energy and excitement of the song and break it down in a new way. It is a tribute to the lady who never left me disappointed as a teenager being “shut out” and too young to enter discotheques in the mid-70s – but finding my imagination and love for Donna’s music and voice – all alone in my room with headphones! |
|
|
• Taste Of Bitter Love - Glenn Rivera ReStructure Mix - Gladys Knight & The Pips Gladys Knight and The Pips released their project “About Love” in 1980 – produced by Nikolas Ashford and Valerie Simpson. Another peak for Gladys, The Pips and Ashford and Simpson it focuses on the four letter word and emotions brought to a soulful level. “Taste Of Bitter Love” is a mid-tempo dance track that was one of the biggest in my club and is celebrated here with a new energy and arrangement. It is one of those moments again where Gladys shines wonderfully and brings out the feelings that make love and heartbreak one of humanities great rewards and lessons. I have taken the album version onto the ReStructure Mix chopping block and present this gentle giant with a new intro and some breaks that drop in and out for energy. It is a great piece of work with that mixture of soul, disco and rhythm and blues. |
|
|
• That Special Magic - Glenn Rivera ReStructure Mix - B.B. and Band B.B. and Band is an Italian disco project from Mario Boncaldo and Tony Carrasco- a duo responsible for recordings by Klein & M.B.O., Plastic Mode, and M.T.L. Project. A new breed of disco energy fused in the early 80s based on electronics and disco/street beats. Much of the work here is in the early transition of disco from the late 70s emerging again in a format which focuses on happy and uplifting feel of Italo-disco and the heavy keyboard and sequencer instrumentals brought to life by artists like Moroder and Cerrone. A new Euro-disco style in a simple arrangement and style. “That Special Magic” is from the 1982 album “Wee Thee People” which was a big move for Italian disco music. This one is like an anthem for a challenged love affair. It plays out well with the child-like choruses building onto the powerhouse vocals of the group. Always one that I would break in during early evenings to get the floor moving. I have taken the album version and created a ReStructure Mix which makes use of the pounding pianos, castanets, drum rolls and rolling synths. A slight move on the original arrangement adding only a few more layered areas to smooth out and also excite the song. |
|
|
• You Got My Love - Glenn Rivera ReStructure Mix - Front Page Front Page is a disco project from producers Burt Szerlip, Cory Robbins and Rick Tell. The spotlight on this track is the vocals from Sharon Redd – although the production on this monster classic is flawless and stands as an outline for disco perfection. A creative blend of soaring disco strings, heavy percussion and funky guitars. “You Got My Love” is the flip-side to the big nugget, “Love Insurance” – however it is not modest as a disco powerhouse. The performance by Sharon Redd gives this yearning track so much power and emotion it brings tears to dancers and listeners. One of my all-time favorite Top10 disco 12” singles and one which should always be compared to. I have taken the 12” version (mixed by Mr. Rick Gianatos) and worked a new ReStructure Mix to pay homage to Ms. Redd and also this celebrated disco classic. The original arrangement is reedited and played out with some new looping and layering of those fabulous guitar tracks and infectious percussion. |
|
|
• When I Think Of You - Glenn Rivera ReStructure Mix - Janet Jackson Janet Jackson began her solo recording career in 1982 with her self-titled album and hits, “Young Love” and “Come Give You Love To Me”. A progression of sound and production brought her to Jimmy Jam and Terry Lewis – a duo whose work with girl band Klymaxx set their creativity and electronic funk to work. “When I Think Of You” from Janet’s 1986 album “Control” and introduced Janet in a whole new light. An electronic beat-street driven sound that took over the mid and late 80s on dance floors and mainstream pop influence. The piece has a sweetness and charm which helped to make it a lasting hit for Janet and also made dance floors jump with excitement. I have taken the 12” “Dance Remix”, “Extra Beats” and “Dub/A Capella) to create a ReStructure Mix which plays more on a few riffs that lay the song out for a new dance floor or pair of headphones. It works with chop-edits and looping to give the lasting energy another boost. A fun piece of remix pleasure for those who can’t get enough of Janet Jackson or dance music history! |
|
|
• Billie Jean - Glenn Rivera ReStructure Mix - Michael Jackson Michael Jackson’s album “Thriller” from 1982 is one of the moments in history where the excitement of music brought a period to life. It is truly one of the recordings which make time seem endless when you feel the energy and vibe which lasts even today. “Billie Jean” is an iconic piece from the project which gave Michael his moment to not only effect dance floors – but hearts and minds. It is one song that can be peeled apart and dissected but never misunderstood. I have taken the 12” vocal and instrumental to recreate a ReStructure Mix with lots of play and direction. There is a dub feel with more of the sounds and resonance of the original to bring a new experience upfront. I can remember the energy and motivation from dance floors and of course the endless nights extending this monster – here it is in new form. |
|
|
• Moskow Diskow - Glenn Rivera ReStructure Mix - Telex Telex is Dan Lacksman, Marc Moulin and Michel Moers – an electronic dance band from the late 80s with an alternative edge and theme properties. “Moskow Diskow” is from their 1979 album “Looking For Saint Tropez” and is one of the dance floor pieces that followed in the vein of bands like M (“Pop Muzak”). It was a breath of a subtle nu-wave sound using the disco beat and focus – dancing. “Moscow Diskow” was a favorite for many clubs who had innovative jocks that could weave this pulsating sound into the changing sound of disco in the late 70s. I have taken the original 12” version and recreated a new ReStructure Mix adding a few familiar elements (a la Moroder) to the new journey. This one breaks down the riffs into a spaced out feeling that many afterhours’ clubs would have appreciated. It bears the rumbling bass and of the original and the infectious chorus that makes this one hard to resist! |
|
|
• Lucky Tonight - Glenn Rivera ReStructure Mix - Sarah Dash Sarah Dash made “Sinner Man” from 1978 a track which pounded dance floors into a new diva-esque style of disco music with her incredibly powerful vocals. Her affiliation with Pattie Labelle and The Blue Belles (also known as LaBelle) left a mark which gave us an opportunity to feel more than soul – a unique style. “Lucky Tonight” is a piece from her recordings with Patrick Cowley’s label Megatone Records in San Francisco –a label which revived disco music again in the early 80s. The electronic high energy piece was always a favorite of mine and made my dance floors go wild! I have taken the 12” vocal and instrumental to recreate a new movement for Sarah’s vocals and Cowley’s innovative and unique keyboard sound. This one builds a few times to leave dancers holding on to the edge of their dance floor. I have not only extended pieces of the instrumental but added a few new ad-lib breaks for the vocal. A special guest appearance is added by Jessica Lange from 1976’s adventure film, “King Kong” – good luck! |
|
|
• He's Just A Runaway - Glenn Rivera ReStructure Mix - Sister Sledge Sister Sledge released their 1981 album “All American Girls” which featured the big title anthem – produced by Naratha Michael Walden. A new era and sound for the ladies who made dance floors unite in the late 70s with “We Are Family”. The high energy pick from the project was “He’s Just A Runaway” which was released as a 12” single with an alternate remix in a reggae style dedicated to Bob Marley. It was minus the energy of the original and lacked the ricochet sound of the album track. One of the favorites of the fans of the Dames of Sledge who work their songs with a nice flair. I have taken the short album version and recreated a high energy scenario with this ReStructure Mix and keeping the energy moving along with some looping and flash-edits that bring the song to life again in its original form. It was always fun to extend it for my crowd with two vinyl copies however this new version adds some tricky effects that make it worthwhile to buckle in a dance it all over again! |
|
|
• Get Out Your Handkerchief - Glenn Rivera ReStructure Mix - Ashford & Simpson Ashford and Simpson are truly a gift to soul, R&B and disco music. Their contributions are some of the anthems which make music a special place – always full of love and emotion. Their 1980 album “A Musical Affair” contained the single “Get Out Your Handkerchief” which was a track which always made it on my early morning or early evening playlists. A song telling the heartache of a love gone wrong and the after math of keeping a sane view on what has passed. It is one of my favorites of the masterful duo. I have taken the album version to create this ReStructure Mix which plays with the looping choruses and ad-libbed verses to give this a whole new extended version a bang. It adds some percussion to beef up the moody feel of the song and a new ‘storm’ of energy. |
|
|
• Don't You Want Me - Glenn Rivera ReStructure Mix - The Human League The Human League is a synth pop band from the late seventies who also lead a new dance era of synthesizers and dance beats. Their 1981 album “Dare” is their biggest achievement and used their style in a newly directed dance generation. “Don’t You Want Me” is their pop, radio and dance floor masterpiece which come off a bit moody and dark, however the innovative use of keyboards and engineering brings it out like a framed masterpiece. It is one of the biggest of the time and continues to echo the 80s scene over and over. I have taken the 12” radio vocal and instrumental to recreate a new ReStructure Mix with more of the deep pieces of the electronic arrangement. The play with the songs story provides a nice surprise at the close of mix and also gives way to another period of whether this drama is over or not. |
|
|
• Come Inside My Love - Glenn Rivera ReStructure Mix - Bonnie Oliver Bonnie Oliver is a disco artist who released an underground disco track titled “Come Inside My Love” in 1979 – produced by Wiley Hicks who also produced Ednah Holt and Starluv’s “People Come Dance” and “Ain’t Got Time” by Holt ’45. This piece of hardcore and psychedelic disco is one of the choices for many after-hours spots where the dancers are pulled deep into the mix and trance-like energy of disco. It has always been one of my favorite arenas of hardcore dance music. I have taken the original 12” vocal and instrumental to walk down a ReStructure Mix path with a lengthy piece of funky guitar breaks and weaving synthesizer breaks. The original EQ is bit flat which differs from both original recordings so I decided to recreate an airy Patrick Cowley-ish feel with the rework. It is the master road to ecstasy for those special dance floor moments and it could have continued on for a longer adventure – but here it is! |
|
|
• Breakaway - Glenn Rivera ReStructure Mix - First Choice First Choice is female ensembles who brought the Philly dance sound alive with the soulful and feel of the garage identity which eventually became the house sound of the 80s and 90s. A funk fest of vocals in a disco aura created by Annette Guest, Debbie Martin, Rochelle Fleming, Ursula Herring and Wardell Piper. Their finale album from 1980 contained the title track, “Breakaway” which continued the spirit of that sound of Philadelphia and magic of disco polish. Produced by Norman Harris and Ron Tyson. I have taken the album version of “Breakaway” and have given it the ReStructure Mix image with more of the guitar pieces and funky bass bounce – adding some new beats and breaks. It is a bit extended with some familiar samples of these ladies who make the night a great place to be! |
|
|
• Fever - Glenn Rivera ReStructure Mix - Madleen Kane Madleen Kane is one of disco music’s lead stars and outline for its aura. A former Elite fashion model and in 1978 a disco sensation with her project “Rough Diamond” that not only gave her a symbolic label for her beauty but also music which was the complete disco genre. In this project she also covers the standard, “Fever” in her own unique blend of sensual vocals and alluring stage presence. It is one of the most exciting moments in disco history. The production by Jean-Claude Friederich borrows several key disco players including Thor Baldursson and Juergen Koppers. I have taken the album version of “Fever” and have worked this ReStructure Mix to pay homage to Ms. Kane and also display a new edit for the wonderful disco production and thrill of its bass, strings and lovely vocals igniting excitement. A few new elements I have added are an intro and also have broken down the original to take a new ride on a new set of disco tracks. This ReStructure Mix is dedicated to Ms. Madleen Kane and thanks for all she has given to the fantasy and love of disco music. It is head on and will last as long as the mirror ball continues to spin. |
|
|
• Stargazing - Glenn Rivera ReStructure Mix - Earlene Bentley featuring Sylvester Earlene Bentley is a disco/high energy star from the early 80s who took dance floors hostage with her big 1983 hit, “The Boys Come To Town”. Her powerful vocal performances bring to mind a sultry standard singer with a level for moving feet and floor boards when roaring. One of my favorite and slightly camp-like approaches which always makes the males who love the divas stand to attention. “Stargazing” is a monstrous single from 1984 which also features disco star, Sylvester – produced by Ian Levine and Fiachra Trench. Another one of their big dance hits that stand out with these two powerhouse singers belting out their love and energy! I have taken the 12” vocal and instrumental to work a ReStructure Mix which takes more time to introduce the exploding sound of “Stargazing” and also add a few elements from each of our stars past moments. This is a fun track that should bring back that 80s high energy feel!
|
|
|
• Love To Love You Baby / I Feel Love - Glenn Rivera ReStructure Mix - Bronski Beat & Marc Almond Bronski Beat is Jimmy Sommerville, Steve Bronski and Larry Steinbachek. Their 1984 album “The Age of Consent” paved another path to a new electronic sound for dance floors with a full orchestral feel and the powerful falsetto vocal of Sommerville creating a haunting landscape. Their cover of Donna Summer’s two disco classics, “I Feel Love” and “Love To Love You Baby” is one of the major edges of 80s dance music in form with the disco resonance of the 70s/ A new era of dance music was formulated here and followed according with the original concept of this genius. I have taken the 12” version of “I Feel Love”/”Love To Love You Baby” both the “Cake Mix” and “Fruit Mix” and created a new ReStructure Mix focusing more on the rolling electronic instrumental with pieces of the fabulous vocals molded around the arrangement. It is an alternative to the full on 12” vocal versions and works more as a supplement for those lovers of Donna and Giorgio Moroder original masterpiece! |
|
|
• Heaven On The 7th Floor - Glenn Rivera ReStructure Mix - Paul Nicholas Paul Nicholas is an English actor, singer and songwriter who released his first album on RSO Records in 1977 which featured the pop single, “Heaven On The 7th Floor”. This was a radio hit in the boogie pick during a period where disco music began to influence pop artists and producers. The track was written by Dominic Bugatti and Frank Musker (“Woman In Love” by The Three Degrees, “Ain’t No Smoke Without Fire” by Eddie Kendricks). It became a disco classic since the feel of the song followed the formula of a fun and uplifting ditty. I have taken the short album version to recreate a ReStructure Mix with a longer intro and song new breaks. Along with some added percussion in areas which did not lack the sound – but played along with the fluent energy of the song. It is one that reminds me of FM radio Saturday night boogie music and plays well with the classic disco followers. |
|
|
• Young Love - Glenn Rivera ReStructure Mix - Janet Jackson Janet Jackson released her first solo project in 1982 which featured “Young Love” – a promising a sweet approach at the early 80s dance market and floors. This one plays out like a ‘young’ romance as simple as it sounds yet has that funk- driven clap track that slams into action as soon as it begins. A nice piece produced by Bobby Watson, Rene Moore and Angela Winbush. One of the big pop singles of my club during its release and also a promise of hearing more from Ms. Jackson – which we all recall created quite excitement. I have taken the 12” version (which is also the album version) and reconstructed a new ReStructure Mix with the original beats and energy only breaking down a few areas and adding a fading intro and cold end. It works with a couple of new breaks and extends this love note for Janet to get smart on love at such an early age. |
|
|
• Tearin' It Up - Glenn Rivera ReStructure Mix - Chaka Khan Chaka Khan’s 1982 project “Chaka Khan” is one of those albums which may have slipped by the public – but fans knew that this powerful voice of soul was continuing her legend in a towering way. Vocals were always one of the main components of Chaka’s music and within “Tearin’ It Up” we hear the full force of how Chaka can transform a level above. This track became a hit in many hardcore clubs who often paid tribute to the underground greats on a dance floor. This big one has the power of a disco great and pulls together wonderfully with a production by Arif Mardin. I have taken the Larry Levan 12” masterpiece using both vocal and instrumental to recreate another form of Chaka worship – more instrumental and keyboard strikes to create a new frame. One of my favorite tracks from the 80s underground feels with the diva of soul to lament the feeling and sensation that a great dance record gives. |
|
|
• All Night Long - Glenn Rivera ReStructure Mix - Lionel Ritchie Lionel Ritchie gave the 80s a pop/r&b classic with his 1983 project, “Can’t Slow Down” – “All Night Long (All Night)” dominated the Grammy’s and radio during this period. It was not only one of the uplifting songs of the 80s with a sincere unity, but it also gave dance floors another reason to stay foot. Produced by Lionel himself and wonderful arranged with a rhythm which drops in and out of a celebration. A huge hit for me and remained on my playlists for months as the party continued throughout the 80s. I have taken the 12” vocal and instrumental to work a new ReStructure Mix with a new intro and much more emphasis on the non-stop energy of the song – accentuating the great horn and percussion arrangement. Another chance to smile and take your feet into a rhythm that transcends our human upside. |
|
|
• Sweet Dreams (Are Made Of This) - Glenn Rivera ReStructure Mix - Eurythmics Eurythmics are Annie Lennox and Dace A. Stewart – a force of 80s synth-pop dance music which crafted a new form of style and execution fitting the scene with perfection. Their 1983 hit “Sweet Dreams (Are Made Of This” is a haunting and pounding dance piece that explores the way of life with simplicity verses over indulgence. A futuristic like robotic movement which even today with it few verses begins a thought process which can last. I have taken the original 12” version to recreate a lengthy ReStructure Mix adding more loops and edit rearranging to give this classic 80s number a new face lift. Complete with the energy and sound which made it a hit with a touch more of what I hear in my head during a peak hour and a mesmerized dance floor! |
|
|
• Change Your Wicked Ways - Glenn Rivera ReStructure Mix - Pennye Ford Pennye Ford is a soul/funk singer and songwriter who took the early 80s on a funk trip with her single “Change Your Wicked Ways” – from her album titled “Pennye” produced by Lonnie Simmons (The Gap Band). The single was a huge hit in my clubs of the time and also brought to mind the power of a great soulful vocal and how it adds movement to the existing beats. Pennye makes this work with a slick and sassy approach that brings to mind the classic approach of Chaka Khan. The track has the feel of a DJ record with the beat and groove spelled out in many ways. I have taken the “DJ Mix” 12” single using both the “Extended Version” and “Dub Version” to recreate a thumping ReStructure Mix with a few new surprises – including a beat pattern from Pennye’s sister Sharon Redd’s classic “Beat The Street”. It is a tribute to the talent of a great soul vocalist and her own stage which could also be heard in projects by George Clinton, Snap! And Soul II Soul. This ReStructure Mix is dedicated to Ms. Penny Ford – thank you Penny and please keep giving us your soul – we can use the magic! |
|
|
• One More Time - Glenn Rivera ReStructure Mix - Bianca Bianca is a high energy singer from the mid-80s when disco music was fast furious and kicking some ass. It seems at this point all weapons were pointed at feet and they were responding. It was a great peak for dance music history. “One More Time” is a single released in 1987 and produced by Fonny De Wolf – who also gave us Rofo, New York City Band, Laser Dance, Samantha Gilles and Charity. This fast moving number moves like a rolling locomotive and gives us a nice hook and some fast moving percussion in the process. A big winner for me and my dance floor. |
|
|
Harold Melvin and The Blue Notes have been one foremost Philly soul acts of the early 70s and continued to bring soul to the surface of their recordings. “Tonight’s The Night” is their 1979 album “The Blue Album” produced by Harold Melvin. It is a light disco-funk number that gives guest vocalist, Sharon Paige an opportunity to give a sexy and enticing performance outlining the nightlife scene. I have taken the original 12” version and worked this ReStructure Mix to give the track my love and thanks for making my dance floor from furious disco beats and make way for a groove that is reminiscent of the early 80s electro-funk sound – but with the sophistication of The Blue Notes joining Sharon for a night of fun and pleasure. |
|
|
• You Gotta Believe - Glenn Rivera ReStructure Mix - The Pointer Sisters The Pointer Sister brought a ‘bit of light’ to the 1976 film “Car Wash” – which may have been the first soul/disco musical to hit the 70s scene. “You Gotta Believe” is one of the memorable moments in the motion picture and the song written by Henry Garner and Lequeint “Duke” Jobe of Rose Royce is one the most rhythmic pieces from the genius production by Norman Whitfield. One of the toppers of this great 70s musical epic. I have taken the short (2:51) double album soundtrack version and created this ReStructure Mix adding a few new percussion and drum elements to kick up the bouncy rhythms and those soulful and groovy Pointer Sister vocals. |
|
|
• Living On Video - Glenn Rivera ReStructure Mix - Trans - X Trans-X is a disco/techno band which began as a single “Living On Video” from 1983. The recordings original vocalist is Laurie Gill and Pascal Languirand – who paint a message of alternative dance electronic music. The track was a huge dance floor hit and shared some success on alternative dance radio stations – it stands an icon for 80s disco and synth-pop dance music. A favorite of mine with lots of the gadgetry which makes the dance floor feel like a factory of wires and funk. I have taken the original 12” version to recreate new ReStructure Mix looping parts to give a new feel and message to this awesome piece. A touch of 60s sci-fi is added from the classic show, “Lost In Space” to give a new computer generated edge. It is a fantastic adventure so take it again! |
|
|
• The Sound Of The City - Glenn Rivera ReStructure Mix - David London David London is a vocalist who was featured on the soundtrack to “Can’t Stop The Music” with the Jacques Morali production of “The Sound Of The City” – a rousing disco anthem about The Big Apple. It was quite a stage performance with the dramatic crescendos and lyrics paying detailed homage to the great city. It was always a favorite of mine and was happy to have placed this gem on the ReStructure block. This ReStructure Mix takes the 12” version running at a little over 4 minutes and placing it in another frame of celebration. I have extended the intro to phase into the energy and pulled a little more out of the excitement. This ReStructure Mix is dedicated to Morgan Casner on Facebook – and thanks for the request! |
|
|
• #1 Lover - Glenn Rivera ReStructure Mix - J.D. Hall J.D. Hall is a vocalist from California who covers rock, blues, r&b and high energy in his repertoire. A powerful which currently play out as a tribute to the great Barry White. “Number One Lover” is an electronic high energy single from 1985 and features a production from Sebastian Rayas who cleverly striped down the basics of high energy presenting it in his own package in the mid and late 80s. J.D.’s deep and breathy vocals add a mystique to Rayas’ eerie like keyboard arrangement. This is one of those mid-80’s high energy classics that still spell out the period. I have taken the JDC 12” original and instrumental to create this ReStructure Mix and deliver another form of excitement which leads to the fast moving sound of high energy along with some of the elements which make up my touch on these classic pieces. This one was a floor packer and always brings a great feeling to mind when hearing it. Long live HIGH ENERGY! |
|
|
• She Blinded Me With Science - Glenn Rivera ReStructure Mix - Thomas Dolby Thomas Dolby made a deep cut on dance floors in 1982 with his synth-pop dance single “She Blinded Me With Science”. A perfect addition to the shifting sound of dance music and the innovative use of keyboards and beats. This beat driven spoof of a mad scientist finding interest in a sexy lab assistant in the midst of this little number. It is one of the novelty dance tracks that fits well for the fun driven dance floor method and also gives his talent a go for the money. I have taken the 12” version of “She Blinded Me With Science” and played out a new ReStructure Mix –focusing more on the beats and extracting some of the parts which stop the energy and slam back. This dance floor remix is more flowing rhythm solution and also plays with some of the crazy edits. |
|
|
• Danger - Glenn Rivera ReStructure Mix - Gregg Diamond's Star Cruiser Gregg Diamond created a disco project in 1978 for Marlin Records as his Bionic Boogie for Polydor in 1977. The success of his full scale band-like and disco symphonic sound was evident early on with his work on Andrea True Connection (“More, More More”). This left dance floor longing for his funky riffs and playful themes. “Danger” is a single released in 1979 under his studio band, Star Cruiser – which landed success with “This Side Of Midnight” and an album of additional dance hits. This number gave us those clever pieces segued into an arrangement of cascading rhythms and strings. I have taken the 12” version of “Danger” and played out a new ReStructure Mix to chip at Diamond’s genius. This plays out more as a dub and loops and scores a whole new funky experience. Diamond’s work is my true love to disco music’s innovation of the late 70s and this favorite is keyed out as an homage to this sound. |
|
|
• Nobody Makes Me Crazy Like You Do - Glenn Rivera ReStructure Mix - Diana Ross Diana Ross released her sensational pop-dance project “Swept Away” in 1984 with an array of dance floor pieces – including the title track produced by Mr. Arthur Baker. One of the abstract electronic numbers is “Nobody Makes Me Crazy Like You Do” which explores a thumping greeting card of love and desire. Cleverly produced with a techno-feel and Ross unleashing a sensual vocal that may be one the most sexy since “Love Hangover” – yet in a new 80s nu-wave arena. I have taken the album version of “Nobody Makes Me Crazy Like You Do” and edited a ReStructure Mix – taking the fantasy a few levels deeper. It was one of the alternative pieces that I give Ms. Ross credit for exploring and done so well for the mood. I love the afterhour’s feel of this piece and celebrate it with the same motivation. |
|
|
• Material Girl - Glenn Rivera ReStructure Mix - Madonna Madonna recorded her second album in 1984 with huge dance hit “Like A Virgin” leading the success again. This project being the pop-iconic style for the early 80s dance scene and becoming a part of music history. “Material Girl” is another single from this production from Nile Rodgers (of Chic) and also co-written by Peter Brown (“Dance With Me”, “Crank It Up”). A huge album for Madonna and thanks to an adoring fan base and pop-movement this piece has become one the most memorable of the time period. I have taken the 12” single (mixed by John “Jellybean” Benitez) and created a ReStructure Mix with more of the theme from the fabulous video with Madonna adorning the jewels and men as Marilyn Monroe. This play is more based on the inserts from Marilyn and homage to the 80s pop dance scene. |
|
|
• Sequencer - Glenn Rivera ReStructure Mix - Al Di Meola Al Di Meola is a guitarist who began recording solo in 1976 with “Land Of The Midnight Sun” – one of my favorite jazz fusion artists with a colorful talent to transform a landscape into energy. His 1983 album, “Scenario” contained the electronic single, “Sequencer” which played out as one of the infectious instrumentals of that year. Along with Jan Hammer on keyboards, sampler and drum machine a fabulous canvas for Di Meola’s beautiful finger work is allowed. I have taken the 12” version along with the dub to have a little play with “Sequencer” and create this ReStructure Mix. It adds a sample from a well-known late 70s classic and is rearrangement in various segments to work a new experience for those familiar with it or a new outline for those discovering it. |
|
|
• I'm A Sucker For Your Love - Glenn Rivera ReStructure Mix - Teena Marie Lady T (Teena Marie) brought the funk upfront with her talent during the late 70s with “Wild and Peaceful” – produced by Art Stewart and Rick James. The single “I’m A Sucker For Your Love” is one of the songs that ring a true Lady T sound – and along with Rick James adding his consoling love to Teena the track is an old school classic. I have taken the original 12” vocal and instrumental to rework a ReStructure Mix – adding a few electro-effects to enhance some of the familiar intro and an added break. Re-assembling parts of both give this one a new direction and homage to The Ivory Queen of Soul! |
|
|
• Don't Stop - Glenn Rivera ReStructure Mix - Ross Ross (Emanuela Gubinelli) is an Italo-disco project from Giuliano Crivellente and Mauro Farina who formed Flea Records – an Italo dance label which featured a high energy sound in the mid and late 80s. Much of the music contained the rolling synthesizers which helped to give it the title “girl twirl” because of its sweet melodies and femme vocals. “Don’t Stop” is a single from 1987 which dominated my club floor for months after its release. A nice melodic ringing sound makes this one irresistible. It is one of my all-time favorites and always reminded me of the Fun Fun sound done with a higher peak of energy. I have taken the original import using the “Full Power D.J. Mix Version” and “Casa Mix” to weave this ReStructure Mix. I focused more on a continuous flow and added a few new elements as well as rearranging the verses and choruses to maintain the energy. This ReStructure Mix is for Jerry Forrester on Facebook – thanks for the note Jerry and also for remembering this great Italo-disco piece! |
|
|
• Babe, We're Gonna Love Tonight - Glenn Rivera ReStructure Mix - Lime Lime is Denis and Denyse LePage – a force of 80s dance music which was unstoppable from their first single, “Your Love” in 1980. It was the start of the high energy era of dance music a satisfying potion of electronic love songs that brought excitement and moved feet. “Babe, We’re Gonna Love Tonight” is from their second project from 1982 titled “Lime II” – another love song with similar qualities, yet a whole new sound and instant hit. Their unique vocal play as a duo is one of the main factors in Lime’s success. It helped to bring an edge and sweetness to the fabulous and energetic tracks. I have taken the original 12” version of “Babe, We’re Gonna Love Tonight” and worked a new ReStructure Mix – talking chopped pieces of this cooker and reassembling to give it a new feel. The power still is present and more breaks added to give the chorus excitement all over again! Dedicated to Denis and Denyse LePage – thanks for saving us with your talents – the 80s would never be as memorable without Lime! |
|
|
• I.O.U. - Glenn Rivera ReStructure Mix - Freeez Freeez is a British electronic funk group from the early 80s and along with Arthur Baker helped to create a street sound marking a new style and era of dance music. Heavy beats and drum fills create the foundation for a pop-dance formula which began with Baker’s true club experience and studio talent. “I.O.U.’ is from their 1983 album “Gonna Get You” and then repackaged as an album by the track title. This piece is an explosion of funk and electro dance which draw a line across the dance floor and then lure all feet to it. One of the great classic innovative and leaders of the time. I have taken the vocal and dub from the Streetwise Records 12” single and re-edited this ReStructure Mix to play along with Baker and Freeez’ phenomenal street master pump. I have added a few new elements to differ the original and also give lovers of the sound and track a new experience. This ReStructure Mix is dedicated to David BoomGaarden on YouTube (thanks for the request, David) and the master himself, Mr. Arthur Baker |
|
|
• Chaos - Glenn Rivera ReStructure Mix - Quartz Quartz is Didier Plus, Laurent Taieb and Patrick Langlade – a French disco project produced by Saint-Preux a composer of contemporary classical music. Their first self-titled album from 1978 featured an innovative use of keyboards, drums and pre-trance-like arrangements. “Beyond The Clouds” is one of the big singles best describing the sound of Quartz and reverberates now as a disco classic. Their use of jazz like keyboards in this piece makes the disco beat explode along the moog synthesizers. “Chaos” is a moody and 70s futuristic instrumental piece which contains a bass synth which moves with a deep groove. It has been one of my favorites of the dance tracks from the project and fits wonderfully as a pre-cursor to a blend of electro meets disco. I have taken the album version of “Chaos” and blended some familiar street beat drum beats to parts. This ReStructure Mix is along the lines of a new episode for this hidden gem. I brought out the original concept with a few new changes to liven up the composition. |
|
|
• A Love Bizarre - Glenn Rivera ReStructure Mix - Sheila E. Sheila E. is one of the 80s dance music talents who took the dance floor on a funk-esque trip with the assistance of music icon, Prince. Her music made the arena of dance an energetic twist of heavy percussion and her light and sensual vocal edge. Her first hit, “The Glamorous Life” not only embedded her name into our brains but also created a following of a new generation of dancers and music fans. “A Love Bizarre” is from her 1985 project titled “In Romance 1600” – produced by Prince. It is one funk driven dance track which not only stamps Sheila’s sound but also the brand of synth-pop dance where the 80s took off following 70s disco. I have taken the album version of “A Love Bizarre” and reworked it for this ReStructure Mix. I have focused on making a dance groove with more of the looping and chopping tracking which makes the 80s dance scene not only more of the disc jockey’s art – but also quite ‘bizarre’ at times. |
|
|
• Stoned Love - Glenn Rivera ReStructure Mix - Sweet Brandy Sweet Brandy is a Canadian disco project from produced Jerry Cucuzzella – who also gave us Suzy Q, Quantum, Sandy Steele, Plastic Surprise, and Dorazio. The early 80s were filled with electronic high energy music following the demise of the big disco orchestration sessions. It was a simpler but not less effective. A new sound was filling club and the rolling sound of high energy began taking the stage. Sweet Brandy’s cover of The Supremes’ “Stoned Love” is an irresistible dance number and features the vocals of Patti Masi (better known as Vera). This ‘sweet’ arrangement on the J.C. Records 12” is arranged by Louis Toteda, I have taken the original long version from the 12” single and worked on this ReStructure Mix to bring back this sound which many will remember saving that disco feeling during the early and mid-80s. I have extended the track and also chopped it into several movements with more breakdowns and chances to catch that wonderful melody – both in verses and choruses. This ReStructure Mix is dedicated to the talented Mr. Louis Toteda – thanks for your friendship and incredible dance music you have left us with to move to over-and-over! |
|
|
• Forever Your Girl - Glenn Rivera ReStructure Mix - Paula Abdul Paula Julie Abdul is a singer, songwriter, choreographer and dancer who released her first pop-dance sensation titled “Forever Your Girl” in 1988 – brightening the dance scene with a kickin’ format and sweet romantic side. Quite simple and to the point – much of her magic was in both the pairing of her dancing and vocals paired, as seen in many videos of her tracks. “Forever Your Girl” makes it in the Special 80s Edition of ReStructure Mixes since it is one which made my floor not only packed wall to wall – but also brings back some special memories of the mid-80s dance rejuvenation. I have taken the original 12” version of “Forever Your Girl” and worked a new ReStructure Mix focusing on a full beat powered sound with more of the key-synths rumbling and rolling below the love song. It was great fun to take a radio track and focus on more of a hardcore floor transformation. Pop-dance of the 80s meets a new friend. |
|
|
• Flashdane...What A Feeling - Glenn Rivera ReStructure Mix - Irene Cara Irene Cara is an actress, singer and songwriter whose early career includes the original Dreamgirls inspiration – the 1976 film “Sparkle – which featured music from Curtis Mayfield. Irene burst back into the music scene in 1980 with the soundtrack to the film “Fame”. This put her back into a standing which gave dance music a promise of a whole new era. Her title track to the 1983 romantic-drama, “Flashdance” brought dance floors to the brink of a celebration and new respect for the dance/disco anthem. Produced by Giorgio Moroder and also bringing a new sound and audience for the time. I have taken the 12” vocal and instrumental to create a whole new ReStructure Mix and exaggerating on the keyboard drama as well as this soul lift. Much of the arrangement is placed in a new grouping to give the so-familiar piece a new sound. It is one which I have always remained true to and brings memories of an ecstatic dance crowd! |
|
|
• You Got The Power - Glenn Rivera ReStructure Mix - WAR WAR is a band who began recording in 1971 and throughout the late 80s. Their work in disco music hit a kind note in 1977 with their track “Galaxy” which featured a rolling bass line and funky edge. On the dance floor, the band worked a few more single including, “Good, Good Feelin’” from 1979 which made the excitement of the disco era come alive. “You Got The Power” is from the 1982 album “Outlaw” and is an uplifting anthem in a funk package. I have taken the 12” version of “You Got The Power” to work a new ReStructure Mix with a few new pieces to compliment this modest yet positive theme. It is a mild touch of re-editing and also adding a new drum break to give way to a wind down break. |
|
|
• White Room - Glenn Rivera ReStructure Mix - Rudy Rudy is a Jacques Fred Petrus disco project from 1979 with his classic electronic disco sound as captured in Peter Jacques Band, Macho, Revanche and Midnight Gang. The innovative dance edge was an early sign of the New York progression to a sophisticated disco format. Horns and pulsating breaks are the elements which echo most here. “White Room” is from the “Just Take My Body” album and is a cover of the British-rock band, Cream’s 1968 psychedelic rock classic. A favorite of mine from this genre of disco music and a rousing dance tribute to the original. |
|
|
• My Girl - Glenn Rivera ReStructure Mix - 1 Plus 1 1 Plus 1 is a Bobby Orlando project under a title which is best known as the high energy stamp of the 80s. A heavy wall of percussion and simple keyboard riffs make this blend of electronics and camp-like vocals. This cover of The Temptations Motown classic, “My Girl” is one which made my dance floor come alive during fast moving energy sets. It keeps the flow of the original moving to a rolling synthesizer arrangement and crashing percussion loops. It makes the 80s a fun place to venture onto once again and relive the simple movements of dance music. I have taken the original 12” version on Bobcat Records and created a ReStructure Mix which takes the original Motown masterpiece into the disco lights and energy. It flows the same manner as the 12" arrangement – which I wanted to leave intact. It is sprinkled with some new dance floor glitter and pieces of the original riffs that make soul and disco feel right! |
|
|
• The Man From Colours - Glenn Rivera ReStructure Mix - Wanexa Wanexa is an Italo-disco project from Franco Rago, Gigi Farina and Xenia Monneret – the trio who brought us Expansives (“Life With You”), ‘Lectric Workers (“Robot Is Systematic”, “The Garden”) and Message From The Future. This style of dance music began with the control of electronics being used in creative and artistic manner. It was a free range of sounds where street beats blended with the thumping of the disco outline. “The Man From Colours” was released in 1982 and was a moody piece with a haunting vocal by Lyana Galis. One of my weapons for an early morning set or tea dance. I have taken the original 12” vocal and instrumental of “The Man From Colours” to build a new ReStructure Mix outlining more of the beat pulses and foundation of these innovative Italian productions. I have only used a piece of the vocals in one segment. They are haunting and work best when delivered in part. Homage to my love for Italo-disco and thanks for their delivery of a new style for the dance floor in the early 80s. |
|
|
• She Works Hard For The Money - Glenn Rivera ReStructure Mix - Donna Summer Donna Summer released her third 80s album, “She Works Hard For The Money” in 1983 with the title track becoming the anthem for not only those hard working women – but also dance floors everywhere. It was that 80s dance fusion creating another chance for Donna to deliver a message that would resonate for years. The album was produced by Michael Omartian and was another spot for Donna to prove that her vocals are the real essence to her talent and although the disco era made her a unique icon as The Queen – there was another throne to rest upon for years to come. I have taken the 12” vocal and instrumental of “She Works Hard For The Money” and reworked a ReStructure Mix which follows closely to my outline of reworking the track out of its familiar edge- so those looking for a slight edit may be surprised. It was one of the tracks I can remember extending to packed dance floors but now adding more pieces to the classic. Making a guest appearance in Varla Jean Merman (from “Girls Will Be Girls”). Dedicated to those hard working Donna Summer fans who keep the magic alive – in the air where it belongs! Thank you. |
|
|
• Hold Back - Glenn Rivera ReStructure Mix - Valerie Krystal Valerie Krystal is a Canadian disco project from Gino D’Orazio and Tony Bentivegna – the duo which brought us Blue Lazer, Ladies Choice, Motion and Nightlife Unlimited. They were the pair which helped to save dance floors during the early 80s by creating a full electronic wall of sound to maintain our position on the dance floor. “Hold Back” is from the 1983 album “Piece Of My Heart” which displays the familiar synth and keyboard work from the D’Orazio and Bentivegna arrangement and recordings of the time. There is pleasant melodic feel to Valerie’s vocals and pulse of this track and has always been a floor packer for me. It is also one of my favorites from these Canadian wonder boys. I have taken the original 12” version of “Hold Back” and created a lengthier and more break driven ReStructure Mix which keeps that bouncy continuity moving along. It was fun to play with this one and hoping that first time listeners will find they missed a sweet little dance number – but now theirs! |
|
|
• Everybody Needs Somebody Sometime - Glenn Rivera ReStructure Mix - Ann Margret Ann Margret is an actress and singer who made a mark in cinema as the ‘sex kitten’. Disco was an open door for Ann since the aura of sexuality is one of the elements of its lure. Produced by Paul Sabu, who created a successful stage for Debbie Jacobs and his own band along with various studio works in dance music during the 80s. “Love Rush” was the first disco single to send waves throughout dance floors during its release and also made a tasty moment for a television showcase of dancing and teasing. I have taken the original 12” and second edition – using the 3 versions to recreate a disco moment for Ann’s perfect sensual early evening/morning number. I have always loved Sabu’s original feel and arrangement and worked to give admirers a new spotlight to use for rekindling an underground funk and disco piece. Mr. Paul Sabu is one of the men who used the sounds which made dance/disco music identifiable and now, classic. This ReStructure Mix and respect are dedicated to him. Thank you, Paul. |
|
|
• Stubborn Kind Of Fella - Glenn Rivera ReStructure Mix - Buffalo Smoke Buffalo Smoke is a disco project from 1976 produced by former Fifth Dimension member, Lou Courtney. Their cover of the 1962 Marvin Gaye soul-classic “Stubborn Kind Of Fellow” is pumped into a rousing disco number with a great lead vocal by Lou and a nice backing female duo (Christine Wright, Natalie Maryland) echoing throughout. The album was arranged by L. Leon Pendarvis and speaks the classic sound of the mid-70s where the disco tempo and beat are the added to discofy the production. I have taken the double A-sided 12” single of “Stubborn Kind Of Fellow” and worked a ReStructure Mix to give the powerhouse sound a new edge. Lots of new percussion and drums accentuate the rhythmic flow of this all-together love song where this guy is not giving up soon. One of my favorite disco 12” underground classics and once I start to hear the chorus it takes a while to leave. |
|
|
• Could It Be I'm Falling In Love - Glenn Rivera ReStructure Mix - Spinners Spinners are a soul group whom began recording in 1967 and carry a recognizable harmony which is soothing and loving. Their single from 1972 “Could It Be I’m Falling In Love” is one of the big radio tracks in soul/rhythm and blues and continues to mark the old school genre with its wonderful beauty. The love song brings emotion to life with the start of the love which only gives promise and is arranged with the classic early pop-soul formula that is the best of the time. The arrangement and production are by Thom Bell. I have taken the album version of “Could It Be I’m Falling In Love” and created a ReStructure Mix using edits of the beautiful strings and vibes displayed in a new intro and closing. The lovely feel of both lead and backing vocals always make this one a special treat. More of the verses are also pieced in this new remix to make the feeling of love and excitement last longer. |
|
|
• Situation - Glenn Rivera ReStructure Mix - Yaz Yaz (known as Yazoo in the U.S.) is Vince Clarke and vocalist Alison Moyet. Their music brought the 80s into a new phase of dance music known as synth-pop and introduced the powerful voice Alison over the electronic formation of Clarke’s nu-wav vs. funky grooves. “Situation” is from the project “Upstairs At Eric’s” from 1982 and was an outline for their new style and success. The early 80s made their move easier since much of the dance circuits were looking for a new underground sound. It was the formation of a new dance era. I have taken the single “Situation” into the ReStructure Mix outline and played with the classic sounds from the original 12” vocal and dub. Working on completing an arrangement completely odd to the dance mix and yet keeping the power-moments intact in a new manner. It is one of the great remix opportunities for the double 12” vinyl war I fought with each night in the clubs to present a new version each night during peak hour. And now done with the ReStructure Mix formula and mood. |
|
|
• Stars - Glenn Rivera ReStructure Mix - Ullanda Ullanda McCullough is released her 1979 disco project “Love Zone” - produced by Leon Pendarvis. This is a voice that has backed sessions for Ashford and Simpson, Cissy Houston, Rice and Beans Orchestra, Celi Bee and Michael Zager Band. “Stars” is the opening number from the album and opens with a show stopping disco anthem bringing the dance floor to celebrate as stars in a flashy universe. It has always been one of my favorite diva numbers and along with Ullanda’s soulful performance it always brings to mind a disco floor peaking on its own energy. This ReStructure Mix takes the long album movement and works a mean bass guitar to a the main stage. I have kept the vocal breakdown where it belongs – at the tale end giving this blast a nice breakdown for landing. Dedicated to Nick and Lindsay – thanks for requesting this fabulous track and for all of the love and sharing. It means allot to myself and I know many artists can feel the warmth from you love and devotion to the music. |
|
|
• I Will Survive - Glenn Rivera ReStructure Mix - Gloria Gaynor Gloria Gaynor’s 1978 album “Love Tracks” brought the anthem of power and self-love to life with “I Will Survive” – produced by Dino Fekaris. The classic is among the top10 and continues to bring new light of hope even today. As the B-side to the 12” “Substitute” this one had the power to not only reverse the labeling element but also mend broken hearts and strengthen the disco movement of the late 70s. I have taken the 12” of “I Will Survive” and reworked a ReStructure Mix which focuses a bit more on breakdowns of the ‘glorious’ take told here. A more rhythmic appeal and approach to the original and yet leaving none of the classical elements apart. A tough act to amend yet allot of fun! |
|
|
• Kind of Live (Kind of Love) - Glenn Rivera ReStructure Mix - North End North End is Arthur Baker, Tony Carbone and Russell Presto – a definite mark in the history of New York’s disco label West End Records. Their 1979 single “Kind of Life (Kind of Love)” is the sound of the New York disco in anthem form. One of the power records for me as it was always an uplifting moment for a tea dance or peak hour of a hot sweaty night. An upward theme of a city moving with the beat of love and life outlined in a great standard feel as the vocal colors the jazz flavor sprinkled thought out each crescendo. One of my favorites and always brings to mind good times. I have taken the 12” single vocal and instrumental to create a new celebration in this ReStructure Mix bringing the percussion out with a new drum beat. It moves a bit more energy wise with some added percussion and more of a focus on an anthem drawn out to raise hands in the air and then just a moment to cool off. Dedicated to Mr. Arthur Baker, a talent which is outlined always in his work and dedication to create for each segment of dance music history. Many thanks, Mr. Baker. Also, Tony Carbone whose work always blended the best musical aura for a dance floor moving to the love and energy of New York disco. |
|
|
• Feel It - Glenn Rivera ReStructure Mix - Samantha Gilles Samantha Gilles released a hi-NRG blast in 1984 with “Feel It’ – produced by Fonny De Wulf, who became one of the producers creating the independent club sound in the mid and late 80s. The track was an immediate hit and landed during a period of electronic dance music with the new high energy edge. Samantha became one of the noteworthy disco artists to watch for since her sensual vocal was an element filling the sound of a new dance era. I have taken the domestic 12” of “Feel It” both the Remix by Jim Callon (Glass Family) and the original to rework a new ReStructure Mix adding a new departure and destination for this pumping classic. I have used the clever calliope elements throughout this remix adding a new arrangement for several of the catchy riffs. |
|
|
• He Loves Me, He Loves Me Not - Glenn Rivera ReStructure Mix - Kim Fields Kim Fields (television actress from The Facts of Life and Living Single) joins the party with a 1984 electronic/high energy track that sounds close to a Bobby Orlando production with the pulsating percussion and light keyboard arrangements. “He Loves Me, He Loves Me Not” was a simple task to bring Kim to dance floors where I am sure she loved to be. This elementary school love-play song rhythms and percolates throughout a thumping disco number that may be simple and feel a bit silly – but it can be fun. I have taken the 12” vocal and instrumental – produced by Elliot Willensky and Hal Davis onto the ReStructure Mix mode and created a more spared arrangement for the limited chorus and verses. It is a chance to hear the mid-80s high energy sound during its heyday! |
|
|
• Feel Alright - Glenn Rivera ReStructure Mix - Komiko Komiko is an electronic funk band brought to us from producers Gary R. Turnier and Darryl Payne – who also gave us Gary’s Gang, Sharon Redd, The Raindolls, Tracy Weber, Mona Rae, Vicky ‘D’. A big time dive into the disco pool and experience with both Mr. Turnier and Mr. Payne with the funk and boogie alongside the refreshing side of this piece from 1982. It is one of the big electro-funk pieces and best known to get the hips moving immediately. “Feel Alright” is the lone single from Komiko and is enough as it still remakes one of the “old school” music’s big movers. I have taken the 12” vocal and instrumental to recreate a ReStructure Mix to bring back that feeling of the wonderful age of disco-funk in the early 80s. Left intact are the bass kicks and that falsetto vocal brought to life with the right amount of keyboard trickle and thump from the lighter side of funk. It is a favorite of mine and brought to you in a new package to move to all over again! Dedicated to Mr. Darryl Payne and Mr. Gary R. Turnier – in thanks for all they have given us- as we continue to move to it! |
|
|
• What's Your Name, What's Your Number - Glenn Rivera ReStructure Mix - Andrea True Connection Andrea True is one of the memorable disco artists of the disco era thanks to her big hit “More, More, More” from 1976. It was a big break for a former adult film star to make an impact on a fast growing dance trend taking over. Her follow up album from 1978 titled “White Witch” featured two big disco hits including “N.Y. You Got Me Dancing” (produced by Gregg Diamond) and “What’s Your Name, What’s Your Number” (produced by Michael Zager and Jerry Love) – two big classics that are defining in their own way of the disco era. I have taken the 12” of “What’s Your Name, What’s Your Number” and created a ReStructure Mix with a “dub” feel with lots of rapid fire edits to bring the questions a brand new identity. The guitar riffs and bass thumps are laid out with some new beats and percussion. It is one of those disco numbers that bring to mind the era of funk and soul uniting with the disco beat – pounding out the rhythm with a new attitude and shine. This ReStructure Mix is dedicated to Mr. Jerry Love and Mr. Michael Zager for their contribution in creating the magic of a dance era that will always be celebrated. |
|
|
• San Francisco - Glenn Rivera ReStructure Mix - Cappuccino Cappuccino is a disco group from 1979 produced by Danilo Vaona and Gian Pietro Felisatti and featured three singles that are a legacy of the sound of disco’s uplifting and melodic sound. The production displays a few sounds including the symphonic edge of a disco anthem to an underground afterhours feel. “San Francisco” is a single from the self-titled which rings out as anthem for the West Coast city and a few hooks leave the track echoing as an anthem should. I have taken the album version of “San Francisco” to create a ReStructure Mix to bring another good-feeling alive again. The vocals playout as the energy which is full-on disco music in its top form. A few new parts are added and an intro which offers more of a fading intro rather than the original horn arrangement. It is a nice uplifting song and a group which holds many fond memories of a crowded dance floor and when programmed an overall good aura in the room. |
|
|
• Take My Love - Glenn Rivera ReStructure Mix -Melba Moore Melba Moore has always been one of the artists of the disco era with a great deal of talent and a well-developed stature. Her venture into disco music during the mid-70s brought a voice into club dance floors filling a soulful space. “What A Woman Needs” is Melba’s project from 1981 and features “Take My Love” – produced by Lawrence Jones. The track received airplay on radio and also many electronic funk playlists. With Melba’s powerful vocal this track was always a favorite and made my playlist for months. I have taken the album version which features a mix from Michael Barbiero and Morri Brown to recreate a new ReStructure Mix experience. A few areas where new breaks and stripping down of the funk elements are the center stage here – as well as Melba’s performance which takes a hold from the start and satisfies the neediest lover and dancer. |
|
|
• You're The Most Precious Thing In My Life - Glenn Rivera ReStructure Mix - Love and Kisses Love and Kisses is a disco group created by Alec R. Costandinos and was a full intro to Euro-disco during the growing popularity of both discotheques and disco music. Their first two albums were both in Costandinos’ disco symphony formula and became a new sound creating excitement and moving feet instantly. In 1978 the disco film “Thank God It’s Friday” was released on Casablanca Records & Filmworks label with a list of new and promising disco talent including Donna Summer, Paul Jabara, Pattie Brooks, D.C. LaRue, Love and Kisses and more. This three record set was marketed with the full disco charge. “You’re The Most Precious Thing In My Life” is a disco track featured on the soundtrack from Love and Kisses and followed closely the group’s recognizable arrangement and production. I have taken the album version of “You’re The Most Precious Thing In My Life” and reworked it for this ReStructure Mix. I have stripped down the original intro with a layered set of new drums and looped effects. I gave it a bit more of a breakdown mix allowing some of the light breaks and orchestrations an opportunity to create a new rhythmic experience. |
|
|
• Run To Me - Glenn Rivera ReStructure Mix - Tracy Spencer Tracy Spencer (Louise Tracy Freeman) released several Italo-disco singles in the mid and late 80s. Her album titled “Tracy” from 1987 featured her 1985 single “Run To Me” which was one of the big Italo-dance hits of my club. A nice beat infused with heavy bongo fills and a flip-side which brings the track into a hot instrumental dub. A touch of the Stock Aitken Waterman sound with the sweet influence of Italo-disco. I have taken the 12” vocal and “Ma-Ma-Run” dub side to create a new ReStructure Mix with a new breakdown of the song and a rearrangement of the verses. It always makes me feel good to hear one of the pumping dance tracks which play out with a melodic and flowing resonance. “Run To Me” is just one of those pieces. |
|
|
• Baila Bolero - Glenn Rivera ReStructure Mix - Fun Fun Fun Fun is an Italo-disco group from the early 80s which brought back the “happy” and celebratory feel to the new sound called “high energy”. This was quite a time for disco lovers and those who loved to get lost in a good space on dance floors. Many of their early tracks featured vocals by Spagna, Antonella Pepe and Angela Parisi – the chorus of beautiful sweeping innuendos. “Baila Bolero” was from their 1987 project “Double Fun” and carried on their sound of rolling synthesizers and uplifting melodies. One of my all-time favorites of Fun Fun’s and also of the period. I have taken the 12” “Bolero Dance Mix” and “House Mix” onto the ReStructure Mix formula to pump this piece even more and create some new surprises. More of those Spanish guitars and riffs are featured here. Dedicated to those wonderfully filled people who continue to keep the “uplifting” sound of disco music alive in a time where it is needed and perfect. |
|
|
• Computer Game - Glenn Rivera ReStructure Mix - Yellow Magic Orchestra Yellow Magic Orchestra is Haruomi Hosono, Ryuichi Sakamoto and Yukihiro Takahashi – a Japanese electro-pop band who began recording in 1978. Their 12” single “Computer Game” from 1979 is one of the innovative dance tracks with an early electro/techno feel. The track utilized sound effects from the video games, Circus and Space Invaders then blending an Asian melody. It is one of the releases which stood out for the progressive electronics started earlier by artists like Giorgio Moroder and Kraftwerk – soon to become an identity of its own in pop, hip-hop, electronic and techno music. I have taken the 12” of “Computer Game” and edited a new ReStructure Mix adding a few more beat and synth-effect elements to display more of the bass sequencer patterns and a few more surprises. This one always had the place in my mind as one of the stand-out pieces where a transformation of mood and movement was affected on dance floors. It is presented here in respect and appreciation. |
|
|
• Won't You Let Me Love You - Glenn Rivera ReStructure Mix - Sylvester Sylvester returned to the San Francisco high energy sound in 1982 with his Megatone album “All I Need”. Featuring the big single “Do You Wanna Funk” (along with Patrick Cowley the power of this project brought back the pumping bass synthesizers and rolling energy of the sound of disco as it progressed in the late 70s. Produced by John Hedges and James Wirrick. “Won’t You Let Me Love You Tonight” is the last track on the album and received play in many of the clubs who desired the disco/gospel edge of Sylvester’s style. I have taken the album version of “Won’t You Let Me Love You” and worked a new ReStructure Mix with a new direction – using much of the pieces which I always found exciting and infectious. A new intro and a focus on the elements which make this song a favorite and also a fine example of the greatness of Sylvester’s work. |
|
|
• Music - Glenn Rivera ReStructure Mix - M.A. 3 M.A.3 (also known as Menage A 3) is Shuki Levy and Deborah Shelton. This project from producer, songwriter and Haim Saban from 1978 featured a medley of Bee Gees songs titled “Bee Gees Mania” – and appropriate for Shuki and his vocal falsetto. The album was released on the Canadian label, Able Records and had a limited release. “Music” is a track which was recorded by French artist, France Gall in 1977 – recorded in French. This cover version carries a funky and sweet feel with sweeping strings and a abstract and powerful performance by Shuki Levy. It has the feel of a great early morning classic from dance palaces. I have taken the album version and created a ReStructure Mix to give some of the fanfare a new stage. Adding a few new pieces from familiar disco classics and also pound a bit more energy into this melodic anthem. |
|
|
• Blue Steel - Glenn Rivera ReStructure Mix - Rinder & Lewis Laurin Rinder and W. Michael Lewis created a world for disco music in the mid-70s with an edge of lounge jazz and the underground disco beat and percussion of the period. Their work always displayed an imaginative feel with a place for the infectious groove. “Warriors” is their second album from 1979 with several tracks which remain classics among followers and great material for the true disco underground. “Blue Steel” is a piece of light disco jazz with their synthesizer and keyboard reaching an eerie edge. One of the great mixtures of their talent was in tracks as this. I have taken the album version of “Blue Steel” and worked this ReStructure Mix to give homage to both it and the artists. It uses some new drum tracks and a reedit to piece with more mystic in a trance/lounge feel. This ReStructure Mix is dedicated to W. Michael Lewis for his incredible talent and also for remaining true to a sound which remains one of the most uplifting and definitive of a great era. |
|
|
• Palace Palace - Glenn Rivera ReStructure Mix - Who's Who Who’s Who is a disco project from Daniel Bangalter (Daniel Vangarde) who also brought us productions from Gibson Brothers and Ottawan. The studio group is the sound of the high-beam of disco music where every effective element in both production and mix are utilized. A cymbal crash for a new electronic energy at the peak of disco history. “Palace Palace” is from their 1979 album and was a huge club hit with dance floors still moving as fluently to disco music as underground music during the early 80s. A great disco hall hit with lots of energy and breakdowns of simple riffs making them hypnotic and booty-shaking. I have taken the 12” version of “Palace Palace” and created a ReStructure Mix adding a new feel to the arrangement – focusing on the ricochet loops and a few new breaks. It is a salute to those disco instrumentals which kept the floor moving over and over during those hot sweaty nights of disco pleasure. |
|
|
• High Cost of Loving - Glenn Rivera ReStructure Mix - Carol Jiani Carol Jiani is an artist and vocalist who appeared when we needed her most. “Mercy” is a dance floor classic from 1981 which brought back an underground disco sound back. Her album “Hit ‘N Run Lover” along with the title track created a stir that only feet who experienced could witness. A pulsating synthesizer and raw percussion working at emotion and a groove. “High Cost Of Loving” is a single from the project which dominated my charts during 1981 and a few years following. A great falsetto from Ms. Jiani and a few facts about love in the early 80s. I have taken the album version and created ReStructure Mix to pay tribute to the awesome production from Joe LaGreca and that Denis LePage sound which moved us in the 80s in a new way. It gives a longer play with those rolling sequencers and bass which point out the Canadian high energy sound in the making. This ReStructure Mix is lovingly dedicated to Ms. Carol Jiani – not only for being one of my favorite and unique vocalists but for also displaying a human rights advocate voice which in itself deserves an award. Thank you, Carol
|
|
|
• Jump - Glenn Rivera ReStructure Mix - The Ring The Ring is a disco project from Marcus Barone, Holly Oas, Jimmy Young, and Russell Blake responsible for one of my favorite underground disco tracks of 1979 – “Savage Lover”. This ensemble created the sound of the oncoming 80s – giving disco music a new venture in both theme and style. Less of the orchestrated disco arrangements and more of the electronic feel that would take over in the 80s. “Jump” is the second single from the project and one which helped my dance floors continue to move to the disco fusion towards the end of the mainstream “disco fever”. This ReStructure Mix takes the 12” version and mixes up beats, claps and that classic sequencer break which causes many dances to find themselves in the dance zone. It is one tracks I have always wanted to break up into a mover and shaker version – and it always emphasizes the feeling that disco brings. Keep on movin’! This ReStructure Mix is dedicated to Mr. Marcus Barone! Thank you Marcus for your magic touch which still makes us feel good. |
|
|
• Beyond - Glenn Rivera ReStructure Mix - Herb Alpert Herb Alpert released “Beyond” in 1980 following the huge success of his disco single “Rise” from 1979. “Beyond” is a trance-like dance track which layers echoed pieces of Alpert’s signature sound. A rolling sequencer brings this track to an innovative point as many tracks like this followed in the mid and late 80s. One which always worked for early morning programs or themes dance sets. I have taken the 12” version of “Beyond” and blended a new ReStructure Mix adding a few new percussive effects and prolonging the jazz-dance journey. It plays out a path longer using more of the rolling patterns to mold a destination for those who like to take a trip here and there. |
|
|
• Look For Love - Glenn Rivera ReStructure Mix - Cerrone Cerrone’s magic began on dance floors in 1976 with “Love In ‘C’ Minor” and took dancers into a new world of orchestral disco fantasy. Following two more successful albums is “The Golden Touch” – a direct link to his Euro-disco creations with all of the elements wrapped into a tight four track set. “Look For Love” is another single from the project which has become a classic with its soaring anthem flavor. One of my favorites and the sound which brings to mind a time period of Cerrone’s rein. I have taken the album version of “Look For Love” – with its promise of love and happiness to create a new ReStructure Mix. This new piece gives the classic score of love several breakdowns and a nice flowing fade out with those horns and strings luring us higher and higher! |
|
|
• Hold Tight - Glenn Rivera ReStructure Mix - Change Change began its journey into disco and electronic funk in the early 80s with the first project titled “The Glow of Love” – with the entire album being a part of some playlist it was a huge success. Under the production of Jacques Fred Petrus and Mauro Malavasi this disco/funk ensemble created a new sound for dancing. “Hold Tight” is a single from their follow up album in 1981 titled “Miracles” – it features vocals from Diva Gray, Jocelyn Brown, Ullanda McCullough and Gordon Grody. I have given the album version of “Hold Tight” a ReStructure Mix and played with the original formula adding some breaks and new beat and percussion effects. One of my favorites sounds of the 80s and now the classic old-school feel. |
|
|
• Music In My Heart - Glenn Rivera ReStructure Mix - Ultimate Ultimate is a project from producer Juliano Salerni and co-producer/engineer Bruce Weeden. The project is very similar to Boris Midney’s USA European Connection album “Come Into My Heart/Good Loving” with a layer more of orchestration. The Euro-disco sound was exploding in 1978 thanks to artists/producers like Cerrone and Alec R. Constandinos. It was a Philly sound with more breakdowns and clever themes guiding dancers through a journey. “Music In My Heart” is one of the album cuts which always reminded me of the hardcore shift in top disco tracks of the time. The vocals are credited by Ultimate which are close to the Midney session a year earlier. I have taken the album version of “Music In My Heart” and created a ReStructure Mix with an electronic minded intro and then extended pieces and parts which ring out the sound of disco which helped to define its sound during the late 70s. |
|
|
• What A Difference A Day Makes - Glenn Rivera ReStructure Mix - Esther Phillips Esther Phillips is a soul/blues singer whose talent included taking songs and making them all her own. A unique style of singing that is recognizable and continues to bring an experience to new and old listeners. Her 1975 album “What A Difference A Day Makes” produced by Creed Taylor contained a soul/disco cover of the 1934 track originally written in Spanish by Maria Grever – it was later made popular by Dinah Washington in 1959 and also won a Grammy that year. Esther’s upbeat version has a nice resonance thanks to her bluesy touch and a rhythmic instrumental. I have taken the album version and worked a ReStructure Mix adding a longer intro and some kick drums to give the excitement a new edge. Parts of Dinah’s version are added to give another triumph a star. This ReStructure Mix was requested by Nick and Lindsay and dedicated to these two wonderful men who bring so much excitement to my world of music and a thrill in hearing the women of song in their glory. Thanks, guys. |
|
|
• Boys Say Go - Glenn Rivera ReStructure Mix - Depeche Mode Depeche Mode is Martin L. Gore, Dave Gahan, Andrew Fletcher, Alan Wilder and Vince Clarke – one of the 80s new breed of electronic dance music in the early 80s. Their music lasted to present and gives off a darker and more underground feel of pulses for dance floors to take that deeper plunge. Much of the rhythms are innovative and also cross a barrier of funk-i-fied synth-pop. “Boys Say Go” is from their “Speak and Spell” album from 1981 and is pressed at a short edit version – a longer excursion is demonstrated in this ReStructure Mix. I have taken the 3:04 album version and worked a new ReStructure Mix with more kick and action which helps to not only extend the original but also stir a bit more life into the track. This ReStructure Mix is dedicated to Jax Hammer who gives me the support and excitement again for disco music that is appreciated and held in the heart. Thank you, Jax – enjoy! |
|
|
• Love Money - Glenn Rivera ReStructure Mix - Funk Masters Funk Masters is an electronic funk project from the UK during the early and late 80s. Their sound is one of the innovative movements utilizing deep bass and funk keyboards. Their first single “(Money) No Love” is from 1980 and featured a 12” single with an instrumental flip titled “Love Money”. A true Paradise Garage record which gained the support of greats like Larry Levan during the new direction of dance e music. I have taken both side of the12” single – “(Money) No Love” and “Love Money” to create this alternative ReStructure Mix which focuses on the instrumental – adding a touch of the rap. A few new elements and a bassline from the disco treasury are placed to funk things up a bit more. |
|
|
• Have A Good Time - Glenn Rivera ReStructure Mix - The Salsoul Orchestra The Salsoul Orchestra released their project “How High” in 1978 and featured tracks produced by Colin Horton Jennings, Steve O’ Donnell, Ron Baker, Bunny Sigler and Ron Tyson. The dance number “Have A Good Time” is one of the songs which brought another bump to dance floors with its anthem flavor and homage to the disco scene. The track features The Sweethearts of Sigma (Barbara Ingram, Carla Benson and Evette Benson) on vocals and a funky groove with that Salsoul arrangement. I have taken the album version of “Have A Good Time” and reworked a ReStructure Mix to give the track a new facelift with some familiar percussion and repeat that “disco chant” with evidence that an era of uplifting energy will always bring to mind not only a great memory but continue to mesmerize us with rhythm. |
|
|
• The Duel - Glenn Rivera ReStructure Mix - Giorgio Moroder Giorgio Moroder dominated the late 70s and early 80s an innovation creator of dance music with a life of its own. His contribution to the 1984 film “Electric Dreams” is a simple example of his continuing play with keyboards and sequencers in a way which evokes the early 80s dance platform. “The Duel” is from the soundtrack and before you dismiss it as being simple or elementary you must understand the meaning of it in the film which is the early technology boom of computers verses classic instruments – in this case a cello. It is Moroder playing with not only the soundtrack end (which also includes his classic title them sung by Philip Oakley) but also pairing his music with visuals. I have taken the album version of “The Duel” and created a ReStructure Mix with a new intro and some play on the flowing sound of strings and keyboards over a bouncy bass 80s beat. It offers a longer play and also a bit of fun with the mind of Moroder. |
|
|
• That's Where The Happy People Go - Glenn Rivera ReStructure Mix - The Trammps The Trammps are a soul ensemble from the 60’s whose influence of disco music is a great memory for many who experienced the transition in the mid-70s of soul/Philly blend to a club/disco feel. Their 1976 hit “Disco Inferno” is still an iconic piece of dance music. “That’s Where The Happy People Go” from the album by the same name is another anthem which brings a groove which helped to make dance floor intentity with both the music as well as the discotheque scene. I have taken the 12” version of “That’s Where The Happy People Go” and worked a new ReStructure Mix to bring out that hand-clappin’ groove with a new arrangement and a few added breaks. The chorus is one of the great tie-line with the mid-70s scene and brings back the excitement all over again. |
|
|
• High Energy - Glenn Rivera ReStructure Mix - Evelyn Thomas Evelyn Thomas began recording in 1976 – her first single “Doomsday” produced by Danny Leake and Ian Levine. The path of soul and funk music to disco leads her success to brighter days. Her 1984 project “High Energy” produced again by Ian Levine along with Fiachra Trench gave way to a new anthem for the 80s dance scene. This track blasted its way into club and created excitement and energy. With Evelyn’s fabulous vocal and performances this one took off like a firecracker in flames. I have taken the 12” vocal and instrumental to create this ReStructure Mix which focuses on “High Energy” as an event more than a dance track. It pulses in and out of the fantastic instrumental and Evelyn’s classic vocal version. It was always a huge number in my book and continues to remind me of the power of music and uplifting theme! This ReStructure Mix is dedicated to the lovely Ms. Evelyn Thomas – who has never left us short of emotion and energy. Thank you, Evelyn! |
|
|
• The Twilight Tone - Glenn Rivera ReStructure Mix - The Manhattan Tansfer The Manhattan Transfer is Alan Paul, Janis Siegel, Laurel Masse and Tim Hauser – the vocal group began recording in 1971 and time the them into 1979 and a disco track from their “Extensions” album. The track is clever use of the classic feel of the vocal foursome and also added a disco edge with a take on the theme from the classic television show “The Twilight Zone” by Bernard Hermann – the recording also features Jeff Porcaro on drums and bongos and Michael Boddicker on synthesizers. I have taken the album version and worked a refreshing ReStructure Mix with much more of that mystic “twilight tone” and a few new breaks. It was always a successful dance floor track for me and from its following it has left a good mysterious memory in many dancers’ minds. This ReStructure Mix is dedicated to Jenny Moreno – thanks for your kind words and for requesting this great tune! |
|
|
• Shadow Dancing - Glenn Rivera ReStructure Mix - Andy Gibb Andy Gibb is one of the younger siblings of the Bee Gee’s trio. His solo career as a pop singer and teen idol began in 1977 and following the release of his single “Shadow Dancing” in 1978 a whole new audience and following of the funky-pop edge was created. The track was produced by Albhy Galuten and Barry Gibb with the sound that the Bee Gees molded in the mid-70s. It is more of a radio success than club although many jocks with dancers yearning for that Bee Gees edge found it a nice bump and grind piece. I have taken the 12” extended version of “Shadow Dancing” and created a new ReStructure Mix with more rhythm break-down and some play with segments of the vocal. It plays out more like a dub mix during the last breath – but also stays true to the original mix. |
|
|
• I Got A Line On You - Glenn Rivera ReStructure Mix - Patrick Cowley Patrick Cowley worked on several projects during the late 70s which began his fantastic synthesizer-dose along with his vision of a futuristic dance fusion sound. Tracks like Sylvester’s “Dance (Disco Heat)” reached levels of energy with Cowley’s assistance. “Menergy” is his 1981 album which brought dance floors a new sound and imagination to move and fantasize with. “I Got A Line On You” is a single from this project and a cover of the 1968 psychedelic rock track by Spirit. An appropriate remake for Cowley to tackle since his electronic work was a psychedelic-electro layer on disco music itself. I have taken the album version of “I Got A Line On You” – which features vocals by Jo-Carol Block Davidson and Lauren Carter (also known as Jolo) and created a ReStructure Mix using the original version in parts and also enhancing Cowley’s original arrangement. It is a mind-bending song as a disco track and the new version adds to the trip. |
|
|
• (The Best Part Of) Breakin' Up - Glenn Rivera ReStructure Mix - Roni Griffith Roni Griffith gave the early 80s a nice path into high energy music with her solo album produced by Bobby Orlando. This formula involved Orlando’s wall of percussion and his light iconic synthesizer accompaniment. One of the most seductive of his sounds with Roni’s voice presenting a nice femme a la disco beat performance. “(The Best Part Of) Breakin’ Up” is a cover of The Ronettes 1964 pop-track – originally arranged by Jack Nitzche. This full force disco arrangement gives us a jungle pounding percussion outline. It is one of the most recognizable and one of Orlando’s most memorable works. I have taken the 12” single and looped that jungle sound into a ReStructure Mix adding only a few new rhythm beats and additional kicks to give this ritual another dub-like opportunity to move you head, feet and soul. A big hit for most that played it and will always mark the disco career of Ms. Griffith. Dedicated to Ms. Roni Griffith for her wonderful work and energy given to clubs and dancers. |
|
|
• I'm Gonna Make You Want Me - Glenn Rivera ReStructure Mix - Gina Lamour Gina Lamour is a high energy disco artist from the early and mid-80s who follows the path of synth-pop artists like Stacy Q. Her sound is a sensual and dramatic delivery of disco stage appeal with the lip gloss and pulsating beat. “I’m Gonna Make You Want Me” is her 1985 single produced by high energy master, Ian Anthony Stephens – who also gave us singles by Paul Parker, Hazell Dean, The Flirtations and Lisa. His electro-symphonic arrangements were a great return to the disco edge in the 80s. I have taken the vocal and instrumental from the 12” single and created a new ReStructure Mix which adds a few more sticks of dynamite to bring the catchy and lyrical chorus and Gina’s sexy energy to a new part. It was a nice high energy track during its release and will remind dancers of the electronic wall-of-sound that high energy created for more dance fantasies! |
|
|
• Island Boogie - Glenn Rivera ReStructure Mix - Gregg Diamond's Star Cruiser Gregg Diamond created a sound for dance floors with a funky-rock edged groove which helped to shape the sound of “boogie” music as it matured as disco. His project Star Cruiser is a 1978 follow up to his 1977 band Bionic Boogie. His earlier work with Andrea True and their classic, “More, More, More” leaves no wonder as how his talent marked an era with sophistication and disco magnitude. “Island Boogie” is from the Star Cruiser album and features lead vocals by Gordon Grody and back up from Diva Gray and Jocelyn Brown. I have taken the album version to extend and play with a new ReStructure Mix giving way to more of that uplifting feel and fierce production by Diamond. It has always been one of my favorite tracks from Gregg Diamond and covers his lush strings and funky guitar arrangements completely. This ReStructure Mix is dedicated to the memory of this maestro – Mr. Gregg Diamond (1949-1999) |
|
|
• Scorpio - Glenn Rivera ReStructure Mix - Dennis Coffey and The Deroit Guitar Band Dennis Coffey is a guitarist, composer and producer whose work on many funk, soul and disco projects mark an excellence in funky string work and style. Much of his work in the early 70s featured his brand of funk and soul which helped to make the shift into a beat-base dance formula called disco. “Scorpio” is a memorable funk piece which was released in 1971 on album “Evolution”. It is a follow up to the sound of soulful tracks by Isaac Hayes’ “Shaft” and seemed to explode during this period. I have taken the album version of “Scorpio” and focused on the bongo tracks and lead guitar to fuse a whole new ReStructure Mix experience. It plays out as deadly as the load Coffey placed in this stick of disco dynamite. It is another example of how the ‘evolution’ of funk and soul played an important end in dance music history. Dedicated to the man himself, Mr. Dennis Coffey – thanks to all of your gifts to ears and feet! |
|
|
• I Got The Answer - Glenn Rivera ReStructure Mix - Carol Douglas Carol Douglas is a disco singer whose 1975 hit “Doctor’s Orders” helped to bring a sweet flavor to dance floors and a new energy to the mid and late 70s. Carol’s many contributions feature her sweet vocals which flow along with the yearning and loving feelings which disco music brought to clubs and dancers. “Come Into My Life” is Carol’s project from 1979, which features the track “I Got The Answer” – produced by Greg Carmichael. The fast moving love song is a perfect example of how the energy of disco music can make one fall in love faster than he or she can ever know. I have taken the album version of “I Got The Answer” and created a new ReStructure Mix to bring out the sweet symphonic elements infused with a touch of new cuts and edits to add a new force. It is one of Carol’s iconic vocals and helps to remind of why we used to fall in love at discotheques. This ReStructure Mix is dedicated to Nick and Lindsay – a request which I always feel moved to create from these connoisseurs of great disco divas and the lasting sensation of the disco sound. |
|
|
• Vogue - Glenn Rivera ReStructure Mix - Madonna Madonna took the 80s into her handcuffs by igniting a sound and style of synthetic pop and connecting her visual image and talent. Throughout the years of Madonna’s career there have been many new and sometimes controversial ventures but over all there is some great dance music contributed by this star. “Vogue” is a single from the soundtrack of the 1990 film “Dick Tracy” which also stars Madonna. An anthem for not only one of the dance floors unique cults but also a breakthrough single which is classified as a top hot dance track. I have taken the 12” with a trio of fantastic mixes from Shep Pettibone and worked a new “pose” and ReStructure Mix for a new Madonna experience. This new bass driven and drop-in-and-out arrangement brings a new funky break to “bump and grind” to. It was quite fun to get lost and recreate this mix and should make a night worth fessin’ and dressin’ for. |
|
|
• Everybody, Everybody - Glenn Rivera ReStructure Mix - Black Box Black Box began as a studio group featuring the fabulous Ms. Martha Wash (The Weather Girls, Two Ton’s ‘O Fun) as lead which sent dance floors into a high for Italian house music which was being formulated throughout the mid and late 80s. The sound was a soulful and rhythmic wall of energy which brought excitement and plenty of shaking hips alive. "Everybody, Everybody” is the second release following the big sample classic “Ride On Time”. This piece rejuvenated dance floors once again for a whole new period of dance music. I have taken the 12” remixes and reworked a ReStructure Mix to pay homage to producers Daniele Davoli, Mirko Limoni, Valerio Semplici and also Ms. Martha Wash. Mixing up some of the main elements of this monster and adding a few more to break down the funky groove. |
|
|
• Power - Glenn Rivera ReStructure Mix - Lipps Inc. Lipps Inc. is one of the last breaths of disco music done right! Producer Steven Greenberg and lead vocalist Cynthia Johnson are the stars in their first release titled “Mouth To Mouth” – of course following the release of the disco classic “Funkytown” in 1979 the rest was dance history. The first album featured four great dance cuts all in a unique studio engineering innovation and an introduction to a new disco era. “Power” has been given a ReStructure Mix with some new effects and some new drop out breaks. One of my favorite tracks of Lipps Inc. where the energy pumps and the vocals follow right along. It is a genuine dance track with a feel all of its own thanks to Greenberg’s genius. This ReStructure Mix is dedicated to my sister Lolly – who I can remember seeing on a dance floor working this song with her masterful rhythm and love for disco music! |
|
|
• Love Me - Glenn Rivera ReStructure Mix - Model Man Parrish hit the dance scene in 1982 with his self-titled album which featured an array of dance flavors from street, hip-hop to high energy. Quite an important project for the time for me as it brought the electronic edge of energy from “Heatstroke” and then the electro hip hop sound of “Hip Hop, Be Bop (Don’t Stop)”. His work has always reflected an innovative edge and imaginative dance beat for the new high energy and electronic dance period of the early and mid-80s. I have taken his production of “Love Me” by his studio group, Model – which was featured on the Disconet Issue Volume 7 Program 8 in 1985 – it featured vocals from Beth Rudetsky (sang back vocals for Alisha and co-wrote “Love Me”). The high energy track has always been one of my favorite since the first time I was entering The Probe in Hollywood and heard, “Love me, love me, tell me that you love me…” echoing through the hall entrance. It is featured here with an extended ReStructure Mix with a few added effects and some of those fantastic drum breaks. This ReStructure Mix is dedicated to the man himself, Mr. Man Parrish – thank you Man for continuing the mystique and power of dance music. It continues to echo on and on! |
|
|
• Don't Stop - Glenn Rivera ReStructure Mix - Sylvester Sylvester released “All I Need” in 1982 with a sizzling array of disco and early high energy disco tracks. It was a lifeboat for hardcore disco fans for not only the return of the great Sylvester, but also a pulsating sound provided by James Wirrick and producer John Hedges. “Don’t Stop” is the first of the numbers to make a debut in a serious blast. This was the blend of new electronic dance music and the gospel feel of Sylvester’s performances. I have taken the album version of “Don’t Stop” and created a ReStructure Mix to bring more of that infectious rhythm to mind again. More of the flawless arrangement is played with a rearranged with Sylvester taking the stage again! Dedicated to Mr. John Hedges for his place in disco/dance music history. His influence and work will burn on and on in a “disco inferno”! Lots of love to you, John. |
|
|
• Out Of My Hands - Glenn Rivera ReStructure Mix - Dionne Warwick Dionne Warwick began her solo recording career in 1963 and continued to create a contemporary sound that is wedge of American pop music. Her 1979 album titled “Dionne” brought us the classic ballad “Déjà vu” (co-written by Isaac Hayes) and also a pop-dance track titled “Out Of My Hands” (written by her cousin and disco artist, Cissy Houston, Alvin Fields, of Michael Zager sessions, and Doug Frank. The production has a nice sequencer pattern weaving in and out of Dionne’s beautiful vocal. I have taken the album version which clocks in at 3:17 where this ReStructure Mix extends a little over 8 minutes. I have added a new drum pattern and dub-esque effects to give the original more of a dance floor experience. This ReStructure Mix is dedicated to a great man, Mr. Paul Conway who has been a great influence with dance and various genres of musical interests. Thank you Paul – this play is for your ears and feet! Much love. |
|
|
• I Don't Wanna Forget You - Glenn Rivera ReStructure Mix - Denise McCann Denise McCann made disco music’s connection in 1977 with her first album which was released again in 1978 under the title track, “Tattoo Man” on the Butterfly Records label. The single “I Don’t Wanna Forget You” is the second release from the project as a 12” disco single - produced by Guy Sobell (The Chessmen). The song is a wonderful love theme of devotion to a past love that has left a great memory behind. It is one of my favorite vocal pieces and made iconic with Denise’s wonderful style. I have taken the 12” single – both Part I and Part II and recreated a ReStructure Mix which adds a new intro and some percussion to bring out the rhythmic end of the song. It makes a longer stand and also gives an exit to more of the 70s-discofied keyboards. Dedicated to Ms. Denise McCann in thanks for her wonderful contribution to not only to the sound of disco music, but also the visual edge of her album jackets as her beauty made a chic stamp for disco music. |
|
|
• Start A New Affair - Glenn Rivera ReStructure Mix - Ruth 'Silky' Waters Ruth “Silky” Waters is one of disco music's supreme moments where the anthem came alive in stark mirrored lights. Her album “Never Gonna Be The Same” from 1979 was produced by Mr. John Davis and features strings and horns from Don Renaldo and percussion performed by Larry “B” Washington – a full disco injection of power and love. Her first release of the title track, “Never Gonna Be The Same” was a huge success in many clubs and disco radio airplay – the emotion captured by Ms. Waters leaves one wanting to grab a handkerchief between breaks. “Start A New Affair” was the second single from the album to bring about the same feel – a positive look at a one night stand where love seems promising and missing at the moment. Ruth delivers another powerful performance here. It gives moments of the song a soaring energy and the promise of love great potential. I have taken the album version and worked a lengthier ReStructure Mix using the build from the closing as the slow climb in reverse. It has a few more breakdowns to give that emotion an opportunity to be recognizes. One track that always worked for me during its release and also gave me a wonderful place on the sideline of many dance floors watching dancers dance into a frenzy. This ReStructure Mix is dedicated to Nick and Lindsay – thank you again boy! Can I ever get enough of your requests, love and devotion? No. I will always be there for you as you always are. Much love. |
|
|
• Dancing In My Sleep - Glenn Rivera ReStructure Mix - Secret Ties Secret Ties is a 80s high energy project from Brian Soares (“Magic”) and Gerry Caples and from their independent dance label Nightwave Records. This simple dance layout is a formulation of the disco sound – full of percussion and the sexy femme vocals. Provided here by Cheryl Ford and enhanced by a light Caribbean festival accent. This one was quite popular in many clubs during its release and also gave us the feeling that dance floors were still alive. I have taken the 12” vocal and instrumental to create a new ReStructure Mix using samples from tracks by Blue Moderne and a rock classic by Brian Hyland. The percussion is the main flare in this fabulous track and reminds me of Roni Griffith’s “(Best Part of) Breakin’ Up” from 1982. This ReStructure Mix is dedicated to Dee Jacobs from Facebook and thanks for the request and for always being kind and supportive! Cha-cha-cha! |
|
|
• Loverboy - Glenn Rivera ReStructure Mix - Billy Ocean Billy Ocean (Leslie Sebastian Charles) is the voice of the 80s when funk and disco merged into pop dance. His 1984 album “Suddenly” is a gem for a time given to a longtime series of dance floor hits paid off – these tracks included “Stay The Night”, “American Hearts”, “Are You Ready” and “Nights (Feel Like Getting Down)”. “Loverboy” is one of his big singles following the big success of “Caribbean Queen” both produced by Keith Diamond. I have taken the 12” vocal and dub version to lay out a whole new episode for this “Loverboy” – creating an underground arrangement with more drawn out instrumental parts and a dub like break sections scattered about. It is one of the big hits for me during 1984 and also a favorite to move to. This ReStructure Mix is another chance to get lost in the 80s dance energy and fun! |
|
|
• Stick Together - Glenn Rivera ReStructure Mix - Minnie Riperton Minnie Riperton is a songwriter/singer who is best known for the 1974 ballad “Loving You” and continues to bring a light into many new worlds with her melodic child-like voice. Her 1977 album “Stay In Love” was produced by Freddie Perren and features the disco single “Stick Together” which gives Minnie a light big band drum beat to sing a love song encouraging a lasting love between two who share those special feelings. It works very well for Minnie and gives those of us who want to celebrate under the spinning mirror ball a beautiful opportunity. The song was written by Minnie Riperton, Richard Rudolph (he husband) and Mr. Stevie Wonder I have taken the 12” version of “Stick Together” and worked a new ReStructure Mix adding a new intro and some pieces from Minnie’s classic to give a new dance attitude to this lovely song. It brings the song to a couple of peaks and also makes the closing a bit more of the magic that lasts. Dedicated to Nick & Lindsay and again, thanks for all of the love and dedication to this upbeat and glorious music. And thanks for requesting this one – it is a joy to bring it back! |
|
|
• Wanna Spend My Whole Life With You - Glenn Rivera ReStructure Mix - Street People Ray Dahrouge is a singer, producer, arranger and songwriter from New Jersey who brought us Street People in 1976 – this soul quintet consisted of Roy Daniels, Milton Daniels, Thomas “Toot” Williams, Joe Gardner and Rick Johnson. The self-titled album is one of my favorite projects from 1976 and a precursor to the disco sound emerging from soul music during the time. The sweet melodies capture the energy of the mid-70s and along with the help of Bert De Coteaux and Charlie Callello the recording is one which will stand out among pure disco. I have taken the single “Wanna Spend My Whole Life With You, Baby” from the album and have created a ReStructure Mix to not only extend the original 3:34 version but also accentuate and spotlight more of the tracks funky moments. It is a lengthier mix and gives that head shaking chorus a run for its money. This ReStructure Mix is lovingly dedicated to an incredible man, Mr. Ray Dahrouge who continues to spread his talent to the world and also shines in the work of his past as anyone “steppin’ out” from the 70s can appreciate. Thank you, Ray! |
|
|
• Sunset People - Glenn Rivera ReStructure Mix - Jessica Williams Ms. Jessica Williams scored high with me and my dance floor in 1992 with a cover of Donna Summer’s “Sunset People” on Passion Records and produced by Phil Da Costa and Mr. Rick Gianatos. A nice high energy jazz fused version that transforms Jessica into a story teller for a “hot” night out on the town. This was huge in my club and being a Jessica Williams fan for years was satisfied that this woman was still on top! I have taken the 12” version – both vocal and “Sunset & Vine Dix Mix” to create a new ReStructure Mix to use some pieces of both Donna’s original and Jessica’s fabulous legacy to remind of how good disco music really is. This ReStructure Mix is lovingly dedicated to a wonderful lady, Ms. Jessica Williams and her man, Mr. John B. Williams – two talents which make me stand back in awe and then dance my butt off! Thank you, John and Jessica – a big hug and lots of love your way. |
|
|
• Fascinated - Glenn Rivera ReStructure Mix - Company B Company B is Charlotte McKinnon, Lori Ledesma and Susan Johnson and produced and created by Ish Ledesma (Foxy, Blue Moderne, Apollonia, Promise Circle, and Laurie Miller). The Miami freestyle sound brought the pop-front lines during the late 80s with a new flair and edge. “Fascinated” is their 1986 release which brought this trio and Ish Ledesma success with both radio and club play. The signature keyboard arpeggio riff is one which any dancer could flow with and recognize during its peak power. I have taken the 12” vocal and dub versions to create this 80s Edition ReStructure Mix to once again mark the path of dance music. This re-working is a dub and vocal using bits and pieces to bring more of the sensual and rhythmic elements to your ears and feet again. This ReStructure Mix is dedicated to Mr. Ish Ledesma and thanks for the wonderful stories of Foxy’s early club venue experiences! |
|
|
• The Two Of Us - Glenn Rivera ReStructure Mix - Claudja Barry and Ronnie Jones Claudja Barry and Ronnie Jones are two disco stars who made the 70s a much more festive and uplifting place. The music from Lollipop Records – produced by Jurgen S. Korduletsch is one of the festive sounds of mature disco in the late 70s with electronics building to crescendos with swirling strings guiding it. “The Two Of Us” is a single released in 1981 and is the second duet for the pair. An anthem from the first note it weaves a loving bond of two lovers against the world. One of favorite styles for the mirror ball and dancers willing to free themselves. I have taken the 12” version of “The Two Of Us” and created a ReStructure Mix with an alternate intro and end. It is built with more of the swirling designed with energy in mind and a closing to reaffirm the love and excitement of disco music! Dedicated to Ms. Claudja Barry and Mr. Ronnie Jones for all of the love and energy they have delivered to us in the past years. A big hug to both! |
|
|
• Last Night A D.J. Saved My Life - Glenn Rivera ReStructure Mix - Indeep Indeep is Beckie Bell, Mike Cleveland, Réjane Magloire and Rose Marie Ramsey – one of the 80s memorable moments with their 1982 old school classic, “Last Night A D.J. Saved My Life”. This electronic funk/disco track is full of riffs and guitar grooves to hypnotize and charm a snake. One of the grooviest pieces of the early 80s with the elements of change which made 80s New York funk work well. I have taken the 12” vocal and “D.J. Delight” tracks to create a ReStructure Mix that continues the story of this lonely girl whose estranged lover has left her a prisoner to the disc jockey and dancing her heartache away. It has many new spots for a hip-moving experience and a new twist for the end of our drama. This ReStructure Mix is dedicated to Jenny Moreno – thank you Jenny for your kind words and for listening. Keep on movin’ and groovin’! |
|
|
• The Wanderer - Glenn Rivera ReStructure Mix - Donna Summer “The Wanderer” is Donna Summer and Giorgio Moroder stripped away of the disco strings and full orchestrations and a return for Moroder to his 60s pop roots and Donna moving into the pop-nu wave 80s. Her vocal is a touch of rock-a-billy and Elvis over a full on electronic force created by Giorgio with a new edge. It was quite a surprise for many Summer fans and after a more intense understanding of the new path and project a hailed winner for the new artist in Donna. I have taken the album version of “The Wanderer” on a ReStructure trip and extended the track with a new feel and a more dub-esque arrangement. Adding a sample from a familiar rock-n’ roll classic of the same theme. It was quite fun to bring a new life into this new style for Donna a challenge to make new things happen. |
|
|
• Bodycheck - Glenn Rivera ReStructure Mix - The Three Degrees One of the disco eras greatest gift to dancers is a project titled “New Dimensions” by The Three Degrees and produced by Giorgio Moroder. It was a fusion of Moroder’s electronic disco pulses with the sultry voices of Philly’s trio. A magic moment and full of energy and stage appeal for these beautiful divas. The following disco project from 1980 titled “3D” featured the familiar ingredient moving these ladies into more of Moroder’s sound and production. “Bodycheck” is the closing track from the album and one which moves like a disco dance anthem with the ladies serenading us in a high energy feel. I have taken the album version of “Bodycheck” and worked a new ReStructure Mix to build this one into a frenzy of electronic synths and rocked guitar twangs. It is a new arrangement and borrows a few riffs from past number by The Three Degrees! |
|
|
• You Should Hear How She Talks About You - Glenn Rivera ReStructure Mix - Melissa Manchester Melissa Manchester (Melissa Toni Manchester) is a pop singer/songwriter who began recording solo in 1973. Her big pop ballad “Midnight Blue” from 1975 gave a standing in the crossover to a soulful delivery and instant recognition. The 80s brought about a new chapter for Melissa and a sound following the synth pop dance sound which was a continuum of the disco era. “You Should Hear How She Talks About You” is from her “Hey Ricky” project from 1982 produced by Arif Mardin. It was a club hit with remixes featured on both Disconet and Hot Tracks DJ subscription services. The track talks in third party about a love that is longing to be kept secret no longer. I have taken the 12” version and created a new ReStructure Mix to beef up the 80s guitar riffs, slamming clap tracks and Melissa’s fabulous vocal. It is another favorite and plays out that early 80s transition to a new dance era! Dedicated to Nick and Lindsay with love – if these “divas” could hear how you talk about them – they would love you to pieces! |
|
|
• Catch - Glenn Rivera ReStructure Mix - Sun-La-Shan Sun-La- Shan is Franco Scopinich and Venise. Their 1982 Italo-disco/Electro dance track “Catch” is one of the innovative pieces which continue to echo a mystic and underground sound. The track was written by Alessandro Novaga. A great early morning piece for my programs during the mid-80s and one which captured the hypnotic feel of Italo-disco. I have taken the 12” vocal and dub versions to create a ReStructure Mix giving the pulsating beat more rhythmic qualities – adding some new percussion effects and extending and rearranging the strange arrangement and lyrics, it has always been one of my favorite parts for a program with an experimental feel. Dedicated to Franco Scopinich and thanks for his journey into an alternate sound! |
|
|
• Touch Me Where It's Hot - Glenn Rivera ReStructure Mix - Erotic Drum Band Erotic Drum Band is a Canadian disco band produced by Mr. Peter Di Milo and one of the early sounds of percussion working infectiously alongside the disco beat. Hence, Erotic Drum Band with the sexy themes and sexy breaks. One of my favorite sounds of the late 70s and an instant smash for those innovators heading the high energy feel of the 80s. “Touch Me Where It’s Hot” is the second project from the band from 1980 and works the outline again with great results. I have taken the album version of “Touch Me Where It’s Hot” and worked a new ReStructure Mix for those who cannot get enough of Di Milo’s fierce drum work. This remix extends the intro and adds some new breaks for a new effect. This ReStructure Mix is dedicated to Mr. Peter Di Milo for his drive, dedication and the magic he has given to disco music. It is not lasting – but loving. |
|
|
• Borderline - Glenn Rivera ReStructure Mix - Madonna Madonna (Madonna Louise Veronica Ciccone) began show business as a dancer for Patrick Hernandez during his tour of his disco hit, “Born To Be Alive” from 1979. Following her first single, “Everybody” in 1982 dance floors around the world had found a new dance diva for a new dance era. It seemed as though each release was as mature and exciting as the one prior. “Borderline” is a single from the much awaited self-titled album from 1983 – this track fills the void for 80s pop-synth with a mild electronic arrangement and the yearning confessions of Madonna. A great dance piece with more fans relating to it as her best. It was produced by Reggie Lucas of Stephanie Mills and Phyllis Hyman disco fame. I have taken the 12” single vocal and instrumental – mixed by John "Jellybean" Benitez – and worked an alternative ReStructure Mix more fitting for a kick back memorandum with the headsets – yet demanding a dance floor, as it is full of emotion. Pulling pieces from the 12” single in parts and formulating a new flow for this beautiful number. |
|
|
• Rhythm Of The Jungle - Glenn Rivera ReStructure Mix - The Quick The Quick is Colin Campsie and George McFarlane – a duo from England who created a brand of high energy and synth-pop tracks that framed the end of 1979. “Sharks Are Cool, Jets Are Hot” and “Young Men Drive Fast” gave a new edge vocal wise to the pumping disco beat and the percussion driven rhythms. An early stage for the keyboard driven dance music of the 80s. Their single “Rhythm Of The Jungle” was featured on their album “One Light In A Blackout” and followed in the lower-tempo tracks of their success in 1981. I have taken the 12” version of “Rhythm Of The Jungle” – mixed by Jay Mark and John Luongo to create a new laid out version – ReStructure Mix – with some breaks to space apart the jungle energy and vibe. It is a favorite piece of driving synth-pop and gives disco music that adventurous feel that it has always been known for! |
|
|
• Red Light - Glenn Rivera ReStructure Mix - Linda Clifford Linda Clifford pulls off the disco track of the 80s with “Red Light” – which is also featured on the soundtrack of the film “Fame” of the same year - produced by Gil Askey and Michael Gore. This track is another iconic moment for Linda’s soulful vocal and definitive style. One of the big dance floor packers of that year and one which fans place among her list of hits. I have taken the album version, being the long disco version and created a ReStructure Mix with an alternative arrangement and more of those bongo driven synthesizers that give Linda the boost her magic deserves. A new layout for a favorite talent of mine – Ms. Linda Clifford. This ReStructure Mix is dedicated to Ms. Clifford in thanks for her wonderful place in disco history and for always being a lady! |
|
|
• Close To Perfection - Glenn Rivera ReStructure Mix - Miquel Brown Miquel Brown is one of the disco/hi-NRG standards of the 80s – her 1983 dance floor smash, “So Many Men, So Little Time” brought a whole new sound and energy to starving dance floors. It was a follow up to her 1978 album “Symphony Of Love” – produced by Alan Hackshaw whom also produced Love-De-Luxe (“Here Comes That Sound Again”). “Close To Perfection” is a track from the 1985 project produced by UK dance masters, Ian Levine and Fiachra Trench. This is one of those lilting and melodic tracks which brought an early evening – early morning to the hilt. I have taken the 12” vocal and instrumental (originally mixed by John Morales and Sergio Munzibai) and created a ReStructure Mix to give this beauty a new face. A new intro focusing on the bass synthesizer pounding out the symphony b ass-line introduces Miquel’s serenade in a new way. It is still one of those tracks that make disco music sound every bit as beautiful as the Philly days. This ReStructure Mix is dedicated to Nick and Lindsay – thanks for the love and kindness! You are both disco perfection! |
|
|
• When Love Takes Over You - Glenn Rivera ReStructure Mix - Donna Summer Donna Summer returned to the dance floor in 1989 with producer Stock, Aitken and Waterman to bring dance and hi-NRG fans a box of disco chocolates. The project titled “Another Place And Time” exploded with the first single “This Time I Know It’s For Real” and continued on a non-stop hit single roll. “When Love Takes Over You” is one of the singles that was also released as a 12” remix and made the mind-tempo energy sets sparkle with Donna’s iconic voice and the rhyme and sweetness of the SAW sound. I have taken the 12” vocal and instrumental to create a ReStructure Mix and return us to a “place in time” that not only gave hardcore Donna fans another lift into the clouds – it also brought the SAW sound a new shine. This mix focuses on the beautiful instrumental and the lyrical verses – breaking them in and out with some surprises along the way. A Donna classic is infused to remind us of “The Magic of Summer” |
|
|
• Rhythm Of The Street - Glenn Rivera ReStructure Mix - Patti Austin Patti Austin is a jazz and pop vocalist who became a dance floor addition following her 80s tracks “Body Language”, “Do You Love Me” and “Rhythm Of The Streets” – this is definitely one of the definitive voices of dance music during the early 80s. With ballads like “Baby Come To Me” (with James Ingram) it was more than a treat have such a talent grace the disco beats. I have taken on of my favorite singles from her album “Patti Austin” titled “Rhythm Of The Street” from 1984 and transformed the 12” single originally remixed by John ‘Jellybean’ Benitez and worked a ReStructure Mix for a more celebratory and break-out arrangement. Many of Patti’s phrases are accentuated and the rhythm forced to the surface. A winning dance track and one which brings an instant feeling of joy to those who love that dance floor! |
|
|
• Jungle - Glenn Rivera ReStructure Mix - Kongas Kongas is a band formed in France and featured disco leaders Cerrone and Don Ray. The group began recording in 1974 and lead them into their big 1977 disco classic album “Africanism” featuring a tribal feast version of “Gimme Some Lovin” – the 1966 hit from The Spencer Davis Group. Their third album titled “Anikana-O” from 1978 featured tracks along the similar vein – more of a late 60s rock-edged feel with plenty of percussion and the pounding disco beat. A fantastic group of dance cuts and one in particular which always created a stir for me was “Jungle”. I have taken the album version of “Jungle” and created a ReStructure Mix giving an intro that lures dancers into the lush area of the jungle where a savage bass and killer bongos guarantee satisfaction. A longer edit here and plenty of the drop and kick elements that I hear in my mind and now in the “Jungle”! |
|
|
• On A Journey (I Sing The Funk Electric) - Glenn Rivera ReStructure Mix - Electrik Funk Elektrik Funk is an electronic-garage project from producers, Darryl Payne and Eric Matthew – the boys who also gave us Sharon Redd, Sinnamon, Eazy, Gary’s Gang, Miles Watson and many projects in the early and late 80s. This strange edged track introduced a soulful-garage vocal with an unusual theme aimed at traveling through a groove with the mind. A big hit for my club at the time since the instrumental provide a long mix alternative or longer intro to the funk-driven vocal. I have created a ReStructure Mix here with a piece added from the “Fame” soundtrack which seems obvious why – yet I worked to take the keyboards and separate some of the punchiest segments out. It has the feel of a funk set – yet the underground sound of an early morning gem. This is a new journey – one I hope you can feel in your mind and feet! |
|
|
• Choir Practice - Glenn Rivera ReStructure Mix - Lipps Inc. Lipps Inc. is a disco band from producer Steven Greenberg and arrived at an important time for disco music. The big 1979 classic “Funkytown” extended the disco era for a few more years proving that many club goers, music connoisseurs and dancers were still celebrating the uplifting beat of disco music. The third album from Lipps Inc. titled “4” is a transition from the matured sound of dance music from disco producers and artists to the 80s strip down to keyboards and high-school bee-bop for the new wave period. Although the tracks still followed hardcore clubs feel a new production and arrangement technique gave way to a simpler sound. “Choir Practice” is one of the big singles from the project and is a favorite of mine as it replicates a warm-up exercise from church choirs and brings it rhythm and a touch of disco-funk. Another display of disco music’s being and uplifting message breathing fun into something old. I have given the album version a ReStructure Mix to break apart the chorus notes and harmony into a new disco break arrangement. Some samples from “The Blues Brothers” and a Grace Jones/Tom Moulton favorite add some of the themes fun a new delivery. Dedicated to Curt Rudduck from Facebook – and thanks for requesting this high energy number for an overhaul. It’s for you, Curt – good energy to you. |
|
|
• Disco Dance - Glenn Rivera ReStructure Mix - Michele Michele (alias Chantal Curtis) recorded the project “Magic Love” released in 1977 and produced by Pierre Jaubert and Tom Mouton. The album contained four tracks which were hits among various clubs and crowds. It reflected the New York disco sound of the time although the project was recorded in France and remixed by Mr. Moulton in Philly. The track “Disco Dance” I remember most since the title was an anthem for the burst of the club craze. I have taken the album version of “Disco Dance” and created an alternate ReStructure Mix working the keyboards and some of the funky bests and guitars into a new arrangement and adding a synthesizer – ala Patrick Cowley since the master himself worked remix of the song using his own style in 1977 – one of his early works. It is a new trip and a new end to make this closing a bit more to the dancers imagination. |
|
|
• Liar On The Wire - Glenn Rivera ReStructure Mix - Sharon Redd Sharon Redd is one of the disco-funk divas who make disco music history something to stand and take notice. Previously a back-up vocalist for Bette Midler and a member of group The Harlettes. Sharon appeared on the single release “Love Insurance” appearing as Front Page and the flame ignited hotter than hot! Her voice following this was a must for DJs, dancers and collectors. With hits like “Beat The Street”, “In The Name Of Love”, “Can You Handle It” and a slew of singles from her three solo album projects Sharon made dance floors shake and take note of a sophisticated woman taking the stage with funk appeal and a majestic anthem delivery to top that. “Liar On The Wire” is from Sharon’s 1983 album “Love How You Feel” and one of the mini-heartbreak classics with her fabulous vocal that was always yearning for attention. I have taken the 12” vocal and instrumental and created a ReStructure Mix adding an electronic kick beat from a familiar track and worked a whole new call to her estranged lover. It is every bit as emotional – yet kickin’ with a whole new groove. Dedicated to Katie Perry and Pat Demps – thank you beautiful ladies for keeping Sharon’s memory alive for me and the love you give. I love you both very much. |
|
|
• I Remember Yesterday - Glenn Rivera ReStructure Mix - Donna Summer Donna Summer is an artist and vocalist that I can remember not only growing up with – but also learning as much about her voice from the start of “Love To Love You Baby” on to her high energy dance material from SAW which was a majestic step for 80s pop-dance music to have a voice accompany these steps. Donna’s early work was an expression of what this voice could achieve. The range and power behind it from the sexy delivery of “Love To Love You Baby” and “Try Me, I Know We Can Make It” to the powerhouse medley of “Mac Arthur Park” – where it seemed our “First Lady of Love” matured into a Queen Of Disco. “I Remember Yesterday” is Donna’s fifth album and released in 1977 created quite a stir as she delivered not only the innovative vocal for Moroder’s electronic masterpiece, “I Feel Love” – but also a medley of big band to Motown tracks that emulated a sound that was not only close to the feel – but also even more that anyone could expect. I have taken the album version of “I Remember Yesterday” and created a ReStructure Mix to take the big band flavor and compress it into a new package which would haunt us as much as her voice has me since I first hear it. This ReStructure Mix is dedicated to the Donna Summer fans who are so generous to keep this spirit alive not only with love but with assurance that it can never happen again. |
|
|
• Devil Woman - Glenn Rivera ReStructure Mix - Fire and Ice Fire and Ice is a fabulous disco project from film and TV score composer Lalo Schifrin – who was also a member of Dizzy Gillespie and His Orchestra. This project on the iconic 70s disco label, Butterfly Records also features Elton Farokh Ahi (Destination, Stereo Fun, Inc., T. Mace) as co-producer and work on synthesizers and percussion in the recording. It is a New York 70s style disco album with the chic sound of disco-funk and the light and airy chorus girls guiding us on several trips – all related to “fire” and “ice”. “Devil Woman” is the cut we focus on now and relays the hypnotic effect of a woman destined to make her love the prey to her own desire. I have ReStructured the album version in this mix and reworked a few surprises from a disco classic and a classic piece of Schifrin’s magic. It gives the vocals which are provided by Lalo’s wife Donna Schifrin and Cheyenne Fowler more of a powerful spell with some added effects. A favorite album of mine from 1979 with two greats I worship myself, Mr. Schifrin and Mr. Ahi. |
|
|
• Love School - Glenn Rivera ReStructure Mix - Susan Stevens Susan Stevens is a Canadian disco artist from Gino D’Orazio and Tony Bentivegna – the boys who brought us Blue Lazer, Ladies Choice, Motion and Nightlife Unlimited. It was the early 80s new arrangement for disco music in an all-electronic form. The effects blast here and there like a video game – and add some excitement and energy in a spaced-dance experience. “Love School” is a single released in 1983 and added more wizardry and winding sequencers to balance out Susan’s delicate and sweet vocal. It has always been a favorite among after-hours dee-jays and high energy clubs of the time. This ReStructure Mix breaks the firm pieces of the songs into parts and reassembles them into a more beat-driven arrangement. Some new pounding breaks and effects arte added along to way to accentuate the style of the Canadian producers. |
|
|
• Play That Funky Music - Glenn Rivera ReStructure Mix - Wild Cherry Wild Cherry consisted of Allen Wentz, Bryan Bassett, Dominic Ierace, Mark Avsec, Robert Parissi and Ronald Beitle – an American funk band from Pittsburgh, PA. Their classic funk-disco hit “Play That Funky Music” gave the boys a place which can never be de-funked. The song has maintained it edge throughout its release in 1976. The album was produced by Robert Parissi. I have taken the album version of the track and created a ReStructure Mix which stretches out the grooves in several spots to secure the funk and also played with some of the musical fixtures which provide a groovy place for today, yesterday and tomorrow to remind us just where the funk belongs – on the disco dance floor! |
|
|
• You Get High In N.Y.C. - Glenn Rivera ReStructure Mix - Revanche Revanche is disco project from Jacques Fred Petrus and Mauro Malavasi. The vocal ensemble includes Christine Wiltshire, Jocelyn Shaw, Mauro Malavasi and Skipp Ingram. The four cut album is one of the high energy dance floor winners of 1979 including cuts “Music Man”, “1979 It’s Dancing Time”, “Revenge” and “You Get High In N.Y.C.”. All tracks in the Goody Music tradition of full orchestration and innovative synthesizer and keyboard play. I have taken the album version of “You Get High In N.Y.C.” and re-wired it for this ReStructure Mix – adding a new lengthier intro and some drop-outs during the build to give the song some pulses of new excitement. It is one of my favorites from the project and had some fun working on disassembling and reworking it over again. |
|
|
• Love Is - Glenn Rivera ReStructure Mix - Gino Soccio Gino Soccio is a disco producer, musician and artist from Montreal and an innovator of the late 70s disco scene. His 1979 classic “Dancer” took dance floors to another level of both sound and production. It was one of the earliest disco-funk and ambient sounds in dance music. Many of Soccio’s productions stand out in the keyboard and experiomental synthesizer arrangement creative mode. “Love Is” was featured on Soccio’s 1980 project, “S-Beat” and 1981’s “Closer” – a choice again which defined Soccio’s musical influence of soul and a touch of soft rock. The later production focused more of the funk elements of guitar and vibes. Originally recorded by Bill Withers and from his 1978 album “’Bout Love” – this Soccio reproduction brings a heavy rhytym enhacement and disco-chorus to the rescue. I have taken pieces of his 1980 cover and the guts of the 1981 masterpiece and worked a ReStructure Mix to give the track a longer life and also some edits to breakdown this lilting piece of beautiful music. Soccio has always amazed me after listening to detail and placement of his work. It has been a great pleasure to work on “Love Is” – one of my many-many favrites from this talented man. |
|
|
• Do You Wanna Get Away - Glenn Rivera ReStructure Mix - Shannon Shannon and “The Shannon Sound” – hard to resist in 1983 when “Let The Music Play” rocked the heck out of clubs, boom boxes and her career. The sound is a concept from production team Chris Barbosa and Mark Liggett – a New York electronic beat groove which inspired the sound of the 80s dance scene. Quite powerful guns to follow when the groove is so deep you can almost see through the vinyl. Shannon was a big element for dancers, clubs and the adoring sound of funk, disco and pop-dance music. It was that irresistible and sensual element of her voice. I have taken the 12” version of “Do You Wanna Get Away” (both vocal and dub) and reworked a new ReStructure Mix to give this classic a whole new aim and slide. It pulls in a deeper experience along with some familiar pieces that will splash some fresh water to feel good on a hot sweaty dance floor. Thank you, Shannon – you gave us a new reason to move and look up to dance music with respect! |
|
|
• Double or Nothing - Glenn Rivera ReStructure Mix - Gladys Knight and Kenny Loggins Kenny Loggins and Gladys Knight are paired in “Double Or Nothing” – from the 1985 soundtrack of Rocky IV and produced by Bernard Edwards. It is 80s pop dance with the haunting sound of two great voices bringing a few facts about love into the light. It is the start of something good and the positive points of things to come. The song had me blending an extended stand-up mix during its release and its 3:42 length with no 12” remixes. It is one of those songs with riffs that hang on. A favorite of mine and another reason Mr. Bernard Edwards rules under many styles of production. I have taken the short soundtrack version and worked with the drum tracks, guitar riffs and vocals to create this ReStructure Mix – which is to bring this duo upfront in a beautiful way. And of course to extend what was much too short. |
|
|
• Bring It Back - Glenn Rivera ReStructure Mix - Taka Boom Taka Boom is a voice that engulfs a song. He performances on disco classics “You + Me=Love” by The Undisputed Truth from 1976 and “Mr. D.J. You Know How To Make Me Dance” by The Glass Family are “proof of power” and “depth of soul”. It was a gift to new and recent fans when her solo career began in 1979 with her self-titled disco album. “Night Dancing” and “Red Hot” were instant classics and are two of my favorites of 1979. Following this project later in 1979 Taka released a 12” single titled “Bring It Back” – produced by Jim Callon who also produced The Glass Family project. The single was a big hit for Taka and brought a nice transition to electronic arrangements that were common during the 80s for club disco. I have taken the long version from the 12” single and created this ReStructure Mix to salute this track which makes each play a bit emotional for those of us who began dancing in the early and mid-70s – and where 1979 was feeling a change in the club environment all together. This ReStructure Mix plays out a longer introduction to build up to Taka’s sensational performance. A few looping areas help to create new spots where the memory can run free as well as the imagination. This ReStructure Mix is dedicated to Nick and Lindsay who are the keepers of the women of disco, jazz and soul. Thanks to their undying love for the music which always brings me excitement and some new tunes I missed. |
|
|
• You Gotta Dance - Glenn Rivera ReStructure Mix - Pacific Blue Pacific Blue is a disco project from producers Michaele, Lana Sebastian and Paul Sebastian – the three responsible for albums by Madleen Kane, Theo Vaness, Claire and Leonore O’ Malley. This 1978 disco track is the flip side to the 12” “Argentina Forever” which contains a slight Euro-disco feel as their prior work with flamenco feel. Vocals emulate a Bee Gee’s feel and echo throughout this number. It has always been a favorite of mine and was fun to program during playful sets. I have taken the 12” version of “You Gotta Dance” to rework an arrangement and loop-set for the killer bass trickle and the Spanish flavor. It is a bit more airy with a few new breaks as well as a cold ending which breaks down right where it started. |
|
|
• Lovergirl - Glenn Rivera ReStructure Mix - Teena Marie Teena Marie (Mary Christine Brockert) was a breakthrough R&B singer, songwriter and producer arriving at the tail end of the disco era. Her music has always played out with a full arrangement enhancing tracks like “Lovergirl” from 1984. During the early 80s and the repackaging of disco as pop-dance Teena had the ability to create a stage for her soulful delivery and funk-driven energy. I have taken the 12” single “vocal” and “dub” to create a playful ReStructure Mix which takes Teena on a few detours along the way to deliver her message. I have used some deeper segments with a thumping beat along with pieces of the original arrangement to speak the message of “Lovergirl” in a new way. A bit more drops to let the words fade into mind and feet. |
|
|
• Come Inside - Glenn Rivera ReStructure Mix - Fancy Fancy (Manfred Alois Segith) is a German disco singer and producer who also produced under the name Tess Teiges (Timerider, Slip). His disco project Fancy is one of the memorable arenas of the 80s high energy and electronic disco stage. Many of the tracks share a hypnotic and driving rhythm and sexy mood. An appropriate return to a new sound of disco music with a complete overhaul on production and execution. “Come Inside” is a single released as a B-side to his 1984 release “Slice Me Nice”. It shares a familiar synthesizer riff used by The Professionals on “Law Of The Land” which was borrowed from the original track recorded by The Temptations. “Come Inside” is presented in this ReStructure Mix in a playful and new way using pieces from two disco classics adding more of an invitation. It is reworked using the “American Remix #1” by Bob Beat Me Black and Terror from the Personal Records release. A few more sleazy moments are added to keep the sensual feel of the song alive and a new energy added. |
|
|
• Enjoy Yourself - Glenn Rivera ReStructure Mix - The Jacksons The Jacksons continued their dropping the “Five” from their title and finding themselves in 1976 under the production of Philadelphia International – Kenneth Gamble and Leon Huff. It was a hardcore venture into the new dance arena. Even with the built up talents of this blockbuster entourage their own style and sound became the overall result. “Enjoy Yourself” is one of the first breakout singles which created that funky-disco essence of what we can all remember the mid-70s exuding. I have taken the album version of “Enjoy Yourself” and worked a new ReStructure Mix to give the track some new beats and pulsating deep-dub effects. The rhythm guitars are the layer of promise from start to finish and again, the Jackson’s create a layer of chorus satisfaction. A great song which always made me feel the power of music and talent - the wonderful Jacksons. |
|
|
• One Night Queen - Glenn Rivera ReStructure Mix - Claudja Barry Claudja Barry is one of disco music’s earliest stars whose talent created a wave of excitement on dance floors around the world. Her music has always had a definitive sound and this “Disco Star” has remained true to her fans and craft. Claudja’s voice is recognizable and one which helped to give disco fans an identifiable style. “One Night Queen” is a track from Claudja’s 1979 album “Feel The Fire” and is originally placed with a medley along with two tracks: “Get Your Mind Made Up” and “It’s So Nice”. This medley gives Claudja an opportunity to work her falsetto vocals adorably and appropriately. The album was produced by Claudja’s husband, Jurgen Korduletsch. I have taken “One Night Queen” from the medley and created a ReStructure Mix using the pumping synth riff (which always reminded me of “Louie, Louie” by The Kingsmen) and worked a new extended play. There are pieces of the nightlife tale here in pieces scattered about and some re-arranging to give Claudja another opportunity to work this simple but fun little disco number. Dedicated to Ms. Claudja Barry who brings a whole new meaning to preserving great uplifting music in her new ventures to educate ears and hearts about music and treating life kindly. Thank you, Claudja for the heart and love. |
|
|
• Diamonds - Glenn Rivera ReStructure Mix - Robin Gibb Robin Gibb as a member of the family group, Bee Gees helped to make the 70s an outline for many of his compositions and productions. This music helped a generation to come alive with excitement with funky dance pieces and adoring love songs. His solo recording career began in 1970 and followed through his passing in 2012. “Secret Agent” is his 1984 album is a pop-dance excursion featuring producers Chris Barbosa and Mark Liggett – who created the 80s electro-street sound with projects from Shannon, Xena and Steve Rodway. “Diamonds” is the flip-side to the 12” hit single, “Boys Do Fall In Love” and is one of the tracks I would love to play during evening warm up or after-hours. It has many great hooks as well and a resonating vocal by Robin. It pounds out that street sound that made the mid-80s a bit more innovative. I have taken the 12” version to create this ReStructure Mix that not only extends the adventure here – but also gives a bit of the stage to Dame Shirley Bassey – where she confirms Robin’s obsession. This ReStructure Mix is dedicated to the energy of Mr. Robin Gibb who left us in 2012 – thanks for your talent and heartfelt music. |
|
|
• I've Got Just What You Need - Glenn Rivera ReStructure Mix - Cheryl Lynn Cheryl Lynn is one of the voices of disco era that was hard to ignore or forget. Her 1978 self-titled album gave dance floors two giant singles – “Got To Be Real” and “Star Love”. The soaring notes of Cheryl’s voice are some of the most intense and soulful experiences in music history. Her talent was immediately given a rousing welcome with the excitement of things to come. “Got To Be Real” is now a disco-old school classic still has one of the most incredible vocal performances to date. “I’ve Got Just What You Need” comes from Cheryl’s second album titled “In Love” released in 1979. The project was produced by Barry Blue and is one of the most phenomenal studio projects for a new vocalist – as she displays just what she can do. Many tracks from the album, although not commercial are some of the most incredible recording for fans to remember the magic of Ms. Lynn’s arrival. I have taken the short album version and created this ReStructure Mix which I have always wanted to extend the ecstasy of the vocal arrangements. It is playful and a moment to feel Cheryl as the powerful voice of a soulful universe. |
|
|
• I Wanna Take You Home - Glenn Rivera ReStructure Mix - Patrick Cowley Patrick Cowley made a mark in the 80s with his electronic sound introduced earlier on his work with projects by Sylvester, Fever, Brenda Mitchell and Beckie Bell. A rolling synthesizer and psychedelic-60 keyboard riffs were the stamps which gave Cowley a place on hardcore dance floors and a hard sound to forget for those who were accustomed to disco music with orchestral and band arrangements. During a period when disco music moved underground. It was a great time for discovering independent artists and label recording new music rather than recreate and duplicate to monopolize on sales rather than creative movement. |
|
|
• We're Gonna Rock - Glenn Rivera ReStructure Mix - Sabu Paul Sabu was the producer and artist to top the late 70s off with arrangements and production which are the icing on the disco-cake. Most of his productions have become classics with the style and sound this talented man created. His work has included artists such as Debbie Jacobs, Ann Margret and Sister Power all of which created a whirlwind on dance floors during their release. His 1979 album titled “Sabu” brought a rock-edged rhythm to dance floors and made each night more exciting. His guitar play and vocal in tracks from this project introduced a new energy to dancers. “We’re Gonna Rock” is the single which received a big reception and hands pounding up to the mirror-ball in an anthem like feel. I have taken the album version of “We’re Gonna Rock” and created this ReStructure Mix breaking apart the infectious rhythm section with some of the playful looping and machine-gun edits to bring an alternative version to feel the fire balls explode right before the deejay booth. It is one of the Saturday night favorites and peak-hour tracks that I would love to transition to for a new layer of energy. This ReStructure Mix is dedicated to the “Rockin’ Rollin’ Disco King” himself, Mr. Paul Sabu in appreciation for his talents in producing, mixing and performing to keep the celebration worth it. |
|
|
• K.I.C. Keep It Coming - Glenn Rivera ReStructure Mix - Hydro featuring Lorna Hydro is a Canadian disco project from producers Joe La Greca and Joe Marandola – who also gave dance floors music from MTL Express, Kat Mandu, Montreal and Melody Stewart. The full-disco attack was accomplished here with the full-bass, funky guitars and the wizardry of the disco-keyboards. A package where every track was a potential dance floor jam. “K.I.C. Keep It Coming” is the second 12” release from the project and features the vocals of Lorna Di Fiore – in the disco tradition of sassy and sexy. A bit more underground and full of the percussion which made dance floor ignite across the globe in the late 70s. I have taken the album version of “K.I.C. Keep It Coming” and created a ReStructure Mix taking the baseline percussion and looping segments to fill a pair of new pair of disco shoes. Some surprise appearances from K.C. and The Sunshine Band and Bellamy Brothers are added for some excitement. |
|
|
• Lovin' You Madly - Glenn Rivera ReStructure Mix - Narada Michael Walden The musical career of producer, songwriter and singer Narada Michael Walden is one which can be heard in many projects throughout three decades. His solo recordings began in 1976 and lasted throughout the mid-90s. His productions were the essential pop-dance-funk of the 80s and include Stacy Lattisaw, Sister Sledge, Amii Stewart, Angela Bofill, and Carl Carlton. His work has always given dance floors the groove to keep the energy and excitement alive. “Lovin’ You Madly” is a single from his 1979 album “The Dance Of Life” and made disc jockey playlists from a nice project with many dance tracks to work from. It is one of the simple funk-productions which rely on a funky guitar and Narada’s undying love for that special one. At times it is “fierce” but always on the level. I have created this ReStructure Mix of “Lovin’ You Madly” using the album version recreating a new rhythm part to break the funk into a house-like feel. It has the remapping of verses and choruses intended to bring a new slickness to an already hard-edge funk piece. |
|
|
• Arabella/Home - Glenn Rivera ReStructure Mix - Rinder & Lewis Rinder & Lewis are the duo who made disco music come alive with a sound that was formulated directly from dance floors. Their catalogue of music includes studio groups El Coco, Tuxedo Junction, In Search Of Orchestra, Le Pamplemousse and Saint Tropez. “Warriors” is their album from 1979 which is one of the projects from that year which staged the classic live disco with some of the electronic sounds of where the music was heading. “Arabella/Home” is one of the playable tracks from the project which has the sound and theme of a rock ‘n roll tune – and a bit of their musical influence of the 50s. I have taken the album version of “Arabella/Home” which was divided into two parts when our ensemble informs our heroine that it’s a done deal and a bit of short riffs describe a warmer and accepting option out of the relationship. I reworked the already fabulous arrangement in a new way to give the intro more build with the sequencer pieces and also worked the two parts into a finale mix. It has always been a toe-tapping winner for me and always is an honor to give these two the accolades they so deserve. This ReStructure Mix is dedicated to Mr. W. Michael Lewis |
|
|
• Sir Duke - Glenn Rivera ReStructure Mix - Stevie Wonder Stevie Wonder (Stevland Hardaway Morris) has touched hearts and minds throughout his career and with music which has always touched the romantic and sensitive side of the soul without appearing maudlin. His work throughout the 60s became one of the voices of soul music to create an excitement and respect. “Songs In The Key Of Life” is Stevie’s eighteenth album and one of the top selling of that year. “Sir Duke” is the second single from the album and salutes musical geniuses throughout time who have given much to the experience – the title focus on Mr. Duke Ellington and his contributions to jazz. Ellington left us in 1974 which gives a nice memory and uplifting tribute. I have taken the album version of “Sir Duke” and worked on a ReStructure Mix to give the jazzy arrangement a club-like feel. Adding a few drop zones where pieces of percussion and horns create an eerie rhythmic feel. This has been one of the early tracks to bring me the sensation of what disco was achieving on dance floors. Energy and excitement with the use of rhythm and new arrangements. Soul, funk and Afro-Cuban percussion were with a new foundation. |
|
|
• Lady Luck - Glenn Rivera ReStructure Mix - The Ritchie Family “Life Is Music” is the 1977 project from The Ritchie Family and continues the sound which helped to make disco music a widespread phenomenon. Produced by Jacques Morali and Ritchie Rome – this spotlight for our three divas, Cassandra Wooten, Cheryl Mason-Dorman and Gwendolyn Oliver is another pièce de résistance of dance music’s sophisticated edge. The title track was a club hit and anthem for dance floors which celebrated the freedom this music expressed. “Lady Luck” is the second dance floor single which gives us once again the feel that “The Best Disco In Town” created: excitement and fun. I have taken the 12” version of “Lady Luck” and worked a ReStructure Mix to honor these lovely ladies of discos best and also give the uplifting song a bit more to move with. There are some vocal pieces reworked and a few new break-edits intended to make any night “lucky” on the dance floor. Dedicated to Cheryl Mason Dorman for her wonderful talent and also the work to keep the magic alive! |
|
|
• Music Inspired by 'Star Wars' - Glenn Rivera ReStructure Mix - Meco Meco Monardo is a disco producer and arranger whose music is the disco symphonic sound of the dance floor during the late 70s. His funky beat-driven revivals work with several motion picture soundtracks both classic as he created with his “Wizard Of Oz” project and then leaning towards the pop-edge taking soundtracks from “Star Wars”, “Close Encounters of The Third Kind” and “Superman” to a rhythmic sensation. His 1977project “Music Inspired by Star Wars and Other Galactic Funk” is included in the disco Top 100 since it dominated radio and helped to introduce disco music’s new path to an AM audience. I have taken the “Star Wars Medley” from this album and created a ReStructure Mix which uses the fantastic theme from John Williams and gives it a new bass driven arrangement to use snippets of the work into a new collage of disco sound. Done in the ReStructure edit style where anything can happen and usually does. It is a return to the pop-sound of disco and a glimpse of impact of both the film and John Williams’s fantastic musical soundtrack. |
|
|
• Alive With Love - Glenn Rivera ReStructure Mix - Cut Glass Cut Glass is vocalists Mildred Vaney and Ortheia Barnes along with producers Jeffrey Parsons and Jeffrey Steinberg – who also created a disco project title Hott City (or Graffitti) in 1978. Cut Glass was introduced with a double-sided 12” including the disco classic “Without Your Love” and “Alive With Love” – both an electronic style of disco music which helped to bring dance floors into the upcoming 80s high energy genre. “Alive With Love” much like “Without Your Love” featured an incredible vocal from our duo and a space-fused disco arrangement that was dreamy and lightly punchy. I have taken the 12” version of “Alive With Love” – one of my all-time favorite early evening or after-hours feel tracks and created a ReStructure Mix with not only an extended timing but also a whole new breakdown and sense of yearning for this disco treat. A new electro-vibe drum beats a sensual magnetism that I have always heard below the original. It is one piece that I wanted to add something special so that the dance floor of yesterday may understand the purpose all over again. |
|
|
• Private Dancer - Glenn Rivera ReStructure Mix - Tina Turner Tina Turner is one of the performers with a fairy-tale return to the music industry in 1984 with her smash album “Private Dancer”. The project took radio and clubs by storm with tracks in the pop-rock and dance genre bringing Tina into a new era of brining the lady a new stage for both respect and awe. The title track was produced by John Carter and featured Tina in a world of confusion and a tired soul looking for hope. It was one of the big surprises from the album as it was featured as a 12” for clubs to take in their arms “The Queen of Rock n Roll”. I have taken the 12” version of “Private Dancer” and created a ReStructure Mix focusing on the moody essence of the track and adding some new drama. It brings plenty of percussion in and also a stomping breakdown in areas when you will least expect. A favorite mood of mine which takes the song underground and more mysterious. |
|
|
• Je T 'Aime (Moi Non Plus) - Glenn Rivera ReStructure Mix - Donna Summer Donna Summer made the disco scene complete during the mid-70s with the productions aimed at figment of disco musical fantasy called The First Lady of Love. Donna’s breakout hit “Love To Love You Baby” gave disco music the appropriate sound for a new life being discovered with a mood and style created by music. Her first three albums were perfection with this formula and iconic phase. One of the peaks of Donna’s fame was definitely the release of the film “Thank God It’s Friday” in 1978 – it also presented her as the disco diva serenading a frantic crowd to her soon-to-be classic “Last Dance”. The soundtrack featured a bonus 12” single with Donna’s cover of Serge Gainsbourg’s “Je T’ Aime (Moi Non Plus)” – a song written and sung with Brigitte Bardot – a cinema sex symbol. It was another venture into the sexy realm of disco’s take on the sound which made it most explosive. Donna’s version falls close to her sexy – but stylish appeal to make the night seem more intense and desire closer. I have taken the 12” version which times at 15:51 and created a new ReStructure Mix working in a new funk-drum beat and some rhythm effects to spice up the sexy play on a romantic affair between a couple expressing their love for one another. This new version incorporates some familiar pieces from Donna’s legacy and is intended to bring a new light to this somewhat controversial song. |
|
|
• Love Plane - Glenn Rivera ReStructure Mix - Skyy Skyy is Anibal "Butch" Sierra, Bonny Dunning, Delores Dunning Milligan, Denise Dunning Crawford, Gerald Lebon, Larry Greenburg, Randy Muller, Solomon Roberts Jr., Tommy McConnell and Wayne Wilentz. A funk-disco band produced by Randy Muller (Brass Construction, Tamiko Jones, Funk Deluxe) and executed in the New York disco-funk style. Refreshing grooves with a touch of those swirling disco strings. Much of their music is recognizable with the raw groove and predominant vocal arrangements. “Love Plane” comes from their 1980 album “Skyway” and was a huge hit in my club and gave the early 80s an early transition from disco beats to a new electronic-groove. The emphasis here, as most Skyy tunes are falling in love and expressing a deep affection for a lover. And so let’s fly! This ReStructure Mix give the funky track a longer breakdown and some new beats to bring this “love plane” to its destination. One of the moments I always hoped for when I was spinning this album version – an extended trip! |
|
|
• Body Heat - Glenn Rivera ReStructure Mix - Alicia Bridges Alicia Bridges burst onto the disco music scene as an unknown artist yet as recognizable with her big hit, “I Love The Nightlife (Disco Round)”. It was as if the anthem was created before the scene took hold of the general public. Alicia had a unique voice bringing a whole new flair and style to the club scene. Her first album may have been one of the most recognized covers from the period and the classic track as one of the most played. The album was produced by Steve Buckingham – a guitarist who played with Dolly Parton, Linda Ronstadt and Tower Of Power – to name a few. His work on this album was indeed a new fusion in disco music. “Body Heat” is the second single from the album and was a track that hardcore clubs embraced since many were familiar with Alicia’s voice and sound. A 12” release also featured a remix by Mr. Jim Burgess taking the album version heights above the yearning guitars and Bridges’ powerful performance. It was always a favorite of mine and fit into a rock-edged disco track with that disco flair added. This ReStructure Mix takes the 12” version into a few new breakdowns and small clips of those rockin’ guitars and peaking chorus riffs. It builds with a few loop-edits to present a new aura to what I consider a genuine and unique piece of dance music. |
|
|
• Love Is All You Need - Glenn Rivera ReStructure Mix - High Inergy High Inergy is a soul group discovered by Berry Gordy’s sister and then signed to Motown’s label Gordy Records in 1977. Their first album titled “Turnin’ On” brought back the girl group excitement with the soul flair. The single “You Can’t Turn Me Off (In The Middle Of Turning Me On)” was an immediate hit and only revealed a clue of the tracks from the album which made these voices irresistible. “Love Is All You Need” is the opening song of the project and gives a funky-soul spot for High Inergy to harmonize and express their talent in a young, new experience. It was a turning point for soul music to enter a disco realm. I have taken the album version of “Love Is All You Need” and created a ReStructure Mix to add some new drum fills and breaks to the beautiful shout out for love. An extended intro and some new breaks are added to extend and add a new feel. Some new beats are pulled from the base of this groovy rhythmic production. |
|
|
• Sing Your Own Song - Glenn Rivera ReStructure Mix - Jeanie Tracy Jeanie Tracy (Jeanie Autre Tracy) is one of the voices when heard makes you feel energized. The power of this woman’s delivery is a reminder of gospels influence in many forms of music including the late 70s when Sylvester hit the disco scene. Ms. Tracy has performed back-up sessions for many well-known artists – but the real show is when she is in front. “Sing Your Own Song” is an AA-side to the 1984 12” single “Time Bomb”. This track was produced by Tip Wirrick, Michael Finden and Patrick Cowley. The message is so clear your mind is as affected as your feet. I have taken the 12” version of “Sing Your Own Song” and we-worked it to create this ReStructure Mix. Using pieces of the scat-like chorus riff as another element of energy to this mix. Some new breaks and build-up moments are injected to give us a moment to catch our breath. This ReStructure Mix is dedicated to Nick and Lindsay – in deep thanks and love for their friendship and also for taking the time to request the obscure pieces of disco music for a ReStructure Mix which is what I love most. You boys are “it”! I appreciate you both! |
|
|
• Chain Reaction - Glenn Rivera ReStructure Mix - Diana Ross Diana Ross released her album “Eaten Alive” in 1985 which gave Diana a new identity once again with the 80s pop dance arena. The club sound for this period was determined by how well your 12” single release was reworked for the dance floor and by whom. “Chain Reaction” is from this project and was produced by Albhy Galuten, Barry Gibb and Karl Richardson – it is a clever piece which takes us back to a bouncy and stompin’ Motown-esque feel rhythm and Diana sounding as if we had taken a step back in time. I have taken the 12” version of “Chain Reaction” – remixed by Francois Kevorkian and Ron St. Germain and have created a ReStructure Mix to salute this favorite. Using more of those 60s retro strings that flow like a symphony of sweet memories and also worked a few rhythm loops to give parts of the song a new experience. |
|
|
• Dance Little Boy Blue - Glenn Rivera ReStructure Mix - Freddie James Freddie James (Frederick Alan Millgan) was one of the youngest disco stars to create a frenzy on dance floors with his big hit “Get Up and Boogie” from 1979. It was one of Tony Green’s disco treats – as he accomplished with France Joli, Caroline Bernier and Freddie’s mother, Geraldine Hunt. The album contained four tracks that were each successes of their own. The production team included Denis Lepage on strings and arrangements, The Sweethearts of Sigma on backing vocals, Peter Dowse and Claude Allard. The release of the US version was assisted by Mr. Ray Caviano. I have taken the album version of the track which always packed my floor, “Dance Little Boy Blue” – which was appropriate for Freddie’s youth and also reminded us how the dance floor was the place to escape those “blues”. This ReStructure Mix moves into the deep-electronic dub-side of the song which always brought my ears on board. A few more production additions create a longer break in sections where the theme is all about dancing out of our troubles. |
|
|
• Brazuca - Glenn Rivera ReStructure Mix - Simbora Orchesatra Simbora Orchestra is a disco project from 1978 produced by Silvio Tancredi – who is also responsible for the disco group The Wonder Band (“Whole Lotta Lovin”). “Brazuca” is the single release from Simbora Orchestra and marked a period early in the disco movement when the mood was experimental and celebratory. I have always associated this group with the likes of The Ritchie Family since “Quiet Village” has the lounge and bossa nova feel. The song was quite a cooker during its release and created a nice Mardi gras aura to the dance floors of the time. It has always been a favorite and has many hooks that caught my attention immediately. I have taken the 12” version mixed by Bob Clearmountain and create a ReStructure Mix which gives the intro and break more time to find the nearest whistle. There is a whole new flow to this version and I was quite excited to break this one down for another celebration! |
|
|
• Let's Dance - Glenn Rivera ReStructure Mix - Bombers Bombers are a disco studio group produced by George Lagios and Pat Deserio (Kebekelektrik, Rational Youth) and introduced a new space-age theme to the growing sound and vision of disco. Their first project from 1978 titled “Bombers” introduced the band as a deeper underground disco sound. “Bombers II” from 1979 gave the band a full open dance floor welcome with the hit “(Everybody) Get Dancing” – which is one of the big disco releases to assist in the music’s mainline success. “Let’s Dance” is one of the five winning tracks from the “II” project and one which finds hustle dancers and mainstream disco followers the edge it is looking for. I have taken the album version and created this ReStructure Mix to give it a new vibrancy and also call attention to its shining elements. It =has always been a winner with me and continues to spark the sound of disco music which lingers on and on throughout time. |
|
|
• Emotion - Glenn Rivera ReStructure Mix - Barbra Streisand Barbra Streisand joined producer Rick Perry along with The Pointer Sisters on backing vocals in 1984 for an electronic dance number that has the feel of the 80s keyboard craze. A love song which implies the everyday droll of life can be uplifted by the realization of a wonderful partner and love. The arrangement has a gospel like feel which places Barbra in a place where she manages to play it cool and sound beautiful. I have taken the 12” vocal and Instrumental which was remixed by John “Jellybean” Benitez and worked this ReStructure Mix to extend the intro and bring Barbra down a bit more underground on the dance floor. |
|
|
• Don't Come Crying To Me - Glenn Rivera ReStructure Mix - Linda Clifford Linda Clifford is one of the disco stars that you can’t help but have grown excited waiting for the next release. After dance hits like “If My Friends Could See Me Now”, “Red Light”, “Bridge Over Troubled Water” and “Runaway Love” you had to have been warmed up by then. “I’ll Keep On Loving You” is Linda’s seventh album from 1982 and hits the target again with the single “Don’t Come Crying To Me” produced by Michael Gore. I have taken the fantastic 12” single of “Don’t Come Crying To Me” – mixed by Rusty Gardner and engineered by Paul Sabu and had a little ReStructure Mix fun. Adding a bit of drum mayhem to the finger-poppin’ groove this “no-other-than”-Linda track. It has the woman laying it out – now it is your turn to move or get out! Dedicated to the lady herself, Ms. Linda Clifford – who helped me believe not only in disco music – but also that disco divas are graceful, lovely and forever lasting! |
|
|
• Midnight Rendezvous - Glenn Rivera ReStructure Mix - Linda G. Thompson Linda G. Thompson is a German vocalist with a long run supporting disco music. Her talent is also spread among several groups including Silver Convention, Love Generation, The Hornettes and Me and You. Her solo recording career in 1975 began with her single, “Ooh What A Night” – also produced by Silver Convention’s Michael Kunze. “Midnight Rendezvous” comes from the B-side Linda’s 1980 single “Flight To Fantasy” – which was a huge hit on my dance floor at the time and also a personal favorite. “Midnight Rendezvous” is a funky hard-hitting disco track with the early 80s transition in mind. It was always one I would love to play during T-dances and early morning programs – it had that hardcore groove. I have taken the 12” version of “Midnight Rendezvous” and did something I have always wanted to do – extend it and play with these mean beats! This ReStructure Mix pulls in a bass line which should be very familiar to fans of Linda and disco history. It is a high for me to create some fun with this one. This ReStructure Mix is dedicated to a hard working friend who has kept the ladies of disco alive for years and continues to – Mr. Hans R. de Vries. Thank you, Hans for always being so kind and supportive of these so very talented artists. I am sure they appreciate your love very much – I know I do. |
|
|
• Theme from Dynasty - Glenn Rivera ReStructure Mix - Kat Mandu Kat Mandu is a disco project from 1979 with a huge disco hit titled “The Break” which helped to solidify the dance floor instrumental with more energy than ever. Produced by Joe La Greca and Joe Marandola and Jimmy Ray on vocals for the remaining tracks. Three albums were released under the name Kat Mandu and then in 1986 were reformulated for singles which were independent productions. The first being a disco-fied version of “Theme from Dynasty” – a pounding recreation of the Bill Conti opening theme. It was produced by Richard Buck and Robert Matichak. I have taken the 12” release of “Theme from Dynasty/Power” and manipulated several clips from the television show to feature this ReStructure Mix as a sample-esque version for a tribute to the focus, Joan Collins as Alexis. It is a new option for bringing back that night we all waited so anxiously for. A special insertion of Alexis is inserted from her country bar performance to even the homage. |
|
|
• We've Gotta Dance - Glenn Rivera ReStructure Mix - Sylvia Mason Sylvia Mason (also billed as Sylvia Mason-James) is a vocalist who became a disco treat for many during the late 70s in the band Voyage. Her vocal on the disco classics “Souvenirs” and “Let’s Fly Away” have given dance floors the uplifting sensation which disco music is designed to deliver. She has performed in back-up sessions for many artists including Croisette, Wham!, Eddy Grant, Barbara Pennington and The Blow Monkeys. Her self-titled solo album from 1979 contained the single “We’ve Gotta Dance” which follows the path of traditional disco and celebrates the dance floor as the sanity of life. This project included players from Voyage including Marc Chantereau, Pierre-Alain Dahan, Roger Tokarz and Slim Pezin. I have taken the album version of “We’ve Gotta Dance” and recreated a new ReStructure Mix – playing heavily with the fabulous drum beats and recreated some new energy for this explosive dance anthem. It is one that brought the disco sense back to my dance floor for peak hour when it was released. |
|
|
• Circles - Glenn Rivera ReStructure Mix - Atlantic Starr Atlantic Starr (formerly Newban) is a soul, funk, and disco band who were originally produced by Bobby Eli. Their third album titled “Brilliance” from 1982 contained the single “Circles” which featured Sharon Bryant on lead vocals. A love song from a confused participant who is finding it difficult to break away from an unfaithful lover. The production by James Anthony Carmichael is the master of this project. A blend of disco groove with great guitar keyboards and strings. I have taken the 12” version of “Circles” and created a ReStructure Mix with a new intro and a few percussion fused breaks to slow down the drama and heartbreak. Always a favorite and played out so quickly for the dance floor that an extended version I always fantasized of. |
|
|
• Guilty - Glenn Rivera ReStructure Mix - Lime Lime is Denis and Denyse Lepage – a duo who turned dance floors into a frenzy during the early 80s and throughout the early 90s. A powerhouse disco/high energy project which never seemed to disappoint or let up on surprises. Their third album “Lime III” is one of the works which cover the spectrum of dance floor favors influencing new dance artists soon after. Denis had been affiliated with many disco projects during the late 70s and his work paid off for Lime. “Guilty” is the first single from “Lime III” and has always been an anthem for me. It always gives an emotional message which I have taken to another level with this ReStructure Mix. There is a new haunting edge to the yearning of a romance that is certain to have another chance – thanks to love. It plays out like a mini drama with some new effects and beats to guide familiar feet to a new story. Dedicated to Mr. George Matiowsky of Facebook – for the upbeat energy and also for keeping the music with a great message alive in his life. |
|
|
• Pull Up To The Bumper - Glenn Rivera ReStructure Mix - Grace Jones Grace Jones was iconic from the moment she stepped into the lights that revealed a darker image and persona. Her music, style, and presence have always intrigued audiences and even hardcore followers. Her music shifted during the early 80s appropriately with the new wave of electronic funk and rock. It was quite simple for Grace to complete the transformation effectively since she had performing this from the start. “Pull Up To The Bumper” is from the 1981 album “Nightclubbing” – produced by Alex Sadkin and Chris Blackwell. It is one of the most thought provoking songs as Grace takes the wheel and keys. The production is a sound from period which created an easy stage for funk to make it return in a new form. I have taken the 12” Remix by Steven Stanley and created a ReStructure Mix to lower this parking lot garage a few levels deeper. More samples and looping are added to make this infectious song stick even closer to your ears and feet. |
|
|
• You Gotta Problem - Glenn Rivera ReStructure Mix - Toni Basil Toni Basil (Antonia Christina Basilotta) is a singer, actress and choreographer who stamped the 80s with her big hit, “Mickey”. The synth-pop movement of the early 80s existed with the release of talent and music as her album, “Word Of Mouth”. A nice twist of energy in the nu-wave and alternative sound but not moving to far from the motivation of the dance floor. Toni’s first recording was in 1966 titled “Breakaway”. “You Gotta Problem” is a track from “Word Of Mouth” which was one of the DOR (Dance Oriented Rock) numbers to hit dance floors following the disco sequencer sound. A new age of electronic music was an instant hit on dance floors thanks to a new generation of dancers and innovative minds. I have taken the album version of “You Gotta Problem” and have extended the track along with a few new breaks and inserts to update the arrangement. The song deals lightly on a subject of little pity for a problem which appears to allow distant behavior. Listen for backing vocals performed by disco master, Mr. Bob Esty – once again making the 80s an easy place for disco-lovers and dance enthusiasts a wonderful place. |
|
|
• Body Strong - Glenn Rivera ReStructure Mix - Sylvester Sylvester (Sylvester James) releases “Stars” in 1979 – his fourth album and appropriately closing a disco era with a theme for each night of the week. “Body Strong” is the vocal/chorus magnificent recording with the rolling anthem of dance floor ecstasy. Along with Izora Rhodes and Martha Wash this piece becomes a stamp for a dance era which ends up in the Bay Area/San Francisco and soon is revitalized there for the 80s. I have taken the album version of “Body Strong” and few pieces of vocals from a past Sylvester classic and reshaped this beauty for a ReStructure Mix. Giving it a new foundation and sense for that “lost in music” feel. A special thanks to Sylvester for making us feel united and free on the dance floor. |
|
|
• Power - Glenn Rivera ReStructure Mix - The Temptations The Temptations are Motown powerhouse male groups who helped to shape soul music during the early 60s and create stage for male emotions. Their music remains timeless and full of a time period when the music scene was rejuvenated with creative talent and excitement. The group recorded from 1964 to present. In 1980 the group released “Power” produced by Barry Gordy and Angelo Bond – the title track was a pulsating funk song and although the arrangement followed a disco edge the vocals remained layered and continued to express the bands sole purpose. I have taken the album version of “Power” and have reworked its political and spiritual theme in an extended format with a new jack-swing touch to wrap those vocals even more around your mind. The message may be varied from this number but perhaps in current years as it emphasizes a reality. The titled “Power” is what it has always been about – yet this time let’s focus on the “power” of the funk in the beat! |
|
|
• Love (Is Gonna Be On Your Side) - Glenn Rivera ReStructure Mix - Firefly Firefly is Manu, Maurice Cavalieri, Maurizio Sangineto and Rolando Zaniolo – an Italian disco/funk project from the early 80s. Presenting an electronic take on Italo-disco with a fusion of funk which took the early 80s by storm during the disco energy simmer. The first album from Firefly is one of their most memorable with the single “Love (Is Gonna Be On Your Side)” hit the dance floors and creates the stomping funk sound. It was a go from the start and some of the most infectious of the Italian dance productions. I have taken the 12” single of “Love (Is Gonna Be On Your Side)” and have re-worked a ReStructure Mix to break those heavy hand claps and beats into a deeper energy. Also taking the message apart – which is friendship, is priceless. A message worth dancing to and keep alive with the positive energy of dance music. |
|
|
• Forever - Glenn Rivera ReStructure Mix - Susanne Meals Susanne Meals is Dora Carofiglio – who’s beautiful falsetto vocal haunted many Italo-disco projects including The New Company, Jackie Moore, Valerie Dore, Alba and Novecento. The sound of Ms. Carofiglio immediately brings to mind an angelic state of mind. “Forever” is a single from 1990 released under the name of Susanne Meals – this track is the hallmark of Italo-disco – a lovely morning song with several vocal hooks and riffs to bring this one into a dance masterpiece. I have taken the 12” single version of “Forever” and worked on a long-awaited chance to play with the beautiful elements. There are a few new added breaks and looping effects to create more of that dreamy feel to the track. An all-time favorite and T-dance love brought to a new realm of dance. |
|
|
• Precious Moments - Glenn Rivera ReStructure Mix - Nightlife Unlimited Nightlife Unlimited is a Candian disco ensemble featuring Tony Bentivegna, Johnny D'Orazio, Louis Toteda and Peter Sciascia. The first album released in 1979 was produced by Peter DiMilo and George Cucuzzella. The project brought all four tracks as classics to a needy dance floor and now a great remembrance and learning experience for new disco enthusiasts. I have taken “Precious Moments” from the album and have given it a new ReStructure Mix – adding some breaks and drum elements to decorate this lovely love sonnet. It is a beautiful track and features the very talented Louis Toteda on lead vocals. Louis worked on many high energy projects in the 80s including Vera, Elaine Charles and Sweet Brandy. This ReStructure Mix is dedicated to Mr. Louis Toteda for giving his wonderful talent to a genre of music which has proven loves lives within. |
|
|
• Bounce, Rock, Skate, Roll - Glenn Rivera ReStructure Mix - Vaughan Mason And Crew Vaughn Mason and Crew are a funk-disco project from the early 80s when the shift from dancing feet to skating feet hit the mirror ball reflections. This electronic funk take off of Chic’s “Good Times” reaves up a new chapter in dance music where early pieces of rap and funk make disco music a bit more delicious. I have taken the 12” single – both Part 1 and Part 2 into this ReStructure Mix along with a few samples from some funk from here and there. It is another reason to bounce – you don’t even have to pay by the ounce. It is the funk! |
|
|
• I'm Dying - Glenn Rivera ReStructure Mix - Dee D. Jackson Dee D. Jackson (Deirdre Elaine Cozier) is an artist who worked with Giorgio Moroder and Keith Forsey in her early career. Her venture into the music industry began with the single “Man Of A Man” in 1978 and then her well-known classic “Automatic Lover”. Her second album titled “Thunder and Lightning” contained several great tracks – one which was remixed in the 80s – “S.O.S. (Love To The Rescue” ). The short length of the tracks prevented many of them from receiving club play. My favorite song from the project is “I’m Dying” – which displays Dee D. at her best in emotion and power. I have taken the short 3:49 minute track and have given it a ReStructure Mix to extend and also play with the heavy duty disco production by Gary Unwin and although the song has that rock-heartbreak anthem feel it gives the dance floor a shimmering experience. |
|
|
• Don't Know Why I Love You - Glenn Rivera ReStructure Mix - Thelma Houston Thelma Houston taught us how to feel emotion on the dance floor in 1976 with her big disco hit, “Don’t Leave Me This Way”. From the album “Any Way You Like It” which was Thelma’s fourth recording project. The album was great mixture of funk, soul and one of the early stages of disco music as laid out in the mix and arrangement. “Don’t Know Why I Love You” is another fantastic track which always caught my attention as has one infectious rhythm breaks. I have taken the album version and have given it a ReStructure Mix to give Thelma another opportunity to remind of what a landmark artist she has been in disco music history. Adding a few new beats and looping those incredible bass tracks. There are some high dive breaks and more of Thelma to make us feel right at home. |
|
|
• Georgy Porgy - Glenn Rivera ReStructure Mix - Toto Toto is a band including Steve Lukather and David Paich (produced Cheryl Lynn’s first album). Their work is lengthy and also includes a big hot from 1982 “Africa”. Their first project from 1978 was known for the disco single “Georgy Porgy” (which features Cheryl Lynn) – the track was a hit for radio play and clubs. The play on a relationship misjudged works well with the break featuring a teasing Cheryl Lynn injected a touch of soul to the jazz like aura of the track. I have taken the 12” single of “Georgy Porgy” and worked a new arrangement and feel for the song. It is extended with more percussion breaks and a fade out into an underground sound. The song has always been a favorite and I sure bring many good memories back of either the band or the start of Ms. Lynn’s career. This ReStructure Mix is dedicated by Marialisa of New York – thank you Marialisa for always giving such a great energy my way. It is appreciated. |
|
|
• I Can't Go For That (No Can Do) - Glenn Rivera ReStructure Mix - Daryl Hall & John Oates Daryl Hall & John Hall Oates are a pop rock duo who started recording in 1972 and are currently involved in projects, Their sound brought a magic to the 70s era and their continuance onto the 80s was a pop-dance excitement. “I Can’t Go For That (No Can Do)” is from their 1981 album “Private Eyes”. It was an instant radio hit and many club jocks were lured in by the pumped-electronic groove. It was close to the “Electric Avenue” sound which was building an alternative sound. I have taken the 12” version of “I Can’t Go For That (No Can Do)” and have given it a ReStructure Mix which pumps up the groove and bit more and also creates a dreamier aura throughout the resistance of this stern lover. It gives me an opportunity to spotlight that 80s sound and how it kept the disco feeling alive. |
|
|
• That'll Be The Day - Glenn Rivera ReStructure Mix - Pamala Stanley Pamala Stanley is a talented lady whose career began with the 1979 project “This Is Hot” – produced by Joachim Heider a German producer and composer. The title track was an instant hit and made Pamala a welcomed voice and energy. There is a level of determination in this album where Pamala delivers a sweet, yet powerful energy to the disco songs. She was not only a great performer on stage; she had the voice to make it even more exciting. “That’ll Be The Day” is a song written by Pamala and is a love ballad with the dance floor outline. It plays out in the matured disco sound of the late seventies. It gives a nice Euro-feel with the flowing strings and heavy percussion and bongo elements. This ReStructure Mix takes the song a bit deeper yet holds onto the beautiful message and arrangement. This ReStructure Mix is dedicated to Nick and Lindsay who have made these projects even more exciting and loving. Boys, you are wonderful. A great source of dedication and love not only for the music, but also the artist. |
|
|
• Gaz-O-Lean - Glenn Rivera ReStructure Mix - Area Code 212 Area Code 212 is a disco project from Joe Bana (Friends & Co. Records) along with Joe Castellon and Stan Bronstein. A classic disco theme album piecing themed dance tracks to the New York independent disco sound. One of the last true disco albums from 1979 with the sound which made hustle dancers feel at home as well as the DJs who fought to keep the disco energy alive during a shut down from the industry. I have taken one of the most mesmerizing instrumentals from the package titled “Gaz-O-Lean” which is close to that Bombers “Pistolero” sound where bass riffs and thumping beats create a haunting like feel. The original album version gets a ReStructure Mix – pulling those fabulous percussion tracks out into the open even further – and that rolling bass sequencer again onto a mirror reflected dance floor. |
|
|
• C'est Magnifique - Glenn Rivera ReStructure Mix - Santa Esmeralda Santa Esmeralda is a disco band whose first hit “Don’t Let Me Be Misunderstood” (a disco-fied cover of The Animals 1966 rock hit) helped to change disco music for years to come. The Euro-disco feel and full Flamenco-orchestra fantasy makes the sound of the disco beat feel real. The album was produced by Jean-Manuel de Scarano and Nicholas Skorsky. I have taken the track “C’est Magnifique” from their 1980 album “Don’t Be Shy Tonight” and have given it a full ReStructure Mix treatment. Extending those fabulous hand-clap effects and also adding a few elements from their instrumental, “Seville Nights” from the “Thank God It’s Friday” soundtrack |
|
|
• Take Off Your Makeup - Glenn Rivera ReStructure Mix - Lamont Dozier Lamont Dozier is not only one of the talented songwriter of the Motown/Supremes era – he is also a producer and singer whose album, “Out Here On My Own” from 1973 contains one of the early singles that was a part of the sprouting disco disc jockey weaving 45 rpms into dance blocks. “Take Off Your Makeup” is an early soul classic that has the flavor of soul and that classic feel. I have taken the album version and created a new ReStructure Mix to extend and play out this uplifting and song of love and promise. It is one of my favorites that I can remember feeling the sweet sound of soul becoming a new brand of dance music. A new intro and mix-out are the highlight of this new piece – but the message and meaning are still the bones. |
|
|
• Night Sky - Glenn Rivera ReStructure Mix - Rose Laurens Rose Laurens is a French singer and song writer who is better known for her 1986 dance floor classic “American Love” – produced by Jean-Pierre Goussaud. Her unique vocal delivery can remind one of Tina Turner at moments. “Night Sky” is a single released in 1984 and became an instant dance hall classic for early morning dancers with its fantasy realm using the zodiac as an outline. The English version of the single is actually an interpretation of the French version titled “Zodiacale”. I have taken the English version of the 12” single – produced again by Jean-Pierre Goussaud and have given it a new ReStructure Mix – extending it with some new arenas of universal beats and some highlighting the 60s backing chorus feel. It is a new journey for those who admire Rose and also the fantasy of the dance floor. |
|
|
• Ready Or Not - Glenn Rivera ReStructure Mix - Deborah Washington Deborah Washington is a disco artist with the soft and delicate prescience which was introduced with classic remakes of “The Letter” and “Standing In The Shadows of Love” in disco elegance. Her success on dance floors was a part if the excitement of the disco boom in 1978. Produced by George Tobin (Tiffany) and Mike Piccirillo (Robert John, Kim Carnes) – the project was appropriately placed among the periods more playful and chart aimed projects. I have taken a single from the “Anyway You Want It” album titled “Ready Or Not” which is a sexy and sleek track and infused some new drums and additional phasing to make this dreamy number more of a discotheque delicacy! |
|
|
• We Can Work It Out - Glenn Rivera ReStructure Mix - Chaka Khan Chaka Khan has provided a map for funk and soul starting from the early 70s. Her voices gave soul and funk an energy and overwhelming emotion. Many hits have been left behind in funk, disco and in ballads. “What Cha’ Gonna Do For Me” is her 1981 project produced by Arif Mardin which delivered several hits for fan including “I Know You, I Live You”, “Fate”, the title track and also her cover of The Beatles’ “We Can Work It”. Fused with the 80s electro-funk sound and those raging horns – enough for Chaka to play in. I have taken the album version of “We Can Work It Out” and created an extended and playful arrangement using pieces of the rhythm and horn section to create a new flow. It has some dub-like breaks that are to give the song a few more words to feel secure about as your shaking you butt. |
|
|
• Stay The Night - Glenn Rivera ReStructure Mix - Billy Ocean Billy Ocean is an artist with a sound that is warming and sweet. Much of his work defines a mark which resembles a lullaby of sorts. Many of his projects fell into the pop-dance arena giving some great treasures. “Stay The Night” is from his 1980 album “City Limit” produced by Ken Gold – it is one of my favorite songs of that year since the chorus riff was stuck in my head for nights. I have taken the 12” version of “Stay The Night” and worked a new ReStructure Mix to add some new parts that add instrumental parts to cool down from that wonderful and soulful swooning. It is funky and full of promise – the perfect ingredients during a shift in club music. |
|
|
• A Gay Time Latin Lover - Glenn Rivera ReStructure Mix - Easy Going Easy Going is an Italian band (named after a gay club in Rome) formed by Paul Micioni and produced by Giancarlo Meo and Claudio Simonetti. The band shared a great success in dance music with their three albums. The biggest hit being “Fear” in 1979 – an innovative electronic piece. The third album was released in 1980 and featured the track “A Gay Time Latin Lover” which uses a funky rhythm guitar and heavy horns to expel the tale of a too-hot-to-handle love interest that can never stop the behavior leaving our band insecure. I have taken the album version and created a ReStructure Mix stripping down some of the bass, horn and syndrums effects to create a more edged mix with several new breaks and reworking the verses to do without some of the vocal riffs. |
|
|
• Shoot Your Best Shot - Glenn Rivera ReStructure Mix - Linda Clifford Linda Clifford’s project “I’m Yours” from 1980 was a disco-funk treasure for fans and dancers. It seemed as though Linda would never let her followers do without. “Shoot Your Best Shot” is a track which received tremendous response from DJs and dance floors. The production by Isaac Hayes is one of the year’s best. I have taken the album version of “Shoot Your Best Shot” and reworked new ReStructure Mix using elements that ‘blast’ throughout the arrangement. Linda’s out-of-sight vocal is the stage here – so the new breaks and trip are strictly to bring a new flavor to the song. This ReStructure Mix is lovingly dedicated to the kindest and caring woman in music that I have met – Ms. Linda Clifford. Thank you, Linda for sharing your talent and making us believe there is more out there to smile at. |
|
|
• Same Time Same Place - Glenn Rivera ReStructure Mix - Tamara Tamara Lorincz is a disco singer who was known as part of the big disco album “Bombers 2” featuring “(Everybody) Get Dancing”, “Let’s Dance” and “Shake”. Her placement as a disco chanteuse calling out the dancers and romancers to take their places is one of the gifts of the disc era. “Same Time Same Place” is her disco cooker from the album “Magic Dancer”. It is the beautiful melody of disco music where the scene is projected and played out with dancing and romance. I have taken the album version of “Same Time Same Place” and have given it a ReStructure Mix to lengthen the lilting melody and mood. It is one of Tamara’s lovely themes and also reminds us of the talented Canadian musicians who play such an important part of disco history. This ReStructure Mix is dedicated to the lovely, Tamara Lorincz who reminds me that the disco chanteuse is a gem to our hearts. |
|
|
• Stay The Night - Glenn Rivera ReStructure Mix - Nina Schiller Nina Schiller’s album “Stay The Night” was produced by San Francisco’s high energy/disco master, Mr. Bill Motley (Boys Town Gang, Magda Layna, Lisa) and gave the early 80s a continuum of beautiful dance music to move to. It was another resurgence of an opportunity to fall in love on the dance floor, once again. With the voice of Ms. Nina Schiller it was hard to resist this magic. The project is best remembered as being the heart-felt emotion of new love and the longing for a deeper emotion. A favorite of mine and one to keep in the spirit of love. I have taken the album version of “Stay The Night” and have given it a ReStructure Mix to bring more of that love to mind and also to those who are ready to take off to that wonderful feeling of love and warmth. This ReStructure Mix is dedicated to the lady herself – Ms. Nina Schiller for bringing us into a place that can come alive in these wonderful love songs. |
|
|
• Tell Me I'm Not Dreaming (Too Good To Be True) - Glenn Rivera ReStructure Mix - Jermaine Jackson Jermaine Jackson brought the early 80s his own brand of funk with “Let’s Get Serious” and “Burnin’ Hot”. It was race to keep up with his own family band, Jackson’s and of course, Michael who seemed to set the world on fire during the 80s. Jermaine’s 1984 album, “Dynamite” was a brand of pop-dance tracks which brought him a few video hits and of course more space on the dance floor. His track “Tell Me I’m Not Dreaming (Too Good To Be True)” produced by Michael Omartian features Michael in a brief cameo above Jermaine’s haunting love song. I have taken the album version of the song and have given it the ReStructure Mix work to give it a new feel along with a familiar rock-classic drum track. It extends the song and also gives it a bit more mystique with more sweeping effects and some breaks to make it more of an irresistible piece to get lost in. |
|
|
• Paint A Rumor/Heaven - Glenn Rivera ReStructure Mix - Eurythmics Eurythmics are a 80s act or artistry and sound that has not yet been topped by a duo today. Their music was haunting and emotional. Anne Lennox on vocals made each song an opera of pleasure, pain and deceit. Dave Stewart as the master behind the music and robotic motions brought a new age of electronics heavily inspired by the innovation of the late seventies. I have taken two tracks: “Paint A Rumor” from their 1983 “Touch” project and “Heaven” from the 1987 act “Savage”. Each track utilizes the heavy rolling sequencer to begin each story. This ReStructure Mix rolls both tracks into one suite – using the original BPM of each to convey the message as one. Both are favorites as most of Eurythmics creations are. The empty feel of these pieces given off that early morning shade which has a certain mystique that disco music is all about. The medley is dedicated to Jeff Best – for his love of not only Anne Lennox and her talent but also for the love that I have experienced in his soul. Thank you, Jeff |
|
|
• Where Is The Love - Glenn Rivera ReStructure Mix - Margaret Singana Margaret Singana is a singer from South Africa with a unique sound. Her album “Where Is The Love” from 1976 contained the titled track which was featured on the Casablanca 12” Special Mix Edition and gave the song a bit of spark to DJs and dancers at the time. The song is a classic in my mind. It has all of the essence of funk and the transition to disco in the mid-70s. Margaret’s vocal adds a style to the song which gives it an interesting twist. I have taken the album version and worked a ReStructure Mix which extends and adds some new moves to the arrangement. It gives way to the recordings original sexy intro to wind down those sweaty and hot bodies. |
|
|
• Crystal - Glenn Rivera ReStructure Mix - Elton John Elton John recorded a few dance floor pieces – his first disco project in 1979 titled “Victim Of Love” and produced by Pete Bellotte. The 80s brought the dance scene into a pop edge with electronic keyboards bringing a whole new modern edge to the formula. Elton’s 1983 album “Too Low For Zero” featured a track titled “Crystal” which was featured as an extended mix by Joseph Watt (Razormaid) on Volume 6 Program 10. The song was a fast moving song bringing an upfront vocal from Elton into the spotlight with a few guitars and keyboards. A 80s feel indefinitely. I have taken the album version of “Crystal” and re-worked the recording adding a new beat-drum track to emphasize a bit more of the swing excitement. There are a few more loops and play with the keyboards and guitars to add a dub-feel to the arrangement. |
|
|
• You're The First, The Last, My Everything - Glenn Rivera ReStructure Mix - Barry White Barry White may have been the first artists to explore the possibilities of an early side of pre-Euro-disco. His lush strings and arrangements brought a new excitement to soul music and the dance floor during movement in music. His 1974 album “Can’t Get Enough” contains some of his classic pieces – including the title track and “You’re My First, The Last, My Everything”. Love ballads set to rhythm and the upcoming mood of a new era of dance music. I have taken the album version of “You’re My First, The Last, My Everything” and have reworked the string section and chopped up some of the drum and snare segments – giving a new arrangement and feeling to a never ending love song. This ReStructure Mix extends the track and also moves into a few fantasy breaks. |
|
|
• Black Lady - Glenn Rivera ReStructure Mix - Donna Summer Donna Summer made the seventies complete with a collection of compositions and recordings which bring the period alive. Her work with Giorgio Moroder and Pete Bellotte are now the greatest parts of music during a great transition of soul and funk becoming a new style. Her album “I Remember Yesterday” from 1977 is one of Donna’s greatest musical challenges as her voice moved away from the breathy style of her early albums. And although it was intended as it was recorded I have always felt, even today she is one of the only female artists with voice and power to achieve this mode. “Black Lady” is one of the cuts from “I Remember Yesterday” which was a bit odd since it did not stand out as much. It has some of the funk driven moments for Donna – vocals included. I always felt it was her “Lady Marmalade” tribute. I have taken the short album version (3:47) and have given it a new ReStructure Mix using some of the horn and funky rhythm parts to build not only an extended version but also a new arrangement with new breaks and motion |
|
|
• Nobody's Stopping You - Glenn Rivera ReStructure Mix - Peter Batah Peter Batah is a Canadian disco artist from the early 80s with two powerful dance floor hits. “Rock Me Now” was released in 1980 and was produced by Claude Allard – the following year was his single “Nobody’s Stopping You” produced by Joe LaGreca and the arrangements identifiably Denis LePage of Lime and many high energy projects of the period. This heart wrenching track in a powerful outcast of a lover who has worn out the threat of leaving – and the time has been reached where no regrets are near. I have taken the 12” vocal and instrumental and created a ReStructure Mix which extends the synthesizer patterns and ominous percussion tracks to add more definition to the heartbreak and strength to end what is obviously done. More chances to move in new direction on the floor also. |
|
|
• All American Girls - Glenn Rivera ReStructure Mix - Sister Sledge Sister Sledge brought the disco era to the peak with their big 1979 anthem “We Are Family” – produced by Nile Rodgers and Bernard Edwards. The sound of Chic was a successful blend with the ladies and their lovely harmony and positive attitudes. During in the early 80s when a funky-edge was being applied to the shift in dance music another anthem was again delivered. “All American Girls” is their 1981 hit produced by up and coming hit-master Narada Michael Walden. I have taken the album version of “All American Girls” and worked a new ReStructure Mix using the rhythm and bass guitars play a few new pieces to give the track a new energy. The groove of Narada’s disco influence are the sheer magic of the song. |
|
|
• Sado Maso Disco - Glenn Rivera ReStructure Mix - Must Must is a disco project from Brazil which plays with the sado maso fetish and takes it onto the chic dance floor with chants and play-time for adults. This campy little track proves that you have to have a sense of humor to give into disco music or good strong cat-o-nine-tails. It is a celebratory and dance injected number and comes from Michel Gouty, Celestin Ganou and Pierre Nacabal. I have taken the original 12” version “Sado Maso Disco” and have given it a ReStructure Mix adding another “playful” track in the 80s synth-pop genre to give it more humor to slap around. It is intended as fun and games – and not to be taken too seriously…otherwise, get a room. |
|
|
• Angel In My Pocket - Glenn Rivera ReStructure Mix - Change Change is a disco project from 1980from Jacques Fred Petrus who worked throughout the mid and late 70s to perfect the disco sound as he also created the new innovative electronic disco vibe with bands like Macho, Peter Jacques Band and Rudy. The first Change album “The Glow Of Love” is a classic and iconic piece of disco perfection in a cross between his nigh energy bands and the New York/Chic-esque sound. Along with lead vocals by Luther Vandross and Jocelyn Shaw (Brown) there are moments of disco ambience and disco funk that cross paths so slick. I have taken the album version of “Angel In My Pocket” which was one of the many cuts which aimed at floor-play. It has the powerful voice of Jocelyn Shaw taking us into safety after a bad fall and assuring us that we can look after ourselves when we look back and learn from experience. A new kind of angel. It has some new familiar beats and a long break to pull out more of the diva-in the track! |
|
|
• Centipede - Glenn Rivera ReStructure Mix - Rebbie Jackson Rebbie Jackson is one of the last of the Jackson-Family clan who emerged with a certain talent to trickle down the family tree. And in an eerie way. Michael who collected animals and critters from all over the world wrote this percolating-funk ditty about a woman named “Centipede” who like the creepy crawler had many arms to sting many lovers whom would adorn her on those hot summer nights. A great theme another electronic winner with its dubbed guitars and funky-kick-ass beats. I have e taken the 12” vocal and instrumental to create a new ReStructure Mix outlining more of the eerie and hypnotic instrumental beats and guitars which play like a wind instrument in front of a glaring cobra. Also, to outline fabulous back vocals by Martha Wash who really makes this 80s dance piece a classic with her vocal fills in both chorus and ad-libs. |
|
|
• Holiday - Glenn Rivera ReStructure Mix - Madonna (LINK REMOVED DUE TO COPYRIGHT COMPLAINT) Madonna brought the 80s an exciting new way to look at dance music and bring change to the music industry and place an artist in the driver’s seat. Her first 12” release titled “Everybody” was a promise of more to come – and the album had that proof: “Holiday” is the track that brought a full circle to the first of many which Madonna achieved. Produced by John “Jellybean” Benitez – a club DJ who brought dance floors many of it’s own requests from his own experience behind the spinning vinyl. I have taken the album version of “Holiday” and have given it a new ReStructure Mix to lay out a new day for celebration for all – as the meaning of disco resembles – all. The bass, guitars and beats as chopped and rearranged along with a few samples from a few past “holidays”. |
|
|
• You Can't Hide (Your Love From Me) - Glenn Rivera ReStructure Mix - David Joseph David Joseph has one of the 80’s electronic funk singles which marks The Paradise Garage and its progressive dance groove during the new generation of hardcore club movers. The track has the feel of the underground New York sound which helped to influence many new disc jockeys and artists to look towards a more raw and basic feel. This ReStructure Mix is dedicated to Alan Hawkins of Facebook – with thanks for his support, kind words and love for the music that goes boom in the night! |
|
|
• Chanson d'llegance - Glenn Rivera ReStructure Mix - D'llegance D’llegance is a disco group from Ian Levine and Rick Gianatos whose first single from 1979 was a double sided “Share My Love” and “Midnight Ride” – production in the Ian Levine-disco orchestration and vocals in soulful harmony. The second single in 1982 is a band-anthem titled, “Chanson D’llegance” which gives several French verses as a riff and a definition of the savor faire the band was to portray, I have taken the Airwave Records 12” vocal and extended instrumental and created a ReStructure Mix which plays a bit more with bits and pieces of the groove and vocal to create a new edit with some new break-fills inserted. The original version was always a hit on my dance floor during its release and helped to being back chic-disco edge in the early 80s. |
|
|
• You've Lost That Loving Feeling - Glenn Rivera ReStructure Mix - Paris Connection Paris Connection is symphonic disco project from Alec R. Costandinos who brought us Sumeria, Love & Kisses and his disco operettas of “Romeo & Juliet” and “The Hunchback of Notre Dame”. His music brought the Euro-disco sound to another end of dance floors along with Cerrone and Don Ray. His project for Paris Connection contained to disco covers of pop-songs from the 60s: “Eloise” and “You’ve Lost That Loving Feeling”. Both arranged in the disco symphony formula where new pieces were added to detail the side long versions. The album was arranged and conducted by Raymond Tarass Knehntsky I have taken the B-side of Paris Connection (from the LP version) and created a new ReStructure Mix with a much easier intro and few new elements to make this sweet production move differently. The 18:03 long album version is trimmed down and re-waxed. |
|
|
• If You Can Dance You Can Do It - Glenn Rivera ReStructure Mix - Slimline Slimline is an electronic dance project from producer Mike Leander – who is known for his productions of The Glitter Band in the early 70s. This infectious single from 1982 works on the aerobics craze of the time period and a stompin’ rhythm beat that creates a solid foundation for a “Madison-rap” and peaks that sound sinister as well as energetic. It is the only material leased from Slimline and a number that brings back the disco power of early 80s. I have taken the vocal and the instrumental (with count) and created a ReStructure Mix that uses for electronics from Kraftwerk to accent the climbing and falling arrangement. It is lengthier and more fun as the trio guide you through this hypnotic dance experience. |
|
|
• Young Hearts Run Free - Glenn Rivera ReStructure Mix - Candi Staton Candi Staton is a soul singer who began recording in 1970 with a voice that was inspirational and brought a warm to souls. Her singing career eventually brought her into the 70s disco scene where her big 1976 hit, “Young Hearts Run Free” became an instant anthem and classic among club and music enthusiasts. The track was written and produced by Dave Crawford who also helped Candi through a few more dance floor hits. I have taken the album version of “Young Hearts Run Free” and have given this ReStructure Mix more breaks and some dub-like pieces. It is the flavor of disco music which never grows tired as classic soul and Motown. There are a few pieces of Candi from affiliated feelings in a follow up hit which I had a moment of reflection of how disco music can mark moments in life with such emotion. This ReStructure Mix is dedicated to Anthony Gioffre – thank you for asking for this wonderful track and "keep feeling it" – it is a great gift. |
|
|
• Slave To The Rhythm - Glenn Rivera ReStructure Mix - Grace Jones Grace Jones – period! No introduction needed. It has been years that Ms. Jones has held the mystique of art and fierce persona. Fashion and music are just natural for this performer who take the ordinary and creates the uniqueness. Who knows is we will ever see it again? But who cares…just go back to Grace. You’ll find it there. “Slave To The Rhythm” is from the album of 1985 produced by Stephen Lipson and Trevor Horn - creating a new stage for Grace to give inspiration to the rhythm and sound of art. I have taken the single version from the US 12” single and have created a ReStructure Mix which points towards an early morning rendition of the original production including an overture. This ReStructure Mix is dedicated to Van Belgie Grace on Facebook and the thanks for keeping the panther out of the cage. Thank you Van Belgie Grace also for the kindness. |
|
|
• I Got That Feeling - Glenn Rivera ReStructure Mix -Love De-Luxe Love De-Luxe is a disco project from Alan Hawkshaw who also worked with Miquel Brown and his own 80s dance group K.I.D. (“Don’t Stop”). His album “Again and Again” features many of musicians from the Munich Disco Recordings – including Les Hurdle, Ray Cooper and Pat Halling on strings. The album was one of the Euro-disco gems of its time with the big crossover song, “Here Comes That Sound Again”. I have taken the album version of “I Got That Feeling” and have given it a new ReStructure Mix to give the verses a new layout and arrangement. It is one of the most beautiful recordings with the disco orchestration and synthesized backup. |
|
|
• Dancing Is Alright - Glenn Rivera ReStructure Mix - THP THP (Three Hats Productions) are the sound of producers Ian Guenther and Willi Morrison who also brought us The Duncan Sisters, Skatt Brothers, Sticky Fingers, The Immortals and Southern Exposure. A bold blaring sound for disco music which helped to bring the power of the big “orchestral’ band sound. THP is a project not only based on their name but each project dedicated to a new sound for a new vocalist: Barbara Fry on “Two Hot For Love” – The Duncan Sisters on “Tender Is The Night” and Joyce Cobb on “Good To Me”. I have taken the fierce track “Dancing Is Alright” from the “Good To Me” album and reworked it into a new ReStructure Mix for some looped action and fun with segments. One powerful disco album where each track stands on its own. A die-hard piece of vinyl for me! |
|
|
• Two Of Hearts - Glenn Rivera ReStructure Mix - Stacey Q Stacey Q (Stacey Lynn Swain) is a pop-dance act from producer Jon St James (Bardeux, Red Flag, Anything Box) who made the simple sound of synthesizers fill in the gap of mid-80s dance floors. It was a return to the sweet sound of disco music and a bit of street sampling – for the single “Two Of Hearts” from 1986. I have taken the 12” “Extended Mix”, “Instrumental” and pieces of the “Acapella” to give this 80s dance classic a ReStructure Mix – working more on the funky kick-ass beats from the break and making them the foundation of this new experience. It is a 80s feel that remains close to our hearts – both of them! |
|
|
• How - Glenn Rivera ReStructure Mix - Flower Flower is a sexy disco number in the vein of sultry and amorous moods. Her second album titled “Heat” is produced by Richie Rome – who collaborated with Jacques Morali to create The Ritchie Family in 1975. The full orchestration in the Philly-tradition gives his music the fantasy angle which disco music is meant to bring. “How” is a very sensual number from the “Heat” album and is a favorite among those who savor the full-disco experience. More of the yearning and ecstasy that love and desire are brought to the surface in disco music of the 70s. I have taken the “Long” and “Short” version of the 12” and recreated a drum-fantasy ReStructure Mix to soothe over those “playgirl”-esque vocals of Flower. |
|
|
• Nothings Gonna Stop Me Now - Glenn Rivera ReStructure Mix - Samantha Fox Samantha Fox is a pop-dance singer who was transformed from glamour model to dance floor sexpot. The early days of Samantha Fox are in the girlish pop singer genre where streets are the haven for being naughty and nice. Her second album features a track produced by non-other than the kings of 80’s dance music Stock, Aitken and Waterman – who transform her style into gold. A nice raging number that maintains sweetness thanks to Samantha’s whispery delivery. I have taken the “Extended Mix” and “Instrumental” from the 12” single and recreated a new “stop” – and go mix with more emphasis on those SAW classic synthesizers. Pieces of drum beats and lyrics are tossed around to give the new version a dub-like edge. A special cameo by three ladies adds the finale blow to Samantha’s direction. |
|
|
• Lover To Lover - Glenn Rivera ReStructure Mix - Joe Yellow Joe Yellow (Domenico Ricchini) is an Italian disco singer who released a big Italo-disco hit in 1983 titled “Lover To Lover” – produced by Roberto Turatti and Mikki Chieregato. The track laid out a powerful and pulsating dance beat and sweeping keyboards which created a sound completing the early 80s dance experience. The track played out as a formula for high energy music which was being produced out of the UK during the same time. I have taken the 12” vocal and instrumental from the US release and recreated a new ReStructure Mix keeping the pleading and loving question upfront and only adding some new playful elements to make the return of this powerful piece fun and infectious again. Dedicated to all of the hard-core Italo-disco fans and dancers! |
|
|
• The End - Glenn Rivera ReStructure Mix - Change Change is a disco project from producer Jacques Fred Petrus who also brought us Macho, Peter Jacques Band, Rudy and Revanche. Disco music emerged into a new experience following his innovative electronic arrangements. The project for Change was I am sure intended to create a new sound for the 1980 for dance floors. The tracks were in the pulsating disco vein and also in a New York funk groove which proved successful after the first single from the album, “A Lover’s Holiday” became the anthem of that year. I have taken the closing track from the project appropriately titled “The End” which is an Italo-disco instrumental which sounds like an instrumental from Space. It is layered beautifully and offers a more ambient and new age sound – along with the pulsating disco sequencers. The production was completed by arrangers David Romani, Paolo Gianolio and Mauro Malavasi. The new ReStructure Mix adds some new breaks and feel to the flow of the piece. |
|
|
• Vamp - Glenn Rivera ReStructure Mix - Gregg Diamond's Hardware Gregg Diamond is a disco producer who was formerly a member of a rock-band, Five Dollar Shoes from 1972. His 1975 production of Andrea True Connection’s “More, More, More” gave him immediate attention in the soul and disco genre. His style was truly a layered production with many riffs and grooves for the quickly emerging disco sound. His project Bionic Boogie from 1977 is one of the examples of Diamond’s touch in combining soulful vocals with his unique arrangements – along with the assistance of Tom Moulton extending the songs for discotheques which was the new edge on soul and funk music. Hardware is a project from 1979 with a sound that displays how disco music matured and revitalized itself almost to a mechanical beat and outline. His vocal ensemble is close to the Bionic Boogie projects with a feel of rock infused. “Vamp” is a clip-track from the album that is actually the closing of another song from the project titled “War Paint (Love Line)” (featuring a saxophone solo from David Sanborn). It is merely one of Diamond’s plays with a vocal riff and the infectious rhythm of his guitar and drum kicks. I have taken the same theme and extended with lots of tricks and new breaks to frame the chant, “Did she dance?” |
|
|
• Super Extra Sexy Sign - Glenn Rivera ReStructure Mix - Kano Kano is an Italian disco project featuring Luciano Ninzatti, Stefano Pulga and Matteo Bonsanto. The sound of Italo-disco hit the roof with their big 1980 hit “I’m Ready”. It was a sound that came from space somewhere or an altar of dance worship. The album was one of the great electronic episodes from the band in the early high energy vein. “Super Extra Sexy Sign” is one of the singles from the project which was released as a single and made big impact with its keyboard drama and strange vocal incantations. I have taken the 12” version and have given it a new way of feeling – using the intro keyboards to emphasize the groove of the little gem. |
|
|
• I Hope It's The Right Time - Glenn Rivera ReStructure Mix - Inner Life Inner Life is a disco project from Greg Carmichael, Patrick Adams and lead vocalist, Jocelyn Brown – in continuance of the full-on New York disco sound of the late seventies. The project follows the percussion driven tracks with a fusion of soul and sophistication. Echoes of the Musique and Bumblebee Unlimited sessions are here in a dance extravaganza. I have taken the album version of “I Hope It’s The Right Time” which was one of the second picks for disc jockeys following the big success of the first single from the album “I’m Caught Up (In A One Night Love Affair)” and have given it a ReStructure Mix to add a few more hooks and segues to new breaks. The lead vocal by Jocelyn Brown is that magical sound which made dance floors identify with disco music – and the back-up vocals are the Inner Life experience. |
|
|
• Race - Glenn Rivera ReStructure Mix - A Taste Of Honey A Taste of Honey was a disco act formed in Los Angeles, CA - Hazel P. Payne, Janice M. Johnson, Donald R. Johnson and Perry Kibble. Their big disco classic “Boogie Oogie Oogie” from 1978 introduced a smooth soul edge to disco music. Their Grammy award from 1979 as “Best New Artist” gave the group only a part of what they have given dance music history. “Another Taste” is the bands second project from 1979 and was released during a highly saturated disco market. It was another juicy piece of soul and disco played out well with classic sound of the band. “Race” is a track from the album which made my playlist and remains the “Honey” sound with its groovy bass guitar licks and instrumental beauty. I have taken the album version to give the song a ReStructure Mix which works more on an extended play on the songs fierce drop-breaks and those sweet vocals. |
|
|
• Munich Machine Medley - Glenn Rivera ReStructure Mix - Munich Machine Munich Machine is a disco project lead by Giorgio Moroder and created a sound during the mid and late seventies which gave disco a new sound and label. Much of the music coming from Munich consisted of musicians who were apart of the new funky sound which was being formulated and used to make many disco stars including Donna Summer. The 1977 album “Munich Machine” was a blockbuster moment for dance floors and DJs. It was the underground disco sound in a polished form. I have taken the side two medley which includes instrumental movements from Giorgio’s solo projects, Donna Summer and Roberta Kelly which were making big marks both overseas and in the US. The medley blends each track into a non-stop disco party. I have created a ReStructure Mix and played with some of the elements to create a kaleidoscope-like disco mix. |
|
|
• Temptation Eyes - Glenn Rivera ReStructure Mix - Gino Soccio Gino Soccio marks the end of the seventies with a style of electronic dance which matures in an ambient and new-age vibe – with rhythm and funk. His move throughout the 80s was marked three unique albums to his sound. Each is an innovative and genius attempt for this musician, songwriter and artist. “Temptation Eyes” is Soccio’s cover of The Grass Roots 1971 pop-rock classic. Performed in Soccio’s programmed rhythm and interpretive style. This was released as a 12” single in 1985 and was a gift for those who could get lost in the simple layering and sound of Gino Soccio’s productions and arrangements. This ReStructure Mix is an alternative to the 12” and gives a few moments of earlier work on the “Outline” album. It was a reason to play with Gino’s work again and hear that build over and over again. |
|
|
• You Take My Heart Away - Glenn Rivera ReStructure Mix - Gillian Lane Gillian Lane is a Canadian disco artist who helped to fill the gap between disco and high energy during the early 80s. Along with producers Gino D’ Orazio and Tony Bentivegna who also created tracks by Suzy Q, Nightlife Unlimited. Motion, Sweet Heat, Stephanie Wells and Ladies Choice – this was the melodic and pulsating sound of a new disco energy. A new ReStructure Mix of “You Take My Heart Away” is extended and also teasing in the disco deejay fashion of spoon feeding little by little. It is one of my favorite Canadian disco tracks from this fabulous era and has that haunting sound of a love song with power, passion and a driving underground energy. |
|
|
• Hang On To Your Love - Glenn Rivera ReStructure Mix - Sade Sade is a British soul-jazz group with the sound of a classic vocalist (Sade Adu) and the reflection of music which paints the atmosphere as well as entertains. Their first album “Diamond Life” was produced by Robin Miller and gave the mid-80s a new sound and group which even today brings excitement and soul satisfaction. I have taken the single “Hang On Your Love” which was released as a 12” dance single – and have given it the ReStructure Mix treatment to play with the wording, piano riffs and rhythms. It is more of a dub-like feel – but is there to give another listen to a great song. In a new way. |
|
|
• Lost In Emotion - Glenn Rivera ReStructure Mix - Lisa Lisa and Cult Jam Lisa Lisa and Cult Jam are Lisa Velez , Mike Hughes and Spanador – an 80s funk group who delivered four albums which created a new dance sound for a dance floor ready for a new groove. Their second LP “Spanish Fly” was a welcome site for ready feet. Produced by Full Force a band formed in Brooklyn, New York. It was street sound which could apply to a new generation of dancers. I have taken the 12” single and used the F.F. remix and “Can’t Find Myself Mix” to create a new ReStructure Mix which begins with a new driving force and adds a few breakdowns and a surprise guest vocalist who is quite fitting |
|
|
• Sooner Or Later - Glenn Rivera ReStructure Mix - Nina Schiller Nina Schiller (released originally as Crystal & The Team) worked dance floors into a frenzy with her first single, “(Won’t You) Dance With Me” in 1981. The popularity of the track and the power of producer Bill Motley’s part in the dance resurgence in San Francisco created an album, “Stay The Night” on Moby Dick Records. “Sooner Or Later” is a track also featured on the 12” single and was re-produced with Nina again leading the beautiful and lyrical chorus. This time around the pumping sequencers gave the song and Nina a new energy to make dancers feel lovely all over again. I have taken the album version of “Sooner Or Later” and have given it a new ReStructure Mix with a new extended play and some fun-tweaks along the way. It is a powerhouse high energy song from the early 80s and should always be included as well as the voice of Ms. Nina Schiller. This ReStructure Mix is dedicated to the wonderful, Nina Schiller – and thank you for the “phone call”, Nina – the answer is past tense – I am a fan and always have been! |
|
|
• Space Warrior - Glenn Rivera ReStructure Mix - Munich Machine Munich Machine is a disco studio group comprised of many members of early recordings from early disco artists such as Donna Summer, Roberta Kelly, Dino Solera and Chris Bennett. The sound of Giorgio’s productions seem to mature here with the popularity of disco music growing and the need for more commercial sets. The first self-titled Munich Machine album featured a medley of tracks from Donna Summer and solo Giorgio albums where the productions feature the Munich ensemble behind the scenes. “Body Shine” is the fourth album from 1979 which completes the disco journey of The Machine – less of Moroder’s touch, yet still robotic and futuristic in several themes. One of the most secretive was “Space Warrior” which sounds much like Moroder’s “Battlestar Gallactica” project with more of a live band addition with wining guitars and acoustic accompaniment. I have taken the album version of “Space Warrior” and created a new ReStructure Mix – playing with loops of the driving bass sequencer and more added effects. |
|
|
• Time Of Your Life - Glenn Rivera ReStructure Mix - Stephanie Mills Stephanie Mills is a soul/funk and disco voice who brought power to the end of the 70s with hits like “You Can Get Over”, “Put Your Body In It” and the early 80’s with Sweet Sensation” and “Never Knew Love Like This Before”. It seemed as through a love affair with Stephanie’s unique vocal and positive themes had only begun. Stephanie’s album (her tenth release) from 1985 contained more of Stephanie’s magnetism on the dance floor with the electro-dance tracks “Stand Back” and “Time Of Your Life”. I have taken the 12” single of “Time Of Your Life” using the vocal, instrumental and acapella to create a new ReStructure Mix which is lengthier and has a few drop spots to feel Stephanie message which outlines the excitement of making life special by celebrating with an uplifted mind and attitude. “Time Of Your Life” was produced by Richard Rudolph who co-wrote Minnie Riperton’s “Lovin’ You” and also produced Teena Marie’s “Lady T” album. This ReStructure Mix is dedicated to Nick and Lindsay in response to their request for this hidden 80s dance piece from Ms. Mills. |
|
|
• Charmed By You - Glenn Rivera ReStructure Mix - Caress Caress is a studio project from Boris Midney – a composer, producer, musician who brought a new techno, space-age, and ambient sound to disco in the late 80s. Borrowing the smooth strings of Euro-disco and the Philly-edge he created a new style of dance music which fascinated dancers and listeners. His album “Caress” from 1979 followed by his USA European Connection projects, Beautiful Bend and Masquerade - where he doused once again some new elements to add to this audible masterpiece of sound. His sound can be described as an ambient orchestra of keyboards and strings along with the Afro-Cuban percussion moving the rhythm along. I have taken the track “Charmed By You” – which is one of my favorites of Midney’s many loved pieces and created a new ReStructure Mix. Adding breaks using his rhythmic sections and groovy vocal tracks which became his staple on much of his 80s work. |
|
|
• Falling In Love Again - Glenn Rivera ReStructure Mix - The Three Degrees The Three Degrees paint a lovely picture each time these ladies harmonize – it is sweet and memorable each time they light up a disco anthem. One such track from their album “New Dimension” from 1979 is “Falling In Love Again” – it seems that this song is least anthem-like of the original medley including “Givin’ Up, Givin’ In” and “Looking For Love” but I have taken the track from the medley (from the Disconet medley not the album) and have given it a new ReStructure Mix to give it a new stamp to lift it to new heights. This new ReStructure Mix adds a new instrumental ending for those who want to add themselves to the ladies line up in harmony or just sway to the lovely melody. The production from Giorgio Moroder contains his jittery and phased keyboards along with the ladies serenading a great moment for the heart – a true disco feel. This ReStructure Mix is dedicated to Nick and Lindsay – my “Two Degrees” of disco heaven – thanks for the request and for always being so kind and loving the ladies of disco! |
|
|
• Feel My Love Tonight - Glenn Rivera ReStructure Mix - Stacy Lattisaw Stacy Lattisaw hit the disco scenes in 1979 with her album “Young and In Love” – produced by Van McCoy. It was her 1980 album “Let Me Be Your Angel” which brought her big success both on radio and in clubs with tracks like, “Dynamite”, “Jump To The Beat” and the title ballad. “With You” was released in 1981 and produced by Naratha Michael Walden was another rbig club favorite with “Feel My Love Tonight”. I have taken the 12”/album version of “Feel My Love Tonight” and created a new ReStrcuture Mix adding a bit more fantasy and layering a well known “love feel” by the Queen of Disco. This mix centers on the funky beats and adds more to the mix with length and some looping. |
|
|
• Think It Over - Glenn Rivera ReStructure Mix - Cissy Houston Cissy Houston has brought some of the big numbers from the disco era – “Think It Over” opened the disco stage and “You’re The Fire” closed the disco era in the early 80s with another lovely Michael Zager production and Cissy’s soulful sound. I have taken the original 12” version of Cissy’s “Think It Over” and have given it a new ReStructure Mix – taking the drum roll into to create a new drum foundation riff and work it through the definitive track which forces an uneasy lover to actually take responsibility for their action. It is a great classic and is offered her in an alternative version. |
|
|
• Love and Devotion - Glenn Rivera ReStructure Mix - Michael Bow Michael Bow is a high energy artist from the mid-80s who followed the Bobby O’ troupe of percussion driven dance music which left most dancers drenched and begging for more. The productions by Fonny De Wulf (Rofo, Samantha Gilles, Charity, Bianca) are the 80s electronic period with all of its fantastic energy and along with Michael’s powerful voice it is a classic sound. I have taken Michael’s 1987 track “Love and Devotion” (the original 12” version and the instrumental) and created a ReStructure Mix with some new parts and edits to make the song another chapter to look back and realize how it was, we never stopped dancing! |
|
|
• Just Us - Glenn Rivera ReStructure Mix - Two Tons O' Fun Two Tons O’ Fun are Martha Wash and Izora Amstead – who are also The Weather Girls (“It’s Raining Men”) and a back-up extravaganza for many recording sessions including Sylvester, Paradise Express, Rebbie Jackson, Stacy Q as well as many Megatone disco tracks. Their first solo album titled “Two Tons O’ Fun” from 1980 contained the club hit, “I Got The Feeling” and “Earth Can Be Just Like Heaven” – two of the most incredible dance experiences. The single “Just Us” was also a pick for many DJs who preferred the mid-tempo sweetness and positive energy. I have taken the 12” version of “Just Us” and reworked it in a new ReStructure Mix adding a few elements from George Kranz’s cult-dance classic “Din Daa Daa (Trommeltanz)” – the new version extended and re-loved! This ReStructure Mix is lovingly dedicated to Ms. Lorna Warden who has been a wonderful light of love and care. Thank you, Lorna – you came at the right time. Life is magic |
|
|
• Touch and Go Lover - Glenn Rivera ReStructure Mix - Carol Jiani Carol Jiani is one of my favorite dance divas thanks to her unique voice and feel of her delivery. From her 1981 dance floor smashes, “Mercy” and “Hit ‘n Run Lover” there was a spark that began a whole new sound and excitement for disco music. I can remember the floor moving once again to the beat whole-heartedly with her music. I have taken the 12” vocal and instrumental of “Touch and Go Lover” (from Carol’s album “Dancing In The Rain”) produced by Joe La Greca and Mr. Louis Toteda and created a whole new ReStructure Mix using the chop and blend concept to make the groove and fast action Carol delivers a new experience! This ReStructure Mix is lovingly dedicated to Ms. Carol Jiani and Mr. Louis Toteda for their amazing and lasting talent in disco/dance history. Thanks to these wonderful messengers the thrill is just like new! |
|
|
• Come Give Your Love To Me - Glenn Rivera ReStructure Mix - Janet Jackson Janet Jackson is another member of the Jackson family who stood out with talent and determination to be a messenger of music. Her early work is a pop-dance edge of electronic funk. Her debut album titled “Janet Jackson” from 1982 was the perfect addition for another sign of stardom. A track which stood out for me was “Come Give Your Love To Me” which was a club hit and also received radio play. I have taken the 12” version and have worked a ReStructure Mix which strips away the funky-guitar riffs, which sound a bit like a Rick James punk-funk trip. The song is sexy and alluring – so I added a few samba-like elements to not only speed up segments of the song – but also give it more of that sensual feel. |
|
|
• Love Starts After Dark - Glenn Rivera ReStructure Mix - Gene Page Gene Page is a producer, arranger and musician whose career spanned the early 70s throughout the 90s – sadly he passed in 1998. He is known for his soundtrack the black-exploitation film, “Blacula” from 1972. His 1980 album “Love Starts After Dark” was a big addition to the tail end of true disco music- including the title track which is a definite favorite of mine. I have taken the 12”/album version and have given it a touch of ReStructure Mix – adding a new arrangement and a few touches of “After Dark” which many should feel echoes of the disco era |
|
|
• Makes You Blind - Glenn Rivera ReStructure Mix - The Glitter Band The Glitter Band is Gerry Shephard, Harvey Ellison, John Rossall, John Springate, Pete Phipps and Tony Leonard – the 70s edge on rock-pop with a touch of funk here and there. Their album “Makes You Blind” from 1975 – produced by Mike Leander contains the title track which was an underground club sensation. A rolling bass groove with some injections of funky disco desire. One of my favorite tracks from this genre. This ReStructure Mix takes the short album version and extends it to nearly 10 minutes along with some help from a “funky” reminder and a phrase to lure the rhythm in completely. A little play here and there makes this one a bit more than just an edit. Thanks to Richard Lewis for reminding me of this jam-track and it is dedicated to his request and his support for disco and dance music. Thanks, Richard! |
|
|
• Wanna Be Startin' Something - Glenn Rivera ReStructure Mix - Michael Jackson Michael Jackson’s legacy is indeed one of the most powerful and unique. From his childhood recordings with The Jackson Five to his solo career in the early 70s onto the millennium where it appeared to be history in the bag. “Thriller” from 1982 is one of the most known albums in the world thanks to hits like “Billie Jean”, “Beat It”, “P.Y.T. (Pretty Young Thing”) and the title cut – “Wanna Be Startin’ Somethin’” is the peak of the dance floor in the 80s – Quincy and Michael style. I have taken the 12” single – both the vocal and instrumental to create this alternative ReStructure Mix where I have added a few new elements and laid out that wonderful rhythm and keyboard play. It is an amazing track! In dissecting it for this remix I could find myself in allure once again over the sharp production. |
|
|
|
|
|
• Keep The Ball Rollin' - Glenn Rivera ReStructure Mix - Cory Daye Cory Daye is one of those voices from the 70s that you cannot help but love. It has the warmth and sound of a lady who has got message. From her big hit with Dr. Buzzard’s Original Savannah Band in 1976, “Cherchez La Femme” a romance began with dance floors and Cory. Her solo album from 1979 titled “Cory and Me” was a piece of heaven for those who wanted to revamp that sweet feeling again while swaying on the dance floor. The track “Keep The Ball Rollin’” is a clever song that is a favorite among Cory fans and of course one that needed a new version to bring the dance floors closer! This ReStructure Mix takes the original album version and mixes it up with Shirley Ellis’ “The Clapping S0ong” for a little more fun – Cory’s track was always in the same fun and playful manner so the concept struck me and I went with it! This ReStructure Mix is dedicated to Ms. Cory Daye – the lady who made the band work overtime. Love you Cory! And also Michael Harkins – thank you for your kind words and for keeping Cory out there for us to love! |
|
|
• Last Call For Love - Glenn Rivera ReStructure Mix - Tempest Trio Tempest Trio is a project from Mr. Mike Theodore and Mr. Dennis Coffey – two of disco music’s most talented performers and producers. This one saluted the pure disco sound with that touch of funk and soul. Deep bongo grooves and the electronic edge burning onto dance floors at the tail end of the 70s. The album contained a track titled “Last Call For Love” which is known by disco-philes as one of those hidden treasures with a chest.
I have taken the album version and have given it a ReStructure Mix to excite those last moments right before the lights go up and added pieces of two big tracks that most likely were played during those minutes during two generations of club goers. It is a new feel and stage for the song. This ReStructure Mix is dedicated to both Dennis Coffey (thank you for your kindness) and Mike Theodore! Last call! |
|
|
• Looking For Love - Glenn Rivera ReStructure Mix - Candi Staton Candi Staton (Canzetta Staton-Sussewell) is a disco artist with a history of prolonged love and attention. Starting with her 1976 classic “Young Hearts Run Free” which is one of the master-disco songs which paints the atmosphere for unity and freedom on any dance floor. Her following hits, “Victim” and “When You Wake Up Tomorrow” prove the mood for Candi to continue on as a spectacular disco diva. Her 1980 album, “Candi Staton” was released during the disco cease from major labels so promotion for her material was minimal – and relied on dedicated disc jockeys. “Looking For Love” is the first track on the album and is the pick hit for me – it was a track I would play with an extended mix using two pieces – and it always worked. The guitars and rhythm is this wonderful song resemble a Chic-esque sound. I have ReStructured the album version to not only extend it – but give it a new disco feel. It is Candi’s vocals that make this one work once again and she is greatly appreciated here. Dedicated to Ms. Candi Staton for her continuing love and admiration for the dance community. |
|
|
• I Can't Dance Without You - Glenn Rivera ReStructure Mix - Theo Vaness Theo Vaness is a Dutch disco artist who brought a unique sound to clubs and turntables. His first album “Back To Music” featured a medley of standards and classics which Theo made each his own. It was the start of a romance with Theo for many disc jockeys and dancers as hi dance music progressed. His third and finale album titled “Theo Vaness” featured numerous dance hits produced by Michaele, Paul Sebastian and Lana Sebastian. The single “I Can’t Dance Without You” was the first single from the album and was a huge dance floor hit! I have taken the 12” single with two remixes by Francois Kevorkian and blended the two and created a new ReStructure Mix to bring the track back to its emotional and funky-disco state. This ReStructure Mix is dedicated to Mr. Theo Vaness and his wonderful and lovely niece, Loulou Singerling |
|
|
• Lonely Nights - Glenn Rivera ReStructure Mix - Linda Clifford Linda Clifford is a jazz singer and actress who moved onto disco and soul music in 1977 when she was signed to Curtis Mayfield’s Curtom Records label. It was not long after this when Linda became a headlining act on disco dance floors every night! Her hits “Runaway Love”, “If My Friends Can See Me Now”, “Red Light”, “Don’t Come Crying To Me”, “Don’t Give It Up” and “You Are, You Are” gave a new spice to the soulful and rap of a new sound. “Lonely Night” is from Linda’s 1979 album “Here’s My Love” and was produced by Munich’s Jurgen Koppers – another one of Linda’s heartbreak anthems which made my dance floor work into a sweaty frenzy – happily. I have taken the album version of “Lonely Night” and worked a new ReStructure Mix adding a duet feel with Mr. Eric Carmen who feels the same way Linda does. The song was written by Leroy Gomez (Santa Esmeralda) and was featured on his album “I Got It Bad”. This ReStructure Mix is dedicated to Linda Clifford – one of the kindest and most talented ladies of disco. Thank you, Linda – you will shine as long as emotions are alive in our hearts and soul! |
|
|
• And Love Goes On - Glenn Rivera ReStructure Mix - Earth Wind & Fire Earth Wind & Fire created a pinnacle sound in soul/funk and disco music during the early 70s. A legacy of energy and peace is always injected in their music. From their 1980 album “Faces” comes the single, “And Love Goes On” – once again outlining the emotions which pour from a pure and unified heart in the kingdom of Earth Wind & Fire. I have taken the album version of “And Love Goes On” and have given it an alternative arrangement in this ReStructure Mix – giving the intro a longer induction to the swirling chorus which is accentuated with t\hose classic horns. |
|
|
• Imagination - Glenn Rivera ReStructure Mix - Laura Branigan Laura Branigan made the 80s a stand still when her big dance hit “Gloria” emerged onto the scene. This was a voice that would be recognized and feed dancers and diva-followers a banquet of success. Her hits have always sparked fires all over the world from the inception and throughout her lengthy career. Sadly her passing in 2004 ended a catalogue of memorable material and an opportunity for fans to hear the tracks which marked time performed by the woman herself. I have taken Laura’s single “Imagination” which was featured on the 1983 soundtrack for the film, “Flashdance” – produced by Phil Ramone with lyrics by Michael Sembello. The rippling bass synth is one of the deepest moods and has a dark and rock-edged feel. I took the opportunity to create a longer mix – looping pieces of the original and adding a few rhythm and effects. It is a relief for me – who would play the short album version and re-loop it from start to finish in order extending it for those Branigan-fans! |
|
|
• Theme from 'King Kong' - Glenn Rivera ReStructure Mix - Love Unlimited Orchestra Love Unlimited Orchestra is under the conductor wand of Mr. Barry White – a crucial part of disco’s movement and growth from the early 70s throughout the 80s. The sweet strings and funky guitars were the component for Euro-disco and the start of what Philly disco is all about. The 1979 album “Super Movie Themes – Just A Little Bit Different” is an incredible disco fantasy taking several popular and classic themes and giving them the orchestral disco funk which White has been known for. I have taken the 12” disco single of “Theme from King Kong” along with a few movements from the original soundtrack by Mr. John Barry – which is one of my all-time favorite film sound tracks (the 1976 film score) and most armored. The new mix adds some of the mystery and excitement of the film along with the sweeping disco elements. This ReStructure Mix is dedicated to Mr. Paul Conway – a friend throughout the years who shares a loved of motion picture scores and also dance music where the connecting of these two come together in this mix! |
|
|
• Love Action (I Believe In Love) - Glenn Rivera ReStructure Mix - The Human League The Human League is Ian Burden, Ian Craig Marsh, Jo Callis, Joanne Catherall, Martyn Ware, Neil Sutton, Philip Adrian Wright, Philip Oakey and Susanne Sulley. The band is one of the major influences of 80s electronic dance music and remains one of the corner stones of electronica. The sound of their big LP “Dare” from 1981 still echoes through the hearts of those who dedicated their worlds to the sounds of dance music and the unity of a club dance floor. “Love Action (I Believe In Love)” is one of the singles from the album which I have taken into a ReStructure Mix to give the track a new sound and execution. The new format keeps the vibrant sound of the arrangement intact – adding some new pieces to spice up the electric dish. Dedicated to Alan Hawkins who asked for a ReStructure Mix of this giant piece of the 80s in this Special Eighties Edition Mix |
|
|
• Yes - Glenn Rivera ReStructure Mix - Merry Clayton Merry Clayton is a soul, gospel, r&b and disco voice which brings the warm of a caring and loving woman to mind. Her recording career began in 1964 with “La La Jace Song (Spanish Boy)” and then throughout the 70s and into the 80s. Her single “Yes” was a part of the soundtrack to the film “Dirty Dancing” from the same year. It was a huge hit on my dance floor and reminded me of the excitement and sound of The Pointer Sisters “I’m So Excited” – yet with its own magic! I have taken the 12” version remixed John ‘Jellybean” Benitez and created a whole new ReStructure Mix which moves faster and faster with some ricochet edits, added percussion and beats – and of course the original energy! It is a fast paced dance track of the eighties which should continue to bring smiles and finger snappin’ dancers! Dedicated to Nick and Lindsay – Boys, thank you for all your support, love and requests. When you requested this one I was floored – on the dance floor that is! Thank you |
|
|
• I'm Learning To Dance All Over Again - Glenn Rivera ReStructure Mix - Lorraine Johnson Lorraine Johnson us a soul, r&b and disco singer who made a big impact on the Prelude disco label in 1978 with her album “I’m Learning To Dance All Over Again” – it was the New York disco sound which combined the full orchestration and funk edge. Producers Jesse Boyce and Moses Dillard were fresh off of the club success of Constellation Orchestra (“Perfect Love Affair”) and Saturday Night Band (“Come On, Dance, Dance”) with the shine of disco energy and innovative arrangements and club remixes which helped to shape disco music as well as make it a household name. I have taken the title track from Lorraine’s album and have given it a new ReStructure Mix using the theme to enforce another chance to feel that magic which disco music made crowds experience with its uplifting sound and energetic rhythms. This remix pulls more into the instrumental – however Lorraine is still there assuring us it is alright to step onto the dance floor and let it loose. Dedicated to the men of funk-disco magic – Mr. Jess Boyce and Moses Dillard |
|
|
• Techno Love - Glenn Rivera ReStructure Mix - Ava Cherry Ava Cherry is a woman who is known for more than her sexy stance and tantalizing vocals. During the mid-70s and in the early 80s her vocals backed David Bowie artistry. In 1980 her first solo album titled “Ripe” was a hit in clubs with her tracks, “Where There’s Smoke There’s Fire”, “You Never Loved Me” and “I’m Always Ready”. She was a breath of fresh soul-funk and a touch of the 80s woman. It was proven once again with her 1982 album “Streetcar Named Desire” which was produced by disco’s genius, Bob Esty. An arrangers dream, and engineers delight and a vocal paradise for Ava as each track bridged a funky edge with the new electronic mood and sound of the early 80s. I have taken one of my favorite songs from the album titled, “Techno Love” – which I played in my club extending with two pieces of vinyl – so this ReStructure Mix gives way to a break-beat and dub like mix. I have preserved Ava’s sensual performance and her wonderful energy. It is a new way to program the feet and mind. Lovingly dedicated to Mr., Bob Esty – how do you do it? And the fabulous and never-failing, Ava Cherry – whose work kept us on the tracks! |
|
|
• The Morning After/To Love - Glenn Rivera ReStructure Mix - Maureen McGovern/John Williams The seventies was a groovy place – lots of films, music and talent which emerged from the 60s and also a fades and sounds which marked periods of success. One of the greatest films of 1972 and film history was “The Poseidon Adventure” – from Irwin Allen who gave us great adventure television shows like “Lost In Space”. The music from the film was an excellent composition from John Williams which I have always loved. I have taken a moment for this Special Seventies Edition and the Academy Award winning song from “The Poseidon Adventure” – “The Morning After – recorded by Maureen McGovern in 1973 and have done a mash up of an excerpt from the soundtrack titled “To Love” – which is a segment used in the dining room sequence prior to the disaster where Gene Hackman give a toast to love and Pamela Sue Martin gets down. It is more of an atmospheric mix, but who knows? Pamela Sure Martin worked it! |
|
|
• Candida - Glenn Rivera ReStructure Mix - Tony Orlando & Dawn Tony Orlando & Dawn were formed in 1970 with Tony Orlando, Telma Hopkins and Joyce Vincent (and later Pam Vincent). The big hit “Candida” from 1970 is one that once heard the melody gives off a brighter aura and message of love. The feel of the 60s travels along with the pop-edge bringing a positive and uplifting message. I have taken the album version of “Candida” and have given it a longer and ReStructure Feel to preserve the magic of 70s pop. Some new drum tracks, claps and re-looping are made to bring a new message and memories to those who would sing along on the radio! |
|
|
• Ain't Nobody Straight In L.A. - Glenn Rivera ReStructure Mix - The Miracles The Miracles are a Motown group which consisted of Billy Griffin, Claudette Robinson, Marvin Tarplin, Robert Rogers, Ronald White, Sidney A. Justin III, Smokey Robinson, and Warren Moore – members changing out throughout various periods. Their 1975 album “City Of Angels” contains one of the underground tracks, “Ain’t Nobody Straight In L.A.” – arranged and produced by Freddie Perren. The song emphasizes the places where disco and club music was embraced during the early and mid-70’s – gay bars. It was proven to me as my first experience with disco music was entering a gay club and seeing the energy and vitality the music had on the crowd and me. I have taken the album version and created an alternative ReStructure Mix using loops and some new elements for a new intro and also extending the new knowledge and understanding The Miracles relay in a harmless chorus and mood. It is one of the earliest songs I can remember ever hearing were acceptance was mutual and beautiful. Dedicated to the talented men of The Miracles and that city, Los Angeles! |
|
|
• Secret Love Affair - Glenn Rivera ReStructure Mix - Madleen Kane Madleen Kane hit the disco scene in 1978 with her big classic album “Rough Diamond” featuring the title track and three additional dance cuts which labeled this lady the sexy chanteuse with all which disco was made of. Her second album also produced by Jean Claude Friederich is another beautiful Euro-disco gem – “Cheri”. The project featured a full sided medley which tells the story of a love affair facing unbeatable circumstances yet the desire burns on and on. I have taken “Secret Love Affair” from the medley and have given it a ReStructure Mix of its own to allow the story to tell itself as Madleen is destined to keep a love alive that is hidden in the shadows of the dark discotheque. It is a fantastic orchestral production and gives the 70s disco scene the magic which dancers clamored for. Dedicated to Ms. Kane for her love and display of disco love the way it should be performed and marked for future generations to experience the way it was. |
|
|
• Hot Lover - Glenn Rivera ReStructure Mix - U.N. U.N. is a disco project from Tony Green who also gave us France Joli, Freddie James, Colorblind, Caroline Bernier, Thunder & Lightning, Black Star, Sharon and Norma Lewis. His productions during the late seventies were a big part of the disco explosion and the roaring wall of beats and beautiful horns and strings. As in several other studio projects, included here are Denis LePage and The Sweethearts of Sigma. I have taken the track from the 4-track album titled “Hot Lover” and have given it the ReStructure Mix treatment. It is one of those earthy and sensual disco tracks and thanks to the lead vocals from Goldie Alexander (“Show You My Love”) this one sounds like a lion roaring for more. Thanks to Joey L. of New York for requesting a ReStructure Mix of this underground classic and also giving me a chance to play with the fabulous percussion that both Prelude and Tony Green were made of! |
|
|
• Terror On The Dance Floor/Soul Dracula - Glenn Rivera ReStructure Mix - Hot Blood Hot Blood is a German disco act - May Ambruster, Peny Duke and Stefan Klinkhammer Their 1977 album “Dracula and C” is one of the cult-camp projects that continues to bring the sound of 70s disco back to mind – the strings – percussion – camp and strange theme. The 12” single featuring both “Terror On The Dance Floor” and “Soul Dracula” is one of the early disco-boogie singles I can remember buying and being completely taken by surprise. I have taken both 12” versions and concocted this new medley with the tracks challenging each other and onto a drop break with a familiar ring – or should I say, shriek? |
|
|
• Time Bomb - Glenn Rivera ReStructure Mix - Jeanie Tracy Jeanie Tracy makes high energy music of the 80s seem like ritual dance. Her powerful and moving vocals are the praise of energy and soul. It can be said that Jeanie was the high energy queen of the 80s since her performance on the television show Star Search brought her cover of Thelma Houston’s “Don’t Leave Me This Way” in 1985 a golden statuette from dancers all over who moved to the classic all over again with a new found emotion and energy. I have taken Jeanie’s 1984 single, “Time Bomb” – produced by James ‘Tip’ Wirrick and Marty Blecman to the cutting table and have given it a new ReStructure Mix to add some new elements and also give Jeanie another chance to make it sound easy for a voice to give off such influence and style. Seeing Jeanie live at Probe in 1985 singing “Manhunt” (released under Silhouette) was one I never-ever forgot! Dedicated to the lady herself – Ms. Jeanie Tracy – you are no firecracker Jeanie – yes, a ‘time bomb’ and I thank you for your talent! |
|
|
• Stop He's A Lover - Glenn Rivera ReStructure Mix - Claudja Barry Claudja Barry is one of disco music’s iconic divas! The look. The voice. The attitude. The talent. It’s all here. Her recording career began in 1976 with the explosive album, “Sweet Dynamite”. In 1979 the disco wave was struck with her big project, “Feel The Fire” – produced by her husband, Jurgen S. Korduletsch (Disco Circus, Araxis, Ronnie Jones, Lipstique and Mick Rowley. The track “Stop He’s A Lover” has always been one of my favorite cuts from the album – it has the haunting feel of an early morning piece and a fabulous diva edge from Claudja. I have taken the album version and created a new ReStructure Mix and striped down those eerie keyboards that give off the deceit and warning of Claudja’s verse. This ReStructure Mix is dedicated to Ms. Claudja Barry – who left an indelible memory of a disco diva who rules the stage and speakers! |
|
|
• I Need Somebody To Love Tonight - Glenn Rivera ReStructure Mix - Sylvester Sylvester not only changed the sound of disco music in 1977 with his first self-titled album – but also the face of the genre. His unique still and stage presence was immediately a challenge for anyone to keep still or become memorized by his performance. The heat of the disco fever his album “Stars” was released – produced by Harvey Fuqua and Sylvester himself – this was four track title wave of disco music. The title track in an anthem long before the dance floor expected them. His cover of "I (Who Have Nothing)” is a gem – “Body Strong” is a mid-tempo workout – and the finale cut “I Need Somebody To Love Tonight” is a low-BPM sleaze track with Patrick Cowley penning and performing the slick synthesizers and mood. I have taken the album track and have given it a new ReStructure Mix to remedy more for that late night desire that is given here in a jazz-scat vocal performance. It is a moody and phenomenal stamp from Sylvester who once again – even though he has left us always brings to mind innovation and awe. |
|
|
• Summer Breeze - Glenn Rivera ReStructure Mix - Seals & Crofts Dash Crofts and James Seals have the 70s aura in many minds and hearts with their pop-hit ballad “Summer Breeze” – it is a lingering song with a wonderful melody and feel. It truly gives off the early 70s vibe. I have taken the album version and have given it a ReStructure Mix update with its folk dance feel adding a few more elements to sway to. It is a great early morning or early evening piece to remind us how the 70s were traces of beautiful music and now this one can give off a whole new feeling and groove! |
|
|
• Love Gun - Glenn Rivera ReStructure Mix - Rick James Rick James was known as punk-funk when he released his album “Come Get It!” in 1978 with the big hits “You and I” and “Mary Jane” – it was only the start for this master of funk and bass driven grooves. His follow-up album “Fire It Up” contained another slammin’ track titled, “Love Gun” which brought dance floors and its dancers to their knees! A fierce track which makes your funk come down no matter what kind of groove your prefer. I have taken the 12” version and created a new ReStructure Mix with some new pieces of kick-beat tracks that may sound familiar and also a sample from another classic that may have you not only ducking for cover – but also dipping lower to the funk! |
|
|
• Love Condition - Glenn Rivera ReStructure Mix - Nina Schiller Nina Schiller is one of the 80s dance artists who deserves a revisit and a standing ovation. She has captured the sweetness of disco music not only with her positive and uplifting presence but also her alluring voice. An artist who appeared briefly and yet the music haunts those who may have heard the notes echoing through a club or on a mixed tape. “Love Condition” is one of those tracks which bring warmth and promise as the feeling of dedication and the realization of just how wonderful love is. I have taken the album version and have given it a slight ReStructure Mix adding a few more elements to create a new mix and feeling for a lovely track that once I begin humming it becomes contagious and that feeling of love right where the vibe belongs. This ReStructure Mix is dedicated to Ms. Nina Schiller Richer who makes the gratitude of music easy to understand with her heart and soul. |
|
|
• Love, What You've Done To Me - Glenn Rivera ReStructure Mix - Celi Bee Celi Bee (Celida Ines Camacho) is a disco icon who made the end of the 70s shine like a mirror ball with her disco hits, “Superman”, “Macho (A Real Real One), “Fly Me On The Wings Of Love” and “Blow My Mind”. It was a formula which was fitting and fabulous. Her second album “Fly Me On The Wings On Love” contained a suite which was broken down into three parts – I have taken the second part titled, “Love, Look What You’ve Done To Me” and created an extended mix to give its own beauty and hypnotic flare a chance solo. This ReStructure Mix uses the funky kick back beat and lovely strings as they appear on the suite and I extend to make the magic and loveliness last. The chorus is one of the most incredibly beautiful pieces in disco music thanks to producer Pepe Luis Soto and Celi’s lilting voice. Dedicated to Celi Bee and those disco dollies who fall in love over-and-over on the dance floor! |
|
|
• I'll Be Standing Beside You - Glenn Rivera ReStructure Mix - Passengers Passengers are Chuck Rolando, Elwanda Contreras, Kim Arena and Mary Shay Collen – a high energy disco troupe whose music is remembered as uplifting and somewhat like a Las Vegas review. Their first album titled “Passengers” was produced by Celso Valli (Lama, Tantra, and Azoto) who brought the group to heights of dance floors magic with tracks like “Hot Leather”, “Girls Cost Money”, and “I’ll Be Standing Beside You”. I have taken the album version of “I’ll Be Standing Beside You” and have given the love-friendship-anthem another lift into the clouds and a ReStructure Mix – pulling more of the glowing climax of the chorus to excitement. It was a song I played out during its release to a packed dance floor of almost embracing friends and dancers! A real anthem. Dedicated to Passengers an also Mr. Celso Valli! |
|
|
• Beeline - Glenn Rivera ReStructure Mix - Miquel Brown Miquel Brown is one of the Ian Levine artists who helped us to believe in disco music again in the early 80s – with a new vibrancy and title: “high energy”. This was an exciting time for dance floors. It seemed like the sound of electronic disco was hard hitting and perfected down the percussion strike. Following her big single “So Many Men, So Little Time” this follow up “Beeline” struck another chord for dancers to move with the grace of the pounding energy of a new era of dance. I have taken the ‘Gary Otto Remix’ and have given it a new ReStructure Mix to give this love-letter a new meaning – adding some familiar “buzzy” guests from a classic Larry Levan single along with the rolling bass line to break the mix into a new part. |
|
|
• Love Bomb - Glenn Rivera ReStructure Mix - Cheryl Lynn Cheryl Lynn took the tail end of the 70s and the disco dance floor like a whirlwind with her 12” single “Got To Be Real”/”Star Love” – it was as if the voice of a goddess was calling the dance floor to move on to something ‘real’. Cheryl’s second album in 1979 was one of technical and musical advantage – placing her voice among the most significant challenges of the magic vocal chords. “Love Bomb” was one of my favorite tracks from the album (Produced by Barry Blue) and made it to my dance floor only with two copies of the album to extend it. I have created a new ReStructure Mix using the album version and giving the song a new mood and energy – extending the funky-side and placing more emphasis on the “embrace the human race” message and the beautiful performance of Ms. Lynn. It is truly a song that should bring tears to any human who can understand the words and message. NOTE: Drop a “love bomb” – call someone you love and let them know. Music will save the world! |
|
|
• Leaving Me Was The Best Thing You've Ever Done - Glenn Rivera ReStructure Mix - Scherrie & Susaye Scherrie Payne and Susaye Greene released their debut album “Partners” as the duo with the “Supreme” past and a bit more to sing about. The project was produced by Eugene McDaniel’s who also gave us projects from Roberta Flack, Voltage Brothers, The Floaters and Nancy Wilson. “Leaving Me Was The Best Thing You’ve Ever Done” is the big dance single from the project which made its way to many of these ladies dedicated fans and also and “diva-worshiping” playlists. The song has the feel of an anthem in the shadows of love. It gives the girls a nice place to harmonize and sing about the heartbreak and denial of a broken heart. I have taken the album version of “Leaving Me Was The Best Thing You’ve Ever Done” and have given it a new ReStructure Mix giving it a new intro some new breaks and some phrases a bit of a lift. This ReStructure Mix is dedicated to Jurgen Lapschies – special thanks for requesting this rare track and also for the support and friendship. |
|
|
• Body - Glenn Rivera ReStructure Mix - The Jacksons The Jacksons topped the pop/dance sound of the 80s along with the slick production of Michael and Marlon Jackson. The big release of the “Victory” album in 1984 introduced another layer of sounds and images for The Jacksons. Tracks like “Torture” and “State Of Shock” were remedies to move towards an area to be discovered. “Body” is one of the singles that pulls the Michael Jackson magic along with the chorus of the very talented band. I have taken the 12” of “Body” and have given it a new ReStructure Mix breaking down some of the mood in my own way. Extending it with more of the verses and some borrowed percussion and essentials from an earlier hit by Michael |
|
|
• Medley Of Hits - Glenn Rivera ReStructure Mix - Diana Ross & The Supremes Diana Ross & The Supremes are the ladies who made music history and also created the icon for the girl group with sophistication and excitement. The music and images created during the making of the Motown sound and era has helped to pave many roads for music and arts. I have taken the concept of “Medley Of Hits” which appeared in 1979 on Disconet DJ Subscription Volume 3 Program 3 as The Supremes Medley – Mixed by Bill Motley and Trip Ringwald. The medley was later released on the Motown label along with two hit tracks from Diana’s “The Boss” album from the same year. This ReStructure Mix takes the concept along with a few new tracks and some new blends and breaks. This ReStructure Mix is dedicated to Bob Tiedemann – who gives so much support for the music that has made history a great memory for many music lovers and dancers throughout time. That in itself is quite “supreme”! |
|
|
• Wasn't It Good - Glenn Rivera ReStructure Mix - Cher Cher and Bob Esty together were the icing on the disco cake. The dance floor classic “Take Me Home” from 1979 still haunts dance floors with its blend of chic-disco arrangement which Bob Esty created with so many artists who were intrigued with the excitement of disco in the late 70s. The 12” single of “Take Me Home” was quite a mover as the flip side “Wasn’t It Good” from the album was offered an extended mix. I have taken the fabulous 12” mix of “Wasn’t It Good” and worked a new ReStructure Mix for a new concoction of Bob’s production and talented use of musicians and the disco beats. This new version offers a few new breakdowns and the use of loops for some digging into the original mix. Dedicated with respect to Mr. Bob Esty and thanks for the magic which never seems to run out of sparkle! Now that is real music! |
|
|
• Dangerous - Glenn Rivera ReStructure Mix - Natalie Cole |
|
|
• Superman - Glenn Rivera ReStructure Mix - Celi Bee & The Buzzy Bunch I have taken the album version of “Superman” and had given it a new ReStructure Mix - creating a new slap beat to give it a new sound and also added some new breaks with the luscious clamoring of that “Superman”! |
|
|
• Get Off Your Aahh! And Dance - Glenn Rivera ReStructure Mix - Foxy Foxy is a disco band with members Ish Ledesma, Arnold Pasiero, Richie Puente Jr. , Charlie Murchiano and Joe Galdo. Their first album in 1976 is produced by Ray Martinez (Amant, Passion, Seven Seas, Sassy, Ray Martinez and Friends) and features the big disco hit, “Get Off Your Aahh! And Dance” which is the disco hustle sound of the period. I have taken the album version of the track and worked a ReStructure Mix using sample pieces from the follow up hit by Foxy “Get Off” from 1978. The mix centers on the percussion, bongos and some play with the wonderful bass-line. This Restructure Mix is dedicated to the wonderful man himself, Mr. Ray Martinez - who makes the fantasy of disco music an experience. |
|
|
• Love Waves - Glenn Rivera ReStructure Mix - Alton McClain & Destiny Alton McClain & Destiny are Alton McClain, D’Marie Warren and Robyrda Stiger and were formed in 1978 with their first disco hit, “It Must be Love”. Produced by Frank Wilson (Diana Ross, The Temptations, FourTops) and John Footman (wrote Cheryl Lynn’s “Star Love”). The trio brought the feel of soul to the sound of disco for the period and from the second album several dance floor hits including: “99 ½”, “I Don’t Wanna Be With Nobody Else” and “Love Waves”. The sound of these ladies is like a river of soft flowing water onto a green garden. “Love Waves” has always been one of my favorite tracks from the project and is perfect for both early evening dance floors and after hours segments. I have taken the album version and have given the song a new ReStructure Mix adding more of a fantasy and sensual feel with a new elongated intro and some flowing effects throughout the new arrangement. Dedicated to the “Disco-Diva” supporters who long for that sweet sound of soul and the rhythm of disco! |
|
|
• Don't (Take My Love Away) - Glenn Rivera ReStructure Mix - Saturday Night Band Saturday Night Band is a disco concept group from Jesse Boyce and Moses Dillard and also one of the landmark New York Disco records on the Prelude Records label. The production brought a live band feel to life with the mechanics of disco emerging and maturing for the late 70s dance explosion. The album “Come On Dance, Dance” is one of the classic sounds of the independent disco movement occurring almost overnight and being controlled by the sounds that feet and hips were demanding. I have taken the track “Don’t (Take My Love Away)” from the project and created a ReStructure Mix for the soulful disco number. The sweet vocal by Jackie Edmonds is the classic sound of the early 70s with a lush and funky environment to sweep dancers off of their feet. A new intro deals with the synthesizer parts from the original track which always set Saturday Night Band apart from many groups of the time. Dedicated to Mr. Jesse Boyce! |
|
|
• Free Me From My Freedom - Glenn Rivera ReStructure Mix - Bonnie Pointer Bonnie Pointer (Patricia Eva Pointer) is a R&B/disco singer who made a mark in disco music with her big 1979 hit “Heaven Must Have Sent You” - a dance classic. Her first solo album from 1978 contained the single, “Free Me From My Freedom” which also created a stir with many dancers. The track was produced by Berry Gordy and Jeffrey Bowen. I have taken the 12” version of “Free Me From My Freedom” and have given it a new facelift with this ReStructure Mix. I have not only extended the original arrangement and added a few new drum tracks, but also added a guest vocal from The Queen of Soul - adding her mark on “freedom”. Dedicated to all of the lovers of the female voices of disco music. |
|
|
• Love Is A Natural Thing - Glenn Rivera ReStructure Mix - Mantus Mantus is a disco band from New York City who began their fame with a radio hit titled, “Turn Around Boogie Down” from 1978 and soon after became a club favorite with follow up tracks “(Dance It) Freestyle Rhythm” and “Rock It To The Top”. The band members consisted Billy Amendola, Frank DeCrescenzo, Jimmy Maer and Kenny Bee. I have taken their 1980 single from the second self-titled album titled “Love Is A Natural Thing” which was a return to the independent disco sound which made the club circuit well known with the productions and artists who specialized in creating the mood for the mirror ball nights and underground crowds long before the disco boom in the late 70s. Taking the 12” version and creating a ReStructure Mix to give the song a longer lasting message which sounds as positive and lyrical as the emotion of disco music. An small anthem now in a new form. This ReStructure Mix is dedicated to Brian Perry - thank you for the request Brian and keeping the energy and spirit of disco music alive! |
|
|
• Green Light - Glenn Rivera ReStructure Mix - Cory Daye Cory Daye is one of the female vocalists in disco music which is familiar in many aspects - not only from the big dance hit “Cherchez La Femme” from 1976 (with Dr. Buzzard’s Original Savannah Band) but also her sweet and beautiful delivery. The 1979 solo-album “Cory and Me” contained many dance floor favorites including “Pow Wow”, “Keep The Ball Rollin’” and “Green Light” - produced by Sandy Linzer. I have taken the 12” version of “Green Light” and created a ReStructure Mix to not only salute this fabulous diva of song - but also the period of disco music where big-band returns with a new twist. The new ReStructure Mix has an extended intro - some new breaks and a hoppin’ beat to keep the light “green” for dancing. This ReStructure Mix is dedicated to Ms. Cory Daye - thank you for sharing your beautiful talent with the dancers all over the world. |
|
|
• Falling In Love Again - Glenn Rivera ReStructure Mix - Denise McCann Denise Mc Cann is a disco artist from the late 70s who had some of the most exciting moments during an explosive time in history. Her big club hit “Tattoo Man” from 1976 is one of my favorite dance tracks of all time - not only does the track give us a taste of a wonderful sweet but powerful voice - it also holds the essence of the female disco artist in images and arrangement. “Falling In Love Again” come from Denise’s second album “I Have A Destiny” from 1979 - produced by Guy Sobell. This track was featured on the B-side in a Medley/Suite which offers a disco-Broadway like production and stage production. It is one of the most dramatic and wonderful sounds of disco music in all it’s glory. I have taken the song out of the medley and created a ReStructure Mix to bring it upfront and extending the fun elements which break this new mix in segments. A special thank and dedication to Nick and Lindsay for their loving request of this disco gem! For you boys and thanks you again, for keeping the disco feeling alive! It will shine on and on! |
|
|
• Looking Up - Glenn Rivera ReStructure Mix - Donna Summer I have taken the track “Looking Up” and created a new ReStructure Mix to give the rolling synth-rock style piece a new feel - adding a few disco-tech breaks and a new intro. It is one of the string vocal and emotion driven songs by Donna Summer and helps to keep in perspective of what a true artist and talent we have recently lost. This ReStructure Mix is dedicated to Nick and Lindsay - thank you for asking for a ReStructure Mix of one of my favorite Donna moments - there are many and this is a special one. |
|
|
• I'm Starting Again - Glenn Rivera ReStructure Mix - Grace Kennedy Grace Kennedy is a disco singer who ‘started’ her disco career in the 1980 musical/sci-fi film, “The Apple” where she performs and sings her single “Desire”. He career brought three albums to the disco arena - each produced by Phillip Swern who also produced Polly Brown, Inner City Express, and Patti Boulaye. Grace’s 1981 single “I’m Starting Again” is from her album by the same name. It was a big hit in many clubs still clamoring for the classic disco chanteuse songs. It is one of my favorite and also one of the songs co-written by Thor Baldursson who worked with many disco projects from the Munich recordings in the late 70s and also First Choice. I have taken the 12” single of “I’m Starting Again” and created a new ReStructure Mix to give the song an alternative version - and also play with some of the fantastic keyboard and vocal elements. This ReStructure Mix is dedicated to Jerry Joseph Arko from Facebook with thanks to his inspiring look back and forward of the great music which has given so many happiness, freedom and dancing feet! |
|
|
• Can't Give It Up - Glenn Rivera ReStructure Mix - Carly Simon Carly Simon’s album “Spoiled Girl” from 1985 had two dance tracks - “My New Boyfriend” and “Can’t Give It Up” - I have always played “Can’t Give It Up” from the short (3:43) album version and always wanted to extend the track. It was produced by Andy Goldmark and features Luther Vandross on back up vocals. I have taken the album version and created a ReStructure Mix to extend and play with the fabulous chorus by Carly which sounds like an anthem for the mid-80s. Great track and such fun to remix. |
|
|
• You Can Get Over - Glenn Rivera ReStructure Mix - Stephanie Mills Stephanie Mills is a vocalist who began a recording career in 1975 with her LP “For The First Time” produced by Hal David and Burt Bacharach. She also starred in the Broadway sensation “The Wiz” which became her vehicle for the 70s and into the disco era with her album “Whatcha Gonna Do With My Lovin’” in 1979 - a powerhouse project with several hits including “Put Your Body In It”, “Feel The Fire”, Whatcha Gonna Do With My Lovin’” and the uplifting anthem, “You Can Get Over”. I have taken the 12” version of “You Can Get Over” and created a ReStructure Mix - focusing on the beautiful string sections and rolling synthesizer breaks. Formulating a new dub-like version with the verses intact with a bit more extending and play on words. It is one of my favorite disco songs of all time and an opportunity to enforce my beliefs on our existence where “we” are the center of the universe and a belief in that power is the future of our world! Dedicated to us all and the power we all possess. |
|
|
• Disco Galaxy - Glenn Rivera ReStructure Mix - Bombers Bombers is a disco band from Canada produced by George Lagios and Pat Deserio (Kebekelektrik). Their first album was released in 1978 which featured a cover of “The Mexican” and also their first club hit, “Don’t Stop The Music”. It was in 1979 on their “Bombers 2” album where their full potential was executed with “(Everybody) Get Dancing”, “Pistolero”, “Let’s Dance”, “Shake” and “Disco Galaxy” - this session included Busta Jones on bass and vocals - guest vocal on “(Everybody) Get Dancin’) by Alma Faye-Brooks, arrangements by Lee Gagnon and also vocals by Tamara Lorincz. “Disco Galaxy” is one of the tracks which I played out during the albums released and kept my dance floor jumping after the first single “(Everybody) Get Dancing” was given a break. It is a fantastic trip into a place where disco rules the universe and creates a bass and beat driven groove. I have ReStructured “Disco Galaxy” and have given it a new arrangement and a few new effects to add to the bumpin’ disco energy! One of my favorite types of dance music and another opportunity to feel what the disco dance floor was really like! |
|
|
• Countdown (Here I Come) - Glenn Rivera ReStructure Mix - Kofi & The Love Tones Kofi & The Love Tones is a disco project produced by Kevin Anthony Robert - who also produced Simone, Velvette, Linda Lewis and Segue. His music was a big part of the high energy movement from the UK during the early and mid-80s. “Countdown (Here I Come)” is his cover of 1966 soul single (originally produced by Bobby Sanders and arranged by Gene Page). This high energy favorite is a swirling high energy track that builds and builds with a nice soulful vocal and rolling drums guiding the synthetic strings into a dancer heart. A big club hit during it’s 1984 release. I have taken the ‘Original Version’ from the 12” single and created a ReStructure Mix adding pieces of the original and editing a new arrangement to give the track a new feel and a variable mix. This ReStructure Mix is dedicated to George Matiowsky on Facebook for requesting this track to be placed on the cutting block and also for sharing so much wonderful energy with me. |
|
|
• Undercover Lover - Glenn Rivera ReStructure Mix - Debbie Jacobs Debbie Jacobs (now known as Debbie Jacobs-Rock) is one of those artists that made disco music complete - her 1979 album “Undercover Lover” - produced by Mr. Paul Sabu, was the crowning touch for the end of the disco era. It was exciting and masterful - with the talent of Paul Sabu’s amazing arrangements and innovative use of percussion and orchestra. This is one needed recording in any disco collection or audiophile who wants to capture the best of this period. I have taken the album version of “Undercover Lover” and created a ReStructure Mix to further the flawless mix and production to an alternative remix. I have used much of the stomping and funky keyboards to play with new play ground for Debbie’s fantastic vocal track. This ReStructure Mix is dedicated to Mr. Paul Sabu and Ms. Debbie Jacobs-Rock - two icons of the 70s who will never be forgotten for their amazing talents. |
|
|
• Fantasy - Glenn Rivera ReStructure Mix - Lian Ross Lian Ross is a German hi-NRG and Euro-disco singer who began recording in 1985 with her first single, “Say You’ll Never”. Her career took her to a current release in 2012. Lian’s repertoire include a cover of Sylvester’s “Do You Wanna Funk” from 1987 and also her 1985 single “Fantasy” - which is one of my favorites. The song is a mystical theme about a lover from somewhere in the galaxy who visit’s a love struck woman in her fantasy - pure disco material. I have taken the 12” remix version from 1985 on Power Records out of Canada and created a ReStructure Mix which extends the elements that flow like a disco symphony along with Lian’s sensual vocal along with the Ambrosian accompaniments. I have added a familiar percussion riff to give the song another identifiable dance floor placement. This ReStructure Mix is dedicated to George Matiowsky from Face book - and thanks for recommending this magical track for a reedit and ReStructure Mix - and a special thanks to George for being so wonderful to share memories and the wonder of music! |
|
|
• Red Light - Glenn Rivera ReStructure Mix - The Three Degrees The Three Degree were formed in 1963 in Philadelphia, PA and became the voices which made soul and disco a trio of sweet sounds. From hits like “When Will I See You Again” to “Givin’’ Up, Givin In” their sound has always given the ear a pleasant ring. It was in 1978 when these ladies united with disco producer, Giorgio Moroder when the explosion of disco excitement hit. The first project titled “New Dimensions” was quite an event for dance floors - and the follow up, “3D” the following year was another mark in disco history. I have taken the track “Red Light” from the “3D” album and have given a ReStructure Mix to add a new layer of excitement and fun to the song. It is one of the disco-grooviest songs of the pairing of Moroder and these beautiful ladies of song. The disco beat pounds like a heartbeat for The Three Degrees and makes their voice sound well at home. |
|
|
• Romance '83 - Glenn Rivera ReStructure Mix - Irene Cara Irene Cara is known for her big disco hits “Fame” in 1980 and also for “What A Feelin’’ (Flashdance)” from 1983 - many may also remember her in the role of ‘Sparkle’ in the film “Sparkle” from 1976. Her second album in 1983 is produced by disco’s electronic man, Mr. Giorgio Moroder. It was a transition for Moroder from his magic days of creating the sound of electronic disco to moving into the 80s dance trends. “Romance ‘83” is from the album “What A Feelin’” and was never featured as a single or given much attention - however, I always had a fondness for the lyrical sound of the track and the bouncy 80s synth edge which Moroder created with it. Quite simple but nice for a sample of Irene’s soft and beautiful voice. I have taken the album version (3:56) and created a new ReStructure Mix playing with the elements and also adding one of Moroder’s classic synth-loops from a well-known hit. It is a whole new experience and ready to bring us back to the simple 80s dance floor |
|
|
• I Go To Rio - Glenn Rivera ReStructure Mix - Peter Allen Peter Allen is an entertainer from Australia who entertained many with his upbeat style of jazz, blues, pop and disco performances. His 1976 album “Taught By Experts” one of his staple hits, “I Go To Rio” - produced by Brooks Arthur. The track is one of the upbeat numbers which crossed the barrier of adult pop contemporary to world beat/rhythms. A sweet and Latin driven song with the sound of the dance floor diversity of the best clubs of the 70s and even today. I have taken the short (3:17) album and created a new ReStructure Mix with many breakdowns and extended verses of this hot-hot stage and dance floor song. It is a newer production with new drums, fills and excitement to make Rio last a bit longer! This ReStructure Mix is dedicated to Mr. Pete Denis of Coconut Grove, Florida - and thanks for his request to rework this magic song and also for his continued support to keep disco and dance music alive today and forever! This one is for you, Pete! |
|
|
• Walk Away - Glenn Rivera ReStructure Mix - Bonnie Forman Bonnie Forman who released two singles in 1982 - her first “All Night” - a disco single produced by Ed O’ Laughlin (Wild Fantasy, Carol Douglas, Dana and Gene) and Kenny Laguna. She was soon picked up by upcoming and promising disco label Wave Records for “Walk Away” - produced by Mark Berry who was a producer, engineer and remixer from Brooklyn, NY. The single did quite well for the introduction of a synthetic-dance genre taking over the disco edge during the early 80s. I have taken the vocal and instrumental versions of the 12” single to create a whole new mix of “Walk Away” with a few surprises and new-turns. It was one of my favorites during the peak hours of high energy during the period so remixing it was a fun part of my experience. |
|
|
• I Feel Love Coming - Glenn Rivera ReStructure Mix - Modern Rocketry Modern Rocketry is a disco group from San Francisco - Ken Kessie and Morey Goldstein. Their first album from 1985 titled “Modern Rocketry” featured their big dance floor hits, “(I’m Not Your) Stepping Stone”, “Homosexuality”, “Thank God For Men” and “Cuba Libre!”. It was the resurgence of disco’s high energy sound and this studio conceptual band did it to the hilt. “I Feel Love Coming” is their single from 1987 - a time when high energy from the UK reached it peak and US labels were cranking the last of the pulsating beat and themes from the souls of the dancers out to a wanting audience. It was an exciting time. I have taken the 12” vocal and instrumental of “I Feel Love Coming” and created a ReStructure Mix including samples of “love” coming from our Lady of Love’s classic. This gives the song a real ‘disco’ purpose!
|
|
|
• Ain't Nobody - Glenn Rivera ReStructure Mix - Chaka Khan Chaka Khan (Carole Yvette Marie Stevens) recorded “Ain’t Nobody” with Rufus (Andre Fischer, Bobby Watson, Chaka Khan, David "Hawk" Wolinski, John Robinson, Kevin Murphy , Richard Calhoun and Tony Maiden ) in 1983 - from the LP “Stompin’ At The Savoy”. I have taken the album version and created a ReStructure Mix with a new intro and more dreamy feel to the intro and a few more loops and effects to give it a new moment. It is one the well-known tracks with Chaka’s voice and is certainly a hot contender as one of the most hypnotic love songs off the 80’s with the funk intact. |
|
|
• Power and Reason - Glenn Rivera ReStructure Mix - Machine Machine is a disco band formed by August Darnell - who was a part of the group Dr. Buzzard’s Original Savannah Band (“Cherchez La Femme”) in the mid 70s. The big disco hit for Machine in 1979 was an innovative song titled, “There But For The Grace Of God Go I” - which took dance floors layers above the then present time with it’s energy and motivation. I have taken the 12” single “Power and Reason” from their second album titled “Movin’ On” - which is a powerful and funk-driven song and recreated a ReStructure Mix to outline the song again with the statement and energy it brings. A wonderful production which always reminded me of a Norman Whitfield masterpiece with its funky moog synths and funky-kickin beats. |
|
|
• If You Love Me Like You Say You Love Me - Glenn Rivera ReStructure Mix - Alma Faye Brooks Alma Faye Brooks is a vocalist who hit the disco scene in 1977 with her hit, “Stop, I Don’t Need No Sympathy” (a disco cover of Lyn Roman’s 1973 single) and immediately became one of the soulful and exciting voices on the club scene. Her follow up single “If You Love Me Like You Say You Love Me” from the same year was releases as a 7” single. It was unfortunate that a 12” single was never issued - this was one of the great missed love songs for the dance floor. Alma also is featured as lead vocalist on the classic Bomber’s hit “(Everybody) Get Dancin’” from 1978. This performance is unaccredited - but you can definitely feel and hear Alma’s fantastic emotion and delivery. The production is executed beautifully by Dominic Sciscente and Michel Daigle - known for Alma’s 1979 album “Doin’ It” and disco groups, Space Project, Black Light Orchestra and also the production for “Love Buzz” by Voggue. I have taken the 45 rpm ‘vocal’ and ‘instrumental’ to recreate a longer and ReStructured Mix for this missed jewel. It is bittersweet and orchestrated with the disco feel which brings to mind a classic soul feel. A new break and some extended verses are added. This ReStructure Mix is dedicated to Nick and Lindsay - my great disco contacts in Australia who make this music feel like new again. Thank you for requesting a ReStructure Mix of Alma’s wonderful track |
|
|
• Light A Light - Glenn Rivera ReStructure Mix - Peppermint Peppermint is a disco/high energy project from German musician, engineer and producer, Helmut Rulofs - who also brought us tracks by Gilla, Harry Baier, Vanilla and Touch. His 1985 club hit is an uplifting disco-ditty with a nice rolling sound and celebratory feel. It is one of the electronic disco tracks of the time you would hear from club-to-club during the time. I have taken the original 12” version and have worked a ReStructure Mix to create an alternative version with more chopping than The Cooking Channel but just as delicious as those disco chorus girls unite to salute a rodeo like showdown. It is pure fun and the mix is intended to keep the sound of 80s high energy on your mind and your feet moving! |
|
|
• Whistle Bump - Glenn Rivera ReStructure Mix - Deodato Eumir Deodato is a musician, composer, arranger and producer who has given us work from 1964 - through current as well as successful projects from Kool & The Gang, Juicy, and Con Funk Shun. His original work has always stemmed in the jazz arena. Known to bring in instruments which were cutting edge and innovative for his easel of work. His 1979 album “Knights Of Fantasy” was a big event for me since “Shazam” and “Whistle Bump” were two of my personal favorites and movers on my dance floor. I have taken the 12” single version of “Whistle Bump” and have given it a ReStructure Mix as a breakdown to the funky guitars, bongos and keyboards. It is a bit extended and also some additional percussion is added to enhance the funky-driven track. |
|
|
• Delicate Jan - Glenn Rivera ReStructure Mix - Lucrethia and The Azoto 14,008 Lucrethia & The Azoto 14,008 is a Italian disco project from 1978 - arranged by the incredible Celso Valli who also gave us great disco work from Passengers, Tantra, Azoto, Nuggets, Cassandra, Future State and Matia Bazar. One of my favorite producers and musicians. Anyone who has heard the Tantra - Double Album would agree that he is one of the most creative. “Delicate Jan” is a winding disco track that speaks of the wonderful lady, Jan who captivates and allures men and women with charm and sensual traits. It was featured on a Disconet Issue and is from the album, “Dance Skination”. I have taken the 4:52 album track and created a whole new view of the song with a new ReStructure Mix adding many new breaks and a new energy. It is my tribute to Mr. Celso Valli and the ReStructure Mix in a whole. You may find yourself signing joyfully just how wonderful and incredible Jan is! |
|
|
• Shot In The Night - Glenn Rivera ReStructure Mix - Paul Parker Paul Parker is a disco/dance artist who began his recording career alongside producer/artist Patrick Cowley during the dance music resurgence in the early 80s. His big club hit, “Right On Target” is the proof and long tern standing of the power of his vocal and music longevity. I have taken his 1983 track “Shot In The Night” from his “Too Much Too Dream” project and have given the 12” remix a ReStructure Mix to bring the track new life. It has a longer intro with extended drums from the original track and also some added pieces from Patrick Cowley’s classic “Menergy”. This ReStructure Mix is dedicated to Mr. Paul Parker – who continues to bring us his wonderful sound even today. |
|
|
• Red Hot - Glenn Rivera ReStructure Mix - Mary Wilson Mary Wilson is best known as one of the founding members of the iconic Motown/girl group, The Supremes. Her solo career began in 1979 with a self-titled album featuring a sizzling track appropriately tiled, "Red Hot". The disco/funk track was arranged by Arthur Wright (Wright Bros. Flying Machine) who also worked on Paul Jabara's "Shut Out" project.
|
|
|
• Cathedrals - Glenn Rivera ReStructure Mix - D.C. La Rue D.C. La Rue is one of my all-time favorite artists in disco music. From the early days of underground dance clubs and circuits comes the sound of disco music using the feel of edgy grooves and funky riffs. "Cathedrals" is D.C.'s album from 1976 - produced by Mr. La Rue and Aram Schefrin (Ecstasy Passion & Pain). |
|
|
• Crazy Legs - Glenn Rivera ReStructure Mix - Donald Austin Donald Austin (Donald Rae Austin) is a guitarist from the early 70s who also performed with Ron Banks, Denise LaSalle and Fuzzy Haskins. His funk album from 1973 titled "Crazy Legs" is one of my favorite "funky-fests" of the time. Some great grooves and the work of strings that make soul and funk music of the early 70s period a groovy experience. |
|
|
• Morning Music - Glenn Rivera ReStructure Mix - Siren Siren is a disco group from John Davis - who also gave us The Monster Orchestra ("Ain't That Enough For You". "Love Magic") and productions by Ruth 'Silky Waters ("Never Gonna Be The Same Again"), Philly Devotions, Universe City, John Travolta, Phyllis Hyman, Carol Douglas and Jet Brown. His sound hi is familiar with his John Davis and Monster Orchestra projects. |
|
|
• Bring It On Up - Glenn Rivera ReStructure Mix - Love Unlimited Orchestra Love Unlimited Orchestra is Barry White's 40-piece extravaganza whose classic piece. "Love's Theme" from 1973 helped to introduce a whole new sound and energy into soul music. The sweepings and funky guitars are the classic staple of early 70s dance music slowly emerging into a form of disco music which took dance floors into a whole new realm of fantasy and grooves. |
|
|
• Funky Monkey - Glenn Rivera ReStructure Mix - Mandrill Madrill is Bundie Cenac, Carlos Wilson, Charles Padro, Claude "Coffee" Cave, Fudgie Kae, Louis Wilson, Neftali Santiago, Omar Mesa and Ric Wilson - a Latin-influenced funk/disco band. |
|
|
• Get Up, Action - Glenn Rivera ReStructure Mix - Digital Emotion Digital Emotion is a Dutch group from Adams and Fleisner - who are G. Hessing, A. Mol, E. van Prehn, C. Bergman and E. Veerhoff. They are also known as Gazuzu, Tempo Rubato, Video Kids and X-Ray Connection. This is the early 80s answer to disco-continuance! Simple electronic dance music with a crazy overall feel. |
|
|
• Poppers - Glenn Rivera ReStructure Mix - Elite Elite is David Vinson, J. Pickett and Michelle Wilson - a fabulous and chic trio and produced by Tony Carrasco (Klein & M.B.O.) and arranged and conduced by Celso Valli (Tantra, Passengers). |
|
|
• Sorcerer - Glenn Rivera ReStructure Mix - Norma Jean Norma Jean is a familiar name and voice in disco history. Not only is her voice apart of the magic of the band Chic - she is also the singer who made the weekends exciting with her 1978 dance floor track, "Saturday", Her self titled album from 1978 contained this hit and her follow-up single, "Sorcerer". The production is the masterful sound of Nile Rodgers and Bernard Edwards. The guitars and rhythm do not get any more serious than this. |
|
|
• Bad Reputation - Glenn Rivera ReStructure Mix - The Ritchie Family The Ritchie Family's 1979 album "Bad Reputation" had to have been the most anticipated release of that year - after all it was The Ritchie Family who made the dance floor a main stage - with their "Best Disco In Town" This production from Jacques Morali and Henry Belolo is one of the most exciting sounds of disco. |
|
|
• Never Get Enough Of Your Love - Glenn Rivera ReStructure Mix - Street People Street People is a disco project from 1976 - produced by Mr. Ray Dahrouge - long before he made us feel the magic of his own album "Rendezvous With Destiny" in 1979. Street People is one of the soulful sounds of disco music. Many of the arrangements give the vocal group a wonderful opportunity to sing wonderful love songs. |
|
|
• My Forbidden Lover - Glenn Rivera ReStructure Mix - Tapps Tapps is Allan Coelho, Barbara Doust, Candy Berthiaume and Tony DaCosta - a high energy group from the early 80s. Their big track "My Forbidden Lover" is one of the high energy preludes to the impact that dance floors would feel again during the mid and late 80s. |
|
|
• Searchin' - Glenn Rivera ReStructure Mix - Hazell Dean Hazell Dean is a British pop-high energy artist who is an early diva icon of the Stock, Aitken and Waterman machine. Her 1984 album "Heart First" has the big high energy hit, Searchin"" which became the sounding drum for high energy dance music in the early 80s. It was a big moment for dance floors - only is it could keep up. |
|
|
• Every Home Should Have One - Glenn Rivera ReStructure Mix - Pattie Austin Patti Austin is a pop/jazz/dance singer from New York who began her recording career in 1976 with her album "End Of The Rainbow". Her 1981 project with Quincy Jones was "Every Home Should Have One" - featuring the singles, "Do You Love Me", "The Genie", the ballad "Baby, Come To Me" with James Ingram and the title track. |
|
|
• You Make Me Feel Good - Glenn Rivera ReStructure Mix - Ann Joy Ann Joy is a disco artist produced in Canada by the the master of disco percussion, Mr. Peter DiMilo. This project was released in 1980 and featured a cover of Giorgio & Chris' "Love Now Hurt Later". Ann displays the favor of the classic disco chanteuse - with plenty of sexy notes and emotions.
|
|
|
• Boogie Tonight - Glenn Rivera ReStructure Mix - Claudja Barry Claudja Barry brought dance floors many flavors of "boogie" - from "Sweet Dynamite" in 1976 to "Boogie Woogie Dancing Shoes" in 1978. All with the magic created for dance floors and her fabulous and iconic persona. |
|
|
• Phonic - Glenn Rivera ReStructure Mix - Cerrone Cerrone released his single "Trippin' On The Moon" on Malligator with a B-side piece titled "Phonic" in 1981 - the track was a short piece which always reminded me of a sci-fi film theme with the cross-over of a Space (Didier Marouani) sound. A bit haunting. |
|
|
• Do It (Til You're Satisfied - Glenn Rivera ReStructure Mix - B.T. Express B.T. Express is Barbara Joyce, Bill Risbrook, Billy Nichols, Carlos Ward, Dennis Rowe, Leslie Ming, Louis Risbrook, Michael Jones, Richard Thompson, Sam Taylor, Terrell Wood and Wesley Hall Jr. - an early 70s funk-disco band. Their mark is evident with hits like "Express", "Does It Feel Good To You" and "Do It (Till You're Satisfied)".
|
|
|
• I Ain't Never - Glenn Rivera ReStructure Mix - Issac Hayes Isaac Hayes is the artist who helped to formulate the Memphis-soul-sound in the late 60s and early 70s. He is best known in disco circles with his big 1971 hit, "Shaft" - which made the wah-wah guitar a staple of disco music. |
|
|
• Tryouts For The Human Race - Glenn Rivera ReStructure Mix - Sparks Sparks is Ron Mael and Russell Mael - one of the early 70s pop-rock bands and in the late 70s and early 80s synth-disco icons. Their work with Giorgio Moroder on their 1979 album "No. 1 In Heaven" gave them the creativity to inject their boy-rock vocals over a wall of electronic dance tracks. The same year they created a classic disco album with vocalist Noel ("Dancing Is Dangerous"). |
|
|
• You're The Fire - Glenn Rivera ReStructure Mix - Cissy Houston Cissy Houston is one of disco music's pioneers and also a vocalist who has provided accompaniment to many artists including Jimi Hendrix, Roberta Flack, The Rascals, Paul Simon - and also disco groups Bionic Boogie, Love Childs Afro Cuban Blues Band, Michael Zager Band and Charlie Calello Orchestra. |
|
|
• Shut Out/Heaven Is A Disco - Glenn Rivera ReStructure Mix - Paul Jabara Paul Jabara is one of disco music's early risers - and created a world of upbeat and disco-beat driven music which would change the 70s. His first album titled, "Shut Out" from 1977 is a project which featured the title track written by Mr. Bob Esty and produced by Arthur G. Wright and Marc Paul Simon.
|
|
|
• Mama Told Me - Glenn Rivera ReStructure Mix - Fantastique Fantastique is a disco project from The Netherlands - with Marian Pijnaker and Cor van der Hoogt - although vocals on "Mama Told Me" were performed by Astrid Leuwener and Dick Van Dam. The group had one album and various singles which were in the 80s high energy - electronic disco vein. |
|
|
• Give Me Tonight - Glenn Rivera ReStructure Mix - Shannon Shannon (Brenda Shannon Greene) set the 80s on fire with "Let The Music Play" a brand of New York electro-funk which is know as "The Shannon Sound". This beat-and-kick formula utilizes the scratch mix in more ways than one. |
|
|
• Give Me Your Body - Glenn Rivera ReStructure Mix - Lime Lime is Denis and Denyse LePage - the duo that set dance floors back into motion and paved the way for 80s high energy with their 1980 hit, "Your Love". Although, Denis was no stranger to disco music - he had arranged many projects in the late 70s and continued to grow and innovate disco with his electronic music. |
|
|
• Gimme Your Love - Glenn Rivera ReStructure Mix - Alma Faye Alma Faye is one of the voices of disco musics which brings to mind and emotional and soulful experience. Her album "Doin' It" from 1979 is one of the great marker in the disco era. The album was produced by Dominic Sciscente and Michel Daigle - who also brought us Black Light Orchestra and Space Project. |
|
|
• Higher - Glenn Rivera ReStructure Mix - Vivian Vee Vivian Vee is a disco chanteuse who made dance floors jump with her big hit, "Give Me A Break" from 1979 - produced by Claudio Simonetti and Giancarlo Meo (Easy Going, The Mask, Capricorn, Kasso). Vivian's third album titled "With Vivian Vee" was a nice touch for 1983 dancers - more of an electro-funk approach on most cuts and the flowing Italo-disco sound as in "Higher". |
|
|
• Primitve World - Glenn Rivera ReStructure Mix - Patrick Cowley Patrick Cowley breathed new life into synthesizers and electronic music as Giorgio Moroder created in the early and mid-70s during his work in the late 70s. Cowley's work with Brenda Mitchell's "Body Party" in 1978 and Michelle's "Disco Dance" in 1977 were only segues his classic remix of Donna Summer's "I Feel Love" in 1979. His touch labeled as "Mega" was accentuated in his own track "Megatron Man" in 1981. |
|
|
• Feels So Fine - Glenn Rivera ReStructure Mix - Ultimate Ultimate is a disco studio group who followed closely in the footsteps of U.S.A European Connection - with more of a Philly-disco feel. The second album contained a track called "Feels So Fine" which features vocals from Barbara Hernandez, Deborah McGriff and Riti Saunders |
|
|
• Ecstasy - Glenn Rivera ReStructure Mix - Madleen Kane Madleen Kane moved disco music into a chic and sensual mode with her 1978 album, "Rough Diamond" - it was what disco music was all about. Her music was always accepted widely on dance floors with it's sultry and sophisticated edge. |
|
|
• No One Home In The City - Glenn Rivera ReStructure Mix - Suzi Lane Suzi Lane is a singer and model from 1979 who brought "Ooh, La La" whole new meaning - chic disco. Along with producer Giorgio Moroder a classic disco project remains one of grandest of dance floor pieces from this year. |
|
|
• Theme from 'The Warriors' - Glenn Rivera ReStructure Mix - Barry De Vorzon Barry De Vorzon is a producer and composer from New York City - his soundtrack to the 1979 cult-film "Warriors" has the title theme which sounds much like Giorgio Moroder's work on the "Battlestar Galactic" project - with ripping rock-edged guitars and phasing synths and keyboards. It is one of the tracks I have been wanted to remix for years. |
|
|
• World Wide Party - Glenn Rivera ReStructure Mix - Max Berlin Max Berlin's "World Wide Party" is one of the disco trax from 1979 which played out like a dance floor anthem. Giving plenty of of the drawn out disco mix which dancers clamored for. Accentuating the disco beat with drums, percussion and synths - driving feet from one side of the dance floor to the other. |
|
|
• Lovely One - Glenn Rivera ReStructure Mix - The Jacksons The Jacksons not only made a transformation from a young members band to soul and from soul to disco and pop - but also achieved it with the highest marks and rhythmic force! Their 1980 album "Triumph" is one of the most spectacular projects from these talented musicians and artists. |
|
|
• I'm Free - Glenn Rivera ReStructure Mix - Donna Summer Donna Summer moves her mystique of The Queen of Disco into the 80s by working on her perfected vocals for a new direction. Her 1984 album "Cats Without Claws" - produced and arranged by Michael Omartian is one of her most powerful vocal projects. As Donna was in search to refine her talent these recordings proved satisfaction for those who understood her real talent. |
|
|
• S.O.S. Fire In The Sky - Glenn Rivera ReStructure Mix - Deodato Eumir Deodato De Almedida is a talented Brazilian composer, arranger, and musician who began recording in 1964. His work most know to disco-lovers are his productions with Kool & The Gang ("Ladies Night") and his own projects: "Whistle Bump", "Night Cruiser", "Shazam!", etc. |
|
|
• September - Glenn Rivera ReStructure Mix - Earth Wind & Fire Earth Wind & Fire are one of the successful and acclaimed bands of the 70s - expressing their talent through soul, disco, R&B and funk. The talented list of members are lead by Maurice White, Verdine White, Philip Bailey and Ralph Johnson.
|
|
|
• Playboy - Glenn Rivera ReStructure Mix - France Joli France Joli is the one of the biggest gifts to disco lovers. She is the disco candy any dancer or beat-lover could ever ask for. Her 1979 album "France Joli" is one of the classic New York disco sounds to this day. Combined talents of Canada on this project include, Peter Dowse, Denis LePage, Miguel Fuentes, The Sweethearts of Sigma, and Mr. Tony Green. |
|
|
• Hold Tight - Glenn Rivera ReStructure Mix - Gino Soccio Gino Soccio is one of the second wave of disco artists to become a major innovator - following in the footsteps of Giorgio Moroder - using technology and band elements to create a a new disco sound. His first LP "Outline" is held as one of the most influential projects of the time - the big disco hits, "Dancer" and "The Visitors" are the proof. |
|
|
• It's For You - Glenn Rivera ReStructure Mix - Munich Machine featuring Chris Bennett
|
|
|
• Physical - Glenn Rivera ReStructure Mix - Olivia Newton-John Olivia Newton-John is an English-Australian singer and began recording in 1971 and throughout present she remains active in music. Her voice was the sound of 70s pop ballads and a glamour celebrity whom always seemed to be in the right place at the right time. |
|
|
• Keep In Touch (Body To Body) - Glenn Rivera ReStructure Mix - Shades of Love The Shades of Love are a disco session produced by Lonnie Johnson and Patrick Adams - also appearing are r&b vocalist Melissa Morgan on flawless lead vocals and Peggy Dodson in the backup ensemble. |
|
|
• Nightline - Glenn Rivera ReStructure Mix - Randy Crawford Randy Crawford is a jazz vocalist who released her debut album in 1976. Her contribution to jazz and dance music were noted most indefinitely with her recording of "Street Life" with The Crusaders in 1979. |
|
|
• The Medicine Song - Glenn Rivera ReStructure Mix - Stephanie Mills Stephanie Mills is a disco/soul artist who appeared in the Broadway production of "The Wiz" in 1975. He singing career has been a touching one thanks to her talent of taking a ballad and painting an anthem. We are fortunate that her musical career led her to the disco arena. |
|
|
• It Doesn't Only Happen At Night - Glenn Rivera ReStructure Mix - Cissy Houston Cissy Houston is one of disco music long-time vocals including sessions with Sweet Inspirations, Zulema, Herbie Mann, Bionic Boogie, Michael Zager Band and Love Child's Afro Cuban Blues Band. Her 1980 album "Step Aside For A Lady" is another disco project from producer, Michael Zager and contains two of the big disco tracks of that year: "You're The Fire" and "It Doesn't Only Happen At Night". |
|
|
• Disco Symphony - Glenn Rivera ReStructure Mix - Lightning Lightning is a disco band from John Henderson and Jeff Ross - both guitarist from nu-wave/rock bands who created some of the most beautiful and funky disco music on this project. A member of the glam-rock band Kiss (Paul Caravello) played drums on the project also. |
|
|
• Don't Turn Away - Glenn Rivera ReStructure Mix - Thomas Dolby Thomas Dolby is a name which stood out following his big dance floor hit "She Blinded Me With Science" in 1982. It was a new take on the electronic pop-wave of the period. His work included artist Ofra Haza, Adele Bertei, Magic's Wand and also the soundtrack to the 1987 film, "Gothic". |
|
|
• Lady Night - Glenn Rivera ReStructure Mix - Patrick Juvet Patrick Juvet is a vocalist from Montreux, Switzerland who began recording in 1973 - he has worked with Jean-Michel Jarre on his 1977 disco album "Paris By Night". In 1978 he was added to the artist roster at the monster disco label Casablanca Records and paired with producer, Jacques Morali - who was on a roll with his projects with The Ritchie Family, Village People, and Phylicia Allen. |
|
|
• Back In The Day - Glenn Rivera ReStructure Mix - The Jones Girls The Jones Girls are Brenda Jones, Shirley Jones and Valorie Jones - a soul/funk/disco trio from Detroit, Michigan. Their first big disco hit is "You Gonna Make Me Love Somebody Else" from their first album in 1979. One of the last great Philly-disco tracks. |
|
|
• Hazy Shades of Love - Glenn Rivera ReStructure Mix - Amant Amant is a disco band from Ray Martinez - a man who is a dance music icon dedicated to the sound of disco music and the loving and admiring mood it creates. Ray worked with some of Miami's forerunners prior to disco making it's mark in the late 70s - offering his own style as the shaping tool of it's sound and popularity. |
|
|
• Bayou Village - Glenn Rivera ReStructure Mix - Voyage Voyage is a disco band from France produced by Roger Tokarz featuring Marc Chantereau, Pierre-Alain Dahan, Sauveur Mallia, Slim Pezin and Sylvia Mason-James. Their first self-titled album began a disco odyssey around the world featuring a departure theme and various instrumental and vocal tracks representing each location. the project caught on well on dance floors during 1978 and brought a second LP with a continuation of he journey. |
|
|
• Climb/Rushin' To Meet You - Glenn Rivera ReStructure Mix - Midnight Rhythm Midnight Rhythm is a disco project from Joe Long and Robby Adcock - who always gave us Hallelujah 2000, C.M. Lord, Liquid Gold, Joe Long Sound. This production is a complete orchestrated and arranged dance sensation which took dance floors to a place called "disco heaven". A sound where a crescendo builds and builds to a satisfying climax.
|
|
|
• He's So Shy - Glenn Rivera ReStructure Mix - Pointer Sisters Pointer Sisters made the 80s a fun place to dance in with their big hits, "Jump", "Could I Be Dreaming", "We Got The Power", "I'm So Excited", "Automatic", "Baby, Come and Get It", and "Neutron Dance". Whew! Thank is allot of music which powered dance floors and dance attitudes. |
|
|
• Heartbreak In Disguise - Glenn Rivera ReStructure Mix - Pattie Brooks Pattie Brooks is known for her onstage performance with lovely fans - I know her as one of the disco divas whom introduced the lush-sweet sound of disco anthems. "After Dark", "This Is The House Where Love Died", "Girl, Don't Make Me Wait" and "Party Girl" are the magic of disco which created the fantasy world that made dancers feel free.
|
|
|
• Don't You Feel My Love - Glenn Rivera ReStructure Mix - George McCrae George McCrae brought the Miami disco sound alive in 1974 with his big hit, "Rock Your Baby". His music has always reflected a progressive style of disco music remaining in the underground club genre. |
|
|
• Inside You - Glenn Rivera ReStructure Mix - Isley Brothers The Isley Brothers are Chris Jasper, Ernie Isley, Marvin Isley, O'Kelly Isley, Ronald Isley and Rudolph Isley - the group has been recording since 1959 - their big classic "Shout" among the most memorable. The group lasted throughout the 60s, 70s and 80s. |
|
|
• I Don't Wanna Lose You - Glenn Rivera ReStructure Mix - Lime Lime is Denis and Denise Lepage - a duo who took dance floors in the early and mid 80s to a new extreme. High energy is the sound which took over the disco legacy and made dancers find more moves between beats than ever. |
|
|
• Boogie Boo - Glenn Rivera ReStructure Mix - Bionic Boogie Bionic Boogie is a disco group from Gregg Diamond who at the time was better know for his production of Andrea True Connection's classic "More More More". The band is one of the most respected as cutting-edge disco/funk and soul. Thanks to the participating talents of Cissy Houston, Gwen Guthrie, Luther Vandross on vocals - Brad Baker arranging and Jimmy Maelen on percussion. |
|
|
• I Love My Radio - Glenn Rivera ReStructure Mix - Taffy Taffy is Katherine Quaye and producers Claudio Cecchetto (Sandy Marton, Tracy Spencer, Sabrina) - both created an Italo-disco classic from 1985 which took clubs by storm and had dancers bouncy joyfully. It is one of the well-known dance tracks from the mid-80s and even today brings back wonderful memories to many - as the lyrics suggest! |
|
|
• Theme from Disco '77 - Glenn Rivera ReStructure Mix - Sassy Sassy is a disco group produced by Mr. Ray Martinez - who also brought us Amant, Passion, Ray Martinez and Friends, a few productions by Foxy, George McCrae, Celi Bee, Seven Seas and the disco label Paris International which featured artists Evelyn Thomas and Jill. |
|
|
• Below The Belt - Glenn Rivera ReStructure Mix - Grace Jones Grace Jones is the "avant-garde" diva of disco. Her years of performing, recording and giving to the clamouring audience throughout her continual re-creation of her style. Even today, her recent release proves that Grace does not have to do more than be Grace to win. Not many artists have that drive or acceptance. |
|
|
• Rock It To The Top - Glenn Rivera ReStructure Mix - Mantus Mantus is a hardcore disco band from 1979 - their first monster project "Midnight Energy" contained their big debut single "(Dance It) Freestyle Rhythm" and "Rock It To The Top" - along with two stomping disco tracks which also received clkub play. This was the disco sound in complete form as if they were the rock-n-roll of disco. |
|
|
• Burn - Glenn Rivera ReStructure Mix - Melba Moore Melba Moore is a singer and actress from New York who took the disco world by storm with her 1978 album "Melba" and her two big dance floor hits, "Pick Me I'll Dance" and "You Stepped Into My Life". Melba is still performing today keeping the fire alive with her energy, soul and fabulous vocals. |
|
|
• Can't Get To Sleep At Night - Glenn Rivera ReStructure Mix - Donna Summer Donna Summer released her second double-record set project in 1979 - and the album was one of the most satisfying releases of that year. Through disco/dance and ballads the album had it all and each segue to the next was a good as the last. Produced by Giorgio Moroder and Pete Bellotte. |
|
|
• Oh, La La La - Glenn Rivera ReStructure Mix - Love & Kisses Love & Kisses is a disco band created by Alec R. Costandinos in 1977 - with their first Euro-disco album "Love & Kisses" ("I Found Love (Now That I Have Found You)"). |
|
|
• Take My Love - Glenn Rivera ReStructure Mix - Nancy Wilson Nancy Wilson is the jazz singer who recorded more than 70 albums and holds three Grammy Awards to her success. In 1980 Nancy recorded her album "Take My Love" - produced by Larry Farrow and Carolyn Johns. The project gave Nancy an opportunity to grace a wonderful disco track - "Take My Love". |
|
|
• Hot For You - Glenn Rivera ReStructure Mix - Brainstorm Brainstorm is Belita Woods, Charles Overton, Deon Estus, Gerald Kent, Jeryl Bright, Lamont Johnson, Larry Sims, Renell Gonsalves, Robert Ross, Trenita Womack, andWilliam L. Wooten, III - a 70s funk/disco band who brought to the disco round a classic titled "Lovin' Is Really My Game" in 1977 - a classic with the lead vocal by Benita Woods! |
|
|
• Radio Action - Glenn Rivera ReStructure Mix - Claudja Barry Claudja Barry is a performer who began her career in Munich, Germany and eventually became one of disco music most celebrated artists.l He early hits "Sweet Dynamite", "Dancin' Fever" and the big "Boogie Woogie Dancin' Shoes" are track which expose the disco beat properly. |
|
|
• Bad Love - Glenn Rivera ReStructure Mix - Cher Cher has taken over the dance floor again! "Take Me Home" is a classic disco track created by Bob Esty and the fabulous essence of Cher. It was not long until a follow-up and more, were demanded. |
|
|
• What About Me - Glenn Rivera ReStructure Mix - France Joli How can you say France Joli without saying "Come To Me"? The biggest dance floor painted "disco" in the late 70s. France has come a long way back claim her fame as it always should have been. |
|
|
• How High The Moon - Glenn Rivera ReStructure Mix - Gloria Gaynor Gloria Gaynor is the voice which brought disco music to a frantic celebration. Her first LP "Never Say Goodbye" produced by Jay Ellis, Meco Monardo and Tony Bongiovi seemed to capture a sound which discotheques where searching for. Along with the help of Tom Mouton and the disco mix the rest was made by dancers and history. |
|
|
• Don't Worry Baby - Glenn Rivera ReStructure Mix - The Good Vibrations The Good Vibrations is a disco project from producer Stewart Levine - known for productions with Hugh Masekela, The Crusaders, Minnie Riperton and Rare Earth. His project "I Get Around" is a disco-fied production of songs by The Beach Boys. |
|
|
• Happily Ever After - Glenn Rivera ReStructure Mix - Donna Summer Donna Summer took discotheques on a magical journey with her 1977 double-album "Once Upon A Time". And with musical arrangement in the hands of disco producer, composer and conductor Bob Esty the story was complete. Each track in this package is a golden moment filling in the make-believe fairy tale of a modern day Cinderella. |
|
|
• I Can See Him Makin' Love To You, Baby - Glenn Rivera ReStructure Mix - Ray Dahrouge Ray Dahrouge is a singer, producer, writer and arranger who has worked on many projects in the recording industry since the late 60s. His 1976 production of Street People and his genius of blending a Philly sound along with the sound of the growing disco trends is one of his talents I have been moved by. |
|
|
• J'ai Deux Amours (Two Loves Have I) - Glenn Rivera ReStructure Mix - Phylicia Allen Phylicia Allen is a singer/actress who had a brief moment of disco stardom with her LP "Josephine Superstar" from 1978 - a tribute to dancer/singer and actress, Josephine Baker. The project was produced by Jacques Morali - who is also very well known for his disco work from Village People and Ritchie Family. |
|
|
• Gloria - Glenn Rivera ReStructure Mix - Laura Branigan Laura Branigan is pop-disco recording artist who was heavily influenced by Donna Summer, Gladys Knight and Stevie Nicks. Her big break came with a cover of Italian singer, Umberto Tozzi's "Gloria" in 1982. The song took off instantly in clubs and radio making Laura and instant star. |
|
|
• Street Life - Glenn Rivera ReStructure Mix - Crusaders The Crusaders are a jazz-dance group with members Wilton Felder, Nesbert "Stix" Hooper, Joseph Sample and Larry Carlton. Founded in 1956 and began recording albums in 1961. |
|
|
• Flashback - Glenn Rivera ReStructure Mix - Rozalin Woods Rozalin Woods in a disco singer who released her first and only album in 1979 titled "Flashback" - the first big single and hit in the clubs during it's release was "Whatcha Gonna Do About It". The production by Ed Martinez (Al Wilson, Papa John Creach, N.E. Philly Band) is a full orchestrated and rich disco sound. |
|
|
• You're The One - Glenn Rivera ReStructure Mix - Boys Town Gang Boys Town Gang is a disco project from the late disco producer, Bill Motley - whose intention was to provide dance floors with beautiful disco music in the early 80s - since many club-goers were not quite done dancing yet. |
|
|
• Traffic Breakdown - Glenn Rivera ReStructure Mix - Boogie People Boogie People is a Canadian produced disco project from Dominic Sciullo (Nancy Martin, Montreal) and Vincent Ciambrone (Claudia Hart, Tamara) - arranged in the full disco power mix - with plenty of bass, percussion, bongos, vibes and breaks. |
|
|
• I'm Gonna Dance - Glenn Rivera ReStructure Mix - Asha Asha (Asha Puthli) has been recording since 1974 - and creating a captivating style of funk which began moving dance floors in a new way. It was her 1979 LP titled "L'Indiana" which struck the single "I'm Gonna Dance" on the Henry Stone label T.K. Records and created an underground hit in an new electro-vibe sound, yet Asha's commanding vocal style. |
|
|
• The Visitors - Glenn Rivera ReStructure Mix - ABBA ABBA creates a classic dance track in 1981 - just when you thought their prior project, "Super Trooper" had elevated their rein in both pop and disco music. This production is truly one of the most imaginative and pop-savvy ever! |
|
|
• Jump - Glenn Rivera ReStructure Mix - Pointer Sisters Pointer Sisters (Anita Pointer, June Pointer, Ruth Pointer) have been one the groups of the 80s whom helped save the disco mood and theme. Many of their pop-tracks stayed close to the dance formula and keeping the dance floor alive with energy and excitement. |
|
|
• Straight From The Heart - Glenn Rivera ReStructure Mix - Loose Change Loose Change is Leah Banks, Donna Beene and Rebecca Anderson - under the production of Mr. Tom Moulton in 1979 the impact of disco and it's power is displayed. |
|
|
• It's Over - Glenn Rivera ReStructure Mix - Alma Faye Brooks Alma Faye Brooks is one of the artists from 1979 who brought excitement to the soul of disco music. Her album "Doin' It" was produced by Canadian producers Dominic Sciscente and Michel Daigle (Black Light Orchestra, Space Project). |
|
|
• Working Girl - Glenn Rivera ReStructure Mix - Cheri Cheri is disco group from Montreal - Amy Roslyn and Rosalind Hunt (Geraldine Hunt's daughter and Freddie James' sister). Their first self-titled LP from 1982 featured their first big disco hit, "Murphy's Law". |
|
|
• Time Of The Season - Glenn Rivera ReStructure Mix - The Neil Cloud Orchestra The Neil Cloud Orchestra is a disco project from Neil Cloud - who was formerly a member of a 70s rock band titled Rabbitt. His production along with Mike Arato and Steve Thompson of The Zombies classic, "Time Of The Seasons" is a wonderful disco version with a soaring femme edge to the track. The percussion and rolling bass provide a wonderful transformation from psychedelic to mirror balls! |
|
|
• Music Machine - Glenn Rivera ReStructure Mix - Joel Diamond Experience Joel Diamond is a producer/songwriter who founded his own label, Silver Blue Records in the 70s - we were fortunate enough that his focus was on dance music - even though his credits include a long list of pop, blues and soul artists. |
|
|
• Rock Me Now - Glenn Rivera ReStructure Mix - Peter Batah Peter Batah is a Canadian disco artist whom released 2 big club hits during the early 80s transition from disco-to-high energy. "Rock Me Now" is his single from 1980 which created a craving for high-disco tracks all-over again in the early 80s. The track was produced by Claude Allard who also produced Black Star and Miki Hope - and also worked on tracks for Lime, France Joli, Freddie James, Suzy Q and U.N.. Some notes suggest this may even be Denis LePage under an alias. |
|
|
• I Want A Man - Glenn Rivera ReStructure Mix - Noel Noel is a disco artist from 1979 brought to us by Ron Mael and Russell Mael - better known as the rock band Sparks. Following the release of the Mael Brothers LP "No. 1 In Heaven" which was produced by Giorgio Moroder - the electronic disco formula may have been a bit contagious and perplexing to these artists.
|
|
|
• Don't Leave Me This Way - Glenn Rivera ReStructure Mix - Carol Jiani Carol Jiani has been giving her unique touch to dance music since the late 70s. Her vocals bring to mind a torch-like feel and powerful resonance. In 1981, her big high energy track "Hit and Run Lover" gave her name a moment in dance floor history which is referred to frequently. |
|
|
• Tonight I Feel Like Dancing - Glenn Rivera ReStructure Mix - Mavis Staples Mavis Staples of The Staple Singers brings her solo career into the sparkling discotheques in 1979 with her single "Tonight I Feel Like Dancing" - produced by Barry Beckett and Jerry Wexler (Philadelphia International). An exciting and "break down the walls" anthem. |
|
|
• Lies - Glenn Rivera ReStructure Mix - Thompson Twins Thompson Twins are an 80s synth-pop band with Alannah Currie, Joe Leeway and Tom Bailey. Their 1983 album "Quick Step and Side Kick" featured the single "Lies". This single was a huge club single and helped to bring a new sound and speed to dance floors in the early 80s. |
|
|
• Life Is Music - Glenn Rivera ReStructure Mix - The Ritchie Family The Ritchie Family are the fabulous divas who made disco music so luring and beautiful in the mid-70s. Created by producer Ritchie Rome (The Three Degrees, Jimmy Ruffin, Flower, African Suite) and co-produced and continued with Jacques Morali (Village People, The Lovers, Gypsy Lane, Patrick Juvet, Phylicia Allen, Dennis Parker). |
|
|
• One Night In A Lifetime - Glenn Rivera ReStructure Mix - Donna Summer Donna Summer's album "Bad Girls" is one of the finale shaping moments of disco music in history. Taking Summer, Moroder and Bellotte to a new extreme of blending pop-rock and disco and created a monstrous dance floor 2 record set. |
|
|
• Pick Up The Pieces - Glenn Rivera ReStructure Mix - Average White Band Average White Band is one of the big r&b-soul bands from the early 70s. Their two big hits "Pick Up The Pieces" and "Cut The Cake" are the influential dance grooves of their time and helped to create a cross between funk and soul.
|
|
|
• The Scratch - Glenn Rivera ReStructure Mix - Surface Noise Surface Noise is a British disco/jazz ensemble created by Chris Palmer in the early 80s. Their dance hit in 1980 "The Scratch" is reminiscent of the jazz piece as Rodney Franklin's "The Groove" - but with more the disco flair intact. |
|
|
• Disco Express - Glenn Rivera ReStructure Mix - Plastic Surprise Plastic Surprise is producer, Peter DiMlo and his concept of what disco music is - a driving energy for dancing feet to appreciate. His past work including Erotic Drum Band, Extensive Care, and Pussycats are the framework of great Canadian disco music. |
|
|
• High On Love - Glenn Rivera ReStructure Mix - Claire Claire is a disco artist from France with a single titled "High On Love" from 1978 produced by Thomas Davidson Noton - who also produced "Solitaire" (the original French version) by Clementine and French artist, Renaud.
|
|
|
• Sugar Frosted Lover - Glenn Rivera ReStructure Mix - Flakes Flakes is D'Lanie McQuaig, Darryl K. Roberts, Harry Kim, Marilyn McLeod, Mel Bolton and Perry Peyton - a disco/funk band whom had a dance floor hit in 1980, "Sugar Frosted Lover". The 12" track was remixed by Jim Simpson and given a nice bounce with Jimmy's touch. |
|
|
• Relight My Fire - Glenn Rivera ReStructure Mix - Dan Hartman Dan Hartman began his disco career with a bang - "Instant Replay" was a huge hit on dance floors in 1978 and ignited a high energy sound in clubs that began a new era of dance music. His second album "Relight My Fire" in 1979 was the time period for the height of disco madness. The title cut is now a classic along side the instrumental piece "Vertigo".
|
|
|
• Eurovision - Glenn Rivera ReStructure Mix - Telex Telex is Dan Lacksman, Marc Moulin and Michel Moers - an electronic disco/pop dance band formed in 1978. Their nu-wave-ish take on disco music in the late 70s gave them the stamp of tongue-in-cheek type humor and odd themes. Much of their music is formulated as bands like Kraftwerk were influenced by electronic geniuses like Giorgio Moroder of the disco era. |
|
|
• Mother Africa - Glenn Rivera ReStructure Mix - Tantra Tantra is a disco project from the late70s created by Italian composer and producer, Celso Valli - he also created Azoto, Passengers, Adal-Scandy Super Band, Nuggets, Silence, and The Green Future Orchestra. His work has always been the forerunner of disco music - combining electronics, the heavy disco band sound and orchestrations. |
|
|
• Sex - Glenn Rivera ReStructure Mix - Sylvester Sylvester’s 1984 album titled “M-105” is one of his most electric club projects from the 80s. Utilizing the high energy feel to it’s extreme on many of the dance tracks. “Sex” is the second single from the project and was produced by Tim Wirrick. I have take the album version of “Sex” and reworked the energy to a new ReStructure Mix . It has a bit more of the ricochet edits and the ominous build of the dark and sensual feel of the song. |
|
|
• Wonder Woman - Glenn Rivera ReStructure Mix - The Wonderland Band The Wonderland Band is a studio disco group from producer Morrie Brown - who also worked with Evelyn King, Melba Moore, Al Wilson and Howard Johnson. This ensemble includes the full disco arrangement with stings, lots of percussion, and keyboards outlining the tracks. In the chorus are Clydene Jackson, Deedee Dennard, Julie Waters and Maxine Waters. |
|
|
• From Now On - Glenn Rivera ReStructure Mix - Linda Clifford Linda Clifford is one of disco music's divas with a well-built reputation of always meeting expectations of her fans. Linda began as a jazz singer and soon recorded her solo album in 1977 - produced by Gil Askey and Leroy Hudson. The single "From Now On" from the album became one of the clubs favorites for a touch of the sweeping disco arrangements with echos of soul and funk. |
|
|
• Jive Talkin' - Glenn Rivera ReStructure Mix - Bee Gees Bee Gees topped the charts in 1977 with the soundtrack to "Saturday Night Fever" - the single "Jive Talkin'" was featured on the soundtrack - however it was released in 1975 on the album "Main Course". It was produced and arranged by Arif Mardin. |
|
|
• Just Let Me Dance - Glenn Rivera ReStructure Mix - Scandal Scandal is a disco band produced by Paul Freitas and Richard Freitas - they released two singles in the early 80s. "Just Let Me Dance" being the first - and the biggest. A disco anthem from 1980 with the funk and soul of disco music which displays a wonderful flow of energy and rhythm. |
|
|
• Don't Let Go - Glenn Rivera ReStructure Mix - Tasha Tasha (Tasha Joan Paul) is a European disco artist who released a pumping electronic dance single. "Don't Let Go" in 1986 - produced by Fred Bekky (also produced Trillion). The frantic energy in the song always reminded me of a more tame "Maniac"-esque feel. Tasha's vocals are the 80s high-energy style and are at times quite irresistible. |
|
|
• Thief Of Hearts - Glenn Rivera ReStructure Mix - Melissa Manchester Melissa Manchester recorded "Thief Of Hearts" in 1984 for the soundtrack of the film by the same name. It was produced by Giorgio Moroder and Harold Faltermeyer and reflect the hard hitting electronic dance edge of the 80s. |
|
|
• Keep It Confidential - Glenn Rivera ReStructure Mix - Nona Hendryx Nona Hendryx began her recording career with Pattie LaBelle (LaBelle). Her career path was always destined as a source of soul and energy giving life to many projects. Her solo album "Nona" from 1983 was quite a welcome project during a transition period for dance music. |
|
|
• Stand Back - Glenn Rivera ReStructure Mix - Stevie Nicks Stevie Nicks former member of Fleetwood Mac released her first solo album, "Bella Donna" in 1981. During the big pop-dance 80s era many artists were releasing songs that were formulated as a new style of pop-dance. Many of them actually released as 12" single with remixes for extended club play - just as the 70s 12" disco single. |
|
|
• Fire - Glenn Rivera ReStructure Mix - Linda Imperial Linda Imperial is a club diva who began recording with the disco group Loverde in 1980 - featured in the big disco hit, "Die Hard Lover". Following this induction to the dance floor, Linda has since released her singles, "Stranger", her own cover of "Die Hard Lover", "Killing Me Softly", a fabulous high energy version of Brenda Russell's "Get Here", and a high energy take on "Where The Boys Are".
|
|
|
• Say Something Nice - Glenn Rivera ReStructure Mix - Donna Summer Donna Summer's "Once Upon A Time" is the disco message from 1977 which made critics and the music industry take notice. A double album set with a production along the lines of a non-stop disco opera. Produced by Giorgio Moroder and Pete Bellotte and arrangements, keyboards, percussion and also backing vocals from Bob Esty. |
|
|
• In The Middle Of The Knight - Glenn Rivera ReStructure Mix - Giorgio Giorgio Moroder's "Knights In White Satin" (cover of the Moody Blues classic) is one of his earl experimental disco albums. Released on Casablanca's subsidary, Oasis Records in 1976 it is one of Moroder's early signs of genius. His use of moog synthesizers, percussion, guitars, disco strings and phasing are explored here. |
|
|
• Soul - Glenn Rivera ReStructure Mix - Frankie Valli Frankie Valli began a recording career 1967 and became an American icon in pop music. His move into the disco arena came in 1976 with his album, "Fallen Angel" - it was the luck of the dance floor to have a voice as Valli's to grace the rhythmic beats of disco. His 1980 LP "Heaven Above Me" featured two disco hits, "Soul" and "Heaven Above Me" - it was time when disco music in the US was changing and yet this production brought it back to life once again. |
|
|
• Let Them Dance - Glenn Rivera ReStructure Mix - D.C. La Rue D.C. La Rue released his third album, "Confessions" in 1978 - along with magnificent disco producer, Bob Esty they managed to create a stamp in disco history outlining the talent of create true disco music. The album features the dance single, "Let Them Dance" which during it's release became one of the dance anthems for hardcore dance palaces. |
|
|
• Come Fly With Me/Let's Do It Again - Glenn Rivera ReStructure Mix - Pattie Brooks Pattie Brooks is the disco diva who made people fall in love while dancing in discotheques during the 70s. Her sensual voice fit the groove of disco music and ignited many fires on Saturday nights. Her classic "After Dark" is considered one of the best recordings in disco music history. |
|
|
• Steppin' Out - Glenn Rivera ReStructure Mix - Ray Dahrouge Ray Anthony Dahrouge is a producer/vocalist with many projects produced under his belt - including Street People and "Mon Amour" by Gary Criss. His solo album "Rendezvous With Destiny" from 1979 was a fantastic recording which gave the disco scene a wonderful soundtrack. The album was co-produced by Bill Terrell and featured John Davis as arranger and conductor. |
|
|
• Magic Man - Glenn Rivera ReStructure Mix - Broadway Broadway is disco project lead by producer and arranger, Willie Henderson and features a dreamy vocal by Patti Williams. This album was one of the disco gems which remained underground - for the hardcore discotheques and dancers to appreciate. |
|
|
• From Now On - Glenn Rivera ReStructure Mix - Caren Armstrong Caren Armstrong is a vocalist who wrote along with Herb Jimmerson of Paradise Express on their second album, "Let's Fly". "From Now On" is a single produced by Herb Jimmerson and featured on the Fantasy Record label in 1980. |
|
|
• Disco Queen - Glenn Rivera ReStructure Mix - Paul Jabara Paul Jabara is an actor, singer and songwriter best know for penning "Last Dance" for Donna Summer and also being a big influence on the Casablanca disco wave during 1977 for his album "Shut Out". |
|
|
• Can He Find Another One? - Glenn Rivera ReStructure Mix - Double Discovery Double Discovery is Boris Midney and his magic touch with disco music. A full orchestration along with the funky guitars leading this track from 1982. One of the big disco-retro pieces with a touch of Midney's studio magic. |
|
|
• I Heard It Through The Grapevine - Glenn Rivera ReStructure Mix - P'zzazz P'zzazz is disco group produced by Frank Pezzola and Lowell Mark from 1980- one of the high energy disco tracks that helped to save dance floors in the early 80s. This cover of the Marvin Gaye/Motown soul classic is a fast and rolling disco version that makes it seem easy to move to the disco beat. |
|
|
• When You Wake Up Tomorrow - Glenn Rivera ReStructure Mix - Candi Staton Candi Staton began recording in 1970 with her first album "I'm Just A Prisoner" and her warm and soulful voice lead her into the disco era which gave her a few classics's including "Young Hearts Run Free", "Run To Me", :Victim" and "When You Wake Up Tomorrow". |
|
|
• Shake It Up Tonight - Glenn Rivera ReStructure Mix - Cheryl Lynn Cheryl Lynn is one of disco musics classic discoveries and most recognizable voices. Her first album "Cheryl Lynn" - contained the disco hits "Got To Be Real" and "Star Love" - two of the most incredible recordings in dance music. |
|
|
• In The Pocket - Glenn Rivera ReStructure Mix - African Suite African Suite is a disco project from Richie Rome (of The Ritchie Family fame) - a project centered around a raw African rhythm concept. Much like the disco projects that focus on a theme and dig deep to create a fantasy edge for the dance floor. |
|
|
• Love Machine - Glenn Rivera ReStructure Mix - Tempest Trio Tempest Trio is Mike Theodore and Dennis Coffey - a studio disco band with a funky edge which makes the end of the 70s era tasty and satisfying. |
|
|
• Porcupine - Glenn Rivera ReStructure Mix - Natural Zone Natural Zone is Steve Feldman and bass guitarist, Tom Dawes (Red Rubber Ball, Neon) creating a disco sweep with the 1976 "Porcupine" single. Released on London Records as a single with the flavor of funk/soul and the outline of disco music during it's growth. At times you may feel you are listening to pieces of The Salsoul Orchestra... |
|
|
• What I Do To Men - Glenn Rivera ReStructure Mix - Ann Margret Ann Margret is an actress and singer from the 60s. Her career began when she was discovered by George Burns as she was performing in a nightclub. Much of Ann's work during the 60s were the musicals and film credits which placed her in the role of the "sex-kitten" or the female counter part to Elvis Presley. |
|
|
• Dance With Me - Glenn Rivera ReStructure Mix - Tangerue Tangerue is a disco studio ensemble led by Bruce Weeden and Canadian disco producer, Eddy Strauman who also worked with Nightlife Unlimited, Plastic Surprise and Ultimate. Many of the players in this project have also worked on late 70s disco projects which helped to complete the late dance era. |
|
|
• Do You Want The Real Thing - Glenn Rivera ReStructure Mix - D.C. LaRue D.C. LaRue is an innovative and unique disco artist from a period of dance history which marked the minds and fantasies of club goers around the world. His music helped to move the dance floor into a new stage of imagination and shape the sound of disco music that even today is worshiped and adored. |
|
|
• Metropolis Suite - Glenn Rivera ReStructure Mix - Bobby 'O (released under Lyn Toddd) "Metropolis Suite" is a brief instrumental piece from Bobby Orlando which was featured on his production of 80s rock-artist, Lyn Todd. The 1980 was formulated as a play for Orlando to take his electronic disco sound into a new arena. One of the more memorable tracks for me was this Orlando number that features his classic keyboard sound. Much of what he did with Divine, The Flirts and his own solo career during the time. |
|
|
• I Cry For You - Glenn Rivera ReStructure Mix - Shy Rose Shy Rose is an Italo-disco artist produced by Antonio d'Addezio in the mid-80s - her first single "I Cry For You" - which is basically a new disco track utilizing The Twins' "Face To Face (Heart To Heart)" riff and flowing melody as the basis for new lyrics and meaning. |
|
|
• Is There More To Life Than Dancing - Glenn Rivera ReStructure Mix - Noel Noel is a disco act created by Ron Mael and Russell Mael (better know as Sparks). The LP "Is There More To Life Than Dancing" is the sound of the electronic edge of dance music of the late 70s heavily influenced by Giorgio Moroder. |
|
|
• Boys Will Be Boys - Glenn Rivera ReStructure Mix - Duncan Sisters Helen and Phyllis Duncan are Duncan Sisters - along with the disco producers, Ian Guenther and Willi Morrison. Their first solo album from 1979 would qualify as one of the best disco albums recorded. |
|
|
• Gimme Back My Love Affair - Glenn Rivera ReStructure Mix - Sister Power Sister Power is a disco group from Producer Paul Sabu - who also brought us a couple of solo disco projects, Debbie Jacobs, an Ann Margret disco album and singles, and many engineering and remix projects during the early 80s. |
|
|
• La Bamba - Glenn Rivera ReStructure Mix - Antonia Rodriguez Antonia Rodriguez is a disco singer producer by German producer, Horst Hornung in the late 70s.Her LP "Dance With Me" featured a cover of the Mexican folk song, "La Bamba" (which means to 'shake" or 'stomp'). |
|
|
• Mondo Disco - Glenn Rivera ReStructure Mix - El Coco El Coco is W. Michael Lewis and Laurin Rinder - a duo moving underground disco of the mid-70s into a new phase. Their first LP "Mondo Disco" is a successful experimental session using their musical talent to capture the funky elements of a new lounge/dance sound. |
|
|
• Run To Me - Glenn Rivera ReStructure Mix - Kelly Marie Kelly Marie - the disco diva from Scotland brings her unique voice into the disco arena in 1976 with her album "Who's That Lady With My Man" - produced by Roberto Danova. It was her second album, "If I Can't Have You" which brought us her 1977 disco hit, "Run To Me". |
|
|
• Starstruck Lover - Glenn Rivera ReStructure Mix - Boiling Point Boiling Point is a Canadian disco project from Peter Frost - who also brought us Tapps ("Runaway With My Love"). The sound of mid-80s high energy driven my riveting synthesizers and Latin percussion. The simple elements which defined a new period of dance music. |
|
|
• The House of The Rising Sun - Glenn Rivera ReStructure Mix - Santa Esmeralda Santa Esmeralda is Jean-Manuel de Scarano, Jimmy Goings, Leroy Gomez and Nicolas Skorsky - a disco band created in 1977. Their first album, "Don't Let Me Be Misunderstood" (a cover of Nina Simone's 1964 classic) was an instant disco classic. The rich and full production from Jean-Manuel de Scarano and Nicolas Skorsky (The Monstars, Crystal Grass) are some of the most impressive form the late 70s disco era. |
|
|
• Without Your Love - Glenn Rivera ReStructure Mix - Nina Schiller Nina Schiller is a disco artists from producer Bill Motley. She is better known as Crystal and The Team - with a single titled "Won't You Dance With Me" from 1981. It was not long after the underground club success of this single when Nina was introduced on her solo project. |
|
|
• Tahiti, Tahiti... - Glenn Rivera ReStructure Mix - Voyage Voyage is a French disco group with Marc Chantereau, Pierre-Alain Dahan, Sauveur Mallia, Slim Pezin and Sylvia Mason-James
|
|
|
• Saturday Night - Glenn Rivera ReStructure Mix - Arpeggio Arpeggio is a disco group created by Simon Soussan (Shalamar, Pattie Brooks, The Sharonettes, Charisma, Romance) during the height of disco music in 1978. "Love and Desire" is the first successful project - displaying Soussan's sound that he developed with earlier artists and his band members. |
|
|
• Dance With Me - Glenn Rivera ReStructure Mix - Peter Brown Peter Brown's classic disco album "A Fantasy Love Affair" continues to be one the most exciting recordings in disco history. The big disco wave could find this record on the crest! |
|
|
• Casanova Action - Glenn Rivera ReStructure Mix - Latin Lover Latin Lover is a high energy disco-studio band from German producers Mark Kramer and Theo Werdin (Scott Marlowe "Living In Chinatown"). The group had three dance floor hits: "Laser Light", "Dr. Love" and "Casanova Action" in the mid-80s. |
|
|
• Good, Good Feelin' - Glenn Rivera ReStructure Mix - WAR WAR is a soul/funk band which started in the early 70s out of Southern California. Their producer Jerry Goldstein brought them into the recording music scene and the rest has only benefited our ears and feet. |
|
|
• Wonderful Medley - Glenn Rivera ReStructure Mix - The Wonder Band The Wonder Band is a disco studio group produced by Armando Noriega, Isreal Sanchez, and Silvio Tancredi - all who worked on Simbora Orchestra ("Brazuca") and Lourett Russell Grant ("Hot To Trot"). |
|
|
• Substitute - Glenn Rivera ReStructure Mix - Gloria Gaynor Gloria Gaynor is the elegant soul diva of disco! Her vocals have brought many dancers and music lovers to the heavens with her lovely and smooth approach. Gloria's first project, "Never Can Say Goodbye" on MGM Records was an instant hit on dance floors and was the first disco record to offer a non-stop medley of dance covers - assembled by the legendary, Tom Moulton. |
|
|
• Tango In Space - Glenn Rivera ReStructure Mix - Space Space is Didier Marouani, Jannick Top, Janny Loseth, Joe Hammer, Madeline Bell, Patrice Tison, Roland Romanelli, Roy Robinson and Yann Benoist - a French group created by Didier Marouani (aka Ecama) and Roland Romanelli |
|
|
• Does It Feel Good - Glenn Rivera ReStructure Mix - Jump Jump is Canadian disco producer Peter Di Milo - better known for Erotic Drum Band, Ann Joy, Champagne Explosion and Nightlife Unlimited. His work in disco music bridged the gap from the late 70s to the early 80s continually bringing a contagious sound with his synthesizers and heavy conga and percussion rhythms. |
|
|
• Nightflight To Venus - Glenn Rivera ReStructure Mix - Boney M Boney M. is a disco group created by Frank Farian in 1975 - following the success of his initial song, "Baby, Do You Wanna Bump" the group was formed with Maizie Williams, Marcia Barrett, Bobby Farrell and Liz Mitchell. |
|
|
• Angel 43 - Glenn Rivera ReStructure Mix - Marsha Raven Marsha Raven (Marsha White) is a disco vocalist from the early 80s and during electronic phase of dance music where high energy became the recipe for a excitable dance floor. Her first single from 1982 was "I Like Plastic" and the flip-side "Angel 43". The single was produced by Pierre Tubbs and Steve Rowland and headed an alternative and camp-like dance single with "I Like Plastic"
|
|
|
• Get Your Kicks - Glenn Rivera ReStructure Mix - Fancy Fancy is Manfred Alois Segieth - a German disco group that moved upon the 80s high energy scene and gave it another taste of the mystique which makes the music an underground phenomena.
|
|
|
• Take Me To Paradise - Glenn Rivera ReStructure Mix - Kelly Marie Kelly Marie is one disco diva who is hard to forget! With dance hits like, "Run To Me" from 1977 and "Feels Like I'm In Love" from 1979, Kelly was a fixture that would not soon go away. |
|
|
• Not The Boy Next Door
- Glenn Rivera ReStructure Mix - Peter Allen Peter Allen is a performer and artist from Sydney, New South Wales, Australia. His music releases span from 1974 through 1990. His approach was a slick-Broadway fare for pop-dance music and disco which displays the elegance of the night club scene and the stage drama of a Barry Manilow concert. |
|
|
• Marisa - Glenn Rivera ReStructure Mix - Machine Machine is August Darnell, Clare Bathé, Jay Stovall, Kevin Nance, Lonnie Ferguson and Melvin Lee - their big disco hit "There But For The Grace Of God (Go I)" was one of the most innovative and intense dance floor tracks on of it's time. |
|
|
• Hit! - Glenn Rivera ReStructure Mix - Tommy Seebach Tommy Seebach (Tommy Seebach Mortensen) is a Danish musician and singer. He was formerly a member of a band called Sir Henry & His Bustlers in 1965 and later branded his own style of disco music with his first album "Wheels" in 1975. |
|
|
• Arista Vista - Glenn Rivera ReStructure Mix - Gregg Diamond's Star Cruiser Gregg Diamond is mastermind behind disco groups Bionic Boogie, Hardware, I.O.B. and Star Cruiser. He also produced projects by Gloria Gaynor, Andrea True Connection, and George McCrae. |
|
|
• Newsy Neigbors - Glenn Rivera ReStructure Mix - Double Exposure Double Exposure is Jimmy Williams, Joe Harris and Leonard Davis - a soul vocal group originally called United Image in 1968. Their disco ventures are some of the original Philadelphia classics including "My Love Is Free", "Ten Percent" and "Every Man (Has To Carry His Own Weight)". |
|
|
• Benihana - Glenn Rivera ReStructure Mix - Marilyn Chambers Marliyn Chambers is a porn star from the mid 70s who also starred in David Cronenberg's horror-flick "Rabid" from 1977 - and also her one-and-only disco track, "Benihana" is featured in a short segment. |
|
|
• Counting On Love (One, Two, Three) - Glenn Rivera ReStructure Mix - Peter Jacques Band Peter Jacques Band is studio band from disco producer Jacques Fred Petrus and composer and arranger Mauro Malavasi. "Fire Night Dance" was their first Lp from 1978 and changed the disco scene to a high energy mode. It was electronic dance music in it's early stages along with a full disco orchestration. |
|
|
• Love and Passion - Glenn Rivera ReStructure Mix - Cheryl Barnes Cheryl Barnes is a pop-singer and actress who starred in the Milos Forman's film version of "Hair" in 1979. In 1980 she was featured on the "American Gigolo" soundtrack - produced by Giorgio Moroder - singing "Love and Passion" - a point of the film which features a Hollywood club (The Probe) and an somewhat underground dance party. |
|
|
• Lost Angeles - Glenn Rivera ReStructure Mix - Giorgio Giorgio Moroder has made many marks in both disco music, innovative motion picture soundtracks and pop-dance projects. His genius has created a world where imagination and dance collide. One of the motivations for my disco excursion as a teenager was thanks to Mr. Moroder. |
|
|
• I Was Made For Loving Love - Glenn Rivera ReStructure Mix - Ellie Warren Ellie Warren is from the Scottish seaside town of Gourock. She recorded her first single "Lover's Theme" in 1979. Her second single "Shattered Glass" from 1980 was later covered by Laura Branigan in 1987. "I Was Made For Loving You" was released the following year in 1981. |
|
|
• I Was Born This Way - Glenn Rivera ReStructure Mix - Carl Bean Carl Bean broke a barrier in 1977 with the Motown 12" single "I Was Born This Way - a gay who decided to follow the "homophobic" church and become a clergyman. His faith is felt and heard in this powerful anthem. |
|
|
• Breakaway - Glenn Rivera ReStructure Mix - Watson Beasley Watson Beasley are Alfred Beasley and Gina Watson - an incredible duo from 1980 - their LP "Watson Beasley" produced by Peter Alves and Watson Beasley. |
|
|
• White Horse - Glenn Rivera ReStructure Mix - Laid Back Laid Back is John Guldberg and Tim Stahl - am electronic 80s band that infused a unique blend of pop, reggae, and synthetic dance. Their 1983 album "...Keep Smiling" was a notable project thanks to the single, "White Horse".
|
|
|
• Dancing In A Disco - Glenn Rivera ReStructure Mix - Ganymed Ganymed is an Austrian space-disco group consisting of Rudolf Mille, Gerhard Messinger, Ernst Nekola, Daniele Prencipe, Yvonne Dory and Gerry Edmond |
|
|
• Super Sweet - Glenn Rivera ReStructure Mix - Wardell Piper Wardell Piper (formerly a member of First Choice) recorded her solo LP in 1979 - produced by John H. Fitch Jr. and Reuben Cross. "Super Sweet" went to #33 on the R&B charts in 1979 and many clubs were giving this funky-disco treat a home. |
|
|
• Magic Dancer - Glenn Rivera ReStructure Mix - Tamara Tamara (Tamara Lorincz) is the voice behind the classic disco hit, "(Everybody) Get Dancin'" by Bombers from 1979. Her solo LP "Magic Dancer" is one of the early Canadian disco gems of the 80s. Produced by Vincent Ciambrone - who also gave us Boogie People, Debbie Wilson and Valdaro. |
|
|
• Shadow Of Your Heart - Glenn Rivera ReStructure Mix - Risque Risque is a Dutch disco "four-gy" of lovely vocals that makes one wonder who came first: Bananarama or Risque? Does it matter - they are both workin' the feet and soothin' to the soul. |
|
|
• Crusader - Glenn Rivera ReStructure Mix - Trax Trax is Pete Bellotte of Donna Summer/Giorgio Moroder fame and Keith Forsey a drummer and producer of Mick Rowley, Gen X (Billy Idol) and Icehouse. This project created two albums - "Watch Out" in 1977 and "Dancing In The Streets" (a disco cover of Martha Reeves and The Vandellas) in 1978. |
|
|
• Mirage - Glenn Rivera ReStructure Mix - Kebekelektrik Kebekelektrik is a studio concept group from disco producer, Pat Deserio (Bombers, Bob-A-Rela, Rational Youth) - he was originally a part of the disco band, Dogs of War along with Derek Kendrick and Jack August. |
|
|
• Computer Music - Glenn Rivera ReStructure Mix - Suzy Q Suzy Q began a studio concept by Canadian producer, Jerry Cucuzzella - during the period of "Computer Music" which was released in 1985 lead vocals were performed by Angie Vileno. |
|
|
• The Second Time Around - Glenn Rivera ReStructure Mix - Shalamar Shalamar began as a studio session and quickly became a successful group on Solar Records (Soul Train label) - with members Jody Watley, Howard Hewitt and Jeffrey Daniel. |
|
|
• Back In Love Again - Glenn Rivera ReStructure Mix - Donna Summer Donna Summer and her "I Remember Yesterday" album two of the greatest moments in 1977. Not only has the classic and innovative track, "I Feel Love" come from the album but some of the best Giorgio Moroder studio recordings also.
|
|
|
• Disco 9000 - Glenn Rivera ReStructure Mix - Johnnie Taylor Johnnie Taylor is one of R&B/soul musics treasures. His 1976 soul hit "Disco Lady" became the movement into a whole new icon for soul to merge into a new sound in the late 70s. In 1977 he released "Disco 9000" - a soundtrack to a black exploitation film by the same name - the film was later titled "Fass Black". |
|
|
• Deetour - Glenn Rivera ReStructure Mix - Karen Young Karen Young is one of the "ferocious" voices of disco music. Her hits, "Hot Shot", "Bring On The Boys", "Baby You Ain't Nothing Without Me" are the notes that disco power is made of. Her first album in 1978 produced by Andy Kahn and Kurt Borusiewicz remains one of my favorites when it come to sassy and powerful tracks. |
|
|
• Give Me Your Love - Glenn Rivera ReStructure Mix - Sisley Ferre Sisley Ferré is actually Jody Pijper - a Dutch vocalist who worked with bands Stars On 45. "Give Me Your Love" is her 1986 high-NRG track from producers Erik van Vliet and Michael van der Kuy. |
|
|
• Feels Like Love - Glenn Rivera ReStructure Mix - Louise Thomas Louise Thomas is a UK high-NRG diva from the 80s who brought us several dance singles from 1985 - 1990. Her first single "Feels Like Love" from 1985 is one of my favorite early morning/high energy tracks. The song has a wonderful arpeggio introduction which gives the song a nice ring. |
|
|
• À La Vie, À L'Amour - Glenn Rivera ReStructure Mix - Jakie Quartz Jakie Quartz is a French singer from the 80s who was quite popular with chanson-style (poem) and a mixture of pop-music. Her 1987 track "À La Vie, À L'Amour" is one of the club songs which contained the 80s underground dance sound which is also one of my favorites. It was produced by Gérard Anfosso. |
|
|
• So Close To Heaven - Glenn Rivera ReStructure Mix - Trix Trix is a group consisting of triplet sisters from Buenos Aires, Argentina - Maria Laura, Maria Emilia and Maria Eugenia Fernández - the groups actual name is Las Trillizas De Oro - which translates into "The Triplets of Gold". |
|
|
• Sound Of My Heart - Glenn Rivera ReStructure Mix - Sleeping Lions Sleeping Lions are Gaynor Sadler, N. Sadler and Tony Sadler - a trio which began as a nu-wave act and then recorded one of the 80s most memorable high-NRG love songs - "Sound Of Heart" in 1983. You may be taken back to the 60s with the feel of this classic. It has a bubbly and uplifting energy with the touch of 60s British pop. |
|
|
• Angel Man (G.A.) - Glenn Rivera ReStructure Mix - Rhetta Hughes Rhetta Hughes recorded her first blues/jazz album in 1965 - following this in 1969 she recorded "Re-Light My Fire" (not the Dan Hartman song). In 1980 her LP "Starpiece" was her first project with disco producer, Kenny Lehman (Lemon, Chic, Hi Tension, Roundtree, Robin Beck) |
|
|
• Kasso - Glenn Rivera ReStructure Mix - Kasso Kasso is Claudio Simonetti and Giancarlo Meo - they are known for their disco bands Easy Going and Capricorn - also productions for Vivian Vee, Walter Martino and The Mask. |
|
|
• Need Your Passion - Glenn Rivera ReStructure Mix - Sweet Connection Sweet Connection are June La Vonne Polichio & Inge Schaubschläger - a German high-energy duo with several singles which set dance floors in motion during the lat-80s. Lead by producer Reinhard Frantz with a full electronic feel which is reminiscent of songs by Two Girls ("Another Boy In Town"). |
|
|
• Walk Away Satisfied - Glenn Rivera ReStructure Mix - Zino featuring Jayne Edwards Zino is Steve Algozino - who was also the founder of the disc jockey subscription service Hot Tracks at the start of the 80s. He also started Pacific Records which featured the release "Walk Away Satisfied" featuring disco artist, Jayne Edwards on lead vocal. This was a powerhouse disco/high energy track and was a frequent play in most clubs during it's release.
|
|
|
• It's Party Time - Glenn Rivera ReStructure Mix - Pattie Brooks Pattie Brooks had a fabulous career in the late 70s. She is best known for her big disco classic, "After Dark" from the motion picture, "Thank God It's Friday". This notch is not the only success "Our Miss Brooks" has celebrated - she also had five albums, provided backing vocals for Donna Summer and made a guest appearance on the popular television show, "Battlestar Galactica". |
|
|
• Love Massage - Glenn Rivera ReStructure Mix - Musique Musique is Patrick Adams sensual disco extravaganza - the group includes Christine Wiltshire, Denise Edwards, Gina Taylor, Jocelyn Brown, Mary Seymour and Rainy Davis
|
|
|
• Keep Those Lovers Dancing - Glenn Rivera ReStructure Mix - Saturday Night Band Saturday Night Band is Jesse Boyce, Moses Dillard, Donna McElroy and guest vocals from Lorraine Johnson. Their first LP "Come On Dance, Dance" was one of the first signs of the arrival of disco music to the masses. Combining the elements of a live band and the sweet strings of a disco arrangement were the trademarks of Dillard and Boyce productions - as heard here. |
|
|
• Su-Ku-Leu - Glenn Rivera ReStructure Mix - Tantra Tantra is a project from Celso Valli - produced by La Drogueria Di Drugolo and Quelli Del Castello - a group that has influenced and maintained the disco edge in the early 80s. "Hills Of Kat Mandu" is from the 1980 album titled "The Double Album" - and held as one of the greatest pieces of underground disco music from the late 70s. |
|
|
• Party Line - Glenn Rivera ReStructure Mix - The Andrea True Connection Andrea True (Andrea Truden) is a Nashville artists who not only sang the disco hit, "More, More. More" but also performed it as an adult film star. After disco producer, extraordinaire put together a production for Andrea's first single - and after it became a hit the album was recorded and history was made. |
|
|
• I Will Fight - Glenn Rivera ReStructure Mix - Gladys Knight and The Pips Gladys Knight and The Pips have been recording since 1965 - their music has brought soul and R&B and pattern which is now a part of music history. Throughout the period of 60s, 70s and 80s Gladys and the men have maintained a level of superior sound with the changing of music and times. |
|
|
• Tinsel Town In The Rain - Glenn Rivera ReStructure Mix - The Blue Nile The Blue Nile is a Scottish band from Glasgow. The band released it's first album in 1983 titled "A Walk Across The Rooftops". The single "Tinsel Town In The Rain" was an underground synth-pop hit in clubs which offered an alternative dance selection and many after-hours clubs. It is the perfect lilting melody for this style of club music. |
|
|
• Ask Me - Glenn Rivera ReStructure Mix - Ecstasy Passion and Pain Ecstasy Passion and Pain is Barbara Roy, Althea Smith, Carl Jordan, Jimmy Clark, Joseph Williams, Jr., Ronald Foster - one of the well known soul/funk/disco bands of the mid-70s. A full force of grooves that have helped to shape the sound and era of disco music - their hit "Touch & Go" is a landmark dance classic. |
|
|
• Don't Stop The Music - Glenn Rivera ReStructure Mix - Yarbrough and Peoples Yarbrough and Peoples are Alisa Peoples and Cavin Yarbrough - their group was formed along with The Gap Band. Their debut LP "The Two Of Us" contained a big funk/dance hit titled, "Don't Stop The Music" which was one of the biggest dance tracks of 1980. |
|
|
• Gonna Get Along Without You Now - Glenn Rivera ReStructure Mix - Viola Wills Viola Wills' cover of Teresa Brewer's 1952 recording of "Gonna Get Along Without You Now" is a disco classic. Viola recorded her dance version in 1979 and was produced by Francis Day and Jerry McCabe (who produced most of Viola's early material). |
|
|
• Snapshot - Glenn Rivera ReStructure Mix - Delores Hall Long before Rupaul's "Supermodel" there was Delores Hall's "Snapshot" - from her 1979 self titled LP. Delores was also a stage and television actress from the Dick Van Dyke show, "Diagnosis Murder" from 1993-1995. |
|
|
• Video Games - Glenn Rivera ReStructure Mix - Ronnie Jones Ronnie Jones released his 1980 album "Games" - produced by Jurgen S. Korduletsch with a very nice 12" single featuring the songs, "Video Games" and "Tonite". |
|
|
• More - Glenn Rivera ReStructure Mix - Carol Williams Carol Williams is the first disco-diva of Salsoul Records - her 1976 LP "L'ectric Lady" is a Vincent Montana, Jr. extravaganza! The project contained two of the big Salsoul classics, "Love Is You" and Carol's cover of the Italian instrumental (from1962's "Mondo Cane") with the adapted English lyrics by Norman Newell, "More". |
|
|
• Mama Rue (C'est Moi) - Glenn Rivera ReStructure Mix - Queen Samantha Queen Samantha is Charles Ibgui, Harry Chalkitis and Gloria Brooks
|
|
|
• Cosmic Voyager - Glenn Rivera ReStructure Mix - Kano Kano is Luciano Ninzatti, Stefano Pulga and Matteo Bonsanto - their first album from 1980 contained some of the progressive dance floor material with a heavy Italo-disco influence. "I'm Ready" from this LP is an icon for disco, electro and break-beats and continues as a powerful disco track. |
|
|
• Don't Turn Around - Glenn Rivera ReStructure Mix - The Raes The Raes are a disco duo who released three albums under the production of Harry Hindle. Their first big disco hit was "A Little Lovin' (Keeps The Doctor Away)" from the album "Dancing Up A Storm". Following were two singles form the LP "I Only Wanna Get Up And Dance" and "Don't Turn Around". |
|
|
• Magic Of You - Glenn Rivera ReStructure Mix - Cameron Cameron is a soul/disco singer who was signed to Salsoul Records in 1980 Brass Construction's Randy Muller - he also performed with Muller's group Funk Deluxe in the early-80s. |
|
|
• Keep It Hot - Glenn Rivera ReStructure Mix - Cheryl Lynn Cheryl Lynn became an overnight disco diva in a matter of notes. Her first album featured the disco classic, "Got To Be Real" and the disco cooker, "Star Love". This was an exciting time for dance floors and Cheryl's career. A turning point for disco history where a voice became a icon for the music. |
|
|
• African Queens - Glenn Rivera ReStructure Mix - The Ritchie Family The Ritchie Family's third album "African Queens" from 1977 is one of the early disco-fantasies and wonderful Euro-disco feel project. Produced by the late, but forever fabulous Jacques Morali and features Ralph McDonald and Horace Ott on string and horn arrangements - the sound of Jacques' magic disco era. |
|
|
• I'm Here Again - Glenn Rivera ReStructure Mix - Thelma Houston Thelma Houston is a gift from the 70s. Her talent has given soul/R&B and disco music a lift for lasting emotion in many of her recordings. Her career in the industry began in 1969 with her LP "Sunshower". In 1976 she created a window for disco music with her Grammy award winning cover of "Don't Leave Me This Way" (originally recorded by Harold Melvin & The Blue Notes in 1975). |
|
|
• Bad Girl - Glenn Rivera ReStructure Mix - Sphinx Sphinx is an Italo-disco project from Luciano Ninzatti, Matteo Bonsanto and Stefano Pulga - the boy who created Kano. These musicians and producers formulated the Phil Spector sound for disco - a wall of synthesizers on a disco beat. |
|
|
• She Wants To (Get On Down) - Glenn Rivera ReStructure Mix - Bill Withers Bill Withers (William Harrison Withers Jr.) was a mechanic for Lockheed Aircraft Corporation but after demos and his 1971 single "Ain't No Sunshine" he became a major soul artist. His 1977 album "Menagerie" contained his classic "Lovely Day" (later covered by C.C. Music Factory) and also a song featured in the film, "Looking For Mr. Goodbar". |
|
|
• No Regrets - Glenn Rivera ReStructure Mix - Quartzlock I like to think of Quartzlock's "No Regrets" as the crowning touch of high energy in 1988. This song is one of the most recognizable songs in the clubs of hardcore high energy and club music. It features Lonnie Gordon on vocals presenting an emotional and powerful delivery for a disco track. I would say the "I Will Survive" of the late 80's. |
|
|
• Sexy Cream - Glenn Rivera ReStructure Mix - Slick Slick is Barbara Ingram, Carla Benson, Evette Benton and Brandi Wells
|
|
|
• Dance, Dance, Dance - Glenn Rivera ReStructure Mix - Supermax Supermax is an Austrian disco/rock fusion band formed by Kurt Hauenstein in 1976. Their 1977 album "Supermax" contained several nice dance tracks including the underground classic, "Lovemachine". |
|
|
• Native Love - Glenn Rivera ReStructure Mix - Divine Divine (Harris Glenn Milstead) is unmistakable in any sense. He began as a drag performer in cult classic films by John Waters - even more perfect is his role in disco/high energy music in the early-80s. Teamed with producers Danny Weiss and Bobby Orlando a camp-driven hardcore synthesized dance edge was created. |
|
|
• Rofo's Theme - Glenn Rivera ReStructure Mix - Rofo Rofo is Ronny Verrept and Fonny De Wolf (Charity, Samantha Gilles, Michael Bow, Bianca). The first single from Rofo from 1983 "Flashlight On A Disco Night" egnited a new high energy sound in electronic music - followed by "I Want You" and "You Got To Move It On". A blend of rolling synthesizers and male/lounge-like vocals. |
|
|
• Boys On Hollywood Blvd - Glenn Rivera ReStructure Mix - Elite Elite is Jon Pickett, Michelle Wilson and David Vinson - a disco project arranged and conducted by the fabulous, Celso Valli (Passengers, Azoto, Tantra). Co-produced and keyboards from Tony Carrasco. |
|
|
• Op Oop Op Oop - Glenn Rivera ReStructure Mix - Esther Phillips Little Esther (alias Esther Phillips) is the queen of blues and soul. Her move to disco music in the late 70s was a treat to dance floors and now music history. The 1979 LP "Here's Esther...Are You Ready" produced by Harvey Mason is a gem. |
|
|
• No Romance/Keep On Dancin' - Glenn Rivera ReStructure Mix - Theo Vaness Theo Vaness (Hendrikus Theodorus van Es) is a disco singer who made a time when disco was chic, complete. His disco music career began in 1978 with the LP "Back To Music" produced by Lana Sebastian, Michaele and Paul Sebastian (Pacific Blue, Madleen Kane). |
|
|
• Cream (Always Rises To The Top) - Glenn Rivera ReStructure Mix - Bionic Boogie Gregg Diamond is responsible for a unique sound in disco music. He began his disco career in 1975 with Andrea True Connection's disco hit, "More, More, More". He managed to create a funky groove with the sweetness of disco strings and horns. Much like the Silver Convention.
|
|
|
• Blue Disease - Glenn Rivera ReStructure Mix - Vivien Vee Vivien Vee is a disco star from Italy discovered by Claudio Simonetti and Giancarlo Meo. Her big hit "Give Me A Break" from 1979 helped to bridge the gap from disco music to high energy during the early 80s. |
|
|
• Need-A-Man Blues - Glenn Rivera ReStructure Mix - Donna Summer Donna Summer hit the club hard with her first album "Love To Love You Baby" in 1975 - a said-to-be mimic version of Diana Ross' "Love Hangover" in an extreme package, the title track is a now defined by the success and controversy throughout time. |
|
|
• All My Love - Glenn Rivera ReStructure Mix - L.A.X. L.A.X. are Galen Senogles ( Nite School - "Do You Speak French?") and Ralph Benatar (Black Blood, El Chicles, J.J. Band) - creating a disco/funk band whose first hit "Dancing At The Disco" in 1979 was a bit hit for dance clubs. |
|
|
• Can't Live Without Your Love - Glenn Rivera ReStructure Mix - Suzy Q Whats started as a studio project for disco producer Jerry Cucuzzella and diva, Carol Jiani and the single "Get On Up And Do It Again" later became one of Canada's big disco artists. |
|
|
• Score - Glenn Rivera ReStructure Mix - Carol Lloyd Carol Lloyd is a disco artist produced by Bruce Weeden - a songwriter, engineer and guitar player who worked along side Boris Midney on the USA European Connection ("Come Into My Heart/Good Loving") album and also the similar claim-to-the-dance floor group, Ultimate - where most of the studio players take part in both studio projects. Carol is a fierce singer and brings to mind a sassy Melissa Manchester of sorts when you hear the soul and heart of her delivery. |
|
|
• Ain't No Smoke Without Fire - Glenn Rivera ReStructure Mix - Eddie Kendricks Eddie Kendricks solo career was just as exciting at his time with Motown's classic group The Temptations. His 1978 LP "Vintage" contained his dance single "Ain't No Smoke Without Fire" produced by Jeff Lane. The track gave Eddie an opportunity to deliver a yearning affection for a true love and a few pointers on how to stay in love. |
|
|
• One Way Ticket - Glenn Rivera ReStructure Mix - Eruption Eruption is a band from the late 70s founded by producers Frank Farian and Rainer M. Ehrhadrt and features Eric Kingsley, Gerry Williams, Greg Perrineau, Morgan Perrineau and Precious Wilson on |
|
|
• Galaxy Of Love - Glenn Rivera ReStructure Mix - Crown Heights Affair Crown Heights Affair is given a ReStructure Mix from their LP "Dream World" from 1978 - a big shot into outer-funky-space with this ReStructure Mix with lots of horns and space-funk! It is truly one of the rewards of the Crown Heights Affair catalogue. |
|
|
• Love In The Night - Glenn Rivera ReStructure Mix - VHF VHF is a studio project from Rod Gammons who also brought us Lewis Berry, Amanda Scott, Sadie Nine and Smalltown Boys. "Love In The Night" is a 1987 high energy tribute to E.G. Daily's "Love In The Shadows" from 1985. It is the identical instrumental and melody set to new lyrics - which was quite a phase for high energy when bands like Offshore (with Lonnie Gordon) again took the vocal from "No Regrets" and created "All Work and No Play". |
|
|
• It's My House - Glenn Rivera ReStructure Mix - Diana Ross Diana Ross made the disco era complete with her 1979 LP "The Boss" - it was one of the moments in music history where the puzzle seemed complete. The title single of course is a landmark hit single for Diana - yet, "It's My House" being the second single release was just as powerful in a lower energy form. |
|
|
• New York City Rhythm - Glenn Rivera ReStructure Mix - Barry Manilow Barry Manilow brought the 70s a wonderful collection of pop ballads in a style all of his own. He is truly one of the talents who made love songs feel even warmer. |
|
|
• Get Dancin' - Glenn Rivera ReStructure Mix - Disco Tex and The Sex-O-Lettes Disco Tex & His Sex-O-Lettes is Sir Monti Rock III and his outrageous rock and roll review. The project featured many familiar players: Charlie Calello, Denny Randell, Bob Crewe and Kenny Nolan. This album plays out like a out-of-bounds concert with a burlesque show and pop and lockers entertaining.
|
|
|
• Pride - Glenn Rivera ReStructure Mix - Grace Jones Grace Jones is truly the "muse" of disco music. The Jamaican diva has truly left an image in the sound of disco, reggae, funk and new wave sound. Her recording career of the disco era was a unique experience for dance floors and became the forefront of its true essence. |
|
|
• He Said, She Said - Glenn Rivera ReStructure Mix - Venus Dodson Venus Dodson is a disco artist who worked closely with Leroy Burgess and Patrick Adams - she appeared in many projects including Sine, Herbie Mann's "Super Mann", Phreek, Kay Gee's "Burn Me Up" a few album by The Salsoul Orchestra. |
|
|
• You Are A Danger - Glenn Rivera ReStructure Mix - Gary Low Gary Low (Luis Romano Peris Belmonte) is one of the earliest Italo-disco artists to ring in the sound which dominated progressive dance floors of the time. |
|
|
• Imagination - Glenn Rivera ReStructure Mix - Helen Reddy Australian born singer, Helen Reddy dominated the charts in the early 70s with many of her singles. She is one of the well known artists with lasting talent for singing and songwriting. |
|
|
• You Keep Me Hanging On - Glenn Rivera ReStructure Mix - Soiree Soiree is a studio project from producer, Billy Jackson with a cast of disco stars including Alfonzo Thornton, Jocelyn L. Brown, Sharon Redd, Ula Hedwig, Yvonne Lewis and Luther Vandross. This album consists of disco version of Motown, 50s and classic soul remakes. Full disco orchestrations make this project sound like gold. |
|
|
• Got To Get To You - Glenn Rivera ReStructure Mix - Charade featuring Jessica Charade released "Got To Get To You" in 1983 - a single that helped to jump start the high energy resurgence. Dance floors were already warming up to similar production with energy like "Searching" by Hazell Dean and "So Many Men, So Little Time" by Miquel Brown. |
|
|
• I Don't Want To Talk About It - Glenn Rivera ReStructure Mix - Pamala Stanley Pamala Stanley is a singer from Philadelphia, Pennsylvania who hit the disco scene in 1979 with her huge hit, "This Is Hot". It was not long after that her career exploded into a ball of disco fire when her single (released and distributed on her own label) "I Don't Wanna Talk About It" marked her return. |
|
|
• Dancer Dance - Glenn Rivera ReStructure Mix - Pussyfoot Pussyfoot is vocalist Donna Jones (New Seekers, The Springfield Revival) and producer Mick Flynn. This 1978 disco track is very reminiscent of Donna Summer's "I Feel Love" - both in vocal delivery and sequencer programming - yet, something new is added here. A harpsichord lightly trickles and accents the sleaze-like chorus. |
|
|
• Flight To Fantasy - Glenn Rivera ReStructure Mix - Linda G. Thompson Linda G. Thompson is a German vocalist who is better known for her vocals with Silver Convention and The Hornettes (with Lucy Neale). Her single from 1975 "Ooh What A Night" is another single that echoes the sound of the funky/disco Silver Convention feel. |
|
|
• Love Is In Control (Finger On The Trigger) - Glenn Rivera ReStructure Mix - Donna Summer Donna Summer took her incredible talent into the 80s with legendary producer, Quincy Jones with her 1982 LP "Donna Summer" featuring a new approach to her diverse range and style. |
|
|
• Stuff Like That - Glenn Rivera ReStructure Mix - Quincy Jones Quincy Jones is a living legend in the music industry. His productions and arrangement have made many artists shine like gold. His 1978 LP "Sounds...And Stuff Like That!!" is a project with pieces of funk, soul and jazz accentuated by Jones' magic touch. |
|
|
• Plug Me To Death - Glenn Rivera ReStructure Mix - Erotic Drum Band Erotic Drum Band is one of the Canadian disco bands that headed the disco boom in 1978 with the LP "Plug Me To Death" - which featured 4 classic percussion driven pieces. This is the kind of disco music from the underground scene and made it way to move dance floors in a new way. |
|
|
• Hold Me Down - Glenn Rivera ReStructure Mix - Lipps Inc. Lipps Inc. is a disco icon band with their "Funkytown" hit! |
|
|
• 1-2-3 - Glenn Rivera ReStructure Mix - Salazar Salazar is a disco band created by David Perry ("Keep On Walking" by Carrie Laporte) and features covers of 50s and 60s classics. "1-2-3" from their first LP was a big hit in clubs at the end of 1979 and continued on the disco energy tradition. The original was recorded by Len Barry in 1965. |
|
|
• Rescue Me - Glenn Rivera ReStructure Mix - Taste Of Honey Taste Of Honey is Donald R. Johnson, Hazel P. Payne, Janice M. Johnson and Perry Kibble - they are well known for their 1978 disco hit "Boogie Oogie Oogie" - and also the award for first black group to win the Best New Artist Grammy in 1979. |
|
|
• It's Too Late - Glenn Rivera ReStructure Mix - Simone Simone is a high-energy artist from the early 80s whose first single "It's Too Late" (a cover of Carole King's classic) is one memorable single from the disco sound called high energy. It was produced by Les Hunt who also gave us "Countdown" by Koffie and The Lovetones and "Eat You Up" by Angie Gold. The cover is a fast and flowing dance track with Simone's sweet but defiant vocal. |
|
|
• Don't Stop - Glenn Rivera ReStructure Mix - K.I.D. K.I.D. is a project led by Geoff Bastow (Stainless Steal, Foxx, Patto) who worked with Giorgio Moroder closely during The Munich Years. His performances include the early Donna Summer and Munich Machine albums. |
|
|
• Don't Fall In Love - Glenn Rivera ReStructure Mix - Alma Faye Alma Faye Brooks is the disco artists who brought the soulful vocal and theme of heartbreak to dance floors in 1977 with "Stop, I Don't Need No Sympathy"- produced by Dominic Sciscente (Black Light Orchestra, Space Project) and Michel Daigle . |
|
|
• Pop Pop Shoo Wah - Glenn Rivera ReStructure Mix - Erotic Drum Band Erotic Drum Band is a disco concept group from Peter Di Milo (Champagne Explosion, Ann Joy, Nightlife Unlimited, Pussycats, Sugar Band Express) which represented the maturity of the disco sound in the late 70s. Their first LP "Plug Me To Death" is one of the most played albums I can remember during the period for hardcore and progressive clubs. |
|
|
• I'm Not In Love / Girl, You're In Love - Glenn Rivera ReStructure Mix - Scherrie Payne Scherrie Payne (sister of Freda Payne) became a member of The Supremes in 1973 - 1977 - a powerhouse diva. Her solo career also took shape in the late 70s, 80s and presently with many high energy productions with disco master, Rick Gianatos. |
|
|
• D.I.S.C.O. - Glenn Rivera ReStructure Mix - Ottawan Ottawan is a disco group produced by Daniel Vangarde (Gibson Brothers, Who's Who) during the big disco boom of the late 70s. Consisting of vocalists from Pam and Pat (a group formed following the success of Ottawan). |
|
|
• Au Revior - Glenn Rivera ReStructure Mix - Noel Noel is an artists introduced with an LP titled "Dancing Is Dangerous" - produced by Ron Mael and Russel Mael of the brothers band, Sparks. This session was truly influenced by their own LP "#1 In Heaven" - produced by Giorgio Moroder. |
|
|
• Menhungry - Glenn Rivera ReStructure Mix - Maxine Dee Maxine Dee released her single from Germany, "Menhungry" in 1983 - produced by J.P. Garattoni. It was one of the electro-disco tracks of this period which returned to the heavy synthesized feel of Giorgio Moroder-ish disco arrangement. The premise of the original mix was a flowing 3 part sequencer feel which gave Maxine a chance to admit her weakness: "men". |
|
|
• Take A Chance - Glenn Rivera ReStructure Mix - Bizzy & Co Bizzy & Co is Fabrizio Gatto - an Italian producer who also gave us Italo-disco classics by Doctor's Cat, Martinelli, Cat Gang, Topo & Roby and Raggio Di Luna. His synthesizer sound in the early 80s is an excellent blend of high energy and a hypnotic dance sound. |
|
|
• You Can - Glenn Rivera ReStructure Mix - Madleen Kane Madleen Kane is one of disco music's sexiest artists ever! Her first LP "Rough Diamond" has a stamp of the sultry sound of disco without compromising on rhythm and pulsating charm. Her fourth LP was more than a welcome sight in 1981 - it was a production by disco extraordinaire, Giorgio Moroder that also created a new vehicle for Moroder's mature production for the 80s. |
|
|
• Girls Are Back In Town - Glenn Rivera ReStructure Mix - Risque Risque is Yvonne van Spluteren (later replaced by Denise van der Hek), Donna Baron, Ingrid de Goede and Irene van der Hoeven a Dutch girl-group with a hypnotic sound and feel. Their first single "Girls Are Back In Town" is an appropriate synthesized disco track with the sound of the early 80s and the transition from orchestrated disco music to the simplified keyboard and sequencer arrangements. |
|
|
• Don't Turn Your Back On Love - Glenn Rivera ReStructure Mix - Eloise Whitaker Eloise Whitaker is an artist produced by Laurin Rinder and W. Michael Lewis in the early 80s - featured on the new dance label Destiny Records along with Butterfly exec A.J. Cervantes. |
|
|
• Change - Glenn Rivera ReStructure Mix - Zulema Zulema Cusseaux began with a trio called Five Crystals and then later worked with Van McCoy with Faith, Hope and Charity. She also became a studio group titled Zalmac in the early 80s. |
|
|
• Baby Come and Get It - Glenn Rivera ReStructure Mix - Pointer Sisters Pointer Sister became the breaking of pop-high energy and dance music in the early 80s. Their album "Break Out" produced by Richard Perry was just that for these soulful divas. |
|
|
• Whatcha Gonna Do About It - Glenn Rivera ReStructure Mix - Rozalin Woods Rozalin Woods is a disco artist who released one album during the height of the disco era and then was never heard from again in the music industry. The album was "Flashback" and it was produced by Ed Martinez (Papa John Creach, N.E. Philly Band).
|
|
|
• Solitaire - Glenn Rivera ReStructure Mix - Laura Branigan Laura Branigan is one of the voices of the 80s that is instantly recognizable. Her dance classic "Gloria" is one of the most powerful dance songs ever recorded. This gave Laura a career in music that moved throughout the 80s and early 90s with several big ballads and a many dance singles. |
|
|
• You Really Touched My Heart - Glenn Rivera ReStructure Mix - Amii Stewart Amii Stewart is one of the visions that make the disco era exciting and as memorable as a the mirror ball itself. Her cover of "Knock On Wood" made dance floors jump with excitement. The project was produced by Barry Leng (Stephanie De Sykes, Simon May) who brought a tough-disco sound to life at a time when needed most. |
|
|
• On The Run - Glenn Rivera ReStructure Mix - Colleen Heather Colleen Heather's LP "Heartbreaker" was one of the West End Records releases in 1979 that marked the disco boom with dance sparklers and the production of disco in the making. Produced by Bob Motta - who also gave us the New York Rubber Rock Band which also featured Colleen Heather on "Put Your Love In My Hands" single. |
|
|
• Don't Stop Your Love - Glenn Rivera ReStructure Mix - Booker T. Booker T. is a musician, songwriter and arranger from Memphis Tennessee - he is also the founding member of Stax' band Booker T. & The MG's from the early 60s. His production in the early 80s were a memorable contribution to dance music. "Don't Stop Your Love" is from his LP "I Want You" and a huge soul/disco classic from the period. |
|
|
• My Heart Belongs To You - Glenn Rivera ReStructure Mix - Pattie Brooks Pattie Brooks is one of the veteran disco images and influences in dance music history. Her big move with Casablanca Records was backing vocals for artists like Donna Summer - her lead to the fr stage was welcome site in 1977 with The Simon Orchestra. |
|
|
• Going Through The Motions Of Love - Glenn Rivera ReStructure Mix - Danny Lugo and Destination Danny Lugo and Destination are a powerhouse group with a classic disco album produced by Elton Farokh Ahi (Fire and Ice, Stereo Fun, Inc.) - a disco moment in time with this LP "From Beginning To End" and a marker for label Butterfly Records. |
|
|
• Dance Wit Me - Glenn Rivera ReStructure Mix - Rufas featuring Chaka Khan Rufas and Chaka Khan recorded their first LP "Rufusized" in 1974 with a fusion of soul and funk and also a road for a whole new sound. The music quickly became the aura of pop-soul music during the mid-70s. "Rufus featuring Chaka Khan" was released the following year and managed the two hits, "Sweet Thing" and "Dance Wit Me". |
|
|
• Telefone (Long Distance Love Affair) - Glenn Rivera ReStructure Mix - Sheena Easton Sheena Easton took over the pop charts in 1981 with her pop hit "Morning Train (Nine To Five)" - it was a couple of years later that she moved intro the pop-dance arena with producer Greg Mathieson. The track was released with a powerhouse dance remix by Rusty Garner where every beat was emphasized and hit the mark.
|
|
|
• Fly Me - Glenn Rivera ReStructure Mix - Zell Black Zell Black is a vocalist from the mid 70s who had a minor radio hit with a track titled "I Been Had By The Devil" on Motown Records. A year later Zell recorded again with Bob Gaudio as producer with a single "Fly Me" on Mike Curb Records. |
|
|
• Helpless (You Took My Love) - Glenn Rivera ReStructure Mix - The Flirts The Flirts are a creation from the fingers and mind of Bobby Orlando - who also gave us many sound-alike bands like Waterfront Home, One-Two-Three, Tony Caso, WOW and his own Bobby 'O' titles. |
|
|
• Baby, I'm Burnin' - Glenn Rivera ReStructure Mix - Dolly Parton Dolly Parton joined the disco ranks in 1978 with her dance floor hit, "Baby I'm Burnin'" - from her LP "Heartbreaker". Co-produced by Gary Klein. The song crossed over from the pop-range and also made an opening number for her television variety show. |
|
|
• Let This Night Go On For Days - Glenn Rivera ReStructure Mix - Giorgio & Chris Giorgio Moroder and Chris Bennett were the late 70s duo who brought magic together on the Munich Machine LP "A Whiter Shade Of Pale" in 1978 - giving Chris another opportunity for her lovely vocals within the electronic notes of Moroder's compositions. Chris Bennett had recorded a single in 1976 titled "Disco Man" which was also produced by Giorgio Moroder and Pete Belotte. |
|
|
• I Have A Destiny - Glenn Rivera ReStructure Mix - Denise McCann Denise McCann is an vocalist who hit the disco scene with a track called "Tattoo Man" which was originally intended as rock/pop - but after a disco over-haul became a big club hit in 1977. The next year gained her a contract with Butterfly Records - at the time one of the most promising disco labels of the late seventies. Her 1979 LP "I Have A Destiny" was one containing more of Denise's unique vocal style. The project was produced by Guy Sobell and have several tracks that were dance floor worthy. The title track I have ReStructured, since it has always been one of my Denise McCann favorites. It is the glitzy and glam edge of the disco era and has many riffs which make it fun to listen and dance to. I have added a few pieces to give it a new feel. Dedicated to Ms. McCann and thank you for the emails |
|
|
• Accidental Lover - Glenn Rivera ReStructure Mix - Love and Kisses Love and Kisses is a group created and produced by Alec R. Costandinos. The first self-titled album gave way to two powerhouse Euro-disco hits, "I Found Love (Now That I Have Found You)" and "Accidental Lover". This was the starting line for dance floors to dance to a full orchestrated disco production and a stylish groove. |
|
|
• Let's Dance - Glenn Rivera ReStructure Mix - David Bowie David Bowie began a career in rock music during the late 60s. His iconic style and image became one of the most influential through the 70s and during the early 80s. His 1983 project with disco producer Nile Rodgers was one of the most awaited albums of the time. |
|
|
• Work Me Over - Glenn Rivera ReStructure Mix - Claudja Barry Disco queen Claudja Barry has also been the "sweetest dynamite" to hit dance floors and stages during the late 70s, 80s and even today. Her stance is a powerful one - as well as her unique range and vocal approach. |
|
|
• Tequila - Glenn Rivera ReStructure Mix - Bo Boss Bo Boss is Paolo Micioni, Massimiliano Di Carlo and Roberto Masala - a production trio who also brought us "Not Love" by Trilogy and "Freedom" by Thanya. This was an innovative electronic sound for the 80s and sounds family with many Italo-disco production during this dance period. |
|
|
• Bi-Coastal - Glenn Rivera ReStructure Mix - Peter Allen Peter Allen is an entertainer from Australia - his career spanned the mid-80s throughout his passing in 1992. His single "Bi-Coastal" from his 1980 LP is a wonderful piece of dance/pop that was released as a promo 12" and caught the ears and hearts of those who clamour for a mixture of stage and dance floor. |
|
|
• If You Feel The Funk - Glenn Rivera ReStructure Mix - LaToya Jackson LaToya Jackson releases her first solo LP in 1980 with various production sessions - "If You Feel The Funk" from the project was produced by Ollie E. Brown and features guitars by Ray Parker Jr. |
|
|
• Ain't Nothing Gonna Keep Me From You - Glenn Rivera ReStructure Mix - Teri DeSario Teri DeSario released her first album in 1978 titled "Pleasure Train" which contained two dance floor classics soon remixed and released as a 12" single. "The Stuff Dreams Are Made Of' and "Ain't Nothing Gonna Keep Me From You" both become dance floors hits and now classics. I have taken "Ain't Nothing Gonna Keep Me From You" from the 12" remix and ReStructured it per the guidelines of a new effect.
|
|
|
• Master Blaster (Jammin') - Glenn Rivera ReStructure Mix - Stevie Wonder Stevie Wonder has brought soul and disco together. One of the earliest noted disco/soul projects being his 1976 album "Songs In The Key Of Life". Wonder has been active in the recording industry since 1963 and one of Motown's most celebrated talents. |
|
|
• Black Is Black - Glenn Rivera ReStructure Mix - Cerrone Jean-Marc Cerrone is man when it comes to disco music. His compositions, arrangements and productions define the Euro-disco sound. His first LP "Love In 'C' Minor" is perhaps one of the perfect among much of his work. Many tracks stand out over each other when you are searching for a message or mood, which is why this man has lead an incredible career- and he continues to fascinate even today. |
|
|
• Rock It - Glenn Rivera ReStructure Mix - Deborah Washington Deborah Washington is a true disco diva. Her first LP "Anyway You Want It" brought a disco version of The Four Tops "Standing In The Shadows Of Love" to many dance floors and completed sound that disco music was all about during the time period. Her follow up project titled "Love Awaits" contained the single "Rock It" which brought Deborah's soft and sexy vocals out again in their place. |
|
|
• Not Love - Glenn Rivera ReStructure Mix - Trilogy Trilogy is Paolo Micioni - a DJ and producer from Rome, Italy. His work in the early 80s can be heard in releases by Easy Going, Gary Low, Traks, Thanya, Gazebo, Blue Night and various remix projects. His style of Italo-disco helped in the early 80s to create a mood which reshaped dance floors and stand up clubs around the world. |
|
|
• San Francisco Hustle - Glenn Rivera ReStructure Mix - Silver Convention Silver Convention is the creation from German producers and songwriters Michael Kunze and Sylvester Levay - their first single in 1974 "Save Me" began a part of disco music history which remains one of the most memorable even today. |
|
|
• Oh, People - Glenn Rivera ReStructure Mix - Patti LaBelle Patti LaBelle needs no introduction - once the voice begins to emanate a stand is taken and a deeper soul is released. Her contribution to soul and disco music are the proof of talent and heart.
|
|
|
• Standing In The Rain - Glenn Rivera ReStructure Mix - Don Ray Don Ray is a musician during the mid and late 70s who has worked with Alec R. Costandinos, Crystal Grass, Santa Esmeralda and Cerrone. His solo project in 1978 is "The Garden Of Love" was an opportunity for Ray to compose and arrange along with Cerrone. |
|
|
• Begin The Beguine - Glenn Rivera ReStructure Mix - Johnny Mathis Johnny Mathis covers the Cole Porter masterpiece "Begin The Beguine" written in 1935 and introduced in a Broadway musical titled "Jubilee". The song is from his 1978 LP titled "The Best Days Of My Life" - produced by Jack Gold. The track was remixed in 1979 by Steve Thompson - with an arrangement from the legendary, Gene Page. |
|
|
• Must Be The Music - Glenn Rivera ReStructure Mix - Secret Weapon Secret Weapon is 'The' Roy Skip Snider, Djuana "DJ" Thomas, Jerome Prister, Kevin Walker, Michele Blackmon, Rickey Paige and Russell Thomas - New York funk/disco group produced during the shifting of disco music in the early 80s. The self titled LP fulfilled the single "Must Be The Music" and brought the lighter-side of rap and funk to a head. |
|
|
• I'll Do My Best (For You Baby) - Glenn Rivera ReStructure Mix - Ritchie Family Ritchie Family moved into the 80s with disco Jacques Fred Petrus (Revanche, Peter Jacques Band, B.B. & Q. Band, Change) pulling together Giuliano Salerni (Hi-Gloss, Bonnie Boyer, Strange Affair) arranging and conducting along with Mauro Malvasi. The project was a move for the ladies to explore the electronic disco funk movement coming from New York.
|
|
|
• Dead On The Case - Glenn Rivera ReStructure Mix - Disconnection Disconnection is Robert Lee Holmes Jr. - producer of the late jazz.funk artist Freddie Waters. Holmes worked to create a jazz/disco/funk project on Prelude Records in 1977 which became one of the most obscure projects for this top disco label. The track "Dead On The Case" was a short cut (3:27) from the LP which gained some attention but was much too short to use - it was also featured on a Rare Preludes Volume 6 in 1993. |
|
|
• Doctor Kiss-Kiss - Glenn Rivera ReStructure Mix - 5000 Volts 5000 Volts is Kevin Wells, Linda Kelly (later replaced by Tina Charles), Martin Cohen, Martin Jay and Mike Nelson. Their self-titled LP from 1976 is one of the big disco memories of the disco era which points to one of the highest "disco-fevers" with "Doctor Kiss-Kiss", The single is one of several from the project which make this album a classic.
|
|
|
• Disco Connection - Glenn Rivera ReStructure Mix - Isaac Hayes Connection Isaac Hayes Movement is Charles "Skip" Pitts, Gary Jones, Isaac Hayes, Lester Snell, Michael Toles, Mickey Gregory, Ronald Hudson, Sidney Kirk, Tommy Williams and Willie Hall. The ensemble began recording in the late 60s creating a path for soul music to reshape dance floors in the early 70s. |
|
|
• Passion - Glenn Rivera ReStructure Mix - The Flirts The Flirts are the 80s answer to the synth-pop disco/nu wave dance sound - with the master of 80s dance Bobby Orlando as the conductor. The group emerged in 1982 with their first dance floor hit, "Passion" and lead the way for Orlando to conquer and leave dancers yearning for that rolling synthesizer and rhythmic percussion.
|
|
|
• Friends - Glenn Rivera ReStructure Mix - Amii Stewart Amii Stewart (Amy Nicole Stewart) is one of disco's most regarded diva's since her big hit "Knock On Wood" struck dance floors in 1978. Her career has spanned a series of dance floor hits as well as work with some great composers including Ennio Morricone, Naratha Michael Walden, Giorgio Moroder and Bolland and Bolland. |
|
|
• Gonna Get Over You - Glenn Rivera ReStructure Mix - France Joli France Joli burst upon the music scene during disco's dynamic period and her big hit "Come To Me" remains one of the most memorable of dance floors around the world. Her 1981 single "Gonna Get Over You" is from her LP "Now" - the single produced by Raymond Reid and William Anderson (of Crown Heights Affair) - with strings and horn arranged by Giulliano Salerni (Strange Affair, Hi-Gloss, Bonnie Boyer, Tangerue) and a 12" remix by Francois Kevorkian. |
|
|
• Take It To The Zoo - Glenn Rivera ReStructure Mix - Sunshine Sunshine are Donna Summer's sisters. Dara Bernard and Mary Bernard - they began as back-up for Donna during her few projects prior to the release of the "Thank God It's Friday" soundtrack. The project was produced by Arthur G. Wright (Paul Jabara, Rare Gems Odyssey and also from the soundtrack "Leatherman's Theme" from Wright Brother Flying Machine). |
|
|
• You and I - Glenn Rivera ReStructure Mix - Rick James Rick James changed the face of soul/funk and disco music during his rein from 1978 throughout the 80s. His productions enhanced the hardcore edge of a sound which began in the early 70s with experimental artists like George Clinton and Bootsy Collins. A hard hitting emphasis of rhythm guitars and rock-edged yet soulful vocals played a big part in the outline. |
|
|
• (Your Love Has Got Me) Screamin' - Glenn Rivera ReStructure Mix - Blacksmoke Blacksmoke's "(Your Love Has Got Me) Screamin'" is from their 1976 self-titled LP - the track was released as a 45 rpm single and also featured on a Casablanca dance EP compilation - in it's 3 minute version. It took 2 copies for me to extend it them/ This over-8 minute ReStructure Mix remedies that problem and pumps up the intro and breaks with some massive percussion. |
|
|
• Substitute - Glenn Rivera ReStructure Mix - Liquid Gold Liquid Gold is headed by vocalist Ellie Hope and produced by Adrian Baker (an artist in the early 70s). The bands first success came in 1979 with their smash disco hit "My Baby's Baby". The song solidified the sound of Liquid Gold and each following release reflected this winning formula. The same year their following release, "Dance Yourself Dizzy" created the same excitement. |
|
|
• You Are The Reason (I Feel Like Dancing) - Glenn Rivera ReStructure Mix - The Fifth Dimension The Fifth Dimension began recording in 1967 and is better known for their worldwide 60's hit "Up-Up And Away". The group was formed by Billy David Jr.and featured his wife Marilyn McCoo - they went on to recording a disco classic in 1978. The group had a mild success with their 1978 LP "Star Dancing" which featured the single "You Are The Reason (I Feel Like Dancing)" - which was also featured in the film "Thank God It's Friday" but not included in the soundtrack. |
|
|
• Gimme Some - Glenn Rivera ReStructure Mix - Jimmy 'Bo' Horne Jimmy 'Bo" Horne's 1978 album "Dance Across The Floor" brought The Miami Disco Sound to a new high. The production by Harry Wayne Casey and Richard Finch of K.C. and The Sunshine Band gave a new expression of their funky/soul/disco style. |
|
|
• Fever - Glenn Rivera ReStructure Mix - Sylvester Sylvester's fifth solo album is "Sell My Soul" - produced by Harvey Fuqua. The project contained several wonderful dance tracks: "I Need You", "I'll Dance To That", "Doin' It For The Real Thing" and a cover of the classic song "Fever". |
|
|
• Save Me - Glenn Rivera ReStructure Mix - Silver Convention Silver Convention is the mid-70s answer to boogie music - slowly becoming the disco-pop of the era. Produced by Michael Kunze and Sylvester Levay - this powerhouse ensemble emphasizes the power of a few riffs and disco bass-lines. |
|
|
• Music Is All You Need - Glenn Rivera ReStructure Mix - THP THP began in 1976 with their first LP "Early Riser" - produced by Willi Morrison and Ian Guenther. Their disco influence was based on a full orchestration of the Euro-disco sound with a funky band edge. It was big during their second release titled, "Two Hot For Love". The LP "Tender Is The Night" hit the discotheques during a period where a transition of the music was motivational. |
|
|
• Look At You - Glenn Rivera ReStructure Mix - George Mc Crae George Mc Crae exploded on the early disco scene with his monster soul hit, "Rock Your Baby" in 1974 - the LP was Produced by K.C. and the Sunshine Band's Harry Wayne Casey and Richard Finch and under Henry Stone's classic label T.K. Records. |
|
|
• Give Me A Break - Glenn Rivera ReStructure Mix - Vivian Vee Vivian Vee (Viviana Andreattini) is a disco star discovered by disco producers Claudio Simonetti and Giancarlo Meo (Easy Going, Capricorn) in the late 70s. Her first single "Give Me A Break" was a huge disco hit internationally and in the states. It was the resurgence of uplifting and "feel-good" disco music and began a whole new period of disco music which would soon become high energy. |
|
|
• You Got Me Dancing In My Sleep - Glenn Rivera ReStructure Mix - Frisky Frisky is a disco studio concept band from Jesse Boyce and Moses Dillard -the producers who brought New York discos alive in the late 80s with their album by Saturday Night Band and Constellation Orchestra. A refined and orchestral flavor of dance music which helped to bring disco music to the top of the charts and make it a household word. |
|
|
• Funkin' For Jamaica - Glenn Rivera ReStructure Mix - Tom Browne Tom Browne (Thomas Fredrick Browne) released his second jazz album in 1980 titled "Love Approach" - a big surprise was the funk/jazz track "Funkin' For Jamaica" which became a hardcore track on dance floors that went lower BPM and experimental for some good. The song is now considered an old-school classic. |
|
|
• All Night Dancing - Glenn Rivera ReStructure Mix - Lipps Inc. Lipps Inc. is Steven Greenberg and Cynthia Johnson - their 4 albums from the early 80's left quite a landmark in disco history. From their first LP "Mouth To Mouth" - the track "Funkytown" helped to change dance and pop-music forever. It is a pop-classic and may now be heard on wedding DJ play-lists. Dedicated to the "Lipps" themselves, Steven and Cynthia |
|
|
• Dance and Shake Your Tambourine - Glenn Rivera ReStructure Mix - Salsa '78 Orchestra "Dance and Shake Your Tambourine" is a track originally recorded by Universal Robot Band in 1976 produced by Greg Carmichael and Patrick Adams. The band included members from the band Kleeer ("Keeep Your Body Workin'") - Woody Cunningham, Richard Lee and Paul Crutchfield.
|
|
|
• Don't Stop Dancing - Glenn Rivera ReStructure Mix - France Joli France Joli is the Canadian disco diva who took dance floors prisoner after the release of her first LP "France Joli" - tracks like "Come To Me", "Let Go" and "Don't Stop Dancing" were instant hits. It was the refined disco formula that had been in the works during the late 70s. |
|
|
• The Night (La Noche) - Glenn Rivera ReStructure Mix - Azul y Negro Azul y Negro is Carlos Garcia Vaso and Joaquin Montoya - a synth-pop duo from Spain. Their 1982 LP "La Noche" contained the title cut "The Night" which became an instant dance floor hit from the moment it blared from the speakers - pounding the beats and sequencer bass. The song outlines the maturity of electronic music and delivers it in an 80's club format. Quite simple and effective. |
|
|
• The Love Train - Glenn Rivera ReStructure Mix - Crystal Glass featuring Kristi B. Crystal Grass is a disco band from the early 70s that initially featured many players from the Euro-disco movement including Slim Pezin and Marc Chantereau. Produced by French producer Lee Hallyday - there is a distinct sound from the Cerrone and Alec R. Costandinos recordings here. It is what helped to shape another faucet of disco music during the experimental period.
|
|
|
• Searching - Glenn Rivera ReStructure Mix - Change Change is one of Little Macho Music's (Jacques Fred Petrus) finest productions during the disco era. It clearly pulls all of the experience and talent from both Petrus and co-producer Mauro Malavasi and arranger/composer/conductor's David Romani and Paolo Gianolio. |
|
|
• Kechak Fantasy - Glenn Rivera ReStructure Mix - Voyage Voyage is Marc Chantereau, Pierre-Alain Dahan, Sauveur Mallia, Slim Pezin and Sylvia Mason-James. A band that solidified the disco era with some of it's most memorable and indelible classics. Tracks like "Souvenirs" and "From East To West" are disco music's European connection perfected. |
|
|
• Don't Stop - Glenn Rivera ReStructure Mix - Motion Motion is a Canadian production from Gino D' Orazio and Tony Bentivegna - a production team who also brought to dance floors, Blue Lazer, Ladies Choice and Nightlife Unlimited. The changing sound of disco music in the early 80s became electronic and infused with the keyboards which introduced a new technology of sound for the period. |
|
|
• Dancing In The Dark - Glenn Rivera ReStructure Mix - Mike Mareen Mike Mareen began a as drummer in a rock band in Berlin, Germany - his artistic and studio skills eventually lead him to the freedom and fantasy-feel of high energy-disco music in the mid-80's. His first LP "Dance Control" contained his first big dance floor hit "Dancing In The Dark" - a new style of synthesizers moving into a new realm using high energy as the framework. |
|
|
• Put Your Feet To The Beat - Glenn Rivera ReStructure Mix - The Ritchie Family The Ritchie Family are the wicked ladies of disco - they show no mercy in tracks like "Put Your Feet To The Beat" - a ominous wall of sassy and sophisticated vocals over the magic of Jacques Morali. Disco at it's height is the energy of this fantastic beat and clap driven tune. |
|
|
• Take All Of Me - Glenn Rivera ReStructure Mix - Barbara Law Barbara Law is a artist who recorded a French track in 1963 titled "Aur Revior, Auf Wiederseh'n" - it was years and years later when she resurfaced during the disco era with a project project produced by Harry Hinde (of The Rae's success). The production included many familiar names including Cissy Houston, Yvonne Lewis, John Luongo, and Jimmy Maelen. |
|
|
• Thunder and Lightning - Glenn Rivera ReStructure Mix - Risque Risque is a female group from The Netherlands: Yvonne van Spluteren, donna Baron, Ingrid de Goede, Irene van der Hoeven and Denise van der Hek. The Dutch group was an hit in the US dance market with their first disco hit, "Girls Are Back In Town" (released on Importe 12 Records). Their follow up single "Thunder and Lightning" displayed once again the magic of producer John Tiley - and his electronic wizardry following in a pop genre. |
|
|
• Can You Handle It - Glenn Rivera ReStructure Mix - Sharon Redd Sharon Redd is foremost known as the vocalist for studio project Front Page and their big disco classic "Love Insurance" - you can hear the voice that makes the disco beat go boom! She has truly helped to give disco music a history that is well-deserved. |
|
|
• On The Beat - Glenn Rivera ReStructure Mix - The B. B. & Q. Band The B. B. & Q. Band (Brooklyn, Bronx and Queens Band) is a funk/disco project between producer Jacques Fred Petrus and arranger/conductor Mauro Malavasi - a big follow up from their very successful and familiar band Change from 1980. It is a move from Italo-disco to New York disco with the help of keyboards and the groove's created from the magic guitars of Chic from the late 70s. |
|
|
• Goin' Home - Glenn Rivera ReStructure Mix - Patrick Cowley Patrick Cowley's album "Mind Warp" from 1982 is a very important piece of work from a genius who had dedicated his life to creating music. Even today his music continues to inspire many with it's innovative edge and futuristic feel. The package he leaves behind is a period of disco/dance music which emulates a robotic world using dance rhythms.
|
|
|
• Kiss Power - Glenn Rivera ReStructure Mix - Firefly Firefly is Jay Rolandi, Maurice Cavalieri and Maurizio Sangineto - better known for their 1981 dance hit "Love (Is Gonna Be On Your Side)". The Italo-disco group qualifies for a adult-contemporary disco edge since the vocals of Roland Leonard give each song an easy feel and relaxing edge. |
|
|
• Looking For Love - Glenn Rivera ReStructure Mix - Fat Larry's Band Fat Larry's Band is from Philadelphia and is titled after drummer "Fat" Larry James - their music recordings began in 1976 with "Feel It". Since their start they have featured an album a year - in 1979 their LP "Lookin' For Love" featured the title track and it did quite well in club play and radio. |
|
|
• Disco Extravaganza - Glenn Rivera ReStructure Mix - The George Bussey Experience George Bussey is an soul and disco arranger who worked with many artists including The Trammps, Loleatta Hollloway, The Four Tops, Instant Funk and Linda Clifford. His sound is a cross between the sweet sound of Philly and the chic sound of Euro-disco. In his project The George Bussey Experience he creates a album side long medley titled "Disco Extravaganza" which takes trip through a disco orchestration of swirling strings and the conga breaks well-known to disco in the late 70s. |
|
|
• How High - Glenn Rivera ReStructure Mix - The Salsoul Orchestra The Salsoul Orchestra is disco music's soulful-symphony ensemble. The concept began with their first album in 1979 under the direction of Vincent Montana, Jr. and lead to a whole new dimension in disco music based on the Philadelphia sound. |
|
|
• Take Me - Glenn Rivera ReStructure Mix - Donna Summer Donna Summer's "I Remember Yesterday" project from 1977 contained one of disco music's innovative classics: "I Feel Love" - along with Giorgio Moroder our "First Lady of Love" was reshaping dance music to a soon to be imitated and duplicated style. |
|
|
• Love No Longer Has A Hold On Me - Glenn Rivera ReStructure Mix - Johnny Bristol Johnny Bristol is a soul singer from North Carolina whose 1974 hit "Hang On In There Baby" became a disco classic throughout time - and was re-recorded with Alton McClain in 1979. Bristol's 1981 single "Love No Longer Has A Hold On Me" is a track in the early morning feel with a beautiful theme of being-freed from a distant relationship and also a lovely arrangement produced by himself- with a 12" mix by Rusty Garner. |
|
|
• You're My Heart, You're My Soul - Glenn Rivera ReStructure Mix - Modern Talking Modern Talking is Dieter Bohlen and Thomas Anders - their trademark sound is close to the Italo-disco feel of the early 80s - with a bit more. The rolling bass lines and symphonic-like keyboards are the addition to the style. Their success thanks to the simple and warming vocals that accentuate each production are dreamy and bring a reflective state. It is a match made on dance floors and pop-music from Berlin. |
|
|
• Party Boys - Glenn Rivera ReStructure Mix - Foxy Foxy brought a unique blend of funk/soul and a definite disco drive to dance floors in the late 70s. Lead by the very talented Ish Ledesma, the band created disco classics "Get Off" and "Hot Number". In 1979 their vinyl LP "Party Boys" completed set.
|
|
|
• Jesus Christ Superstar - Glenn Rivera ReStructure Mix - Champagne Explosion Champagne Explosion is a studio project featuring the disco talent of Denis LePage, Peter Di Milo and George Cucuzzella. The project was in the Canadian high energy disco vein and although the album was recorded in 1978 there is a definite feel of how these masters were reshaping disco music and creating a new sound. |
|
|
• #1 Dee Jay - Glenn Rivera ReStructure Mix - Goody Goody Goody Goody is Vincent Montana (Salsoul Orchestra) and Denise Montana (lead vocals) on a studio projects which reflects the wonderful sound of Philly and the jazz-end of dance music. An enlightening project with much of Montana's disco experience leading the production. |
|
|
• Magic - Glenn Rivera ReStructure Mix - Colleen Heather Colleen Heather is a vocalist from Bob Motta's New York City's Rubber Band from 1977 ("Put Your Love In My Hands") and in 1979 released her solo LP "Heartbreaker". It was one of the projects on West End Records that expressed the sound of disco music which released the inner soul of a disco femme in a traditional state. |
|
|
• Give Me The Night - Glenn Rivera ReStructure Mix - George Benson "Give Me The Night" is George Benson's jazz-disco fusion project which gave the early 80s a breath of nightlife once again. A breezy and funky track that takes Benson's jazz guitar talent where it feels right. |
|
|
• The Glow Of Love - Glenn Rivera ReStructure Mix - Change Change is one of the landmark moments of the early 80s. This production by Jacques Fred Petrus and Goody Music Orchestra is a magnificent breath of New York disco and the innovative sound of Italo-disco/funk - most likely influence by Chic. |
|
|
• Give It Up - Glenn Rivera ReStructure Mix - Claudja Barry Disco chanteuse Claudja Barry made the 70s a wholesome disco experience. Many of her tracks produced by her husband Jurgen S. Jorduletsch and include many muscians and studio ensemble from The Disco Munich Period. |
|
|
• Shanghied - Glenn Rivera ReStructure Mix - 'Lectric Funk 'Lectric Funk is the full-on disco synthesizer movement at it's peak during 1979. touch of mysterious and soulful male vocals over a campy theme and morphing keyboards. Big hit on many dance floors ready for the high energy phase. The track is listed as produced by John Ferrara of "Love Attack" fame. |
|
|
• Runaway (With My Love) - Glenn Rivera ReStructure Mix - Tapps Tapps is a high energy disco ensemble from Allan Coelho who pulled the band together with Tony DaCosta and Paul Silva - along with the vocals of Cindy Berthiaume. |
|
|
• My Simple Heart - Glenn Rivera ReStructure Mix - Carol Douglas Carol Douglas is the First Lady of Disco when you look back in time at her start and continuance to give to the disco/dance community. Her recording career began in 1963 with the recording of her single "I Don't Mind (Being Your Fool)" - following a hiatus she returned in 1975 with the now disco classic "Doctor's Orders". |
|
|
• Macho (A Real Real One) - Glenn Rivera ReStructure Mix - Celi Bee Celi Bee is the disco diva who took 1977 with a pure style of disco music along with producer Pepe Luis Soto and his studio band, The Buzzy Bunch. Their first released LP which featured the classic disco hit, "Superman" lead to the next album titled "Alternating Current"- containing "Macho (A Real Real One)". |
|
|
• Busting Out - Glenn Rivera ReStructure Mix - Material with Nona Hendryx Material was an experimental punk/jazz/funk and noise electro band from the early 80's - appropriately given the title as "Mutant Disco". Their 1981 project featuring funk/soul artist Nona Hendryx is "Busting Out" - a track which created a big stir on dance floors during a shift in dance music. The track has a very powerful appeal and lasting power - thanks to Nona's fantastic vocal, also. |
|
|
• Once Upon A Time - Glenn Rivera ReStructure Mix - Donna Summer Donna Summer's "Once Upon A Time" disco operetta is one of the monumental times for dance floors. The power of Giorgio Moroder, Pete Bellotte and the magic of Donna Summer are truly an event here. The album is referred by many discophiles as unsurpassed in creativity and execution. |
|
|
• Dance With The Devil - Glenn Rivera ReStructure Mix - Cozy Powell Cozy Powell (Colin Flooks) was a British rock drummer (recently passed in 1998) who also played in bands Black Sabbath, Emerson, Lake and Powell, Jeff Beck Group and Whitesnake. |
|
|
• Jungle Drums - Glenn Rivera ReStructure Mix - Wild Fantasy Wild Fantasy is a studio concept band produced by Tony Hiller - the theme is a sensual drum fantasy with a touch of disco power. The big cuts from the LP are "Jungle Drums" and "Africa". |
|
|
• Feel The Drive - Glenn Rivera ReStructure Mix - Doctor's Cat Doctor's Cat is Aldo Martinelli, Fabrizio Gatto and Simona Zanini - an Italian studio concept band with the sound of early 80s Italo-disco fever. It was 1983 when the music began to emerge as a solid formula which consisted of a full electronic sound with heavily paved percussion. |
|
|
• Hideaway - Glenn Rivera ReStructure Mix - Maxine Nightingale Maxine Nightingale hit the boogie scene in 1976 with her big hit "Right Back Where We Started From" - her recordings gave her the standing of a pop-vocalist. It was in 1979 when her title LP track "Lead Me On" made Top 100 charts. |
|
|
• Action Is Tight - Glenn Rivera ReStructure Mix - Champagne Explosion Champagne Explosion is a studio concept group featuring the talents of Denis LePage (Lime), Peter Di Milo (Plastic Surprise, Erotic Drum Band) and George Cucuzzella (Suzy Q, Nightlife Unlimited) - in the Canadian disco style with heavy percussion and roaring trumpets and horns. |
|
|
• Action Man - Glenn Rivera ReStructure Mix - Spinach (Giorgio Moroder) Giorgio Moroder is now know as the Godfather of Electronic Disco Music - as well as his productions with Donna Summer. Before his venture into the disco arena and market, Moroder worked with Michael Holm to create the project Spinach in 1971. The project featured the single, "Action Man" - a wonderful track is very similar to a rock/cha-cha number (ala "Oye Como Va" by Tito Puente). |
|
|
• We Call It The Box - Glenn Rivera ReStructure Mix - Bill Summers Summer Heat Bill Summers is a percussionist who began as a solo artist in 1977 with "Feel The Heat" - eventually this lead to his project Bill Summers Summers Heat. Their forth project "Jam The Box" featured the big club electro/funk track "We Call It The Box" - which is one of the New York street beat influences of 1981.
|
|
|
• Got To Give It Up - Glenn Rivera ReStructure Mix - Marvin Gaye Marvin Gaye was a Motown artist whom surpassed the emphasis of soul and funk - his music touched deeper than a groove. Most refer to his voice as sweet and emotional experience - with material to match. |
|
|
• Don't Lose That Number (Mumbo Jumbo) - Glenn Rivera ReStructure Mix - Bionic Boogie Gregg Diamond's Bionic Boogie was a sign of thing to come in 1977 - disco music had begun to take it form and shape with many of the soulful recordings - it was the glitter that the strings, bass and light celebratory themes added to create the real atmosphere. |
|
|
• We Can Make It - Glenn Rivera ReStructure Mix - Purple Flash Purple Flash is Pierre Perpall - who is also Pluton & Humanoids ("World Invaders") - his second single as Purple Flash is "We Can Make It". The track was released in 1984 and is a beautiful love song with a lasting essence. It was a choice track in many dance clubs during the mid-80s and has many discophiles continual praise. |
|
|
• Concert From The Stars - Glenn Rivera ReStructure Mix - Silvetti Bebu Silvetti (Juan Fernando Silvetti Adorno) is a pianist, composer, arranger and producer who is best known for his big Salsoul disco hit "Spring Rain" - a track which captured the lyrical sound of symphonic disco with the Afro-Cuban percussion backing the beats. |
|
|
• Dynomite - Glenn Rivera ReStructure Mix - Tony Camillo's Bazuka Tony Camillo's Bazuka is funk band which took of in the mid-70s using the sound of the growing dance sound of soul to disco. It was a time where disco music attributed much of it's pop sound from soul and funk. |
|
|
• I'll Do Anything For You - Glenn Rivera ReStructure Mix - Denroy Morgan Denroy Morgan is a Jamaican musician who had a big club hit with his single "I'll Do Anything For You" in 1981. He has since been called the "King of Spiritual Reggae" - his energy and devotion to love are felt strongly in this funky-reggae dance track. |
|
|
• Your Song - Glenn Rivera ReStructure Mix - Laura Lee Laura Lee is a soul singer who began recording in the mid 60s - best known for her track "Rip Off" on Chess Records. Laura recorded a disco single in 1979 on Fantasy Records titled "Satisfaction" produced by Don Davis and arranged by disco genius Patrick Adams (Phreek, Musique, Inner Life, Universal Robot Band). |
|
|
• Show Me Yours - Glenn Rivera ReStructure Mix - Corruption Corruption is a studio band produced by Barry Blum and John Hedges - a fast and intricate electronic track that is hypnotic and sensual. It centers around the emphasis of 'show and tell' with a bit more intention. |
|
|
• Party On - Glenn Rivera ReStructure Mix - Pure Energy Pure Energy is Curtis Hudson, Lisa Stevens, Raymond Hudson and Wade Hudson - their 1980 disco track "Party On" is one of the songs which helped disco music to stay alive during the time period. A definite kick-ass production in the disco band mode - complete with horns and strings. |
|
|
• New York At Night - Glenn Rivera ReStructure Mix - Kelly Marie Kelly Marie began her solo recording career in 1976 with "Who's That Lady With My Man" - her hit "Run To Me" came with her second LP "If I Can't Have You". Her career on the disco dance floor remained true throughout the 80s with her biggest hit, "Feels Like I'm In Love". |
|
|
• Give It On Up (If You Want To) - Glenn Rivera ReStructure Mix - Mtume Mtume is Basil Fearington, Edward Moore, Howard King, Hubert Eaves III, James Mtume, Philip Field, Raymond Jackson, Reggie Lucas and Tawatha |
|
|
• All Through Me - Glenn Rivera ReStructure Mix - Laura Taylor Laura Taylor had her first big disco hit in 1978 with "Dancin' In My Feet (Theme from 'Disco Magic')" on TK Records. Her album which was release in 1979 contained her single hit along with her follow up single, "All Through Me" - produced by Steve Wittmack. |
|
|
• Moonboots - Glenn Rivera ReStructure Mix - Orlando Riva Sound (ORS) Orlando Riva Sound is a German disco project formed in 1976 by Anthony Monn (Amanda Lear, Magnifique) and Rainer Pietsch. The band later added Wolfgang Emperhoff, Sophia Renay. |
|
|
• Girl, Don't Make Me Wait Too Long - Glenn Rivera ReStructure Mix - Pattie Brooks Pattie Brooks released her first LP titled "Love Shook" which featured The Simon Orchestra in 1977 - produced by Simon Soussan. It was one of the early disco projects on Casablanca Records which outlined the full disco orchestra along with a featured disco artist as proved formula. |
|
|
• Mandatory Love - Glenn Rivera ReStructure Mix - Lisa Lisa (Lisa R. Fredenthal-Lee) hit the disco scene in 1982 with the club classic "Jump Shout" - making waves in the new sound of dance music: high energy. Produced by John Hedges and Barry Blum - with a remix by Bill Motley and Craig Morley. The song was one of the first release on San Francisco based disco label Moby Dick Records. |
|
|
• Tragedy - Glenn Rivera ReStructure Mix - Bee Gees Barry Gibb, Robin Gibb and the late Maurice Gibb are the Bee Gees - their music of the 70s is an essential part of music history. It has paved a direct connection to pop, dance and soul music in both production and influence. |
|
|
• Don't Give Up - Glenn Rivera ReStructure Mix - The Simon Orchestra Simon Soussan who brought up the first Shalamar project "Uptown Festival", Arpeggio, Romance and French Kiss gives his sir-name as the front to this disco studio project, The Simon Orchestra. It features some outstanding vocalists including Jessica Williams, Alex Brown and Lamarr Stevens - who sings "Don't Give Up" from the album. |
|
|
• Don't Stop Keep On - Glenn Rivera ReStructure Mix - Kat Mandu Kat Mandu is a studio concept group created by Denis Lepage and Joe La Greca - their big hit "The Break" was a disco sensation. The album was released shortly after the singles success and included the single "Don't Stop Keep On" which features backup vocals including Cissy Houston (Whitney's mother). |
|
|
• True Love Is My Destiny - Glenn Rivera ReStructure Mix - James Wells James Wells created a disco treasure with his disco LP "My Claim To Fame" - the underground feel of disco music infused with full orchestral feel. This was the sound that made disco music the sound that even today is looked back as the most innovative. Producers and artists took the sound and gave an interpretation of their own - creating a new style. |
|
|
• Everybody Get Up - Glenn Rivera ReStructure Mix - Ren Woods Ren Woods appeared on television at the age of 10 singing - and then later formed a pre-teen vocal group titled Soul Five. She then starred in the National Tour of "The Wiz". Her career had begun early. She also was in the film "Car Wash". |
|
|
• Don't Stop I Feel Good - Glenn Rivera ReStructure Mix - Queen Samantha\ Queen Samantha is a studio concept group from Harry Chalkitis and Charles Ibgui - their first LP "The Letter" features George Rodi (from Voyage) on synthesizer. One of TK Disco/Marlin's domestic releases for 2 projects, Queen Samantha created a couple of disco classics, "Take A Chance" and also their cover of "The Letter". |
|
|
• Blow My Mind - Glenn Rivera ReStructure Mix - Celi Bee Celi Bee (Celina Ines Camacho) began recording in 1977 and had a big disco hit with "Superman" - later to be covered by Herbie Mann. Her next few albums made her a unique addition to the disco roster. She continued recording onto the late 80s. |
|
|
• San Francisco - Glenn Rivera ReStructure Mix - Village People Village People are another sign that disco music was a part of a generation and its history. Their stage appearance and fantasy-like appeal gave way to a part of the success - but also, the music was fantastic. With their first LP simply titled, "Village People" the side A featured a medley of West Coast cities, including "San Francisco". |
|
|
• You Make Me Feel The Fire - Glenn Rivera ReStructure Mix - Claudja Barry Claudja Barry has taken the dance floor many times with numerous disco hits that continue to bring us back to the sheer energy and passion of a true diva. Her stance began in 1976 with "Sweet Dynamite" under the production of her husband Jurgen S. Korduletsch. |
|
|
• Up and Down - Glenn Rivera ReStructure Mix - Wonder Wonder is a band that comes from Italy and brings high energy disco LP titled "Up and Down" to dance floors in 1980. At a time where disco music in US became scarce this project was one of the welcomed sights for club DJs. |
|
|
• Let Your Body Run - Glenn Rivera ReStructure Mix - Francie Simone Francie Simone's "Let Your Body Run" was released on BC Records in 1979 - produced by Began Cekic (Brooklyn Express, Sugar Daddy and Began Began). The record was buried under a slew of disco promo releases and missed the potential it was worthy of. But, at times the underground hit is more fitting. |
|
|
• Lady Of The Night - Glenn Rivera ReStructure Mix - Ray Martinez and Friends Ray Martinez blends the sound of bid band and sexy lounge beats to create "Lady Of The Night" from 1980. This track is a classic among dancers and collectors and for good reason. It brings to mind the sound of bands like Dr. Buzzard and The Original Savannah Band and Charlie Callelo. |
|
|
• Heaven To Me - Glenn Rivera ReStructure Mix - Technique Technique released their first LP title "Michael Angelo" in 1983 on ERC Records in England - their first single "Can We Try Again" was an instant disco hit - it lead the way for high energy in the mid-80s. Produced by Daniel Boone (The Warlord, The Intergalactic Orchestra) and Muff Murfin (also wrote "Looking for Someone To Love Tonight" and Norma Lewis' "Life Is The Reason"). |
|
|
• Sweet Conversation - Glenn Rivera ReStructure Mix - Charity Charity is a project from Fonny De Wulf (Rofo) featuring a lovely vocal by Karie Hillery. This high energy track from 1985 is a standard for the time period of heavy percussion and simple, yet intricate keyboards. |
|
|
• I Believe In Dreams - Glenn Rivera ReStructure Mix - Jackie Rawe Jackie Rawe's "I Believe In Dreams" is the high energy answer to "The Morning After" - disco style. A beautiful anthem that peaks over and over with every chorus. Released in 1985 on Fanfare Records out of the UK and produced by Marvin Howell-Kashi and Tony Atkins. |
|
|
• Manhattan Shuffle - Glenn Rivera ReStructure Mix - (212) "Extensions from Area Code 212" is an LP from Freida Ann Williams, Sherroil. Jennings and Steve Shelto - a disco project that centered on the disco sound of New York in the late 70's. "Manhattan Shuffle" was a single from the project that became a favorite in clubs and among collectors due its big band sound and doo-wop style vocal. |
|
|
• There's A Way Into My Heart - Glenn Rivera ReStructure Mix - USA European Connection Boris Midney created disco music with a heart and artistic mind - beginning with his brain child USA European Connection in 1978 ("Come Into My Heart/Good Loving"). It was the blend of the US Philly sound and Euro-disco - and also allot of innovative rhythm and electronic fusion. It was a dream come true for dance floors. |
|
|
• Capitol Tropical - Glenn Rivera ReStructure Mix - Two Man Sound Two Man Sound is a Belgium Latin disco band - Lou Deprijck, Sylvain Vanholme and Yves Lacomblez |
|
|
• Number One - Glenn Rivera ReStructure Mix - Musique Musique is Christine Wiltshire, Denise Edwards, Gina Taylor, Jocelyn Brown, Mary Seymour and Rainy Davis and is the brainchild of disco genius Patrick Adams. The first release was 1978 and titled "Keep On Jumpin'" - the LP was an instant hit and formulated a new sound for dance floors. |
|
|
• The Groove Line - Glenn Rivera ReStructure Mix - Heatwave Heatwave is Billy Jones, Calvin Duke, Derek Bramble, Eric Johns, Ernest Berger, J.D. Nicholas, Johnnie Wilder Jr., Keith Harrison, Keith Wilder, Mario Mantese, Rod Temperton, Roy Carter and William Jones |
|
|
• Flashlight On A Disco Night - Glenn Rivera ReStructure Mix - Rofo Rofo is Fonny de Wulf and Ronny Verrept on "Flashlight On A Disco Night" - released in 1983 during the electronic resurgence of disco music. It quickly became the high energy label for the mid and late 80s. |
|
|
• Too Tough - Glenn Rivera ReStructure Mix - Angela Bofill Angela Bofill released her first LP in 1978 - making a mark in jazz music with producer composer Dave Grusin. Her third LP "Too Tough" had one of 1983s funkiest electronic dance tracks of the time. It was moving Angela's vocals into a whole new arena. Clubs immediately grew found of the kicking back beats and memorable rap. |
|
|
• Dancing In The Sheets - Glenn Rivera ReStructure Mix - Shalamar Shalamar worked a single from the soundtrack of the 1984 film, "Footloose" titled "Dancing In The Sheets" - a nice play on words and rhythm The track was produced by Bill Wolfer and the 12" single remixed by John 'Jellybean' Benitez. |
|
|
• Low Down Dirty Rhythm - Glenn Rivera ReStructure Mix - Sarah Dash Sarah Dash is a soulful vocalist and also the third "lady bird" in Patti LaBelle's trio LaBelle ("Lady Marmalade") in the early and mid 70s. Moving onto a solo career in 1978 Sarah recorded her disco classic, "Sinner Man". The LP fared quite well and brought a follow up project titled, "Oo-La-La". |
|
|
• The Night They Invented Love - Glenn Rivera ReStructure Mix - Noel Noel is an 80s dance project created by Ron Mael and Russell Mael who are also Sparks. Their work with disco pioneer Giorgio Moroder ("Beat The Clock") had obviously influenced their synthesizer and sequencer curiosity in the late 70s disco movement.
|
|
|
• Disco Lady - Glenn Rivera ReStructure Mix - Johnnie Taylor Johnnie Harrison Taylor began his recording career in 1967 and became a integral part of soul music's growth in the pop culture. His 1976 LP "Eargasm" was a part of the soul movement and upcoming label of a new style of music called disco. |
|
|
• Keeep Your Body Workin'- Glenn Rivera ReStructure Mix - Kleeer Kleeer was originally called The Universal Robot Band - signing with Atlantic Records in 1979 they used the name Kleeer - members were Norman Durham, Paul Crutchfiled, Richard Lee and Woody Cunningham. Their bog hit in 1979 from their LP "I Love To Dance" was "Keeep Your Body Workin'" - a funky bass driven track that had a nice disco polished edge with funk infused. |
|
|
• Got Tu Go Disco - Glenn Rivera ReStructure Mix - Pattie Brooks Pattie Brooks holds one of the #1 disco songs of all time: "After Dark" from 1978 - and featured in the film "Thank God It's Friday". Pattie has a history of making songs work as a backup singer - but as a solo she brought class and mystique (those fans) to the stage and excitement to discotheques. |
|
|
• Let's Get Started - Glenn Rivera ReStructure Mix - Voyage "One Step Higher" was the finale project for disco band Voyage in 1982 - their standing on both dance floors and with music connoisseurs was a lasting five year with the excitement of each project. Classics like "Souvenirs", "From East To West" and "I Love You Dancer" are few tracks that are now stamped in disco history. |
|
|
• Hands Up - Glenn Rivera ReStructure Mix - Ottawan Ottawan is a disco duo from France produced by Daniel Vangarde - who also brought dance floors Gibson Brothers, Starbow, and Who's Who. One of the most popular singles is "D.I.S.C.O." from 1980. Following the success of this single a second LP was released in 1981 called "Ottawan 2" - from this album came "Hands Up" a party anthem. |
|
|
• Strawberry Letter 23 - Glenn Rivera ReStructure Mix - Brothers Johnson The Brothers Johnson are George Johnson and Louis Johnson - their second LP from 1977 titled "Right On Time" was produced by musical genius, Quincy Jones. It contained a funk-disco classic, "Strawberry Letter 23" . The track did quite well on soul charts as well as fusing the funk sound with disco music. |
|
|
• Blood and Honey - Glenn Rivera ReStructure Mix - Amanda Lear Amanda Lear is a performer who end has yet to be met. She hit the disco scene in 1977 with her LP "I Am A Photograph" - produced by Anthony Monn (Magnifique, Judy Cheeks). Harold Faltermeyer is featured on keyboards. |
|
|
• Grateful - Glenn Rivera ReStructure Mix - Sylvester Sylvester (Sylvester James) hit the disco scene in 1977 with a self-titled album containing the garage classic "Over and Over". His second project titled "Step II" was co-produced by Harvey Fuqua and featured synthesizers by Patrick Cowley.
|
|
|
• Remember - Glenn Rivera ReStructure Mix - Gino Soccio Gino Soccio released "Face To Face" in 1982 - it was his fourth project beginning with the success of his classic LP "Outline" - his sound was a unique blend of disco and the sharp edge of electronics. Quite a genius in his own time and even today is respected as an innovative writer, producer and musician. |
|
|
• Discognosis - Glenn Rivera ReStructure Mix - Discognosis Discognosis is an early project from 1977 by Michael Lewis and Lauren Rinder - along with producers, Ed Cobb and Ray Harris. The starting phase for AVI Records who became a trademark for disco music in the mid and late 80's. |
|
|
• First Hand Experience In Second Hand Love - Glenn Rivera ReStructure Mix - Giorgio Giorgio Moroder receives another visit to his "From Here To Eternity" project - this time around the track "First Hand Experience In Second Hand Love". The disco answer to "Love Potion #9" - where a man visits the mystic lady to find a clue and instead finds love. |
|
|
• Memory - Glenn Rivera ReStructure Mix - Menage Menage is a disco project from Warren Schatz (Vicki Sue Robinson, The Brothers, The New York Community Choir) and Eric Matthew (Gary's Gang, Sharon Redd) that creates disco melodies from Broadway tunes and pop-hits. Their 1983 single "Memory (Theme from Cats)" was a instant hit - since dance floors in the early 80's were still searching for the lyrical sound of disco music. |
|
|
• Miss Broadway - Glenn Rivera ReStructure Mix - Belle Epoque Belle Epoque is Evelyn Verrecchia, Giusy ortes and Marzia Thear - their 1977 LP "Miss Broadway" was producer Prima Linea and his artistic femme concept. The single is the first of the numbers from the group to make a mark on dance floors and is one of the well-known.
|
|
|
• Anybody Wanna Party - Glenn Rivera ReStructure Mix - Gloria Gaynor Gloria Gaynor's "Love Tracks" LP from 1978 does not only contain the disco anthem, "I Will Survive" - on the funkier side Gloria has asked the question that many of us have answered, "Heck yah!" "Anybody Wanna Party" And so the disco era was complete. |
|
|
• Trippin' On The Moon - Glenn Rivera ReStructure Mix - Cerrone Cerrone traveled throughout many periods of dance music without losing a beat. His innovative nature gave him the opportunity to thrive in the disco garden throughout the mid 70's and even currently. |
|
|
• Dancing and Romancing - Glenn Rivera ReStructure Mix - Passion Disco music evolved during the mid 70's thanks to producers like Ray Martinez - a Cuban born songwriter, musician and singer. His style was a smooth Euro-disco feel done with a Miami flair. It was unforgettable on dance floors and helped to tame many dancers looking for the beauty in dance music. |
|
|
• It Must Be Love - Glenn Rivera ReStructure Mix - Alton McClain and Destiny Alton McClain and Destony (D'Marie Warren and Robyrda Stiger) are girl group responsible for the 1978 dance floor hit "It Must Be Love" - produced by John Footman and Frank Wilson. |
|
|
• Can't Stop The Music - Glenn Rivera ReStructure Mix - Village People The big close of an era of disco music is the climatic track from Village People and Jacques Morali, who produced and composed. The theme from the short-lived film which was awaited so as the big disco epic. It did not do so well in the theatre arena but picked up on the soundtrack end. And with Village People and The Ritchie Family as featured artists it was all disco fans needed. |
|
|
• Love Now Hurt Later - Glenn Rivera ReStructure Mix - Giorgio and Chris Giorgio Moroder and Chris Bennett created a disco project in 1978 that began a period in dance music that became the innovative electronic edge that forged dance music ahead. It was the sound of Moroder's keyboards and Bennett's beautiful vocals which marked a sound for disco similar to what Captain and Tennille did for pop music. It was upbeat and fun. |
|
|
• Hot Wax - Glenn Rivera ReStructure Mix - Mother (F) Denis Lepage is Mother (F) - he was the Instrumental for many Canadian high energy classics in the early 80's (ex. Carol Jiani, Chris Mills, Voggue) as well as the genius of Lime along with Denyse Lepage. |
|
|
• Copacabana (At The Copa) - Glenn Rivera ReStructure Mix - Barry Manilow Barry Manilow was apart of the disco generation with the uplifting and rhythmic song, "Copacabana (At The Copa)" from his 1978 LP "Even Now" - the track emphasized the celebratory feeling that disco music was all about. With touches of rumba and hustle dance steps injected. |
|
|
• So Excited - Glenn Rivera ReStructure Mix - Nancy Martin Nancy Martin may be a name that you may not recognize but is a voice you have definitely heard - Nancy is the voice behind Jade's "I'm Gonna Get Your Love" from 1982. Also, her tracks "Can't Believe", and under Nancy Martinez "For Tonight" and "Move Out". |
|
|
• With Your Love - Glenn Rivera ReStructure Mix - Donna Summer Donna Summer reigns on all counts during the 1978 release of her first film role and soundtrack to "Thank God It's Friday" - not only had all of her hard work and dedication to disco music paid off but there was also a style and chic-ness to her presence. |
|
|
• I'm Coming Out - Glenn Rivera ReStructure Mix - Diana Ross Diana Ross has brought the late 70's a renewed sense of passion to dancers and music enthusiasts who knew all along that disco and "Diana" were synonymous. Her early hit "Love Hangover" helped to emphasize the outline on soul and disco music as they began to intermingle.
|
|
|
• Boogie Wonderland - Glenn Rivera ReStructure Mix - Earth, Wind and Fire Earth, Wind and Fire made the 70's complete with their big disco hit "Boogie Wonderland" - a sensational dance track which also featured The Emotions. The song has lasted throughout time to give the excitement and fusion of soul and pop music in the disco arena. |
|
|
• Ten Hertz - Glenn Rivera ReStructure Mix - Steel Cream Steel Cream is an Italian studio concept group by Vincenzo "Vince" Tempera - the song was featured as the opening track to a TV show under the same name and ran during 1978-1979 It is a a unique track which utilizes a chorus to bring the song into a build of excitement and ecstasy. |
|
|
• Too Hot - Glenn Rivera ReStructure Mix - Kool and The Gang Kool and The Gang worked with pop/jazz producer Eumir Deodato in 1979 for their LP "Ladies Night - not only the title track became a hit - but the follow up the single, "Too Hot" also became a hit. The track uses a simplified jazz and pop arrangement with a fusion of disco sweetness to relay it's message. |
|
|
• Calypso Disco - Glenn Rivera ReStructure Mix - Beckett Beckett (Alston Cyrus) is brought into the disco arena in this single from 1977 which also appeared on the soundtrack to the film "The Deep". The track has a layer of reggae splashed over the disco beat arrangement. The original soundtrack and LP mix never allowed for a proper mix in and many layers prevented the actual loss of feeling the value of each element. |
|
|
• Stay With Me - Glenn Rivera ReStructure Mix - Charo Charo is the "cuchi cuchi" girl of the stage - during the 70's she entertained many audiences with her gags and sex appeal. It was during the late 70's when she paired up with the biggest disco symphony from New York, The Salsoul Orchestra and several disco hits joined the disco boom. |
|
|
• The Natives Are Restless - Glenn Rivera ReStructure Mix - Ray Martinez and Friends Ray Martinez became the Miami-disco genius following his production and arrangement of "Get Off Your Aahh! And Dance" by Foxy in 1976 - a new sound was emerging with the beauty of touch dancing and the funky edge of soul. This became the sound which Martinez mastered well. Soon, pieces of tracks like "Get Of Your Aahh! And Dance" became familiar as television themes and ad marketing. |
|
|
• Don't Push It, Don't Force It - Glenn Rivera ReStructure Mix - Leon Haywood Leon Haywood (Otha Leon Haywood) is a singer, songwriter and producer - recording since the 60's his soulful voice and delivery were easy to detect. His career spanned through the 80's. One of his most memorable tracks from the post disco era in 1980 is from his LP "Naturally" - "Don't Push It, Don't Force It". |
|
|
• You Got What It Takes - Glenn Rivera ReStructure Mix - Bobby Thurston Bobby Thurston hit the disco scene during the late 70's - his LP "You Got What It Takes" featured the title track and a few other disc jockey favorites. The project was produced by Willie Lester and Rodney Brown and features their funk and disco flavor blended like rich "disco brew". |
|
|
• Outa-Space - Glenn Rivera ReStructure Mix - Billy Preston Billy Preston (William Everett Preston) is a soul musician who had a successful career - Grammy Award-winner and collaborated with such artists as The Beatles, The Rolling Stones, Nat King Cole, Sly Stone. Red Hot Chili Peppers and many more. |
|
|
• Eat You Up - Glenn Rivera ReStructure Mix - Angie Gold Angie Gold (Angelina Fiorina Kyte) released her first self titled LP in 1982 - there was a great career awaiting her in the dance arena. Her 1985 single "East You Up" is now a high energy classic. Absorbing the sound which made the early 80's a rejuvenated disco period with new rules.
|
|
|
• Paradise Island - Glenn Rivera ReStructure Mix - The Wonderland Band One of the last big disco productions - The Wonderland Band is a campy studio session with the theme of super-heroes. With Wonder Woman and Superman included. But, the production gives off the serious end of the full and satisfying disco sound. |
|
|
• Reverend Lee - Glenn Rivera ReStructure Mix - Paradise Express Paradise Express is one of the pinnacle disco bands of the late 70's - along with producer/musician Herb Jimmerson (who left us in 1998) and his then wife, Vi Ann the disco scene was elated. Their first single "Dance" (a cover of Paul Jabara's hit) was released in 1978 on their initial album. The excitement started, but did not end there. |
|
|
• Come And Get Your Love - Glenn Rivera ReStructure Mix - Redbone Redbone is Pete de Poe, Anthony Bellamy, Lolly Vegas and Pat Vegas - a band former in 1968 from Fresno, California. |
|
|
• Agent 406 - Glenn Rivera ReStructure Mix - Lime Another big instrumental piece from the fingers of Denis LePage of Lime. This comes from the first album titled "Your Love". The track is similar to much of the keyboard work of LePage in the early 80's working with talented artists such as Carol Jiani, Chris Mills and much of his solo work ("Hot Wax"). However, the classic cowbell percussion track always provided a great foundation for his free will. |
|
|
• They Only Come Out At Night - Glenn Rivera ReStructure Mix - Peter Brown Peter Brown is a musical genius. His work in the late 70's helped disco music to become funky and creative. His tracks "Do You Wanna Get Funky With Me", "Dance With Me" and "Crank It Up (Funk Town)" are disco classics. What many are not aware of is that he also wrote Madonna's big hit, "Material Girl". |
|
|
• Fly With The Wind - Glenn Rivera ReStructure Mix - Peter Jacques Band Jacques Fred Petrus produced many disco sessions in Italy during the late 70's - some of his best know are Macho ("I'm A Man") and Peter Jacques Band ("Fire Night Dance" - with the help of arranger Mauro Malavasi there was distinctive sound that displayed how disco music was growing and adapting with time. |
|
|
• Dance Yourself Dizzy - Glenn Rivera ReStructure Mix - Liquid Gold Liquid Gold is Ellie Hope, Ray Knott, Syd Twynham, Wally Rothe and Tom Marshall - a disco group from Brackley in Northamptonshore, UK |
|
|
• Let's Start The Dance - Glenn Rivera ReStructure Mix - Bohannon Hamilton Bohannon began his career in the early 70's. Many of his early projects were centered on soulful dance tracks that eventually lead to the Bohannon sound of disco music. |
|
|
• Discotique - Glenn Rivera ReStructure Mix - Lipstique Disco producer Jurgen S. Korduletsch brought to dance floors some of the most disco glittery tracks and artists. His 1977 studio production of Lipstique was recorded in Munich, Germany and was a wall of disco sound. From the fabulous cover of Chubby Checker's "At The Discotheque" to the pieces mixed within. |
|
|
• Ooh, La La - Glenn Rivera ReStructure Mix - Suzi Lane Suzi Lane was one of 1979's big surprises in discotheques - not only had Suzi's sensual and captivating vocals captured hearts on the dance floor. It was also a production from Giorgio Moroder that returned to the Munich formula which captured the magic and mystique of disco music. |
|
|
• Eloise - Glenn Rivera ReStructure Mix - Paris Connection Alec R. Costandinos brought Euro-disco to America along with artists like Cerrone, Alan Hawkshaw and Don Ray during the mid 70's - a sound which bridged a gap between disco and rock as the Philadelphia sound joined soul and disco.
|
|
|
• (Every Time I Turn Around) Back In Love Again - Glenn Rivera ReStructure Mix - L.T.D. L.T.D. originally consisted of backing musicians from Sam & Dave and were signed to A&M Records in 1968. Jeffrey Osborne's vocals gave the group a memorable flavor - and with their 1977 hit "(Every Time I Turn Around) Back In Love Again" a place in the disco hall of fame. The song has echoed many nights on crowded dance floors with it's funky guitars and blaring horns. |
|
|
• Walk The Night - Glenn Rivera ReStructure Mix - Skatt Bros. Skatt Bros. are Sean Delaney, Pieter Sweval, Richard Martin-Ross, David Andez, Richie Fontana, Craig Krampf and Danny Brant - their project "Strange Spirits" was produced by disco producers, Ian Guenther and Willi Morrison of THP, Southern Exposure, Sticky Fingers and Duncan Sisters fame. |
|
|
• Keep Smilin' - Glenn Rivera ReStructure Mix - Carrie Lucas Carrie Lucas began recording on her husband,the late Dick Griffey's label Soul Train Recording Co. in 1976 - there a big dance movement being formulated at this time to become the disco era. |
|
|
• I Just Can't Help Believing - Glenn Rivera ReStructure Mix - Boys Town Gang Boys Town Gang brings to light a pop-rock song titled "I Just Cant Help Believing" - recorded by B.J. Thomas in 1970. The tune was also covered by Elvis Presley. |
|
|
• X-Factor - Glenn Rivera ReStructure Mix - Patrick Cowley Patrick Cowley's "Menergy" project is one of the memorable moments in disco history during the re-surge of power and production. I have taken the track "X-Factor" and given it a new face-lift in the ReStructure style. |
|
|
• Sweet Dynamite - Glenn Rivera ReStructure Mix - Claudja Barry Disco diva extraordinaire Ms. Claudja Barry was a burst of energy during the mid-70's. Her stature and charisma in disco music are one of the factors that make the style lasting and memorable. |
|
|
• Armed And Extremely Dangerous - Glenn Rivera ReStructure Mix - First Choice First Choice was a breakthrough for the Sound of Philadelphia in 1973 with the LP "Armed and Extremely Dangerous" - produced by Stan Watson and arranged by Vincent Montana. It was the birth of a sound that would haunt the 70's disco era. |
|
|
• Autumn Changes - Glenn Rivera ReStructure Mix - Donna Summer "Four Seasons Of Love" is Donna Summer's third US album release from 1976 - closely following the formula of Giorgio Moroder's disco arrangements along with Donna's sexy and versatile range. This project in my opinion remains as one of disco's finest productions and results. |
|
|
• Hold On To My Love - Glenn Rivera ReStructure Mix - Jimmy Ruffin Jimmy Ruffin holds one of disco musics most loved anthems of all time - "Hold On To My Love" |
|
|
• By The Way You Dance (Knew It Was You) - Glenn Rivera ReStructure Mix - Bunny Sigler Bunny Sigler produced projects by Double Exposure, First Choice, Linda Clifford, Pattie Brooks and Force of Nature. Much of his work outlined the Philly-Salsoul connection using soul and the sophisticated edge of disco. |
|
|
• Countdown/This Is It - Glenn Rivera ReStructure Mix - Dan Hartman Dan Hartman moved disco music into a fantastic pop-stage during 1978 with his LP "Instant Replay" - with his musical past with Edgar Winter Group ("Free Ride") during the mid-70's it was a touch of pop-rock with the energy of disco music.
|
|
|
• Dance It's My Life - Glenn Rivera ReStructure Mix - Midnight Powers Midnight Powers was a big surprise for 1981 - a high energy disco track in the tradition of great Philly sounding strings and 80's percussion tracks. The song became quite a sensation following it's release on a compilation titled, "Prime Cuts 1" on Importe 12 Records. |
|
|
• Run Away - Glenn Rivera ReStructure Mix - The Salsoul Orchestra with Loleatta Holloway The Salsoul Orchestra combines jazz and soul and creates a disco sensation with their orchestral feel and band-like flavor. "Magic Journey" is their 1977 project which contains "Run Away" with vocals by Loleatta Holloway - this track jumps all over the disco radar with the funky guitars and Vince Montana's vibes. |
|
|
• Jingo - Glenn Rivera ReStructure Mix - Candido Candido is a Cuban-born percussionist who began working in music with Afro-Cuban and jazz acts. Eventually his talent lead him into 70's disco music and on the classic Salsoul label. |
|
|
• Faster and Faster To Nowhere - Glenn Rivera ReStructure Mix - Donna Summer "Once Upon A Time" was the disco gem of 1977 - a dance fantasy of a woman finding love amidst the walls of life. This project has always been compared to the classic Cinderella theme. |
|
|
• On The Grid - Glenn Rivera ReStructure Mix - Lime Lime is a disco group which changed the course of disco music in the early 80's. Their single "Your Love" in 1980 brought a new vigor into clubs and an innovative edge to electronic dance music. |
|
|
• Like An Eagle - Glenn Rivera ReStructure Mix - Dennis Parker Dennis Parker began as a soap star and then recorded his disco LP in 1979 - produced by Jacques Morali (Village People, The Ritchie Family) which had a couple of short but successful dance floor hits: "Like An Eagle" and "New York By Night". Both with the signature production sound of Jacques Morali and assistant producer, Henry Belolo. |
|
|
• Give Me Love - Glenn Rivera ReStructure Mix - Cerrone Cerrone is indeed one of the lasting master of the disco touch - his music has influenced artists, dancers and moods since the early 70's and even today. |
|
|
• Hot Hot (Give It All You Got) - Glenn Rivera ReStructure Mix - Debbie Jacobs Debbie Jacobs brought dance floors to the hilt with her classic disco tracks "Don't You Want My Love", "Undercover Lover", "High On Your Love" and "Hot, Hot (Give It All You Got)" in 1979 and 1980. Big action there. |
|
|
• Zulu - Glenn Rivera ReStructure Mix - The Quick The Quick is Colin Campsie and George McFarlane - their contribution to the late 70's was their big track, "Sharks Are Cool, Jets Are Hot". It was a moment to realize the electronic disco age was taking over dance floors. |
|
|
• Clouds - Glenn Rivera ReStructure Mix - Chaka Khan Chaka Khan releases her 1980 LP "Naughty" which features the single "Clouds" - written by Ashford and Simpson and one of the dance floors celebrated pop-rock entries. This track is one of the fulfilling sounds of Chaka Khan and the power of her vocal presence and production quality by Arif Mardin. |
|
|
• Only You - Glenn Rivera ReStructure Mix - Teddy Pendergrass Teddy Pendergrass was originally known as the lead singer in Harold Melvin & The Blue Notes ("The Love I Lost") and in 1977 began his solo career. His 1978 LP "Life Is A Song Worth Singing" featured the song "Only You" - produced Kenneth Gamble and Leon Huff. |
|
|
• Beat The Clock - Glenn Rivera ReStructure Mix - Sparks Ron and Russell Mael are Sparks - along with Giorgio Moroder during the big disco boom in 1979 created the "#1 In Heaven" project. Heavy on Sparks pounding drums to Moroder rolling synthesizers and phasing. "Beat The Clock" speaks the life of a small child who never seems to fit into life's "norm" and therefore makes an effort to conquer it's demands. |
|
|
• Take That To The Bank - Glenn Rivera ReStructure Mix - Shalamar Dick Griffey and Simon Soussan created Shalamar in 1976 - the band and vocalists went on to great success throughout the late 70's and early 90's. Their first LP which spotlighted a medley of Motown classics gave the band their uplifting and sweet essence. |
|
|
• Astro Disco - Glenn Rivera ReStructure Mix - Apollo Apollo is Benny Medina, Cliff Liles, Kerry Gordy, Larry Robinson and Lenny Greene - the project was produced by Ray Singleton and assisted by Gene Page and Greg Phillinganes (Penny Ford's husband). |
|
|
• I Feel Disco Good - Glenn Rivera ReStructure Mix - The Ritchie Family Ednah Holt, Theodosia "Dodie" Draher and Jacqui Smith-Lee were The Ritchie Family line-up in 1978 for "American Generation" project - produced by Jacques Morali who later created Village People. |
|
|
• Baby Baba Boogie - Glenn Rivera ReStructure Mix - The Gap Band The Gap Band are brothers Charlie, Ronnie and Robert Wilson - their 1979 LP titled "Gap Band" contained a big disco floor track titled "Baby Baba Boogie" - a uplifting chant-like number with some great bass and keyboard work. Later, these talented guys became a household a few big follow up songs in the 80's including "Burn Rubber (Why You Wanna Hurt Me)", "Oops Up Side Your Head" and "You Dropped A Bomb On Me". |
|
|
• I Think We're Alone Now/Will You Love Me Tomorrow - Glenn Rivera ReStructure Mix - Scott Allan Disco covers were always guaranteed hits on the dance floor in the late 70's - it was the recreation of an earlier time which brought dancers a burst of energy and vigor. It was the creativity of the production and concept which worked best for Scott Allan's cover and pairing of both "I Think We're Alone Now" by Tommy James and The Shondells from 1967 and "Will You Love Me Tomorrow" by The Shirelles from 1960.
|
|
|
• How Much, How Much I Love You - Glenn Rivera ReStructure Mix - Love and Kisses Alec R. Costandinos assembled the disco symphony and created a moment in disco history that will outline the sound that will never be recreated in all of time again. It was a period where the sounds of horns and strings serenaded dancers flowing along with the new founded funk and soul elements of orchestration. |
|
|
• Contact - Glenn Rivera ReStructure Mix - Edwin Starr Edwin Starr (Charles Edwin Hatcher) began recording in 1965 and continued his career throughout his passing in 2003.
|
|
|
• Le Freak - Glenn Rivera ReStructure Mix - Chic The colossal disco hit from 1978 which started a dance sensation.
|
|
|
• A Whiter Shade of Pale - Glenn Rivera ReStructure Mix - Munich Machine introducing Chris Bennett Munich Machine is the studio concept LP from the mind and talent of Giorgio Moroder along with Pete Bellotte - whose sure intent was to gather a group of very talented and ready individuals to create masterful recordings for the disco fire being lit. |
|
|
• Bang A Gong - Glenn Rivera ReStructure Mix - Witch Queen Gino Soccio and Peter Alves created studio band, Witch Queen in 1978 at The Muscle Shoals Sound Studio - along with Denis LePage on synthesizers and his back-up vocal ensemble including Heather Gauthier, John Oriettas, Mario Cadotte and Paul Chacra.
|
|
|
• Don't Take Away The Music - Glenn Rivera ReStructure Mix - Tavares Tavares is Feliciano Tavares, Arthur Tavares, Perry Tavares, Antone Tavares and Ralph Tavares - they were originally a group founded in 1963 called Chubby and The Turnpikes. In 1973 they began recording as Tavares under Capitol Records. |
|
|
• Sunshower - Glenn Rivera ReStructure Mix - Dr. Buzzard's Original Savannah Band Dr. Buzzard's Original Savannah Band was formed in1974 consisting of Stony Browder, Jr., August Darnell, Cory Daye, Andy Hernandez and Mickey Sevilla. They are most remembered by their big hit in 1976, "Cherchez La Femme". |
|
|
• I Don't Need No Music - Glenn Rivera ReStructure Mix - TJM Thomas Jerome Moulton (TJM) did for disco music in the 70's what Berry Gordy created for Motown in the 60's. There was a distinct sound that Moulton created - it was the essence of soul recaptured in a modern and innovative package. It was about many faucets: from arrangement, mix down and execution. It was the final phase for dance music in the early and mid 70's to begin the work o many influenced by it's power. |
|
|
• Dancin' - Glenn Rivera ReStructure Mix - Crown Heights Affair Soul and disco combined well are the craft that Crown Heights Affair mastered well. Their 1976 LP "Do It Your Way" was an early sign that soul music was quite comfortable on the disco dance floor. |
|
|
• He's The Greatest Dancer - Glenn Rivera ReStructure Mix - Sister Sledge The disco era was one of the most exciting in music history with contributions by groups like Sister Sledge. Their 1978 LP "We Are Family" contained the formula which disco music was waiting for - both pop-wise and collective for it's own style. With the help of producers Bernard Edwards and Nile Rogers who began working production wonders with their classic guitar work. |
|
|
• Erucu - Glenn Rivera ReStructure Mix - Jermaine Jackson Jermaine Jackson began his solo career away from The Jackson 5 in 1972 - since his guitar talents were on his side it was not long till this lead him to a solo instrumental hit. The soundtrack to Motown's production of "Mahogany" starring Diana Ross in 1975 was his opportunity. |
|
|
• In My Wildest Dreams - Glenn Rivera ReStructure Mix - Giorgio Giorgio Moroder began a legendary scope of music with his search for a new and exact sound for pop-music - which became disco in the mid-70's. His studio concepts were always looking and forging ahead to create a futuristic edge in music. |
|
|
• No, No, No - Glenn Rivera ReStructure Mix - Strange Affair Giuliano Salerni produced one of Euro-disco's most memorable projects: Ultimate "Love Is The Ultimate - Touch Me Baby" in 1978. From South Philly Productions the project enhanced the sweetness of the Philadelphia disco sound made popular by groups like The Three Degrees - with a Euro touch. There was a similarity in this project to Boris Midney's first LP USA European Connection. |
|
|
• Too Tight - Glenn Rivera ReStructure Mix - Con Funk Shun Con Funk Shun was created by Louis A. McCall and Michael V. Cooper - a popular R&B and funk ensemble whose #1 Billboard hit "Ffun" is now an old school classic. |
|
|
• Silly Love Songs - Glenn Rivera ReStructure Mix - Paul McCartney and Wings The 70's were a period for many former 60's artists to renew their space in the pop world. Many of these artists used many elements of music of the period to enhance their sound. Paul McCartney (of The Beatles) was one who shared a great success.
|
|
|
• Don't Hold Back - Glenn Rivera ReStructure Mix - Chanson Chanson was bass guitar player, James Jamerson Jr. and David Williams - both forming a soulful/disco duo and although Chanson is only a part of their career - they have also played on many other disco and soul projects. |
|
|
• Stop Your Teasing - Glenn Rivera ReStructure Mix - Hydro featuring Lorna Hydro is a Canadian disco band consisting of Joe La Greca, Peter Dowse, Fritz Walton, and Bill Hill - many of these musicians have been involved with many past disco projects from Canada including France Joli, Melody Stewart, Nightlife Unlimited, Carol Jiani, Montreal and Kat Mandu. |
|
|
• Whisper - Glenn Rivera ReStructure Mix - Carol Jiani Ms. Carol Jiani recorded with Montreal in 1978 under Uchenna Ikejiani. Her vocal gave this Canadian disco production a wonderful freestyle and soulful edge. Later in 1981 with Denis LePage (Lime) and Joe LeGreca (Erotic Drum Band) and all-time classic was created - "Hit 'N Run Lover". |
|
|
• Show Me Your Love - Glenn Rivera ReStructure Mix - D.D. Sound Carmelo La Bionda created
D.D. Sound along with Harry Thumann as engineer and many musicians from the Munich sessions including: Gary Uwin, Mats Bjorklund and Jurgen Koppers. |
|
|
• Love Fever - Glenn Rivera ReStructure Mix - Munich Machine Giorgio Moroder and Pete Bellotte lead the disco train with their classic productions from 1977 by Munich Machine - which consisted of a group of musicians from Munich, Germany who also backed artists like Donna Summer and Roberta Kelly. |
|
|
• This Is A Test - Glenn Rivera ReStructure Mix - Companion Boris Midney is one of the early pioneers of disco music and with his 1981 project Companion there is a completed journey in the fusion of his genius. Although many tracks from the LP outline a more satisfying listening experience, like most Midney creations there are hidden grooves.
|
|
|
• Pick Me Up, I'll Dance - Glenn Rivera ReStructure Mix - Melba Moore Melba Moore began her career in the late 60's - fortunately her success lead her into the disco realm in the late 70's. Her LP "Melba" from 1978 contained two big disco hits: "You Stepped Into My Life" (a cover of the Bee Gees track) and "Pick Me Up, I'll Dance" - both tracks were dance floor hits. Produced by Gene McFadden and John Whitehead. |
|
|
• What's On Your Mind - Glenn Rivera ReStructure Mix - Jean Carn One of the last of the true Philly disco tracks in the late 70's is Jean Carn's 12" single of "Was That All It Was"/"What's On Your Mind" - the essence of emotion, love and beauty with a dance beat. |
|
|
• Love How You Feel - Glenn Rivera ReStructure Mix - Sharon Redd The fabulous Sharon Redd graces the dance floor again with "Love How Your Feel" in 1983 - another New York disco classic.Produced by Eric Matthew (Gary's Gang) and once again in sensual energy that Redd delivers so well.
|
|
|
• It Looks Like Love - Glenn Rivera ReStructure Mix - Goody Goody From Vince and Denise Montana comes the LP "Goody Goody" in 1978. One of Montana's most loved productions - featuring the track "#1 Dee Jay". |
|
|
Thorir Baldursson and Tom Moulton produced one of the most phenomenal disco LPs in 1978 - "The Greatest Show On Earth" by Metropolis. The project encompassed the sweetness of the Philly femme ensemble and the Euro-disco fusion of New York disco music. |
|
|
• Keep On Jumpin' - Glenn Rivera ReStructure Mix - Musique The LP that shook dance floors everywhere in 1978 was "Keep On Jumpin'" by Musique! A Patrick Adams production that still brings goosebumps to disco connoisseurs. It is a gem of a recording. |
|
|
• I Just Keep Thinking About You Baby - Glenn Rivera ReStructure Mix - Tata Vega Big disco songs have certain elements: a good rhythm track, catchy keyboard riffs, nice groove and memorable vocal - "I Just Keep Thinking About You Baby" is a monument in these tributes. |
|
|
• In New York - Glenn Rivera ReStructure Mix - Passion Ray Martinez was perhaps the greatest conductors of the disco orchestra. His many productions included projects by Foxy, his own band Amant, Celi Bee and Sassy. Of course his most memorable being the now disco classic "If There's Love" recorded in 1978 under Amant. |
|
|
• Galaxy - Glenn Rivera ReStructure Mix - WAR WAR is a Southern California band who moved tightly on during the "disco fever" with a now classic-old school track called "Galaxy". This one unleashes a percussion and bass combo that has always taken over dance floor.Staying close to their Latin rhythms and laid back groove this track is an example of how disco music was able to transform bands without them even knowing it. |
|
|
• Heaven Above Me - Glenn Rivera ReStructure Mix - Frankie Valli A voice that is recognized from the first note - Mr. Frankie Valli. Taking his talent onto the disco floor once again with producer Bob Gaudio and the help of Mr. Bob Esty on "Heaven Above Me". |
|
|
• Pistolero - Glenn Rivera ReStructure Mix - Bombers From Pat DeSerio who also gave us Kebekelektrik and Rational Youth comes Bombers. The huge single "(Everybody) Get Dancin'" featuring more talents: Busta Jones (Mack L. Jones) on lead and bass guitars and Tamara Lorincz on lead vocals. |
|
|
• This Is The House Where Love Died - Glenn Rivera ReStructure Mix - Pattie Brooks Pattie Brooks recorded "This Is The House Where Love Died" in 1978 under the production of Simon Soussan and mixed by Bob Stone on the LP. The track was released as a 12" with a remix by Bob Stone and Manny Slali. The song was always a favorite of mine. It has a great Spanish guitar accompaniment and a bongo track that brings your feet and hips together. |
|
|
• Paradise - Glenn Rivera ReStructure Mix - Change With production skills of Jacques Fred Petrus, Change helped to guide disco music into another phase in 1980 with their first LP "A Lover's Holiday" - it was soon after that a new feeling of disco music was inevitable. |
|
|
• You Set Me On Fire - Glenn Rivera ReStructure Mix - Paradise Express This is a timeless gift from Paradise Express - Herb Jimmerson and Vi Ann |
|
|
• I'm Alive (Let's Move On) - Glenn Rivera ReStructure Mix - American Fade Early 80's was a transition of disco to high energy opening a whole new arena for producers and artists. America Fade is a studio band produced by Willi Morrison and Ian Guenther - THP Productions ("Too Hot For Love") and Southern Exposure. Their knowledge of disco arrangements and electronics gave them the upper hand on dance floor know how.
|
|
|
• Come With Me - Glenn Rivera ReStructure Mix - Donna Summer Donna Summer became the midnight sound of disco music with the sensual appeal done with the right essence of the time period. |
|
|
• To Sir With Love - Glenn Rivera ReStructure Mix - Vicki Sue Robinson Ms. Vicki Sue Robinson brought the 70's a wonderful sound and energy. "Turn The Beat Around" is considered one of the foremost disco classics and continues to outline music history. With Vicki's vocals much of her music became the sound of soul, pop and disco united.
|
|
|
• Fill Me Up (Heart To Heart) - Glenn Rivera ReStructure Mix - Andrea True Connection Gregg Diamond and Andrea True create a sensual disco experience with all of the ammo that the beat can deliver. The LP "More, More, More" is one of the outlines for 70's disco music in the dosage that Diamond could deliver. |
|
|
• Dancing Is Dangerous - Glenn Rivera ReStructure Mix - Noel From the talented minds of Ron Mael and Russel Mael (better known as Sparks) comes Noel. During a period where disco became pop music many artists and producers moved into the arena using justified elements and their own style. These boys worked with Giorgio Moroder on their "Beat The Clock"/Tryouts For The Human Race" success. It was obvious that the synthesizer revolution was undertaking a new edge. |
|
|
• Can We Try Again - Glenn Rivera ReStructure Mix - Technique Producer Mike Lewis and San Francisco disc jockey brought Technique to life. Their 1983 single "Can We Try Again" is a staple in most classic high energy programs. |
|
|
• Dancin' - Glenn Rivera ReStructure Mix - Grey and Hanks Zane Grey and Len Ron Hanks released their LP "You Fooled Me" in 1978 - "Dancin'" is the first single from this project. The soulful and funky track added a new layer to disco music at the time. It was the extreme dance formula that became the pop end of radio and clubs. |
|
|
• Try My Love - Glenn Rivera ReStructure Mix - Denise La Salle Denise LaSalle hit the mark in 1980 with her LP "I'm So Hot" - this was one of the diva LPs of that year. |
|
|
• I Wanna Go Home With You - Glenn Rivera ReStructure Mix - Jimmy 'Bo' Horne Jimmy 'Bo' Horne along with the help of the "Miami Disco Machine", H.W. Casey (K.C. and The Sunshine Band) and Richard Finch helped to create the new pop sound of disco music in late 70's. Much of the transition was thanks to earlier hits by K.C. and his Sunshine Band. |
|
|
• Spin It - Glenn Rivera ReStructure Mix - Sunbelt Sunbelt is Rodney Eubanks on vocals and a production by Douglas Groover. Better known as a track on Prime Cuts 1-Double LP released on Importe 12 in 1981. |
|
|
• In The Evening - Glenn Rivera ReStructure Mix - Sheryl Lee Ralph From the original Broadway cast of "Dreamgirls" the very lovely and talented Sheryl Lee Ralph wondered into the disco arena in the mid-80's. Her anthem and stay-power piece "In The Evening" was one of the most exciting tracks of the time. A taste of Sheryl's wonderful vocals and a street-disco feel. |
|
|
• Sentimentally It's You - Glenn Rivera ReStructure Mix - Theo Vaness Theo Vaness is a Dutch vocalist also known for his work with band, The Shoes. |
|
|
• Come And Get Your Love - Glenn Rivera ReStructure Mix - Lime Disco in the 80's was a breath of fresh air with bands like Lime. |
|
|
• Ite Missa Est - Glenn Rivera ReStructure Mix - Martin Circus Martin Circus was a rock band formed in France in 1969 and are noted as being one of the first to use the French language in rock.
|
|
|
• Touch Me On My Hot Spot - Glenn Rivera ReStructure Mix - Saturday Night Band Saturday Night Band was like candy to a dance floor - the funky and chic productions by Jesse Boyce and Moses Dillard are a sound which helped disco music to move into a new phase. |
|
|
• Love's Unkind - Glenn Rivera ReStructure Mix - Donna Summer Donna Summer, Giorgio Moroder and Peter Bellote were creating disco noise with many of their conceptual projects - from "A Love Trilogy" to "Four Seasons Of Love". It was 1977 when the cat was let out of the bag - "I Feel Love" and the "I Remember Yesterday" medley from the same LP brought a new light to the dance floor and sanctified disco music forever. |
|
|
• Pushin' Too Hard - Glenn Rivera ReStructure Mix - Paul Parker Patrick Cowley and Paul Parker together in 1982 is a landmark in disco history. Cowley's trippy synthetic arrangements were a part of the late 70's with studio bands like Fever ("Beat Of The Night") and also many of Sylvester's hit dance tracks (ex. "Dance (Disco Heat)" and "Stars") - it was the blood flowing through the veins of early high energy disco. |
|
|
• I Am What I Am - Glenn Rivera ReStructure Mix - Gloria Gaynor Ms. Gloria Gaynor is well known as the Queen Of Disco from 1973 - present. From her original hit "Honeybee" from 1973 and onto "I Will Survive" in 1978 - Gloria has always serenaded disco in many forms and with no remorse.
|
|
|
• You Made Me Believe In Magic - Glenn Rivera ReStructure Mix - Bay City Rollers 70's boy band, Bay City Rollers is Alan Longmuir, Leslie Richard McKeown, Eric Faulkner, Derek Longmuir and Stuart 'Woody' Wood |
|
|
• St. Tropez - Glenn Rivera ReStructure Mix - Diva Gray and Oyster Diva Gray began her career touring with Harry Belafonte. You may better know Diva as a session singer on the first Chic LP ("Dance, Dance, Dance"), Gregg Diamond's Starscruiser ("This Side Of Midnight", "Danger") and various Kenny Lehman projects including Lemon's "Freak On". Her voice is very distinctive and a great style. |
|
|
• If You Weren't Afraid - Glenn Rivera ReStructure Mix - Giorgio From the innovative project from Giorgio Moroder - "E=Mc2" in 1979. "If You Weren't Afraid" is from the side A medley and closes out the set. The eerie yet uplifting feel of the song has always been the lure for me. |
|
|
• Dance With Me - Glenn Rivera ReStructure Mix - Chilly Chilly is a German disco band whose 1978 LP "For Your Love" is a landmark of disco history. The project was produced by Bernt Mohrle who also produced Cherry Laine and Cosmic Gal. |
|
|
• If You Believe In Me - Glenn Rivera ReStructure Mix - Montreal featuring Carol Jiani Joe La Greca (Erotic Drum Band, MTL Express, Hydro, Melody Stewart, Chris Mills) was a leader in the Canadian disco explosion of the late 70's. A whole new concept utilizing the drums and bongo rhythms to move rhythmic bass lines. |
|
|
• Stomp! - Glenn Rivera ReStructure Mix - The Brothers Johnson Their influence in the late 70's joined a funky taste to dance music with hits like "Get The Funk Out Of My Face" and "Strawberry Letter 23". Beautiful pieces of music. |
|
|
• People Come Dance - Glenn Rivera ReStructure Mix - Ednah Holt and Star Luv Ednah Holt was a part of The Ritchie Family ensemble and left to pursue her solo career in 1979 - her hit "People Come Dance" on the legendary West End Records was also co written by Ednah. The studio recording features Angela Bofill and Connie Harvy on back up vocals and later a 3 team back up ensemble created for promotion. |
|
|
• Party - Glenn Rivera ReStructure Mix - Julius Brown High energy in the 80's came alive with flair with tracks like "Party" by Julius Brown - a soulful vocal exuding with excitement relating to the dance floor. This electrifying song was one of the finale productions by Jacques Morali (Village People, The Ritchie Family) before his passing in 1991. |
|
|
• The Heart To Break The Heart - Glenn Rivera ReStructure Mix - France Joli France Joli is the disco chanteuse - her disco hit, "Come To Me" is a big part of music history. Produced by Tony Green and also featured Canadian musicians Dennis Lepage, Peter Dowse and Gene Leone as studio engineer. |
|
|
• Bamalama - Glenn Rivera ReStructure Mix - Belle Epoque Belle Epoque is Evekyn Verrecchia, Giusy Fortes and Marzia Thear - "Bamalama" is the mystical track with the bumping disco bass and the electric wizardry that makes Donna Summer's "I Feel Love" work double time. |
|
|
• Body Rock - Glenn Rivera ReStructure Mix - Maria Vidal Dance music in the mid-80's reached another explosion where it's influence was all over - and why not? The message has always been very positive and uplifting. |
|
|
• If You Could Read My Mind - Glenn Rivera ReStructure Mix - Viola Wills Viola Wills was a definite staple in disco music - her many dance cover versions were more to dance history throughout the late 70's through the end of the 90's. |
|
|
• You'll Never Know - Glenn Rivera ReStructure Mix - Hi Gloss Giuliano Salerni brought us Ultimate ("Touch Me Baby"), Strange Affair ("Love Is A Strange Affair") and Bonnie Boyer ("Got To Give In To Love") - this time around he has written arranged and produced his studio band, Hi-Gloss. |
|
|
• Keep On Holdin' On - Glenn Rivera ReStructure Mix - Margaret Reynolds Margaret Reynolds would serenade the Trocadero Transfer in San Francisco with "Keep On Holdin' On" - reminding everyone that better times are always there. |
|
|
• Die Hard Lover - Glenn Rivera ReStructure Mix - Loverde Loverde is Frank Loverde, Linda Imperial ("Get Here", "Fire), Peggy Gibbons and Don Miley. A San Francisco high energy disco troupe that created a label - "Die Hard Lover" with their 1982 dance floor hit. |
|
|
• Dance - Glenn Rivera ReStructure Mix - Paradise Express Herb Jimmerson and Vi Ann created a moment in disco music that will never be forgotten. Many recorded tracks are often looked at as classic disco recordings. |
|
|
• Feelin' Love - Glenn Rivera ReStructure Mix - Hott City Hott City! is a studio concept produced and created by Jeffrey Parsons and Jeffrey Steinberg - "Feelin' Love" being the initial release from the LP. The track features Sherry Fox on vocals.
|
|
|
• On And On And On - Glenn Rivera ReStructure Mix - ABBA ABBA being Bjorn Ulvaeus, Benny Andersson, Agnetha Faltskog and Annie-Frid Lyngstad are in the first area of the disco museum. Their music has been some of the most important pieces in music history. |
|
|
• Night Dancin' - Glenn Rivera ReStructure Mix - Taka Boom Chaka Khan's little sister has been quite an addition to dance floor both in the 70's and 80's - her vocal performance in "You + Me=Love" by Undisputed Truth and "Mr. DJ, You Know How To Make Me Dance" by Glass Family are bound to make your recognize the power and beauty behind this diva. |
|
|
• Your Love Still Brings Me To My Knees - Glenn Rivera ReStructure Mix - Marcia Hines Marcia Hines starred in musicals "Hair" and "Jesus Christ Superstar" in the 70's - her disco fame came with "Your Love Still Brings Me To My Knees" in 1981. A beautiful love song set to a rock-disco tempo. |
|
|
• Saturday Night - Glenn Rivera ReStructure Mix - T-Connection Funk and disco are the drive behind T-Connection - Theophilus Coakley, Kirkwood Coakley, David Mackey and Anthony Flowers. |
|
|
• As Long As It's Love - Glenn Rivera ReStructure Mix - Theo Vaness Theo Vaness is a Dutch singer with a great reputation on the dance floor - his initial solo project "Back To Music" in 1978 (produced by Michaele, Lana and Paul Sebastian) is one of the earliest successful medleys in the disco vein. |
|
|
• Back To You - Glenn Rivera ReStructure Mix - Crystal In The Pink 80's high energy took a turn back to the lyrical feel of classic disco with sharp edged synthesizers and pumping bass lines - "Back To You" by Crystal In The Pink from 1987 is a Vincent Degiorgio masterpiece of such a record. Emotion and intense dancing are a big piece of this Canadian disco track from Power Records.
|
|
|
• That's The Meaning - Glenn Rivera ReStructure Mix - Beautiful Bend An ominous track for Boris Midney from the project that joined the sweet vocals of Philadelphia, the soaring orchestral sound of the 70's and the technological genius of Midney's mind. "That's The Meaning" is a celebratory track that gives goose bumps to any disco audiophile every time. It is sheer magic. This ReStructure pieces the song into parts that I extracted and have given a mild work over to. It is intended to keep the song alive along with the wonderful legacy of Boris Midney.
|
|
|
• Coming Out Of Hiding - Glenn Rivera ReStructure Mix - Pamala Stanley Pamala Stanely burst upon the disco scene in 1979 with her big hit, "This Is Hot" - this one made dance floors simmer with Pamala's sweet vocals with the power of delivering an anthem. It came again in 1983. "Coming Out Of Hiding" was a track that made an impact in more ways than one. |
|
|
• Jump Shout - Glenn Rivera ReStructure Mix - Lisa Big high energy track produced by the legendary, John Hedges and Barry Blum - this one is the big floor packer of 1982. |
|
|
• Inch By Inch - Glenn Rivera ReStructure Mix - Persia Persia is a disco band produced by Kenny Nolan ("I Like Dreamin'") and Juergen Koppers (Giorgio Moroder, Munich Machine) - an ensemble featuring Zell Black on lead vocals. Zell had a single released in 1974 on Motown titled, "I Been Had By The Devil". |
|
|
• Body Contact - Glenn Rivera ReStructure Mix - Loi Loi is a studio band produced by Joe Richards (Barrington Levy, Janet Kay) and features vocals by Lois Ramdeen. The track was a Canadian single released in 1980 on G Clef Records, Inc. Soon after it was chosen as a track for a double LP set titled "Prime Cuts 1" on Importe 12 Records - which featured a compilation of the greatest dance tracks. |
|
|
• Get Up (Rock Your Body) - Glenn Rivera ReStructure Mix - The Machine 202 The Machine 202 was produced by Billy Arnell and Steve Loeb - a duo which produced Jessica Bell's "Ode To Four" in 1977 and a heavy metal rock project by Riot titled "Narita" in 1979. |
|
|
• One Night Only - Glenn Rivera ReStructure Mix - Scherrie Payne Rick Gianatos' has been involved in many disco classics and helped to shape the sound into a mature and complete art form. His production of Scherrie Payne's "One Night Only" was a high energy blast of air in the early 80's. it helped to emphasize the connection between dance music and magic.
|
|
|
• Open Sesame - Glenn Rivera ReStructure Mix - Kool and The Gang From the 1976 LP by the same title - "Open Sesame" is a funk fantastic track! |
|
|
• Too Hot To Handle - Glenn Rivera ReStructure Mix - Giorgio Giorgio Moroder's classic electronic recording, "From Here To Eternity" is a project referred to by progressive techno and electronic dance composers and dancers alike. It is one of the most intriguing at a time where sequencers and computer recording at all levels of the artist - perhaps this is the perfection achieved by Mordoer in this recording.
|
|
|
• Maybe This Time - Glenn Rivera ReStructure Mix - Norma Lewis Norma Lewis graced the dance floors with her disco-fied version of "Maybe This Time" from the musical, "Cabaret". Produced by Marvin Howell (ERC Records and Jackie Rawe's "I Believe In Dreams") and Tony Green. |
|
|
• Manhattan Skyline - Glenn Rivera ReStructure Mix - David Shire David Lee Shire has composed soundtracks for films "2010", "The Taking of Pelham One Two Three", "Norma Rae", "Short Circuit" - his compositions for the soundtrack of "Saturday Night Fever' from 1977 are the focus here. "Manhattan Skyline" is a track that is pure disco in completeness - from the rolling bass lines and swirling strings. A track that surely influenced touch dancers to dip and swing even further. I have taken Shire's beautiful piece and added a few elements to give the track a whole new ReStructure sound. This one should remind many of the orchestrations which gave disco the contemporary edge of the mid 70's. |
|
|
• Mr. Big Shot - Glenn Rivera ReStructure Mix - The Simon Orchestra featuring Jessica Williams |
|
|
• Fire In My Heart - Glenn Rivera ReStructure Mix - Madleen Kane |
|
|
• Give Me Your Love - Glenn Rivera ReStructure Mix - Fun Fun Fun Fun is the colorful sound of Italo-disco. In the early 80’s their music became the wonderful accent to dance floors all over the world. Producers Alvaro Ugolini and Dario Raimondi created many now classic tracks by this studio ensemble that continue to bring a feeling of freedom and light hearted energy to mind. A beautiful combination for any disco number. I have taken their 1984 hit, “Give Me Your Love” and ReStructured the song using the original Italian version - creating a more dub breaks and extending that wonderful chorus and keyboard elements. This one is dedicated to Alex N. of Euroflash |
|
|
• The Power Of Love - Glenn Rivera ReStructure Mix - Astaire Astaire is an 80's studio band with a list of high energy tracks that would make any dance floor shake with excitement. |
|
|
• So Many Men, So Little Time - Glenn Rivera ReStructure Mix - Miquel Brown "So Many Men, So Little Time" was the noticed arrival of high energy music in the early 80's - it signified the proof that people were not done dancing to disco music. The track was one of the most popular of the time and lasting throughout time - even today. Miquel Brown had a mild disco hit with "Symphony Of Love" in 1978 - her return in 1983 with her LP "Manpower" guaranteed a lasting stance on dance floors. This ReStructure Mix chops and rearranges every element from the "oh-so-familiar" mix and creates a whole new hedonism moment for all to dance and celebrate. |
|
|
• Wastin' My Love - Glenn Rivera ReStructure Mix - Sticky Fingers Phyllis and Helen Duncan are the powerhouse vocals behind Sticky Fingers - they are also known as The Duncans, The Duncan Sisters and THP (THP #2). I have always favored their strong and sass-ful vocals that always end up resonating a beautiful edge. |
|
|
• Just Take My Body - Glenn Rivera ReStructure Mix - Rudy Jacques Fred Petrus is a name is disco music that will last throughout it's history. His 1979 production of Rudy Trevisi is one which features each element of electronic disco music. |
|
|
• Got To Love Somebody - Glenn Rivera ReStructure Mix - Sister Sledge From their 1980 LP "Love Somebody Today" - this follow up project to "We Are Family" had a some winning tracks: "Reach Your Peak", "Let's Go On Vacation" and "Got To Love Somebody" |
|
|
• Hell Dance With Me - Glenn Rivera ReStructure Mix - Cappuccino From the fantastic production by Danilo Vaona - Cappuccino blends a mystique in "Hell Dance With Me" - the sensual and lustful vocals fit an early morning dance mix well. The project was released in 1980 and features a wonderful disco-fied production including the underground hit, "Tomorrow". |
|
|
• Deliverance - Glenn Rivera ReStructure Mix - People Like Us Paul Crossley and Terry Owen created People Like Us - a South African high energy band who featured Cindy Dickinson on a luscious dance track titled, "Deliverance". |
|
|
• Walk Right Now - Glenn Rivera ReStructure Mix - The Jacksons The sound that made The Jacksons the cherry on the sundae for dance floors!
|
|
|
• Bourgie Bourgie- Glenn Rivera ReStructure Mix - Gladys Knight and The Pips "Bourgie Bourgie" is an Ashford and Simpson composition which spans the disco era very well. It exemplifies the trends, music, feel and attitude of the chic disco era.
|
|
|
• Helpless - Glenn Rivera ReStructure Mix - Jackie Moore Jackie Moore made a disco hit out of "This Time Baby" in 1979 - this being one of the longest adored dance floor gems. Produced by Bobby Eli and remixed by John Luongo and Michael Barbiero. |
|
|
• Cissy Strut - Glenn Rivera ReStructure Mix - The Meters Known as The Funky Meters these musicians created a sound in the 60's which was considered the earliest funk around. It was one of the first 45 records that I would hear my sister, Lolly playing in her bedroom and teaching the "Cissy Strut" to friends. The guitars licks have always entranced me - a very wicked groove. The essence of funk! |
|
|
• We All Need Love - Glenn Rivera ReStructure Mix - Troiano Domenic Michele Antonio Troiano (passed May 2005) was a Canadian rock guitarist. His solo LP "Fret Fever" from 1979 contained a big dance floor hit - "We All Need Love". The track is a wonderful disco song with a great theme and meaning. |
|
|
• Dim All The Lights - Glenn Rivera ReStructure Mix - Donna Summer The Queen Of Disco and her hit, "Dim All The Lights" from 1979 gets a whole new uplift along with a new mood - more underground and outward. |
|
|
• I Can't Turn You Loose - Glenn Rivera ReStructure Mix - Anthony White Big disco track from Anthony White - the 1977 Salsoul hit, "I Can't Turn You Loose" is a standard classic for hardcore disco clubs. |
|
|
• Under Your Spell - Glenn Rivera ReStructure Mix - Phyllis Hyman Phyllis Hyman was one of the most promising vocalists of the late 70's - with tracks like "Loving You, Losing You" and "You Know How To Love Me" it was obvious that this diva knew what she was doing. She may have been reached the top where she belonged but you would never know by hearing her recordings. |
|
|
• Are You Ready - Glenn Rivera ReStructure Mix - Center Stage Christine Wiltshire became the disco diva of the Paradise Garage following her hit, "Weekend" with Patrick Adams' Phreek. This was not Wiltshire's first involvement with dance music - she began with studio groups like Musique, Poussez!, and Aural Exciters. |
|
|
• Over and Over - Glenn Rivera ReStructure Mix - Sylvester Producer Harvey Fuqua (New Birth - "Until It's Time For You To Go") worked with Sylvester to break open the doors of discotheques with a glorious style of disco and personality. This edge was accepted well in 1977 as disco music began to creep from underground to the top. |
|
|
• Dancing In My Feet - Glenn Rivera ReStructure Mix - Laura Taylor Disco music was the sound that began to influence media and social venues - it was not long after the "fever" started to ignite that music began to reflect the mood and aura that nightlife offered.
|
|
|
• The Best Disco In Town - Glenn Rivera ReStructure Mix - The Ritchie Family From Jacques Morali and Ritchie Rome comes the track that made dance floors believe in disco music. |
|
|
• Symphony Of Love - Glenn Rivera ReStructure Mix - Miquel Brown Miquel Brown released her first disco project in 1978 with "Symphony Of Love" - the production was handled by Alan Hackshaw (Love De Luxe) who used many of the musicians from the Love and Kisses, Voyage and Cerrone recordings. |
|
|
• One Nation Under A Groove - Glenn Rivera ReStructure Mix - Funkadelic The funk...the whole funk and nothing but the funk. |
|
|
• Automat - Glenn Rivera ReStructure Mix - Automat Automat is a electro-disco and ambient production from 1978. It was programmed by Mario Maggi and produced and composed by Claudio Gizzi. |
|
|
• Kung Fu Fighting - Glenn Rivera ReStructure Mix - Carl Douglas Jamaican born singer Carl Douglas began his career in the 60's with a group titled Carl Douglas and The Big Stampede - their hit "Crazy Feeling" was a chart entry. |
|
|
• The Main Event - Glenn Rivera ReStructure Mix - Barbara Streisand Bob Esty produced Cher's "Take Me Home" and also several Paul Jabara projects - it was not long after that his disco magic created an atmosphere for singers like Andy Williams ("Love Story") and Barbara Streisand. |
|
|
• Disco Choo Choo - Glenn Rivera ReStructure Mix - Nightlife Unlimited The Canadian disco explosion was a during the mid and late 70's when a formula had been extracted from years of dance floor action - it was obvious that the break was no longer added - it was essential. |
|
|
• Happiness - Glenn Rivera ReStructure Mix - Pointer Sisters A warm up period for The Pointer Sisters was the early and late 70's before their pop-diva stature took effect with tracks like "Jump" and"I'm So Excited". It was easily understandable with tracks like "Happiness" from 1978. It was obvious their vocals were a stamp on any track the touched. |
|
|
• Love Injection - Glenn Rivera ReStructure Mix - Trussel A big funk dance track from 1979, which is now considered one of the top disco songs of all time. "Love Injection" comes from Trussel - a band whose talents and energy were to catapult them to fame. Unfortunately, their label did not take advantage of the promise. Trussel consisted of Bill McGee, Ron Smith, Larry Tynes, Michael Gray, Herman Maclin, Hannon Lane, Lynwood Jones, Michael Spratley, Veronica Jones, Junius Dyson - we have much of their work to cement their talent and groove. I have taken "Love Injection" and broken it up into parts and added some new rhythm tracks as well as constructed a few new breaks from original elements. This ReStructure Mix dedicated to Paul from The Netherlands |
|
|
• Fly Too High - Glenn Rivera ReStructure Mix - Janis Ian Talented singer-songwriter, Janis Ian took a brief turn into disco along with the master himself - Giorgio Moroder in 1979 with "Fly Too High". The single is from her LP titled, "Night Rains" - the track was also featured on the soundtrack from the film, "Foxes" the same year. |
|
|
• I'll Be Yours - Glenn Rivera ReStructure Mix - Lime Denis and Denyse LePage are Lime and took over dance floors in 1980 with their single "Your Love" - it was a return to a high energy dance arrangement with an innovative electronic twist (pardon the pun). |
|
|
• Walking On Music - Glenn Rivera ReStructure Mix - Peter Jacques Band 1978 launches the attack on dance floors from producer Jacques Fred Petrus and Mauro Malavasi!
|
|
|
• Mercy - Glenn Rivera ReStructure Mix - Carol Jiani Carol Jiani's 1981 masterpiece of dance floor candy, "Mercy" is given the ReStructure treatment. And deservingly so, Carol is still working her magic and giving very much to the disco/retro community. This is what disco divas are made of! Thank you, Carol - this is dedicated lovingly to you. |
|
|
• I Like You - Glenn Rivera ReStructure Mix - Phyllis Nelson Phyllis Nelson scored a disco hit with "Don't Stop The Train" in 1980 - this incredible driving dance floor track made her instantly recognizable. Following a few more singles came her 1985 blockbuster club hit, "I Like You". |
|
|
• I Got My Mind Made Up - Glenn Rivera ReStructure Mix - Instant Funk Bunny Sigler, Raymond Earl, Kim Miller, Scotty Miller and Dennis Richardson are Instant Funk - so funky! |
|
|
• 99 1/2 - Glenn Rivera ReStructure Mix - Alton McClain & Destiny Alton McClain & Destiny's ("It Must Be Love") second project was released in 1980 - produced by Frank E. Wilson and John Footman - a soulful dance LP with some great tracks. |
|
|
• Master Piece - Glenn Rivera ReStructure Mix - Gazebo Paul Mazzolini is Gazebo - a very talented Italian singer/musician. |
|
|
• Tomorrow - Glenn Rivera ReStructure Mix - Cappuccino The beauty of pure disco music is explored here in Danilo Vaona's "Tomorrow" by Cappuccino - many hardcore jocks are familiar with the the deep disco track "He'll Dance With Me". This song is the lighter side of lyrical disco. It sounds much like The Supreme's material of the early 70's. It is a wonderful production from Spain. |
|
|
• On Your Knees - Glenn Rivera ReStructure Mix - Grace Jones From the 1979 LP "Muse" comes "On Your Knees" - the most sadistic of all Grace Jones' recordings - but the sweetest revenge. |
|
|
• Touch My Heart - Glenn Rivera ReStructure Mix - Madleen Kane Swedish disco star, Madleen Kane started as a model - she was perfect for disco music with her luscious physique and sensual approach at emphasizing lyrics. |
|
|
• Turn The Music Up - Glenn Rivera ReStructure Mix - The Players Association In 1977 The Player's Association joined "disco fever" with their LP "Born To Dance" - produced by Danny Weiss - the band included some great musicians: Bob Berg, Bob Mover, Chris Hills, Danny Weiss, David Earle Johnson, David Sanborn, Herb Bushler, James Mtume, Joe Farrell, Jon Faddis, Karl Ratzer, Michael Brecker, Mike Mandel, Pat Rebillot, Ray Mantilla, Steve Khan, Tom Harrell, and Wilbur Bascomb. |
|
|
• Music, Harmony and Rhythm - Glenn Rivera ReStructure Mix - Brooklyn Dreams Brooklyn Dreams is Bruce Sudano, Eddie Hokenson and Joe Esposito - the trio were the leading male ensemble to bring disco music to a wanting crowd in the late 70's. |
|
|
• Everybody Dance - Glenn Rivera ReStructure Mix - Chic Chic is the Beethoven of disco music. |
|
|
• TSOP (The Sound Of Philadelphia) - Glenn Rivera ReStructure Mix - MFSB featuring The Three Degrees Kenny Gamble and Leon Huff assembled a group of musicians who have worked at taking 70's soul into a new direction. "Love Is The Message" released in 1973 played a big influential part of dance music and the polishing of grooves and rhythms for a new dance era. |
|
|
• Our Love - Glenn Rivera ReStructure Mix - Donna Summer Our Love" is a track, which is a love song, set to the fabulous music of Giorgio Moroder along with the alluring vocals of Donna Summer.
|
|
|
• I Am What I Am - Glenn Rivera ReStructure Mix - Village People
In 1977 Jacques Morali brought his concept to life - a chorus line of men dressed as stereo-types in the machismo world. Village People was born and has since been embedded in history. |
|
|
• A Fifth Of Beethoven - Glenn Rivera ReStructure Mix - The Walter Murphy Band In 1976, The Walter Murphy Band transformed Beethoven's Fifth Symphony into a pop-disco classic in a very creative outline. Moving the strings on board a funky keyboard foundation, Murphy created a lasting and classic feel for dance music and an innovative time. |
|
|
• Doin' The Best That I Can - Glenn Rivera ReStructure Mix - Bettye LaVette Disco classics have a sound all of their own - it is obvious that Bettye LaVette's "Doin' The Best That I Can" is one that stands alone. Not only are the lyrics the most emotional and thought provoking - they are timeless. For anyone who has ever been hopelessly in love this one is a powerhouse! |
|
|
• (Looking For Someone To Love) Tonight - Glenn Rivera ReStructure Mix - Technique A salute to Michael J. Lewis - a very important disc jockey in the San Francisco area - responsible for bringing disco music back on top of the disc jockey forum in the early 80's. His production of Technique on Arial Records in 1983 was a burst of disco energy with the title track "Can We Try Again" - which was mistaken many time in clubs and the circuit as Abba. |
|
|
• Pop Musik - Glenn Rivera ReStructure Mix - M At the end of the disco era there were many impressions left with this period of technology and dance being an area that seemed to effect everyone. Robin Scott under the name of M, took all of the trends and rolled it into one nu-wave/disco track - "Pop Musik". |
|
|
• (Everybody's) Dancing All Over The World - Glenn Rivera ReStructure Mix - Busta Jones This beautiful track is "discorama"! It justifies the beat in it's completeness and style. |
|
|
• Got You Where I Want You Babe - Glenn Rivera ReStructure Mix - Stereo Fun Inc. Elton Farokh Ahi again pulls of a disco extravaganza with Stereo Fun Inc. - it is the closest to his Destination ("Move On Up") to perfection that time has captured. |
|
|
• Great Expectations - Glenn Rivera ReStructure Mix - First Choice First Choice may have fooled you. They are the longest running female ensembles - since 1973. But with each album they sound fresh and new. |
|
|
• Come On And Get It On - Glenn Rivera ReStructure Mix - Soccer Tony Valor began producing and arranging dance music in 1975 - his productions were closest to the sound of New York disco with the sophistication of Philadelphia dance productions.
|
|
|
• Erotic Soul - Glenn Rivera ReStructure Mix - Larry Page Orch Long before Erotic Drum Band and the fusion of jungle rhythms, jazz and disco music - there was Larry Page Orch. In 1977 his LP "Erotic Soul" was a whole new sound - the emphasis of rhythms, congas, strings and orchestral movements to a disco arrangement - along with funky keyboards and guitars. |
|
|
• Love Will Always Find You - Glenn Rivera ReStructure Mix - Donna Summer From the height of disco - when nothing seemed to go wrong - the "Bad Girls" LP by Donna Summer was a complete disco package. With tracks like "Hot Stuff", "Sunset People", "Walk Away", ""Our Love" who could turn their ears away? |
|
|
• Love It Up Tonight - Glenn Rivera ReStructure Mix - Peaches and Herb Peaches and Herb had been around long before their disco hit, "Shake Your Groove Thing" in 1978 - they have been recording since 1967. It was their dance floor in discotheques that unleashed more promise for the pair. |
|
|
• Miami Heatwave - Glenn Rivera ReStructure Mix - Seventh Avenue Seventh Avenue is an early project produced by Ian Levine - from the 1979 LP "Midnight In Manhattan" comes "Miami Heatwave". A disco track that has been covered by "Love Twins" in 1982 with a similar production by Levine along with music genius, Rick Gianatos. Later, in the 80's Seventh Avenue was repackaged for pop-success which they actually made AM radio in the US with "The Love I Lost" - great accomplishment for a disco band in the 80's. The track is a beautiful disco track and I am taken pieces of both the percussion tracks, verses and choruses to shape the song into a fast moving dance number. Many of the strong points are here - much of the strings, which I love were excluded for this mix. |
|
|
• Action Satisfaction - Glenn Rivera ReStructure Mix - Melody Stewart Joe La Greca and Joe Marandola whose production include projects by Hydro, MTL Express, Kat Mandu, Carol Jiani, Caroline Bernier are at their highest level of energy along with Melody Stewart. |
|
|
• Nighttime Fantasy - Glenn Rivera ReStructure Mix - Vicki Sue Robinson Vicki Sue Robinson became an overnight sensation on the club scene during the mid-70's - following the release of "Turn The Beat Around" in 1976 it was no surprise. The song is still a dance floor classic. |
|
|
• Body Language - Glenn Rivera ReStructure Mix - Spinners Spinners started entertaining in 1961 and recorded many hit – “It’s A Shame” in 1970, “Could It Be I’m Falling In Love” in 1972, “Then Came You” in 1974, “The Rubberband Man” in 1976- their LP “Dancin’ and Lovin” from 1979 was produced by Michael Zager and Jerry Love. |
|
|
• Remember - Glenn Rivera ReStructure Mix - Vivian Vee Vivian Vee is the disco diva from Trieste, Italy.
|
|
|
• Back Together Again - Glenn Rivera ReStructure Mix - Roberta Flack featuring Donny Hathaway Roberta Flack gives the dance floor a funky dance track called "Back Together Again" from her LP with Donny Hathaway - this one is a contagious rhythm experience complete with exuberant horns and a slick rhythm guitar. |
|
|
• Tangerine - Glenn Rivera ReStructure Mix - The Salsoul Orchestra In 1975, Vincent Montana, Jr. produced the LP that began a whole new sound for disco music - the orchestrated sound of Philly. This became a pivotal time for music - it was sophisticated and soulful. |
|
|
• Let's Go Round Again - Glenn Rivera ReStructure Mix - Average White Band One of the most powerful dance tracks in 1980. Average White Band better known for their jazz-infused tracks like "Pick Up The Pieces" and "Person To Person" this production was a disco-fied pop thanks to David Foster (Lisa Dal Bello, Daryl Hall & John Oates, Deniece Williams ("I've Got The Next Dance"), and Bill Champlin). |
|
|
• Don't Stop Till You Get Enough - Glenn Rivera ReStructure Mix - Michael Jackson Where you when you first heard Michael Jackson's "Don't Stop Till You Get Enough"? Most likely in amazement. This track has and always will be one of the most incredible disco tracks ever. |
|
|
• Take Me - Glenn Rivera ReStructure Mix - Cerrone Disco composer and conductor, Cerrone has maintained his stance in disco and dance music for over 30 years. His music has always been presented in a classical form of both arrangement and style. It is no doubt that his music is now looked upon as masterful. |
|
|
• Wasted - Glenn Rivera ReStructure Mix - Donna Summer Donna Summer's released her second project for Oasis/Casablanca in 1976 - produced by Giorgio Moroder and Pete Bellotte. "Try Me, I Know We Can Make It" was another side long disco track which became one of Donna's most beautiful vocal performances of her introduction as "First Lady Of Love". |
|
|
• There But For The Grace Of God Go I - Glenn Rivera ReStructure Mix - Machine Machine was a studio disco group formed by August Darnell, previously of Dr. Buzzard's Original Savannah Band and, later in the 1980s, Kid Creole And The Coconuts. "There But For The Grace Of God Go I" is a track from the first LP. |
|
|
• The Party - Glenn Rivera ReStructure Mix - Destination Elton Farokh Ahi produced and played many instruments on the project "From Beginning To End" by Destination (featuring Danny Lugo on lead vocal). It was truly a heart felt dream for Ahi to bring Destination to fruition. |
|
|
• Again - Glenn Rivera ReStructure Mix - The Night People A disco lullaby! |
|
|
• Half As Nice - Glenn Rivera ReStructure Mix - THP Orchestra Ian Guenther and Willi Morrison are Canadian producers who brought you disco ensembles Grand Tour, Southern Exposure, Sticky Fingers, The Duncan Sisters, and The Immortals - productions which helped to mature disco music in the mid and late 70's. |
|
|
• Another Cha Cha - Glenn Rivera ReStructure Mix - Santa Esmeralda Santa Esmeralda has always been the maker of fabulous disco music - "Don't Let Me Be Misunderstood", "The House of The Rising Sun" and "Beauty" were disco suites with full orchestral arrangements which made them classics. |
|
|
• Earth Can Be Just Like Heaven - Glenn Rivera ReStructure Mix - Two Tons O' Fun Martha Wash and Izora Rhodes are Two Tons O' Fun - in 1979 producer Harvey Fuqua released their solo LP as they stepped away from Sylvester as backup. The success of the first single, "I Got The Feeling" brought high energy disco music back into their futures. "Earth Can Be Just Like Heaven" was their second track released as a 12" along with a remix by Robbie Leslie. |
|
|
• How Long - Glenn Rivera ReStructure Mix - Lipps, Inc. Steven Greenberg and Cynthia Johnson worked the late 70's and the 80's as Lipps, Inc. - who hasn't been to "Funkytown" more than once? |
|
|
• Cisselin' Hot - Glenn Rivera ReStructure Mix - Chuck Cissel "Cisselin' Hot" is one of those tracks you can't help but place in it's own category - it is a smokin' song. |
|
|
• The Other Side of Midnight - Glenn Rivera ReStructure Mix - Marsha Hunt Marsha Hunt was around long before she recorded the disco hit, "The Other Side of Midnight" along with producer Pete Bellotte (Donna Summer, Trax) . Thanks to a fantastic 12" mix by the legendary, Wally McDonald and Peter Frost the song is an early disco classic. |
|
|
• Hold On I'm Comin' - Glenn Rivera ReStructure Mix - Karen Silver Gino Soccio brought many fantastic projects to the disco dance floor - many of them featuring his innovative style of keyboards and synthesizers. This 1979 project was co-produced by John Driscoll and featured one of Soccio's vocalists, Canadian singer, Karen Silver. |
|
|
• Shake Your Body (Down To The Ground) - Glenn Rivera ReStructure Mix - The Jacksons No big surprise was that The Jackson's could make dance floors move on automatic during the disco era. Their music was electric. |
|
|
• K-Jee - Glenn Rivera ReStructure Mix - MFSB The magic of Kenny Gamble and Leon Huff helped to create the Philly sound of the early 70's throughout the disco era of "Saturday Night Fever" - the abbreviations actually stand for "Mother - Father - Sister - Brother". |
|
|
• Do Ya Wanna Get Funky With Me - Glenn Rivera ReStructure Mix - Peter Brown Peter Brown was one of the earliest innovators of dance music - in 1977 he created for Henry Stone's label Drive Records a project titled "Do Ya Wanna Get Funky With Me' which brought dance floors to their feet. |
|
|
• Let Your Body Shine - Glenn Rivera ReStructure Mix - Munich Machine Giorgio Moroder assembled Munich Machine in 1977 as a group of musicians that would accompany many of the vocalists and projects he was producing - with the success of the first 2 LPs "Get On The Funk Train" and "A Whiter Shade Of Pale" there was a bit more to explore. |
|
|
• Magic Love - Glenn Rivera ReStructure Mix - Michele Michele is a 1977 disco artist from France - her LP "Magic Love" is a funky experience of the dance floor. Produced by Pierre Jaubert and Tom Moulton - this project has some of the grooviest tracks. |
|
|
• Life Is The Reason - Glenn Rivera ReStructure Mix - Norma Lewis Norma Lewis began as Marsha Raven ("I Like Plastic", "Catch Me (I'm Falling In Love") and Charade ("Got To Get To You") then later began a continuous list of high energy classics in the 80's - including "I'm Into Your Love (Into Your Love)", "Maybe This Time", "For All We Know", "The Fight (For The Single Family)", "Surprise Me Tonight", "Victim Of Love" and recently a cover of "Someone That I Used To Love".
|
|
|
• Gambling On Your Love - Glenn Rivera ReStructure Mix - Jessica Williams Jessica Williams is the powerhouse diva of discotheques. Her affiliation to the success of disco music has been proved time and time again with her vocals added. With groups such as Arpeggio ("Love and Desire"), Romance ("Dance My Way Into Your Heart"), The Simon Orchestra ("Mr Big Shot") and French Kiss ("We're The Right Combination"). Under the production of Simon Soussan, Jessica is to disco music what The Supremes were to the Motown era - dedication and a sound that is unique. |
|
|
• I'm Free - Glenn Rivera ReStructure Mix - Celi Bee Celi Bee best known for her disco hits "Superman", "Macho (A Real, Real One)" and "Fly Me On The Wings On Love" her formula was sweet and always enticing. In the early 80's Celi Bee returned with "I'm Free" produced by Ray Martinez(Amant, Passion). The track was originally featured on a Ray Martinez and Friends 12" EP called "Lady Of The Night" and was produced with a complete electronic feel. |
|
|
• Pump It Up - Glenn Rivera ReStructure Mix - Fever One of the big surprises in 1979 was the release of Fever - produced by Dale Reed along with Marty Blechman (Megatone Records) and John Hedges. This production had pieces of everything happening on the dance floors and more. |
|
|
• The Visitors - Glenn Rivera ReStructure Mix - Gino Soccio Gino Soccio has created an impact in music history - not only have his disco hits never strayed far from the minds of audiophiles, but the innovation of his music lives on. In 1979 "Outline" was Soccio's first solo release - not only are "Dancer" and "Dance To Dance" dance gems. "The Visitors" was a track on the LP which was taken and released with a 12" remix with both English and French vocal and a electronic show that still moves like magic. |
|
|
• You + Me - Glenn Rivera ReStructure Mix - The Undisputed Truth Taka Boom (Chaka Khan's little sister) joined The Undisputed Truth in 1976 and with Norman Whitfield producing, arranging and engineering helped to make the LP "Method To The Madness" an incredible feat.
|
|
|
• Do Or Die - Glenn Rivera ReStructure Mix - Grace Jones Grace Jones! Grace Jones! Grace Jones! |
|
|
• Let The Music Play - Glenn Rivera ReStructure Mix - Shannon Brenda "Shannon" Greene along with producers, Chris Barbosa, Mark Liggett and Rod Hui created a sound for the early 80's that again created excitement on dance floors everywhere. The release of "Let The Music Play" in 1983 made the street beat of New York a sensation.
|
|
|
• The Ultimate Warlord - Glenn Rivera ReStructure Mix - Little Casper and The MX's "The Ultimate Warlord" seems like a staple from the early 80's dance era. In 1981 it was recorded by The Immortals (Produced by Willi Morrison and Ian Guenther / THP Productions). The same year it was released on JDC Records and recorded by Little Casper and The MX's. Both versions were electronic tracks and bring to mind the keyboard wizardry that was created for disco by Giorgio Moroder in the mid and late 70's. |
|
|
• Bad Bad Boy - Glenn Rivera ReStructure Mix - Theo Vaness Theo Vaness became one of disco most distinctive male voices once he recorded "Back To Music" in 1977. Under the production and creativity of Michaele, Lana Sebastian and Paul Sebastian an innovative Euro-disco style was formulated. |
|
|
• Lady America - Glenn Rivera ReStructure Mix - Voyage Voyage represented a time when disco music was free and adventurous. Many who were fortunate enough to experience "From East To West" or "Souvenirs" on a dance floor recall the unity and energy it created. It was sheer magic. |
|
|
• Rumor Has It - Glenn Rivera ReStructure Mix - Donna Summer Donna Summer again is spotlighted in this ReStructure Mix and from "Once Upon A Time" comes the "Rumor Has It" - "Muh-muh-mah" blend. |
|
|
• Weekend - Glenn Rivera ReStructure Mix - Phreek Patrick Adams is one of the great masterminds of disco music. His productions always enveloped the sound of dancers everywhere. |
|
|
• Fire Island - Glenn Rivera ReStructure Mix - Dante's Inferno Harold Wheeler (Nina Simone, Consumer Rapport, Camouflage, Wing and A Prayer) and Ron Dante (The Archie's, Barry Manilow, Irene Cara) produced Dante's Inferno - a studio group in 1979. The LP featured a few cuts that became popular at the close of the disco era. |
|
|
• Air Force - Glenn Rivera ReStructure Mix - Space Space created the link between new age and synth disco. Their compositions and masterful keyboard created a wall of sound that gave dance music a whole new direction. Much of their music using the early sequencer and electronic technology of the time. |
|
|
• Dance Into My Life - Glenn Rivera ReStructure Mix - Donna Summer In 1977 Donna Summer created a dance floor explosion with "Once Upon A Time" - most clubs would play 3 of the segued sides of the 4 disks completely. This was due to the flow each track would create from one to another. |
|
|
• Night Rider - Glenn Rivera ReStructure Mix - C.O.D. Giorgio Moroder fans will feel like they have stepped back into time - to the "Battlestar Galactica" LP by Moroder. This track is along the lines of the "Evolution" track. |
|
|
• Time Has Come Today - Glenn Rivera ReStructure Mix - Bobby Davenport Bobby Davenport had a disco hit in 1982 with "Gimme A Break" - his return in 1983 with a cover of The Chamber Brothers 1968 hit "Time Has Come Today" (11 minutes!) received a bit more recognition. |
|
|
• No Way - Glenn Rivera ReStructure Mix - Geraldine Hunt Geraldine Hunt gave us "Can't Fake The Feeling" in 1980 and renewed our faith in disco music at the time. In 1978, Tony Green produced Hunt's first LP titled, "Sweet Honesty". This follow up single with the LP was disco magic all the way. |
|
|
• Boogie Talk - Glenn Rivera ReStructure Mix - Madleen Kane Madleen Kane, a Swedish model turned disco singer became quite a sensation with her first release "Rough Diamond" - and one of the rare vocalists with a frail and sensual style of vocal delivery which became a sound in itself in disco music. |
|
|
• My Forbidden Lover - Glenn Rivera ReStructure Mix - Chic From the band that made disco a funky yet elite sounding experience - CHIC! |
|
|
• Dancing The Night Away - Glenn Rivera ReStructure Mix - Voggue Voggue was originally released on Celsius Records (Canada) and produced by Denis LePage and Denyse LePage - a track that was the sound of it's time. It had the buzzing synthesizers that dominated dance floors thanks to this pair with Lime, Carol Jiani, Peter Batah, etc. |
|
|
• Fear - Glenn Rivera ReStructure Mix - Easy Going Easy Going released their second LP in 1980 titled, "Fear" - this marked a period of innovation in the alternative electronic disco chamber. The title track was well known by the peculating effects that linger throughout the track and of course the ominous "blood curdling scream" direct from our Halloween sound effects album from our childhood. |
|
|
• Dream Machine - Glenn Rivera ReStructure Mix - The Androids In 1980 A. Richard and A. Wagner brought "Disco Dream and The Androids" to this galaxy. The project was segmented to create a link between nu-age disco tracks and the wild 80's feel for keyboards and synthesizers. The effect was an outer space operetta of dance tracks. |
|
|
• Sharks Are Cool, Jets Are Hot - Glenn Rivera ReStructure Mix - The Quick Colin Campsie and George McFarlane (both associated with Girls Can't Help It, Haywoode, Endgames) worked successfully with a studio group titled, The Quick in 1979 on "Sharks Are Cool, Jets Are Hot" - a fantastic driving number with a touch of "West Side Story" meets The Club. |
|
|
• Are You Lovin' Somebody - Glenn Rivera ReStructure Mix - Debra Dejean In 1981 dance music was looking for a direction to head into. A new trend of nu-wave and dance oriented rock began to filter onto many dance floors evening out the trend of disco market making high energy nearly extinct in the US. Many artists like, Debra Dejean were continuing to release tracks that had similarity to high energy with a new edge. |
|
|
• I Like (What Your Doing To Me) - Glenn Rivera ReStructure Mix - Young and Company Dance floors were exploring the lower BPM and funkier style of music in the early 80's. Much of the music generating this trend were the small independent labels. Many of these tracks are now labeled "old school" - a definition that gives the dance music with lower BPM and a influence on soul and funk. |
|
|
• Color My Love - Glenn Rivera ReStructure Mix - Fun Fun Fun Fun was the brainchild of Italian producers, Alavro Ugolini and Dario Raimondi - their first release a single titled, "Happy Station". The dance market had made its complete shift where high energy disco music was being produced and marketed in Europe. Much of the electronic and innovative songs were produced in these markets. |
|
|
• Hollywood - Glenn Rivera ReStructure Mix - Freddie James Tony Green (France Joli, UN, Kebekelektrik, Carolyne Bernier, Monica Thornton, Cindy Valentine) produced Freddie James in 1979. "Get Up And Boogie" was the first release from this project. The impact of Green's high end disco production gave James instant appeal. |
|
|
• I Wanna Rock You - Glenn Rivera ReStructure Mix - Giorgio Giorgio Moroder created "E=Mc2" in 1979 during the peak of disco nightlife. The project was one of Moroder's finest studio work along with his phrasing and lyrics. |
|
|
• Go Dance - Glenn Rivera ReStructure Mix - Billy Moore Billy Moore's "Go Dance" saved dance floors with a wonderful execution of both synthesizers, disco beat and funky vocals. The track was a big surprise from Italy in 1979 at the end of the disco boom. |
|
|
• Journey To The Centre Of Your Heart - Glenn Rivera ReStructure Mix - Donna Summer From Donna Summer's phenomenal "Bad Girls" double LP released in1979 comes the original track, "Journey To The Centre Of Your Heart". The track is a throbbing disco mover which I always new had more potential then then a segue to the next track in Donna's musical medley. |
|
|
• Music Is My Way Of Life - Glenn Rivera ReStructure Mix - Patti Labelle Patti LaBelle is the voice of funk and soul. I have taken a bit of concern in this ReStructure Mix that Patti does not get lost - it is her message of how music transforms her world into a place where survival is possible. I dedicate to mix to Michael R. from San Diego - whose life has been enlightening to me and his ever loving need for disco memories keeps me smiling. |
|
|
• High On Your Love - Glenn Rivera ReStructure Mix - Debbie Jacobs Debbie Jacobs burst on the disco scene in 1979 with open arms and dancing feet welcoming her. Her first LP "Undercover Lover" was an outline for the new sound of mature disco music. |
|
|
• Don't Bring Back Memories - Glenn Rivera ReStructure Mix - Passion Ray Martinez (Foxy, George McCrae, Amant, Celi Bee) produced some of disco music's most beautiful flowing Miami flavored tracks. With Amant he marked a trend of strings and horns pouring over percussion and rhythms. |
|
|
• Was That All It Was - Glenn Rivera ReStructure Mix - Jean Carn During 1979 Jean Carn recorded “Was That All Is Was” - produced by Dexter Wansel. From her LP “When I Find You Love” and this being one of the last of the great Philadelphia disco records of the 70’s. |
|
|
• Rock It - Glenn Rivera ReStructure Mix - Lipps Inc. From Steve Greenberg came Lipps Inc. - along with the vocals of Cynthia Johnson this duo made disco powerful force in 1979. |
|
|
• Keep It Comin' Love - Glenn Rivera ReStructure Mix - K.C. and The Sunshine Harry Wayne Casey along with Richard Finch dominated the boogie period of disco music. Not only was the sound of 1976 becoming a bit more pop oriented but it was also feeding the disco era in the making. |
|
|
• Which Way Is Up - Glenn Rivera ReStructure Mix - Stargard Stargard were the "funky diva's from outer space. Long before En Vogue, TLC or Destiny's Child there was the real funk! |
|
|
• Can't Stop Dancing - Glenn Rivera ReStructure Mix - Sylvester Disco music would never have been complete without Sylvester. |
|
|
• Try It Out - Glenn Rivera ReStructure Mix - Gino Soccio Gino Soccio became the innovator of disco music in 1979 with the release of his first solo LP "Outline" which features "Dancer", "Dance To Dance" and "The Visitors". |
|
|
• Shine On Silver Moon - Glenn Rivera ReStructure Mix - Marilyn McCoo and Billy Davis Jr. Marilyn McCoo and Billy Davis Jr. were apart of the mid-60's sensation vocal ensemble, The Fifth Dimension - winning best song in 1967 for "Up-Up And Away" - the band was founded by Davis. |
|
|
• Trouble Maker - Glenn Rivera ReStructure Mix - Roberta Kelly Giorgio Moroder and his Munich Machine ensemble were quite busy in the mid-70's. From Donna Summer's "A Love Trilogy" to "Four Seasons Of Love", these musicians were pumping out the most discriminating disco material in history. |
|
|
• I Was Made For Loving You - Glenn Rivera ReStructure Mix - Kiss Kiss was the biggest rock show in the late 70's! Using 4 fiercely dressed disciples of rock metal as the icons for worship. Their 1979 LP "Dynasty" was one of their big sellers and included the track, "I Was Made For Loving You" which was remixed on disco 12" single by Jim Burgess. |
|
|
• Love Is In You - Glenn Rivera ReStructure Mix - Nightlife Unlimited Nightlife Unlimited was a production by Peter DiMilo and George Cucuzzella - the boys who brought you MTL Express, Erotic Drum Band, Jump, Ann Joy and Extensive Care. |
|
|
• Double Dutch Bus - Glenn Rivera ReStructure Mix - Frankie Smith It was 1980 and dance floors were experiencing a shift in music and attitude. Much of dance became funky and electronic - many of the high energy tracks that were being generated were either from the disco renaissance or Imports from Europe. It took a funky track like "Double Dutch Bus" to give dance floors a fun and carefree angle on changes in style. |
|
|
• Stayin' Alive - Glenn Rivera ReStructure Mix - Bee Gees Saturday Night Fever is the top of pop-disco! The soundtrack was the best selling for the run of disco mania and created quite a stir for your average disco dancer to move all night long. |
|
|
• Fire - Glenn Rivera ReStructure Mix - Ohio Players Funk was the thang in 1974 when Ohio Players released their raging hit, "Fire" - following the success of their hit "Skin Tight" this track took over the ideal of dance of the time. |
|
|
• Take Your Time (Do It Right) - Glenn Rivera ReStructure Mix - The S.O.S. Band 1980 marked a tremendous hit by The S.O.S. Band (Sounds Of Success) with "Take Your Time (Do It Right)" - with the shift of dance music this track was a welcoming sight. Disco music was becoming a bit less energetic and evolving into a funkier sound once again, but this time with more of a synthesized edge. |
|
|
• Plato's Retreat - Glenn Rivera ReStructure Mix - Joe Thomas Joe Thomas was a talented flute musician who played with Herbie Mann, Moe Kaufman and Jeremy Steig. His influence in music ranged from 1974 - 1983. |
|
|
• Thank God For Music - Glenn Rivera ReStructure Mix - Patrick Cowley Patrick Cowley began to paint his colors on the disco canvas during the late 70's with his keyboard and synthesizers on many of Sylvester's great dance floor hits. His unique style is now a staple among disco collectors and is a sound that is imitated and influential, but never replicated. |
|
|
• I Only Wanna Get Up and Dance - Glenn Rivera ReStructure Mix - The Raes Disco music was a theme for release and fantasy. During the late 70's following the prior 10 years of outlining the meaning and sound a few groups captured the pop-essence of disco. The Raes were a duo doing this with "I Only Wanna Get Up Dance". |
|
|
• Now I Need You - Glenn Rivera ReStructure Mix - Donna Summer Donna Summer and Giorgio Moroder created some of the most ambient and trance-like disco tracks during the experimental period of disco music - along with the synthesizer revolution. |
|
|
• Unexpected Lovers - Glenn Rivera ReStructure Mix - Lime Denis and Denyse LePage are Lime. |
|
|
• Cerrone's Paradise - Glenn Rivera ReStructure Mix - Cerrone Cerrone released his follow up LP to "Love In 'C' Minor" in 1977- "Cerrone's Paradise". This project placed a perspective on Euro-disco. Dance floors everywhere had discovered the sensuality and excitement that this music created. It was an instant connection.
|
|
|
• Feed The Flame - Glenn Rivera ReStructure Mix - Lorraine Johnson Lorraine Johnson recorded "The More I Get, The More I Want" in 1977 - produced by Jesse Boyce and Moses Dillard. The LP displayed the early movement of soulful vocals along side the funky disco bass lines, horn and string arrangements. It was obvious that producers and artists were taking their creative energy directly from the dance floor. |
|
|
• Africanism/Gimme Some Lovin' - Glenn Rivera ReStructure Mix - Kongas Kongas was produced by Cerrone - this production unleashed a new breed of disco music which was may have been the counterpart to the "high energy" offspring to disco from the early 80's. |
|
|
• When You Touch Me - Glenn Rivera ReStructure Mix - Taana Gardner West End was on a roll when Taana Gardner released "Work That Body" in 1979 - produced by Kenton Nix and remixed by Mr. Larry Levan. It was clear where the label was headed. |
|
|
• Cruisin' The Streets - Glenn Rivera ReStructure Mix - Boystown Gang The 1981 sensation Boys Town Gang was not only a success thanks to its magnificent cover of Diana Ross' "Ain't No Mountain High Enough", but also its raw and bold track, "Cruisin' The Streets" - and although the track may not have been played completely through - it still was known. |
|
|
• I'll Cry For You - Glenn Rivera ReStructure Mix - Kumano A disco anthem - "I'll Cry For You" is a very powerful song of love and sadness. Another one of those 70's adult contemporary band (ala Steely Dan) tracks with a lot of heart and soul. |
|
|
• One For You One For Me - Glenn Rivera ReStructure Mix - La Bionda La Bionda was a session group from Italy consisted of brothers, Carmelo & Michelangelo La Bionda who kept disco music alive with their light and uplifting sings. "One For You One For Me" is a track released in 1978 on their LP simply titled, "La Bionda". Also recording under the titled D.D. Sound. |
|
|
• Strut Your Funky Stuff - Glenn Rivera ReStructure Mix - Frantique Frantique hit the disco scene at the last spinning of the mirrored ball as it graced the dance floor with reflections of an era of great dancing and music. |
|
|
• Do You Love What You Feel - Glenn Rivera ReStructure Mix - Rufus and Chaka Rufas and Chaka released "Masterjam" in 1979 - an project produced by Mr. Quincy Jones and mixed by Bruce Swedien. The formula here worked like a transitional gem from funk to disco. |
|
|
• In The Bush - Glenn Rivera ReStructure Mix - Musique Patrick Adams is affiliated with some of the finest disco and dance music throughout the 70's and early 80's. His projects spanned from the early days of experimentation with a fusion of soul and funk - and then on to the days of the disco formula of the disco boom. |
|
|
• Happy Radio - Glenn Rivera ReStructure Mix - Edwin Starr Long after his classic soul recordings of the 60's, Edwin Starr made a complete home for himself in disco music beginning with his first big hit, "Contact". |
|
|
• Never Gonna Be The Same - Glenn Rivera ReStructure Mix - Ruth 'Silky' Waters Ruth 'Silky' Waters released "Never Gonna Be The Same" in 1979 on Millennium Records - produced by John Davis. |
|
|
• (Dance it) Freestyle Rhythm - Glenn Rivera ReStructure Mix - Mantus New York City-based band Mantus became a dance floor sensation with their 1979 LP "Midnight Energy" - their first single, "(Dance It) Freestyle Rhythm" was a percussion-driven track that moved more feet than a earthquake! |
|
|
• Back In My Arms Again - Glenn Rivera ReStructure Mix - Cynthia Manley Following the 1981 iconic cover recording of "Ain't No Mountain High Enough" with Boystown Gang, Cynthia Manley soon moved on to a very power take on the Motown classic, "Back In My Arms Again". |
|
|
• Let The Music Play - Glenn Rivera ReStructure Mix - Arpeggio Simon Soussan produced, arranged and conducted as well as created Arpeggio. With the fabulous, Jessica Williams along with Terri Young, Jason Reed, Kevin Bard and Fred Sawyers at the mic this disco dynamite sound was a big one. |
|
|
• Do Ya Wanna Funk - Glenn Rivera ReStructure Mix - Sylvester The disco drought of the early 80's was saved by Patrick Cowley's extraordinary keyboard and sequencer hi-ball track, "Do Ya Wanna Funk" which featured a lead vocal by the fabulous, Sylvester. |
|
|
• Happy Station - Glenn Rivera ReStructure Mix - Fun Fun The birth of Italo-disco may have been conceptualized during 1983 when Alvaro Ugolini and Dario Raimondi produced their studio group Fun Fun - "Happy Station". Although there were many artists and productions out of Italy, it seems as though not as many had the impact as this single. |
|
|
• Satellites - Glenn Rivera ReStructure Mix - Ellie Warren Ellie Warren is an artists who always displayed an ominous vocal ability. In the early 80's Ellie began granting up the opportunity to share her talent with tracks like, "Shattered Glass", "Primitive Love", "Lover's Theme", and "I Was Made For Loving You". |
|
|
• Reach Your Peak - Glenn Rivera ReStructure Mix - Sister Sledge Sister Sledge became the most celebrated female groups of the disco era thanks to Bernard Edwards and Nile Rodgers. Their 1978 hit "We Are Family" and "He's The Greatest Dancer" they have become a permanent fixture on the disco wall of fame. |
|
|
• Menergy - Glenn Rivera ReStructure Mix - Patrick Cowley It was 1981 when Patrick Cowley released his ominous keyboards in "Menergy" - produced by Cowley and Marty Blecman. |
|
|
• Inside Out - Glenn Rivera ReStructure Mix - Odyssey Since "Native New Yorker" was recorded by Odyssey in 1977, the band had a following waiting to hear the next attempt of disco with the fantastic vocal ensemble. Odyssey has always been a gift on our end. |
|
|
• Let's Fly Away - Glenn Rivera ReStructure Mix - Voyage The big album from the disco era! Voyage - who did not wait on the dance floor for their return? After their first LP simply titled, "Voyage" this Euro-disco troupe created a wonderful dance fantasy. |
|
|
• Tonight - Glenn Rivera ReStructure Mix - Gloria Gaynor Gloria Gaynor was recording disco music since 1974 keeping time with the motion of dance floors. Her 1978 hit "I Will Survive" has become more than a Top 10 Disco Hit - it is a world anthem. |
|
|
• Right Back Where We Started From - Glenn Rivera ReStructure Mix - Maxine Nightingale Maxine Nightingale's hit "Right Back Where We Started From" was produced in 1976 by Pierre Tubbs (Hombre, Marsha Raven's "I Like Plastic") and became a sensation in the clubs. |
|
|
• You Make Me Feel (Mighty Real) - Glenn Rivera ReStructure Mix - Sylvester 1978 was the year that Sylvester’s “Step II” paved a path for disco success. His first LP released in 1977 was a production with a garage-like feel where his tracks “Dance (Disco Heat)” and “You Make Me Feel (Mighty Real)” were enhanced with his innovative fusion of synthesizers and keyboards. |
|
|
• Tattoo Man - Glenn Rivera ReStructure Mix - Denise McCann Denise McCann entered the discotheques in 1976 with a great disco track titled, "Tattoo Man" produced by Guy Sobell. |
|
|
• Mellow Lovin' - Glenn Rivera ReStructure Mix - Judy Cheeks Judy Cheeks released a sensational disco track titled, "Mellow Lovin'" in 1978 - produced by Anthony Monn (Amanda Lear, Fancy) and the second issue by Salsoul Records mixed by Mr. Tom Moulton. |
|
|
• Love Power - Glenn Rivera ReStructure Mix - Roberta Kelly Roberta Kelly was produced by Giorgio Moroder and Pete Bellote - the producers had a success with Donna Summer and were working with Kelly to create a similar image in disco music. |
|
|
• I Like It - Glenn Rivera ReStructure Mix - Silver Convention Silver Convention is Linda G. Thompson, Ramona Wulf, Penny McLean, Rhonda Heath, Zenda Jacks (Known As Suzie McCloskey) – after a successful studio recording featuring Lucy Neale (not featured in stage troupe) the concept group took off in 1974. Produced by Michael Kunze. |
|
|
• Activate - Glenn Rivera ReStructure Mix - Sharon Redd Sharon Redd was a talent in the dance arena that cannot be forgotten. She began as a apart of the backup ensemble for Bette Midler known as The Harlettes and went onto paving her own sound and style in disco music. |
|
|
• You Stepped Into My Life - Glenn Rivera ReStructure Mix - Melba Moore Gene McFadden and John Whitehead took Melba Moore and the Bee Gees original track "You Stepped Into My Life" in 1978 and made it a disco sensation. |
|
|
• Music Fever - Glenn Rivera ReStructure Mix - The Michael Zager Band The Michael Zager Band is well-known for their classic disco anthem "Let's All Chant" - from the same LP comes "Music Fever" which is supported by similar uplifting elements. |
|
|
• Chattanooga Choo Choo - Glenn Rivera ReStructure Mix - Tuxedo Junction W. Michael Lewis and Laurin Rinder (El Coco, La Pamplemouse, St. Tropez, Discognosis, In Search Of Orchestra) along with A.J. Cervantes created Tuxedo Junction. |
|
|
• Ah-Do It - Glenn Rivera ReStructure Mix - Beautiful Bend Boris Midney! |
|
|
• Dream Disco - Glenn Rivera ReStructure Mix - Max Berlin Max Berlin along with Cerrone gave us "Dream Disco" in 1978 which was another underground classic Euro-disco track. |
|
|
• I'm A Big Freak (R U 1 2) - Glenn Rivera ReStructure Mix - Patrick Adams presents Phreek Patrick Adams has a name that is synonymous with disco music. From the start of this spotlight of dance sensation he has created some of the most intense dance classics from "Summer Love" by Musique to "I'm Caught Up (In A One Night Love Affair)".
|
|
|
• Love In 'C' Minor - Glenn Rivera ReStructure Mix - Cerrone Euro-disco was born in 1976 when "Love In 'C' Minor" was composed by Alec R. Costandinos and Cerrone. |
|
|
• Running Away - Glenn Rivera ReStructure Mix - Roy Ayers Ubiquity In 1977 Roy Ayers created the "Lifeline" project. Using his talent to create along the lines of disco trends of the time he made his music apart of the scene without compromising his unique sound. |
|
|
• Tonight You and Me - Glenn Rivera ReStructure Mix - Phyllis Hyman Phyllis Hyman was one of he most incredible voices of the late 70's and 80's and never quite reached the momentum that was possible for her. |
|
|
• Take Me To The Bridge - Glenn Rivera ReStructure Mix - Vera During the early 80's much of disco music with a high energy feel were being produced and released in Canada and Europe. The refined sound of disco music from the 70's was morphing again with many producers like Don Saunders and Louis Toteda. |
|
|
• You Should Do It - Glenn Rivera ReStructure Mix - Peter Brown From the mastermind of Peter Brown and his early influence on disco music during 1977 comes "You Should Do It". |
|
|
• Holiday - Glenn Rivera ReStructure Mix - Moulin Rouge Michael Zager produced, arranged and conducted music for dance floors which bring to mind a celebration. And which track rings true to this? "Holiday" by Moulin Rouge. |
|
|
• Let's Fly - Glenn Rivera ReStructure Mix - Paradise Express Herb Jimmerson was the genius behind Paradise Express - his masterful keyboards along with an ear for progressive electronic music made his wife, Vi Ann a powerful voice in disco music. |
|
|
• Boogie Oogie Oogie - Glenn Rivera ReStructure Mix - A Taste Of Honey A Taste Of Honey was Janice Marie Johnson, Hazel Payne, Perry Kimble, and Donald Johnson - their 1978 hit "Boogie Oogio Oogie" is a dance floor must for any retro act. |
|
|
• Love's Coming/Baby Love - Glenn Rivera ReStructure Mix - USA European Connection A disco masterpiece! |
|
|
• Connecting Flight - Glenn Rivera ReStructure Mix - Romanelli Roland Romanelli worked with Jean-Philippe Iliesco on many projects by Space. The electronic fusion of dance music in the early 70's began as a new age influence with a symphonic touch. |
|
|
• Keep On Making Me High - Glenn Rivera ReStructure Mix - Unyque Unyque was a disco project that was the heart and soul of disco music - a small band motivated by a production to create hardcore disco music. Produced, arranged and conducted by Freida Nerangis and Britt Britten, this is one of those record of the time that DJs would cherish. |
|
|
• I Love You Dancer - Glenn Rivera ReStructure Mix - Voyage Marc Chantereau, Pierre-Alain Dahan and Slim Pezin are Voyage - minus Sylvia Mason who performed on the first and second albums marking "Souvenirs" an International disco classic. |
|
|
• What A Night - Glenn Rivera ReStructure Mix - Giorgio Giorgio Moroder is the Father Of Electronic Disco Music. |
|
|
• Saturday Night, Sunday Morning - Glenn Rivera ReStructure Mix - Thelma Houston Thelma Houston's "Saturday Night, Sunday Morning" is a big part of disco music's history. It was originally released in 1978 on her "Ready To Roll" LP and then again with a remix by Larry Rossiello on her "Ride To The Rainbow" LP. |
|
|
• Queen For A Day - Glenn Rivera ReStructure Mix - Donna Summer "Once Upon A Time" was a double LP set that catapulted Donna Summer to the top of any discotheques "great expectations". |
|
|
• Spacer - Glenn Rivera ReStructure Mix - Sheila and B. Devotion 1980 brought them team of Bernard Edwards and Nile Rogers together with disco group, Sheila and B. Devotion. Their 1978 venture, "Singing In The Rain" was produced by Claude Carrere.
|
|
|
• You Little Trustmaker - Glenn Rivera ReStructure Mix - The Tymes Arranged and conducted by Richie Rome (The Ritchie Family, African Suite) in 1974 this soulful gem was produced by Billy Jackson. It blend of soulful elements and disco rhythms. |
|
|
• Kiss In The Dark - Glenn Rivera ReStructure Mix - Pink Lady Pink Lady is Mitsuyo Tsukuda (Mie) & Keiko Kuwaki (Kei) - a duo produced by Michael Lloyd ("Dirty Dancing" Soundtrack, Leif Garrett, Moses Tyson, Belinda Carlisle). |
|
|
• Shake Your Groove Thing - Glenn Rivera ReStructure Mix - Peaches & Herb Freddie Perren created a classic disco sound that was formulated along with a pop edge. Many of disco music's evolution was based on crossing over from clubs to radio. Perren took Peaches and Herb and used this formula to make history. |
|
|
• Shake It Baby Love - Glenn Rivera ReStructure Mix - Ferrara John Ferrara (Suave, 'Lectric Funk, Lysa Lynn) produced "Wuthering Heights" project which resembled a concept LP as "Romeo & Juliet" by Alec R. Costandinos where a disco symphony is based on a classic theme or story. In 1979, at the production of this project, Ferrara used more electronic elements introducing a more disco-fied feel along with the stands strings and arrangements. |
|
|
• Let's Lovedance Tonight - Glenn Rivera ReStructure Mix - Gary's Gang Eric Matthew (Sharon Redd, Tracy Weber, Status IV, Betty LaVette, John Travolta's "A Girl Like You) and Gary R. Turnier (Vicky "D", Komiko) were Gary's Gang along with several band members. |
|
|
• Dynamite! - Glenn Rivera ReStructure Mix - Stacy Lattisaw In 1979, Van McCoy produced Stacy Lattisaw's first LP titled "Young And In Love" - this was a young talent that displayed the crossover of pop to disco. Bunny Hull and Narada Michael Walden took over Lattisaw's talent in 1980 with the formula that began a new style of dance music.
|
|
|
• Take Off - Glenn Rivera ReStructure Mix - Harlow Disco music's transition to high-energy was a process that began in the early 80's. With projects like "Taking Off" by Harlow in 1980 - a Canadian studio group produced by Mike Alyanak and Alex Aleander a fusion of the smooth Euro-disco sound and the driving sound of the dance floor pulse. The LP was close to a latter-day Voyage or Cerrone effort. |
|
|
• I Can't Stand The Rain - Glenn Rivera ReStructure Mix - Eruption Eruption featuring Precious Wilson released in 1978 was a dance floor classic from day one! Produced by Frank Farian (Boney M, Gilla, Milli Vanilli) and conducted by Steve Hammer. |
|
|
• Smack Dab In The Middle - Glenn Rivera ReStructure Mix - Janice McClain “Smack Dab In The Middle” by Janice McClain is one of the most outstanding dance and vocal tracks ever. |
|
|
• Love Exciter - Glenn Rivera ReStructure Mix - El Coco Michael Lewis and Lauren Rinder were El Coco - and the name was a bit of an outline for the 80's disco scenes - plenty of "el coco" around! |
|
|
• This Side Of Midnight - Glenn Rivera ReStructure Mix - Gregg Diamond's StarCruiser Gregg Diamond's StarCruiser was Marlin Record's 1978 Bionic Boogie. Diamond created a disco-fied symphony of strings and funky guitars on this project. "This Side Of Midnight" was the first single to hit dance floors. It featured vocals headed by Diva Grey and Gordon Grody. The track was an instant hit with it's innovative use of keyboards, bass synthesizers and Diamond's magic. |
|
|
• Chic Cheer - Glenn Rivera ReStructure Mix - Chic Nile Rogers and Bernard Edwards were the innovators of Chic. And along with Alfa Anderson, David Lasley, Diva Gray, Luther Vandross, Norma Jean and Robin Clark the first LP in 1977 simply titled “Chic” became a disco staple overnight. In 1978 “Le Freak” became the theme for disco dance floors all over the country. The second LP titled “C’est Chic” introduced once again a new sound, which became the outline for the crossover between sophisticated funk and disco music. “Chic Cheer” became a track that was more like the Overture to a Chic concert – it had the guitars of Rogers and Edwards and the sassy vocals and arrangement that crossover classics are made of. |
|
|
• Love Disco Style - Glenn Rivera ReStructure Mix - Erotic Drum Band Erotic Drum Band was one of the earliest Canadian disco bands to become apart of the finale stage of 70’s disco formulation. With Peter Di Milo, George Cucuzzella and Joe la Greca as producers and band arrangers this is a landmark of disco achievements. |
|
|
• (Everybody) Get Dancin' - Glenn Rivera ReStructure Mix - Bombers Bombers were a group of Canadian producers and musicians (Pat DeSerio and George Lagios along with bass player, Mack "BC" Jones (aka Busta Jones) and vocalist, Tamara Lorincz). Their initial project Kebekelektrik was assisted by Gino Soccio on keyboards. Vocals on "(Everybody) Get Dancin'" were performed by Alma Faye Brooks. Bombers were a group of Canadian producers and musicians (Pat DeSerio and George Lagios along with bass player, Mack "BC" Jones (aka Busta Jones) and vocalist, Tamara Lorincz). Their initial project Kebekelektrik was assisted by Gino Soccio on keyboards. The second LP titled "Bombers 2" was quite a disco excursion. It displayed a bit more of where disco music was headed in 1979. The smooth and beautiful keyboard arrangements complimented the space-age themes, which Bombers were reflecting through artwork and imagination. I have taken the big 1979 hit, "(Everybody) Get Dancin'" and ReStructured it into the Milky Way! Taking advantage of the lush string effects and that funky bass line that could tie a shoe. The second LP titled "Bombers 2" was quite a disco excursion. It displayed a bit more of where disco music was headed in 1979. The smooth and beautiful keyboard arrangements complimented the space-age themes, which Bombers were reflecting through artwork and imagination. I have taken the big 1979 hit, "(Everybody) Get Dancin'" and ReStructured it into the Milky Way! Taking advantage of the lush string effects and that funky bass line that could tie a shoe. |
|
|
• Lust - Glenn Rivera ReStructure Mix - Rinder and Lewis In 1977 disco music was quickly becoming known as an experimental period. Many producers began using the freedom of the dance floor to bring new and innovative flavor to their sound. Rinder and Lewis already dance floor experienced with their El Coco recordings began allowing imagination and musical expertise to take control. |
|
|
• Inferno - Glenn Rivera ReStructure Mix - Fire and Ice Butterfly Records was the pinnacle of sophisticated disco productions – from THP Orchestra to Tuxedo Junction. Many of the projects on this label always emphasized a structure of pure and well-assembled dance music. |
|
|
• Shoot Me (With Your Love) - Glenn Rivera ReStructure Mix - Tasha Thomas From her 1978 debut, Tasha Thomas made a dent in dance floors with funky, sensual and bass driven track, “Shoot Me (With Your Love)”. |
|
|
• Married Men - Glenn Rivera ReStructure Mix - Bette Midler From her 1979 disco fling LP "Thighs and Whispers" came Bette Midler's camp dance track, "Married Men" - although the lyrics claim different. |
|
|
• I'm Ready - Glenn Rivera ReStructure Mix - Kano Produced by Luciano Ninzatti, Matteo Bonsanto and Stefano Pulga – Kano became a very strong force in disco music in 1980. Armed with the appropriate keyboard and synthesizers and the funkiest beats, “I’m Ready” bombarded the dance floors with new energy during its initial release. It is now a classic dance floor piece. |
|
|
• Perfect Love Affair - Glenn Rivera ReStructure Mix - Constellation Orchestra Jesse Boyce and Moses Dillard produced disco projects Saturday Night Band ("Come On, Dance Dance") and Lorraine Johnson ("Feed The Flame") during a time when disco was becoming a fast moving sensation. Their arrangements and style became what is now known as New York style disco music. The forerunner to the funkier sound which was the tail end of Prelude Records success during early 80's. |
|
|
• My Love Is Music - Glenn Rivera ReStructure Mix - Space Space was Didier Marouani and Roland Romanelli - their second LP "Just Blue" was released in 1978.
|
|
|
• Use It Up and Wear It Out - Glenn Rivera ReStructure Mix - Odyssey In 1977 Charlie Calello and Sandy Linzer produced Odyssey’s “Native New Yorker” – the ensemble consisted of sisters, Lillian and Louise Lopez and Tony Reynolds. This release became an instant hit in discotheques all over the world as well as becoming a big part of the rejuvenation of New York’s travel campaign. |
|
|
• More Than A Woman - Glenn Rivera ReStructure Mix - Bee Gees In 1977 disco music began a new phase of success – with the soundtrack to “Saturday Night Fever” released as a double LP and featuring music from the long-runners of pop, The Bee Gees. |
|
|
• Rhythm Of Life - Glenn Rivera ReStructure Mix - Afro-Cuban Band Michael Zager worked with the disco concept as began to mature and take on a new form. His formula was close to an orchestration for the beat with an uplifting theme. His production of Afro-Cuban Band in 1978 brought on a light flair for dance floors and worked around the theme of Cuban style percussion. |
|
|
• Set Me Free - Glenn Rivera ReStructure Mix - The Three Degrees The Three Degrees were Philadelphia's golden sound. |
|
|
• From Here To Eternity - Glenn Rivera ReStructure Mix - Giorgio In 1977 Giorgio Moroder recorded "From Here To Eternity" on his quest to use electronics to enhance, as well as create a whole new disco sound. This project is one of the most refined and respected studio recordings in disco music today. Although time has passed and many new elements of electronic music have surfaced, none have touched the compositions or recording savvy of this gem. |
|
|
• Night Time - Glenn Rivera ReStructure Mix - Sticky Fingers From Three Hats Productions (THP) came some of the most exciting disco productions of the era. Ian Guenther & Willi Morrison produced Sticky Fingers in 1978 on Prelude Records – a studio project that featured Phyllis and Helen Duncan on vocals. Similar to the THP #2 production as well as the self titled LP “The Duncan Sisters” from 1979. |
|
|
• I Love The Nightlife (Disco Round) - Glenn Rivera ReStructure Mix - Alicia Bridges Alicia Bridges created the theme for discothèques all over the world in 1978 with her big hit, “I Love The Nightlife (Disco Round)” – the song went to #5 in the Billboard Top 100 that year.
|
|
|
• One More Minute - Glenn Rivera ReStructure Mix - Saint Tropez Michael Lewis and Lauren Rinder gave us many memorable moments during the disco years. Their projects always made an impact on dance floors with thanks to their dedication to creating disco music influenced by dance floors. Saint Tropez being one of the most polished of their projects and immense success with “One More Minute” in 1978. The track became an instant hit and outlined best the act. A great recording of disco in the height of its success. The track to this day still has some of the grooviest guitars and bass line to move along with the disco beat. I have taken “One More Minute” and given it the ReStructure touch along with a few extra breaks and a gentler mix out. |
|
|
• Mischief - Glenn Rivera ReStructure Mix - French Kiss Simon Soussan produced artist such as Jessica Williams, Pattie Brooks, Romance, Arpeggio, Shalamar, Leroy Gomez, Charisma and French Kiss. From his 1979 project "Panic!" featuring, Jessica Williams, Lamar Stevens and Muffi Durham came an intriguing instrumental piece titled, "Mischief". This track was a hypnotic track with a pulsating synthesizer outline and some great strings accenting it. It was one of those tracks with much promise on the dance floor. This ReStructure Mix extends the hook of the song and gives it an extended arrangement. Dedicated to Cole for bringing the song back into my mind - it was always a favorite. |
|
|
• Street Sense - Glenn Rivera ReStructure Mix - The Salsoul Orchestra From 1979 the LP that Tom Moulton produced and mixed with the help of disco conductor Thor Baldursson. This project fared well with it's conga driven tracks with the magnificent sound of the orchestra's strings and horns creating a sophistication that they are so well known for. "Street Sense" has always been a track that contained much of the elements of Euro and New York disco. My ReStructure is more of a dub-fest using the percussion and the underlying energy and also parts of the soaring choruses with that positive disco feeling. |
|
|
• Disco Kicks - Glenn Rivera ReStructure Mix - Boystown Gang Bill Motley brought the resurgence of disco to life in 1981 when no one believed it was possible. One of his first being "Ain't No Mountain High Enough"/"Remember Me" Medley from the Boystown Gang's first LP which featured Cynthia Manley on lead vocals. On his follow up project he broke down the concept with more of a high energy feel - focusing on a few covers from soul to classic easy listening songs to "Disco Kicks" (which was originally recorded by The Original Mass). This track pumped over and over and kept dance floors jumping all over again. It was pure excitement. I have taken Motley simple production and broke it into many pieces and then placed it together in this ReStructure Mix - it has a new flavor and arrangement. This one is dedicated to all of the die-hard high energy disco lovers who just can't get enough "kicks"! |
|
|
• I'd Like To Get Closer - Glenn Rivera ReStructure Mix - USA-European Connection Boris Midney: a disco conductor He created a style of Euro-disco that moved dance floors into a new phase. It was not always easy for Midney's first release, "Come Into My Heart" on Marlin Records in 1978. Most dance floors had not yet grasped his concept or style - it was the hardcore disco audiophiles who were ready to move forward with his ideas and arrangements. As his style became a major part of disco music's growth and progression, it now that we consider Midney to be a master in his own compositions and productions. This second project titled USA-European Connection is a blend of Midney's style once again moving into a whole new area with some familiar aspects from past productions. Many of his recording included Beautiful Bend, Caress, Masquerade, Nannette Garcia, Black Russian, Companion and Festival. I have extracted "I'd Like To Get Closer" from the side one portion of the medley and pieced some of the beautiful segments of strings and percussion elements to recreate a new track altogether. Dedicated to the hardcore Boris Midney fans who have believed in disco music from the beginning and were not afraid to move with it's unique style. |
|
|
• Midnight Love Affair - Glenn Rivera ReStructure Mix - Carol Douglas Carol Douglas released "Midnight Love Affair" in 1976 - arranged and conducted by John Davis and produced by Eddie O'Loughlin. This being her second release following her big hit, "Doctor's Orders". This was an example of the progression of disco music following the mid-seventies. Layered strings and soft melodies were the formula dance floors clamored for. This ReStructure Mix is a breakdown of the track with a few added drums and the extracting the male vocal segments. Dedicated to Ms. Carol Douglas for her part in disco history. |
|
|
• Risky Changes - Glenn Rivera ReStructure Mix - Bionic Boogie Greg Diamond produced projects by Andrea True Connection ("More, More, More" "N.Y. You Got Me Dancing"), Gloria Gaynor and George McCrae using his production and arrangement skills to create a whole new sound of disco music. In 1977 his production of Bionic Boogie was one of the most exciting in disco history. Using top musicians and a vocal ensemble consisting of Jocelyn Brown, Cissy Houston, Luther Vandross and Gordon Grody this production is a powerhouse. "Risky Changes" is being ReStructured here using some bongo tracks to pull out more energy from the killer bass line and piano piece looped till the cows come home. This one goes to to Mr. Diamond who left us with some fantastic music to remember him by. |
|
|
• Call Me Tonight - Glenn Rivera ReStructure Mix - Cerrone The 1979 project by Cerrone titled, “Angelina” is probably one of his most profound of this great mans work. This being the last of the disco era and being one of the most contained. “Call Me Tonight” is close to perfection and weaves the sensual and yearning cry of a lover who is feeling what we all need. This ReStructure introduces a new phasing intro of phrases from the original, which create the mystic of Cerrone. I dedicate this track to Philip from Nutley, NJ for understanding that disco music is deeper than we know. |
|
|
• The Boss - Glenn Rivera ReStructure Mix - Diana Ross During the peak of disco one of the highlights is "The Boss" by Diana Ross. The LP was a masterpiece of tracks produced by Nickolas Ashford & Valerie Simpson and featured Diana on top of the world. "The Boss" is a track that stands alone. The impact that it created for Ross as an artist is enough to make this one last forever. It also outlines our vulnerability to cleaver lyrics and the emphasis on love itself. My ReStructure is a look at the track from a percussion and string forte which are the dramatic areas of the disco mix. |
|
|
• Honey Bee - Glenn Rivera ReStructure Mix - Gloria Gaynor Gloria Gaynor's second LP was one of the first to feature a segued dance side which was also has a few of the her notable tracks - "Honey Bee", "Never Can Say Goodbye" and "Reach Out, I'll Be There." "Honey Bee' was produced by Paul Leka while the remainder of the project was produced by Jay Ellis (Al Downing, Chase, Camouflage), Meco Monardo ("Star Wars" disco cover, Gentle Persuasion, Crown Heights Affair, featured trombone player on Diana Ross' "Diana) LP) and Tony Bongiovi. This track was a sweet flowing song which outlined another sound which was being formulated by producers like Freddie Perren. I have ReStructured "Honey Bee" with some deep pounding bass drums and use of the vibe riff from the track - a mixture of a classic disco element and new arrangement. |
|
|
• Rock Solid - Glenn Rivera ReStructure Mix - Chi Chi Favelas and The Black and White Band This track was released on an LP by the same name in 1978 - it is obviously a group of musicians who were well educated on disco - probably Euro-disco. It was recorded at Trident Studios which is where Alec R. Costandinos worked allot of his disco magic. Slim Pezin (Voyage, Kikrokos) is featured on guitars and George Roddi (Voyage) on keyboards and synthesizers as well as Sue Glover and Sunny Leslie on vocals - and these girls were Cerrone's ensemble on early projects as well as backing for a few Donna Summer LPs. With the outline as such, you understand why it is such a fantastic endeavor. Produced by Alain Wisniak and is listed at "the tastiest disco sound around". I agree. The use of a rock and roll influence and theme is deeply successful. I have ReStructured "Rock Solid" re-using the fabulous guitar piece which "disco-rocks!" |
|
|
• War Dance - Glenn Rivera ReStructure Mix - Kebekelektrik During a heavy experimental period of disco music in 1978 came a studio group by the name of Kebekelektrik - this band consisted of Canadian producer Pat Deserio and producer, artist Gino Soccio. "War Dance" is a track which immediately became a dance floor favorite with its fast paced energy and use of trailing synthesizers pumping out a bottom end for a wicked Indian style melody flowing as if it were a orchestral experience. It is almost as if the keyboards are speaking to you. I have taken this track thanks to a request by Dori who asked that this classic be ReStructured. |
|
|
• Haven't You Heard - Glenn Rivera ReStructure Mix - Patrice Rushen Patrice Rushen released 4 LPS from 1974 – 1978 and finally releasing “Pizzazz” in 1979, which featured the powerhouse dance track, “Haven’t You Heard”. Produced by Reggie Andrews and featured a full ensemble of jazz and pop musicians adding their experience and talent to the wonderful tracks in this project. Long before her classic old school number, “Forget Me Nots” this big stomper made quite a hit on disco charts and dance floors everywhere. I have ReStructured “Haven’t You Heard” with a touch of electronic bass lines and looped vocal pieces to complete a whole new arrangement and feel to the song. |
|
|
• You Can Do It - Glenn Rivera ReStructure Mix - Al Hudson and The Partners This single was released under 2 band names - Al Hudson and The Partners and One Way featuring Al Hudson - I decided to use both as an identifiable cross reference. A great combination of funk and disco in this track - and it gets more complicated. Alicia Meyers is featured in a fantastic solo which brings this track to an all time high. It was released in 1979 on MCA Records. A new ReStructure Mix brings this song some added percussion and creates a forward mix full of breaks and crescendos! |
|
|
• Freak On - Glenn Rivera ReStructure Mix - Lemon Kenny Lehman (Rhetta Hughes, Chic, Roundtree) created Lemon – and the name obviously came from his sir name, Lehman. This production was one influenced by the late 70’s style of disco. The single “Freak On” was originally released on Salsoul Records in 1978 then released on the LP titled “Lemon” later 1978 on Prelude Records. This track obviously worked off of the sensation created by Chic’s “Le Freak” but also had it’s own sound and funkiness. I have taken “Freak On” and recreated the scenario with more looping and self-contained percussion and also added some new base tracks to enhance a new excitement. |
|
|
• Je Suis Music - Glenn Rivera ReStructure Mix - Cerrone Jean-Marc Cerrone became synonymous with Euro-disco in the mid and late seventies. It was no doubt when you listen closely to his compositions and arrangements in early projects such as "Love In C Minor" and "Cerrone's Paradise" - and when comparing releases in 1977 with his project "Supernature" he just cannot lose. "Je Suis Music" is perhaps Cerrone's most hypnotic dance tracks. His use of synthesizers, horns and vocals are unified here as one. The outline of the message is also perfect for a world as are today: looking for a way out - to relieve our tensions and pressure. It brings to mind the true essence and healing power of disco music. I dedicate this ReStructure Mix of
"Je Suis Music" to Mr. Cerrone himself for holding
the talent and message for the world. |
|
|
• Love Rush - Glenn Rivera ReStructure Mix - Ann Margret Ann Margret is the darling of the 60’s movie screen. Many of her film roles included her sensual and determined vocals. In 1979, disco music was very honored to welcome Margret onto the dance floors with her disco debut, “Love Rush” on Ocean/Ariola Records. This was of course an attempt to burst into the disco trend of the time, but well worth it. Produced by Paul Sabu, Marc Kreiner and Tom Cossie – this single from the LP titled “Ann Margret” had the power to open doors to any dance floor. A fabulous string ensemble and infectious percussion track make this one last forever. A ReStructure in this sense is well worth it – I dedicate this mix to Randy Sumner of Palm Springs. We had talked about this track this past weekend and I looped a vocal track that we laughed about over and over with. Thank you, Randy – you are a “winner”! |
|
|
• Disco Nights (Rock Freak) - Glenn Rivera ReStructure Mix - GQ In 1978 disco reached a period when the sound was very sophisticated and "chic" - much of the music of this time reflected the night life off of the excitement occurring in clubs. GQ was a band which became an anthem for nightlife. Produced by Beau Ray Fleming with mixing assistance by Jimmy Simpson this venture was one of disco musics most promising of it's time. "Disco Nights (Rock Freak)" is still considered a classic among the top. It is a slick and well executed track. I have ReStructured the cut using more of the percussion elements and also pumping up some additional breaks. This one goes out to all of the die-hards who can't get enough of this fantastic sound - it will live on-and-on. |
|
|
• Extraterrestrial Lover - Glenn Rivera ReStructure Mix - Chantal Pierre (Sylvia Love) Producer Trevor Vallis and writers Mike Brayn and Steve Coe created an underground disco classic that takes the dance floor into a fantasy world. The vocal was recorded under the name of Sylvia Love originally but now known as Chantal Pierre. Chantal recently appeared on Strictly Confidential and I promised to remix her classic track - this is that venture. I have taken into mind that the track needed an arrangement that kept Chantal's wonderful vocal intact. I have laid out a new synthesizer base which brings a completely new feel to the song. This is dedicated to Chantal who is a lovely lady and I thank for making me "fly" in my mind with this incredible performance. |
|
|
• Instant Replay - Glenn Rivera ReStructure Mix - Dan Hartman Dan Hartman was 1978’s mover in any discotheque. The energy and excitement this track contained was infectious and indeed a sound that disco music would soon clamor for. Dan Hartman produced the track and the 12” single featured a Tom Moulton mix, which is pure magic. I have ReStructured the track and pieces parts of the production that move the most and also created some new breaks along the way. |
|
|
• Working My Way Back To You - Glenn Rivera ReStructure Mix - Spinners Michael Zager and Jerry Love produced the Spinners1979 LP "Dancin' and Lovin'". The LP was a venture into disco assimilation of the time. "Working My Way Back To You" was a cover of The Four Seasons' 1965 hit - this track was a perfect match for the vocals of the Spinners. Their disco version was a big hit on dance floors and the single climbed up the charts immediately. This track is still considered a disco classic in it's own right. I received a request for a ReStructure by Caesar. My concept was to apply a new bass beat along with a few surprises along the way. |
|
|
• Feels Like I'm In Love - Glenn Rivera ReStructure Mix - Kelly Marie Kelly Marie burst back onto dance floors with "Feels Like I'm In Love" in 1979 - the track made it's way to the top of dee jay play lists all over. The "feel" of the song was definitely what dance floors were celebrating at the time. This ReStructure Mix is dedicated to Paul in New York - there are plenty of new elements here. Lots of drums, synths and beats to bring out a savage dancer in anyone :) |
|
|
• I Need A Man - Glenn Rivera ReStructure Mix - Grace Jones Tom Moulton's genius is displayed throughout this classic track by Grace Jones. "I Need A Man" is pure disco in its simplest form: driving bass, sophisticated strings, Afro-Cuban percussion, and classic act taking over the vocal. Grace Jones became the mistress of the club world with this one. "I Need A Man" has been
ReStructured with a bit of rearranging on the lamented elements
of this disco single. After reassessing the production of
the original you may find something new in it.
|
|
|
• I'm Caught Up (In A One Night Love Affair) - Glenn Rivera ReStructure Mix - Inner Life The tail end of the disco era brought some appropriate dance anthems – one of them being Inner Life’s “I’m Caught Up (In A One Night Love Affair)” which featured Jocelyn Brown’s fabulous vocal performance. This one was a real showstopper – an emotional and soulful showcase. Produced by Patrick Adams with his trademark sound of percussion and strings taking part in the drama. This ReStructure is taking the track into another place where no boundaries are present. It is dedicated to a period where dance music gave us what we needed – pure soul. |
|
|
• Love Me Tonight (Turn Off The Light)" - Glenn Rivera ReStructure Mix - Karen Silver Karen Silver scored high in 1979 with a cover of Sam and Dave's classic soul track, "Hold On I'm Comin'" and "Fake" - with productions by Gino Soccio and John Driscoll these tracks were bound to win on the dance floor. "Love Me Tonight (Turn Off The Light)" was from the LP "Set Me Free" which also featured her funky single, "Nobody Else". The 12 inch track was 4:00 minutes in length - not long enough for such a powerful and alluring disco number. Thanks to a request by Michael Zamora, this cut is ReStructured and now sports a few extra features. |
|
|
• It's Not What You Got It's How You Use It - Glenn Rivera ReStructure Mix - Carrie Lucas Carrie Lucas made a big dent in the history of disco music by creating a soulful and ageless sound with her light-fell good vocal - this was also achieved by using ensembles like The Whispers as backup. "It's Not What You Got It's How You Use It" is a track from 1980 that kept the flow of disco music moving during desperate times. It is still referred to as one of the most beautiful and lyrical dance tracks that may not be on every list - but that is what makes it special. Produced by Leon Sylvers II and Dick Griffey (Carrie's husband) for Solar - this ReStructure was formulated with a Calypso style in mind - dedicated to Lucas fans everywhere. |
|
|
• Mission To Venus - Glenn Rivera ReStructure Mix - Silver Convention Silver Convention was Germany's disco ensemble who made boogie music into disco. From "Get Up And Boogie" and "Fly Robin Fly" to "Spend The Night With Me" this project produced by Michael Kunze and featuring musicians such as, John Davis, Don Renaldo, and the powerhouse vocals of Ramona Wulf, Rhonda Heath and Zenda Jacks. "Mission To Venus" was always one of my favorite Silver Convention tracks - thanks to the soaring synthesizers and bongo breaks - and now with a full ReStructure which not only gives a new funky undertone to the track but adds more "soaring" to these lovely ladies ecstasy. Dedicated to Hans in Holland for being a trouper with the femme disco ensembles. |
|
|
• Give Me Just A Little More Time - Glenn Rivera ReStructure Mix - Angela Clemmons Angela Clemmons had a bit dance floor hit in 1982 with "Give Me Just A Little More Time" - produced by Paul Leka (Gloria Gaynor, Paul Mauriat And His Orchestra, Steam). This track took dance floors by surprise - a cover of the Chairman Of The Board soul classic was perfect for pumping discotheques when disco was in transition. It kept the energy and flow which disco music was known for. Ms. Clemmons had been working on backing choruses for artists like Kashif, and Cyndi Lauper - this hit gave her a chance to step out in front for a bit. And well worth it. This ReStructure gives more essence to the beat and also a touching fade out for those who have hearts that melt easily. |
|
|
• Crank It Up (Funk Town) - Glenn Rivera ReStructure Mix - Peter Brown Peter Brown started a disco extravaganza with his LP “Fantasy Love Affair” in 1977 – it brought disco classics “Do You Want To Get Funky With Me” and “Dance With Me” into a whole new arena. Progressive arrangements and keyboards brought Brown’s vocal to life. “Crank It Up (Funk Town)” was from his follow up LP “Stargazer” in 1979 – this track stomped its way onto dance floors and created quite a stir. It is stir one of the most rockin’ disco tracks around. I have ReStructured it and added a few new breaks along with a few new robotic keyboard riffs to create a “Funk Town” feel. |
|
|
• Two Hearts, One Love - Glenn Rivera ReStructure Mix - THP From Willi Morrison and Ian Guenther (Three Hats Productions) came the 3rd and finale LP by THP Orchestra – this one was carefully planned and also was as flawless as its predecessors. Morrison and Guenther were incredibly talented producers who made a difference in disco music – with projects like Southern Comfort, Sticky Fingers, American Fade, Grand Tour, The Duncan Sisters, The Immortals, Skatt Bros., Hazell Dean, and Lana Pallay. “Two Hearts, One Love” is from the LP “Good To Me” and is a beautiful and funky disco experience. Taking the vocals of Joyce Cobb over their production was quite an event. My ReStructure is dedicated to David from Oakland for his support and good disco sense! |
|
|
• Queen Of Fools - Glenn Rivera ReStructure Mix - Jessica Williams Jessica Williams' "Queen Of Fools" was an exciting entry on dance floors everywhere. Not only did it display Jessica's wonderful talent as a vocalist but also had the Simon Soussan magic. Soon after The Simon Orchestra LP this project brought dance floors to their knees. With the presence of heartbreak and down on her knees, this "Queen Of Fools" outlines love's painful effects of a cheating lover. It contained some of the most electrifying synthesizer breaks and percussion breaks ever. I have taken the opportunity to ReStructure some of these elements to give you a new look and feel for Jessica's hit. NOTE: Jessica's new single "Mingle With The Night" is now available on Paradax Records - CLICK HERE FOR PREVIEW |
|
|
• Breathless - Glenn Rivera ReStructure Mix - Trax This is the kind of gem that you reminds
what disco music was about. Produced by Pete Bellotte (Donna
Summer, Roberta Kelly, Munich Machine, Stainless Steel, Sugar
Cane, Joy Fleming, Marsha Hunt, Three Degrees) and Keith Forsey
(Billy Idol, Gen X, Disco Circus, Mick Rowley, Icehouse )
– this project may remind many of tracks by La Bionda
and some Euro-disco productions of the late seventies. It
has everything you need. “Breathless” is from the LP “Watch Out” – this one cooks – it has several hooks which I have ReStructured to give an even flow of energy throughout the song. This is one of my favorites when it comes to horn sections, strings, percussion and killer bass hooks. This one is dedicated to Michael Rosensteel who is a life-long friend and I have probably danced to this in our 70’s party days in some club. Michael loves this song and that proves to me that he knows his “disco.” |
|
|
• American Generation - Glenn Rivera ReStructure Mix - The Ritchie Family In 1978 The Ritchie Family LP “American Generation” added flair to disco music, which used the idea that an uplifting theme could resonate on the dance floor forever. Fans of this ensemble have yet to let go of this feeling. Produced by Jacques Morali (Village People, India, Eartha Kitt, Patrick Juvet, Dennis Parker, Julius Brown) this clever LP worked on using disco to outline a more positive outlook on disco’s effect. While listening to this track you can still hear the excitement that the disco era created. I have ReStructured the track from its LP version to give more appeal to the vocals and the fantastic orchestration – and have a little fun with some pieces of the excitement. |
|
|
• Love's In You, Love's In Me - Glenn Rivera ReStructure Mix - Giorgio & Chris I call this the Captain & Tennille project for Giorgio Moroder and Chris Bennett - it is a light fare disco project with some simple love songs that are pretty pop oriented in a disco sense. Of course, "Love Now, Hurt Later" was featured on this album and stands out among the tracks but I could not resist taking "Love's In You, Love's In Me" into a ReStructure Mix. It is thin yet has some great qualities - including Chris Bennett's wonderful vocals. This ReStructure is dedicated to Moroder fans everywhere - this was obviously a period of experimentation for Moroder and thank goodness for it all. NOTE: Lucy Neale is in the backup ensemble of this project. |
|
|
• Pleasure Island - Glenn Rivera ReStructure Mix - Paul Jabara Mr. Paul Jabara - what else can I say? This man has given so much to disco/dance music and was a true believer in the the beat - up to the end. Paul left us in 1992. His music and talent still lingers on and on and with projects such as authoring Donna Summer's "Last Dance" and The Weather Girls' "It's Raining Men" as well as many, many other dance projects with talents such as, Rachel Welch - this man is set in stone in my museum. "Pleasure Island" is a track from his 1978 "Keeping Time" LP - produced by Mr. Bob "Magic" Esty - this track is a hypnotic trip. It is similar to the outline of Tantra's "Hill Of Kat Mandu" where you are lured into a mysterious place and then placed there with an interlude of fierce and magical orchestrations. And this track existed prior to classics that may have followed. This ReStructure is dedicated to the memory of Mr. Jabara with high respect to his dedication to disco music. "I hear you, Paul." :) |
|
|
• Manhattan Melody - Glenn Rivera ReStructure Mix - Herb Alpert Herb Alpert released his LP "Magic Man" in 1981- in this project came "Manhattan Melody" - produced by Herb Alpert and Michael Stokes. This is a great early morning tune with some wonderful musicians creating a canvas of easy listening dance music. I was requested to ReStructure this track by Paul in New York and have been wondering what the heck to do - how do you improve it? I took a few flowing wind and chime effects and re-edited the energy of the track - along with some loops. It is dedicated to Paul for his genius in finding some of the most beautiful dance numbers that I haven't even heard about. |
|
|
• In The Name Of Love - Glenn Rivera ReStructure Mix - Sharon Redd From her 1982 LP "Redd Hot" and giving us belief in "love" which was only displayed once before in "I Will Survive" - "In The Name Of Love". This track was an instant classic on dance floors proving that Sharon Redd was not only a talented artist but marked her spot in music history. The light pulsating synthesizers and swirling strings give Redd an opportunity to pour her emotions into an anthem that never ceases to grow old. I have ReStructured "In The Name Of Love" and dedicate it to Sharon's mother, Katie who will be celebrating her birthday this week. With all the love to Ms. Perry who is just a beautiful as Sharon's light. |
|
|
• In The Forest - Glenn Rivera ReStructure Mix - Baby 'O Just when they told us that disco was "dead" and over a package with the title Baby 'O arrives - and the theme was a place called "The Forest" and if we were in this place we would party and "live as we should". I guess this was the renaming of the disco party - and in good style. A festival of Calypso rhythms and the so sensual feel of the disco ensemble this track pulsates in and out with a great fantasy-like theme. It was a shear winner and still remains one of the great party songs of disco dance floor. Released on Baby 'O Records and Tapes and produced by Rafael Villafane and Eric Reider - noted as arranged by Greg Mathieson I have ReStructured this track like it consisted of gold pieces - the tracks are flawless so chopping areas were carefully chosen and extended choruses were a must. Enjoy! |
|
|
• Dancing In Paradise - Glenn Rivera ReStructure Mix - El Coco The disco explosion brought many changes to music being produced during the late seventies. A true formula had been set with the success of many forerunners being played from deejay booths – one of the studio groups that became a standard was El Coco. After many releases from 1975 through the late seventies, producers Laurin Rinder and W. Michael Lewis found a sound that they themselves created from experiences of delving into underground discotheques. “Dancing In Paradise” was their 1978 release featuring a defined sound for El Coco following the success of past dance floor raves (“Cocomotion”, “I’m Mad As Hell”, “Let’s Get It Together” and “Mondo Disco”). This track served as a soothing transition of keyboards from an electro-lounge meeting a Latin flair on the dance floor. I have ReStructured “Dancing In Paradise” with the focus of keeping this sound alive as many disco classics are the underground feel of the beat itself. |
|
|
• This Time Baby - Glenn Rivera ReStructure Mix - Jackie Moore Bobby Eli produced Jackie Moore's classic "This Time Baby" in 1979 - and along with a fantastic remix featuring John Luongo and Michael Barbiero this track remains one of the classics. Infused with a touch of the magic of Philadelphia: lush strings and horns along with Jackie's soulful vocal. This ReStructure mix lays the percussion down for a new outline and loops several of those wonderful bass tracks to introduce "This Time Baby" as a mover once again. |
|
|
• At The Discotheque - Glenn Rivera ReStructure Mix - Lipstique Producer, Jurgen S. Korduletsch worked with wife, Claudja Barry in creating a whole new direction for disco music. In 1977 a project titled Lipstique revived Chubby Checker’s 1965 hit, “At The Discotheque”. This was a project, which definitely had some heart and soul. It became one of the first well-known side long endeavors that never ran out of steam. The vocals may have sounded familiar to many since it was The Sweethearts of Sigma carrying the song into a fantasy-like realm. The LP was originally released on Ensign Records and included a bonus track titled “Goodnight Sweetheart” which was removed from the Tom N’ Jerry release of the same year. Tom Moulton executed the flawless mix and is reworked in a ReStructure effort to take the song deeper. |
|
|
• Let Me Take You Dancing - Glenn Rivera ReStructure Mix - Bryan Adams Even though he never intended this track to sound like a disco number – thanks to fantastic mix by Jim Luongo and a pitch up on Bryan’s vocals this song became one of 1979’s well known dance cuts. Even today, Mr. Adams hates to admit that he did it – but it remains a commodity of many disco connoisseurs top lists. Produced by Bryan Adams and Jim Vallance |
|
|
• This Is Hot - Glenn Rivera ReStructure Mix - Pamala Stanley In 1979 Pamala Stanley was on top of the disco ball with "This Is Hot" - not only did the song display a polished arrangement, a fantastic Disco Mix by Rick Gianatos, and outstanding production by Joachim Heider but it also contained Pamala's wonderful vocals. The LP "This Is Hot" was a playground for Pamala and her induction into the discotheques all over the world. Her success during the 80's with her own releases of hits like "I Don't Want To Talk About It" and "Coming Out Of Hiding" are tracks that most can identify with. I have taken "This Is Hot" extended pieces of the track to create a ReStructure Mix for a return of this magical dance number. NOTE: Stay tuned for an appearance by Pamala Stanley on Strictly Confidential with host, Peter Godbold |
|
|
• Ain't That Enough For You - Glenn Rivera ReStructure Mix - John Davis and The Monster Orchestra John Davis was involved in disco music for many years. His productions of Universe City in 1976 gave an example of his direction in dance music. His earlier affiliations were productions with artist, William DeVaughn and a project with Joey Travolta (John’s younger brother). With his “Monster Orchestra” John brought to life a few classics that a synonymous to disco music: “Ain’t That Enough For You” and “Love Magic” as well as earlier projects, “The Magic Is You” and “Night and Day”. His true power was during the period where disco music was pieced together by mix and arrangements. His classic track “Ain’t That Enough For You” is the ReStructure spotlight – re-arranged and re-ordered for a whole new feel. |
|
|
• Beat The Street - Glenn Rivera ReStructure Mix - Sharon Redd Classic disco music is recognized not only by name, but also by sound. It was 1982 when Sharon Redd, Eric Matthew and Darryl Payne introduced "Redd Hott" on Prelude Records. It was "Beat The Street" (released as the first single) which brought dance floors literally to their feet. This track utilized the sound of synthesized tracks along with a simple orchestration to create a whole new breed of dance music for this period. Sharon was know to show up unexpectedly at New York clubs and pulled up to stage to perform this track along with others from her first LP simply titled "Sharon Redd" - with "Can You Handle It" being that hit track. It was not long before Sharon proved to be not only a fantastic profile for disco, but also a fabulous entertainer. Her career moved throughout the mid 80's and slowly declined in the late 80's. Sadly, she passed in 1992 - but not without leaving us several dance numbers to keep her memory alive and respected. My ReStructure Mix of "Beat
The Street" is dedicated in Sharon's energy and also
thanks to Galaxy558 for the request. |
|
|
• Seabiscuit In The Fifth - Glenn Rivera ReStructure Mix - Belinda West Released on Panorama Records in 1980 – Recorded by Belinda (Womack) West a well-respected jazz vocalist from Augusta, Ga. The track was produced by Bruce Dees and Rob Galbraith and was a savior during its release. It reached #14 on the Billboard Dance charts and was also one of the most original dance songs of its time. And along with Belinda’s outstanding performance this track has much to last with. The wonderful lyrics played out a no-loser betting opportunity on love from the nightlife – obviously a woman wanting something with confidence. I have taken the original 12” arrangement and made few changes with only a few new points of interest along the mix. This ReStructure is dedicated to the hardcore dance followers who can’t get enough of great dance music. |
|
|
• Stay Tonight - Glenn Rivera ReStructure Mix - Caprice Jacques Fred Petrus was responsible for producing projects which were essential to disco music and it's growth during the late 70's. Very little is known about this project titled Caprice which he produced in 1980. The compositions and arrangements were done by Candelario Sanchez. It was released on Goody Music Records as an Italian Import. The compositions have the last touch of Euro-disco from this period. It was a time where arrangements with actual players was becoming a bit extinct in disco music. This may have been due to the popularity dwelling down and the funds for recording were limited to musicians and left many keyboards as the last option. "Stay Tonight" is a track from this album which is about 4 minutes on the LP and featured with no intro to mix into. I always favored this cut because of the melodic chorus and the vocal (which is unknown) that always reminded me of Vi Ann from Paradise Express. It is a great song with some elements that are unforgettable. I have taken a chance to create a whole new base for the song with a pumping synthesizer being the foundation and ambient layer below the track. This is a shot for myself since the song I find beautiful and I felt needed to be revived and also the project not lost forever. |
|
|
• I'll Play The Fool - Glenn Rivera ReStructure Mix - Dr. Buzzard's Original Savannah Band Sandy Linzer (Odyssey, Cory Daye, Teresa, T.S. Monk) produced this project in 1976 - and it is hailed as one of the first and top productions in it's class. There are many familiar faces in this band - Don Armando ("Deputy Of Love"), Charlie Calello, August Darnell, and Cory Daye on vocals. My first experience with this band was the single, "Cherchez La Femme/C'est Si Bon" at the age of 15 - it was not only one of the most exciting songs I was hearing constantly on the radio but also my first recollection of disco music becoming more sought after. I have taken the track, "I'll Play The Fool" and added a few new elements of beats and percussion to break and extend the track a bit more. Subtle pieces of clap add a bit more discotheque atmosphere. Dedicated to Anthony Gioffre for his sharing his Studio 54 experience and friendship with me. |
|
|
• I'm Gonna Get Your Love - Glenn Rivera ReStructure Mix - Jade (alias Nancy Martin) Jade had a hit with “I’m Gonna Get Your Love” in 1982 – she was actually Nancy Martin who was later Nancy Martinez. This track was produced by Marc Racine and Danny Taillon. The original mix is ReStructured here to extend synth elements of this flowing song. Thanks to Nancy’s soft and alluring vocals this song is a dance classic. I dedicate this mix to Randy in Palm Springs – thanks for being so supportive and for asking for a new mix of this great dance number. |
|
|
• Magic Fly - Glenn Rivera ReStructure Mix - Kebekelektrik This extraordinary project from 1977 was produced by Pat Deserio and featured Gino Soccio on keyboards, Larry Washington on percussion and assistance by Tony Green. Keyboards are featured in this development period for disco music - the arrangements and compositions are forerunners of electronic disco music becoming mature. "Magic Fly" was the first single released in 1977. I have taken the track into a ReStructure Mix which patterns most of the percussion elements and pounding synthesizers. The project also featured sought after tracks, "Bolero", "Mirage" and the classic piece, "War Dance". |
|
|
• Heatstroke - Glenn Rivera ReStructure Mix - Man Parrish Man Parrish hit the clubs in 1982 with his LP, "Man Parrish" which included his hit, "Hip Hop Be Bop" and "Heatstroke". During this time a resurgence of a new techno-charge dance music was being formulated and perfected. "Heatstroke" being a big lead-in to this period. Produced by Man Parrish and Raul A. Rodriguez The track is reminiscent of a Giorgio Moroder track with it's futuristic vocoder elements - but Man Parrish takes the energy to whole new level. He has marked a time where technology and dance music began their longtime relationship. I have taken "Heatstroke" and added a few new breakdowns and playful edits along the way in this ReStructure Mix - an homage to Mr. Parrish. |
|
|
• Shoulda Gone Dancin' - Glenn Rivera ReStructure Mix - High Inergy High Inergy hit the scene in 1977 with their Gordy LP, "Turnin' On" - this project was probably one of the earliest recollections of disco with a soulful touch. "You Can't Turn Me Off (In The Middle Of Turning Me On)" was the first big hit from the album - but there was more. If you listen to tracks form the first LP, "Love Is All You Need" you will recognize a soulful yet danceful sound that was beginning a dance revolution. Their 1979 LP, "Shoulda Gone Dancin'" was their step into the discotheques with no holding back. It s a real cooker and was always at the top of my list during it's release. Produced by Donnell Jones I have ReStructured the track using
the instrumental track, which I try not to do - but the strings
on the chorus were just too irresistible. This song is one
of the catchiest and one of the most pop-soul dance hits during
the disco rein. |
|
|
• Bridge Over Troubled Water - Glenn Rivera ReStructure Mix - Linda Clifford Linda Clifford has always been one of the finest of performers. To have her talent displayed in disco music is a gift for dance enthusiasts everywhere. From her productions with Mr. Curtis Mayfield and throughout her current house and club releases you can always feel Linda's best is always given. "Bridge Over Troubled Water" was a cover in which Linda took her soulful appeal and made it work well over a pulsing arrangement. This track from her "Let Me Be Your Woman" double LP - produced by Gil Askey and mixed by Jimmy Simpson. I have taken Linda's rendition and placed a few more breakdowns throughout her vocal and used her own power to create a new formation for this disco gem. |
|
|
• In Love With Love - Glenn Rivera ReStructure Mix - Munich Machine The 1978 LP by Munich Machine titled "A Whiter Shade Of Pale" was the follow up to the premiere LP featuring "Get On The Funk Train" - this project was Giorgio Moroder's innovative style wrapped into several sounds. "In Love With Love" was a track that I dreamed of taking into a new realm with it's own source of electronic pulses and create a more intricate piece. Using some synthetic percussion and Moroder's original feel I have reworked the track for a new ReStructure Mix. Hardcore Moroder fans will realize that this track was left off of the album jacket for some unknown reason, yet included on the vinyl. This is now corrected and placing this fabulous track on it's own. Dedicated to Giorgio Moroder for continuing to make innovation a thing of the past and even now - the present. |
|
|
• You're A Winner - Glenn Rivera ReStructure Mix - Sharon Redd Disco divas have entertained us throughout the years. Helping us to make life easier by looking at our relationships on the lighter side, the painful side and sometimes helping us to move on. That is the role of a "diva" - to influence us. Sharon Redd (1945 - 1992) is my all-time muse of both spirit and dance. The opportunity to meet this incredible soul is one of the highlights of my life. After many years of idolizing her music and voice it was indeed a great opportunity to learn more about the feeling behind the music and words she sang about. "You're A Winner" was a song that I remember lifting me at one a most needed time of my life - being alone in a new city. This song made my life brighter making me believe, "I was a 'winner'"! Now taking the song into careful and loving hands I ReStructure Sharon's classic track that is still uplifting in many ways. Ms. Redd deserves all of the accolades that she receives everywhere - she is a great soul and lives on even today with her music and energy. Please check out Sharon's videos made here in San Diego at YouTube by CLICKING HERE Take care and good energy to you all. |
|
|
• Sunset People - Glenn Rivera ReStructure Mix - Donna Summer “Bad Girls” marked a new start for Donna Summer in 1979 – and even though it seemed as though this were the last of her hardcore disco material prior to her “On The Radio” double LP set, it is with everything that change creates a new world for everyone. “Sunset People” was probably the most intense track from this double LP set and even though it has been the focus of a Video Mix recently (CLICK HERE to see) I have been driven to take this track and dissect it for a new ReStructure Mix. Donna gives a simple yet powerful performance on this cut and even though it seems the song has been redone over and over – never seems to hit the spot as this original track with her sensual vocals and Giorgio Moroder’s incredible sequencer and keyboard performance. ReStructure Mixes are not intended to be “the mix” – but just another as in the day when I would hear music completely different each night and in complete awe of a new sound all-together. I dedicate this track to Ben Tobias (who is no longer with us) and the jock that made my disco world a “heaven” with his beautiful mixes and insight on playing disco music. |
|
|
• Lady Bump - Glenn Rivera ReStructure Mix - Penny McClean Michael Kunze produced this solo LP by Penny McLean who was known for her part in Silver Convention – and from what I understand many assisted in these productions. As the spoken part of the song was actually done by Lucy Neale (who was a part of Donna Summer and Giorgio’s backup ensembles) and for whatever the facts a big group of Munich artists and producers played a big part in disco’s formulation. I have taken the classic, “Lady Bump” and created more of a Saturday night ReStructure Mix using the drums and some of the fabulous vocals camp tracks! Keep on bumpin’! This is just what the doctor ordered… |
|
|
• One Of A Kind - Glenn Rivera ReStructure Mix - Donna Summer From the "Live And More" double record set Donna Summer proved that her music was heart-felt. "One Of A Kind" was a piece from the "MacArthur Park" Medley that never did get the honor to be set aside from the medley on it's own fabulous right. It is a wonderful love song with some of Donna's most incredible vocals. This close to 9 minute ReStructure pulls those serious and funky keyboards out along with the horns to give the song a new make-up. This one is a another personal favorite which makes any Donna Summer fan recognize that the music has always been the reason why. Special thanks to Keith Hall in Atlanta for giving me the in site to take this one into the arena. |
|
|
• Anytime Or Place - Glenn Rivera ReStructure Mix - Azoto Dance music has always progressed with new musicians and producers with a background of various styles. Celso Valli began with a studio group titled, Lucrethia And The Azoto 14,008 in 1978 – soon after finding his style of disco he unleashed Azoto as another band effort. This brought forth the LP, “Disco Fizz”. This LP was one of the finest import (to the US) projects to date. “Anytime Or Place” is the single which received the most play from this selection and well deserved. The cut contains variation of Euro-disco with splashes of Greek touches and wonderful innovative synthesizer tracks. The song seems to become shorter as you grow fonder of the light and sharp arrangement. I have taken the track into a whole new light with more of the drops and bass tracks adding new percussion to give a lift. Thank you, Kerim for requesting a ReStructure for Azoto’s “Anytime Or Place” and also sharing your wonderful insight and music. |
|
|
• Do You Love Me? - Glenn Rivera ReStructure Mix - Patti Austin Patti Austin created quite a stir along with the production of Quincy Jones in 1981 with the LP, “Every Home Should Have One”. The first dance single to breakout onto the clubs was, “Do You Love Me?” This track was my favorite dance song during this time. With Patti’s incredible vocal and along with Quincy’s outstanding musical genius, this song was an anthem long before they were considered. It is beautifully recorded dance track. I have revived the music with more looping and repeat of those incredible rhythm guitars (Eric Gale and Steve Lukather) and soft keyboards (Greg Phillinganes – husband to Penny Ford – who is Sharon Redd’s sister). This track smoked from day one and even today sound ominous and just as powerful. The 80’s may have produced a great track that can even today be as fantastic! Dedicated to Rick Ashmun for continuing to bring the 80's dance music scene into view. |
|
|
• I Wanna Funk With You Tonite - Glenn Rivera ReStructure Mix - Giorgio Giorgio Moroder recorded "Knights In White Satin" in 1976 for Oasis Records (a subsidiary of Casablanca Records) and formulated his Euro-disco sound using his own Munich Machine ensemble. This sound was very similar to many of his productions with Donna Summer, Roberta Kelly and Munich Machine, but somehow managed to capture an essence of it's own. It was producer, arranged, and mixed by Giorgio Moroder "I Wanna Funk With You Tonite" was the last track from this project and is the topic of this ReStructure - adding more of the funky bass keyboards as the outline for the mix along with song new "thumping". Thanks to Gary from Baytown, Texas for requesting this ReStructure and this extended mix goes, his way. |
|
|
• Beat Of The Night - Glenn Rivera ReStructure Mix - Fever This was the project which may have encompassed all that was disco and everyone who pulled disco throughout the 80's. Featuring Patrick Cowley on synthesizers and Tip Wirrick (Sylvester) on guitar The Waters (Clydene, Julian, and Maxine) on vocals and produced by Dale Reed, Marty Blechman (Megatone Records) and John Hedges (Lisa, Shawn Benson, etc.). Complete and complex. This LP was a non-stop dancing fest of energy and anything that was "disco". The title cut, "Beat Of The Night" made everyones top 10 list during this time. Released in 1979 on Fantasy Records, this one was a powerhouse and remains one of the top favorite among disco collectors. I have put off many times ReStructuring "Beat Of The Night" not sure how to polish this one even more. Using the beat track alone to enhance the breaks was my turn without wanting to damage the original sound. Not too much but arranging and looping to keep this one in it's somewhat original form. Dedicated to DJ Joey Luciano, Kerim, Alan and Rick from "Back To Disco" -long live "The Beat"! |
|
|
• Fantasy - Glenn Rivera ReStructure Mix - Bruni Pagan Bruni Pagan was an artist/vocalist when after hearing her voice you would wonder why we never heard more from her. She sang in a chorus for Herbie Mann and also disco artist, Venus Dodson and finally a break recording her solo project titled, “Just Bruni” in 1979 which was produced by Al Harrison and Janet Rosenblatt. “Fantasy” was the first release from the LP and created quite a response for Bruni. Although she never recorded a follow-up project she did record another dance single with Dave Valentin titled “Loquita (Crazy Lady)” which had her signature vocal style. This ReStructure is intended to break the song down into further parts with more breaks and beats. It is also great to hear Bruni working it, again! |
|
|
• Nice 'N' Nasty - Glenn Rivera ReStructure Mix - The Salsoul Orchestra Vince Montana, Jr. was a ringmaster for this fantastic ensemble of musicians creating New York's Disco Signature Sound - in 1976 the LP "Nice 'N' Nasty" was released featuring the title track along with "Good For The Soul" and "Don't Beat Around The Bush" - this marking the compositions for soul, orchestra and rhythms to merge into a dance craze. "Nice 'N' Nasty" was another track I over heard being played at "Back To Disco" in Los Angeles this past week and it had all of my imagination moving along for a ReStructure which I dedicate to Ricard Aguirre for his hard work. "The music cannot go anywhere without you." |
|
|
• The Hustle - Glenn Rivera ReStructure Mix - Van McCoy It did have to start somewhere. And it did in 1976 with one of the most wonderfully arranged disco tracks - it was by Van McCoy and it is called, "The Hustle". I dedicate this track to Rick, Jorge, John and Sandy of "Back To Disco" (www.backtodisco.com) for their hospitality and kindness this past weekend on our video shoot with Cynthia Manley. Their event was incredible. If ever you want to return to the great dance floor era of the 70's - check it out! During this evening an entire dance floor of talented line dancers (some originals from American Bandstand) joined in on a wonderful salute to "The Hustle" with a disco-line dance that was exciting and brings back the feeling of how disco music brings people together and the fantastic energy it brings on. To you, Rick and your staff - always! |
|
|
• Cherchez Pas - Glenn Rivera ReStructure Mix - Madleen Kane Jean-Claude Friederich produced Madleen Kane's third project titled, "Sounds Of Love" - another great disco LP from the sexy and beautiful Swedish songstress. The track "Cherchez Pas" was the first single hit the clubs - it was like the rebirth of disco all over again. The blaring horns and the nice touch of "wiry" guitars created a wall of energy under Madleen's sultry vocals. I can recollect that many people would approach my booth asking if this were Deborah Harry singing the song. "Cherchez Pas" in French means, "don't go looking" or "searching" as in "don't go looking for another" - I believe she is singing about how incomplete her life would be without that special someone next to her in the discotheque. The track is being divided in this ReStructure to give it a more underground disco feel - with some exploding to accent the power of these breaks. Dedicated to the guys at Multiply whose love for disco music is the best I have seen. |
|
|
Disco covers of major films were quite a standard during the 70's - beginning with Meco's cover of "Star Wars". Vincent Montana, Jr. (billed as Montana) worked heavily during the disco era creating a fantastic sound of full orchestrations with a disco beat. Creating what would be known as the Euro-disco influence on American disco artists. "A Dance Fantasy" is a project which takes movements from John Williams score from "Close Encounters" and weaves a funky and beautiful medley. I have focused more on the Sister Sledge vocals in the closing of the original project with, "When You Wish Upon A Star" and also the wonderful sitars of the "Mexican Desert" theme. Adding just a touch of percussion to spice up the fluent track. This was requested by Vic from SHADES OF SEVENTIES site - thank you, Vic. |
|
|
• Dance - Glenn Rivera ReStructure Mix - Night Force This track is one of the early 80's ever lasting high energy movers! Night Force is a project produced by Bart Van De Laar (Discotheque's "Intro Disco") and Francis Goya. This has always been a hardcore dance emporium track. The latter part of the 70's utilized synthesizers in a way that continued to perfect the dance movement as it matured even more in the 80's. I can always remember hearing this track at clubs and events during the early 80's whenever the dance floor was peaking and only at this time. Which shows you what kind of a song it is. Watching people on the sidelines move to it while the floor exploded was another memory, which is why this song holds a special place in my dance history. ReStructured to bring out those slamming synthesizers and fabulous horns! Dedicated to the guys and gals from the 80's who could not get enough night after night. |
|
|
• Wishbone - Glenn Rivera ReStructure Mix - Tantra In 1980, "The Double Album" by Tantra was pretty much like "the word" for disco music. This project arranged by Celso Valli and produced by La Drogueria Di Drugolo and Quelli Del Castello not only contained classic euro-disco tradition - it also was a bit cutting edge for dance floors. The first successful track from the LP was "Hills Of Kat Mandu" and followed by "Wishbone" this product made history. It is still looked at as perfect dance music and researched by many new jocks who may not have the ability to play it in their programs, but certainly respect it's existence. This ReStructure brings the beat to a maximum with some new rhythm tracks - but my overall attempt to keep the original sound was my purpose. Dedicated to Kerim for sharing so much wonderful music and his love for true disco/dance music. |
|
|
• Behind The Groove - Glenn Rivera ReStructure Mix - Teena Marie Teena Marie explored the implications of disco, funk and soul with her 1980 LP, "Lady T". As an artist, Ms. Marie made it clear that her music was always created and not manufactured. As you can hear in this production of "Behind The Groove" - produced by Richard Rudolph. I have always imagined this place she sings about, "Xanadu" to be a place of mystery and excitement. An extended intro and playful additions hopefully create more of a description. This one is a classic among soul, disco and funk catalogues - this ReStructure is dedicated to those who "feel the funk." |
|
|
• I've Got The Next Dance - Glenn Rivera ReStructure Mix - Deniece Williams The 1979 disco hit, "I've Got The Next Dance" by Deniece Williams was produced when disco music was at it's highest in dance energy. It was an exciting time. This production by David Foster (Average White Band's "Let's Go Round Again") a multi-award winning producer, arranger and composer. It is obvious that he placed every effort in this project. And with a 12" version mixed by Mr. Jim Burgess, this track was as polished as disco music could get. I have taken the 12" track and arranged it as if it were meant for a dance marathon for the track itself. Adding only a few more beats and some percussion to pull even more energy from the track. ReStructured for Alan - "The dance does go on, Alan." |
|
|
• Believe In The Beat - Glenn Rivera ReStructure Mix - Carol Lynn Townes Carol Lynn Townes confirmed the dance craze of of the 80’s, brought on by the disco era with “Believe In The Beat” – this song rings 80’s and also the good old a great dance anthem for it’s time. I have taken the 1984 track produced by Ollie E. Brown and a fantastic 12” single mix by John "Jellybean" Benitez to a new arrangement and synth-mover feel. No matter how dated the sound may be – let’s keep the heart of the matter alive. This track opens my SHADES OF SEVENTIES site and has remained the opening clip for several years now. Thanks to Alan for insisting this ReStructure be done. Thank you, Alan – it is a fantastic “good feel” song. |
|
|
• Ain't No Stoppin' Us Now - Glenn Rivera ReStructure Mix - McFadden & Whitehead This 1979 blockbuster was the finale conversion from Philly to disco - it was the most conventional track for discotheques during this peak period. Produced by Gene McFadden, Jerry Cohen and John Whitehead for Philadelphia International Records. I have taken more of the bass line and created more of a "hop scotch" style arrangement - jumping back and forth and finally leaving where you cam in. This song is still a classic as one of the "old school" songs that can still be heard supporting disco's history - this ReStructure is dedicated to Rick and Dream Lounge for "Back To Disco"! |
|
|
• Love Is Just A Breath Away - Glenn Rivera ReStructure Mix - Donna Summer From the 1982 LP produced by Quincy Jones comes “Love Is Just A Breath Away” – this one was a hidden treasure to be uncovered right now! This track always displayed Donna as “Donna” – her whispery vocals and soaring climactic bridges are brought to life with this ReStructure to a close-to10-minute mix. For those who can’t get enough of Donna Summer I dedicate this steamy number. Bringing alive the dance movement of the 80’s and lingering on to now. The perfect song to start the weekend. |
|
|
• Quartz - Glenn Rivera ReStructure Mix - Quartz In 1978 Quartz released their LP simply titled “Quartz”. This LP displayed some of the earliest signs of new age technology in dance music. Many variations are displayed throughout this project, which remain some of the simplest, yet the most complex. Produced C. Quartz and engineered by Regis Le Corre “Quartz” is the “A” side of the project, which is simply a theme using bold synthesizers and keyboards to outline a tribal like theme. Much of the choruses and chants are not understood and this is what makes the track as mystical as a classic like “Hills Of Kat Mandu” by Tantra. It builds into several layers of rhythmic pulses, which is how I ReStructured the track for a new feel. A bit of fantasy has always been what disco music was based on in the mid and late part of the era – this is one of the finest. |
|
|
• Can You Read My Mind - Glenn Rivera ReStructure Mix - Krypton This 1978 single was produced by Bobby Martin and Ron Kersey - although it sounds alot like the Johnny Mann singers of the mid-70's it still holds much of the magic that lyrical disco was all about. I have taken the track and created a plausible arrangement which folds into string section loops and more verses to accentuate the song and mix. This track is dedicated to the imagination of all those who close their eyes while listening to this music and hold it dear to their hearts. |
|
|
• Self Control - Glenn Rivera ReStructure Mix - Laura Branigan Laura Branigan burst upon the dance scene of the 80's with her big hit, "Gloria" - many at first suspected that this might have been the new Donna Summer when hearing it echo through the clubs at first release. I can remember many coming up to the booth asking if it was the new Donna track. Branigan's powerhouse vocals rocked her way onto the dance floor. Her follow up to "Gloria" was "Self Control". During a time where pop-dance was taking on more of a rock edge this track was perfect. It contained an early morning sleaze edge and an energy that made Branigan even more of a commodity in dance music history. Sadly, Branigan passed in 2004 at the age of 47. She left behind some great pop-tracks and an unforgettable energy that was in my mind, the start of her career. This ReStructure is dedicated to Laura and also Paul in NY for requesting an epic mix of the track. Good energy to you all. |
|
|
• Fantasy Island - Glenn Rivera ReStructure Mix - Tight Fit Produced by Tim Friese-Greene in 1982 and performed by Denise Gyngell, Julie Harris and Steve Grant - This track soared as a number by ABBA would with crescendos that could make a dance floor shutter! The original 12" and 45 track was 3:23 - I have taken the major parts of the song and extended it to over 10 minutes and beautiful choruses and looping chords. Dedicated to Robert from the UK for his belief in the "magic". |
|
|
• Forbidden Love - Glenn Rivera ReStructure Mix - Madleen Kane Produced by Lana Sebastian, Michaele and Paul Sebastian - this classic disco track mixed by Jim Burgess is brought to life again with more "fire" than originally intended. I have taken the piano track and looped them with more of the percussion and energy from the 12" mix. Madleen Kane scored high with this follow up to "Rough Diamond" LP - it is a perfectly recorded LP and also features, "Cheri" and "Secret Love Affair" making it perfect for your Valentine's Day - no matter what kind of love you hold in your life. Dedicated to Paul Parker and Madleen Kane. |
|
|
• Night Dancer - Glenn Rivera ReStructure Mix - Jeanne Shy Those disco songs that pulled you into a make believe world of flowing strings and thumping ecstasy were wonderful to find. In a realm of fantasy "Night Dancer" by Jeanne Shy erupted in 1979. Produced by Bob Esty (Barbara Streisand's "The Main Event", Frankie Valli's "Heaven Above Me", Cher's "Take Me Home" and "Hell On Wheels" LPs, D.C. LaRue, Andy Williams disco rendition of "Love Story", etc.) and also the arranger and probably the reason for the success of Donna Summer's "Last Dance" and "Once Upon A Time" projects. Esty's genius in the disco scene has been overlooked long enough - he has created some of the most lyrical and exciting productions and arrangements in disco history. With Jeanne Shy he utilized her incredible (and I say mildly) vocal range to the extent of haunting disco lovers for years with this 12" single featuring a fabulous remake of "That Old Black Magic" on the flip. This track was another that I felt reluctant to touch - but had to pay homage to the greatness of it and continue to spread the magic across another place and time. This one will have you floating above the floor as well as moving on it. A great track and best dedicated to the artist, Jean Shy (as spelled today) - check out the magic at her site by CLICKING HERE - WHAT A VOICE! |
|
|
• Moonlight Madness - Glenn Rivera ReStructure Mix - Teri DeSario Teri DeSario created quite a stir with her 1978 initial hit, "Ain't Nothing Gonna Keep Me From You" - this track was written and backed up vocally by Barry Gibb. It was the sweetest love song to hit dance floors at this time. Returning with a follow LP in 1979 titled, "Moonlight Madness" on Casablanca Records. The project was produced by H.W. Casey (K.C. of the Sunshine Band) and contained more of DeSario's beautiful ballad tracks (including the top 10 hit "Yes, I'm Ready" - a duet with K.C.). "Moonlight Madness" was a mystical sounding medium energy track which would have worked well for an early morning set. I have taken the track and exposed more of the swirling sounds of the synthesizers and keyboards along with Teri's magnificent and "whimsical" vocal. The new rhythm tracks and "slaps" bring the song a bit more energy. This one is dedicated to Michael in New Mexico for reminding me of this little gem - it worked then and I believe it works now. |
|
|
• Dance To Dance - Glenn Rivera ReStructure Mix - Gino Soccio The 1979 LP "Outline" by Gino Soccio was probably one of the most innovative of the time since Giorgio Moroder's "From Here To Eternity" in 1977. "Dancer" was the top dance pick at the start of the excitement - later bringing "Dance To Dance" onto the floor for it's spin. This track has all of the element's which Soccio made his own sound. Many influences from his past productions are lightly sprinkled around this project - but he truly focuses on creating a new sound all together. This LP also generated the popular single "The Visitors" also and a top form remix which lasted throughout the early 80's. I have had many requests for this one and other Soccio tracks - which is why he returns so soon. And of course, this is a personal favorite among many. This ReStructure is dedicated to Soccio and his mystical sound and the "magic" he has left for listeners and dancers to become intrigued by. |
|
|
• Savage Lover - Glenn Rivera ReStructure Mix - The Ring Producer, arranged and conductor by Marcus Barone in 1979 - this was one of the first in experimental tracks on the "dark-side." It is a fantasy apparently brought to life with rhythms and a distinctive chant. The first time at hearing this track may pull you in several directions. It was intended that way I am sure. Ray "Pinky" Velazquez is noted as the "disco consultant" on this track - he added the right flair for a early trance-like experience. "Savage Lover" is a fierce cut. I have always been hypnotized by it's simplicity and always reminded that the arrangement in a track this this makes it effective. It presents a stage for the vocals, chants, percussion and synthesizers. It was a bit of a stand still trying to figure out what to do with this number. Making it more abstract was all I could think of. And with the looping and fading it works a whole new feeling into the song. Dedicated to the all-night dancers of the past who may have found themselves stomping to this number early on a weekend morning. |
|
|
• This Time I Know It's For Real - Glenn Rivera ReStructure Mix - Donna Summer Yes. It's the "Queen Of Disco" once again in the ReStructure spotlight: Paul from New York asked about applying a change to Donna's 1989 hit comeback, "This Time I Know It's For Real". This is a mild and mediocre blend of the highest peaks of the song. The long piano intro is my way of creating a lush intro with enough looping and effects to notice a bit of a change, but not take away the original feel. It was strong enough. Produced by the UK pop-dance trio Stock, Aitken & Waterman and mixed by Pete Hammond, this track is a classic return to disco with an 80's edge of studio engineering. Dedicated to Paul and all of Donna's everlasting fans who know that the love has always been there in her music from the start. |
|
|
• Right In The Socket - Glenn Rivera ReStructure Mix - Shalamar Shalamar in 1976 was Jody Watley, Jeffrey Daniels and Gerald Brown and later in 1979 Howard Hewett replaced Gerald Brown. This was originally a studio project produced by Simon Soussan with their first successful LP "Uptown Festival" - their third LP "Big Fun" followed "Disco Gardens". The big hits were endless for this trio. "The Second Time Around" had already ran it's fever across dance floors when "Right In The Socket" was released from the LP. This cut was made for the dance floor with it's clever lyrics and fantastic array of percussion tracks. Produced by Leon Sylvers and Dick Griffey from Solar Records. I have ReStructured the cut to give the breaks more standing and the track a bit more length. I dedicate this track to "Misha" who never ran short of energy back in the day and still goes strong with inspiration and love. |
|
|
• Willie and The Hand Jive - Glenn Rivera ReStructure Mix - Rinder and Lewis Discognosis, El Coco, In Search Of Orchestra, Le Pamplemousse, Saint Tropez, and Tuxedo Junction are disco diehard projects which helped create a formula that we know today as disco music. Laurin Rinder and W. Michael Lewis were the geniuses behind these productions. Much of the music that Rinder and Lewis created were based on their own experiences of discovering what discotheques and the music creating that was creating te excitement. Their approach obviously was a great one. The ability to utilize their keyboard and synthesizer skills as well as orchestral ensemble completed a well-accepted sound. "Warriors" was one of their projects which rang true to their formula - it was a blend of disco music's most basic elements and a few of their 50's and 60's influences. "Willie and The Hand Jive" was originally a smash hit in 1958 and started a dance craze for the then dance scene. Rinder and Lewis revive the song in 1979 with pulsating synthesizers and ominous keyboards dripping which bring the song to life once again. I have taken the track and removed some of the "saint-like" choral segments which always worked mystically for me - but my attempt was to capture the song in a driving essence using the original song as the key. New drum beats and claps (Hand Jive Style) were added to give a new feel to those funky synthesizers. Dedicated to W. Michael Lewis and Laurin Rinder for their gift to dancers all over time. |
|
|
• Working The Midnight Shift - Glenn Rivera ReStructure Mix - Donna Summer Those of us who remember when "Once Upon A Time" was released in 1977 can remember the impact that it created. It was truly as if the "Queen" had arrived - Ms. Donna Summer. This LP was a demonstration of pop/funk/soul and disco all rolled into a fantasy-like package - what more could this genre of music ask for at such an important phase? The choice cuts on the LP are many. Hardcore techno-disco fans that could not get enough of Giorgio Moroder and Donna Summer's "I Feel Love" achievement the year before will remember "Act 2" of the story board featuring "I Need You" and "Working The Midnight Shift" with Moroder pulsating synthesizer work pounding out the "Phantom Of The Opera-like" organ's and keyboards and Donna's soft and enticing vocals floating over them. I have taken "Working The Midnight Shift" and created a whole new ReStructure complete with new percussion and some usage of those fantastic keyboards and sequencers. This ReStructure is dedicated to the hardcore electronic junkies of disco. |
|
|
• I'm A Man - Glenn Rivera ReStructure Mix - Macho "I'm A Man" brought a whole new dimension to disco music. It was apart of the Jacques Fred Petrus sound which Prelude Records distributed in the US and Goody Music worked internationally. The synthetic tracks introduced a whole new concept to dance floors across the country. It was an exciting time. With the LP version clocking in a 17:45 minutes this mix was another experiment in "how much can you take?" The answer is now history. The original mix by Tom Savarese is an ingenious display of how disco music blossomed into an electronic symphony of sounds. My ReStructure mix is dedicated to Tom and his part is disco history. |
|
|
• Can't Take My Eyes Off Of You - Glenn Rivera ReStructure Mix - Boys Town Gang Producer, Bill Motley revisited the euro-disco feel ala San Francisco style in 1982 following the success of the first Boys Town Gang EP "Ain't No Mountain High Enough" - this time utilizing Jackson Moore on lead vocals as Cynthia Manley went onto create a solo career. This LP was a potpourri of remakes featuring Redbone's "Come And Get Your Love" and Stevie Wonder's "Signed, Sealed, Delivered I'm Yours" - the top of the list was a remake of Frankie Valli's "Can't Take My Eyes Off Of You". This track was the track which is most celebrated from his LP. Motley created a layer of strings and percussion elements similar to those of the Euro-disco peak of a few years earlier and did so with a common ground on maintaining the disco sound. This period was known as the return of high energy/disco. I have ReStructured the standard breaking the track down into a few more melodic breaks as well as crashing breaks. Thanks to Kerim for requesting this one. |
|
|
• I Don't Wanna Lose Your Love - Glenn Rivera ReStructure Mix - The Emotions The LP "Flowers" was released in 1976 and featured a production of Sheila Hutchinson, Wanda Hutchinson and Wanda Vaughn as the funky and soulful Emotions. This project produced by Charles Stepney and Maurice White who later moved onto projects with Denise Williams as well as Maurice's Earth, Wind and Fire band. Soul and funk moved together during this period and created an exciting brand of dance music. This being the most exciting of this time. "I Don't Wanna Lose Your Love" is a fantastic production of horns and guitars which are ReStructured with some new percussion tracks, which I created to give the track a new feel. Dedicated to Maurice White and the ensemble of Earth, Wind and Fire for their years of devotion to soul and funk. |
|
|
• Fill My Life With Love - Glenn Rivera ReStructure Mix - Saint Tropez W. Michael Lewis and Laurin Rinder were the magicians of disco music. Many of their projects including El Coco, Le Pamplemousse, Tuxedo Junction, Discognosis, and their own solo production titled Rinder and Lewis were the hardcore essence of disco music. Utilizing strings, horns, percussion and the almighty synthesizer to mesmerize dancers throughout the disco era. Songs like "Cocomotion" I must admit I never quite figured out why I was so enthralled by their arrangements and ideas. This is the magic of disco music. Saint Tropez was more of their adult-theme side - utilizing sexy LP covers to guide our minds into why disco music has always been sensual - with it's pulsating beat and ability to explore areas much more effectively in pop music of the time. "Fill My Life With Love" is an orchestral movement with a love song attached - I have taken the original arrangement and have broken it down several moments to expose more of a stimulating fantasy mix. This ReStructure is dedicated to the geniuses of their own kind - W. Michael Lewis and Laurin Rinder. |
|
|
• Stars - Glenn Rivera ReStructure Mix - Sylvester In my ears this is the most powerful disco gem of all time – Sylvester’s “Stars”. It outlines the club scene of the disco era in one song. “Everybody is a star…” Written by Patrick Cowley and produced by Harvey Fuqua and Sylvester this one could not loose! A powerful thought brought this one to mind for a ReStructure and also a request from a close-friend, Michael – here in San Diego. I would never dream of touching this classic mix and sound – but when I started I began flowing with the song and hopefully brought it to life for you again. Backing vocals were provided by Hodges, James and Smith and build under the pulsating synthesizers and bold horn and string arrangements with great demeanor. This track will live on and on in my memory as one of the best moments standing in the Trocadero Transfer in 1979 and hearing it for the first time on one of the most dynamite sound systems over a dance floor – to you Sylvester! |
|
|
• Poinciana - Glenn Rivera ReStructure Mix - Paradise Express In 1978, Paradise Express released their first LP. Producers Henry Cosby and Phil Jones gave Herb Jimmerson and his wife and lead vocalist, Vi Ann their break on the disco scene. But it was not long after when they caught onto the formula that was necessary for dance floors and came forth with the second LP, “Let’s Fly”. Both LPs are winners. They contain Jimmerson’s magic keyboards and Vi Ann’s fabulous vocals. On this first LP “Poinciana” was my choice for one of the loveliest tracks recorded for a cover song – recorded by Bing Crosby in 1944 and charted at the time. The backing vocals on the first LP were performed magnificently by Two Tons O’ Fun (Izora Rhodes and Martha Wash) and Sharon Hymes giving the songs a touch of magic. I had the privilege of seeing Paradise Express here in San Diego back in 1979 at a local club when “You Set Me On Fire” and “Let’s Fly” were on top of the dance charts. It was an incredible experience – Vi Ann truly brought the house down and Herb was right by her side. Not much is known about them and where they are now, but these LPs and this song will live on forever in many disco enthusiasts minds and feet. My ReStructure gives “Poinciana” a chance to reach some new listeners and dancers. |
|
|
• This Is My Life (La Vita) - Glenn Rivera ReStructure Mix - Shirley Bassey In 1979 Shirley Bassey joined the dance floor for a rendition of her 1968 hit, “This Is My Life” – the track had enough drama to bring a roaring chorus line to the center of any dance floor. The best part of this recording is that it was produced by Rick Gianatos and listed on the United Artists 12” as “"rerecorded by" due to contractual conflict with original album producers.” An interesting piece of information. The original mix flows beautifully and builds into a crescendo for Bassey to be “Bassey” – a great disco cover. I have taken bits and pieces of this classic and created my ReStructure with a new direction. Some stops and pauses along the way break the song down into a vision. Thanks to Alan for the request and this one is “for you!” |
|
|
• All Night Thing - Glenn Rivera ReStructure Mix - Invisible Man's Band It was close to the disco era and bands like The Brothers Johnston were giving us tracks like "Stomp" that were infusing funk with disco - this was the ultimate fare for bands like S.O.S. Band and their hit "Take Your Time". Invisible Man's Band took charge at the end of 1979 with "All Night Thing" - a somewhat beautiful disco/funk dance number incorporating strings, horns, percussion and a soulful male ensemble. Produced by Alex Masucci and Clarence Burke this track was one of the greatest treats in it's disco genre. This ReStructure Mix gives the song a new intro and some looped breaks and hooks to bring it into a whole new sound. Michael from San Diego was one of my oldest "party buds" from 1981 and I dedicate this to Michael after he suggested it. It is still a great stomp-er. |
|
|
• Save Your Love For Me - Glenn Rivera ReStructure Mix - Space Produced by Jean Philippe Iliesco and Composed by Didier Marouani this album was the third project by Space. The first LP displayed a futuristic outline of dance music in the formation of a new age keyboard in it's early stages. Dance floors welcomed this sound with open arms. "Save Your Love For Me" was a fast track from the LP clocking in around 140 BPM - originally if you heard this song in a club it was rolling out an imaginary road to techno music for dancers. The vocal by Madeline Bell (backup for Donna Summer's early LP) is one of the most haunting - she created this feel over and over for these projects beginning with "Carry On, Turn Me On". I have taken the original LP track
to ReStructure rather than use the 12" remix to keep
the track in it's original state. I dedicate this ReStructure
to DJ Peter Calandra of Seattle who reminded me that this
track can still be played today and create such wonder over
it's beauty. |
|
|
• Rhythm Of The World - Glenn Rivera ReStructure Mix - Gino Soccio If you wondering how Gino Soccio found his way in another ReStructure you probably don’t know this album very well. How could I resist? “Rhythm Of The World” is probably one of the finest disco numbers in the early 80’s to begin a trance-like feel with Soccio’s hypnotic synthesizers and his flawless arrangements. They may sound simple, but as his first hit “Dancer” proved he is ingenious. This track would bounce off of the floor during its play in large clubs and pound out its motivation, which is “move”. A bit intrinsic of disco music and is a formation of the technology that was approaching close by. Soccio can be set in his own category with the sounds he has created with this project. It got better in forthcoming albums. Special thanks again to DJ Joey for giving me the inspiration for retouching another classic by Gino Soccio – may the sound ring on forever! |
|
|
• Machine Gun - Glenn Rivera ReStructure Mix - Commodores 1974 was the release of second LP for the very talented Commores - Produced Gloria Jones ("Bring On The Love"),Jeffrey Bowen (Bonnie Pointer), Pam Sawyer(Diana Ross) and James Anthony Carmichael. It lives off of the soulful edge of music by Billy Paul and artists who were incorporating keyboards as an instrumental tag, this track is "dynamite!" "Machine Gun" was featured in the 1977 film, "Looking For Mr. Goodbar" as a base for the sound of disco music for the time. This outta-site track features wah-wah guitars and slamming keyboards. The original track ran for 2:39 - I have extended the track by looping and transforming some of the major keyboard arrangements into new bridges and chords. The song has recently made it back into a new film which I will find post the title when it is released. This goes out to the hard-core disco lovers from way back when soul was it's daddy... |
|
|
• I Wanna Take You There (Now) - Glenn Rivera ReStructure Mix - Gino Soccio Disco music made it possible for some musicians to find a place they could call there own. Donna Summer, Alec R. Costandinos, Cerrone, etc. During the transition to a more synthetic and artistic approach at disco music, Gino Soccio emerged. Soccio had worked on several studio projects prior to his solo LP - Kebekelektrik, Bombers, Karen Silver and Witch Queen. His concept on the live instrumental 60's rock style influence and the art of electronic music which created his first solo hit, "Dancer." This song gave Soccio the key to disco city. In 1980 as disco music began to insist on a reformation of style since nu-wave Jamaican influenced music and pop were taking over the charts and dance floor again. Soccio had the answer, "S-Beat". This LP featured several songs in various genres which maintained his engineering techniques. The tracks which held on to his disco persuasion were "Rhythm Of The World" and "I Wanna Take You There (Now)" - both cuts being as innovative and true to a new sound as Soccio had delivered on his first LP. I have taken "I Wanna Take You There (Now)" and added so to speak edges to the square - creating a flow for the song and added several breakdowns. It doesn't quite tell any story - but "dance to the music!" This ReStructure is dedicated to DJ Joey - whose love for true disco music and fondness for Soccio are enough to motivate this mix. Thank you, Joey! |
|
|
• To Each His Own (That's My Philosophy) - Glenn Rivera ReStructure Mix - Faith, Hope and Charity VanMcCoy brought us not only classics such as "Love Is The Message" and "The Hustle," but also Faith Hope and Charity's "To Each His Own (That's My Philosophy)" from their first LP in 1975. Is there much more that can be said about a classic dance number which continues to outline the era of early soul and disco music? This cut boldly states more than a great philosophy in words - it states the funkiness of guitars and the beauty of strings flowing over a soulful chorus of voices which includes Albert Bailey, Brenda Hilliard, Destry and Zulema ("Change"). There is value and quality in this track, which will remain a true disco standard in plain sight. Thanks to Alan for always supporting my cause and making it easy to fall in love with disco music over and over again - this one goes straight to you. |
|
|
• Ritmo de Brazil - Glenn Rivera ReStructure Mix - Ultimate Euro-disco began with the fusion of soulful band elements meeting lush and melodic strings. US influences began with The Philly Sound (The Three Degrees, O'Jays, MFSB, etc.) and during the disco peak many producers were working to reproduce a sound which was geared towards the modern dance floor of the time. More synthesizers and electronic gadgetry played a role in updating this feel - Boris Midney's sound was the first and bravest attempt at doing so. This project from Juliana Salerni and recording engineer, Bruce Weeden (who played guitars in Midney's first USA EUROPEAN CONNECTION LP) was a touch of Cerrone meets that modern day sound. Also credited are Elton Farokh Ahi (Destination, Stereo Fun, Inc.) and Casablanca's Marc Paul Simon. "Love Is The Ultimate (Medley)" became the track which took most of the excitement but on a closer look at the LP there were sounds on the B side which outlined the Euro-feel that was being perfected. "Ritmo de Brazil" received allot of airplay as well as became a favorite among listeners. I have taken the track and extended it into several breakdowns - adding a touch of percussion here and there. This one is dedicated to all the hardcore Euro-dance junkies and a reminder of how "beautiful" dance music can be timeless. |
|
|
• All Night Man - Glenn Rivera ReStructure Mix - Loose Change If you take a look back and glance at the cover of Loose Change's credits you will find the finest musicians, engineers and production team in disco music. This was at the peak of disco music in 1979. "All Night Man" is the single from this project which created quite a stir among disco enthusiast. It outlines a trip through every element of dance music which is perfected. The fantastic vocal is poured over the raging synthesizer like milk on a crunchy cereal. And a treat it is. This project was produced by Tom Mouton (another release along side of TJM on Casablanca Records) and features musicians such as John Davis, Keith Benson, Thor Baldursson and Arthur Stoppe among many other talents. This ReStructure is dedicated to Peter Calandra and Tom Moulton. Peter being a San Diego disc-jockey who brought to life many nights of mine and Tom for being the ring master to a fine course of dance music in it's embryonic state. |
|
|
• Rise Up - Glenn Rivera ReStructure Mix - The Parachute Club Dance music in the 80's was heavily influenced by the disco mix of the 70's - many of disco's deejays and engineers were working closely to create dance edits and versions of top 10 music. Gearing it towards the dance floors once again. The Parachute Club's "Rise Up" was a single produced by Daniel Lanois and mixed by John "Jellybean" Benitez for RCA Records. The song was an underground classic for many hardcore club addicts. I myself had this track on rotation for an early morning crowd - it had that sound for me. The song is full of positive affirmations for a peaceful world that unites by clearing minds with great promise. My ReStructure is a request by "roughbear" on Multiply - and using a track from Kerim (on Multiply) by Ravi Shankar ("Tana Mana - Village Dance") as the foreground of this unifying track, I believe the point comes across again. Thanks to Kerim and "roughbear"! |
|
|
• Superstar - Glenn Rivera ReStructure Mix - Bob McGilpin Bob McGilpin was a part of the Butterfly Records disco family. Producer, Norman B. Ratner made it possible for McGilpin to display his musical talents before a 70's audience waiting for hot disco material - "Superstar" is one of those underground hits that made the top of every pumping dance floor. "Superstar" is one of those feel-good songs that expresses positive reinforcement and some of the hottest guitar licks in a disco number. Along with Bob's fierce light and rock edged vocals this cuts soars. I have taken the track and created an intro which teases and tears into the main chorus along with inverted verses. Thanks to Mark for bringing this one to mind again - it shall never be forgotten again. May this song bring some joy and good energy to the start of your 2008 and remember, "everyone is a superstar!" |
|
|
• Wear It Out - Glenn Rivera ReStructure Mix - Stargard 1977 was the birth of Stargard. Their hit single "Which Way Is Up" from the Richard Pryor comedy film started a funky beginning with producer Mark Davis and soul connoisseur, Norman Whitfield as writer. A new sound was being introduced here with plenty of impact. In 1978 their second LP "What You Waitin' For" was another excursion into a funk encounter. But "The Changing of The Gard" introduced a new production team, Robert Wright and Verdine White taking control of these ladies - and "Wear It Out" was the single. This ReStructure uses the power of the 12" single which runs well over the mix - this one was referred by Daniel here in San Diego and should bring back some memories of the end of the most powerful dance era in music. |
|
|
• Where There's Smoke There's Fire - Glenn Rivera ReStructure Mix - Ava Cherry Ava Cherry’s “Where There’s Smoke There’s Fire” was released on Curtum Records (Curtis Mayfield’s label) in 1980. This was one of the highest disco productions to peak the clubs with some fine elements created by musicians from the era. This track was produced by Bobby Eli and featured some of disco’s finest musicians pounding out the rhythms and laying the ground for Ava’s fantastic vocals. I have extended the original mix with some new rhythm tracks perking up only the foreground – the song stands majestically on it’s own. It is a wonderful song that should remain a part of disco’s historical trade. |
|
|
• I Caught Your Act - Glenn Rivera ReStructure Mix - The Hues Corporation In 1977, The Hues Corporation returned from their success of "Rock The Boat" in 1974 - it wasn't an easy "act" to follow. Yet, "I Caught Your Act" had the sound which kept their reputation with loyal dancers along for the ride. "I Caught Your Act" is one of those clever songs which makes dancing fun. A string section which swirls and tempts your heart with beauty. I have taken the track and laid out a new intro with a loop of some sorts on those wonderful string section breaks. This ReStructure is dedicated to Alan - who has been so supportive and wonderful throughout time. Thank you with all of my heart, Alan - "I caught your act!" |
|
|
• Put Your Body In It - Glenn Rivera ReStructure Mix - Stephanie Mills From the Broadway success of "The Wiz" came Stephanie Mills into the disco scene. Mills was not new to music and performing - it was something that came very natural. With producers James Mtume and Reggie Lucas, Mills helped to keep disco in top form with dance cuts "Put Your Body In It" and "You Can Get Over". "Put Your Body In It" has always been perfection - an outline for funk/soul/disco fusion. Mills moves around this track as if she were apart of the groove. This ReStructure Mix takes the track a strips away the boldness of the synthesizers and gives Mills another chance to tease your senses. Dedicated to Daniel here in San Diego. |
|
|
• Found A Cure - Glenn Rivera ReStructure Mix - Ashford & Simpson The 1979 LP “Stay Free” from Ashford & Simpson placed the duo on dance floors for good. Much of their magnificent work was still hot and this only made their repertoire a must. “Found A Cure” is reworked in this ReStructure to outline more of Jimmy Simpson’s (Valerie’s younger brother) mix to the hilt. The wonderful percussion added by Ralph McDonald is as much apart of this treasure as the wonderful theme and magic lyrics. This one is a sure keeper. |
|
|
• I Can Fly - Glenn Rivera ReStructure Mix - Rainey "I Can Fly" is an incredible 80's dance anthem which emerged from a teen-dance motion picture titled, "Girls Just Wanna Have Fun." It has been covered several times, the closest contender being a Ian Levine production by Louise Thomas in 1988 on Nightmare Records. This version by Rainey has an uplifting feel and keeps the song in top form. I have received a request for this one by Robert from the UK and could not resist - the song has a soaring feel to begin with. I took the instrumentation and looped the heck out of the percussion and bass lines, as well as the vocal tracks to create more af a dub feel. This one should move more than clouds around - it in one of the best anthems of the 80's. |
|
|
• Right On Target - Glenn Rivera ReStructure Mix - Paul Parker The 80's dance scene may be the most exciting in dance history. Many musicians were performing music from what they gathered from the orchestral productions of the seventies and fusing electronic keyboards for a more simplistic feel. Patrick Cowley began weaving his futuristic sound in music by Sylvester and many remixes he was creating with a few disco artists in the late disco boom of the seventies. In the 80's he began creating music for vocalist he felt suited his music well. Paul Parker is among the highest of his achievements. Parker was a male singer who made each song his own with his powerful vocals. "Right On Target" is the first of his solo releases and probably the most memorable. It moves in every directions striking the "target" each time. This ReStructure mix is dedicated to Paul Parker for bringing so much to dance floors and at the right time. The arrangement is populated with many more breaks and pieces of mix-effect to create a whole new feel for this classic. |
|
|
• Walk Away - Glenn Rivera ReStructure Mix - Donna Summer This cut closed the first act of the "Bad Girls" medley - it was a memorable song because it was an outline for Donna leaving Casablanca Records after flying high on the wings of disco success. It was all for the best, and she left behind a legacy of towering hits. This cut has been requested as a ReStructure Mix by several guests at Multiply and here on SOS. After letting go of my fear of touching such a classic - here are the results. Donna feels as comfortable as she ever did singing disco on this track - it will stand as one of her most powerful tracks because it is so simple, yet gives so much. Giorgio Moroder and Pete Bellotte produced and once again give us Summer Magic. |
|
|
• Get Down - Glenn Rivera ReStructure Mix - Gene Chandler Known as "The Duke" this master musician recorded one of soul's most popular tracks in 1962 - "Duke of Earl." Moving through the seventies he found the opportunity to make a mark in disco history with his 1978 LP "Get Down" which also included another single smash titled, "When You #1". The 12" disco mix was flawlessly executed by master, Rick Gianatos. I have taken his wonderful tracks and mixed them into a flurry with the bongo break being the main driving force behind Chandler's "funkytown" vocals. Be advised that a track like this comes only once in a lifetime - and if you loose track of the chant, "get down" you may have only heard it somewhere else too much - this track is a sheer gift. Now, get down! |
|
|
• Over and Over - Glenn Rivera ReStructure Mix - Disco Circus Many disco projects that were assembled in the late 70's were a concoction of producers and musicians from earlier bands or LPs. This cut by Disco Circus is an example of how these productions took form. Jurgen S. Korduletsch produced many disco artists including Claudja Barry, Liptique, and Gaz during the early disco period. He moved on with trust from major labels that his work would work with his knowledge of dance floor ethics. "Over and Over" is an extreme example of his follow through. The polished synthesizers and keyboards are a reminder of what he did with "Boogie Woogie Dancin' Shoes" with Ms. Barry - utilizing the talented musicians in his arsenal. This ReStructure is an extension of the futuristic and robotic feel of the original mix with some realigning of vocals. |
|
|
• Weekend Two Step - Glenn Rivera ReStructure Mix - THP Orchestra This was a long awaited follow up for me. THP Orchestra was Ian Guenther and Willi Morrison's creation which took on the whole concept of what disco music was about. From their initial hit, "Two Hot For Love" it was obvious these guys meant business. "Tender Is The Night" was the second project simply billed as THP #2. This 4 cut LP remains a dynamite discovery for the sound which brought dance floors excitement and pure flowing disco music. "Weekend Two Step" was a radio hit during it's release on many hard-core disco stations and became the name of what disco dancing was all about. Beautiful lush strings and the funkiest bass guitars come alive hear with plenty of horn sections to give you the pinch and remind you that your still awake. My ReStructure is dedicated the the followers of disco music throughout it's time! |
|
|
• La Vie En Rose - Glenn Rivera ReStructure Mix - Grace Jones Grace Jones embarked upon discotheques with this trademark cut which took dance floors by storm. This classic track has been done over and over since with intent to take the track to a higher level - is it possible? This ReStructure Mix is dedicated to Grace in all of her glory and powerful part in disco history! |
|
|
• Space Bass- Glenn Rivera ReStructure Mix - Slick Just as their name states, this one is "slick"! A classic disco cut which seems to age well. With the bass line that rolls and jumps like electricity this dance track is eclectic. Slick was actually Barbara Ingram, Carla Benson and Evette Benton (Sweethearts Of Sigma, Metropolis, backing vocals for Grace Jones, Freddie James, France Joli, Nightlife Unlimited, etc.) so how could this band go wrong. I have taken the track and "spaced" out breaks and some new effects to elongate this incredible song. |
|
|
• Sky High - Glenn Rivera ReStructure Mix - Jigsaw From 1976 and also the theme from a kung-fu film called either, "The Dragon Flies" or "The Man From Hong Kong" came Jigsaw's "Sky High". I can remember as a child seeing the film at a drive in and at the closing of the film as the kung-fu hero takes off on a hang glider over skyscrapers this song blares over the soundtrack. It was quite a memorable moment - little did I know that I would be ReStrcuturing the cut this many years later. It is a classic little number. Great horns and strings as well as fine vocals are a big part of this production. I have broken down the song with more added beats and percussion and looping several elements that are great segues. A+ dance music here! |
|
|
• (Together In) Electric Dreams - Glenn Rivera ReStructure Mix - Giorgio Moroder and Phillip Oakley The early 80’s were a period where disco music was transforming pop music into dance fusion. We were lucky to find the champions of disco music, such as Giorgio Moroder holding steady within the industry and giving us projects with a new style and flavor. Although Moroder may have phased a bit from the futuristic feel of disco music he used the pop dance medium as his influence. From this style he created great tunes like the theme from the early computer fantasy film, “Electric Dreams” – the genius was complete in using Human League vocalist, Phillip Oakley. Together they created dreams that lasted on the dance floor. My ReStructure of this 80’s dance hall premium is dedicated to disco fans everywhere, appropriately. |
|
|
• I'll Tell You - Glenn Rivera ReStructure Mix - Sergio Mendes Brazil '88 Sergio Mendes is the Brazil sound of our time – throughout the late 60’s he created several projects, which marked the sounds of Samba, Latin Vibes and Bossa Nova. It was indeed a surprise when “Magic Lady” was released in 1977. The LP had many cuts that gave a wonderful rendition of Mendes’ versatility to adhere to pop music at the time – which was disco. “I’ll Tell You” is indeed a classic and outlines the excitement of discotheques and the energy they create. This ReStructure Mix takes the song into an arena of playful breaks and loops that work with the effective manner in which the song was originally created. |
|
|
• Dance Across The Floor - Glenn Rivera ReStructure Mix - Jimmy "Bo" Horne 1978 was the magic year for disco satisfaction! Harry Wayne Casey or as he is better know, K.C. produced this fantastic cut along with Richard Finch. The LP gave Jimmy a place where following his next release, "Spank" became a dance floor favorite. This production emphasises on K.C.'s funky keyboards and a riviting bass guitar. |
|
|
• I Don't Know What I'd Do (If You Ever Left Me) - Glenn Rivera ReStructure Mix - Sweet Cream From their LP "Sweet Cream and Other Delights" this single became an underground club hit - although many not remember the song until they hear the chorus it has such potential as a classic. The guitar tracks are truly the funkiest and along with the fantastic vocal ensemble make the song linger on and on. The main vocal is sang with a great energy and a relaxed soulful tone. Works like magic. I have broken the song into parts and used several loops to provid a new approach at dancing to this crafty little number. Thank to the magic man, DJ Joey Luciano in New York for giving the request and welcome him to Disco 935! |
|
|
• For Your Love - Glenn Rivera ReStructure Mix - Chilly One of the most incredible events of the disco era was Chilly's "For Your Love" - in 1978 this single was the biggest surprise to dance floors. A remake of The Yardbirds classic hit many audiophiles believe this disco version is more pleasing than the original. How often does this happen? Arranged and produced by Bernt Morhrle. "For You Love" mixes a rock style and soulful vocal over a string, synth percussion and string arrangement that is perfection. I have thought about a ReStructure Mix in the past but was always reluctant to touch this one - well here is a new arrangement with some added gadgetry and loops to make this song another great trip! |
|
|
• Oooh, What A Life - Glenn Rivera ReStructure Mix - Gibson Brothers The success of their hit, "Cuba" opened the doors for Gibson Brothers in 1979. And after a outstanding 12" remix, "Que Sera Mi Vida (If You Should Go)" became another huge dance floor hit and now classic. A third single from the LP "Cuba" was "Oooh, What A Life". After thinking over what our present times were I thought this cut was appropriate for a ReStructure Mix and rejuvenation. Music has the power to heal. Just as words and thoughts. This piece of wonderful outlook and promise bring to mind a positive era of love and peace. I could not think of a better time to use it. Produced by Daniel Vangarde and the wonderful vocals of Gibson Brothers! |
|
|
• Hot Leather - Glenn Rivera ReStructure Mix - Passengers In 1979 disco was shifting. A new vision was being explored and much of the creativity was being laid in the minds of the producer and artists. Celso Valli was a man who pulled much of what was happening in the mid seventies with synthesizers and arrangements together. The birth of a new sound featuring the orchestral feel of disco and a new synthetic formula. As he did with Macho, Tantra and several other ingenious productions he made Passengers a very carefully executed brain child. "Hot Leather" is the forerunner of this set - yet I researching and studying much of this work you can understand how his work is now looked at as classic and perfection. Although pop at the time of its release this is wonderful music to analyze as disco music becomes looked at more closely with time. I have taken "Hot Leather" and extracted some of the more memorable points and worked a few more breaks into the already pulsating rhythms. A great requests from Hank in Florida - thank you, Hank! It's for you. |
|
|
• Follow Me - Glenn Rivera ReStructure Mix - Amanda Lear Disco music reached a point when dancing the night away lead to early morning - this was the perfect time for melodic and trancey disco to become of age. Amanda Lear's "Follow Me" was the perfect example of "early morning music". It became an underground classic in 1978 - it was then that Wally McDonald took this track from a medley off of Lear's "Sweet Revenge" LP and transformed it into a swirling and hypnotic charmer. The raw synthesizers and lush strings create an atmosphere that has remained it's own sound. This great song is probably the original of it's kind and also gave Lear the opportunity to use her vocal style in an appropriate manner. This ReStructure takes Wally McDonald's magic and transforms it into a new intro and closing. Building on it's theme and making Amanda more accessible. Thank you Wally for a wonderful experience! |
|
|
• Love Is Just A Heartbeat Away - Glenn Rivera ReStructure Mix - Gloria Gaynor Love songs with a disco beat were songs that gave hustle and touch dancers the opportunity to move to a beautiful melody and flowing arrangement. "Love Is Just A Heartbeat Away" from the "Nocturna" soundtrack was such a number. Although the film did not last a long as the 2 big disco numbers from the soundtrack (the other being "Nighttime Fantasy" by Vicki Sue Robinson) it was a film that remains an underground rarity. Gloria Gaynor was a the top of her form here. Her vocals exercise a yearning that can be felt throughout this cut. I have taken the track and added a few more breaks and chorus' to express a new emotion. The cut was produced by Reid Whitelaw and Norman Bergen. Many of the musicians were disco's finest included Don Renaldo on strings and horns and The Sweethearts of Sigma on backup vocals. |
|
|
• Good Times - Glenn Rivera ReStructure Mix - Chic The bass line that lasted for a era and the group that made disco funky. This #1 disco hit is one of the best produced by Nile Rodgers and Bernard Edwards with the arrangement that was "chic" during the time. A ReStructure revisits the track and place a new emphasis on just how lasting a great song always stays fresh. Dedicated to Orlando Pontier for the request. |
|
|
• I Can Tell - Glenn Rivera ReStructure Mix - Chanson A band comprised of some powerful musicians of the 80's - Jeff Porcaro and David Paich. James Jamerson Jr. and David Williams produced this LP along with Linda Evans on vocals. A song that builds and builds and the orchestra follows. Wonderful strings and percussion. I have ReStructured the song to break a few times and played on the big drum sound. A hit worth trying out. |
|
|
• I'm Attached To You - Glenn Rivera ReStructure Mix - Masquerade A disco concerto for the children's story "Pinocchio" is what Masquerade is all about. Boris Midney who brought us USA-Eurpoean Connection, Caress, Beautiful Bend, Double Discovery, Nannette Garcia and Festival created a beat driven soundtrack to an imaginary tale of a "funky puppet" who goes looking for love and fines the "Land Of Miracle's" is a cardboard cut out of party, party, party. Sounds good? This track is the song when Pinocchio finds what he thinks is love for the first time - of course we know he has a wooden heart and it takes the rest of his journey to find what he is really in need of. The LP is pretty interesting if you use your feet and your imagination. The master, Boris Midney makes it easy. This ReStructure pulls more of the vocal to the surface and makes a few breaks obvious along the way. Dedicated to Erwin in East Flanders for helping to keep disco and Midney's magic alive. |
|
|
• Do What You Wanna Do - Glenn Rivera ReStructure Mix - Nona Hendryx and The Cage This one is a cover of the classic by T-Connection originally recorded in 1977 - Nona's cover in 1982 works well with her fantastic vocals and the metal-crush sound of The Cage. This track moves so quickly that you really have to think fast. Although the original is more of a seventies event, this remake is also just a memorable. Requested by and dedicated to Chris in New Orleans! |
|
|
• Love To Love You Baby - Glenn Rivera ReStructure Mix - Donna Summer It was the start of disco ecstasy. It has been said that this classic may have been influenced by Diana Ross' "Love Hangover". There is a difference. This one has the funkiest groove and is laid out flat in this ReStructure Mix. Besides having Donna Summer create a wall of dancing pleasure by emulating a sensual role, it is one of the finest pieces of pop music of the 70's, regardless of it's somewhat controversial outline. Giorgio Moroder and Pete Belotte did the honors in the production along with Moroder's Munich Machine pumping out the groove. This one will last forever and can only be expressed with the proper essence by Donna herself. This one is as high as one can get. |
|
|
• Mr. DJ You Know How To Make Me Dance - Glenn Rivera ReStructure Mix - Glass Family The sound of pure disco music is based on it's "beats". In 1978 dance music was influenced by earlier producers, vocalists and musicians - many of these talents make up the fusion of disco music. Glass Family was a project produced by Jim Callon who also put together JDC Records Inc. Vocalist Taka Boom (Chaka Khan's younger sister) who appeared on Undisputed Truth's "You + Me" and proved to be a driving force in the crossover of soul and disco styles took over this track and made it a club favorite. The instrumental is a simple mix, yet lays out a great formula to move with. This ReStructure creates a "drop break" oriented feel and makes it easier to find out exactly what Taka is crooning about. |
|
|
• Breaking and Entering - Glenn Rivera ReStructure Mix - Dee Dee Sharp Gamble The Philly Sound was a big part of the disco movement in the mid-70's - the last of this sound echoed in hits like "Breaking and Entering" by the one and only Dee Dee Sharp Gamble. This dance master cut was released in 1980. A great production featuring the Sweethearts of Sigma on backup vocals. I have taken this cut by request of Alan and given it more filler with a new rhythm track and a few changes in direction. It is a great song to recognize the shofting of dance music from the late seventies to the new sound of the eighties. |
|
|
• Down, Deep Inside - Glenn Rivera ReStructure Mix - Donna Summer John Barry (James Bond Films, Shirley Bassey) was paired with Donna Summer in 1977 to create a theme song for the upcoming film "The Deep". An easy task for Summer at the time - she was on a winning streak. And the results being, "Down, Deep Inside" was the proof. This cut was released as a 12" single to "I Feel Love" as well as the soundtrack. It became one of Donna's most underground hits from its release until today. The fusion of the Calypso feel is unique in its synthesized percussion and drive - as if they were made for each other. And along with Donna's sensual style we can experience the best of this time. My ReStructure mix adds more drum tracks along with the original tracks to create an extended and more mysterious sound. Once again, thanks to Alan and a dedication to all Donna-Tribute.com for the inspiration |
|
|
• Star Cruiser - Glenn Rivera ReStructure Mix - Gregg Diamond's Star Cruiser When TK Records hired Gregg Diamond to produce a Bionic Boogie for their label, Diamond did them the favor. This fantastic project came at a time when perfection rang among the disco music of the time. Gregg was responsible for Andrea True Connection, Bionic Boogie, Gloria Gaynor, George McCrae recordings and took his talents into the studio again with an array of talent. Much of music here remains intact with "Star Cruiser" being no exception. Horns, guitars, strings and funky vocals (Gordon Grody, Diva Gray, Jocelyn Brown and Zach Sanders). It's no wonder why Diamond is the underground choice for hard-core disco music before, during and after the boom! Dedicated to Alan for all of his support, kindness, energy and of course, for asking :) |
|
|
• Try Me, I Know We Can Make It - Glenn Rivera ReStructure Mix - Donna Summer Donna Summer was coming out of her music box - from the playful and sensual "Love To Love You Baby" LP which took the dance scene by storm, this second project produced by Giorgio Moroder and featured his Munich Machine ensemble as musicians. This wonderful and inspired LP is a great classic for Donna as well as dance floors. The keyboard arrangements and guitars and fantastic! I have remodeled house a bit with this ReStructure and helped Donna to join The Pussycat Dolls with a funky intro and closing. This one is for the Donna fans (as myself) who would lay in their rooms, douse the lights and put the "First Lady Of Love" on the turntable with eyes closed to hear every moan and note. |
|
|
• Supernature - Glenn Rivera ReStructure Mix - Cerrone Jean Marc Cerrone moved into the disco realm with Euro-Disco in his blood. It wasn't until this project that all began to take note of the fine tuning which had occurred from his first solo-LP's "Love In 'C' Minor" and "Cerrone's Paradise". It took many by surprise - not only was there the full sided medley "Supernature" but the flip-side with the segued masterpieces, "Give Me Love" and "Love Is The Answer". The concept of "Supernature" worked with the peculating synthesizers rippling throughout the story. I have taken elements of the original mix and ReStructured them into a whole new movement. Either way the song still rings strong. Dedicated to Rick from Lincoln City. |
|
|
• After Dark - Glenn Rivera ReStructure Mix - Pattie Brooks From her 1978 LP "Our Miss Brooks" - "After Dark" was also included on the soundtrack to "Thank God It's Friday". This is a track that will never run out of charm. It was memorizing from it's release. Simon Soussan produced and mixed by Bob Stone. Perfection. My only reason for attempting a ReStructure Mix was to take Pattie's classic onto my chopping block and have some fun. The percussion alone in this fabulous song is enough to make it a winner - and the bass line is a fantasy on the dance floor. Applause again goes to Pattie and her wonderful approach with this powerhouse tune. |
|
|
• Boogie Motion - Glenn Rivera ReStructure Mix - Beautiful Bend Known as the theme to television's 1979 dance program, "Dance Fever" - this is the best as disco gets. Boris Midney created USA-European Connection in 1978 and broke all barriers of the disco arrangement. Taking Giorgio Moroder's steps even further by creating a wall of electronic keyboards fused with lush strings and horns - then sprinkling an adoring Philly-like ensemble. It was a dream come true for many of the time. This was the follow up LP from USA-European Connection and was just as powerful - many of the cuts today are hard-core classics. Midney made electronics work for him by creating a stop-and-go arrangement which made dance floors ready for a funky bongo riff to appear from cascading strings to gliding keyboards. "Boogie Motion" is transformed here into a ReStructure using those beautiful vocals (by Xo-Xo - who are most likely the vocalists from his first LP) and a few more of those pulsating synthesizer effects. |
|
|
• Touch - Glenn Rivera ReStructure Mix - Lori and The Chameleons In 1979 many punk and nu-wave artists ventured into the disco feel and created some interesting dance cuts. This cut by Lori and The Chameleons was an exceptional piece of dance floor material. Great keyboards and alluring spoken verses, as well as a fantastic UK Band sounding bridge. This one was featured on Disconet as a medley during 1979 - I have taken the 45 and extended the track to a pounding rhythmic track. The feel of the song may seem to be a bit robotic, but listen to that lead guitar riff! A salute to the synth-pop sound of the late seventies! |
|
|
• Dance With You - Glenn Rivera ReStructure Mix - Carrie Lucas Dick Griffey of Solar Records moved in quickly securing the latter part of the 70's to secure his stamp on a style of dance music during the disc years. His association with dance/funk music became the sound of Solar. "Dance With You" is probably the best of it's time. Using a heavy bass line track and a lead guitar that moves through the cut with a style of rock and roll flair - along with Carrie's light and airy vocals this track was a club phenomena. The power that this song created was incredible. I have taken the meat and potatoes of the mix and reworked it's elements into a new ReStructure Mix to bring home another sound for the track. Notable is that Carrie is Greg Phillinganes' (keyboard genius) sister and wife of label president, Dick Griffey. |
|
|
• Dazz - Glenn Rivera ReStructure Mix - Brick Soul music became disco music when the scene began to shift towards clubs and audiences that demanded to hear their music with a mix that was complete. The downbeat and the funky elements were what it was all about. This classic number came from Brick in 1976 and helped pave the way for many soul bands to cross over with ease by amending the mix of their projects. This classic 12 Inch mix has been ReStructured using a downbeat that can stomp a roach in it's tracks. Great party music and sheer funkiness - just what the 70's was all about. |
|
|
• Remember Me - Glenn Rivera ReStructure Mix - Cynthia Manley (formerly of Boystown Gang) A period where high energy music and disco was quite scarce was the early 80's. Most dance music had shifted to a lower BPM and more soulful sound - removing many of the strings and horn arrangements that made disco music complete. Bill Motley was focused on producing artists and projects utilizing these classic elements. His many success stories are now a bit part of disco music's history. "Cruisin' The Streets" was an EP containing the title track and a Diana Ross Medley featuring Cynthia Manley on vocals - the song instantly became a dance floor hit and helped to revive the sound of disco music that many were hoping had not passed. I have taken the medley and remove "Remember Me" from the medley - "Ain't No Mountain High Enough" has always been the favorite of the medley and although it is flawless I have taken the opening part of medley and placed it alone with a ReStructure Mix. Besides with Cynthia's fabulous vocals it could not go wrong. |
|
|
• Groove Me - Glenn Rivera ReStructure Mix - Fern Kinney During 1979 it seemed as though TK Records could do no wrong. Fern Kinney's 12" single "Groove Me" was the icing on the cake during a time when it seemed as though it could not get any hotter. Produced by Carson Whitsett, Tommy Cough and Wolf Stephenson. Kinney displays a excellent performance in this cut and moves through the song with a sense of sleek sensuality and profound soul. I have taken her essence and weave a ReStructure adding a funky break and some of her vocal stickers which are always remembered. This one is dedicated to Mark from the UK - just for asking. Thanks, Mark and hopefully this will do you over. |
|
|
• If There's Love - Glenn Rivera ReStructure Mix - Amant One of the most memorable productions of the disco peak was Amant. "If There's Love" is one beautiful piece of music. A flowing love song that statesa powerful plea accompanied by lush strings and Afro-Cuban percussion that is perfection. Produced by Ray Martinez (Celi Bee, Passion, Ray Martinez and Friends, Sassy) and handled with care. This song is ReStructured with the animal percussion in mind. Brought in front and exit to make it even more memorable. |
|
|
• Fame - Glenn Rivera ReStructure Mix - Irene Cara 1980 was a time when "Fame" rose from the disco ashes of pop music - along the lines with the Village People's disco film, "Can't Stop The Music." This cut was effective as a soundtrack hit but stood on it's own with the vocals of Irene Cara. Quite a few lasting impressions are here along with the backing vocals of the late, Luther Vandross. Michael Gore produced. A completely new feel is given to the track in this ReStructure - but why use any other vocals? Irene still smokes on this one. |
|
|
• Chase - Glenn Rivera ReStructure Mix - Giorgio Instrumentals were always refreshing on the dance floor when there was a groove that would work and work. Giorgio Moroder's "Chase" created that element and enhanced with his moog and synthesizer style which has never grown old. This cut was a part of Moroder's soundtrack to the 1978 film, "Midnight Express" - the 12" single mixed for discotheques was a take off on the keyboard track segment from the film. It brought to life the keyboard riffs which bring to a peculating synthetic percussion track and moog bass line to life. I have taken parts of the keyboards and sprinkled them throughout a new ReStructure of this fantastic piece of music. |
|
|
• Don't Let Me Be Misunderstood - Glenn Rivera ReStructure Mix - Santa Esmeralda Rarely do you find a song where the remake is the better half - I can remember a time working at a Tower Records as a teenager here in San Diego back in 1978 - a customer who resembled a rock-and-roll icon came to me and asked for the remake of "Don't Let Me Be Misunderstood" - he said it was a disco song, which he never buys disco music but thought this was the most incredible remake ever. I agreed. This production featured Don Ray arranging strings and brass and producers, Jean-Manuel de Scarano and Nicolas Skorsky. Awesome production originally released in 1977 on Philips in France and then distributed on Casablanca in the US. I have taken segments of the original 16 minute mix and realigned parts for a more tight and thorough mix. |
|
|
• The Runner - Glenn Rivera ReStructure Mix - The Three Degrees Giorgio Moroder and The The Degrees. Period. Enough to let you know it is good. Four talents that would make disco history and linger on forever. I can remember hearing that the group had recorded with Moroder in 1978 and was trying to hold back my excitement - but after picking up the 12" single of "The Runner" I could not contain myself. This cut was written by Sheila Ferguson and placed over the pulsating synths of the disco genius himself. The evolution of the keyboard was becoming more interesting at this point especially when you wrap the vocals of these lovely ladies around them. I was a bit unsure of how to even approach a remix of this classic - but after taking pieces of those synthesizers and breaking the song into parts the rest was done with such excitement. Dedicated to Jeep for his reminder of just how incredible these ladies are! |
|
|
• Feel Like Dancing - Glenn Rivera ReStructure Mix - France Joli Another great Prelude classic from France Joli and Tony Green. This funky little number was a CO-play with "The Heart To Break The Heart" and is remembered well by many. Great classic disco percussion lingers below this track. I have pulled a lot of it to the surface and extended the song a bit. This ReStructure is dedicated to VJC of Disco935 - Rhythm and Soul of New York for keeping the heart of disco music pumping! |
|
|
• From East To West - Glenn Rivera ReStructure Mix - Voyage Produced by Roger Tokarz and featuring many musicians from France (alias Cerrone sessions) this LP took the disco concept project into a whole new light. This LP was most likely heard in it's entirety or played out on either side with each song segued. It was one of the most brilliant disco albums of the year. The vocals on this LP featured Kay Garner and Stephanie De Sykes (Love & Kisses, Cerrone, Kikrokos) who create a lyrical sound that is influenced by the Euro-Disco sound emerging at the time. "From East To West" contains many fantastic musical elements from the bass guitars to the innovative keyboards of the time. Still fresh and very pleasing. My ReStructure only breaks the song into many parts featuring new breaks and more of the soothing vocals. |
|
|
• I Love You - Glenn Rivera ReStructure Mix - Donna Summer The double LP that created a world of make believe for many on the dance floor was 1977's "Once Upon A Time" - probably one of Donna Summer's most creative and excellent recordings. Thanks to Chris in New Orleans and his request for extending and setting "I Love You" in it's own place, this ReStructure allows more of the dreamlike aura of this song to linger on. The orchestration of this production is incredible - Giorgio Moroder, Pete Bellotte and Donna must have all held the same dream when creating this masterpiece. Bob Esty however did have a large part of this project and much of his genius is heard throughout this cut and the LP. May the magic live forever! |
|
|
• Without Your Love - Glenn Rivera ReStructure Mix - Cut Glass It was the end of an era of disco music. The contributions that many artists and producers made to music history paid off. In 1980 when disco music seemed to be searching for a way to grow brought about new styles and creativity. Some left over from earlier prospects - in the case of Mildred Vaney and Ortheia Barnes who made up a studio group titled, Cut Glass the work paid off. "Without Your Love" is one of those disco songs that never grow tired. Thanks to the powerhouse vocals of these 2 ladies it is set it stone. In 1979 these ladies worked with producers, Jeffrey Parsons and Jeffrey Steinberg on a project titled Hott City - 2 cuts from this LP ("Peaks and Valleys" and "I Took His Money") were similar to "Without Your Love" single and may have paved the way for the excitement to come. The extended ReStructure is a homage to these ladies and the master minds behind this classic piece. |
|
|
• Fire Night Dance - Glenn Rivera ReStructure Mix - Peter Jacques Band A first for dance floors in this dosage. "Fire Night Dance" was released in 1978 to dance floors waiting for a new kind of energy. Mauro Malavasi under the supervision of producer, Jacques Fred Petrus worked keyboards and percussion like a brand new style of music. This may have been the first real high energy music a few years before the 80's. Flowing arrangements and soulful vocals weave together to complete a wonderful effect. I have taken the original production and realigned the feel of the song with, believe it or not - more energy! |
|
|
• Shame - Glenn Rivera ReStructure Mix - Evelyn "Champagne" King Thee "classic" disco tune which reshaped the disco mix. Produced by T. Life and Warren Schatz. This cut explodes each time it is played and I have taken the original mix to a new extreme with some new percussion fills and a intro beat track. Evelyn's vocals are the main stay in the song but the instrumentation is mere genius. |
|
|
• You're My Magician - Glenn Rivera ReStructure Mix - Lime Magic from the 1981 disco sensation - Denis and Denyse LePage weave a synthesized dance fantasy with this classic LP. Too many hits to count on one hand - try dancing instead. I have taken "You're My Magician" and tidied up a bit - adding a few breaks with some momentum and lots of looping. |
|
|
• N.Y., You Got Me Dancing - Glenn Rivera ReStructure Mix - Andrea True Connection Gregg Diamond composed and produced "N.Y., You Got Me Dancing" for Andrea True as he did with "More, More, More". This one was the ticket for success for True. It created quite a stir in the clubs for it's time. One of the outlines for discotheques in 1977 - it may have been a staple. Diamond's flawless arrangements was the excitement here. His piano and horn trademark seemed to work even more effectively in this single. I have taken the track for a ReStructure mix with some new electronic percussion and more of Andrea's vocals. |
|
|
• Action '78 - Glenn Rivera ReStructure Mix - Erotic Drum Band George Cucuzella produced along with Peter Di Milo from Canada. Another reference to disco music's transition during the late seventies. This project contained more synthesizers and percussion than any other release during the time. A great leap forward for dancers and dee jays to find the edge of dance music which could have been a direction in a "tribal" and "techno" arena. Great percussion reins throughout "Action '78" - my ReStructure pulls the original mix into an extended orgy of energy and a great uncovered riff. |
|
|
• Mainline - Glenn Rivera ReStructure Mix - Black Ivory A classic is a classic - nothing more can be said about Black Ivory's ever climbing "Mainline". This cut never stops. Written by Leroy Burgess who later had a major part in creating the "garage" sound which then became "house". This song screams elements of the finest of both. It contains those flowing strings from discos sophisticated outline. My ReStructure is dedicated to Steve (www.djdynastymusic.com) who "asked for it" - and thanks, Steve it was long overdue. I have taken the moving segments and reedited the track to move with no stopping. |
|
|
• Love Magic - Glenn Rivera ReStructure Mix - John Davis & The Monster Orchestra SAM records was John Davis' home base for creating his style of disco music. Taking on the mixing elements being used for discotheques, Davis found himself creating orchestrations for conga filled rhythm lines. His earlier hit, "Ain't That Enough For You" became a club standard and today a classic. "Love Magic" is the definition of Davis' best. It contains an infectious bass line and some of the funkiest guitar licks. ReStructured to keep the magic alive! |
|
|
• Point Zero - Glenn Rivera ReStructure Mix - Voyage One of the most fascinating elements of disco music were the concept projects. Many great arrangers and artists created themes with music and gave many dance floors the freedom to go even further. Voyage was a band of musicians from France who were somehow affiliated with some of the greatest artists and producers of time. It was a time where hearing others work created a new and similar style of dance flair. This band was the greatest of these achievements - a trip around the world with many dance segments featuring authentic musical themes set to a disco beat. "Point Zero" is the second segue from side one to a village of rejoicing men and women chanting and invoking the stomping rhythmic beat. I have taken a new drum beat and brought the pattern out with loops to create a new 17:42 dance fantasy. This piece was never even though of as a ReStructure until Marialisa from New York reminded me of the wonderful "tribal" beats pounding out the infections rhythms. This one is for you Marialisa (and The Funhouse) |
|
|
• Can't Fake The Feeling - Glenn Rivera ReStructure Mix - Geraldine Hunt Saving the early eighties in a funk from the disco backlash were hits like "Can't Fake The Feeling" by Geraldine Hunt. It was indeed a funky little song but had enough style and disco bass to place it as big chart buster. Released on the New York label Prism Records. Ms. Hunt made this hit a classic with her fantastic vocal style. ReStructured for a more instrumental feel but plenty of Geraldine's vocals to complete it. |
|
|
• Never Can Say Goodbye - Glenn Rivera ReStructure Mix - Gloria Gaynor This was an exciting year for disco. 1975. Gloria Gaynor's "Never Can Say Goodbye not only took a classic Motown ballad and transformed it into a dance floor gem - it also was one of the first disco LPs to segue a dance mix throughout several cuts. Meco Monardo, Jay Ellis and Tony Bongiovi produced this project and orchestrated quite a flair for disco music during this time. It made disco a chic experience. This classic cut is ReStructured with the full on original LP mix with plenty of new guitar breaks and plenty of loops to keep a new feel. |
|
|
• Devil's Gun - Glenn Rivera ReStructure Mix - C.J. & Company Mixed by Tom Mouton and produced by Mike Theodore and Dennis Coffey. This exciting track made dance floors in 1977 take notice that a change was on it's way. The formation of the sound of a wicked bass line with percussion to match along with vocals taken directly from the essence of Motown and directed to a flowing beat. My ReStructure places the bass line into a new energy accentuated with new hand claps and arrangement to bring this track alive again. Dedicated to Hank in Miami, Florida! |
|
|
• A Lover's Holiday - Glenn Rivera ReStructure Mix - Change Big impact in early 1980 with this powerhouse LP - project was produced by Jacques Fred Petrus and featured the talents of David Romani, Paolo Gianolio and Mauro Malavasi behind the scenes. Vocals flow over the great keyboard and bass arrangements of this album. Jocelyn Shaw and Luther Vandross spread their magical notes throughout these songs and leave you wanting more. "A Lover's Holiday" is ReStructured for another trip with this funky and soulful sound emanating a groove over and over. |
|
|
• Get Up and Boogie - Glenn Rivera ReStructure Mix - Freddie James This little workout was produced by Tony Green who gave us classic disco productions: France Joli, Norma Lewis ("Maybe This Time"), U.N., Eloise Whitaker, Kebekelektrik, and Carolyne Bernier to name a few. Freddie James is actually the son of disco artist, Geraldine Hunt - he recorded "Get Up and Boogie" at the age of 14 years. It became a dance floor classic thanks to the formula that Green made a standard for the time. This ReStructure rearranges the power break segments into a full vocal mix - again with lots of phasing and looping. |
|
|
• Cheri - Glenn Rivera ReStructure Mix - Madleen Kane I can remember reading a quote from Madleen Kane during a 1978 interview where she stated, "People fall in love in discos listening to disco music." This was one of phrases that made most sense to me in my discovery of disco music years earlier. Ms. Kane was the voice of a whispery and sensual disco sound - very close to blue eyed disco of femmes. It worked very well. "Cheri" is apart of the "Forbidden Love" medley - I have taken the cut and pieced a new intro and arrangement to help it to stand on it's own. This is one of Kane's most beautiful pieces and with a great arrangement by Thor Baldursson. It was close to the European disco flair that was still mesmerizing not only dancers, but also audiophiles. |
|
|
Disco's big finish in 1979 - who could ask for a bigger finish of the greatest era of dance music? The "Disco Queen" and Barbara Streisand together working Paul Jabara's magic together. This cut was a power house - anyone who experienced the energy that this cut created when it was released will never question it's reign. Casablanca Records has definitely made a place in music history with this one. The ReStructure Mix enables a mash of the vocal track and added breaks to build up energy in this new arrangement. |
|
|
• Good Things Don't Last Forever - Glenn Rivera ReStructure Mix - Ecstasy, Passion & Pain It was 1973, Ecstasy, Passion & Pain with Barbara Roy (of Roy B. Records) sang her "soul to the surface" with "Touch N' Go", "I Couldn't Give You Up" and "Good Things Don't Last Forever". This is a soulful disco experience that we could only dream happen again. The wonderful Philly elements of this great track are left in tact with looping and phasing completing the drama. Requested by Kent and ReStructured with respect to his choice of dance music. |
|
|
• Rock The Boat - Glenn Rivera ReStructure Mix - The Hues Corporation The 1974 hit which is the best of disco in it's early stages. Working with it's pop elements and 3:05 minute track to create a beat worthy track. The vocals work like magic and have an amazing quality for it's time with harmonies and clever riffs. This ReStructure is dedicated to Kent - thanks for asking to hear another deep down disco hit to be brought into another arena - with it's original sound and charm intact. |
|
|
• Car Wash - Glenn Rivera ReStructure Mix - Rose Royce Another song that changed the course of history - and the most soulful disco experience around. Norman Whitfield's soundtrack which joined the sound of 70's soul and the birth of disco music as we know it. A fantastic sound which lasted throughout the mid seventies joining lush strings and a funky lead a bass guitar. This ReStructure centers around loops of chorus pieces, synthesizer riffs and guitar twangs. Get down! |
|
|
• Dancer - Glenn Rivera ReStructure Mix - Gino Soccio Throughout history in every genre of music a project comes along that changes the face of that music forever. Gino Soccio's "Outline" LP made disco forever grateful. I must admit the first time I ever heard "Dancer" was on a disco radio station and I thought it was a progressive new Andrea True Connection song - only because of Heather Gauthier's fantastic vocals that I believed were somewhat similar. After hearing Gino Soccio following the song I immediately went in search of. And was I ever grateful for that moment on. This LP has "The Visitors", "Dance To Dance" to it's credit also. Quite a production and with Soccio's genius and the outstanding marketing this production still holds it own, as if it were new. Timeless! My ReStructure takes "Dancer" in a new forum with my darker side of our bodies ability to set our minds free. |
|
|
• I'm OK, You're OK - Glenn Rivera ReStructure Mix - American Gypsy Produced by Hans van Hemert in 1980 this gorgeous piece of high energy disco was one of the best efforts of it's time. Great chorus and vocals bring the thumping bass and piercing string section to a fabulous crescendo. This ReStructure uses loops of both funk-a-fied disco bass and phased handclaps to bring more worship to the floor. Special thanks to Kent for requesting this stomper! |
|
|
• Music Man - Glenn Rivera ReStructure Mix - Revanche Perhaps one of the most perplexing of times online would be researching the life of Jacques Fred Petrus - there is much about the man but in many conflicting manners which take away some of the magic of his background. The bottom line is that his productions created a sound for disco that was taken to heart. From Macho's "I'm A Man" to his studio ensembles with Change ("Paradise", "A Lover's Holiday", etc.) his influence as a producer and contractor stand firm - this is some fantastic music. A cloud to escape on. Many of his productions are essential. Mauro Malavasi is the genius behind the music side along with many talented musicians and vocalist. "Music Man" is one of my all-time favorites in Petrus' style - I have taken the "bull by the horns" so to speak and chopped the heck out of this masterpiece. It's like 2 "Mona Lisa's" in one room! |
|
|
• Makin' It - Glenn Rivera ReStructure Mix - David Naughton Produced by dance music genius, the late Freddie Perrin this late 70's phenomena created excitement and just enough residue of the lyrical times of disco music. Actor David Naughton worked well with the disco formula in creating this theme from a short lived television comedy. This cut in probably one of the closest to disco as on can come. This ReStructure adds percussion in places where David's phrases extenuate it's classic phrase. |
|
|
• Saturday - Glenn Rivera ReStructure Mix - Norma Jean Dedicated to Alan - the song that changed all of our calendars. Produced by the CHIC Masters, Nile Rodgers and Bernard Edwards and features their fantastic guitar ensembles. This production was one of the most innovative with the lead guitar intro into the heavy bass foundation. By adding Norma's mellow and effective vocal to the recipe makes this a hit by even today's standards. A great outline for the disco movement and our need to escape into a fantasy world of excitement. |
|
|
• The Grand Tour - Glenn Rivera ReStructure Mix - Grand Tour An early project by Willi Morrison and Ian Guenther who were also responsible for THP Orchestra, Sticky Fingers, Ramming Speed, American Fade and a few Hazell Dean productions. These guys spared no talent when it came to creating an energy along with a musical arrangement. This LP is comprised of a light and airy feel with material along the same. "The Grand Tour" has a feel reminiscent of a Voyage song - since it's lyrics speak of traveling with a great uplifting spirit. I have taken the original production and created a new extended intro and used the original vocal arrangement with a few phasing effects to create a flowing energy. |
|
|
• Work That Body - Glenn Rivera ReStructure Mix - Taana Gardner The earliest sound of "The Garage" was around the time that Taana Gardner's "Work That Body" hit the scene. Sure. It was packed full of great disco beats and percussion, but it also had a deeper feel to it. The original 12 Inch mix by Larry Levan remains flawless. And the production by Kenton Nix superb. The only purpose for a ReStructure is to keep "Misha" dancing. The feel of this single was a hit from the time I first heard it and even now remains a great disco record that remains in the soul as well as the mind. |
|
|
• Rise - Glenn Rivera ReStructure Mix - Herb Alpert Herb Alpert brought one of the most exciting early morning/low bpm disco tunes in 1979 - "Rise" is still a classic among many connoisseurs of dance music. I have ReStructured this cut into parts and created a whole new emphasis on the Herb's wonderful trumpet solos. Thanks to Mario for requesting this beauty! |
|
|
• Fly, Robin, Fly - Glenn Rivera ReStructure Mix - Silver Convention The bass line and strings which created "boogie" back in the mid-seventies. Silver Convention was an important part of disco's growth - produced and formulated in Munich, Germany where much of the forerunners of disco were working a new sound dedicated to dance floors. This masterpiece of dance is ReStructured and broken down into several parts with new breaks and attitude. Thanks to Yahu for requesting this one - it is dedicated to him and his wonderful site "DJs Portal" from Poland. |
|
|
• Don't You Want My Love - Glenn Rivera ReStructure Mix - Debbie Jacobs "Don't You Want My Love" was the birth of a new sound for disco music in 1979. It was a new high energy that was all elements of disco throughout the early and mid seventies using technology and new outlines. The hand clap track alone was powerful enough to move any dance floor. Paul Sabu produced this incredible project which also included, "Undercover Lover" and "Hot Hot (Give It All You Got)" - it was a disco candy store. My ReStructure attempts to recreate the excitement that this track made during it's time - with a few more surprises. |
|
|
• Hot Jungle Drums and Voo Doo Rhythm - Glenn Rivera ReStructure Mix - D.C. LaRue Great vocoder effect create a great outline for this hypnotic dance number. D.C. Blare ("Cathedrals", "Let The Dance", "Do You Want The Real Thing") floats above the tribal pounding of this disco cut. This ReStructure loops the chorus to create a trance-like feel. Produced by Bob Esty this production outlines more of the late seventies production values and moves along with a driving energy. Don't fall down from spinning at the chorus! |
|
|
• I Feel Love - Glenn Rivera ReStructure Mix - Donna Summer Donna Summer and Giorgio Moroder flowed beautifully together in "I Feel Love" and created a whole new sound of dance music. From the moment "I Feel Love" was released I could remember the unfamiliar direction of the synthesizers and the angelic vocals of Summer over them. A moog bass pounding out the rhythm for Moroder's progressive keyboards and processors was and will always be intriguing - this is when you know it was done well. I have finally been reminded by Mario that it have never been ReStructured. And although there are many remixes of this giant (my favorite being The Patrick Cowley) I wanted to use the original 12" mix only and weave together a mystical experience. Again you can feel Donna's fantastic vocals and Giorgio's incredible talents! |
|
|
Another Euro-disco producer who meshed with the likes of Cerrone, Alec R. Costandinos and Miquel Brown. Here he creates a sound using all of his experience. A great venture into the pure sound of disco music. "Here Comes That Sound Again" is ReStructured from the full LP version and uses all of the elements that made it a dance floor classic. Great strings and bass guitars. |
|
|
• Love Explosion - Glenn Rivera ReStructure Mix - Tina Turner Alec R. Costandinos produced Tina Turner's "Love Explosion" in 1979. This is quite a surprise for disco connoisseurs who have known Costandinos from his Syncophonic Orchestra projects. Here he weaves an arrangement with power and precision for Turner that works over and over as the song builds. This ReStructure is an extended play on the song with a few more breaks. I have take Costandino's "Hunchback Of Notre Dame" percussion riff, and although the BPMs differ by a few, I have worked it in for a bit of difference. Enjoy this now-rated classic, as it was sadly missed at it's time. |
|
|
• That's The Trouble - Glenn Rivera ReStructure Mix - Grace Jones From Grace's first LP - "That's The Trouble" produced by Mr. Tom Moulton himself in 1976. This production consisted of the hard-core Salsoul sound of this period. Great orchestration and soulful elements outline the power of Grace ("The Muse") Jones. More of a hard-core club event of the time, Grace eventually crossed over into mainstream disco during the seventies. This cut is one of Grace's most beautifully song "anthems" - and gives a taste of Ms. Jones is really about. This ReStructure is dedicated to Anthony and Alan - it wonderful to find disco's trendsetters and their material are still being looked up to. |
|
|
• Love Insurance - Glenn Rivera ReStructure Mix - Front Page This disco classic lives on and on. One of the most sought after dance cuts of the disco era. Featuring the fabulous Sharon Redd ("Beat The Street", "In The Name Of Love", "Love How You Feel") on vocals and produced by Cory Robbins, Rick Tell and Burt Szerliop. This one gave Sharon her start for an incredible run during the peak of disco.A perfect dance record - ReStructured with the synthesizers and wonderful percussion in mind. Please check out the video that I shot with Sharon of "Love Insurance" by clicking here. Thanks to Michael for requesting the ReStructure of this classic. |
|
|
• I Specialize In Love - Glenn Rivera ReStructure Mix - Sharon Brown Disco femmes moved onto a soulful delivery during the early 80's. Ms. Sharon Brown hit the scene with a Eddie O'Loughlin (Carol Douglas, Wardell Piper, Sybil, Sophie St. Laurent) production. He created a sound towards the end of the seventies that is well defined. Sharon's vocals over "I Specialize In Love" are her best. Following up with a single, "You Got Me Where I Want To Be," did not create the same response. But "I Specialize In Love" continues to place Brown among the best of the female disco cuts. This ReStructure is dedicated to "Jeffy" - thanks for the request. |
|
|
• Move On Up - Glenn Rivera ReStructure Mix - Destination A fabulous production by Elton Farokh Ahi who also brought Stereo Fun Inc. in 1983. Destination was a trio featuring lead vocalist Danny Lugo (who passed in the late 80's), Kathleen Bradley (also known as "Barker's Beauty" on "The Price Is Right" from 1990- 2000) and Lovechyle Theus. A great concept LP with a full orchestral arrangement and fantastic percussion - a true disco-lovers dream. "Move On Up" created quite a stir during it's time and continues to pull fans into it's magic. This ReStructure takes the song again into a layered mix with a few more breaks and use of the wonderful strings. Dedicated to Misha here in San Diego - "A thing of beauty last for more than one day..." |
|
|
• Cafe' - Glenn Rivera ReStructure Mix - D.D. Sound Disco Delivery Sound was D.D. Sound - creating a festive atmosphere with cuts like "Cafe'" was their style. Other dance projects included, "1-2-3-4 Gimme Some More", "Shopping Baby" and "Disco Bass". Their sound was a pure disco and fun to move with. I have taken the full version of this hit and reduced it to a medium that encompasses the strings, vocals, percussion and those funky guitar licks. Thanks to Marialisa for requesting this great party song! |
|
|
• Lovin' Livin' Givin' - Glenn Rivera ReStructure Mix - Diana Ross Great synthesized dance cut from Diana Ross' 1978 LP "Ross" - this cut features Ross in one of her best outfits. Singing merrily about love and life. I have taken the cut into a very extended mix with more of the sound of disco music that any dance floor could appreciate. |
|
|
• I Can't Dance - Glenn Rivera ReStructure Mix - David Hentschel In 1983 "Educating Rita" was released by Columbia Pictures - a scene halfway through the film featured a scene where Michael Caine dances with a few students intoxicated and stoned at a discotheque called Flamingo's. The music from this scene has always been a mystery to me - I have researched it (since it was not on the soundtrack) in many different blogs, sites and friends - with no luck. Recently, Paul Morsch, who was another contact sent me the answer - the music was only available on a 7" single from David Hentschel as the "B" side to the theme from the film. Thanks to Paul I have located the 7" and ReStructured the hell out of the 2 minute 7" version. The track is similar to early Human League compositions with a bit of a Italo-Disco sound - which I always assumed it was since it fit into that sound of the time. It is a great dance track - and this ReStructure is dedicated to Paul Morsch - and as Rita would say, "It's dead clever!" |
|
|
• Have A Cigar - Glenn Rivera ReStructure Mix - Rosebud Early techo-disco from 1977 and way ahead of it's time. This single from Italy was a sensation in releasing what was to become a new synthetic dance sound. Produced by Arena, A. Puglia and T. Perrett and mixed by Michael Graber. Quite a pulse on this one - it never stops. Interesting enough a remake of Pink Floyd's psychedelic piece from 1976. ReStructured into a flowing extended piece with more effects and loops. Thanks to Alan for requesting this "giant!" |
|
|
• At Midnight - Glenn Rivera ReStructure Mix - T-Connection Cory Wade produced this piece of classic dance music! T-Connection ("Disco Magic", "Do What You Wanna Do", "On Fire") created the energy that combined a great soulful band arrangement and disco strings. "At Midnight" comes from a 12 inch Remix by Cory Wade with a wonderful drum fill intro. This ReStructure breaks the drums intro the vocals. |
|
|
•Forget Me Nots - Glenn Rivera ReStructure Mix - Patrice Rushen At the end of 1979, Patrice Rushen hit the scene with her disco hit, "Haven't You Heard." With instant success on dance floors, she returned with "Forget Me Nots". More of a old-school classic this numbers screams discotheque with it's stomping beat and light and airy keyboard arrangement. May have been the earliest ambient house track in it's form. Thanks to Mario for requesting this one! |
|
|
•Victim - Glenn Rivera ReStructure Mix - Candi Staton Her extreme follow up to her 1976 hit, "Young Hearts Run Free" and now classic disco hit! "Victim" is from the 1978 LP "House Of Love." This runaway dance floor hit was a favorite among many clubs. And for a good reason. Candi made her move to securing a place as a club-diva with this one. Dave Crawford produced this album. A ReStructure which cuts into the meat and potatoes of this cut and preserving Candi's phenomenal vocals. |
|
|
•A Little Lovin' (Keeps The Doctor Away) - Glenn Rivera ReStructure Mix - The Raes Freddie Perren (Gloria Gaynor's "I Will Survive", David Naughton's "Makin' It", Peaches & Herb's "Shake Your Groove Thing", and many more) was a producer extraordinaire when it came to disco. He created an era of dance music that has outlined the sound throughout the period and lasts even today. Taking singing duo, Robbie and Cherrill Rae into the disco spotlight was an exciting time. "A Little Lovin' (Keeps The Doctor Away)" was a pop-fusion of disco but worked well with assistance from John Luongo who, at the time provided the club mixes for the LP. Great percussion and bass lines are brought to the surface in this remix. And along with the bright vocals of our stars it helped make a lasting impression. This ReStructure Mix is dedicated to Mr. Perren who left us December of 2004. His music lives on with fantastic energy! |
|
|
•Keep On Dancing - Glenn Rivera ReStructure Mix - Gary's Gang This studio ensemble created one of disco's greatest dance tunes: "Keep On Dancing" made people stand and not only take notice, but "move". A sweet blend of soft and lilting keyboards along with strumming guitars and electronic xylophone layered over the most distinctive rhythm arrangements. Eric Matthew (Front Page classic "Love Insurance" and Sharon Redd classic recordings) produced along with Gary Turnier this wonderful accomplishment. A fresh new Restructure makes this song come alive again with a some new vocal tie-lines by "your truly." |
|
|
• Panic! - Glenn Rivera ReStructure Mix - French Kiss Following the success of productions with Pattie Brooks, Shalamar and Arpeggio, Simon Soussan created several studio groups using many of the musicians and vocalists that worked for his sound. His style consisted of a wall of disco-fied sound to create energy and excitement. "Panic" is one of the similar sounds of "Love and Desire" by Arpeggio weaving syndrums and strings together with his vocal trademark. This was his own Motown sound, but in a disco genre. I have taken the elements of "Panic" and created a new mix and arrangement. Thanks to Mario for requesting this winner! |
|
|
• Got To Be Real - Glenn Rivera ReStructure Mix - Cheryl Lynn (LINK REMOVED DUE TO COPYRIGHT COMPLAINT) Cheryl Lynn under the production of David and Marty Paich brought the disco era into a new phase with "Got To Be Real" - this hit has lasted through 2 generations and still lives on! Released in 1978 this cut still rings like new. Great horns and Cheryl's vocals have always stood out here. I have taken snippets of both the original 12" and the rough version from the original 45 and mixed together a ReStructure Mix to pay homage to Ms. Lynn! |
|
|
• Best Of My Love - Glenn Rivera ReStructure Mix - The Emotions Maurice White's "magic ladies" performing one of disco music's most alluring cuts. Elements of soul and disco blend together to create a sensational dance track. Guitars, horns, strings, great vocals...what more could we ask for? Extended to a stop-and-go mix full of handclaps in this ReStructure Mix! |
|
|
• Dance, Dance, Dance (Yowsah, Yowsah, Yowsah) - Glenn Rivera ReStructure Mix - Chic It was 1977 and "Dance, Dance, Dance (Yowsah, Yowsah, Yowsah)" was released - disco seemed to take off from this period. Dance floors came alive in a new way when this monster hit was brought into clubs. There was a new form and structure to the sound of disco music. Again, Nile Rogers and Bernard Edwards along with Kenny Lehman (Lemon) and producers, Marc Kreiner and Tom Cossie laid out this experimental LP which began the sound of CHIC. My ReStructure is a homage to these talented men and a new structure! |
|
|
• We Are Family - Glenn Rivera ReStructure Mix - Sister Sledge We are all aware of this runaway hit! Nile Rogers and Bernard Edwards (deceased in 1996) regrouped the sound of disco and created a sophisticated style of dance music featuring their wonderful guitars and accompanying strings - it was a match made for dance floors! Producing this Sister Sledge LP was a great fortune for these "disco sisters" - it is still honored as one of the greatest disco numbers of all-time. Why did I take this cut onto the board? My own family will be holding a reunion in mid-April and it was perfect. Also, I wanted to play with those guitars and create a instrumental - which does not exist. It is looping and phasing all over again! |
|
|
• Come To Me - Glenn Rivera ReStructure Mix - France Joli The monster club hit! Tony Green (Caroline Bernier, Freddie James, U.N., Norma Lewis) produced this classic back when the formula for disco was definite and refined. This project consisted of many musicians, studio mixers and brains that brought much of the Canadian disco music which topped the charts in the late 70's and throughout the early 80's. This is proof positive that the fire was till raging long after top 10 dropped disco formats. And after listening to this cut you can figure how it will never go away. My ReStructure pulls this melodic love ballad into a new energy structure. |
|
|
• Giving Up, Giving In - Glenn Rivera ReStructure Mix - The Three Degrees One of the most exciting projects of the disco era was the joining of disco genius, Giorgio Moroder and the Philly-queens, The Three Degrees. This LP created quite a stir not from the joint venture, but from the results. The over feel of this Lp maintained the harmonies and power of these ladies great sound and injected the pulse of disco at it's best. Moroder creates a great keyboard symphony for these ladies to shower their magic over. "Giving Up, Giving In" being one of the finest of Moroder's talent - blending an effective use of pianos, synthesizers, horns and strings. My ReStructure breaks apart piece-by-piece this outstanding cut for a new arrangement. |
|
|
• Deputy Of Love - Glenn Rivera ReStructure Mix - Don Armando's 2nd Avenue Rhumba Band This dance hit was one of the last cuts of it's time that expressed an adventurous and light disco tone. It has a great feel and was a hit despite the band never created any other projects. The music is reedited to create a new sound for the action in this winner. Vocals are executed by Fonda Rae ("Over Like A Fat Rat" and Fantasy's "Your Too Late") with a direct connection for power and fun. Dedication to Michael Rosensteel for years of friendship and his request for this dance hit! |
|
|
• Best In The West - Glenn Rivera ReStructure Mix - Chaka Khan From the 1982 LP titled, "Chaka Khan" - I never heard this single. It was brought to my attention by a loyal SOS visitor, Eric. I can remember the impact that "Tearin' It Up" created from his LP - it was a shame that this funky little number did not get the recognition it deserves. It is a great dance tune - and my ReStructure extends violins and guitars with focus on Chaka's fantastic vocals. Thanks, Eric! |
|
|
• It's A War - Glenn Rivera ReStructure Mix - Kano Italo Disco began a new period for the rebirth of disco music in 1980. Luciano Ninzatti and Stefano Pulga were the brains behind a sound that would place keyboards in the "beat arena" and present a powerful presence. Following the surprise hit, "I'm Ready" came this wonderful cut titled, "It's A War". Always very imaginative and innovative on the placement of effects and breaks. I have added even more content here with a few extended breaks and synthesizer laser effects. This piece has the outline of disco energy and early morning flair - an step further for what Gino Soccio's "Dancer" created during its time. |
|
|
• Lovin' Is Really My Game - Glenn Rivera ReStructure Mix - Brainstorm Jerry Peters produced Brainstorm's classic disco hit, "Lovin' Is Really My Game" in 1977 beginning a new found energy for dance floors. This cut was an instant smash hit. It contained elements that are not so easily forgotten. Including an outstanding vocal by Belita Woods. The arrangement has been broken down in this ReStructure for a simple segue in and out of the song. |
|
|
• Macho Man - Glenn Rivera ReStructure Mix - Village People Jacques Morali created the Village People out of "mans image" - well, a "Macho Man's" image. This was one of the perfect hits of it's time - releasing the right amount of disco aroma to fill any discotheque. A new ReStructure divides the breaks in places that I feel were needed. The 70's can live again for a full 8 minutes of listening to this wonderful camp tune. |
|
|
• Come On Dance, Dance - Glenn Rivera ReStructure Mix - Saturday Night Band Disco in the mid 70's was heavily influenced by New York and infused with many elements of soul. This is the perfect example of the best of both worlds. Great vocals and a beautiful arrangement - and the words that brought on a dance boom: "Come on, dance!" Produced by Jessie Boyce and Moses Dillard in 1978 this cut remains one of the all-time disco classics of the dance floor. Great synthesizers and innovation use of reverb were the traits that made this one last so long. The LP cover features a shot of "Starship Discovery" disco, which can also be seen in the 70's disco comedy, "Nocturna." |
|
|
• Get On The Funk Train - Glenn Rivera ReStructure Mix - Munich Machine Giorgio Moroder assembled some of the best musicians for many of his early artists (ex. Donna Summer, Roberta Kelly, etc.) and created Munich Machine from these sessions. One of the greatest disco spotlight albums was this album - not only because it featured a side B medley of his own productions with these artists, but also "Get On The Funk Train." This cut was the disco-fied version of what was to come. The best of strings, bass, percussion and vocals. My ReStructure wraps the 15 minute suite into concentrated power mix with some new breakdowns and segues. It was hard not to include the beautiful strings and funky keyboard riffs that pull off a great dance cut. |
|
|
• Disco Inferno - Glenn Rivera ReStructure Mix - The Trammps The big one! The keyboards! The vocals! This one is smoking with a new ReStructure and format - guaranteed to make the mirror ball smoke. |
|
|
• Summer Love - Glenn Rivera ReStructure Mix - Musique Mr. Patrick Adams composed some of the most memorable disco compositions. His ability to combine lush strings with percussion made an impact on dance floors throughout the 70's. He is truly a master at his art. This studio group that set off a sound which outlined disco at it's best. "Summer Love" contains a chorus that is the most sensual and powerful - featuring Jocelyn Brown (then Shaw). I have taken the track and split into several parts for this ReStructure. Many familiar with the track may recognize new breaks and loops along the way. Dedicated to Felix Prince - who always reminded how the strings created a lush orchestral experience. |
|
|
• Megatron Man - Glenn Rivera ReStructure Mix - Patrick Cowley Patrick Cowley was around during the late 70's and was apart of many great dance productions ("Disco Dance" Remix by Michelle, "Dance (Disco Heat) by Sylvester, "I Feel Love" Remix by Donna Summer) in his efforts to keep the disco synthesizer moving forward. His work on "Megatron Man" LP is a great achievement - I have taken "Megatron Man" into a new space - editing it in parts and creating a new formula. This is the best of a follow up on Giorgio Moroder's genius and the closest to his work with an original feel. |
|
|
• Cherchez Le Femme - Glenn Rivera ReStructure Mix - Dr. Buzzard's Original Savannah Band August Darnell and Andy Hernandez created a production of 30's jazz swing meets the disco beat. Along with Cory Daye on vocals this music created a wonderful fusion of sound and also a style of disco music. The horns and strings create a dreamy feel that is great for the fantasy and escape of the dance floor. This ReStructure is for Jeffrey Best in North Carolina - for being the best influence of life's treasures - a great friend. |
|
|
• Hold Your Horses - Glenn Rivera ReStructure Mix - First Choice The golden age of disco produced great classics - from the label that practically shaped the perfect sound of disco came First Choice. Salsoul Records was on top during this period - true disco ruled. This fabulous song was the finest energy to come in 1978 - great production and the vocals of the disco divas themselves. My ReStructure breaks out more of the strings and fine percussion elements of "Hold Your Horses". This remix is lovingly dedicated to Michael Rosensteel - who was there with me when the beat was on top and is still the finest friend. Michael, this one is for the energy you give me! |
|
|
• Baby Blue - Glenn Rivera ReStructure Mix - Giorgio Percolating synthesizers and bouncing bass make this project by Giorgio Moroder one of the most memorable of the disco era. Labeled as "First Electronic Live-to-Digital Album" on the front jacket this production promises and delivers what dance floors were waiting for - a new sound to outline the technology of its time. "Baby Blue" amazes me at the number of dancers who remember and hold this song so dear. It is the love song of its time. A classic. ReStructured with many in-and-out phasing and reworking of vocal tracks. Dedicated to Randy and his friend from Massachusetts for requesting this burst of energy! |
|
|
• Beyond The Clouds - Glenn Rivera ReStructure Mix - Quartz This instrumental was way ahead of its time. A piano track that could stop a train and a rolling synthesizer with pre-"trance" elements. Produced by C. Quartz and recorded at Sidney Bechet Studios in France. A great LP with a sound that was much as Tantra's "The Hills Of Katmandu" was mysterious for it's time. I have ReStructured this wonderful track to break it down even further with added percussion and some keyboard elements sprinkled over it. |
|
|
• Pow Wow - Glenn Rivera ReStructure Mix - Cory Daye Cory Daye as the lead singer of the classic Dr. Buzzard & The Original Savannah Band's "Cher Chez Le Femme" created quite an induction into the disco arena. This being her first solo album proved again that Cory's vocals were an asset to the disco community. Always expressing a lighter and bubbly side of dance music. This classic piece was released during a time where disco reached its peak and productions were top of the line! This ReStructure extends the fun of the song into a fierce reedit. Dedicated to Mark from New York - who has been waiting so patently for this cover! |
|
|
• Don't Let Go - Glenn Rivera ReStructure Mix - Isaac Hayes From the early 70's soul scene, Isaac Hayes created some already unforgettable music. His "Shaft" theme was one of the finest pieces of arrangements for the soul genre - then crossing into the disco realm. Very much as Barry White, Hayes used strings to his advantage - creating a sound that captured the essence of sophisticated soul and disco sound. This classic is perfection. Moving with a polished bass and lead guitar that pulls off an incredible show. This ReStructure is dedicated to Peter Godbold in Florida (www.gaydancefloor.com)- thank you Peter for helping to keep the finest and most uplifting music alive - there is time when this music lives again - we are experiencing it now! |
|
|
• Dancing In The Night - Glenn Rivera ReStructure Mix - Ultimate This album was my return to USA European Connection's "Come Into My Heart/Good Loving" - after waiting so long for a Euro-Disco styled LP with that touch of Philly I was floored. The production was flawless. I have taken "Dancing In The Night" from the "Love Is The Ultimate" Medley and created an independent mix using the wind flute segment from the 12" single remix by Howard Merritt and much of the percussion. The strings are Montovani on steroids! If you listen to the base of this production you will hear fantastic rhythm and bass guitars. Produced by Juliano Salerni and Bruce Weeden (Engineer from USA European Connection). |
|
|
• Vertigo - Glenn Rivera ReStructure Mix - Dan Hartman Opening the fantastic medley "Relight My Fire" you will find "Vertigo" - I have taken the 3 minute instrumental and created a lengthy conga driven track! This cut always warmed dance floors up for the hit, but I have snipped the "Progressive Instrumental Remix" from the 12 Inch single and made this the focal point for ReStructure - great strings and dramatic horns pull an all-out disco-fied symphony. Dan Hartman used this piece to his advantage here. Great dance music! |
|
|
• Born To Be Alive - Glenn Rivera ReStructure Mix - Patrick Hernandez As disco music reached pop-status in the late 70's many artists and their projects absorbed the essence of dance music. Patrick Hernandez scored high with "Born To Be Alive" using every element of disco music formulated throughout the early days of underground club music to the mature polished sound it reached. This is the best of the bunch. A driving crisp synthesizer and strings to flow along with it. Hernandez added the final touch with his folk style vocals. The finished product is "dance harmony!" This ReStructure weaves in and out of what the original mix intended. Adding more vocals throughout the structure and creating a few new breaks along the way. |
|
|
• Superman - Glenn Rivera ReStructure Mix - Herbie Mann Originally recorded by Celi Bee in 1977, this novelty cut was a hit. In 1979, Herbie Mann took the cut into his hands and under the production of Patrick Adams created another hit! Mann's flute action are traced in this ReStructure in loops and echoes - my main function was to reiterate how this bass line is one of those disco standards that never let go of the feet. This is a return to a time when disco was fun and airy - a grasp on reality being fantasy. |
|
|
• Ring My Bell - Glenn Rivera ReStructure Mix - Anita Ward This was a "had-to-do"! It is one of the old-school classic, disco songs of all time. It has one of the most creative and funky riffs of it's time. And I am told by Dan Joseph from TK Records that that little syndrum sound was added later and created the original "Midnight Mix" by Ritchie Rivera (no relation). It is amazing what one little riff can do for a track! I have taken the track into a deeper sound using the "tom-tom" break at the closing of the 12" single and dubbed in a few samples from, believe it or not, Walt Disney's "The Haunted Mansion" (one of my favorite LPs at the age of 5 years old). Anita still rings solid here! |
|
|
• It's Ecstasy When Your Laying Down Next To Me - Glenn Rivera ReStructure Mix - Barry White The early years of disco music were based on a groove. Barry White being one of disco's innovators took this a step further with many of his projects. "It's Ecstasy When Your Laying Down Next to Me" was the ultimate 12" single - it had all of the ingredients that the disco format craved for the time. Smooth and invigorating. I have taken some moans of pleasure to create more of a male-"Love To Love You Baby" track with more bass and drums track. This is a classic that cannot be matched. |
|
|
• Cocomotion - Glenn Rivera ReStructure Mix - El Coco At the age of 16 and hearing this song for the first time in a discotheque I believed I was listening to one of the most incredible songs ever! The breaks keyboards I always believed were being blended in the disc jockey and they were from a "Close Encounters" soundtrack! That bass - all I could say is that I was lucky that it was being hear at a club called Lombard's here is San Diego - the sound system was fierce! W. Michael Lewis and his production partner Laurin Rinder were the writers and musicians on most of their great early disco music. It was the way it was suppose to sound - raw and ready. Untouched by the big record labels - like a live jam sessions directly to the dance floor. Even after this many years is "Cocomotion" still thumping under it's own unique sound. My ReStructure is a varied break adjustment - try to guess where it starts and ends. |
|
|
• Utopia-Me Giorgio - Glenn Rivera ReStructure Mix - Giorgio From the LP that helped to pave the way for electronic music. Giorgio Moroder during his most creative time - following "I Feel Love" success and a time when Euro-Disco was filling discotheques with it's splendor. Moroder moved onto a new concept of full powered synthesizers and throbbing electric drums. "From Here To Eternity" is an LP which always stood alone. It's enhanced keyboards compiled a sound that dancers could find themselves in a wondrous state for. This cut is the fore runner of this sound. Rolling arpeggios and haunting chorus lines make this piece a pleasure to take on to the "chopping block" and create a new outline. |
|
|
• My Baby's Baby - Glenn Rivera ReStructure Mix - Liquid Gold When disco became a household name there were household products needed - "My Baby's Baby" was one of them. This classic piece of dance music was a pop-disco sensation. Produced by Adrian Baker in 1979, Liquid Gold's disco standard is one of those feel good songs. It contains a fabulous production along with vocals by latter solo artist, Ellie Hope. No flaws here. My ReStructure is a reworking of the song completely to create an impact that may have been this songs initial reaction back in 1979. Another listen will prove the lasting impression of this masterpiece. |
|
|
•
Got To Have Loving - Glenn Rivera ReStructure Mix - Don Ray Produced by Cerrone and Don Ray this LP created another milestone for Euro-Disco. A great sound for disco music and definitely in it's creative and formulation stage. This cut features powerful vocals by Rob King and L. Rich and those wonderful backing vocals featuring Madeline Bell, Sue Glover and Kay Garner. The keyboard arrangements reflect an air of 60's flair. Piecing together elements of the original mix are the outline of this mix. Some drum and percussion riffs are sprayed across the song to enhance the orchestration and breaks. |
|
|
•
Night Rider - Glenn Rivera ReStructure Mix - Venus Dodson Venus Dodson appeared on many projects prior to this solo release - produced by Patrick Adams (Musique, Phreek) this was a sure win situation. The strings and bass of this cut sound like they should be framed in the "Disco Hall of Fame". I have simply taken the song and given it a new start and extended the beautiful bridge with it's climbing bass and swirling strings. This is one of the most intriguing songs of my time. I have always enjoyed the fantastic production. To ReStructure this song is a privilege and created a lot of excitement! |
|
|
•
Take A Chance - Glenn Rivera ReStructure Mix - Queen Samantha Harry Chalkitis is the mastermind behind
this great studio group. The falsetto femme vocals move throughout
this tune with an operatic and soothing effect. The classic
synthesizers create a flowing and mysterious sound. Released
in 1979 on TK Records it created quite an underground stir
and secured the fact that a more imaginative and hypnotic
musical composition could work well on dance floors - with
the right percussion and mix. This ReStructure pulls more
breaks into the arena with a few clips from the vocals to
arrange a new flavor. |
|
|
• Knock On Wood - Glenn Rivera ReStructure Mix - Amii Stewart Pounding out the disco beat for the most incredulous time this hit Amii Stewart defines what a good dance record should have. Strong synthesizers, great vocals and a beat that won't stop. My ReStructure is grounds for a whole new emphasis on this classic. I have created a new structure and meaning. |
|
|
• Two Hot For Love - Glenn Rivera ReStructure Mix - THP Orchestra From the 12 inch release in 1977 this wonderful instrumental became the powerhouse sensation with a great vocal added by Barbara Fry - Produced by Ian Guenther and Willi Morrison (under the acronym THP for Three Hats Productions). This began a great studio group to create some of the most danceable disco music. This production focuses on the flavor of early 70's disco with funky keyboards and fantastic innovative synths (offered here by W. Michael Lewis of El Coco fame). This cut is a great production - this ReStructure attempts to maintain a thorough fare of energy. |
|
|
• Magic Bird of Fire - Glenn Rivera ReStructure Mix - The Salsoul Orchestra The phenomenal sound of The Salsoul Orchestra at it's best! This cut creates an "orchestral tour de force" of disco heaven. Vince Montana arranged this incredible piece of music which takes Stravinsky's "Firebird Suite" and transforms it into a jazzy/disco mover. Perhaps inspired by "Fifth of Beethoven" by Walter Murphy. But this one stands on it's own. Some of the best percussion and strings over a disco beat ever! This ReStructure keeps the best of everything in one little package with more breaks and effects along the way. |
|
|
• Standing In The Shadows Of Love - Glenn Rivera ReStructure Mix - Fever A bomb can't be anymore explosive than this - this one is the classic which began a whole new sound for keyboards and synthesizers. Ohio based group, Fever comprised of Joe Bomback, Dale Reed and Dennis Wadlington move to San Francisco and meet up with Marty Blecman and John Hedges to create some of the most moving disco music ever! This is a piece that moves and moves, and then moves! My ReStructure is more of a dedication to their sound. |
|
|
• Fly Me On The Wings On Love - Glenn Rivera ReStructure Mix - Celi Bee One of the dreamiest disco medleys from it's time. This one came from our diva, Celi Bee. The full segued side is placed in a mode of madness and groove with a lot of effects and added notes from Celi. This is an all-time favorite and remains on the list of disco formulation as "the tops"! |
|
|
• Call Me - Glenn Rivera ReStructure Mix - Blondie Giorgio Moroder made Blondie a dance-floor name again in 1980 with "Call Me" - styled as a nu-wave cut. The song had the classic Moroder touch throughout it and became a guitar phased club hit! This ReStructure pulls out more of the synthesizers along with some new rhythm tracks. Thanks to Joe from New York for reminding me of this breakthrough monster. |
|
|
• Haven't Stopped Dancing Yet - Glenn Rivera ReStructure Mix - Gonzales Their have been many requests to ReStructure this classic disco hit! Released in 1977 this cut by Gonzales became an instant dance floor favorite. Produced and written by disco artist, Gloria Jones ("Bring On The Love") and Richard Jones. The production is high energy with a bit of Latin conga flavor. I have taken most of the percussion and reworked it with a few changes with the arrangement and direction of the song - lots of phasing to bring it into current day! |
|
|
• Hot Butterfly - Glenn Rivera ReStructure Mix - Bionic Boogie The perfect album that gave Gregg Diamond the recognition he deserved. Personally, one of my favorite disco LPs of all-time. Luther Vandross sings the title track back 1978 - that is enough to make it exquisite. I have taken the original track and extended it with rhythm tracks and loops to attempt new-flight for the single. Production on the LP is how all disco music should have continued on. A resurgence of this type of project would be fantastic for this time - where we are in need of this full band sound in dance music. Gregg Diamond - you may be with us even though you physically left us in 1999 - this one is for you! |
|
|
• You Gave Me Love - Glenn Rivera ReStructure Mix - Crown Heights Affair Soulful disco was created by bands like
Crown Heights Affair throughout the mid 70's. Great studio
musicians and instrumentation outlined many of their projects.
This LP was released in 1980 - during a time where disco was
refined and awaiting another direction to move into. "You
Gave Me Love" is the powerhouse cut which defines Crown
Heights Affairs wonderful vocals and production by Bert DeCoteaux.
. It displays perfection when soul and disco are combined.
This ReStructure is intended to add a new flavor with a already
top-level sound! |
|
|
• Your Love - Glenn Rivera ReStructure Mix - Lime Dennis LePage brought the magic of his Kat Mandu production of "The Break" to this classic high energy tune. It brought the early 80's alive! Lime enhanced the disco movement to a new height. Taking the elements of percussion, drums along with refined synthesizer he made Lime's "Your Love" the rebirth of classic dance music. The vocals outline the simplicity of the disco sound. ReStructuring "Your Love" was a request from Ronny and made my part of this song an opportunity to fill in an already moving piece of music! |
|
|
• Sweet Sensation - Glenn Rivera ReStructure Mix - Stephanie Mills This sensational track from Stephanie Mills has always been one of the most beautiful songs produced by James Mtume and Reggie Lucas. From the Broadway production of "The Wiz" to the disco floors, Stephanie Mills delivered quite an impact from her first dance hits, "Put Your Body In It" and "You Can Get Over." She delivered the goods and this ReStructure pulls this cut into a reedit and longer format. Requested by Jeff from North Carolina. |
|
|
• Dance Little Dreamer - Glenn Rivera ReStructure Mix - Bionic Boogie From the "Boogie Master" himself, Gregg Diamond who created a wonderful start for disco music and it's formula. This LP featuring Gwen Guthrie in the vocal ensemble is why disco was so successful. A few tunes from this 1977 production will convince any audiophile that this was a break through for it's time. My ReStructure of "Dance Little Dreamer" was long overdue - thanks to Andrew and Bertus for this request. This song is magic! |
|
|
• The Boys Come To Town - Glenn Rivera ReStructure Mix - Earlene Bentley Another 80's dance classic produced by
Ian Levine (Seventh Avenue, Miquel Brown, Evelyn Thomas, more)
and executed as part of a disco revival. One of the most incredible
parts of this production were the gruff vocals of Earlene.
This song pulls out more of what disco is all about from the
percussion to the lilting keyboards emulating a flowing string
section. |
|
|
• Love Your Body - Glenn Rivera ReStructure Mix - Amanda Lear Amanda Lear was one of discos earlier acts
who created quite a stir. Following her big underground hit,
"Follow Me" she was taken by German producer, Peter
Ludemann for "Love Your Body". This single was released
in 1983 and signified a trend of energized synthesizers to
outline high energy disco music. It was a time where music
above 130 bpms were scarce - at least great ones. Along with
Amanda's sensual vocal delivery and the songs hooks, this
geared towards the new aerobicise market. Although it seemed
a bit ridiculous, it's presence gave new dance music an opportunity
to survive the anti-disco backlash of the late 70's.
Brian from Philly requested this electric force of disco perfection! |
|
|
• Let The Night Take The Blame - Glenn Rivera ReStructure Mix - Lorraine McKane This cut was released 1986 - far from the 70's dance explosion but during the last breaths of true hi-nrg anthems. Lorraine McKane made this one a true club classic and it's staying power is evident, as it is still seen on many high energy compilations. A request from Brian in Philly made this ReStructure an opportunity to convert the "Club Mix" by Peter Slaghais into an extended electrical dance fusion. Thanks, Brian for your request and your knowledge of this wonderful dance tune. |
|
|
• Sinner Man - Glenn Rivera ReStructure Mix - Sarah Dash This dance floor classic was mentioned to me several times during it's initial release and referred to as a "cooker". With the vocals of Sarah Dash (previously from Labelle), a great production and mix by Tom Moulton it was destined for lasting success. Released in 1978, it was immediately a favorite among many playlists. This ReStructure takes the original to a lengthier dance mood with slap edits, extended and sometimes reworked percussion. |
|
|
• Love Attack - Glenn Rivera ReStructure Mix - Ferrara John Ferrara created a disco-fied outline for the classic novel, "Wuthering Heights" in 1979. The LP consisted of a full sided production of the novel by Emily Bronte as well as 3 additional dance cuts segued on side B - "Love Attack" being the finale. This power house tune with plenty of synthesizers and guitars twangs made quite an impact on dance floors from '79 through the mid-80's. My ReStructure adds an extended feel with the main guitar and flute tracks. One very interesting fact on the LP is that jazz artist, Angie Bofill appears as a back-up vocalist. |
|
|
• I Found Love (Now That I Have Found You) - Glenn Rivera ReStructure Mix - Love & Kisses Alec R. Costandinos composed and arranged this beautiful masterpiece. It is a wonderful piece of disco in it's arrangement and production. I have taken the 16 minute arrangement and created a milder approach at the vocals, yet taken the liberty to create a mix with much more of break and synths. |
|
|
•
Love Is Here - Glenn Rivera ReStructure Mix - Cerrone |
|
|
•
Spring Rain - Glenn Rivera ReStructure Mix - Silvetti I have taken the track and given it a funky arrangement using several pieces of the outstanding drum tracks - it is a completely new cut! I added a few vocals to emulate the original female tracks and voila! This ReStructure gave me a chance to free the track and utilize the piano tracks for a new ride. |
|
|
•
The Hills Of Kat Mandu - Glenn Rivera ReStructure Mix - Tantra This ReStructure gives the 16 minute an edit and a mystical arrangement. "The Double Album" is a complete classic! Valli outdid himself with an incredible ensemble of musicians and studio vocalists. This LP should not be forgotten - it is an standard as a Love & Kisses (Alec R. Costandinos) production or Donna Summer LP in the realm of "disco" music. |
|
|
•
Turn The Beat Around - Glenn Rivera ReStructure Mix - Vicki
Sue Robinson |
|
|
•
The Break - Glenn Rivera ReStructure Mix - Kat Mandu |
|
|
•
Take A Chance On Me - Glenn Rivera ReStructure Mix - Waterfront
Home Thanks to Michael for the word! |
|
|
•
Magnifique Part I - Glenn Rivera ReStructure Mix - Magnifique |
|
|
• Could I Be Dreamin' - Glenn Rivera ReStructure Mix - Pointer Sisters Back to a time when these ladies were creating quite a pop/dance sound for themselves. They were always upfront with their intentions - with hits like "Happiness" from 1978 and now onto cuts like, "He's So Shy," "We Got The Power," and this tune they were guaranteed attention on the dancefloor. Paul from New York asked about including this cut in a ReStructure and I was happy to place it on the cutting block. It is very similar to The Jackson's "Shake Your Body," but thanks to their incredible vocals, it stands alone. Thanks again, Paul! |
|
|
• Come Into My Heart / Good Loving - Glenn Rivera ReStructure Mix - USA European Connection Boris Midney is the maestro of symphonic disco music - his genius brought this incredible album forth way before it's time. It's initial sound brings to mind the gorgeous sound of Philly in the sweet vocal emsemble, yet a more complex and weaving electronic orchestration. The effect is somewhat of a mystical experience. The original LP mix of 16 minutes is compressed into an 8 minute minuet here and ReStructured with such appreciation - this is one of my all-time favorites! |
|
|
• Dance - Glenn Rivera ReStructure Mix - Paul Jabara From the "Shut Out" Medley this cooker is a nonstop disco burner that inspired a remake by Paradise Express - the cover did not have the energy that this original set loose. It was however, very worthy since backing vocals were provided by Two Tons O' Fun (Martha Wash and the late, Izora Rhodes). Jabara was the golden boy of Casablanca's disco movement in 1977 and produced some of the most memorable disco-fied projects, including the lyrics for Donna Summer's "Last Dance" (which appears as a ballad on his second album, "Keeping Time". Do not attempt to start moving to this number unless you can keep up! It moves from the original 3:43 to 8:53! Thanks to Larry who inquired about this cut which brings to mind, Basin Street and WCPC to me here in San Diego. |
|
|
• Romeo & Juliet - Glenn Rivera ReStructure Mix - Alec R. Costandinos and the Syncophonic Orchestra Euro-disco at it's greatest! This fabulous orchestrated disco feast has always captured the ears and feet of those distinctive listeners and it still lingers on. The placement of Act I and Act II are the ReStructure of this one. A few effects were added to create a new stage! |
|
|
• Any Love - Glenn Rivera ReStructure Mix - Rufus & Chaka Khan This Chaka Khan dance floor piece is probably one of the best of her underground classics! "Any Love" carries the great trademark of that Quincy Jones touch. Along with Chaka and the musicians of Rufus this cut shines brighter with each moment. I have taken the drum and strings to create that never ending intro and back door. This is dedicated to Robert and Felix - they have lifted my spirits and made Chaka Khan a bracelet I carry with me always! |
|
|
• Earthquake - Glenn Rivera ReStructure Mix - The Flirtations Thanks to Paul of New York - this 80's
high-energy classic is brought to the ReStructure table! |
|
|
• High On Mad Mountain - Glenn Rivera ReStructure Mix - The Mike Theodore Orchestra Classical overtures were a great source of music for big disco movers - it may have started with Walter Murphy's "Fifth Of Beethoven." Following this "Night On Bald Mountain" by David Shire and "Magic Bird Of Fire" inspired a flavor of wonderful orchestral dance pieces. Mike Theodore (Tempest Trio, C.J. & Co., The Dennis Coffey Band, Detroit Emeralds, Fantastic Four, Carlis Munro, Unlimited Touch, also engineered a 1988 LP by Blue Moderne) brought a style to disco music which cannot be left out anywhere - this cooker was long before Tantra's "Hills Of Kat Mandu" and may even have inspired the fantasy and funk of it. The course of this ReStructure grabs a hold of the moving percussion and wonderful flutes, strings and horns in the production. Thank you Mike for such a strong grasp of "disco-fantasy!" |
|
|
• You Make Me Feel Like Dancing - Glenn Rivera ReStructure Mix - Leo Sayer In the summer of 1976 this song became one of the funkiest and unexpected dance classics. Leo Sayer became one of the kings of pop music during this time - later recording some of the most beautiful ballads of that time. My ReStructure focuses on the great production value of this song - the backing vocals the guitars and Leo's camp-like vocals. It is an 8 minute extension on the 3 minute original track. Dance on! |
|
|
• Winning Combination - Glenn Rivera ReStructure Mix - Donny and Marie This cut was recommended by Will in New
Jersey who also sent the album along!
Thank you, Will - for the kind gesture and also for bringing this cut to my attention! |
|
|
• Keep The Fire Burning - Glenn Rivera ReStructure Mix - Gwen McCrae "Rockin' Chair" was a big hit for Gwen McCrae in the early '70's - it marked an important moment in soul music - in the early 80's Gwen recorded "Keep The Fire Burning". This song contained the full arrangement which soul music brought to the table in the early and mid 70's. It has always been one of my personal favorites and one of the most incredible vocal performances of it's time. ReStructured with love and dedicated to Felix Prince (1965-2006) a San Diego deejay who taught me so much and moved on recently - please visit www.prenoon.com |
|
|
• Zodiacs - Glenn Rivera ReStructure Mix - Roberta Kelly Giorgio Moroder and Pete Bellotte produced this tune which brings to mind a samba-like feel to disco beats. The horns bring Roberta's vocals alive and the flair of the backing emsemble is worth a listen - ReStructured with "cosmic-flair" and a driving tom-tom beat! Thanks to Archie for requesting this song. |
|
|
• Technological World - Glenn Rivera ReStructure Mix - Patrick Cowley Patrick Cowley's finale work before passed in 1982 - much too soon. As this LP proved his talents far beyond synthesizers and dance music. There is an eerie feel about this work which is probably because most of this LP was penned from his hospital bed. It was written that "Technological World" is a focus on the world reaching into technology yet as humans we tend to fall behind on our physical being - leaving the soul vulnerable. As he passed of AIDS, he was saddened to know that technology had come far, but still could not keep him alive. This music is genius! Paul Parker provides the sound which moves about the fascinating and electronic feel of this great piece of work. My ReStructure was requested by Alexei - and even provided a wonderful drum track which I worked in and out of the finale mix. If you haven't found this LP to be a wonder - you probably have not listened close enough. |
|
|
• Bad Girls - Glenn Rivera ReStructure Mix - Donna Summer This one has been requested so much that I had to fight myself to create the ReStructure - yah, right! I have always admired Summer's transitional period to the unmistakable "Disco Queen"! This one cooks at a higher temperature than your usual and familiar cooking time - I a lot of fun with this one. I hope you enjoy it! |
|
|
• Take Me Home - Glenn Rivera ReStructure Mix - Cher Bob Esty created a playground for Cher's sensual vocals in this disco classic. It was played many times during the peak of disco and perhaps known for a return for one of the industry's most celebrated artists. This ReStructure creates a more eventful arena for Cher to play in. |
|
|
• Dance (Disco Heat) - Glenn Rivera ReStructure Mix - Sylvester Who hasn't felt the power of this club anthem? Sylvester created a starting line for dancers to move all night long with this cut. The synthesizers zip along like a rabbit on steroids - thanks to wonderful and late, Patrick Cowley for his innovative and true disco synthesizers - without him we would still be waiting! Martha Wash and the late Izora Rhodes are gripping as the upfront chorus of this track - it is no wonder how they both brought a true gospel elegance to disco music from hereon. Sylvester will always live in disco music - he is closest to the "Godfather of Disco" than most artists for being so innovative and unaffected by the industry. This ReStructure runs over 11 minutes short! |
|
|
• Jungle DJ - Glenn Rivera ReStructure Mix - Kikrokos This beautiful medley from the "Jungle
DJ and Dirty Kate" LP on Polydor is one of Cerrone's
many Euro-Disco projects which helped to bring the sound of
a full orchestra together with an ensemble of soulful and
disco-fied vocals. A great sound for the a pair of headphones! |
|
|
•
Heaven Must Have Sent My Sugar Pie Honey Bunch - Glenn Rivera
ReStructure Mix - Bonnie Pointer |
|
|
•
Love and Desire - Glenn Rivera ReStructure Mix - Arpeggio |
|
|
•
Love Is The Answer - Glenn Rivera ReStructure Mix - Cerrone |
|
|
•
Boogie Woogie Dancin' Shoes - Glenn Rivera ReStructure Mix -
Claudja Barry |
|
|
•
Stardance - Glenn Rivera ReStructure Mix - John Forde |
|
|
•
Summer Fever - Glenn Rivera ReStructure Mix - Donna Summer I have taken the original and created a whole new surface for this monster! Enjoy! Special thanks to Jerome for the request! |
|
|
•
Love Masterpiece - Glenn Rivera ReStructure Mix - Thelma Houston |
|
|
•
Automatic Lover - Glenn Rivera ReStructure Mix - Sylvia This ReStructure extends the synthesizer tracks and loops the robotic lover throughout it. From 4 minutes to over 10! |
|
|
• Underwater - Glenn Rivera ReStructure Mix - Harry Thumann This cut may confuse you with a progressive arrangement of one of Meco's "Star Wars" disco numbers - it is one of the most exciting projects to be produced of it's time. The pumping bass lines and clever strings and horns create the perfect atmosphere for disco. My ReStructure was requested by Jon from UK and creates only loops and slight rearranged crescendos. This is my second entry for Harry Thumann for a ReStructure and well worth it! |
|
|
• Ride Like The Wind - Glenn Rivera ReStructure Mix - Christopher Cross More of a pop-classic, yet taken to the dance mix extreme! Christopher Cross' tune was heard all over and contained enough of what pop-dance was about - I have taken "Ride Like Like The Wind" and added beats below the original track along with an edit to extend the duration and feel. Thank you again, Jon! |
|
|
• Hot Stuff - Glenn Rivera ReStructure Mix - Donna Summer Donna's disco peak! The rockin'/disco cut was probably one that I would not touch due to it's existing perfection - thanks to Gustavo from www.Donna-Tribute.com for insisting on this being touched! Giorgio Moroder's finest gathering of production pieces pull a true hit that is timeless. |
|
|
• Love Hangover - Glenn Rivera ReStructure Mix - Diana Ross A driving rhythm guitar over a pulsating beat is the start of this masterpiece dance cut - from there I took it into a realm of ecstasy and disco's outer limits! This cut has been reworked and remixed - this ReStructure opens another door! Diana Ross was said to influence Donna Summer's sensual approach to vocals - thank goodness, Donna had a great coach. Thom requested this piece and asked for an erotic and flowing mix - this is it! |
|
|
• Rough Diamond - Glenn Rivera ReStructure Mix - Madleen Kane In 1978, during the disco explosion in
Munich, Germany this masterpiece was created. From French
production team, Michaele, Lana and Paul Sebastian (Theo Vaness,
Pacific Blue, Claire) this sharp cut is still reining among
many of it's time. The project reflects the sounds of Donna
Summer's production team during her first few albums. Lush
strings and unstoppable percussion keep Madleen's sensual
vocals moving throughout this great song. |
|
|
• Love You Inside Out - Glenn Rivera ReStructure Mix - Bee Gees Another Bee Gee's standard from their "Spirits Having Flown" LP - this cut deserved the funkiest reception being a true love song and in the flavor of their sweetest vocals. Tracking this number gave me a need to give it a cure for not only extension, but also embellish the lyrics and groovy guitar tracks. |
|
|
• E=Mc2- Glenn Rivera ReStructure Mix - Giorgio Giorgio Moroder became the wizard of electronic disco music during the mid and late 70's. Following much success with his "From Here To Eternity" LP and many synthetic productions on various Donna Summer cuts, he moved into a realm of pure digitally recorded music. "E=Mc2" was a breakthrough album. It brought his genius to the front of many producers and writers of his time. This cut was one that closed the album - I ReStructured it to open the sound of this innovative group of recordings. You can hear the effectiveness of the extended mix when you forget your listening to a loop of tracks and are pulled into the feel of the groove - this is Giorgio! Thank you to Jon - from Bus Stop for requesting this one! |
|
|
•
Heaven Must Be Missing An Angel - Glenn Rivera ReStructure
Mix - Tavares My ReStructure is spaced out and
contains a lengthy 3 part break to give a total "dance
essence" to this cut - Thanks to Paul from New York,
again. |
|
|
•
Native New Yorker - Glenn Rivera ReStructure Mix - Odyssey This ReStructure plays tribute the
finest that disco music ever offered - a taste of New York
with a groove. Paul brought brought this to mind and gave
me the ideal for a new polish! |
|
|
•
More, More, More - Glenn Rivera ReStructure Mix - Andrea True
Connection |
|
|
•
Let's All Chant - Glenn Rivera ReStructure Mix - Michael Zager
Band This ReStructure takes parts of the highly charged 12" version and places it among a new arrangement. Special thanks to Alexei for bringing this to mind. |
|
|
•
Voulez Vous - Glenn Rivera ReStructure Mix - ABBA |
|
|
•
Lay All Your Love On Me - Glenn Rivera ReStructure Mix - ABBA |
|
|
• Hot Shot - Glenn Rivera ReStructure Mix - Karen Young Disco emerged from an underground sound in the mid-70's and one of the pack-leaders was "Hot Shot" by Karen Young. There was a unique sound to this cut during it's time. The hand claps and horn sections raised the roof off many a dance floor, as well as Karen's powerful and tantalizing vocals! Paul from New York requested this ReStructure - I pulled out the percussion to guide this reedit into a new feel. |
|
|
• Magic Man - Glenn Rivera ReStructure Mix - Heart A bit more on the rock edge - but this hit by Heart was always around during the mid and late seventies. Those guitars always sounded heavy and a bit funky to me. I could always hear the "morning mix" potential in the extended album mix. My reedit takes the essence of the song and creates a theme of fantasy throughout this classic tune. |
|
|
• Hit and Run Lover - Glenn Rivera ReStructure Mix - Carol Jiani The early 80's were a wonderful opportunity
to recreate a dance sound for disco music. Many mainstream
artists were turning away from disco music following the backlash
of the late seventies. It was a great opportunity for the
"hard-core" producers and artists to move their
minds out of stagnation to a whole new disco sound. This cut
gave Denis LePage and Joe Lagreca a place for Canadian produced
dance music to stand tall and be noticed. |
|
|
• Sadness In My Eye - Glenn Rivera ReStructure Mix - Duncan Sisters Who did not become emotionally involved with this number? What a powerhouse production from the guys from THP (Three Hats Productions) and with the vocals of Phyllis and Helen Duncan - "goodnight!" My focus was only to bring a new sound to this tune - extending the haunting piano tracks and re-editing the arrangement. This ReStructure is dedicated to Rick Brissette - thanks for carrying this number throughout time! |
|
|
Long before her Broadway debut, Sarah Brightman was a disco contender for heading one of the campiest disco troupes. Her single, "I Lost My Heart To A Starship Trooper" was for those who could not get enough of that "galactic" sound. Truly a disco-fied single played to the hilt, it does merit some tasty elements - the keyboards are full of surprises. My ReStructure plays homage to the disco parody which sometimes, hits the ball far enough out of the field! |
|
|
• Shame, Shame, Shame - Glenn Rivera ReStructure Mix - Shirley and Company From the 2 and a half minute mix to ReStructure - this early underground classic club hit was always waiting for an extension. Now you can hear Shirley begging for some action! |
|
|
• The Safety Dance - Glenn Rivera ReStructure Mix - Men Without Hats Not quite a seventies dance tune, but a great early eighties dance addition. Following closely with a great disco synthesizer riff, the 12" dance remix outlined a great target mix. Classified as pop-dance this song became a great 80's icon number. I have taken the outline and ReStructured it towards a bottom disco mix - with a little experimental grooves. Thanks to Mario for requesting this one! |
|
|
• Lowdown - Glenn Rivera ReStructure Mix - Boz Scaggs A long time favorite and now extended beyond it's original mix. Boz Scaggs created a funky tune that seemed to last throughout the 70's as a classic disco song. It was the closest to lounge jazz and funk that disco ever came. Great horns and arrangements make this one forever lasting! Thanks to Jon from Bus Stop Records for requesting this one. |
|
|
• You Should Be Dancing - Glenn Rivera ReStructure Mix - Bee Gees This one still has more rhythm and funkiness than any other dance classic. That is why I placed it on the "cutting board" to dissect that wonderful Bee Gees sound that made more people dance than any other music during the 70's. |
|
|
• Got To Give In To Love - Glenn Rivera ReStructure Mix - Bonnie Boyer Bonnie Boyer is a native of Philly and what luck to have disco producer, Giuliano Salerni (Ultimate, Strange Affair, Carol LLyod, Tangerue, and Hi- Gloss) to place her behind the microphone for this single. It explodes with the airiness of that "full-disco sound" during the late '70s. The original gives us enough percussion and bass to follow along - this request completes a more dub feel with some seperation of chorus and breaks. Thank you, DJ Joey from New York! |
|
|
• Do Ya Think I'm Sexy - Glenn Rivera ReStructure Mix - Rod Stewart The reluctant disco convert, Rod Stewart brought this materpiece of disco/dance to us during the boom! It emphasises the core of rock and disco music combined. Thank you again, Paul! |
|
|
• I Got The Feelin' - Glenn Rivera ReStructure Mix - Two Tons O' Fun Martha Wash and the late, Izora Rhodes on top of the world! This kick-ass tune has always been a favorite of mine - and why not, those Patrick Cowley synthesizers are enough - add those divas crooning and it puts this one over the top! |
|
|
• Can't Live Without Your Love - Glenn Rivera ReStructure Mix - Tamiko Jones Randy Mueller produced this "outta-site" disco number with vocalist Tamiko Jones - it never falls short of the seventies dance floor appeal. Funky bass guitars and synthesizers move this cut around - my restructure has attempted to do the same. |
|
|
• Burnin' - Glenn Rivera ReStructure Mix - Carol Douglas Carol's hot disco theme! I have taken the congas and created an extended tribal feel to the original. Carol's vocals are still simmering below the hot rhythm! Thanks to Santiago for the suggestion! |
|
|
• Star Love - Glenn Rivera ReStructure Mix - Cheryl Lynn One of the most incredible vocal performances is Cheryl bringing us into another galaxy and time. I have taken the original tracks and reworked the arrangement focusing on guitar hooks and an ambient flavored back up. I attempted to breakdown the energy from the original 12" mixes which takes off shortly following Cheryl's intro - a new reverse feel hopefully adds a new experience. |
|
|
•
Lady Marmalade- Glenn Rivera ReStructure Mix - Labelle |
|
|
•
Love Spell - Glenn Rivera ReStructure Mix - Caress |
|
|
•
Soul Sister - Glenn Rivera ReStructure Mix - Ronnie Jones |
|
|
•
Hot Number - Glenn Rivera ReStructure Mix - Foxy |
|
|
•
Love Pains - Glenn Rivera ReStructure Mix - Yvonne Elliman |
|
|
•
In The Morning - Glenn Rivera ReStructure Mix - Carol Douglas From the dreamy medley "Midnight Love
Affair" comes the progressive sound of disco music of
it's time. The percussion and strings work this ballad-like
song into a frenzy of dance potential. I have taken the outline
and given it a lengthy challenge. |
|
|
•
Spring Affair - Glenn Rivera ReStructure Mix - Donna Summer Thank you for requesting this one, Peter! |
|
|
• Funkytown - Glenn Rivera ReStructure Mix - Lipps Inc. My first experience with this classic was assuming it was Giorgio Moroder. The heavy syntheziser riffs, creative arrangement and fantastic vocals - it was my only assumption. Learning later that Lipps Inc. was it's own studio group I was even more thrilled. My ReStructure Mix aims for the heart of this tune! I created a "funky" break along with some minimal new effects. |
|
|
•
Glad To Know You - Glenn Rivera ReStructure Mix - Chas Jankel Thank you, Mario! |
|
|
• Fairy Tale High - Glenn Rivera ReStructure Mix - Donna Summer More fairy dust - or some kinda dust. Well this was the 70's and the mode was fantasy and escape - this cut from the break through LP "Once Upon A Time" was probably one of the most awaited in the medley of this storybook dance. I have taken the 4 minute mix to 9 minutes with lots of extensions and effects throughout. If you can remember the feel of this song at it's time you will appreciate this ReStructure! |
|
|
• Think - Glenn Rivera ReStructure Mix - Alice Why would a German studio group remake a James Brown classic? For the funky instrumental possibilities! This is why I grabbed the 12" single on Blue Thumb Records from Belgium and created a lengthy funk-dub mix - the ReStructure is few on Alice's vocals - but think of a funky rap with a heavy German accent and you'll figure it out. Credits to E. "Galaxy" Van Damme and T. Gritzelis for the wonderful track - it is worth moving too! |
|
|
• Souvenirs - Glenn Rivera ReStructure Mix - Voyage The start of the disco explosion was filled with great and creative dance tracks - this Voyage classic is one that never runs thin. The wonderful production and explosive feel give this song the "disco-anthem" theme a run for the money. My ReStructure pulls more instrumental from the original 12" and plays on the vocal arrangements. It's a nice trip! |
|
|
• Dancing Queen - Glenn Rivera ReStructure Mix - ABBA (LINK REMOVED DUE TO COPYRIGHT COMPLAINT) This classic-of-classics was an attempt to draw a whole new attitude to the "queen". Many loops and edits provide a fresh approach to this tune. Anyone who has danced to ABBA's climatic disco theme has definitely looked for another way to "jive" - perhaps this is it? |
|
|
•
Toot The Shoot - Glenn Rivera ReStructure Mix - Shakatak Jazz fusion has is what Shakatak has always been about. They have maintained a sound which has grown to be sincere. Following "Down On The Streets," a fantastic dance cut, they have maintained their stand in the jazz genre. Jazz has always been the essence of dance - enter "Toot The Shoot". A down beat and funky excursion into jamming keyboards and a sassy female ensemble. My ReStructure pulls the mix into a Gino Soccio sounding phase mix and extends the funkiest elements with a new effect. Thank you, Armin! |
|
|
• Boogie Fever - Glenn Rivera ReStructure Mix - The Sylvers The pop-disco icon tune becomes the ReStructure workout! My pet English Bulldog is named "Boogie" and he has influenced this mix. |
|
|
• Back In My Arms- Glenn Rivera ReStructure Mix - Pointer Sisters Those wonderful vocals of the 3 divas that brought some of the greatest pop hits to the dance floor - this ReStructure Mix of "Back In My Arms" was laid out for a longer duration and some more looping. Thanks to Eric for requesting this one! |
|
|
• Burning - Glenn Rivera ReStructure Mix - Sapphire featuring Kelly Marie Before Cher began that roll of dance floor anthems Kelly had her own style of brilliant movers. This cut on the UK Passion label was an 80's tribute to love and hope. Taking the vocal track and looping several of Kelly's tasty vocal tracks created this blend. For Jaqi from Kelly's Official Website - thank you, Jaqi! |
|
|
• I'm On Fire - Glenn Rivera ReStructure Mix - Kelly Marie This Nigel Wright production created a wonderful foundation for Kelly's powerful vocals - I have always been in awe of his wonderful keyboards and drums. This ReStructure is once again, Kelly's dynamic style and presence! Each new break pulsates with energy. Thank you, Jaqui - there is more to come! |
|
|
•
Never Ending Story - Glenn Rivera ReStructure Mix - Limahl From Giorgio Moroder's keyboards this fantasy-like dance classic was brought to discotheques - I have taken the pumping synthesized tracks and Limahl's lyrical vocals to a new place. Intending to introduce the classic in a new way, I hope you will enjoy this ReStructure Mix. Personally, this is in my category for the most enjoyable excursions into the disco/fantasy realm. Based on the adventure film - every one like it should have a dance floor track like this... Hey Harry Potter, where is your great dance soundtrack? :) |
|
|
•
Don't Leave Me This Way - Glenn Rivera ReStructure Mix - Thelma
Houston The classic that is far from being improved! Only "ReStructured". This attempt was to break the fabulous vocals of Thelma down with a loop of musical genius. Another Motown classic! Just like dessert... |
|
|
•
Your Love Is So Good For Me - Glenn Rivera ReStructure Mix
- Diana Ross Rhythm guitars set this tune into a realm
of disco-funk! And along with the best Diana Ross "disco
vocals" with their breathy sensuality and effervescence.
This cut has always been the best of this period of dance
but was understated due to so much material of it's time.
Now you can hear the degree of Ross' attitude and outstanding
presence in disco music as it always has been. |
|
|
•
I Ain't Been Licked- Glenn Rivera ReStructure Mix - Diana
Ross Funky and fun - Diana Ross puts this one upfront with her wonderful vocal style. The fantastic arrangement along with those sharp horns are transformed into an extended ReStructure. |
|
|
•
You'll Never Find A Love Like Mine - Glenn Rivera ReStructure
Mix - Lou Rawls Perhaps the most incredible Gamble & Huff composition - very proud to call this a disco classic. It relays the energy and beauty that was most effective in early disco music. This edit is slightly broken with some phasing - but no match for the original flow - just here to keep it alive! |
|
|
• Don't Take Your Love To Hollywood - Glenn Rivera ReStructure Mix - Kelly Marie Simple and satisfying - Don't Take Your Love To Hollywood is truly a great dance cut in the "Hollywood" genre - that is why I have taken the mix to the same place. Kelly brings another ray of light to the dance floor with this cut. My re-edit brings in snippets of Faye Dunaway from "Mommie Dearest" and the drums of "Fox"! It's Kelly Marie month! Yeah! |
|
|
• Love's Got A Hold On You - Glenn Rivera ReStructure Mix - Kelly Marie Can you remember the first time a love
ballad grabbed your mind and soul? This cut created an experience
that I will never forget - it was like hearing Minnie Ripperton's
"Loving You" with a disco beat. Very flowing and
lyrical and with Kelly's fantastic vocals this song always
has a special place in my own heart. I placed emphasis on
a new arrangement but had to leave Kelly's outstanding vocals
upfront. This one is guaranteed to grow on you - it is like
a high school crush! Thank you again, Tony! |
|
|
• Love Trial- Glenn Rivera ReStructure Mix - Kelly Marie This single from Kelly Marie is one of those great early morning cuts. Kelly's vocals pull the song to a delightful peak for the dance floor. I have cut and rearranged the original outline of the song and created a whole new feel for it. It's slick keyboards create an interesting foundation for this powerful "diva". A special thanks to Tony (Webmaster) from Kelly's Offical Site for requesting this masterpiece! |
|
|
• Last Dance- Glenn Rivera ReStructure Mix - Donna Summer From the "Thank God It's Friday" soundtrack: this is only an attempt to create a new flow and edge for a classic tune. I can recall speaking to Bob Esty once, who actually arranged this tune and he did state that creating this dance gem was one great experience. I could never take on Donna's classic vocals - this is merely for amusement and a need to take the project on. |
|
|
• I'm Every Woman - Glenn Rivera ReStructure Mix - Chaka Khan Not a revamped house track - the original lush strings and pumping bass recreating another stage for Ms. Khan - this track always grooved well - this separation mix should take away any of your troubles. |
|
|
• Workin' and Slavin' (I Need Love) - Glenn Rivera ReStructure Mix - Midnight Rhythm |
|
|
• Quiet Village - Glenn Rivera ReStructure Mix - The Ritchie Family Immerse yourself into a pure disco experience: the drums and strings of "Quiet Village" by The Ritchie Family and the beautiful ensemble these ladies put forth is a true disco high! The reworking of this classic was only an excuse to bring it to the speakers and blast that bass line. I have taken the parts that I could remember resonating from the walls of the discotheque when I first heard it back in 1977. What a classic this is! |
|
|
• Keep On Rockin' - Glenn Rivera ReStructure Mix - Hemyl If you have never heard this early morning classic, this is your opportunity to experience one of the most incredible Italian dance productions. A beautiful vocal and tight keyboard production will leave a mark in your mind. This 1986 single was released on Merak Music out of Italy with 2 mixes - I have taken the M.M.G. mix and extended it beyond a dance mix. This is a must hear! |
|
|
• Stormy Weather - Glenn Rivera ReStructure Mix - Viola Wills This classic Viola Wills does a wonderful cover of the torch song that brought the blues down. This tempest remix is probably the closest thing to a real hurricane. The clippings of Viola's vocals are only seen through the tribal beats that pound out this melody - could this have been one of the original tribal dance cuts? Enjoy! |
|
|
Diana Ross' "Touch Me In The Morning" is no simple task to convert to a disco number. It's been done a few times, but not like Marlena Shaw's interpretation. Meco Menardo arranged this gem and gave it a place in disco classic's history. I took Marlena's ballad from the soundtrack "Looking For Mr. Goodbar" titled "Don't Ask To Stay Until Tomorrow" and blended the song into a medley for a whole new feel of "Touch Me In The Morning". If you know the ballad from the soundtrack, you will agree that Marlena takes another shot with such elegance to make it complete. The dialogue is playful between each song and fitting - I believe. |
|
|
• Harmony - Glenn Rivera ReStructure Mix - Suzi Lane One of Giorgio Moroders most outstanding productions. Very reminiscent of Donna Summer's concept LPs and just as effective. "Harmony" is the most impressive with it's flawless keyboards and Suzi's incredible vocals. I have taken the original production and reworked the keyboards and flow of this number. The perfection of the original can never be perfected - only amended. |
|
|
• Carry On, Turn Me On - Glenn Rivera ReStructure Mix - Space The vocals of Madeline Bell and the production and arrangement of Didier Marouani created this classic piece of dance music. Known to me as the first new age / ambient styled dance cut. The keyboards take Madeline's vocal to an ethereal galaxy and create a funky masterpiece. I have taken the remix by Flood and rearranged the base of the song and layered the vocals and pieces on it. If you aren't in awe of this cut, you are not paying attention. |
|
|
• Buenos Aires - Glenn Rivera ReStructure Mix - Festival "Evita" was the Broadway sensation of the late seventies - it is no doubt that a disco soundtrack topped the charts following closely in it's footsteps. Boris Midney created USA European Connection and Beautiful Bend from his powerful Eras Studio in New York - weaving magic with his imaginative and innovative disco arrangements. This production was no exception. The power of this segued medley of cuts from the opera are unique and flawless. Taking "Buenos Aires" to another mix was a pleasure. There is enough here to create a 'festival' - so to speak. Paul - Thank you for pressing the right buttons on the 70's jukebox! |
|
|
• Back To Music - Glenn Rivera ReStructure Mix - Theo Vaness One of the first "Stars On 45" Medley's - not quite. This magic tune was composed and pieced together with symphonic arrangements and gyrating synths, which keep it moving in a wonderful direction. I have taken the liberty to pull the medley material away from the wonderful overture and extend most of it's elements. Keeping it safe and sounding fresh. This classic was produced by Boona Music - Lana and Paul Sebastian who also produced Madleen Kane, Leonore O'Malley, , "You Gotta Dance" by Pacific Blue and "High On Love" by Claire. |
|
|
• Fame - Glenn Rivera ReStructure Mix - Grace Jones This was Grace Jones' first LP and probably the most forgettable for most - I don't see why. It was understandable that disco music was "dramatic" and this LP uses all of the proper phrases! Grace pushes everything she has to be on stage throughout this entire set. "Fame" has always been one of the hard-core classics here. This mix uses a few "star samples" and keeps moving with those wonderful congas by Larry Washington. Where would disco be without those bongos, as well as Grace? Paul - you did it again - tell me what you think of "Crest Of The Dolls" |
|
|
•
Up On The Roof - Glenn Rivera ReStructure Mix - Viola Wills From her 1980 album "If You Could Read My Mind" - Viola's cover of The Drifters' "Up On The Roof" from 1962 gets ReStructure Mix treatment and a new excitement to make us realize that this woman had more than we can handle. Produced by Jerry Mccabe Dedicated to the memory of Ms. Viola Wills (1939-2009) |
|
|
• Don't Stop The Train - Glenn Rivera ReStructure Mix - Phyllis Nelson |
|
|
• Mac Arthur Park- Glenn Rivera ReStructure Mix - Donna Summer Special thanks to Paul for requesting a Re-Structure Mix of this flawless classic! My execution is centered with the vocal content, as well as the instrumental possibilities. It was a sensitive approach - even though I allowed myself to create a looping into and finale. The thunder was never done before - I believe it gives the cut a new NRG level. Thanks again, Paul! |
|
|
• Feel It, Don't Fight It - Glenn Rivera ReStructure Mix - Atkins This beautiful dance number was omitted from many playlists because of it's original 4 minute mix - the outstanding production by Freddie Perrin proves a strong lasting effect in this number. The extended mix and breaks were created with a lot of heart. |
|
|
• Bette Davis Eyes- Glenn Rivera ReStructure Mix - Kim Carnes What a memory this was for Mario - this remix was inspired by his love for disco/dance music! |
|
|
• Make That Feeling Come Again!- Glenn Rivera ReStructure Mix - Beautiful Bend That feeling is back with a little rearranging. Boris Midney is a master of symphonic disco with a slight edge to it. This LP Beautiful Bend is the second time around with success - following the USA European Connection highlight! The only purpose of remixing Midney is to accent not challenge - even the tiniest of percussion riffs are perfectly placed in his productions. |
|
|
• Backstabbers/I Wish I Did'nt Miss You - Glenn Rivera ReStructure Mix - The O'Jays/Angie Stone |
|
|
• The Sphinx - Glenn Rivera ReStructure Mix - Harry Thumann Harry Thumann was an amazing talent and technician for recorded music in the late 70s and early 80s. His big hit “Underwater” was an example of his pure genius and technical abilities. The1979 track was one of the most innovation and fierce disco productions of a new sound for disco music. “The Sphinx” comes from his second album titled “Andromeda” from 1983. It is another faucet of Thumann’s ability to make an arrangement sound like a completely new orchestrated event. His past work includes a project titled Kangaroo, Wonder Dog and Piero. This ReStructure Mix of “The Sphinx” is guided to extend the album version and also bring it to the ears of disco lovers who may have missed the opportunity to discover this track which resonates early morning heaven! |
|
|
• American Hearts - Glenn Rivera ReStructure Mix - Billy Ocean |
|
|
• Dance, A Little Bit Closer - Glenn Rivera ReStructure Mix - Charo This is a subtle remix of the fantastic intro created by Walter Gibbons on the original remix - the keyboard is sharp and effective. I decided to move this piece of music throughout the song and also extend it's existence. Thank you Charo and Walter for your genius on this cut - it is a classic. |
|
|
• Dinner With Gershwin - Glenn Rivera ReStructure Mix - Donna Summer Taking parts of Gershwin tunes covered by great vocalists I blended them over the essential rhythm track of "Dinner With Gershwin" - I assumed that this could have been a great concept LP for Summer (as "I Remember Yesterday", "Once Upon A Time") - to cover more of Gershwin's tunes, since her outstanding vocals prove feasible. The electronic effects throughout the last break are intense - maybe intrusive - but I intended it to be. The cut needed to jump out after it delivers the load! |
|
|
• Dont Stop What Your Doin - Glenn Rivera ReStructure Mix - Alicia Myers This MCA cut was released as a 3:22 minute track - what's with that? I have listened to this tune from day one of it's release and wanted to hear Ms. Myers wonderful vocals to echo throughout a dance floor. You can experience the laying of Myer's vocals from these original tracks - my intent was not to better the tune, but to extend it. The loops and effects merely create a fantasy like environment. |
|
|
• Get Down, Get Down - Glenn Rivera ReStructure Mix - Melody Stewart Melody Stewart's "Action Satisfaction" was one of the first imports I embraced as being the rebirth of disco music. "Get Down, Get Down" is the appropriate anthem for disco's rebirth of the eighties, along with it's great title which we have shouted for years, "get down!" The production is one of the greater side of electronic work which would satisfy any dance floor today - "Presto!" here it is. |
|
|
• Heart Of Glass - Glenn Rivera ReStructure Mix - Blondie The original 12" single is a gem. One of the first Disco 12"" singles to strive with progression. A long extended mix with a great rhythm foundation and an instrumental flip. My purpose for remixing was to pull out of the instrumental that many never heard. Harry's outstanding vocal was another, but we all know that! |
|
|
• I Know Theres Something Going On - Glenn Rivera ReStructure Mix - Frida Produced by Phil Collins during a transitional phase this single by ABBA member Anni-Frid Synni Lyngstad, or Frida, was a great dance cut with a pleasurable hook within the core. A bit of a pop-rock arrangement set this one in a class of nu-wave dance vs. DOR (Dance Oriented Rock) - altogether makes a sweet and somewhat funky floor cut. I immersed myself in the vocal first which cannot be helped with a listen - the rest is structure and direction. Great dance cut! |
|
|
• I Want Your Love - Glenn Rivera ReStructure Mix - Chic Oh how the years of romance and disco are gone - not forever. The sweet sounds of Nile Rogers and Bernard Edwards guitars and then to top off with more of Norma Jean Wright (featured cut "Sorcerer" in Disco Clips), Luci Martin and Alfa Anderson's fantastic diva-vocals give, "I Want Your Love" a strong residue. My purpose was to create once again a study of the wonderful bass and lead guitar tracks as well as the effective vocals - no actual tracks to re-due this cut could present justice to the original. The best! |
|
|
• If I Can't Have You - Glenn Rivera ReStructure Mix - Yvonne Elliman Yvonne Elliman gave the vocal performance of the disco-era with this classic cut. I can't tell you any other reason I attempted to remix this besides the incredible production that Maurice, Robin and Andy Gibb bestows upon this tune. It is a bright strobe light in the class of disco music. Early signs of the disco back beat and touch-dancing rhythm guide this song into a frenzy of ear joy! My loops and reverbs on Elliman's vocals were only intended to extenuate the cut to a longer and lasting mix. This is truly an ear-candy piece. |
|
|
• Love Is In The Air - Glenn Rivera ReStructure Mix - John Paul Young Breezy disco music was the reason
for dance floors to take note of the power of disco. Any man
that can sing about "love in the air" and get away
with it in the seventies was a man on any dance floor. John
Paul Young scored highly with
this one. A true disco mix from the original tracks was a
challenge. The short intro was a problem for most jocks -
not here. I gave an extended intro the working into the great
vocals. And from there I felt around for a little "air"
- it created a longer mix and another chance to love this
tune even more. |
|
|
• Lucky - Glenn Rivera ReStructure Mix - Donna Summer Giorgio Moroder was responsible for
taking us "from here to eternity" once or twice.
This cut from Donna Summer's "Bad Girl" album was
always played from the segued 3rd side of the double LP set.
I always believed this was the early morning side of Giorgio's
synthesizers. They portray an effect of lust, desire and sexy
flare. I looped the intro and bridge of the cut to create
a lengthier mix - that was all, which was necessary. The cut
is flawless along with Donna's extreme vocals in a higher
end delivery give that panther-like sexiness we all grew to
love her with. Can this song be any more stamped as "disco"
as the club mood itself? |
|
|
• Mystery Of Love - Glenn Rivera ReStructure Mix - Donna Summer Quincy Jones worked well with Donna when
he was given the strength of his production values. It can
be felt in "Mystery Of Love". Along with the powerful
keywords, Donna's vocals fell well at home. This was my purpose
for the Restructure Mix - as well as the original cuts 4:25
length being way too short to either attempt to mix or to
dance with. Fantasy pulls me closer to the old world feel
and the mechanics of Quincy's guitar play. This one wins again
with a chance to remind us of Donna's diversity and vocal
strength. |
|
|
• Prelude To Love/Could It Be Magic - Glenn Rivera ReStructure Mix - Donna Summer The segue to "Could It Be Magic" which is "Prelude To Love" gave Donna a chance to pant and moan in ecstasy - there was never anything wrong with that. Donna was truly given the title "The First Lady Of Love" for a reason - unlike many female vocalists today that only attempt to imitate her style, there is only one break through style, as Donna displays. No one yet had done it - and though many criticize her past endeavor, it still remains unburied as though we are all memorized by its power. Could It Be Magic? My remix is truly one of respect
and awe of the many nights I would watch people sway and become
somewhat enchanted by Donna's power. It is a strong presence
of sexuality - but who can doubt that in it's own is not affecting? |
|
|
• Soft Targets - Glenn Rivera ReStructure Mix - Nona Hendrix Nona Hendrix gave us an incredible remake of "Do What You Wanna Do" with Materials steel synthed instrumental. It was a great opportunity to experience the great T-Connection classic. This cut is an example of material that could have been. "Soft Targets" is from her LP "The Art Of Self Defense" from 1984 - the LP cut had an intro which faded into a vocal - this ReStructure is an opportunity for the strong driven vocals of Nona to have a frame for the beautiful picture. You will find the breaks are mild and dreamy - much like the song itself. |
|
|
• Stand Up Sit Down - Glenn Rivera ReStructure Mix - AKB Great percussion and piano riffs are the craze in this cut. Produced and Arranged by Andy Kahn & Kurt Borusiewicz - these guys responsible for Karen Young's "Hot Shot" and that fantastic LP. My cuts are sporadic but give the breaks a chance to release more heat. |
|
|
• Tender Lovin' - Glenn Rivera ReStructure Mix - Funk Deluxe Funk Deluxe is a funk/disco project from Randy Muller (Brass Construction, Skyy) and has the components of charm and a groove which is the label of dance floors. This 1984 one-and-only album sounds much like work from Skyy and most likely contains many of the musicians and ensemble from their recordings. “Tender Lovin’” is one of my favorite tracks from Salsoul Records and was one heck of a hit on my floor with its lyrical chorus riff. This track went from peak hour to early evening and at times, closed the night and made lovers cling to sweat and love. I have taken the album version and have given it a slight edit – extending the sweetness and adding a few loops and phasing to remind you that the groove is where it is at. This ReStructure Mix is dedicated lovingly to my good friend Felix Prince who passed a few back but continues to make me smile and bring tears to my eyes from a wonderful friendship and lesson in music! |
|
|
• Tenderness - Glenn Rivera ReStructure Mix - Diana Ross Much like Chic's own material, this cut gave Diana a very relaxed way of utilizing her vocals throughout a funky arrangement. It is very alluring, much like "Your Love Is So Good To Me" and works very well for Ross. My attempt to remix the cut was only to extend the ecstasy. The atomic effects added were only to express the underlying excitement throughout the song. |
|
|
• To Have And Have Not - Glenn Rivera ReStructure Mix - Ronny Being a mild approach at the cross between disco/dance and nu-wave - Ronny is the cut with the trance-like Middle-Eastern keyboard riffs and heart pounding beats. This cut was introduced to me through a Casey Jones medley from a Disconet subscription. My only reason for editing was to pull more than a rabbit out of this great hat! |
|
|
• You - Glenn Rivera ReStructure Mix - Rita Collidge Rita Coolidge disco? You bet! This one I only ever heard once in a club called Barbary Coast in San Diego - but I remember seeing so many people "gettin' down" in a way that will never be seen again! It was funky for it's time and now extended. I remember hearing it back-to-back at that time - must have been 2 45's. This is better - the guitars are the staying power -- besides Rita's very sensual and powerful vocals. |
|
|
• You Make Loving Fun - Glenn Rivera ReStructure Mix - Fleetwood Mac When Fleetwood Mac finally started creating polished disco singles like "Little Lies" I could finally rest. It was long awaited. Until then I had to pretend to have a 12" single of their incredible songs with dance appeal - this ReStructure allows a breath of "dance-air" to settle any dance floor. Recently, I played this mix at a large function and to my surprise many dancers took off again! It was like being back in the 70's all over again. Thank goodness the mix was long - not long enough I could see from some of the movers. Enjoy! |
|
.jpg)
|
|
|
|
|
This
site was created for viewing at 1024 x 768 resolution monitor setting. |
